Crew A Garden Quotes

Belize: Hell or heaven? [Roy indicates "Heaven" through a glance] Belize: Like San Francisco. Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit. Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens. Roy Cohn: Isaiah. Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths. Roy Cohn: And a dragon atop a golden horde. Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there. Roy Cohn: And Heaven? Belize: That was Heaven, Roy.

I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!

He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.

Have you heard the songs they sing here in Kilanga?” he asked. “They’re very worshipful. It’s a grand way to begin a church service, singing a Congolese hymn to the rainfall on the seed yams. It’s quite easy to move from there to the parable of the mustard seed. Many parts of the Bible make good sense here, if only you change a few words.” He laughed. “And a lot of whole chapters, sure, you just have to throw away.” “Well, it’s every bit God’s word, isn’t it?” Leah said. “God’s word, brought to you by a crew of romantic idealists in a harsh desert culture eons ago, followed by a chain of translators two thousand years long." Leah stared at him. “Darling, did you think God wrote it all down in the English of King James himself?” “No, I guess not.” “Think of all the duties that were perfectly obvious to Paul or Matthew in that old Arabian desert that are pure nonsense to us now. All that foot washing, for example. Was it really for God’s glory, or just to keep the sand out of the house?” Leah sat narrow-eyed in her chair, for once stumped for the correct answer. “Oh, and the camel. Was it a camel that could pass through the eye of a needle more easily than a rich man? Or a coarse piece of yarn? The Hebrew words are the same, but which one did they mean? If it’s a camel, the rich man might as well not even try. But if it’s the yarn, he might well succeed with a lot of effort, you see?” He leaned forward toward Leah with his hands on his knees. “Och, I shouldn’t be messing about with your thinking this way, with your father out in the garden. But I’ll tell you a secret. “When I want to take God at his word exactly, I take a peep out the window at His Creation. Because that, darling, He makes fresh for us every day, without a lot of dubious middle managers.

In early July 1924 Haushofer’s intriguing phrase—“living space” (also translatable as “habitat”)—was suddenly much talked about at Landsberg, but not fully understood. Heated discussions had broken out among the Hitler crew. “Kriebel and a few others teased me in the garden about the geopolitical Lebensraum,” wrote Hess to Ilse Pröhl. “I said, ‘Living space is a more or less well-defined piece of the earth with all its life forms and influences.’ But Kriebel claimed to be too dumb to understand that.… When the general [Haushofer] was here on Tuesday, I asked him to write for us a more precise definition.”44

Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.

What's this?" yells the captain to his sickly crew. "Oh, blimey! Could this be the Dread Pirate Flu?

These shots will help make you a healthier crew. Deep breaths, take your shots, not another ahhh-choo!

Young fops and lordlings of the garrison Kept up by England here to keep us down . . . And doubtless, as they dash along, regard Us who stand outside as a beggarly crew. ’Tis half-past six. Not yet. No, that’s not he. Well, but ’tis pretty, sure, to see them stoop And take the ball, full gallop . . . Polo was still dominated by British cavalry officers, and the stretch called Nine Acres was seen by militant nationalists to be an offensive appropriation of public land—a little enclave of England—as was the cricket ground. Phoenix Park’s statues—the robed figure in the People’s Garden commemorating an earlier lord lieutenant, the Seventh Earl of Carlisle, as well as the bronze equestrian memorial of the war hero Lord Gough—were further reminders of British rule (both demolished by twentieth-century nationalists). Ferguson’s verses, however, express more than national resentment. The poet, later to be worshipped by the young W. B. Yeats, cannot have known about Patrick Egan’s plan for James Carey, and yet, with remarkable insight, he reveals it: “Lord Mayor for life—why not?” Carey muses,

No one will dare go against your orders. You know that.” “Where my wife is concerned, I’ve learned to expect anything. She already has the whole of my crew eating out of her hand.” I step over a garden hose strung across the walkway. “Including my dogs.

As I write this, I’m sitting in a café in Paris overlooking the Luxembourg Garden, just off of Rue Saint-Jacques. Rue Saint-Jacques is likely the oldest road in Paris, and it has a rich literary history. Victor Hugo lived a few blocks from where I’m sitting. Gertrude Stein drank coffee and F. Scott Fitzgerald socialized within a stone’s throw. Hemingway wandered up and down the sidewalks, his books percolating in his mind, wine no doubt percolating in his blood. I came to France to take a break from everything. No social media, no email, no social commitments, no set plans . . . except one project. The month had been set aside to review all of the lessons I’d learned from nearly 200 world-class performers I’d interviewed on The Tim Ferriss Show, which recently passed 100,000,000 downloads. The guests included chess prodigies, movie stars, four-star generals, pro athletes, and hedge fund managers. It was a motley crew. More than a handful of them had since become collaborators in business and creative projects, spanning from investments to indie film. As a result, I’d absorbed a lot of their wisdom outside of our recordings, whether over workouts, wine-infused jam sessions, text message exchanges, dinners, or late-night phone calls. In every case, I’d gotten to know them well beyond the superficial headlines in the media. My life had already improved in every area as a result of the lessons I could remember. But that was the tip of the iceberg. The majority of the gems were still lodged in thousands of pages of transcripts and hand-scribbled notes. More than anything, I longed for the chance to distill everything into a playbook. So, I’d set aside an entire month for review (and, if I’m being honest, pain au chocolat), to put together the ultimate CliffsNotes for myself. It would be the notebook to end all notebooks. Something that could help me in minutes but be read for a lifetime.

His time aboard the Argo had been good to him. He’d put on healthy weight and gained a sense of confidence. He no longer looked as if he feared to wake up one day and find that his freedom was only a dream. “I’ll see what I can find, then,” he said. “There were plenty of amphorae in the crew’s sleeping chambers this morning, wine and water both.” “Do you think there’s any left?” “Water or wine?” He grinned. “By the way, where are all the men?” I asked. “The ones who aren’t busy bothering the serving girls are practicing their battle skills with Lord Aetes’ guards. There’s a training ground, but it’s a fair distance from the citadel. I think the palace weapons bearers get more exercise than the men, carrying their gear there and back.” “Except for one lazybones who’s hiding in the queen’s garden instead of doing his proper work. Poor Iolaus! This is the thanks he gets for hiring you.” I was teasing, and Milo knew it. “And what about a weapons bearer so lazy that he’d rather turn into a girl than do his job?” Milo countered, laughing. I stood up. “A girl who can carry two amphorae of wine to your one,” I said. “One to my three, you mean!” Milo declared, getting into the spirit. “But you’ll have to find them first.” He made a taunting face at me and darted into the palace. I raced after him gladly, our laughter echoing through the halls. We had a few near collisions with Lord Aetes’ slaves and servants, and drew our fair share of outraged curses from stuffy palace officials, but it felt so good to run! Milo soon forgot all about going back to the crew’s chambers to search for those amphorae. He ran right past the doorway and didn’t give it a glance. Though my dress hindered me and my sword slapped against my left leg at every stride, I was enjoying myself.

The burial crew found him at Sara’s grave one day that summer. Without bothering to ask permission from the town council, they buried him there, beside my sister. Everything was green. For me, this was the most beautiful time of the year in Berkshire County, before the leaves all turned color and dropped away. They say that dogs may dream, and when Topsy was old, his feet would move in his sleep. With his eyes closed he would often make a noise that sounded quite human, as if greeting someone in his dreams. At first it seemed that he believed Sara would return, but as the years went by I understood that his loyalty asked for no reward, and that love comes in unexpected forms. His wish was small, as hers had been—merely to be beside her.

I park my bike in her driveway and ring her doorbell. I clear my throat so I don’t choke on my words. Mierda, what am I gonna say to her? And why am I feeling all insecure, like I need to impress her because she’ll judge me? Nobody answers. I ring again. Where’s a servant or butler to answer the door when you need one? Just as I’m about to give up and slap myself with a big dose of what-the-fuck-do-I-think-I’m-doing, the door opens. Standing before me is an older version of Brittany. Obviously her mom. When she takes one look at me, her disappointing sneer is obvious. “Can I help you?” she asks with an attitude. I sense either she expects me to be part of the gardening crew or someone going door-to-door harassing people. “We have a ‘no soliciting policy’ in this neighborhood.” “I’m, uh, not here to solicit anythin’. My name’s Alex. I just wanted to know if Brittany was, uh, at home?” Oh, great. Now I’m mumbling uh’s every two seconds.

My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees. I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever. I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts. I want to scream. Maybe I am? I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition. “Car troubles?” Mr. Kincaid calls out to me from the front porch. “No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.” The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.

They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.

As soon as Mr. Clinton became the president, Mrs. Clinton and her staff sought to repair the Clinton brand among groups they thought had been damaged during the campaign, scheduling galas, balls, and dinners. They hosted open house tours day and night, especially around Christmas and for the military. What she and her staffers failed to realize was that the White House had a budget like any other government entity. Each shindig still had to be paid either from the Executive Residence budget or the Democratic Party’s purse. Event planners dropped the ball on costs. One Rose Garden event required big, rented, air-conditioned tents that ruined the lawn. Landscaping crews and the National Park Service tore up all the dead grass, installed new sod, and sent them the bill. That’s expensive. But you can’t just have a whole White House lawn muddy and looking like crap. “Just get it done,” staffers would say. Party rental companies refused future events until they were paid. The discussions were plain embarrassing, but when I heard them I wasn’t eavesdropping. They were shouted in the hallway. The Clintons believed that a magic royal pot of money somehow existed for their every whim.

Event planners dropped the ball on costs. One Rose Garden event required big, rented, air-conditioned tents that ruined the lawn. Landscaping crews and the National Park Service tore up all the dead grass, installed new sod, and sent them the bill. That’s expensive. But you can’t just have a whole White House lawn muddy and looking like crap. “Just get it done,” staffers would say. Party rental companies refused future events until they were paid. The discussions were plain embarrassing, but when I heard them I wasn’t eavesdropping. They were shouted in the hallway. The Clintons believed that a magic royal pot of money somehow existed for their every whim.

NORMA FOERDERER, TRUMP’S LONGTIME aide, rushed into the boss’s office on the twenty-sixth floor of Trump Tower. The helicopter that carried the three executives had gone down. Agonizing minutes went by. Then a New Jersey police official called with the news: no survivors. Three of Trump’s most trusted aides, including the ones most responsible for opening the Taj, had perished, along with the crew of two. Trump would later learn that the scrape on one of the rotor blades had expanded during the flight, the result of metal fatigue. Over the pinelands of New Jersey, at an altitude of twenty-two hundred feet, a portion of the blade broke, the helicopter’s aerodynamics went askew, and the aircraft split apart in midair, raining wreckage on the Garden State Parkway. Trump

I always remember the workers, the people at the store, the cashier, the gardener, the cleaning crew, the diswashers, the people working reparing the streets, the people that cross my way to my way back home, the strangers that are not the news and so many others, but just with a word and smile mke my day better. I also like to write about them and in that way, pay tribute to the important jobs they do, their sacrifices and the inmesurable values as human beings and members of this blue planet they all have.

She was a great-hipped, heavy-legged woman with breasts that haunt the dreams of hungry men. She was repulsed by Michelangelo’s Creation on the ceiling of the bathroom. “The body is the work of the Devil,” she said. But Fat Man’s father only laughed at her and lay superimposing her head onto the shoulders of Adam, pretending that naked Adam was his wife. And he had sired his son with his wife fully clothed and shoed in a dark room in the middle of the night with her jaws clenched and her teeth grinding and her Bible clutched to her bosom with both hands.

For of course I am completely an elitist, in the cultural but emphatically not the social sense. I prefer the good to the bad, the articulate to the mumbling, the aesthetically developed to the merely primitive, and full to partial consciousness. I love the spectacle of skill, whether it’s an expert gardener at work, or a good carpenter chopping dovetails, or someone tying a Bimini hitch that won’t slip. I don’t think stupid or ill-read people are as good to be with as wise and fully literate ones. I would rather watch a great tennis player than a mediocre one, unless the latter is a friend or a relative. Consequently, most of the human race doesn’t matter much to me, outside the normal and necessary frame of courtesy and the obligation to respect human rights. I see no reason to squirm around apologizing for this. I am, after all, a cultural critic, and my main job is to distinguish the good from the second-rate, pretentious, sentimental, and boring stuff that saturates culture today, more (perhaps) than it ever has. I hate populist kitsch, no matter how much of the demos loves it. To me, it is a form of manufactured tyranny. Some Australians feel this is a confession of antidemocratic sin; but I am no democrat in the field of the arts, the only area—other than sports—in which human inequality can be displayed and celebrated without doing social harm. I have never looked down on spectator sports or on those who enjoy them—it’s just that, due perhaps to some deformity in my upbringing, I’ve never been particularly keen on watching them or felt concerned about which team, crew, or side won.

What else did Network drop on us?" There was a too-long silence that meant she was going to hate what Dmitri said next. "Network wants us to provide a 'native guide' for a crew filming on Elfhome…" "You want me to play babysitter?" "No, they asked for a guide, they're getting you as a producer, and you're going to keep them out of trouble even if you need to hogtie them, which I know you're fully capable of." "I don't do babysitting!" "It's not babysitting, and you're very good at it, otherwise Hal wouldn't be alive now." Chesty went to point on a strangle vine staging a surprise rear attack. Jane sighed. When was Hal ever going to learn that these things were more like octopuses than snakes? "That is debatable," she said as Hal went down with a yelp.

Having plowed through all three channel's news crews, it was no surprise that Dmitri called moments later. Jane winced at her phone's screen and glanced toward Mark's cameraman to verify that Dmitri was probably watching her as well. "Hm?" Jane tried for innocent sounding. "What are you doing?" Dmitri asked totally deadpan. "Omniscient," Hal sang quietly. Jane snorted. Nothing supernatural about Dmitri's ability when half the time they were beaming straight to the studio, just in case Hal managed to blow up the entire neighborhood.

My building is relegated to five acres that back up to wetlands and a power station. We’re an island to ourselves like Alcatraz, nobody eager to be our neighbor. Despite my best intentions our business is antisocial, especially when the crematorium oven is running, and that was on the schedule for this morning. Bodies donated to our anatomical division are returned after medical schools are finished with them. I told Fabian to hold off on the cremations. We don’t need smoke billowing up from our rooftop, my headquarters unwelcoming enough. There’s little in the budget for landscaping or anything else that might make the place less off-putting. We have no trash cans or public restrooms, not even a drinking fountain. “… OBSTRUCTION…!” Elvin Reddy removed the meditation garden and eternal flame before I took this job. All that’s left to show even a modicum of hospitality are two concrete benches painted dark green and often covered with bird deposits. We’re down to a skeleton crew of three security guards, only Wyatt trustworthy. “… OBSTRUCTION…!” The lobby isn’t open to the public, the front doors secured with a heavy chain and padlock. I have no receptionist to answer questions and we no longer allow viewings of loved ones. Cremains and personal effects aren’t picked up in person. We send them UPS, and that’s a difficult package to find on your doorstep. “… OBSTRUCTION…!” I don’t have the budget to fix what’s been done or I would have by now. Were it up to me I’d ensure that people are as comfortable and respected as possible in their darkest hour. But that’s not the world we live in anymore.

Begin with the benches in the park. Here, side by side with students and their looseleafs, lean or lie the shadows of the pretzel man, his creased ghosts or doubles: all those pitiables, half-women and half-men, neither awake nor asleep; the discountable, the repudiated, the unseen. No more notice is taken of any of them than of a scudding fragment of newspaper in the path. Even then, even so long ago, the benches of Washington Square are pimpled with this hell-tossed crew, these Mad Margarets and Cokey Joes, these volcanic coughers, shakers, groaners, tremblers, droolers, blasphemers, these public urinators with vomitous breath and rusted teeth stumps, dead-eyed and self-abandoned, dragging their makeshift junkyard shoes, their buttonless layers of raggedy ratfur. The pretzel mazi with his toilet paper rolls conjures and spews them all - he is a loftier brother to these citizens of the lower pox, he is guardian of the garden of the jettisoned. They rattle along all the seams of Washington Square. They are the pickled city, the true and universal City-Below-Cities, the wolfish vinegar-Babylon that dogs the spittled skirts of bohemia. The toilet paper rolls are the temple columns of this sacred grove.

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