β
I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
When you love someone, you don't want to hurt them, even if they deserve to be hurt. When you love someone, you want to hurt them, even when they don't deserve to be hurt.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
Taking no chances means wasting your dreams..
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Smile. Nod. Say
something witty
before he finds
out what an incredible
geek you are.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You were a summer gift, one I'll always treasure. You were a dream I never wanted to wake up from. You opened my eyes to things I'll never really see. You're the best thing that will ever happen to me.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Have you ever had so much to say that your mouth closed up tight struggling to harness the nuclear force coalescing within your words? Have you ever had so many thoughts churning inside you that you didnβt dare let them escape in case they blew you wide open? Have you ever been so angry that you couldnβt look in the mirror for fear of finding the face of evil glaring back at you?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Anger is a valid emotion. It's only bad when it takes control and makes you do things you don't want to do.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Forgiveness isnβt my best thing.
Easier staying pissed. But Iβm
tired of being pissed all the time.
Tired of feeling hurt by stuff that
can never be fixed because it is
an indelible part of the past.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
How could I share the
way my heart was breaking
when my confessor
didnβt believe
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Falling in love with someone is the surest highway to hurt that I know. When the door to love opens, the window to control closes.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
We used to do coke, till "Just Say No" put the stuff out of reach. Now it's crank. Meth. The monster. It's a bitch on the body, but damn do you fly.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
The problem with resolutions is they're only as solid as the person making them.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Sometimes the little things in life mean the most.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
Puzzle pieces don't always connect do they?
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
The monster likes to talk; he jumps into your head and opens your mouth, making it spout your deepest darkest deceptions. Making you say all the things you'd rather not say, at least not in mixed company." (Ellen Hopkins)
β
β
Ellen Hopkins (Crank (Crank, #1))
β
you fly until you crash two days
two nights
no sleep,
no food,
come down off the monster
YOU CRASH REAL HARD
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I want to open myself, let him inside. But how do I give what has already been taken?
β
β
Ellen Hopkins (Glass (Crank, #2))
β
How can I explain purposely setting foot on a path so blatantly treacherous? Was the fun in the fall?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
This is unstoppable, no holds barred. This is beautiful. Crazy. A beginning. Betrayal. Addictive. Aggressive. Alive. This is something to be afraid of.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
empty and closed, hovering in some frozen netherworld neither sun nor rain could thaw.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Girls get screwed.
Not that kind of screwed, what I mean is, they're always on the short end of things.
The way things work, how
guys feel great, but make girls feel
cheap for doing
exactly what
they beg for.
The way they get to play you,
all the while claiming they
love you and making you
believe it's
true.
The way it's okay to gift their heart one day, a backhand the next,
to move on to the apricot
when the peach blushes and bruises.
These things make me believe God's a man after all.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
We kissed for about
the thousandth time,
No promises,
no demands,
Just solid rebuilding
of shattered trust.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Life was good
before I
met
the monster.
After,
life
was great
At least
for a little while
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Funny thing, your brain,
how it always functions on one
level or another. How, even stuck in
some sort of subconcious limbo, it works
your lungs, your muscle twitches, your heart,
in fact, in symphony with your heart, allowing it
to feel love. Pain. Jealousy. Guilt. I wonder if itβs the
same for people, lost in comas. Is there really such a thing
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Why doesn't love come with an owner's manual?
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Clear.
Cold.
Empty.
Like how I feel
right now. Love
is strange. One
minute youβre
jungle fever.
The next
youβre
Artic
winter.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
It's just so hard to feel good, you know?" I do know. And more than that, it's just so incredibly hard to feel.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Innocence eroded into nightmare.
All because of very bad touch.
Love, corrupted.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Love is like that. I could crush her beneath the weight of confession.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Alone, there is only the person inside. I've grown to like her better than the stuck-up husk of me. Alone, there is no perfect daughter, no gifted high school junior, no Kristina Georgia Snow. There is only Bree." (Ellen Hopkins)
β
β
Ellen Hopkins (Crank (Crank, #1))
β
you come home, and everyone talks at once and everyone asks questions, but no one waits for the answers.Instead they talk about themselves, what they've been up to, what they're going to do next, Β Β Β Β Β as if you're a photo on the wall.And then they talk to one another, forgetting you've jsut flown in, forgetting you're in the backseat, forgetting they've already said it all.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You're a gift, one I'll always treasure. You're a dream I never want to wake up from. You open my eyes to things I'll never really see. You're the best thing that will ever happen to me. Be safe. Be smart. Stay you.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Have you ever
had so much to say
that your mouth closed up tight
struggling to harness
the nuclear force
coalescing within your words?
Have you ever
had so many thoughts
churning inside you that you didnβt
dare let them escape
in case they blew you wide open?
Have you ever
been so angry that you
couldnβt look in the mirror
for fear of finding the face of evil
glaring back at you?
β
β
Ellen Hopkins
β
With you, I am Adam. And you are my beautiful Eve. Let's run away, find our garden, live there together, happy. Naked.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
It was body rush
After body rush,
intensity building.
Touch me there.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
The only thing about myself I know for sure is that I don't know anything.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
I don't need more pain in my life. Why did I invite it in? Do I have to feel pain to believe I feel anything at all?
β
β
Ellen Hopkins (Glass (Crank, #2))
β
Certain of misfire, my heart threatens to stop.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Hot flush, raging bluch. Ice flash, instant crash.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Possibilities
...in the closet
...itching
...to break out
...but afraid of
...the fallout
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Red and raw like my brain, unable to shut down, thoughts crashing like electrons orbiting a nucleus of deuling emotions.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Always before, I just said no, left it solidly there. I waver now. I want to share everything with him. Want to know what he knows, feel what he feels, share the same space he's in.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
As I thought
about that, I had
to wonder: What will we
know better about tomorrow?
Who cares? Hindsight is useless.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Detailed descriptions, abstract ambitions, relevant observations, your's and mine.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Our meeting, touching, accidentally connecting immediately, interwoven hand-in-hand, heart-to-heart.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I wanted to meet the monster.
Why go down if you can go up?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Your hurt swallows ine, like space swallows time, and the two intertwine. We tangle together.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
So you want to know all about me, Who
I am
What chance meeting of brush and canvas painted
the face
you see? what made me despise the girl
in the mirror
enough to transform her, turn her into a stranger,
only not.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Forever made that kiss stand out in my mind, touch my heart, make me remember a kiss so tender.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
So you want to know all about me. Who
I am.
What chance meeting of brush and canvas painted
the face
you see? What made me despise the girl
in the mirror
enough to transform her,turn her to into a stranger,
only not.
So you want to hear the whole story. Why
I swerved
off the high road,
hard left to nowhere,
recklessly
indifferent to those coughing my dust,
picked up speed
no limits,no top end,
just a high velocity rush
to madness.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
No way to get away. No way to get away. Little change to sneak away... insanity.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Yeah, I know getting high isn't so smart. Ask me if I care.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
Even good girls have secrets, ones even their best friends must guess.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
God i've missed you. I can't wait to give you your present. He kisses me hotter this time, and beneath me, through his denim and mine. I can feel the promise of his Christmas gift soon to come.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
Life is full of choices. We don't always make good ones.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You gotta be crazy to open your windows, invite the demons in.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Alone
everything changes.
Some might call it distorted reality
but it's exactly the place I need to be.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You can turn your back but you can never really walk away.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Six months since we met up
again we are inseparable,
an intricate weave.
No longer do I believe
this is a temporary fling.
More like total commitment.
More like I have walked
down the aisle, holding
hands with the monster.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
I feel like a goddess, jailed in her Olympus. Little wonder how the gods toyed with humans. Toyed with women, to watch them squirm, pollinate the seeds of despair; toyed with men, to satiate their Seven Deadly Sins.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
I need to capture my sprite with trembling hands. Except I could crush her. Wonder how many small things of beauty - flowers, seashells, dragonflies - have met such a demise. Wonder how much fragile love has collapsed beneath the weight of confession.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
My body
Healed quickly. But the wound
to my psyche was deep.
Wide. First aid, too little, too late,
left me hemorrhaging inside,
the blood unstaunched by psychological
bandage or love's healing magic.
Eventually it scabbed over,
a thick, ugly welt of memory.
I work to conceal it, but no matter
how hard I try, once in a while
something makes me pick at it
until the scarring bleeds.
In my arms, Ashante cries,
innocence ripped apart
by circumstance. Bloodied by
inhuman will. Time will prove
a tourniquet. But she will always
be at risk of infection.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Then I said it. He said it too. I love you. And everything that went before meant nothing.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I mean, who wants to trudge through life, doing
everything just right? Taking no chances means
wasting your dreams.
β
β
Ellen Hopkins
β
I've Got A Little Problem
And I'm not really sure how to fix it.
Not really sure I need to. Not really sure I could.
Life is pretty good. But once in a while, uninvited and uninitiated anger invades me.
It starts, a tiny gnaw at the back of my brain. Like a migraine except without pain. They say headaches blossom, but this isn't so much a blooming as a bleeding. Irritation bleeds into rage, seethes into fury. An ulcer, emptying hatred inside me. And I don't know why. Life is pretty good.
So, what the hell?
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Hers is the face I wear, treading the riptide, fathomless oceans where good girls drown.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Was the
fun in the fall?
β
β
Ellen Hopkins
β
Would I drown saving him?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Red and raw like my heart, pried from your's, the two beating, no longer together, but a thousand miles between them when only yesterday they thumped in unison.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Before you, I believed love was making love. Waiting only makes me love you more.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
So You Want to Know
All about her. Who
she
really is. (Was?) Why
she swerved off the
high road. Hard
left
to nowhere,
recklessly indifferent to
me.
Hunter Seth Haskins,
her firstborn
son. I've been
chocking
that down for
nineteen years.
Why did she go
on
her mindless way,
leaving me spinning
in a whirlwind of
her dust?
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
...Things happened
when you were little. Things you
don't remember now, and don't want
to. But they need to escape,
need to worm their way out
of that dark place in your brain
where you keep them stashed.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Cleansed, chlorinated to the point of chemical peel, sore muscles relieved, I felt almost human again. Tiptoe to my room, up a darkened hall, past closed doors, I wondered if I'd ever feel completely human again.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I needed to see, needed to know, needed a whole lot more.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I never went to Albuquerque expecting to find love. I thought it had found me there, followed me home. I never came home expecting to lose love in the space of one brief telephone call. Is it always so short-lived?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
He did seem like a nice boy. Seeming and being are two different things.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Bree was not an invention, not a stranger. Bree was the essence of me.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Have you ever had so much to say that your mouth closed up so tight, struggling to harness the nuclear force coalescing within your words?"
-346
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I fell for a boy from the wrong side of the tracks.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Crank, You See isn't any ordinary monster. It's like a giant octopus, weaving its tentacles not just around you, but through you, squeezing not hard enough to kill you, but enough to keep you from reeling until you try to get away. Try, and you hunger for it grasping clutch, the way its tendrils prop you up, your need intensifying exponentially every minute you refuse to admit its being (p.469)
β
β
Ellen Hopkins
β
Resentment is always easier than forgiveness.
β
β
Ellen Hopkins (Crank Trilogy)
β
Love is strange. One minute you're jungle fever. The next you're Arctic winter.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Harder yet to get back up without tripping and falling all over again.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
The portal to pain is caring too deeply about anyone.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Life was radical right after I met the monster.
Later, life became harder, complicated.
Ultimately, a living hell, like swimming against a riptide,
Walking the wrong direction in the fast lane of the freeway,
Waking from sweetest dreams to find yourself in the middle of a nightmare.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
The problem with being grounded is it gives you a whole lot of unavoidable time to think. NOt even pulling weeds can take away your ability to plot all the varied and wonderful things you might do to get even, or at least to make up, just get a smidgen for time lost to TV and yard work and house cleaning.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You want to shout, can't you see I'm here? Can't you see I'm brand new? Can't you see me at all?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
You share a toast with me:
Here's to seasonal
madness, part-time
relatives, and
substitutes for love.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Have you ever had so many thoughts churning inside that you didn't dare let them escape, in case they blew you wide open?
β
β
Ellen Hopkins (Crank (Crank, #1))
β
If you acquaint yourself with yourself, you don't always like the person you find inside.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
It's a bitch on the body, but damn do you fly.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
Some secrets
are better left kept.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
No matter how much things change,
others never will.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Fireworks. Snowflakes.
Sunstroke and frostbite.
It was all that I could ask for and completely unexpected.
I expected demands.
He gifted me with tenderness.
I expected ego.
He let me experiment.
I expected disrespect.
He called me beautiful.
I expected him to expect perfection.
He taught me all I needed to know.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
They say you'll remember your first kiss forever. I will.
β
β
Ellen Hopkins (Crank (Crank, #1))
β
When you love someone,
you don't want to hurt
them, even if they deserve
to be hurt. When you love
someone, you want to hurt
them, even when they don't
deserve to be hurt.
β
β
Ellen Hopkins (Glass (Crank, #2))
β
...I think the more
she has failed at things like relationships
and parenting, the more she has cut
herself off from feeling bad about those
things. And if you don't let yourself feel
bad, sooner or later you stop feeling
good, too. You insulate yourself. Build
up layers, like stacking paper, everything
growing heavier. And when the weight
becomes too much, those layers compress.
Become hard. Sad, really, to think that
Kristina has turned herself into cardboard.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
Fire!
Your nose ignites,
flameless kerosene
(and, some say, Drano)
laced with ephedrine
you want to cry
powdered demons bite
through cartilage and sinuses,
take dead aim at your
brain, jump inside
want to scream
troops of tapping feet
fall into rhythm,
marking time, right
between your eyes
get the urge to dance
louder, louder, ultra
gray-matter power,
shock waves of energy
mushroom inside your head
you want to let go
detonate,
annihilate barriers,
bring down the walls,
unleashing floodwaters,
freeing long-captive dreams
to ride the current
through
arteries and capillaries,
pulsing, rushing,
raging torrents
pounding against your heart
sweeping you away
β
β
Ellen Hopkins (Crank (Crank, #1))
β
I might have been your zygote. Your fetus. Maybe even your off-spring. But I have never been your son. You have no idea what it means to be a real mother. You think nine months of discomfort and eight hours of labor gives you the right to call yourself 'Mom'? Well, bitch, you're delusional.
β
β
Ellen Hopkins (Fallout (Crank, #3))
β
But how do you tell your heart, βNo, don't swell with magic, you'll only burst?β How do you tell it to clamp itself off from possibilities? God knows I don't need more pain in life. Why did I invite it in? Do I have to feel pain to believe I feel anything at all?
β
β
Ellen Hopkins (Glass (Crank, #2))