Transporter 1 Quotes

We've searched our database for all the quotes and captions related to Transporter 1. Here they are! All 100 of them:

How do you feel about helicopters?" There was a long pause. "How do you mean? Ethically?" "As a mode of transportation." "Faster than camels, but less sustainable.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I hadn’t realized that music could unlock things in you, could transport you to somewhere even the composer hadn’t predicted. It left an imprint in the air around you, as if you carried its remnants with you when you went.
Jojo Moyes (Me Before You (Me Before You, #1))
Daniel's face-- the way it had been bathed in violet light when he'd carried her home this morning-- appeared before her eyes. His gleaming golden hair. His tender, knowing eyes. The way one touch of his lips transported her far away from any darkness. For him, she'd suffer all of this, and more.
Lauren Kate (Fallen (Fallen, #1))
And most of all, she loved the way books could transport her from her otherwise mundane and stifling life and offer the experiences of a hundred other lives.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
Stories moved Kelsea most, stories of things that never were, stories that transported her beyond the changeless world of the cottage.
Erika Johansen (The Queen of the Tearling (The Queen of the Tearling, #1))
It took him forever to get to downtown Vancouver although Tony had to admit that saving the world by public transportation was a particularly Canadian way to do things.
Tanya Huff (Smoke and Shadows (Smoke Trilogy #1))
You are a terror, aren't you? Leave this yard alone. I know just where everything is in it, and I won't be able to find the things I need for my transport spells if you tidy them up.' So there was probably a bundle of souls or a box of chewed hearts somewhere out here, Sophie thought. She felt really thwarted. ‘Tidying up is what I’m here for!’ she shouted at Howl. ‘Then you must think of a new meaning for your life,’ Howl said.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Because music is the heart’s greatest librarian. A few notes had the ability to transport me back in time, and to the most painful of places. Take any song from the Rolodex of your life, and you can pin it to a memory.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
But books are curious objects. They have the power to trap, transport, and even transform you if you are lucky.
Traci Chee (The Reader (Sea of Ink and Gold, #1))
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
When he read, it was as if he were transported to some dreamland where he could not hear whispers or shouting.
Jeff Wheeler (The Queen's Poisoner (Kingfountain, #1))
The stench that surrounded me suggested that the tarp over my face had been previously used either to transport fertiliser or as toilet paper.
Annabel Monaghan (A Girl Named Digit (Digit, #1))
Music is formed by instruments, framed with notes, paced by our hands playing with Time, but above all, it is made up of emotions. It transports you back to moments when you felt most alive. If it doesn’t release your locked feelings, music is just air.
Joseph Legaspi (A Three-Year Minute (The Three-Year Trilogy, #1))
Books were my escape, they transported me to other worlds without step-mothers.
A.W. Exley (Ella, the Slayer (Serenity House, #1))
She had forgotten them all; forgotten Richard down in the mud, and the marquis and his foolish crossbow, and the world. She was delighted and transported, in a perfect place, the world she lived for. Her world contained two things: Hunter, and the Beast. The Beast knew that too. It was the perfect match, the hunter and the hunted. And who was who, and which was which, only time would reveal; time and the dance.
Neil Gaiman (Neverwhere (London Below, #1))
Everyone cried when the creature first spoke to them. No, not cried. They wept. They wept like the cavemen of Lascaux suddenly transported into the Sistine Chapel just in time for a live performance of Phantom of the Opera as sung by Tolkien’s elves.
Catherynne M. Valente (Space Opera (Space Opera, #1))
A well-spun tale can transport listeners away from their humdrum lives and return them with an enlarged sense of the world.
Jonathan Auxier (Peter Nimble and His Fantastic Eyes (Peter Nimble, #1))
Have you ever played Maximum Happy Imagination?" "Sounds like a Japanese game show." Kat straightens her shoulders. "Okay, we're going to play. To start, imagine the future. The good future. No nuclear bombs. Pretend you're a science fiction writer." Okay: "World government... no cancer... hover-boards." "Go further. What's the good future after that?" "Spaceships. Party on Mars." "Further." "Star Trek. Transporters. You can go anywhere." "Further." "I pause a moment, then realize: "I can't." Kat shakes her head. "It's really hard. And that's, what, a thousand years? What comes after that? What could possibly come after that? Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
A few notes had the ability to transport me back in time, and to the most painful of places. Take any song from the Rolodex of your life, and you can pin it to a memory.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
On December 7, 2059, Emilio Sandoz was released from the isolation ward of Salvator Mundi Hospital in the middle of the night and transported in a bread van to the Jesuit residence at Number 5 Borgo Santo Spirito, a few minutes' walk across St. Peter's Square from the Vatican.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Simon would have felt both honored and love, except mostly he felt weird, because he had only a few broken fragments of memory that said he knew these people at all, and a whole lifetime of memories that said they were armed, overly intense strangers. The kind you might avoid on public transportation.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
When I heard certain songs, they transported me to another time, to another place, and sometimes, to another person.
Kandi Steiner (What He Doesn't Know (What He Doesn't Know Duet, #1))
...for reading, once begun, quickly becomes home and circle and court and family, and indeed, without narrative, I felt exiled from my own country. By the transport of books, that which is most foreign becomes one's familiar walks and avenues; while that which is most familiar is removed to delightful strangeness; and unmoving, one travels infinite causeways, immobile and thus unfettered.
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
I think," Guinevere said, making her voice as light and breezy as the summer day around them, "I have found my new preferred form of transportation. I will never walk again. Nor shall I ride horses. I want to be carried everywhere by a king.
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
Ok. And we are getting there… how?” she inquired, her words dripping with skepticism. “Wait… don’t tell me. Your supersonic spaceship is parked outside the window waiting for us to jump aboard!” “No… we will not be using a Star Transporter today. Instead, we will be using a teleporting device. I must prepare you,” he replied so matter-of-factly.
A.M. Hargrove (Survival (The Guardians of Vesturon #1))
The Vonnegut was a heavily modified Firefly-class transport vessel, modeled after the Serenity in the classic Firefly TV series.
Ernest Cline (Ready Player One (Ready Player One, #1))
If a gang leader only had one mode of transport, were they even successful? Doubtful.
Tate James (7th Circle (Hades, #1))
Ruth Rendell, Reginald Hill, P.D. James, Ernest Tidyman, John Le Carré, Norman Mailer, Penelope Fitzgerald and Colin Dexter all transported
Val McDermid (1979 (Allie Burns #1))
Charlie found himself affecting the Emperor's formal speech patterns, as if somehow he had been transported to a royal court where a nobleman was distinguished by the crumbs in his beard and the royal guard were not above licking their balls.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
Music can transport you to another time with a couple of notes. It makes you feel the heartbreak or the love, right along with the singer. The right song speaks to your soul in a way nothing else can. It’s magic.
Cindi Madsen (Cipher (Cipher, #1))
Already, the brain consumed more than a quarter of the body's blood supply... an organ accounting for only a small percentage of body mass. If brains grew larger, and better, then perhaps they would consume more - perhaps so much that, like an infection, they would overrun their hosts and kill the bodies that transported them. Or perhaps, in their infinite cleverness, they would find a way to destroy themselves and each other. There were times when, as he [Stone] sat at State Department or Defense Department meetings, and looked around the table, he would see nothing more than a dozen gray, convoluted brains sitting on the table... Just brains, sitting around, trying to decide how to outwit other brains, at other conference tables. Idiotic.
Michael Crichton (The Andromeda Strain (Andromeda, #1))
Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries. It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.
Neil Gaiman (Neverwhere (London Below, #1))
Well, you're going to have to put your arms around me. Then hold on really tight. You may want to close your eyes too." "All that is for transporting?" "Was there something else you'd prefer to be doing?" Fortunately, Dad intervened before I could respond to his comment. "Really, Chase? Still in the room here. That's my daughter you're flirting with. You really want to go there?
Heather Self (The One (The Portal Trilogy, #1))
Where'd you send her?" "Siberia. Lovely this time of year. A bit remote, I'm afraid. Might take her weeks to find a town and even longer to arrange transportation back to the States." My lips quirked. I didn't feel like laughing, but the image of my half-millenium-old grandmother trudging through snow was kind of funny. "You're sick, you know that?" "What can I day? I thought a cold-hearted bitch like her would feel at home in the tundra.
Jaye Wells (Red-Headed Stepchild (Sabina Kane, #1))
Jane, as we mentioned earlier, loved books. There was nothing she relished more than the weight of a hefty tome in her hands, each beautiful volume of knowledge as rare and wonderful and fascinating as the last. She delighted in the smell of the ink, the rough feel of the paper between her fingers, the rustle of sweet pages, the shapes of the letters before her eyes. And most of all, she loved the way that books could transport her from her otherwise mundane and stifling life and offer the experiences of a hundred other lives. Through books she could see the world.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
Faith is the substance that God used to create the universe, and He transported that faith with His words. God used His words as containers to transport His faith out there into the vast nothingness, into the darkness. He said, ''Light, be!" (Gen. 1:3.) And light was!
Charles Capps (Changing the Seen and Shaping the Unseen)
But what about the horses? Have they always had horses here?" "Probably. Colonial words usually have horses; they're cheap local transportation,self-replicating.
Elizabeth Moon (Hunting Party (The Serrano Legacy, #1))
Heaven, Mori. When I die, this place will be transported right up into the clouds, so I can flit about the stacks for hours on end, reading into eternity. - Sadie
Heather W. Petty (Lock & Mori (Lock & Mori, #1))
The air space is obviously for the Aerial Transports—ATs, and the roads are for the Ground Vehicles—GVs. However, even among the GVs, strict rules apply for the ones with wheels and tires—they must stay nearest to the earth. A truck with monster tires, like hers, must stay away from the upper-level highways if she wants to avoid stares.
Misba (The High Auction (Wisdom Revolution, #1))
The nurse told him that my surgery had been moved to 1:00, and the transport was coming at 9:30. This worried Mom and Dad because they had been told that skull replacement was not a priority surgey.
Amy Rankin (Nobody Thought I Could Do It, But I Showed Them, and So Can You!)
Readers, A few years ago, while I was writing Flood Tide, I realized that Dirk Pitt needed some help on a particular assignment, and so I dreamed up Juan Cabrillo. Cabrillo ran a ship called the Oregon, on the outside completely nondescript, but on the inside packed with state-of-the-art intelligence-gathering equipment. It was a completely private enterprise, available for any government agency that could afford it. It went where no warship could go, transported secret cargo without suspicion, plucked
Clive Cussler (Golden Buddha (Oregon Files, #1))
After changing shape several times, the ball eventually turned into a huge face. It floated alongside the air-car. This time, time instead of sending him a mental message, the face spoke out aloud and the whole air-car vibrated with its intensity. “If you are foolish enough to renege on your contract, you will be severely punished. For your sake, I hope you wouldn’t do such a thing.” When Tarmy made no attempt to respond, the face turned and pressed itself against the millipede-free window. A moment later, Tarmy felt the fat slug entering his mind, the sign that the face was attempting to use its powers to obtain his response by other means. But as the slug dug deeper, Samantha’s cover stories began springing out of the corners of his mind. Instead of obtaining Tarmy’s agreement, all that the face saw was a burning army transporter surrounded by bodies. Undeterred, the face continued its assault. Samantha had anticipated that Tarmy might come up against an adept, so the mental images of death and destruction flowed unchecked. After failing to break Tarmy’s defences, the face removed the slug and tried reason. “You can’t win, Mr Tarleton, so why don’t you do yourself a favour and cooperate? It will be better for you in the long run. Now, where is the miniature pulse drive engine?” Tarmy realised why the millipedes hadn’t been allowed to attack. It was obvious that the Great Ones were hoping to retrieve the engine. When Tarmy didn’t respond, the face said, “I am prepared to overlook your desertion if you agree to tell us where the engine is and also honour your contract by showing us how to convert the engine into a bomb.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
Daniel transported you, which is another reason you feel so sickly.  It can make you feel crappy if you aren’t used to it.  First time I did it, it was coming out of both ends for a good three hours afterwards. 
Sharon Karaa (The Last Challenge (Northern Witches #1))
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will. I could make it run, push buttons, of one sort or another, make things happen. There were limits but my body was nevertheless lithe, single, solid, one with me. Now the flesh arranges it self differently.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Our physicists have confirmed the practicality of using an altered asteroid for transport,
Mary Doria Russell (The Sparrow (The Sparrow, #1))
music could unlock things in you, could transport you to somewhere even the composer hadn’t predicted.
Jojo Moyes (Me Before You (Me Before You, #1))
When the stars and the moon met, a song began among the moonside Kakri. “Where is the fountain which brought joy to the city, clean and clear at its heart?” There were no instruments, just voices. The starside Kakri answered, also in song, “It has been carried away, the water spilled to the sand, the water given to the sun.” The song, beautiful and strange, reached out to Jason like the tendrils of a plant opening in the morning dew. He felt himself alive, transported, and filled with a deep, melancholy sadness.
Matt Mikalatos (The Crescent Stone (The Sunlit Lands #1))
They made love then. Kassad, at twenty-three standard years, had been in love once and had enjoyed sex many times. He thought he knew the way and the why of it. There was nothing in his experience to that moment which he could not have described with a phrase and a laugh to his squadmates in the hold of a troop transport. With the calm, sure cynicism of a twenty-three-year-old veteran he was sure that he would never experience anything that could not be so described, so dismissed. He was wrong. He could never adequately share the sense of the next few minutes with anyone else. He would never try.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Danger lies before you, while safety lies behind, Two of us will help you, whichever you would find, One among us seven will let you move ahead, Another will transport the drinker back instead, Two among our number hold only nettle wine, Three of us are killers, waiting hidden in line. Choose, unless you wish to stay here forevermore, To help you in your choice, we give you these clues four: First, however slyly the poison tries to hide You will always find some on nettle wine’s left side; Second, different are those who stand at either end, But if you would move onward, neither is your friend; Third, as you see clearly, all are different size, Neither dwarf nor giant holds death in their insides; Fourth, the second left and the second on the right Are twins once you taste them, though different at first sight.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I wonder how Isabel is doing this morning. I wonder how she got to work. She doesn’t have a car that I know of. Holy fuck - she’s not using public transportation, is she? That would be completely unacceptable.
Ella Dominguez (The Art of Submission (The Art of D/s, #1))
This touch of luxury was typical of the Base, though it was sometimes hard to explain its necessity to the folk back on Earth. Every man and woman in Clavius had cost a hundred thousand dollars in training and transport and housing; it was worth a little extra to maintain their peace of mind. This was not art for art’s sake, but art for the sake of sanity.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
Matter and energy are equivalent, according to the equation E=mc2, where E stand for energy, m for mass and c for the speed of light,' 'Merapa explained. 'Matter can't be transported at the speed of light but energy can. Therefore, during a time shift transformation, matter is converted to energy then condenses back. In other words all the molecules in your body have been changed from matter to energy then back again.' 'Wow. It's a wonder it's not fatal,' Dirck said. 'Sometimes it is. If any transcription errors occur between the DNA and RNA in your vital organs you're all but dead.
Marcha A. Fox (Beyond the Hidden Sky (Star Trails Tetralogy, #1))
Would you care to hear a story?” He frowned, surprised. “Like a fairy tale?” “Exactly. I always like hearing a story when I work. Or…in my case, making one up. Time slips away and before you know it, you’re finished. And all the while, you’ve been transported somewhere vibrant and exciting and wonderful.
Marissa Meyer (Gilded (Gilded, #1))
Mismatched wooden shelves crammed with dusty glass vials, tiny reed baskets, and crumbling ceramic jars covered the walls. Lengths of dried herbs, animal parts, and objects she couldn't identify hung from the ceiling while clay amphorae competed for the small amount of floor space. Yaqub knew his inventory like the lines of his palms, and listening to his stories of ancient Magi or the hot spice lands of the Hind transported her to worlds she could hardly imagine.
S.A. Chakraborty (The City of Brass (The Daevabad Trilogy, #1))
Imagine women on Earth with that kind of power. With their own personal harem. I think we’d all go a little bit drunk with sexual power. What kind of life do these Kordolian females lead? Shit. I’ve just been transported to a planet of horny, silver-skinned alien males who happen to be tutored in the art of pleasure. What’s a girl not to like?
Anna Carven (Dark Planet Warriors the Series: Book 1 (Dark Planet Warriors, #1))
All these my exaltation of mind has borne along with it and kept alive through the succession of the years, while all around them the paths have vanished and those who trod them, and even the memory of those who trod them, are dead. Sometimes the fragment of landscape thus transported into the present will detach itself in such isolation from all associations that it floats uncertainly in my mind like a flowering Delos, and I am unable to say from what place, from what time - perhaps, quite simply, from what dream - it comes. But it is pre-eminently as the deepest layer of my mental soil, as the firm ground on which I still stand, that I regard the Meseglise and the Guermantes ways. It is because I believed in this and in people while I walked along those paths that the things and the people they made known to me are the only ones that I still take seriously and that still bring me joy.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
They’re the only ones rich enough to use private transportation.
Victoria Aveyard (Red Queen (Red Queen, #1))
the immersive capacity of a good novel to transport you into a different world is unique to the written word.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
What did he do? Channel Vincent Price and transport the Tower of London'to the Hollywood Hills?
Linda Wisdom (50 Ways to Hex Your Lover (Hex, #1))
Nasil and Owen transport organs for transplant these days—and deliver takeout." "I hope they don't get those mixed up.
Jasper Fforde (The Last Dragonslayer (The Last Dragonslayer, #1))
Looking at her, thinking of her transported him, which struck him as vile because now it was hard for him not to despise the icy serenity of their earlier relations. And he knew that he should not love her, for she had been someone else whom he was supposed to love differently. -What is loneliness? Does the lonely space between two rocks vanish when spanned by a spider web?
William T. Vollmann (The Ice-Shirt (Seven Dreams, #1))
Music-good music, great music-is itself magical, it's mysterious inspiration entwined with the mystery of all things. When we are transported either by Mozart or Glenn Miller, we find ourselves in the presence of the ineffable, for which all words are so in adequate that to attempt to describe it, even with effusive praise and words of perfect beauty, is to engage in blasphemy.
Dean Koontz (The City (The City, #1))
Surely, though, I must have stolen into the future and landed in an H.G. Wells-style world - a horrific, fantastic society in which people's faces contained only eyes, millions of healthy young adults and children dropped dead from the flu, boys got transported out of the country to be blown to bits, and the government arrested citizens for speaking the wrong words. Such a place couldn't be real. And it couldn't be the United States of America, "the land of the free and the home of the brave." But it was. I was on a train in my own country, in a year the devil designed. 1918.
Cat Winters (In the Shadow of Blackbirds)
To acknowledge the need of a new world-view would undermine the whole of their activity, and not many thinkers were willing to pay that price. Particularly not in a society where social exclusion meant rapid transportation to the proudest invention of the humanist sciences: the mental hospital.
Alexander Bard (The Netocrats (Futurica Trilogy Book 1))
You may have observed in your own lives that there is a great power in storytelling. A well-spun tale can transport listeners away from their humdrum lives and return them with an enlarged sense of the world.
Jonathan Auxier (Peter Nimble and His Fantastic Eyes (Peter Nimble, #1))
elegant gazelle-like creatures with silken coats and dewy eyes which the Vogons would catch and sit on. They were no use as transport because their backs would snap instantly, but the Vogons sat on them anyway.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
James Heron stepped from the personal transport as Herbert, the family’s outmoded android butler, opened the front door of Scrabo Farm. There were infinitely more efficient and newer model android servants available, but neither James Heron nor his sister Niamh L’Estrange would dream of scrapping the mechanical attendant that had served the family so well, and enlivened their childhood with its fussy care of them both. “Hello, Herbert, is my sister home?” Answering in the slightly mechanical voice that James had liked so much when he was a boy, Herbert said, “She is in her study, Captain. I have alerted her to your arrival.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Food transport has become a bizarre and profitable economic equation that’s no longer really about feeding anyone: in our own nation we export 1.1 million tons of potatoes, while we also import 1.4 million tons.
Barbara Kingsolver (Animal, Vegetable, Miracle)
His thought about the bird halts as the CRAB in his wrist glows. CRAB—Conservable RNA Augmented Body, the faithful servant for a citizen, as the advertisements from the World Government say. This parasitic bio-computer, installed in his left wrist, bears his identity. A hologram projects on it when he fists that hand near his chest. A text message visible in his inbox: You’re missing the Independence Day Speech, auto-signed with Ren. Yuan ignores it. The next text plays in his brain when he is not looking at the CRAB: Come on! The war-hero can’t miss the speech in Alphatech when the war hero himself is its owner! Ren. Yuan doesn’t reply to Ren Agnello, the CEO of Alphatech—the world’s leading transport and robotics industry, of which the Monk is the founder. Well, one of the two founders.
Misba (The High Auction (Wisdom Revolution, #1))
James climbed into the transport vehicle, and the moment Felicity’s eyes met his was practically charged with electricity, the attraction was so strong. Her smile was just the balm he needed. “Here I am, Captain, alive and well, never better. I think I even lost a few pounds in my enforced confinement!” “Felicity, good to see you. You look great as always. But I have to ask, do you usually resort to such extreme measures when you want to stand up a partner for a dinner date?” He saw the tease in her eyes as she smiled at him. “Only in exceptional circumstances—or when someone leaves me no option.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
It is the most sweet and comfortable knowledge; to be studying Jesus Christ, what is it but to be digging among all the veins and springs of comfort? And the deeper you dig, the more do these springs flow upon you. How are hearts ravished with the discoveries of Christ in the gospel? what ecstasies, meltings, transports, do gracious souls meet there? Doubtless, Philip’s ecstasy, John 1: 25. 'eurekamen Iesoun,' 'We have found Jesus,' was far beyond that of Archimedes. A believer could sit from morning to night, to hear discourses of Christ; 'His mouth is most sweet', Cant. [i.e., Song of Solomon] 5: 16.
John Flavel (The Fountain of Life Opened Up (or, A display of Christ in his essential and mediatorial glory))
Repetition and memorization of imposed lessons are indeed tedious work for children, whose instincts urge them constantly to play and think freely, raise their own questions, and explore the world in their own ways. Children did not adapt well to forced schooling, and in many cases they rebelled. This was no surprise to the adults. By this point in history, the idea that children’s own preferences had any value had been pretty well forgotten. Brute force, long used to keep children on task in fields and factories, was transported into the classroom to make children learn. Some of the underpaid, ill-prepared schoolmasters were quite sadistic. One master in Germany kept records of the punishments he meted out in fifty-one years of teaching, a partial list of which included: “911,527 blows with a rod, 124,010 blows with a cane, 20,989 taps with a ruler, 136,715 blows with the hand, 10,235 blows to the mouth, 7,905 boxes on the ear, and 1,118,800 blows on the head.”25 Clearly he was proud of all the educating he had done.
Peter O. Gray (Free to Learn: Why Unleashing the Instinct to Play Will Make Our Children Happier, More Self-Reliant, and Better Students for Life)
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus again, if only in their minds, when they are unable to attend it physically, I relay it through printed words on crumpled newsprint, words that they can read again and again. returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? -Friedrick Thiessen, 1898" Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd tow'rs, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissiolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on; and our little life Is rounded with a sleep. _Prosper, THE TEMPEST, ACT IV, SCENE 1
Erin Morgenstern (The Night Circus)
brought forth scintillating jeweled scuttling crabs, which the Vogons ate, smashing their shells with iron mallets; tall aspiring trees of breathtaking slenderness and color which the Vogons cut down and burned the crabmeat with; elegant gazellelike creatures with silken coats and dewy eyes which the Vogons would catch and sit on. They were no use as transport because their backs would snap instantly, but the Vogons sat on them anyway.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Because music is the heart’s greatest librarian. A few notes had the ability to transport me back in time, and to the most painful of places. Take any song from the Rolodex of your life, and you can pin it to a memory. It translates, resonates, and there it will remain. And no matter how many of those Rolodex cards you want to rip out and burn like an old phone number to make room for new ones, those songs remain and threaten to repeat.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
According to my present theme the writer of imagination would attain closest to the conditions of music not when his words are dissassociated from natural objects and specified meanings but when they are liberated from the usual quality of that meaning by transportation into another medium, the imagination.
William Carlos Williams
Sure we have. You work for me now. You protect me. You transport me from place to place. You run errands. In an emergency, but only in an emergency, you hurt people who need to be hurt. In the unlikely event of my death, you will hold my vigil. And in return I shall make sure that your needs are adequately taken care of.
Neil Gaiman (American Gods (American Gods, #1))
My great-grandmother was born in 1863, when Sweden’s average income level was like today’s Afghanistan, right on Level 1, with a majority of the population living in extreme poverty. Great-grandmother didn’t forget to tell her daughter, my grandmother, how cold the mud floor used to be in the winter. But today people in Afghanistan and other countries on Level 1 live much longer lives than Swedes did back in 1863. This is because basic modernizations have reached most people and improved their lives drastically. They have plastic bags to store and transport food. They have plastic buckets to carry water and soap to kill germs. Most of their children are vaccinated. On average they live 30 years longer than Swedes did in 1800, when Sweden was on Level 1. That is how much life even on Level 1 has improved.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
That is the best scent in the world, better than any perfume, any flower. It’s the smell of lives lived, the weight of words …’ ‘Well, I guess I never quite thought of books that way before.’ Sure, they could transport you to another place, be there for you when no one else was, but I hadn’t quite pictured secondhand books as having lived their own important lives, being ferried from one person to the next, imparting a little magic along the way.
Rebecca Raisin (Rosie's Travelling Tea Shop (The Travelling Shops #1))
(Olivia) “What is all of this, your James Bond room?” “You could say that. It’s my backup.” He opened cabinets, took out a pill bottle and downed a Percocet. “In here I have weapons, computers, transportation, medical supplies, money and anything else I might need for my survival. Things we’ll need to complete this job.” Olivia ran her fingers across several of the weapons on the counter and shelf. “Where’s your toothbrush radio and exploding briefcase?
Rita Henuber (Under Fire (Under Fire #1))
The total average cost of driving, including depreciation, maintenance, and insurance, runs about 61 cents a mile, and since the average automobile used for commuting to work contains only 1.1 people, every commute costs a little more than 55 cents per passenger mile. This means that, if you’re an automobile commuter traveling twenty-five miles each way to work, you’re spending around $30 a day for the privilege, not including the cost, if there is one, to park. You’re also spending an hour every day for which, unless you’re a cabbie or bus driver yourself, you’re not getting paid, and during which you’re not doing anything productive at all. For the average American, that’s another $24. In transportation, time really is money.
Samuel I. Schwartz (Street Smart: The Rise of Cities and the Fall of Cars)
Why this should be so is hard to say; one might be tempted to believe that it was based on some ancient convention that originally had a practical purpose, such as a cellar being cold and therefore best suited for storing corpses, and that this principle had been retained in our era of refrigerators and cold-storage rooms, had it not been for the notion that transporting bodies upward in buildings seems contrary to the laws of nature, as though height and death are mutually incompatible.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
Do you have to follow the king's instructions?" Brystal asked. "Surely he wouldn't notice if you recruited one or two extra students along the way." "Unfortunately, it's best if I do,"Madame Weatherberry said. "I've been down this road many times before. If we want acceptance in this world, then we must be very careful about how we seek acceptance. No one is going to respect us if we cut corners or cause problems. I could have snapped my fingers and transported all the girls out of the facility, but it would only have caused people to resent us more. Hatred is like fire, and no one can extinguish fire by giving it fuel. "I wish hatred was fire," Brystal said. "People like the Edgars and the Justices deserve to be burned for how they treat people." "Without question," Madame Weatherberry said. "However, we cannot let vengeance motivate us and distract us from doing what's right. It may seem like justice, but revenge is a double-edged sword - the longer you hold it, the deeper you cut yourself.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
When thinking about risk from transport, you can think directly in terms of minutes of life lost per hour of travel. Each time you travel, you face a slight risk of getting into a fatal accident, but the chance of getting into a fatal accident varies dramatically depending on the mode of transport. For example, the risk of a fatal car crash while driving for an hour is about one in ten million (so 0.1 micromorts). For a twenty-year-old, that’s a one-in-ten-million chance of losing sixty years. The expected life lost from driving for one hour is therefore three minutes. Looking at expected minutes lost shows just how great a discrepancy there is between risks from different sorts of transport. Whereas an hour on a train costs you only twenty expected seconds of life, an hour on a motorbike costs you an expected three hours and forty-five minutes. In addition to giving us a way to compare the risks of different activities, the concept of expected value helps us choose which risks are worth taking. Would you be willing to spend an hour on a motorbike if it was perfectly safe but caused you to be unconscious later for three hours and forty-five minutes? If your answer is no, but you’re otherwise happy to ride motorbikes in your day-to-day life, you’re probably not fully appreciating the risk of death.
William MacAskill (Doing Good Better: How Effective Altruism Can Help You Make a Difference)
Do you know how many guys I’ve been with?” Kyle asked, meeting her eyes for just a moment. “So many. You know why? Because in that moment, just before you let them fuck you, you’re the center of their universe. It lasts just seconds, but I like that feeling. I crave that feeling. “This morning—last night? Whenever it was, standing in that church in front of him? I had that feeling. I was the center of his universe. And we had all our clothes on. That feeling lasted for hours.” Kyle closed her eyes as if to transport herself back there.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
I trudge toward the porch, entertaining the idea of running the other way. But technically, I shouldn't be in any trouble. It wasn't my car. I'm not the one who got a ticket. Samantha Forza did. And the picture on Samantha Forza's driver's license looks a lot like Rayna. She told Officer Downing that she swerved to keep from hitting a camel, which Officer Downing graciously interpreted as a deer after she described it as "a hairy animal with four legs and a horn." Since no one formed a search party to look for either a camel or a unicorn, I figured we were in the clear. But from Mom's expression, I'm miles from clear. "Hi," I say as I reach the steps. "We'll see about that," she says, grabbing my face and shining a pen light in my eyes. I slap it away. "Really? You're checking my pupils? Really?" "Hal said you looked hazy," she says, clipping the pen back on the neckline of her scrubs. "Hal? Who's Hal?" "Hal is the paramedic who took your signature when you declined medical treatment. He radioed in to the hospital after he left you." "Oh. Well, then Hal would have noticed I was just in an accident, so I might have been a little out of it. Doesn't mean I was high." So it wasn't small-town gossip, it was small-county gossip. Good ole Hal's probably transported hundreds of patients to my mom in the ER two towns over. She scowls. "Why didn't you call me? Who is Samantha?" I sigh and push past her. There's no reason to have this conversation on the porch. She follows me into the house. "She's Galen's sister. I didn't call because I didn't have a signal on my cell. We were on a dead road." "Where was Galen? Why were you driving his car?" "He was home. We were just taking it for a drive. He didn't want to come." Technically, all these statements are true, so they sound believable when I say them. Mom snorts and secures the dead bolt on the front door. "Probably because he knows his sister is life threatening behind the wheel." "Probably.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
To eat responsibly is to understand and enact, so far as one can, this complex relationship. What can one do? Here is a list, probably not definitive: 1. Participate in food production to the extent that you can. If you have a yard or even just a porch box or a pot in a sunny window, grow something to eat in it. Make a little compost of your kitchen scraps and use it for fertilizer. Only by growing some food for yourself can you become acquainted with the beautiful energy cycle that revolves from soil to seed to flower to fruit to food to offal to decay, and around again. You will be fully responsible for any food that you grow for yourself, and you will know all about it. You will appreciate it fully, having known it all its life. 2. Prepare your own food. This means reviving in your own mind and life the arts of kitchen and household. This should enable you to eat more cheaply, and it will give you a measure of “quality control”: You will have some reliable knowledge of what has been added to the food you eat. 3. Learn the origins of the food you buy, and buy the food that is produced closest to your home. The idea that every locality should be, as much as possible, the source of its own food makes several kinds of sense. The locally produced food supply is the most secure, the freshest, and the easiest for local consumers to know about and to influence. 4. Whenever possible, deal directly with a local farmer, gardener, or orchardist. All the reasons listed for the previous suggestion apply here. In addition, by such dealing you eliminate the whole pack of merchants, transporters, processors, packagers, and advertisers who thrive at the expense of both producers and consumers. 5. Learn, in self-defense, as much as you can of the economy and technology of industrial food production. What is added to food that is not food, and what do you pay for these additions? 6. Learn what is involved in the best farming and gardening. 7. Learn as much as you can, by direct observation and experience if possible, of the life histories of the food species. The
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
SOME People are subject to a certain delicacy of passion,1 which makes them extremely sensible to all the accidents of life, and gives them a lively joy upon every prosperous event, as well as a piercing grief, when they meet with misfortunes and adversity. Favours and good offices° easily engage their friendship; while the smallest injury provokes their resentment. Any honour or mark of distinction elevates them above measure; but they are as sensibly touched with contempt.° People of this character have, no doubt, more lively enjoyments, as well as more pungent° sorrows, than men of cool and sedate tempers: But, I believe, when every thing is balanced, there is no one, who would not rather be of the latter character, were he entirely master of his own disposition. Good or ill fortune is very little at our disposal: And when a person, that has this sensibility° of temper, meets with any misfortune, his sorrow or resentment takes entire possession of him, and deprives him of all relish in the common occurrences of life; the right enjoyment of which forms the chief part of our happiness. Great pleasures are much less frequent than great pains; so that a sensible temper must meet with fewer trials in the former way than in the latter. Not to mention, that men of such lively passions are apt to be transported beyond all bounds of prudence and discretion, and to take false steps in the conduct of life, which are often irretrievable. There
David Hume (Essays: Moral, Political, and Literary (NONE))
The world remembers the battle ever since by the taxis. A hundred of them were already in the service of the Military Government of Paris. With 500 more, each carrying five soldiers and making the sixty-kilometer trip to the Ourcq twice, General Clergerie figured he could transport 6,000 troops to the hard-pressed front. The order was issued at 1:00 P.M., the hour for departure fixed for 6:00 P.M. Police passed the word to the taxis in the streets. Enthusiastically the chauffeurs emptied out their passengers, explaining proudly that they had to “go to the battle.” Returning to their garages for gas, they were ordered to the place of assembly where at the given time all 600 were lined up in perfect order. Gallieni, called to inspect them, though rarely demonstrative, was enchanted. “Eh bien, voilà au moins qui n’est pas banal!” (Well, here at least is something out of the ordinary!) he cried. Each with its burden of soldiers, with trucks, buses, and assorted vehicles added to the train, the taxis drove off, as evening fell—the last gallantry of 1914, the last crusade of the old world.
Barbara W. Tuchman (The Guns of August)
AS IT HAPPENED, CATHY’S CONFIRMATION DAY was a great success. By the time the hairdresser was finished with her, Cathy was more than pleased with the outcome. On the day she wore a pink two-piece suit decorated with tiny flowers around the edge of the lapel, a white high-collared blouse and white shoes. Archbishop McQuaid gave her the Sacrament of Confirmation, and to her relief Cathy was not even asked a question. The one-and-a-half-hour ceremony was followed by lunch in Bewley’s Café which, as always, was sumptuous. Then began the obligatory visiting of friends and relations. Transport for the day was provided by Ned Brady, a local baker. Ned had an Austin Cambridge and supplied the car, himself as driver and the petrol for five pounds. By
Brendan O'Carroll (The Mammy (Agnes Browne, #1))
Yet when she returned to the house, Sarsine had a smile on her face. “Go into the salon,” she said. Her piano. Its surface gleamed like wet ink. An emotion flooded through Kestrel, but she didn’t want to name it. It wasn’t right that she should feel it, simply because Arin had given back to her something that he had more or less taken. Kestrel shouldn’t play. She shouldn’t sit on that familiar velvet bench or think about how transporting a piano across the city was no mean feat. It meant people. Pulleys. Horses straining to haul a cart. She shouldn’t wonder how Arin had found the time and begged his people’s goodwill to bring her piano here. She shouldn’t touch the cool keys, or feel that delicious tension between silence and sound. She remembered that Arin had refused to sing for who knows how long. Kestrel didn’t have that particular kind of strength. She sat and played.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty. “You have grown strong, Legna,” he remarked quietly. “In only a decade? I am sure it has not made much of a difference.” “To teleport me from such a great distance took respectful skill and strength. You well know it.” “Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.” Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.” “I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?” “I never said such a thing.” “You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.” Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.” “I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.” Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her. However, he didn’t think that was likely to happen this millennium.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
JFK asked his brother, Attorney General Robert Kennedy, to break up organized crime. Nobody high-up in government has tangled the Mafia. J. E. Hoover, the hired hands of FBI and CIA, ran the assassination teams. They have been used since World War II. JFK was attempting to end the oil-tax depletion rip-offs, to get tax money from oil companies. JFK instituted the nuclear test ban treaty, often called “the kiss of death,” to oppose the Pentagon. JFK called off the Invasion of Cuba. He allowed Castro to live, antagonized narcotics and gambling, oil and sugar interests, formerly in Cuba. JFK asked his brother, Attorney General Robert Kennedy, to break up the CIA, the “hidden government behind my back.” Allen Dulles was fired. Dulles, the attorney for international multinationals, was angry. JFK planned to withdraw troops from Vietnam after the 1964 elections. Nov. 24, 1963, two days after JFK’s burial, the Pentagon escalated the Vietnam war … with no known provocations, after JFK was gone. There was no chance Kennedy could survive antagonizing the CIA, oil companies, Pentagon, organized crime. He was not their man. The assassination of JFK employed people from the Texas-Southwest. It was not a Southern plot. Upstarts could not have controlled the northern CIA, FBI, Kennedy family connections. This was a more detailed, sophisticated conspiracy that was to set the pattern for future murders to take place. The murder was funded by Permindex, with headquarters in Montreal and Switzerland. Their stated purpose was to encourage trade between nations in the Western world. Their actual purpose was fourfold: 1) To fund and direct assassinations of European, Mid-East and world leaders considered threats to the western world, and to Petroleum Interests of their backers. 2) Provide couriers, agents for transporting and depositing funds through Swiss Banks for Vegas, Miami and the international gambling syndicate. 3) Coordinate the espionage activities of White Russian Solidarists and Division V of the FBI, headed by William Sullivan. 4) Build, acquire and operate hotels and gambling casinos. See: Nomenclature of an Assassination Cabal, by William Torbitt.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
For a tick there was only her weight, her warmth, and relief. And then everything came back: the crush of people in the transport vessel, their silence as they stared, Isae and Cisi strapped in near the nav deck. Cisi gave Akos a smile as he caught Cyra around the waist and picked her up. Cyra was tall, and far from dainty, but he could still carry her. For a while, anyway. “Where are your medical supplies?” Akos asked Teka and Jyo, who were coming toward them. “Jyo has medical training; he can take care of her,” Teka said. But Akos didn’t like how Jyo was looking at her, like she was something valuable he could buy or trade. These renegades hadn’t rescued her out of the goodness of their hearts; they wanted something in return, and he wasn’t about to just hand her over. Cyra’s fingers curled around the armor strap on his rib cage, and he shivered a little. “She doesn’t go anywhere without me,” he said. Teka’s eyebrow lifted above the eye patch. Before she could snap at him--which he got the sense she was about to--Cisi unbuckled herself and made her way over. “I can do it. I have the training,” she said. “And Akos will help me.” Teka eyed her for a beat, then gestured to the galley. “By all means, Miss Kereseth.” Akos carried Cyra into the galley. She wasn’t completely out of it--her eyes were still open--but she didn’t seem there, either, and he didn’t like it. “Come on, Noavek, get it together,” he said to her as he turned sideways to get her in the door. It wasn’t quite steady on the vessel; he stumbled. “My Cyra would have made at least two snide remarks by now.” “Hmm.” She smiled a little. “Your Cyra.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
All this drinking and dancing and flirting,” Mr. Kent said with a sigh, balancing a glass on the railing for me. “Dreadful business, isn’t it?” “Yes, I don’t understand it,” I mumbled, accepting the champagne as if it could magically transport me away. No, still here. What on earth was he getting at? Was he toying with me? “That’s just it. Perspective is a curious thing. One day, you see everything from one angle and you think you know what’s important,” he continued, looking out at the dancers. Then he turned to me, smiling wryly. “Then another day, from another angle, you see what’s really important, and everything else just . . . melts away.” “I see,” I said without meeting his eyes, hoping he’d be dissuaded. He wasn’t. His hand slid across the railing and caught mine. “I have never seen you here before. Are you one of Mrs. Shine’s girls?” he asked. Seen you here before? Downstairs, the tempo of the violins and cellos quickened. As my blood boiled, I could barely hear my own thoughts, and the response left my lips compulsively. “No.” “Excellent, then might I ask, who is your—” “I’m sorry, I can’t help you,” I interrupted, hurrying away past the bar and the horrible paintings toward the stairs. “Please, wait!” he called from behind, chasing after me. “What is your name?” “Evelyn Wyndham,” I said, giving him a false name. Dammit. Champagne and Mr. Kent did not mix well. “M-miss Wyndham!” he exclaimed. For a moment, it was rather strange to see the confident man look so confused, but he quickly regained himself with a smile. “I . . . I was just having a bit of fun. I knew it was you.” “Oh, was that before or after you propositioned me?” “That is a question with no right answer, but keep in mind what I was saying about perspective earlier—
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
All their men—brothers, uncles, fathers, husbands, sons—had been picked off one by one by one. They had a single piece of paper directing them to a preacher on DeVore Street. The War had been over four or five years then, but nobody white or black seemed to know it. Odd clusters and strays of Negroes wandered the back roads and cowpaths from Schenectady to Jackson. Dazed but insistent, they searched each other out for word of a cousin, an aunt, a friend who once said, “Call on me. Anytime you get near Chicago, just call on me.” Some of them were running from family that could not support them, some to family; some were running from dead crops, dead kin, life threats, and took-over land. Boys younger than Buglar and Howard; configurations and blends of families of women and children, while elsewhere, solitary, hunted and hunting for, were men, men, men. Forbidden public transportation, chased by debt and filthy “talking sheets,” they followed secondary routes, scanned the horizon for signs and counted heavily on each other. Silent, except for social courtesies, when they met one another they neither described nor asked about the sorrow that drove them from one place to another. The whites didn’t bear speaking on. Everybody knew.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
Elie Wiesel (Night (The Night Trilogy, #1))
In early 2016, Amazon was given a license by the Federal Maritime Commission to implement ocean freight services as an Ocean Transportation Intermediary. So, Amazon can now ship others’ goods. This new service, dubbed Fulfillment by Amazon (FBA), won’t do much directly for individual consumers. But it will allow Amazon’s Chinese partners to more easily and cost-effectively get their products across the Pacific in containers. Want to bet how long it will take Amazon to dominate the oceanic transport business? 67 The market to ship stuff (mostly) across the Pacific is a $ 350 billion business, but a low-margin one. Shippers charge $ 1,300 to ship a forty-foot container holding up to 10,000 units of product (13 cents per unit, or just under $ 10 to deliver a flatscreen TV). It’s a down-and-dirty business, unless you’re Amazon. The biggest component of that cost comes from labor: unloading and loading the ships and the paperwork. Amazon can deploy hardware (robotics) and software to reduce these costs. Combined with the company’s fledgling aircraft fleet, this could prove another huge business for Amazon. 68 Between drones, 757/ 767s, tractor trailers, trans-Pacific shipping, and retired military generals (no joke) who oversaw the world’s most complex logistics operations (try supplying submarines and aircraft carriers that don’t surface or dock more than once every six months), Amazon is building the most robust logistics infrastructure in history. If you’re like me, this can only leave you in awe: I can’t even make sure I have Gatorade in the fridge when I need it.
Scott Galloway (The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google)