Space Debris Quotes

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So . . . ," I said. "You're saying that by the end of our training, you expect us to be able to use grappling hooks made of energy to smash our enemies with flaming chunks of space debris?" "Yes." "That . . . ," I whispered, "that's the most beautiful thing I've ever heard.
Brandon Sanderson (Skyward (Skyward, #1))
It really is a shame that through our sad neglect of wonders, hopefulness, and trust we allowed so much clutter and debris to build up in the space that once connected us to Diamond Green.
Michael Chabon (Summerland)
Space was not a finite container, but that didn't mean it was empty. Asteroids, stars, planets, the current stream; space debris, ships, fragmented moons, undiscovered worlds; this was a place of endless possibility and unfathomable freedom. It was not nothing, it was everything.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow.
Valeria Luiselli
Memory is a barricade against forgetting; light is a bulwark against darkness; life is a flex against the stillness of the grave. Maybe that's what I'm trying to do here, clear a space in all the debris, through all the anxieties and worries, where I can just exist, easily and simply, entire, for as long as I have left.
Helen Humphreys (Wild Dogs)
Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she didn't make…. Oh, he feels a raving fit coming on—how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn that they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskin to the armpits, all that is too easy, for his impoverishment and more worthy love. You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you've found life. I'm no longer sure which of all the words, images, dreams or ghosts are 'yours' and which are 'mine.' It's past sorting out. We're both being someone new now, someone incredible….
Thomas Pynchon (Gravity’s Rainbow)
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
A romantic painting shows a heap of icy debris in a polar light; no man, no object inhabits this desolate space; but for this very reason, provided I am suffering an amorous sadness, this void requires that I fling myself into it; I project myself as a tiny figure, seated on a block of ice, abandoned forever. "I'm cold," the lover says, "Iet's go back"; but there is no road, no way, the boat is wrecked. There is a coldness particular to the lover, the chilliness of the child (or of any young animal) that needs maternal warmth.
Roland Barthes (A Lover's Discourse: Fragments)
This space station [Yang Liwei] was little more than a giant Orbital Denial Station. If those charges were to detonate, the debris...any future space launch would be grounded for years. It was a "Scorched Space" policy. "If we can't have it, neither can anyone else.
Max Brooks
Oh, by the way," Coop announces as he weaves his DeathBot ship through a barrage of space debris on his laptop screen. "In case you didn't know. It's national 'That's What She Said' Day." I give him a thumbs-up. "I like it." We're camping out in Sean's backyard tonight. It's another one of our traditions. One night, every summer, we buy a ton of junk food and energy drinks and set up Sean's six-person tent in the far corner of his yard. We've got an extension cord running from the garage so that we can rough it in style, with computers and a TV and DVD player. There's a citronella candle burning in the middle of the tent to ward off mosquitoes and to mask the thick stink of mildew. Everyone's brought sleeping bags and pillows, but we aren't planning on logging too many Zs. Sean enters the tent carrying his Xbox. "I don't think there are enough sockets for all of these." I waggle my eyebrows at Coop. "That's what she said." Coop busts up. Sean stands there, looking confused. "I don't get it." "That's what she says," Coop says, sending him and me into hysterics. Sean sighs and puts the Xbox down. "I can see this is going to be a long night." "That's what she said," me and Coop howl in chorus. "Are you guys done yet?" Coop is practically in tears. "That's what she said." "Okay. I'll just keep my mouth shut," Sean grumbles. "That's what she said." I can barely talk I'm laughing so hard. "Enough. No more. My cheeks hurt," Coop says, rubbing his face. I point at him. "That's what she said." And with that, the three of us fall over in fits. "Oh, man, now look what you made me do." Coop motions to his computer. "That was my last DeathBot ship." "That's what she said," Sean blurts out, laughing at his nonsensical joke. Coop and I stare at him, and then silmultaniously, we hit Sean in the face with our pillows.
Don Calame (Swim the Fly (Swim the Fly, #1))
God, O God, where art thou? Thou art as distant to me as the lady combing rice in the Yunnan Province of China or a piece of floating space debris circling Pegasi. In this feeling-dead world of post traumatic stress, skepticism is king, queen, and court jester.
Chila Woychik (On Being a Rat and Other Observations)
In the taxonomy of pain there is only the pain inflicted by touching and the pain inflicted by not touching. Peter grew up an expert in both. Malnourished, the skin on his thin neck perpetually covered in boils, he was as scarred as the surface of Mercury; a planet lacking atmospheric protection, exposed to the hurtling debris of space and wearing its history of collision and battery on its face.
Sarah Krasnostein (The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster)
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
Crushed sandstone sifted through Caleb’s fingers, insubstantial as dust. A breeze caught the debris mid-fall and spirited it away before it could join the ashes blanketing the ground. He stopped in the middle of what had once been a street, his arms pulled in at his sides, his fists balled in barely restrained fury.
G.S. Jennsen (Dissonance (Aurora Renegades #2))
The key to being free, authentic and creative is to clear debris from the space you always occupy – your mind.
Michele Knight
As we start the journey, translating hand over hand along the rails, I notice again how much damage has been done to the outside of the station by micrometeoroids and orbital debris. It’s remarkable to see the pits in the metal handrails going all the way through like bullet holes. I’m shocked again to see them.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
There are places where litter is acceptable and others where it is not. What is the proper place for space junk? You could say it is the atmosphere: that abandoned satellites and debris should be cremated, ashes to ashes, dust to dust. There’s a contradiction here. We’ve placed junk where it is perpetually ‘out of place’ as a human object, but in another sense, this is its natural place.
Alice Gorman (Dr Space Junk vs The Universe: Archaeology and the Future)
You don’t mind Yssa poking around at your nav center?” I said to Teka, nudging her with my shoulder. We were on the nav deck--it was safe to walk around now that we were through the atmosphere--looking out at the depthless darkness in our path. I sometimes referred to it as “nothingness,” like most people did, but most of the time, I didn’t think of it that way. Space was not a finite container, but that didn’t mean it was empty. Asteroids, stars, planets, the currentstream; space debris, ships, fragmented moons, undiscovered worlds’ this was a place of endless possibility and unfathomable freedom. It was not nothing; it was everything. “What? Oh, no, I definitely want to smack her pokey little hands away,” Teka said, narrowing her eye at Yssa, who was still busy with the controls. “But the ship likes her, so I’m keeping my mouth shut.” I laughed a little.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Earth’s atmosphere is naturally resistant to objects entering from space. Moving at the high speed of orbit, any object will create friction with the air—enough friction that most objects simply burn up from the heat. This is a fact that generally works to our advantage, as it protects the planet from the many meteoroids and orbital debris that would otherwise rain down unexpectedly. And we take advantage of it when we fill visiting vehicles with trash and then set them loose to burn up in the atmosphere. But it’s also what makes a return from space so difficult and dangerous.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
As I pictured it all, Marlboro Man led me back down the hallway, past the landing again, and toward the other bedrooms in the house. “There are two other bedrooms,” Marlboro Man said, stepping over a pile of debris. “They’re in pretty good shape, too.” I couldn’t help but grin. As I walked into one of the two bedrooms and looked around, I snickered and teased, “So much for that whole ‘seven kids’ thing, huh?” I giggled smugly and kept looking around at the empty spaces of the room. Undeterred, Marlboro Man looked at me slyly. “Ever heard of bunk beds?” I gulped and braced myself, even as my ovaries cheered triumphantly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
This is the girl in the borrowed trench-coat, moving across the bridge with the river Seine underneath. She pulls something from the jacket's pocket and hits the button, not answering when the man without his coat catches up with her at that moment, calling her name. Pull back fifty metres, and here is the burning apartment, debris floating softly through the air that is filled with screams. Here is the man again, gripping the shoulders of the girl with his coat and yelling into her ears, 'What have you done?' And here is that playful smile that creeps upon her lips as she disappears, the air rushing to fill the space where she had just been.
Israel Elysium
About 4.6 billion years ago, a great swirl of gas and dust some 15 billion miles across accumulated in space where we are now and began to aggregate. Virtually all of it—99.9 percent of the mass of the solar system—went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they traveled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of miles across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.5 billion years ago, an object the size of Mars crashed into Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet. Most of the lunar material, it is thought, came from the Earth’s crust, not its core, which is why the Moon has so little iron while we have a lot. The theory, incidentally, is almost always presented as a recent one, but in fact it was first proposed in the 1940s by Reginald Daly of Harvard. The only recent thing about it is people paying any attention to it. When Earth was only about a third of its eventual size, it was probably already beginning to form an atmosphere, mostly of carbon dioxide, nitrogen, methane, and sulfur. Hardly the sort of stuff that we would associate with life, and yet from this noxious stew life formed. Carbon dioxide is a powerful greenhouse gas. This was a good thing because the Sun was significantly dimmer back then. Had we not had the benefit of a greenhouse effect, the Earth might well have frozen over permanently, and life might never have gotten a toehold. But somehow life did. For the next 500 million years the young Earth continued to be pelted relentlessly by comets, meteorites, and other galactic debris, which brought water to fill the oceans and the components necessary for the successful formation of life. It was a singularly hostile environment and yet somehow life got going. Some tiny bag of chemicals twitched and became animate. We were on our way. Four billion years later people began to wonder how it had all happened. And it is there that our story next takes us.
Bill Bryson (A Short History of Nearly Everything)
About 4.6 billion years ago, a great swirl of gas and dust some 24 billion kilometres across accumulated in space where we are now and began to aggregate. Virtually all of it – 99.9 per cent of the mass of the solar system21 – went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they travelled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of kilometres across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less22, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.4 billion years ago, an object the size of Mars crashed into the Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet.
Bill Bryson (A Short History of Nearly Everything)
The biggest obstacle to the Sarcophagus’ construction were untold thousands of shattered graphite chunks ejected from the reactor core and thrown up onto the roofs of Unit 3 and the shared chimney. They needed to be removed, but radiation levels on top of Units 3 and 4 - which were too unstable to support the weight of a heavy bulldozer - were far higher than any human could survive. The solution was to airlift remote control robots from across Russia, Germany and Japan, including a couple of lightweight, experimental, remote controlled STR-1 robots from the Soviet space program, built to land on the Moon, and use them to slowly push rubble off the side of the building. Sixty meters below, the bulldozers would gather up any debris and bury it. In an interesting but tragic twist, however, some robots became stuck in the melted bitumen or tangled in the mangled wreckage, while the rest soon succumbed to the radiation.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
Deep underground, microbes turn half a century's worth of city waste into methane. The gases and leachate are extracted through an extensive network of subterranean pipes and then used to power 22,000 nearby homes. While 150 million tons of garbage gradually decomposes unseen below the surface, above ground, the former dump reverts to meadows, woodland and saltwater marshes, providing a haven for wildlife and a massive park for the people of New York. This is Fresh Kills in the 2020s. In 2001, the infamous landfill received its last, and saddest, consignments - the charred debris of the World Trade Center. Since then, it has been transformed into a 2,315-acre public park. Three times bigger than Central Park, it is the largest new green public space created within New York City for over a century, a mixture of wildlife habitats, bike trails, sports fields, art exhibits and playgrounds. This is poisoned land: fifty years' worth of landfill has killed for ever one of the city's most productive wetland ecosystems. Restoration is impossible. Instead, a brand new ecosystem is emerging on top of the toxic garbage
Ben Wilson (Urban Jungle: The History and Future of Nature in the City)
Then I saw Vas, clutching a mug of tea with bleeding knuckles. When he noticed the blood, he dabbed at it with a handkerchief and stuffed it back into his pocket. “I know you can’t feel pain, Vas, but there is some value in taking care of your own body,” I said to him. He raised his eyebrows at me, then set his mug down. The others were gathered on the opposite end of the room, holding glasses, standing in small groups. Most had collected around Ryzek like debris around a drain hole. Yma Zetsyvis--white hair almost glowing against the dark backdrop of space--was among them, her body stiff with obvious tension. Otherwise the room was empty, the black floors polished, the walls just curved windows. I half expected us all to float away. “You know so little about my gift, for all the time we’ve known each other,” Vas said. “Do you know I have to set alarms to eat and drink? And check myself constantly for broken bones and bruises?” I had never thought about what else Vas had lost when he lost the ability to feel pain. “That’s why I let the little wounds slide,” Vas said. “It’s exhausting, paying this much attention to your own body.” “Hmm,” I said. “I think I might know something about that.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
For a split second, the space around Werner tears in half, as though the last molecules of oxygen have been ripped out of it. Then shards of stone and wood and metal streak past, ringing against his helmet, sizzling into the wall behind them, and Volkheimer’s barricade collapses, and everywhere in the darkness, things scuttle and slide, and he cannot find any air to breathe. But the detonation creates some tectonic shift in the building’s rubble, and there is a snap followed by multiple cascades in the darkness. When Werner stops coughing and pushes the debris off his chest, he finds Volkheimer staring up at a single sheared hole of purple light. Sky. Night sky. A shaft of starlight slices through the dust and drops along the edge of a mound of rubble to the floor. For a moment Werner inhales it. Then Volkheimer urges him back and climbs halfway up the ruined staircase and begins whaling away at the edges of the hole with a piece of rebar. The iron clangs and his hands lacerate and his six-day beard glows white with dust, but Werner can see that Volkheimer makes quick progress: the sliver of light becomes a violet wedge, wider across than two of Werner’s hands. With one more blow, Volkheimer manages to pulverize a big slab of debris, much of it crashing onto his helmet and shoulders, and then it is simply a matter of scrabbling and climbing. He squeezes his upper body through the hole, his shoulders scraping on the edges, his jacket tearing, hips twisting, and then he’s through.
Anthony Doerr (All the Light We Cannot See)
About 4.6 billion years ago, a great swirl of gas and dust some 24 billion kilometres across accumulated in space where we are now and began to aggregate. Virtually all of it – 99.9 per cent of the mass of the solar system21 – went to make the Sun. Out of the floating material that was left over, two microscopic grains floated close enough together to be joined by electrostatic forces. This was the moment of conception for our planet. All over the inchoate solar system, the same was happening. Colliding dust grains formed larger and larger clumps. Eventually the clumps grew large enough to be called planetesimals. As these endlessly bumped and collided, they fractured or split or recombined in endless random permutations, but in every encounter there was a winner, and some of the winners grew big enough to dominate the orbit around which they travelled. It all happened remarkably quickly. To grow from a tiny cluster of grains to a baby planet some hundreds of kilometres across is thought to have taken only a few tens of thousands of years. In just 200 million years, possibly less22, the Earth was essentially formed, though still molten and subject to constant bombardment from all the debris that remained floating about. At this point, about 4.4 billion years ago, an object the size of Mars crashed into the Earth, blowing out enough material to form a companion sphere, the Moon. Within weeks, it is thought, the flung material had reassembled itself into a single clump, and within a year it had formed into the spherical rock that companions us yet. Most of the lunar material, it is thought, came from the Earth’s crust, not its core23, which is why the Moon has so little iron while we have a lot. The theory, incidentally, is almost always presented as a recent one, but in fact it was first proposed in the 1940s by Reginald Daly of Harvard24. The only recent thing about it is people paying any attention to it. When the Earth was only about a third of its eventual size, it was probably already beginning to form an atmosphere, mostly of carbon dioxide, nitrogen, methane and sulphur. Hardly the sort of stuff that we would associate with life, and yet from this noxious stew life formed. Carbon dioxide is a powerful greenhouse gas. This was a good thing, because the Sun was significantly dimmer back then. Had we not had the benefit of a greenhouse effect, the Earth might well have frozen over permanently25, and life might never have got a toehold. But somehow life did. For the next 500 million years the young Earth continued to be pelted relentlessly by comets, meteorites and other galactic debris, which brought water to fill the oceans and the components necessary for the successful formation of life. It was a singularly hostile environment, and yet somehow life got going. Some tiny bag of chemicals twitched and became animate. We were on our way. Four billion years later, people began to wonder how it had all happened. And it is there that our story next takes us.
Bill Bryson (A Short History of Nearly Everything)
As a country, as a people, have we changed? On the surface we might appear to have done so, but underneath I think we are still the same. Our change is measurable, but not significant. We remain bent on destroying ourselves. We still kill each other with alarming frequency and for foolish reasons, and we begin the killing at a younger age. We have much to celebrate, but we live in fear and doubt. We are pessimistic about our own lives and the lives of our children. We trust almost no one. “It is the same everywhere. We are a people under siege, walled away from each other and the world, trying to find a safe path through the debris of hate and rage that collects around us. We drive our cars as if they were weapons. We use our children and our friends as if their love and trust were expendable and meaningless. We think of ourselves first and others second. We lie and cheat and steal in little ways, thinking it unimportant, justifying it by telling ourselves that others do it, so it doesn’t matter if we do it, too. We have no patience with the mistakes of others. We have no empathy for their despair. We have no compassion for their misery. Those who roam the streets are not our concern; they are examples of failure and an embarrassment to us. It is best to ignore them. If they are homeless, it is their own fault. They give us nothing but trouble. If they die, at least they will provide us with more space to breathe.” His smile was bitter. “Our war continues, the war we fight with one another, the war we wage against ourselves. It has its champions, good and bad, and sometimes one or the other has the stronger hand. Our place in this war is often defined for us. It is defined for many because they are powerless to choose. They are homeless or destitute. They are a minority of sex or race or religion. They are poor or disenfranchised. They are abused or disabled, physically or mentally, and they have forgotten or never learned how to stand up for themselves.
Terry Brooks (A Knight of the Word (Word & Void, #2))
The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
Something seems out of the ordinary, and after a bit I realize what it is. “There’s no debris,” I point out to Gennady and Misha, and they agree it’s strange. Usually MECO reveals what junk has been lurking in the spacecraft, held in their hiding places by gravity—random tiny nuts and bolts, staples, metal shavings, plastic flotsam, hairs, dust—what we call foreign object debris, and of course NASA has an acronym for it: FOD. There were people at the Kennedy Space Center whose entire job was to keep this stuff out of the space shuttles. Having spent time in the hangar where the Soyuz spacecraft are maintained and prepared for flight, and having observed that it’s not very clean compared to the space shuttle’s Orbiter Processing Facility, I’m impressed that the Russians have somehow maintained a high standard of FOD avoidance.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
So…,” I said. “You’re saying that by the end of our training, you expect us to be able to use grappling hooks made of energy to smash our enemies with flaming chunks of space debris?” “Yes.” “That…,” I whispered, “that’s the most beautiful thing I’ve ever heard.
Brandon Sanderson (Skyward (Skyward, #1))
I do not know if this is love or what love is or if love's a thing, if it can be worn like an old coat, or felt like harsh fabric on naked flesh, or if it is a sensation, like that first time the brakes of my bike failed while riding downhill or the climax of masturbation, or if love is an invention, and we all manufacture our own versions - some bright, some dull, some marbled, but all with labels and stickers that say: this is love. I do not know what love is or if I can say what I think love is, could be or should be. If we were to ever sit on the marble floor, on one of those dry, electricity free, 45 degree Delhi nights, sharing a drink of Old Monk's and I were to tell you that this is love, slap me for I would either be drunk or a liar. and if i were drunk, I won't be drunk on love or your loving for I don't know what love is or if it can be known. Maybe, one night, after thirty years of searching for what love means, we will sit outside - you and I - amidst the debris of our meanderings, our bent backs resting on the rusted iron railing, our skin pimpled, throats scratched from prayers uttered to absent gods and we would be in love and believe that love is this: love is all the spaces, non-events, the unspoken words and everything in between the first second of these thirty years to this. Love is this.
Don Mihsill
I do not know what love is I do not know if this is love or what love is or if love's a thing, if it can be worn like an old coat, or felt like harsh fabric on naked flesh, or if it is a sensation, like that first time the brakes of my bike failed while riding downhill or the climax of masturbation, or if love is an invention, and we all manufacture our own versions - some bright, some dull, some marbled, but all with labels and stickers that say: this is love. I do not know what love is or if I can say what I think love is, could be or should be. If we were to ever sit on the marble floor, on one of those dry, electricity free, 45 degree Delhi nights, sharing a drink of Old Monk's and I were to tell you that this is love, slap me for I would either be drunk or a liar. and if i were drunk, I won't be drunk on love or your loving for I don't know what love is or if it can be known. Maybe, one night, after thirty years of searching for what love means, we will sit outside - you and I - amidst the debris of our meanderings, our bent backs resting on the rusted iron railing, our skin pimpled, throats scratched from prayers uttered to absent gods and we would be in love and believe that love is this: love is all the spaces, non-events, the unspoken words and everything in between the first second of these thirty years to this. Love is this.
Don Mihsill
A meteoroid is a bit of debris, usually planetary, hurtling through the solar system. If it's bigger than a boulder, than it's an asteroid. If any part of a meteroid makes it to Earth intact rather than burning up as it barrels through Earth's atmosphere, then it's a meteorite. A meteoroid's visible path through the atmosphere is a meteor. An astronaut struck by a meteoroid is a goner. A meteroid the size of a tomato seed can pierce a space suit.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
Space was not a finite container, but that didn’t mean it was empty. Asteroids, stars, planets, the currentstream; space debris, ships, fragmented moons, undiscovered worlds; this was a place of endless possibility and unfathomable freedom. It was not nothing; it was everything.
Veronica Roth (The Fates Divide (Carve the Mark #2))
Are you looking for a large storage space for your 45-foot motorhome or 28-foot boat? The best place to store your expensive large-size vehicles is indoor storage facilities such as RV storage Mobile. At the indoor storage unit, you will get the top level of professional’s service and they will ensure that your asset is safe. Storing your valuable asset in the indoor storage unit is beneficial and there are so many benefits of it: Large Space Professionally designed indoor storage units provide plenty of space where you can easily store your large RV and boat. Your large vehicle can stay safe inside the storage units. Keeping Watch On Your Property The indoor storage units such as boat storage daphne AL not just offer storage solutions, but they will also keep eye on your asset. They ensure 24/7 surveillance to keep your vehicle safe. All indoor storage units are installed with surveillance cameras, gated fencing, bay-door locks, etc. All these security systems make sure that your RV or boat is completely safe inside the storage unit. Protection From Outdoor Ravages Even the best cover for the RVs and boats cannot ensure high efficiency and they cannot protect your vehicle from icy cold weather. By storing your vehicles inside the climate-controlled ambiance, you can keep your vehicle safe and slow down the wear and tear. No More Street Parking Problems If you are worried about parking on the streets, then indoor storage units are the best solution for you. You can save your vehicle from various parking problems. Search the best “boat storage near me” and book the indoor storage units for your vehicles. Minimize Spring Cleaning When you will store your boat or RV inside the closed space, then you do not need to handle too much mess. It is so because your vehicle will be protected from dust, dirt, and debris. You will get a clean vehicle when you will take it back.
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It is only a matter of time before the Space program kills a civilian with a piece of rocket or satellite debris.
Steven Magee
Interplanetary space is so not-empty that Earth, during its 30 kilometer-per-second orbital journey, plows through hundreds of tons of meteors per day—most of them no larger than a grain of sand. Nearly all of them burn in Earth’s upper atmosphere, slamming into the air with so much energy that the debris vaporizes on contact.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
If we share our shame story with the wrong person, they can easily become one more piece of flying debris in an already dangerous storm.” So sharing with the right people is essential to creating a safe space.
Zoe McKey (Find How To Be Whole Again: Defeat Fear of Abandonment, Anxiety, and Self-Doubt. Be an Emotionally Mature Adult Despite Coming From a Dysfunctional Family (Emotional Maturity Book 2))
How To Clean A Dab Rig? A glass chamber (dabber) is joined to a watertight foundation to form a dab rig. Cannabis concentrates are concentrated using a dab rig and butane as the solvent. Butane is an odorless, colorless, combustible gas. Home appliances like hair dryers, paint sprayers, and welding torches frequently use it. Cleaning a dab rig starts with getting rid of any residue that was left over after use. Your dab rig should always be fully cleaned before being stored. Your next batch of concentrates can become contaminated if you don't thoroughly clean the dab rig. You must unscrew the base and take off the lid before you can start cleaning your dab setup. After removing both components, you must use a moist towel to clean the chamber's interior. To help remove any debris or residue clinging to the surface, use a mild soap solution. Rinse the dabber with warm water after cleaning the interior. The air openings in the chamber must then be cleaned. You must disassemble the chamber in order to do this and remove the top portion from the bottom piece. The bottom piece's air holes must then be gently removed. The top piece must then be reattached to the bottom piece. You must insert cotton swabs or balls into the air holes after cleaning them out. Make careful to space these objects apart by at least 1/8 inch. The base must then be screwed back onto the chamber. Finally, use a moist cloth to clean the entire dabber again. Be careful not to spill any butane on the chamber's outside. When finished, put your dabber back in its container.
Honeybee Herb
Nedergaard made a second astonishing discovery, which explained why the cerebrospinal fluid is so effective in flushing out metabolic debris at night. The glial cells of the brain were shrinking in size by up to 60 percent during NREM sleep, enlarging the space around the neurons and allowing the cerebrospinal fluid to proficiently clean out the metabolic refuse left by the day’s neural activity.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
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They made their way through the cluttered back alleys that Edna knew so well. They avoided the central bonfire. They were almost to her parents’ street, when curiosity got the better of them. They decided to turn back and take a look. A gap in the wreckage gave them a better look at the open space. The debris in the town square had been cleared away and piled up with wood from the marauding. Nearly a hundred of the giants stood around like a gang of miscreants. Vomit arose in Edna’s throat. They could see a crude line of cages full of weeping, pleading humans. Other humans were strung up from poles, and still others were encircled and taunted by groups of Nephilim. But the ultimate atrocity playing out before their eyes was not one of torture and rape, but cannibalism. The Nephilim were eating their captives one by one. Some took the time to impale the victims and roast them over the flames. Others had no such civility, eating the poor humans alive and drinking their blood. The hostages were not being held for ransom at all. They were being held for food.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
But of all that he saw, what gripped him the most were the light flashes in the darkened atmosphere that he had seen before—but always high, high above him. Meteors blazing through the atmosphere, shooting stars beneath him, the fireflies of space dashing blindly through cremation. Then came the moment. Deke would never forget it. He became part of a wonder that opened all space to him. Meteors flashed in greater number than he had yet seen, the spattered debris of ancient planetary formation and collisions of rock consumed by the atmosphere of Earth. Something he could not measure in size, but unquestionably large, perhaps even huge, rushed at earth with tremendous velocity. The meteor hurtled in toward his home planet, but at an angle that would send it skimming along the upper reaches of the atmosphere, almost parallel with earth’s surface below. Deke first saw the intruder when it punched deep enough into earth’s air ocean, grazing the edges of the atmosphere with a speed he could not judge, except that it was a rogue body, gravity-whipped to tremendous velocity. It tore into thin air; instantly its outer surface began to burn, its front edges blazing like a giant welding torch gone mad. It skipped along the atmosphere and gained an upward thrusting lift, like a flat rock hurled across smooth water. Deke gazed in wonder at the sight and watched the burning invader continue its journey along the atmosphere and then flash beyond. Away now from the clutches of air, still burning, it left behind an ionized trail of particles and superheated gases. Now away from Earth, it lofted high and far until it raced beyond Earth’s shadow. Sunlight flashed through the ionized trail, and the departing mass created its own record of passage, enduring long enough for Deke to watch until the last flicker, the final gleam, was gone. He felt he should not lower his gaze. His vision moved along the arrowing path of the now invisible wanderer of the solar system, and Deke stared, unblinking, as the mass of stars in his own galaxy shone down on him, an uncountable array of suns, stars he knew were smaller than his own sun, many vastly greater in size and energy, but all members of the great pin-wheeled Milky Way of which Deke and his world were one tiny member. He was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
The small launch bay was littered with debris. A powerful breeze tore at his black silk shirt as Kilroy made his way across it to the waiting shuttle, evoking a feeling like the fingers of fate were caressing his body. “The Hammer” stepped over the body of one of his fallen crew without a trace of care or concern. The air was rushing past him, like a wind, out into space through the wounds in the side of his ship. Fatigued and desperate, the Hammer was running out of options. His ship was a mess, holed in a dozen places, the life support systems failing. Weakened hull sections were collapsing in pressure bursts. The vibrations that shook the deck beneath him now were not from the engines that once drove her forward, but now from the explosions down below, tearing her apart.
Christina Engela (Dead Beckoning)
The day the earth-moving machines arrived, it was as if aliens had invaded Earth. Overnight they appeared, diggers with huge scoops, plodding their slow and ancient ways across the landscape. By the next week they had multiplied and evolved into diverse forms—cranes with long arms, bulldozers and levellers, an assortment of lorries. All day they worked towards some unseen design, creating and removing debris, their latticework of tracks remaking and writing over the space. Untenanted and vulnerable, the attap huts offered no resistance.
Karen Kwek (Best New Singaporean Short Stories: Volume One)
Increased congestion was highlighted by the 2009 collision between a Russian government Cosmos satellite and a U.S. commercial Iridium satellite. The collision created approximately 1,500 new pieces of trackable space debris, adding to the more than 3,000 pieces of debris created by the 2007 Chinese ASAT test.
Anonymous
This" Today, my love, leaves are thrashing the wind just as pedestrians are erecting again the buildings of this drab forbidding city, and our lives, as I lose track of them, are the lives of others derailing in time and getting things done. Impossible to make sense of any one face or mouth, though each distance is clear, and you are miles from here. Let your pure space crowd my heart, that we might stay awhile longer amid the flying debris. This moment, I swear it, isn’t going anywhere.
Ralph Angel (Twice Removed: Poems)
So...,' I said. 'You're saying that by the end of our training, you expect us to be able to use grappling hooks made of energy to smash our enemies with flaming chunks of space debris?' 'Yes.' 'That...,' I whispered, 'that's the most beautiful thing I've ever heard.
Brandon Sanderson (Skyward (Skyward, #1))
It is important that they are cleaned and cared for properly to ensure they’ll last use after use. To clean them, first rinse the cloth well to remove excess debris. Machine wash them only with other microfiber cloths (they will pick up particles from regular laundry), using gentle, bleach-free laundry detergent and cool water on a regular cycle, or hand wash with dish soap in warm water and rinse thoroughly. Don’t use fabric softener or dryer sheets with these cloths; they will clog the fibers and render the cloth ineffective. It is best to hang them to dry or place in the dryer on low heat.
Melissa Maker (Clean My Space: The Secret to Cleaning Better, Faster, and Loving Your Home Every Day)
the tablets describe how the Anunnaki came from a planet called Nibiru (The Planet of the Crossing) which he believes has a 3,600 year elliptical orbit that takes it between Jupiter and Mars and then out into far space beyond Pluto. Sitchin says that the Sumerians called this planet Tiamat, or the Water Monster. He says that it was debris from Tiamat’s collision with the Nibiru moon which created the Great Band Bracelet – the asteroid belt which is found between Mars and Jupiter. What remained of Tiamat was thrown into another orbit, Sitchin’s translations claim, and eventually it became the Earth
David Icke (The Biggest Secret: The book that will change the World)
This chain of metachange reactions across dimensions continued to occur in the debris, promoting the creation of D-1 dimensional space and D-1 dimensional elements in D-dimensional space, and D-2 dimensional space and D-2 dimensional elements in D-1 dimensional space, until the metachange effect disappeared or reached 0-dimensional space after each metachange changed resulting in the loss of a spatial dimension.
Shakenal Dimension (The Prehistory Hypothesis Of The Universe : The Time Before The Big Bang)
I need to name you,” I tell the rock. “The hell you do.” “I’m thinking . . .” “Already got a name,” the rock says. “. . . oh, but that’s too obvious.” I laugh. I laugh hard. It’s the first time I’ve laughed in so long that all my emotional triggers, which have only known sobbing, mix some tears in with the laughter. “Don’t you fucking dare,” the rock says. “I’m going to call you . . .” “I’VE GOT A NAME!” “. . . Rocky.” Rocky stares at me. It’s more of a glare, really. I start laughing again. Damn, it feels good. “You’re the worst human I’ve ever met,” Rocky says. I wipe the tears from my cheeks. “I think maybe when the supply shuttle comes, I’ll just keep you. Not tell the labcoats about you.” “That’s called kidnapping, you sadistic ape.” This makes me laugh some more. It’s the accent. It kills me. “Are you stoned?” Rocky asks. And this is too much. I double over and clutch my shins, there in the command pod, not a stitch of clothing on, laughing and crying and wheezing for breath, fearing I might not be able to stop, that I’ll die like this, die from so much joy and mirth, while debris from a destroyed cargo ship peppers the hull and cracks into the solar array, and ships full of people navigate through space at twenty times the speed of light, narrowly avoiding this great reef of drifting rocks, and all because I’m here, because I’m holding it together, this trained and hairless monkey in outer space.
Hugh Howey (Beacon 23)
You think I’m damaged?” “Yes.” He moves even closer in the water, but there wasn’t much space left between us to begin with. It’s deliberate, and so much of me is touching so much of him now. “You’re right,” he says quietly, slipping a hand around the back of my left knee. “There’s nothing left of me but a fucking pile of debris.” He pulls me to him, wrapping both my legs around him. That’s all he does, though. He doesn’t try to kiss me. He just connects us together as if that’s enough while our arms keep us both afloat.
Colleen Hoover (Heart Bones)
And yet on Earth, we spend a trillion dollars on war without blinking an eye. With each passing year, the chance of a global catastrophe mounts—the climate, an epidemic, a financial crash, or a war that shrouds Earth in space debris and prevents us from reaching space. Possibly ever again. Humanity’s future depends on going—now, not later.
Daniel Suarez (Delta-V (Delta-v, #1))
It is essential to unclutter the mind incessantly, as it constantly generates debris in the form of unnecessary, useless and unhelpful thoughts. That can happen when we create spaces in our minds. A simple mind is a nimble mind, a spare, beautiful mind.
KRISHNA MURTHY ANNIGERI VASUDEVA RAO (FLOWERS OF STARDUST)
Un-forgiveness is like debris, if you continue to pile them up, your mind will be occupied with the unwanted and there would be no space for the needed.
Daniel Anikor
During the dream itself, we do not leave the world behind: the dream space isolates itself from clear space, but it nevertheless uses all of its articulations – the world haunts us even in sleep, and we dream about the world. Similarly, madness gravitates around the world. To say nothing of those morbid fantasies or fits of delirium that attempted to build for themselves a private domain out of the debris of the macrocosm, the most advanced states of melancholy, where the patient settles into death and, so to speak, makes it his home...still make use of the scientific structures of being in the world to do so, and borrow from the world just what is required of being, in order to negate it.
Council of Human Hybrid-Attractors (Incessance: Incesancia)
Debriding: Deeply imbedded, visible debris not removed by irrigation may be removed carefully with forceps (tweezers) sterilized by either boiling or with an open flame, such as a match or lighter. Carbon (the black stuff) left on forceps after holding them in an open flame is sterile. Removal of visible debris from a wound and/or dead skin from around a wound is called debridement. When the protective layers of the epidermis are opened, the superficial dermal cells dry out and die. These dead cells, together with serum, the watery portion of blood that seeps from the wound, form the familiar eschar (scab). Although wounds heal beneath scabs, the application of occlusive wound dressings, after thorough cleaning, prevents the formation of an eschar by keeping the dermis moist with fluids from the patient’s body, speeding the growth of new skin and wound healing. After closing and/or dressing a deep wound on an extremity, immobilization by splinting reduces lymphatic flow and the spread of microorganisms. Elevation of the extremity decreases swelling. Both measures reduce the likelihood of wound complications and should be employed whenever possible. Prophylactic antibiotics are not indicated for most wounds. Many authorities would recommend antibiotics for wounds involving tendons, particularly of the hand, bones, or joint spaces, as well as for wounds heavily contaminated with saliva, feces, or soil containing large amounts of organic material. If antibiotics are used, they should be started as soon as possible after the injury, and a broad-spectrum agent should be chosen. Antibiotics require a prescription, and a physician should be consulted well before you start a wilderness trip. Follow the physician’s instructions precisely when using antibiotics. Note: Antibiotics should never be considered a substitute for a vigorous wound cleaning.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Roper shrugged, cleared his throat and then swallowed the phlegm. ‘Never liked fish anyway.’ ‘Just pick it up,’ she muttered. ‘Throw it in a damn bin.’ He looked at her for a few seconds, licked his bottom lip, and then turned towards the river and walked away, leaving it there. Jamie stared at it, weighing up whether to pick it up and prove Roper right, or to leave it and admit to herself that it wasn’t that important. She didn’t like the idea of touching something that had been in his mouth, so she left it and followed him. This morning, they did have bigger fish to fry. Whether Roper liked them or not. There was a police cordon set up around the area and three squad cars and an ambulance parked at odd angles on the street. It ran parallel to the water, with a pavement separating the road from the grassy bank that led down to the body.  A bridge stretched overhead and iron grates spanned the space between the support struts, stopping debris from washing into the Thames. It looked like the body had got caught on one and then dragged to shore.  Some bystanders had gathered on the bridge and were looking down, at a loss for anything else to do than hang around, hoping for a look at a corpse.  Jamie dragged her eyes away from them and looked around. The buildings lining the river were mostly residential. Blocks of apartments. No wonder the body had been seen quickly.  There were six uniformed officers on scene, two of whom were standing guard in front of the privacy tent that had been set up on the bank. It looked like they’d fished the body out onto the grass. Jamie was a little glad she didn’t have to wade into the water.  To the right, a man in his sixties was being interviewed by one of the officers. He was wrapped in a foil blanket and his khaki trousers were still soaked through. Had he been the one to pull the body out? It took a certain kind of person to jump into a river to help someone rather than call it in. Especially in November. That made three officers. She continued to search. She could see another two in the distance, checking the river and talking to pedestrians. The conversations were mostly comprised of them saying the words, ‘I can’t tell you that, sorry,’ to people who kept asking what had happened in a hundred different ways. Jamie was glad her days of crowd control were over. She’d been a uniformed officer for seven years. The day she’d graduated to plainclothes was one of the happiest of her life. For all the shit her father did, he was one hell of a detective, and she’d always wanted to be one — minus the liver cirrhosis and gonorrhoea, of course. She was teetotal. The sixth officer was filling out a report and talking to the paramedics. If the victim had washed up in the river in November then there would have been nothing they could do.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
The material took up a lot of space, the work produced a great deal of debris, and the fumes from the sponge and adhesive gave her a headache, but the pay was the best among all the odd jobs. Mother kept taking on more, and worked longer hours.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
It became a tacit rule between her and Atef: If it hurts, leave it. Their marriage had a glove compartment, a hollow, cluttered space where emotional debris went - Mustafa, those first months in Kuwait, Nablus.
Hala Alyan (Salt Houses)
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