Crown Jewels Quotes

We've searched our database for all the quotes and captions related to Crown Jewels. Here they are! All 100 of them:

Holy crap,” I said. While staring off at Rose and Dimitri, a brilliant flash had caught my eye—a flash on Rose’s finger. “What’s that?” I exclaimed. “Did you rob Lissa’s crown jewels?
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Dear Woman, Sometimes you’ll just be too much woman. Too smart, Too beautiful, Too strong. Too much of something that makes a man feel like less of a man, Which will make you feel like you have to be less of a woman. The biggest mistake you can make Is removing jewels from your crown To make it easier for a man to carry. When this happens, I need you to understand You do not need a smaller crown— You need a man with bigger hands.
Michael Reid
What do I call you? ” he asked, turning to me. “The ‘Jewel of Bharata’ just seems too modest, don’t you think? ” “Call me Gauri.” “How intimate.” I glared. “Enjoy it, because that’s as intimate as this will ever get, Fox Prince.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
You never enjoy the world aright, till the Sea itself floweth in your veins, till you are clothed with the heavens, and crowned with the stars: and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and Kings in sceptres, you never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all Ages as with your walk and table: till you are intimately acquainted with that shady nothing out of which the world was made: till you love men so as to desire their happiness, with a thirst equal to the zeal of your own: till you delight in God for being good to all: you never enjoy the world.
Thomas Traherne (Centuries of Meditations)
And while one is brought up with luxury and caresses, and is thrown bewildered and despairing into a dark pit, another is lifted from the pit and raised to a throne where a jeweled crown is placed on his head. The world has no shame in doing this; it is prompt to hand out both pleasure and pain and has no need of us an our doings.
Abolqasem Ferdowsi (Shahnameh: The Persian Book of Kings)
I kind of like the idea of adorning women in crowns and jewels. Call me sexist, but I think the fair sex should be worshiped.” - Seth to Georgina
Richelle Mead (Succubus Shadows (Georgina Kincaid, #5))
We can pull atoms apart, peer back at the first light and predict the end of the universe with just a handful of equations, squiggly lines and arcane symbols that normal people cannot fathom, even though they hold sway over their lives. But it's not just regular folks; even scientists no longer comprehend the world. Take quantum mechanics, the crown jewel of our species, the most accurate, far-ranging and beautiful of all our physical theories. It lies behind the supremacy of our smartphones, behind the Internet, behind the coming promise of godlike computing power. It has completely reshaped our world. We know how to use it, it works as if by some strange miracle, and yet there is not a human soul, alive or dead, who actually gets it. The mind cannot come to grips with its paradoxes and contradictions. It's as if the theory had fallen to earth from another planet, and we simply scamper around it like apes, toying and playing with it, but with no true understanding.
Benjamín Labatut (When We Cease to Understand the World)
Rumours began with the whispered gossip of native servants and spread quickly to the rest of the population.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
English is not spare. But it is beautiful. It cannot be called truthful because its subtleties are infinite. It is the language of a people who have probably earned their reputation for perfidy and hypocrisy because their language itself is so flexible, so often light-headed with statements which appear to mean one thing one year and quite a different thing the next.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
the center, the cornerstone, the jewel in the crown of Christianity is not an idea, a system or a thing; it is not even “the gospel” as such. It is Jesus Christ.
Michael Reeves (Rejoicing in Christ)
The problem with 'the crown jewel of Chinese literature' [Dream of the Red Chamber] is that it has two thousand pages and an equal number of characters, and the hero is an effeminate ass who should have either been spanked or decapitated, both ends being equally objectionable.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
There’s a difference between trying to stop an injustice and obstructing justice.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
You seem to like everybody. It’s unnatural. It’s also unfortunate. You’re going to waste so much time before you’ve worked out who the people are it’s worth your while to know.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
DEAR WOMAN, Sometimes You’ll just be too much woman. Too smart, Too beautiful, Too strong. Too much of something That makes a man feel like less of a man, Which will start making you feel like you have to be less of a woman. The biggest mistake you can make Is removing jewels from your crown To make it easier for a man to carry. When this happens, I need you to understand, You do not need a smaller crown— You need a man with bigger hands.
Michael Reid (Dear Woman)
October made the leaves on Main Street fit for a crown. They dripped from the trees in jewel-toned shades: yellow and orange and fiery red. The cool wind sent a confetti-cluster of leaves down around us.
Natalie Lloyd (Over the Moon)
She seemed to fit into the air like a jewel in its crown.
Madeline Miller (Circe)
In Bharata, I guarded myself. Weakness was a privilege. It divided you, snipped out your secrets and gave every sliver power over you. I didn’t have parts to spare. Bharata called me their Jewel, and maybe I was like one. Not sparkling or precious. But a cold thing wearing a hundred faces. Like facets on a gem. One for every person.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
It's huge!" "That's what she said!" Cue riotous laughter as our bus rumbles past Big Ben. I want to roll my eyes, but I'm afraid pretty soon they're going to get stuck in the back of my head, and penis puns are really not worth my permanent facial damage. By the time our bus pulls up to the Tower of London, my expectations for the day are somewhere in the basement. Call me a cynic, but since Jason spent the entire time we toured Big Ben talking about how satisfied Mrs Ben must be, my guess is that a landmark famous for its crown jewels is not going to bring out his most charming comments, either.
Lauren Morrill (Meant to Be)
The world falls away, and we are no longer a prince and his harshest critic, but two flawed human beings needing to be understood.
Melanie Summers (The Royal Treatment (Crown Jewels Romance, #1))
One always saw and sees through pretense.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
What is a queen without a king?" "A dark, powerful creature with no man to temper her steel. You shall wield a sword as your crown, a whip as your jewels, and armor as your gown.
Emma Hamm (Veins of Magic (The Otherworld, #2))
I think he wants you because you were the jewel in another man's crown." The answer wound out of Will in the flickering light from the torch. "I think he has no idea of what you really are, or who he's trying to summon. If he did, he'd never dare plunder the grave of a king.
C.S. Pacat (Dark Rise (Dark Rise, #1))
I'm the Firebird, not another jewel for your crown.
Alexandra Overy (These Feathered Flames (These Feathered Flames, #1))
Deny people something they want, over a longish period, and they naturally start disagreeing about precisely what it is they do want.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
How can people be punished when they are innocent?
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
Bodily and spiritual affliction are the surest sign of Divine predilection. Gratitude for suffering is a precious jewel for our heavenly crown... Man should always firmly believe that God sends just that trial which is most beneficial for him.
Gertrude the Great
Yeah, sure,” I scoffed. “You’re the picture of respectability and moral character…You expect me to believe you were your parents’ worst nightmare? What was your criminal act of choice—drunken bar fights? Or maybe grand theft auto? Don’t tell me you sold the crown jewels to buy drugs…It’s so disappointingly cliché.
M.A. George (Proximity (Proximity, #1))
Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.” “I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.” “A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand. “Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet. “Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
Around us the city glittered in shades of orange and silver, like a paste jewel in a tinfoil crown.
Alexis Hall (Glitterland (Spires, #1))
Marriage means you stay together and work it out, no matter what the problem.
Melanie Summers (The Royal Wedding (Crown Jewels Romance, #2))
A crown is heavy without mercy - and yet the darkness painted the gold with jewels.
Laura Chouette
Europe shall be the head, Asia the crown, but Africa shall be the jewel. "Another Prognostication by Theophrastus Paracelsus
Paracelsus (The Prophecies of Paracelsus)
I am an old man. I am entitled, am I not, to say what I think?—and of course to stray from the point.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
The structure of a friendship is seldom submitted to analysis until it comes under pressure;
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
the unexpected side of a man’s personality is more memorable than the proof he may appear to give from time to time that he is unchanged, unchangeable.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
She had to make her own marvelous mistakes.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
in this life, living, there is no dignity except perhaps in laughter.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
It is said that he spoke the language of the greased palm, and this language is international.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
Romesh Chand was a man who did not believe in telephones, in the necessity for telephones,
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
it’s the people we make our lives with that make our lives. Not our careers or titles or bank accounts.
Melanie Summers (The Royal Delivery (Crown Jewels, #3))
He paused, giving her a sweet smile of understanding. "You don't have to start with the crown jewels, you know. You could start with my lips then work your way down.
Sara Daniel (More than a Fantasy (1Night Stand #134))
Soar on to the King, the crown jewel, And then you'll truly see That nothing is as beautiful As His grand Majesty.
Rabiah York Lumbard (The Conference of the Birds)
Big enough to matter, small enough to lead, good fit with your crown jewels. If
Geoffrey A. Moore (Crossing the Chasm: Marketing and Selling Disruptive Products to Mainstream Customers)
The IRF is the most advanced Biosafety Level 4 research facility in the world, and it is a crown jewel of the National Institutes of Health.
Richard Preston (Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come)
When you spoke to her there wasn’t any mystery. In herself she was all the explanation I felt she needed. And that is rare, isn’t it? To be explained by yourself, by what you are and what you do, and not by what you’ve done, or were, or by what people think you might be or might become.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
Only the neurosurgeon dares to improve upon five billion years of evolution in a few hours. The human brain. A trillion nerve cells storing electrical patterns more numerous than the water molecules of the world’s oceans. The soul’s tapestry lies woven in the brain’s nerve threads. Delicate, inviolate, the brain floats serenely in a bone vault like the crown jewel of biology. What motivated the vast leap in intellectual horsepower between chimp and man? Between tree dweller and moon walker? Is the brain a gift from God, or simply the jackpot of a trillion rolls of DNA dice?
Frank T. Vertosick Jr.
Well, life is not just a business of standing on dry land and occasionally getting your feet wet. It is merely an illusion that some of us stand on one bank and some on the opposite. So long as we stand like that we are not living at all, but dreaming. So jump, jump in, and let the shock wake us up. Even if we drown, at least for a moment or two before we die we shall be awake and alive.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
She’d never worked out how he’d done it, how he’d found that healthy pink part of himself among the wreckage of everything else. But she didn’t blame him. Not in the least. She wished she could do the same; she wished she could pack a couple of large suitcases and say good-bye to herself, wish herself a good life, thank herself for all the memories, look fondly upon herself for just one long, lingering moment and then shut the door quietly, chin up, morning sun playing hopefully on the crown of her head, a bright new future awaiting her. She would do it in a flash. She really would.
Lisa Jewell (Then She Was Gone)
She did not use those gray eyes on me. If she had, I would have refused her. She waited only. It was true that [waiting] looked well on her. She seemed to fit into the air like a jewel in its crown.
Madeline Miller (Circe)
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. Two, the sword: that sometimes best is second-best. Three, the shield: that sometimes freedom must be fought for. Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. Five, the ruby heart’s stone: that love never dies. Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. Seven, the key-that-opens-all-locks: that accidents happen for a reason. Eight, the Throne: that power can corrupt. Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
...I take some pride in the fact that while thrones were toppling and governments melting away overnight, I was heading for home with a set of crown jewels. There’s a moral there, I think, if I could only work out what it was.
George MacDonald Fraser (Royal Flash (The Flashman Papers, #2))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. "Two, the sword: that sometimes best is second-best. "Three, the shield: that sometimes freedom must be fought for. "Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. "Five, the ruby heart’s stone: that love never dies. "Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. "Seven, the key-that-opens-all-locks: that accidents happen for a reason. "Eight, the Throne: that power can corrupt. "Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. "And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
In such a fashion human beings call for explanations of the things that happen to them and in such a way scenes and characters are set for exploration, like toys set out by kneeling children intent on pursuing their grim but necessary games.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
She had devoted her life, in a practical and unimportant way, trying to prove that fear was evil because it promoted prejudice, that courage was good because it was a sign of selflessness, that ignorance was bad because fear sprang from it, that knowledge was good because the more you knew of the world’s complexity the more clearly you saw the insignificance of the part you played.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone.
J.R.R. Tolkien (The Silmarillion)
The frog answered, "I do not care for thy clothes, thy pearls and jewels, or thy golden crown, but if thou wilt love me and let me be thy companion and play-fellow, and sit by thee at thy little table, and eat off thy little golden plate, and drink out of thy little cup, and sleep in thy little bed—if thou wilt promise me this I will go down below, and bring thee thy golden ball up again.
Jacob Grimm (Grimm's Fairy Tales)
There are images that stay vividly in your mind, even after many years: images coupled with the feeling that at the same time came to you. Sometimes you can know that such an image has been selected to stay with you forever out of the hundreds you every day encounter.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
By day fantastic birds fly through the petrified forest, and jeweled crocodiles glitter like heraldic salamanders on the banks of the crystalline river, and where by night the illuminated man races among the trees, his arms like golden cartwheels and his head like a spectral crown.
J.G. Ballard (The Crystal World)
Now listen carefully, Arjuna, this is the king of secrets, the crown jewel, the law of life at the spiritual level. If you think of Me only and constantly revere and worship Me with your mind and heart undistracted, I will personally carry the burden of your welfare; I will provide for your needs and safeguard what has already been provided. Just as the baby in the womb gets protection and nourishment due to its connection with the mother, humans also get refuge when connected with Me. But this is even greater than the baby-mother relationship because this shelter is for eternity!
Krishna-Dwaipayana Vyasa
Dortchen was called the wild one because one day, when she was seven years old, she had got lost in the forest. She had wandered off to a far-distant glade where a willow tree trailed its branches in a pool of water. Dortchen crept within the shadowy tent of its branches and found a green palace. She wove herself a crown of willow tendrils and collected pebbles and flowers to be her jewels. At last, worn out, she lay down on a velvet bed of moss and fell asleep.
Kate Forsyth (The Wild Girl)
Then breaking the silence Thingol said: 'Go your way therefore! Bring to me in your hand a Silmaril from Morgoth's crown; and then, if she will, Lúthien may set her hand in yours. Then you shall have my jewel; and though the fate of Arda lie within the Silmarils, yet you shall hold me generous.' And those that heard these words perceived that Thingol would save his oath, and yet send Beren to his death; for they knew that not all the power of the Noldor had availed even to see from afar the shining Silmarils of Feanor. For they were set in the Iron Crown, and treasured in Angband above all wealth; and Balrogs were about them, and countless swords, and strong bars, and unassailable walls, and the dark majesty of Morgoth. But Beren laughed. 'For little price,' he said, 'do Elven-kings sell their daughters: for gems, and things made by craft. But if this be your will, Thingol, I will perform it. And when we meet again my hand shall hold a Silmaril from the Iron Crown; for you have not looked the last upon Beren son of Barahir.
J.R.R. Tolkien (The Silmarillion)
Talking on a landline with no interruptions used to be an everyday thing. Now it's exotic; the jewel in the crown.
Sherry Turkle (Alone Together: Why We Expect More from Technology and Less from Each Other)
Even when I'm not looking for a meaning one springs naturally to my mind. Do you think it is a disease?
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
I knew this was a jewel of a day that would glow bright for my whole life, brighter than any ruby in Macbeth's crown.
Jackie French (Third Witch)
Our friends are the jewels in our crown of contentment.
Sarah Ban Breathnach (Simple Abundance: A Daybook of Comfort of Joy)
Glass that housed a lonely soul up til midnight's final toll. A saber from the deepest sea, meant for a groom's morality. The bark of a basket held in fright while running from a bark with bite. A stony crown that's made to share, found deep within a savage lair. A needle that pierced the lovely skin of a princess with beauty found within. A wavy lock of golden rope that once was freedom's only hope. Glittering jewels whose value increased after preserving the false deceased. Teardrops of a maiden fairy feeling neither magical nor merry.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
An hour later, thoroughly appalled with the state of the cabin now that she had given it a thorough assessment, Camilla sailed into the shed. She was armed with a long list. "You need supplies." "Hand me that damn wrench." She picked up the tool and considered herself beyond civilized for not simply bashing him over the head with it. "Your home is an abomination. I'll require cleaning supplies - preferably industrial strength. And if you want a decent meal, I'll need some food to stock the kitchen. You have to go into town." He battled the bolt into submission, shoved the switch on. And got nothing but a wheezy chuckle out of the generator. "I don't have time to go into town." "If you want food for your belly and clean sheets on which to sleep, you'll make time.
Nora Roberts (Cordina's Crown Jewel (Cordina's Royal Family, #4))
I want to marry you, not because you have the strength of will to save my desperate country, but because you have stolen my heart for some months now, and I want to spend every second I can in your presence. If you choose to marry me, I will treasure your love and loyalty more than the crown jewels, and I will do my best to make you happy and to make you smile and laugh for the rest of your life. I am from Erlauf, not Trieux, and most of my worth is based on my military position rather than my royal title. It’s not what you deserve, but I ask that you would consider it, consider me. Cinderella, will you marry me?” Friedrich’s eye shone with love, and perhaps a little fear. He was usually a man nearly impossible to read. The display of trust twisted her heart. Cinderella
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)
She gives me a look. You all know the one I’m talking about—like she can’t decide whether she wants to roll her eyes, knee me in the crowned jewels, or laugh. I tend to have that effect on people, particularly women.
Katie May (Blindly Indicted (Blindly #1))
Kumar was a man who felt in the end he had lost everything, even his Englishness, and could then only meet every situation—even the most painful—in silence, in the hope that out of it he would dredge back up some self-respect.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
A hug is not always the right answer, you know. But as she felt his arms around her, his warm breath against the crown of her head, she thought that it might not be an answer, but it was certainly better than yet another question.
Lisa Jewell (Watching You)
When I went back to Iraq again, after the liberation was complete, I was myself engaged on a sort of "dig", and I decided to travel with Paul Wolfowitz. It was in its own way an archaeological and anthropological expedition. Here are some of the things we unearthed or observed. Unnoticed by almost everybody, and unreported by most newspapers, Saddam Hussein's former chief physicist Dr. Mahdi Obeidi had waited until a few weeks after the fall of Baghdad to accost some American soldiers and invite them to excavate his back garden. There he showed them the components of a gas centrifuge--the crown jewels of uranium enrichment--along with a two-foot stack of blueprints. This burial had originally been ordered by Saddam's younger son Qusay, who had himself been in charge of the Ministry of Concealment, and had outlasted many visits by "inspectors". I myself rather doubt that Hans Blix would ever have found the trove on his own.
Christopher Hitchens (Hitch 22: A Memoir)
No one escapes the wounding of the soul. You, much like me may have many questions of a painful past and focus on that pain. Maybe you have sought love and affection only to be used and left empty inside. Even now you close yourself off determined never to be hurt again so no one will ever see the beauty that lies within. I want to tell you as a woman or man you are highly valued in the eyes of God. You are His Crowning jewel of all creation. You are the pearl. We are all pearls of great value.
Cecibel Contreras (Rainbows in the Dark)
It's an Anglo-Saxon failing, I suppose. Constantly we want proof, here and now, proof of our existence, of the mark we've made, the sort of mark we can wear round our necks, to label us, to make sure we're never lost in that awful dark jungle of anonymity.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
Because you do not happen to be married does not make you essentially different from others. All of us are very much alike in appearance and emotional responses, in our capacity to think, to reason, to be miserable, to be happy, to love and be loved. You are just as important as any others in the scheme of our Father in Heaven, and under His mercy no blessing to which you otherwise might be entitled will forever be withheld from you. . . . I do not worry about you young men who have recently returned from the mission field. You know as well as I what you ought to do. It is your responsibility and opportunity, under the natural process of dating and courting, to find a wonderful companion and marry in the house of the Lord. Don’t rush it unduly and don’t delay it unduly. “Marry in haste and repent at leisure” is an old proverb that still has meaning in our time. But do not dally along in a fruitless, frustrating, and frivolous dating game that only raises hopes and brings disappointment and in some cases heartache. Yours is the initiative in this matter. Act on it in the spirit that ought to prompt every honorable man who holds the priesthood of God. Live worthy of the companionship of a wonderful partner. Put aside any thought of selfish superiority and recognize and follow the teaching of the Church that the husband and wife walk side by side with neither one ahead nor behind. Happy marriage is based on a foundation of equal yoking. Let virtue garnish your courtship, and absolute fidelity be the crown jewel of your marriage.
Gordon B. Hinckley
Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues - wild and free - that stopped at the city walls. In time, the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery. To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice.
Mark Helprin (Winter’s Tale)
Nice, hey?’ Her voice was just a wisp of sound. He lifted his head slightly so his smile bathed her in sunshine. ‘Nice like the crown jewels in the Tower of London are nice.’ ‘Or Almond Joys are nice.’ He laughed. ‘Christ, I can’t stay mad at you. You’re fucking irresistible. What the hell are we going to do?’ ‘I don’t know about we, but moi is going to love you to pieces. You’re way better even than an Almond Joy.’ ‘And I can make this way better, baby.’ Unwinding her legs from his waist, he stood up, grasped her thighs lightly and set the swing in motion.
C.C. Gibbs (All He Desires (All or Nothing, #3))
Gabriel Duke. You are a complete hypocrite." "A hypocrite? Me?" "Yes, you. Mr. I-Know-a-Hidden-Tresaure-When-I-See-It. You said you know how to spot undervalued things. Undervalued people. And yet you persist in selling yourself short. If I'm the crown jewels in camouflage, you're a..." She churned the air with one hand. "... a diamond tiara." He grimaced. "Fine, you can be something manlier. A thick, knobby scepter. Will that suffice?" "I suppose it's an improvement." "For weeks, you've been insisting you haven't the slightest idea what it means to give a creature a loving home. 'I'm too ruthless, Penny. I'm only motivated by self-interest, Penny. I'm a bad, bad man, Penny.' And all this time, you've been running an orphanage? I could kick you." "I'm not running an orphanage. I give the orphanage money. That's all." "You gave them kittens." "No, you gave them kittens." "You sent them gifts at Christmas. Playthings and sweets and geese to be roasted for their dinner." "It was the only business I could attend to on Christmas, and I don't like to waste the day. All the banks and offices are closed." She skewered him with a look. "Really. You expect me to believe that?" He pushed a hand through his hair. "What is your aim with this interrogation?" "I want you to admit the truth. You are giving those children a home. A place of warmth and safety, and yes, even love. Meanwhile, you are stubbornly denying yourself all the same things." "I can't be denying myself if it's something I don't want." "Home isn't something a person wants. It's something every last one of us needs. And it's not too late for you, Gabriel." She gentled her voice. "You could have that for yourself.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Prophecy, annunciation, virginity. A hidden sword, an angel bearing a crown of jewels. An army of knights, a cloud of butterflies, a phallic arrow that missed its mark. A tower cell, an evil bishop, a king’s betrayal. A heart that would not burn, a dove that flew from the flames that failed to dispatch that immortal heart.
Kathryn Harrison (Joan of Arc: A Life Transfigured)
And what was she like?” “Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester’s: large and black, and as brilliant as her jewels.  And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw.  She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee.  She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls.
Charlotte Brontë (Jane Eyre)
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
What is to be made known is what God is going to bring out of human history, what Malachi 3:17 describes as his “jewels” (KJV). What God is going to bring out of human history in his people is going to be the greatest reflection of God’s own glory, wisdom, and love. That is what human history is about. It is to make a society of the redeemed that will be the crown jewel of creation. And when we look at all of the terrible things that happen in human history, when we look at the extent of human evil in it, we want to remember what would be lost if human history had not happened. What would be lost is precisely this crown jewel of creation, which consists of Christlike people living together with the kind of love that the members of the Trinity have for one another and enjoying that full, shared, self-subsistent being that characterizes God himself as God dwells in those people.
Dallas Willard (The Allure of Gentleness: Defending the Faith in the Manner of Jesus)
For years, since the eighteenth century, and in each century since, we have said at home, in England, in Whitehall, that the day would come when our rule in India will end, not bloodily, but in peace, in—so we made it seem—a perfect gesture of equality and friendship and love. For years, for nearly a century, the books that Indians have read have been the books of our English radicals, our English liberals. There has been, you see, a seed. A seed planted in the Indian imagination and in the English imagination. Out of it was to come something sane and grave, full of dignity, full of thoughtfulness and kindness and peace and wisdom. For all these qualities are in us, in you, and in me, in old Joseph and Mr. Narayan and Mr. White and I suppose in Brigadier Reid. And they were there too, in Mr. Chaudhuri. For years we have been promising and for years finding means of putting the fulfilment of the promise off until the promise stopped looking like a promise and started looking only like a sinister prevarication, even to me, let alone to Indians who think and feel and know the same as me. And the tragedy is that between us there is this little matter of the colour of the skin, which gets in the way of our seeing through each other’s failings and seeing into each other’s hearts. Because if we saw through them, into them, then we should know. And what we should know is that the promise is a promise and will be fulfilled.” But
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
And for Miss Crane there was something else besides, a feeling she had often had before, a feeling in the bones of her shoulders and the base of her skull that she was about to go over the hump thirty-five years of effort and willingness had never got her over; the hump, however high or low it was, which, however hard you tried, still lay in the path of thoughts you sent flowing out to a man or woman whose skin was a different color from your own. Were it only the size of a pebble, the hump was always there, disrupting the purity of that flow, the purity of the thoughts.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.” Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?” Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration. “So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?” “Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“ Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“ Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.” “And what,” Sutherland gritted, “do you claim is the reason you decided you ought?” “I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.” “Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.
Judith McNaught (Almost Heaven (Sequels, #3))
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
Melissa Jensen (The Fine Art of Truth or Dare)
In the name of Him Who created and sustains the world, the Sage Who endowed tongue with speech. He attains no honor who turns the face from the doer of His mercy. The kings of the earth prostate themselves before Him in supplication. He seizes not in haste the disobedient, nor drives away the penitent with violence. The two worlds are as a drop of water in the ocean of His knowledge. He withholds not His bounty though His servants sin; upon the surface of the earth has He spread a feast, in which both friend and foe may share. Peerless He is, and His kingdom is eternal. Upon the head of one He placed a crown another he hurled from the throne to the ground. The fire of His friend He turned into a flower garden; through the water of the Nile He sended His foes to perdition. Behind the veil He sees all, and conceal ed our faults with His own goodness. He is near to them that are downcast, and accepts the prayers of them that lament. He knows of the things that exist not, of secrets that are untold. He causes the moon and the sun to revolve, and spreads water upon the earth. In the heart of a stone hath He placed a jewel; from nothing had He created all that is. Who can reveal the secret of His qualities; what eye can see the limits of His beauty? The bird of thought cannot soar to the height of His presence, nor the hand of understanding reach to the skirt of His praise. Think not, O Saadi, that one can walk in the road of purity except in the footsteps of Mohammed (Peace and Blessings be Upon Him)
Saadi (The Bustan of Sa'di)
Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father's palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. [...]. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error.
Thomas Traherne
MICHAEL ROBARTES REMEMBERS FORGOTTEN BEAUTY When my arms wrap you round I press My heart upon the loveliness That has long faded from the world; The jewelled crowns that kings have hurled In shadowy pools, when armies fled; The love-tales wove with silken thread By dreaming ladies upon cloth That has made fat the murderous moth; The roses that of old time were Woven by ladies in their hair, The dew-cold lilies ladies bore Through many a sacred corridor Where such gray clouds of incense rose That only the gods’ eyes did not close: For that pale breast and lingering hand Come from a more dream-heavy land, A more dream-heavy hour than this; And when you sigh from kiss to kiss I hear white Beauty sighing, too, For hours when all must fade like dew But flame on flame, deep under deep, Throne over throne, where in half sleep Their swords upon their iron knees Brood her high lonely mysteries.
W.B. Yeats (Complete Poetry and Plays)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Well?" said Loki. "What about you, Heimdall? Do you have any suggestions?" "I do," said Heimdall. "But you won't like it." Thor banged his fist down upon the table. "It does not matter whether or not we like it," he said. "We are gods! There is nothing that any of us gathered here would not do to get back Mjollnir, the hammer of the gods. Tell us your idea, and if it is a good idea, we will like it." "You won't like it," said Heimdall. "We will like it!" said Thor. "Well," said Heimdall, "I think we should dress Thor as a bride. Have him put on the necklace of the Brisings. Have him wear a bridal crown. Stuff his dress so he looks like a woman. Veil his face. We'll have him wear keys that jingle, as women do, drape him with jewels -" "I don't like it!" said Thor. "People will think... well, for a start they'll think I dress up in women's clothes. Absolutely out of the question. I don't like it. I am definitely not going to be wearing a bridal veil. None of us like this idea, do we? Terrible, terrible idea. I've got a beard. I can't shave off my beard." "Shut up, Thor," said Loki son of Laufey. "It's an excellent idea.
Neil Gaiman
I have a covenant with almighty God sealed with the blood of Jesus. He has set me free from the waterless pit. Never again will I be unsatisfied with life. He has become my stronghold of safety and prosperity. He has restored to me double what was taken from me. He has bent me like a bow and filled me with His own power. He has stirred me up and made me like a warrior’s sword. Jesus, the warrior of warriors whose arrow flashes like lightning, is my supreme commander. I follow His every command and rally to His side when He sounds the battle horn. He is my very strength and shield of protection in the midst of the battle. Together, we destroy and overcome the enemy with heaven’s own artillery. I drink deeply of the Spirit and roar as one filled with wine. I am full to the brim with the anointing of God. The Lord has taken His stand at my side and sees to it that I rise victorious in every battle. I sparkle in His land like a jewel in a crown. He has made me as one to be envied—radiant and attractive to the eye—and I prosper and succeed in all that He has called me to do. (Hebrews 2:10; 8:6; John 10:10; Psalm 91:16; Job 42:10; Colossians 1:29; Ephesians 1:19; 5:18; 6:10-18; Genesis 12:1-3; 15:1; 1 John 2:20; 1 Corinthians 15:57; Romans 8:37; Daniel 1:4; Deuteronomy 28:12)
James Riddle (Complete Personalized Promise Bible for Women)
Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.” Sutherland was no longer certain whether he’d been duped, but he sensed that he’d lost his effort to make Elizabeth sound like a clever, scheming adulteress or a terrified, intimidated wife. The bizarre story of her flight with her brother had now taken on a certain absurd credibility, and he realized it with a sinking heart and a furious glower. “Madam, would you perjure yourself to protect that man?” His arm swung toward Ian, and Elizabeth’s gaze followed helplessly. Her heart froze with terror when she saw that, if anything, Ian looked more bored, more coldly remote and unmoved than he had before. “I asked you,” Sutherland boomed, “if you would perjure yourself to save that man from going to the gallows next month.” Elizabeth would have died to save him. Tearing her gaze from Ian’s terrifying face, she pinned a blank smile on her face. “Next month? What a disagreeable thing to suggest! Why, next month is-is Lady Northam’s ball, and Kensington very specifically promised that we would go”-thunderous guffaws exploded, rocking the rafters, drowning out Elizabeth’s last words-“and that I could have a new fur!!” Elizabeth waited, sensing that she had succeeded, not because her performance had been so convincing, but because many of the lords and wives who never thought beyond the next gown or ball or fur, and so she seemed entirely believable to them. “No further questions!” Sutherland rapped out, casting a contemptuous glance over her. Peterson Delham slowly arose, and though his expression was carefully blank, even bemused, Elizabeth sensed rather than saw that he was silently applauding her. “Lady Thornton,” he said in formal tones, “is there anything else you have to say to this court?” She realized that he wanted her to say something else, and in her state of relieved exhaustion Elizabeth couldn’t think what it was. She said the only thing she could think of, and she knew soon after she began speaking that he was pleased. “Yes, my lord. I wish to say how very sorry I am for the bother Bobby and I have caused everyone. I was wrong to believe him and to dash off without a word to anyone. And it was wrong of him to remain so angry with my husband all this time over what was, after all, rather an act of kindness on his part.” She sensed that she was going too far, sounding too sensible, and she hastily added, “If Kensington had had Bobby tossed into gaol for trying to shoot him, I daresay Bobby would have found it nearly as disagreeable a place as I. He is,” she confided, “a very fastidious person!” “Lady Thornton!” the Lord Chancellor said when the fresh waves of laughter had diminished to ripples. “You may step down.” At the scathing tone in his voice, Elizabeth dared a look in his direction, and then she almost missed her step when she saw the furious scorn on his face. The other lords might think her an incorrigible henwit, but the Lord Chancellor looked as if he would personally have enjoyed throttling her.
Judith McNaught (Almost Heaven (Sequels, #3))
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The Jewel in Her Crown, which showed the old Queen (whose image the children now no doubt confused with the person of Miss Crane) surrounded by representative figures of her Indian Empire: princes, landowners, merchants, moneylenders, sepoys, farmers, servants, children, mothers, and remarkably clean and tidy beggars. The Queen was sitting on a golden throne, under a crimson canopy, attended by her temporal and spiritual aides: soldiers, statesmen and clergy. The canopied throne was apparently in the open air because there were palm trees and a sky showing a radiant sun bursting out of bulgy clouds such as, in India, heralded the wet monsoon. Above the clouds flew the prayerful figures of the angels who were the benevolent spectators of the scene below. Among the statesmen who stood behind the throne one was painted in the likeness of Mr. Disraeli holding up a parchment map of India to which he pointed with obvious pride but tactful humility. An Indian prince, attended by native servants, was approaching the throne bearing a velvet cushion on which he offered a large and sparkling gem. The children in the school thought that this gem was the jewel referred to in the title. Miss Crane had been bound to explain that the gem was simply representative of tribute, and that the jewel of the title was India herself, which had been transferred from the rule of the British East India Company to the rule of the British Crown in 1858, the year after the Mutiny when the sepoys in the service of the Company (that first set foot in India in the seventeenth century) had risen in rebellion, and attempts had been made to declare an old Moghul prince king in Delhi, and that the picture had been painted after 1877, the year in which Victoria was persuaded by Mr. Disraeli to adopt the title Empress of India.
Paul Scott (The Raj Quartet, Volume 1: The Jewel in the Crown)
Observe the condescension of this fact. This Man, who towers above all other men, holy, harmless, undefiled, and separate from sinners--this Man receiveth sinners. This Man, who is no other than the eternal God, before whom angels veil their faces--this Man receiveth sinners. It needs an angel's tongue to describe such a mighty stoop of love. That any of us should be willing to seek after the lost is nothing wonderful--they are of our own race; but that he, the offended God, against whom the transgression has been committed, should take upon himself the form of a servant, and bear the sin of many, and should then be willing to receive the vilest of the vile, this is marvellous. "This Man receiveth sinners;" not, however, that they may remain sinners, but he receives them that he may pardon their sins, justify their persons, cleanse their hearts by his purifying word, preserve their souls by the indwelling of the Holy Ghost, and enable them to serve him, to show forth his praise, and to have communion with him. Into his heart's love he receives sinners, takes them from the dunghill, and wears them as jewels in his crown; plucks them as brands from the burning, and preserves them as costly monuments of his mercy. None are so precious in Jesus' sight as the sinners for whom he died. When Jesus receives sinners, he has not some out-of-doors reception place, no casual ward where he charitably entertains them as men do passing beggars, but he opens the golden gates of his royal heart, and receives the sinner right into himself--yea, he admits the humble penitent into personal union and makes him a member of his body, of his flesh, and of his bones. There was never such a reception as this! This fact is still most sure this evening, he is still receiving sinners: would to God sinners would receive him.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
Pigs eat acorns, but neither consider the sun that gave them life, nor the influence of the heavens by which they were nourished, nor the very root of the tree from whence they came. Thomas Traherne Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father’s palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husband’s chamber, hath no such causes of delight as you. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error. The world is a mirror of Infinite Beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said, God is here, and I wist it not. How dreadful is this place! This is none other than the House of God and the Gate of Heaven. Thomas Traherne
Aldous Huxley (The Perennial Philosophy: An Interpretation of the Great Mystics, East and West)