Crisp Fall Air Quotes

We've searched our database for all the quotes and captions related to Crisp Fall Air. Here they are! All 41 of them:

I was drinking in the surroundings: air so crisp you could snap it with your fingers and greens in every lush shade imaginable offset by autumnal flashes of red and yellow.
Wendy Delsol (Stork (Stork, #1))
In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.
Alice Oseman (Loveless)
FALLING IN LOVE WITH OCTOBER Leaves descending to the ground, Orange, magenta, green & brown The cool crisp breezes in the air, Autumn season must be here
Charmaine J. Forde
On a clear day the Oregon coast is the most beautiful place on earth—clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line.
Brian Doyle (Mink River)
Travis Hunter’s blood froze in his veins at the piercing female scream that echoed through the forest. He was moving just as the sharp scent of blood tinted the crisp mountain air mixed with the rancid smell of the rogue mutants.
Lia Davis (A Tiger's Claim (Shifters of Ashwood Falls, #2))
The night was cold, chilling the sweat on his face, but the air was as sweet and crisp as the first bite of a fall apple. Above him was a half-moon and what seemed like a trillion stars. To match the trillion pebbles, just as mysterious, that we walk over everyday, he thought. Mystery above, mystery below. Weight, mass, reality: mystery all around.
Stephen King (Elevation)
It is Autumn, as you know, and things are beginning to die. It is so wonderful to be out in the crisp Fall air, with the leaves turning gold and the grass turning brown and the warmth going out of the sunlight and big hot fires in the fireplace while Buddy rakes the lawn. We see a lot of bombs on TV because we watch it a lot more, now that the days get shorter and shorter, and darkness comes so soon, and all the flowers die from freezing.
Hunter S. Thompson (Fear and Loathing at Rolling Stone: The Essential Hunter S. Thompson)
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
October air, complete with dancing leaves and sighing winds greeted him as he stepped from the bus onto the dusty highway. Coolness embraced. The scent of burning wood hung crisp in the air from somewhere far in the distance. His backpack dropped in a flutter of dust. He surveyed dying cornfields from the gas station bus stop. Seeing this place, for the first time in over twenty years, brought back a flood of memories, long buried and forgotten.
Jaime Allison Parker (The Delta Highway)
She felt strong and blissfully empty gliding through the crisp November air, enjoying the intermittent warmth of the sun as it filtered down through the overhanging trees, which were mostly stripped of their foliage. It was that trashy, post-Halloween part of the fall, yellow and orange leaves littering the ground
Tom Perrotta (The Leftovers)
The air was fresh and crisp and had a distinct smell which was a mixture of the dried leaves on the ground and the smoke from the chimneys and the sweet ripe apples that were still clinging onto the branches in the orchard behind the house.
Arlene Stafford-Wilson (Recipes and Recollections: Treats and Tales from Our Mother's Kitchen)
In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
There are fall days in October that are so beautiful they take your breath away. The sky is blue and the sun is strong and the air is finally the tiniest bit crisp. Most of the East Coast is already bundled up in their winter coats, but we get to appreciate the last of the sunshine.
Jennifer Close (The Hopefuls)
Everything changes in the fall- the light, the air, the colors...even the tick of the clock. Grant yourself a moment to discover the glory of autumn and listen to the Earth. Heal your soul by letting things go and fill your heart with joy and happiness by dancing with the leaves in the crisp air. Radiate your magnificence and celebrate your inner witch".
Natasha Helvin
It was a perfect autumn day. The sky was that deep blue that one sees only in the heart of fall, and the leaves were reaching their peak of color. The sun was shining, the air was crisp, and it was easy to forget there was evil in the world.
Juneau Black (Cold Clay (Shady Hollow Mysteries Book 2))
The leaves drifted silently to the ground in the crisp autumn air. I inhaled deeply, the smell of burning bonfires far, far away enchanting my nostrils. Autumn had come early this year and I was excited for the change in colors that had already begun to take over the trees of the forest that surrounded Grandmother’s house.
Emma Rose Kraus (A Blue One)
The air had a cool crispness to it and the leaves on the trees had begun turning yellow and red.
Carla Reighard (Elle's Magical Shoes (The Magical Things Collection Book 1))
The laughter of children filled the crisp air while off-beat rhythms of knocks and door bells mixed with a chorus of "trick or treat" that sang out into the early evening.
Amber Newberry (One Night in Salem)
The air has that crisp, early fall feeling, and people are already lining their steps with pumpkins. I love that. I've loved it since I was a kid.
Becky Albertalli & Adam Silvera (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
She could picture it now, a huge stack of fluffy pumpkin waffles with maple syrup and spiced cinnamon butter, the perfect breakfast for fall. Something that tasted like crisp, cool air and golden-orange leaves and bundling up in her favorite sweater. Something that tasted like home.
Stephanie Kate Strohm (Love à la Mode)
I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.
Victoria Laurie (Sense of Deception (Psychic Eye Mystery, #13))
She sat out on her balcony and watched the sun go down. The sky was so flush with color it looked ripe as a berry. Slowly, the color drained to a velvet dark. The humidity broke, and the air held a crispness that signified the approach of fall. Already, the first of the maple leaves had fallen to the driveway, curling in on themselves like dark, dying buds.
Kelly Andrew (I Am Made of Death)
This is one other thing I know: without autumn, there is no end. Without red and gold and orange there is no finality, no conclusion. Without the sudden shift in the air, without the scent of apples and the crisp chill of morning, summer could go on forever. Without fall, summer lingers. There is a marvelous limbo where I live now, without the changing of seasons. No blazing display to signify the end of everything good. Perhaps this is what drew me to California. A place where time is suspended.
T. Greenwood (Bodies of Water)
It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across the dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.
Erin Morgenstern (The Night Circus)
And then there was him. Devin hummed an icy chill. Both gentle falling snow and roaring storms at the same time. He was the evergreens that thrived in the cold. The crisp stillness in the air, and the dark night full of cold white stars. There was most definitely a pull, and it was overwhelming. More than the thread tugging incessantly in my chest, my whole body wanted to sink toward that comforting chill like it was a giant pile of blankets and I hadn't slept in days. Something told me the weariness in my bones would find comfort there. I could feel it. Taste it. I wanted to run to it. My arms prickled with winter sensations. I wanted to dance in the moonlight, leaving swirls of footprints in the snow. The cold didn't bite like it had only a few minutes ago. My new skin was comfortably warm, and something told me that nothing would chill me to the bone ever again. Even if I hadn't felt Winter's pull, I still felt a pull toward Devin. In his bright eyes I saw only longing; the urge to run to his arms was strong.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves. He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.' The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?' He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...
Zoe Rosi
It was a truly remarkable fall, with bright yellows, crisp oranges, and rusty reds speckling the streets, and the smells of pumpkin and spice lingering in the air. It was cozy—a time for knit sweaters and stolen slippers and long books read by the fire.
Jennifer Kropf (Wanted: A Roommate Who Isn't Evil (High Court of the Coffee Bean, #3))
the better of me. Outside the air was crisp, cool. So normal. It was early fall and the bees were swarming an overflowing trashcan. Dumping my cup, careful to avoid
Lori Brighton (The Mind Readers (Mind Readers, #1))
To her amazement, snow began to fall. Paper snowflakes cascaded through the air, some as small as Ceony’s thumbnail, some as large as her hand. Hundreds of them poured down as the paper ceiling gave way, all somehow timed just right so that they fell like real snow. Ceony stood from her chair, laughing, and held out her hand to catch one. To her astonishment it felt cold, but didn’t melt against her palm. Only tingled. “When did you do this?” she asked, her breath fogging in the library’s air as more snowflakes fell like crisp confetti from the ceiling. “This would take . . . ages to make.” “Not ages,” Mg. Thane said. “You’ll get quicker as you learn.” He still sat on the floor, completely unfazed by the magic around him. But of course he would be—it was his creation. “Magician Aviosky mentioned you hadn’t exactly jumped at the news of your assignment, and I can’t blame you. But casting through paper has its own whimsy.
Charlie N. Holmberg (The Paper Magician (The Paper Magician, #1))
Fall. Rain. Wind. Depressing! And it was only going to get worse. Chilly, overcast weather was forecast for the rest of November. Then again, October had been beautiful. The autumn leaves glowing red, yellow, and orange; glorious sunshine; blue skies; and a wonderful crispness in the air. But unfortunately those days were gone. It was the first week in November; dead leaves swirled around in the wind, rain clouds hung low over Gothenburg, and the contours of the city dissolved in the damp mist.
Helene Tursten (An Elderly Lady Must Not Be Crossed (Elderly lady, #2))
Tasting him with sober tastebuds is what he must’ve been talking about when he said I tasted like summertime on the PCH because he tastes like the first real day of fall in Texas—when the weather is crisp and that nasty suffocating stickiness isn’t floating in the air.
Rae Lyse (At the End of It All)
When I got back to my room, the people upstairs were having sex again. Rhythmic thumping against the wall. I hated it, but then I felt bad, because maybe it was two people in love. In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
There’s a steady crispness in the air now as the leaves on the ancient oaks opposite the parking lot rapidly turn brilliant shades of pumpkin, red, and yellow, officiating fall’s arrival. A season I used to loathe due to a few life-altering summers that I never wanted to end.
Kate Stewart (The Finish Line (The Ravenhood, #3))
In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Across every dance floor. I could see it, all, all the time, all around, but when I got closer, I found nothing was there. A mirage.
Alice Oseman (Loveless)
When autumn trees shower bullions are we that Midas stuff, a leaf-fall that sounds the air in crisp syllables? What, what, oh what are we?
Ray Bradbury (From the Dust Returned)
I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!
Colin Nissan (It's Decorative Gourd Season, Motherfuckers)
The feeling Rin got when Kevin shared space with her, the sense of wonderment, was new, fresh, and crisp. It was the taste in the air when fall turned to winter. Indefinable, yet real.
Jayne Townsley (Run to You (Seasons of Love Book 1))
I can sometimes hear her music now, after thirty years -- and remember the leaves falling on some smoky autumn afternoon, the air crisp and the sounds of dogs barking, and train whistles far away.
Willie Morris (North Toward Home: A Memoir)
Yes.” His voice is hoarse in response. “That. Always that.” And he slides his arm around me, pulls me close, and kisses me. He tastes sweet like mango. Like he’s bigger than my taste buds, like he’s precisely the luxury I have been craving. I let my eyes shut and tilt my head back, falling into his embrace. And I know, despite all the constellations placed in the sky as warning, why all those Greek maidens gave it up in the end. It’s because all the pain is worth it for this one moment. His tongue is sure against mine, touching me with insistent strokes. His hand clamps around me, holding me in place. And he holds me like I matter, like I’m the entire world. “I can’t touch you,” I say. “My hands are sticky.” “That,” he says, “is what washing machines are for.” He reaches out and takes hold of my fingers and then, very deliberately, he wipes them on his shirt. The sun is hot against my shoulders; Blake is sweet to the taste and tempting to the touch. I’m not sure how long we stay there, kissing in the sun and the wind, stopping only long enough to feed each other bites of fruit. Long enough for me to touch him all over, to feel his body hard and lean through his shirt. The air smells of new beginnings—crisp and clear, untouched by any worries. He touches me like the middle of the story, strong and sure. But despite the mango on his tongue, he tastes almost bittersweet, because the end is coming. It’s coming, but it’s not here. Not yet. “Let’s get home,” I tell him. “Let’s go home and find a bed.” I glance over at Blake. He’s driving. For the first time in…I’m not sure how long, he looks completely calm. As if he’s finally in place. And for all the turmoil I feel inside, I sense it too. That hint of calmness, as if in a sea of things that have gone wrong, this one thing is right.
Courtney Milan (Trade Me (Cyclone, #1))