Crane Bird Quotes

Shokaku is a crane of some kind.' 'For lifting things?' Will asked. 'For flying. A crane is a large bird,' she corrected him... 'Seems like a logical thing for a crane to do,' Halt mused. 'I suppose you wouldn't expect it to mean 'a hiking crane' or 'a waddling crane.

Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly....

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.

The earth is black in front of the cliff, and no orchids grow. Creepers crawl in the brown mud by the path. Where did the birds of yesterday fly? To what other mountain did the animals go? Leopards and pythons dislike this ruined spot; Cranes and snakes avoid the desolation. My criminal thoughts of those days past Brought on the disaster of today.

Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she's doing: It's a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.

This was the paradox of trauma: To heal from it, you had to know where it came from and then, in a sense, disbelieve it. You had to trust you were more than the damage done to you. No matter how much others made you suffer, you had to cease seeing yourself as a victim.

Knowledge is truth, Little Bird. Those who refuse to learn live in a world of falsity.

I got it right Justine. Feel into it. Your sense of being a misfit blinds you to what your heart really wants. When you get around solid upstanding men you’re like a bird with tinfoil. It makes you incoherent on a romantic level.” “My affection is incoherent unless it’s for you That’s the line you’re giving me here ” “This is real.” He points out the door. “That isn’t.

My interpreter Sayuri is folding a piece of notebook paper. She is at step 21, where the crane's body is inflated. The directions show a tiny puff besides an arrow pointing at the bird. It makes sense if you already know what to do. Otherwise, it's wonderfully surreal: Put a cloud inside a bird.

It was not, as people sometimes said, that they had nothing left to live for. It was that the living became too much.

A wound gives strange dignity to him who bears it. Well men shy from his new and terrible majesty. It is as if the wounded man's hand is upon the curtain which hangs before the revelations of all existence - the meaning of ants, potentates, wars, cities, sunshine, snow, a feather dropped from a bird's wing; and the power of it sheds radiance upon a bloody form, and makes the other men understand sometimes that they are little. His comrades look at him with large eyes thoughtfully. Moreover, they fear vaguely that the weight of a finger upon him might send him headlong, precipitate the tragedy, hurl him at once into the dim, gray unknown. ("An Episode Of War")

Keegan had never realized how absolute silence could be in the minutes before dawn. Maybe because the expectation of battle filled the air, not even birds sang.

ONCE, I KNEW A FINE SONG, —IT IS TRUE, BELIEVE ME,— IT WAS ALL OF BIRDS, AND I HELD THEM IN A BASKET; WHEN I OPENED THE WICKET, HEAVENS! THEY ALL FLEW AWAY. I CRIED, ’COME BACK, LITTLE THOUGHTS!’ BUT THEY ONLY LAUGHED. THEY FLEW ON UNTIL THEY WERE AS SAND THROWN BETWEEN ME AND THE SKY.

Little Birds of the Night" LITTLE birds of the night Aye, they have much to tell Perching there in rows Blinking at me with their serious eyes Recounting of flowers they have seen and loved Of meadows and groves of the distance And pale sands at the foot of the sea And breezes that fly in the leaves. They are vast in experience These little birds that come in the night

I guess I think differently than most folks. I think the reason the world is a mystical, enchanting place, is because of the cycle of life. My body will decompose, but maybe some little element of it will be transformed into a particle of dirt, over years and years,and then a glorious flower will be nurtured by this particle of dirt. Then this flower will nourish a random bumblebee, who in turn will be eaten by a raven. So, in some future life, I'll be able to fly. I look forward to that. I've always admired the freedom of birds.

Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly origami cranes into garlands. It's a Japanese custom called senbazaru. If you make one thousand paper cranes, you can restore someone to good health.

In the eerie silence, Basilios sensed movement above. He glanced up and saw a flock of cranes flying south, their long necks outstretched. Even the birds are leaving, he thought.

A life of observation, but not engagement. That’s my destiny. And most people live their entire lives never noticing just how many birds float in the sky above them.

It was remarkable all the things the tribe was told it needed when suddenly it had money.

Knowledge is truth, Little Bird. Those who refuse to learn live in a world of falsity.

Safe. Right beside mine, right where it belongs. You’re not lost, little bird, and you won’t be.

Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.

These haymeadow days were the Arcadian age for marsh dwellers. Man and beast, plant and soil lived on and with each other in mutual toleration, to the mutual benefit of all. The marsh might have kept on producing hay and prairie chickens, deer and muskrat, crane-music and cranberries forever. The new overlords did not understand this. They did not include soil, plants, or birds in their ideas of mutuality. The dividends of such a balanced economy were too modest. They envisaged farms not only around, but in the marsh. An epidemic of ditch-digging and land-booming set in. The marsh was gridironed with drainage canals, speckled with new fields and farmsteads.

On the farm,” she said quietly, “mothers fly away like migrating birds. And fathers die too young. This is why farmers have daughters. to keep things going in the meantime, until it’s our time to grow wings. Go soaring across the sky.

Some said their wingtips were glossy blue-black, shimmering like the bellies of spiders; others said the white bodies and black markings were a myth, and that the only thing to interrupt their black plumage, dark as the moment after lightning, were their gilded breast feathers that gleamed like coins at last light. For all said that the birds took wing only at sunset. The setting sun was said to call them into the dark. They said the birds never stopped moving. It was agreed that the band of thirty flew west following the night, farther and farther with each day until they circled the planet without ever craning their necks to the east. Few had ever seen them, these birds that were the last of their kind, these birds that encircled the world like an unbroken ribbon.

Of all the passers-through, the species that means most to me, even more than geese and cranes, is the upland plover, the drab plump grassland bird that used to remind my gentle hunting uncle of the way things once had been, as it still reminds me. It flies from the far Northern prairies to the pampas of Argentina and then back again in spring, a miracle of navigation and a tremendous journey for six or eight ounces of flesh and feathers and entrails and hollow bones, fueled with bug meat. I see them sometimes in our pastures, standing still or dashing after prey in the grass, but mainly I know their presence through the mournful yet eager quavering whistles they cast down from the night sky in passing, and it makes me think of what the whistling must have been like when the American plains were virgin and their plover came through in millions. To grow up among tradition-minded people leads one often into backward yearnings and regrets, unprofitable feelings of which I was granted my share in youth-not having been born in time to get killed fighting Yankees, for one, or not having ridden up the cattle trails. But the only such regret that has strongly endured is not to have known the land when when it was whole and sprawling and rich and fresh, and the plover that whet one's edge every spring and every fall. In recent decades it has become customary- and right, I guess, and easy enough with hindsight- to damn the ancestral frame of mind that ravaged the world so fully and so soon. What I myself seem to damn mainly, though, is just not having seen it. Without any virtuous hindsight, I would likely have helped in the ravaging as did even most of those who loved it best. But God, to have viewed it entire, the soul and guts of what we had and gone forever now, except in books and such poignant remnants as small swift birds that journey to and from the distant Argentine and call at night in the sky.

LXV [Once, I knew a fine song] Once, I knew a fine song, —It is true, believe me,— It was all of birds, And I held them in a basket; When I opened the wicket, Heavens! They all flew away. I cried, “Come back, little thoughts!” But they only laughed. They flew on Until they were as sand Thrown between me and the sky.

Forgetfulness is like a song That, freed from beat and measure, wanders. Forgetfulness is like a bird whose wings are reconciled, Outspread and motionless, -- A bird that coasts the wind unwearyingly. Forgetfulness is rain at night, Or an old house in a forest, -- or a child. Forgetfulness is white, -- white as a blasted tree, And it may stun the sybil into prophecy, Or bury the Gods. I can remember much forgetfulness.

I watch the cranes scratching their beaks with their toes and think of how the starling flocks that pour into reed beds like grain turn all of a sudden into birds perching on bowed stems, bright-eyed, their feathers spangled with white spots that glow like small stars. I marvel at how confusion can be resolved by focusing on the things from which it is made. The magic of the flocks is this simple switch between geometry and family.

Then his attention was caught by the bird of paradise. "So that's what that looks like?" he asked. "Like one of the paper cranes we had to burn after Pearl Harbor." He took a step closer. "That fiery orange blossom - damned if it doesn't look like a phoenix rising from the ashes." Ruth understood, at last, what the crane flower had represented to her mother. It wasn't Hawai'i, as much as she had loved Hawai'i. It wasn't good fortune; and it wasn't longevity. No, not even that. It was rebirth.

I forded the Santa Fe below Fort White and headed south across the Alachua Prairie where the early Indians and Spaniards ran their cattle. To the east that early morning, strange dashes of red color shone through the blowing tops of prairie sedges where the sun touched the crowns of sandhill cranes. Their wild horn and hollow rattle drifted back on a fresh wind as the big birds drifted over the savanna. That blood-red glint of life in the brown grasslands, that long calling--why should such fleeting moments pierce the heart? And yet they do. That was what Charlie my Darling made me see. They do.

Out of some far recess of the sky a tinkling of little bells falls soft upon the listening land. Then again silence. Now comes a baying of some sweet-throated hound, soon the clamor of a responding back. Then a far clear blast of hunting horns, out of the sky into the fog. High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks , and cries that almost shakes the bog with its nearness, but without yet disclosing whence it comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.

A starling sits on a wire on the busy street, and I watch him as I wait at a red light. He flies down to a spot in the middle of the road, walks around with that curious, potbellied strut, neck craned at something that lies in the road. Food? The traffic thickens and roars up, and the bird rises back up to the wire, only to drop down again, walking tight circles around the object. My car nears, and my heart sinks to see that the bundle in the road is another starling, just killed. Fearless, the starling dodges trucks and cars to be near the lifeless mess that was its mate. An hour later, the bird still sits on the wire, watching the little spot of feathers. I wonder whether anyone else passing noticed this small tragedy, and I remember a fragment of verse about swatting a mosquito: a life so small, but to itself, so dear.

He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]

Still, the alien biologist might be excused for lumping together the whole biosphere - all the retroviruses, mantas, foraminifera, mongongo trees, tetanus bacilli, hydras, diatoms, stromatolite-builders, sea slugs, flatworms, gazelles lichens, corals, spirochetes, banyans, cave ticks, least bitters, caracaras, tufted puffins, ragweed pollen, wold spiders, horseshoe crabs, black mambas, monarch butterflies, whiptail lizards, trypanosomes, birds of paradise, electric eels, wild parsnips, arctic terns, fireflies, titis, chrysanthemums, hammerhead sharks, rotifers, wallabies, malarial plasmodia, tapirs, aphids, water moccasins, morning glories, whooping cranes, komodo dragons, periwinkles millipede larvae, angler fish, jellyfish lungfish, yeast, giant redwoods, tardigrades, archaebacteria, sea lilies, lilies of the valley, humans bonobos, squid and humpback whales - as, simply, Earthlife. The arcane distinctions among these swarming variations on a common theme may be left to specialists or graduate students. The pretensions and conceits of this or that species can readily be ignored. There are, after-all, so many worlds about which an extraterrestrial biologist must know. It will be enough if a few salient and generic characteristics of life on yet another obscure planet are noted for the cavernous recesses of the galactic archives.

THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  

An idea prevails here, which I have heard repeated in several parts of the Morea, that the swallows come in spring from Africa on the backs of the cranes. A person of good credit has assured me, that he has seen a crane light upon a ship at sea with swallows on its back. The storks arrive in the Morea at the same time as the cranes, but are not swallow carriers, whether from want of charity, or want of strength, I cannot learn.

We work hard. We retire at sixty. We go golfing or run around a nude colony. That’s the American dream. Quick money. Dodge diesels and women and drinking beers with your buddies. And there’s camaraderie in that. We all felt like we were really doing something. We were contributing to the economy. But that’s what sucks about money. When it’s gone, you figure out it’s not even real. It’s just a dopamine rush. We know what an oil field does. We know what drugs do. We know these things wreck everything about the human spirit, but we keep doing them.

In her office, there was a picture of her, knee deep in water, dressed as a giant crane. The summer before, she had gone to Texas and worked for a program that bred captive whooping cranes. All the workers dressed as birds so that the cranes would know how to feed their own babies when they were set free. My mother took the costume with her when she left and sometimes she put on the feathered head and talked through the beak to me.

He leaned in, pressing his lips to my ear. "You're mine little bird. And no one, family, friend, or foe, will take you from me. You're absolutely safe with me and I will figure this out for us, Ava.

She’d been building junk-art birds, mostly cranes, since before I was born. Making those birds was a cross between pure love and a nervous habit, the way some might do crossword puzzles or needlepoint. She sold them in the restaurants where she worked or at small flea markets and coffee shops for a little extra money. I thought they were the most beautiful creatures I’d ever seen and always felt a twinge when they flew away to their forever home, wishing we’d find ours.

He scoffed. Burning a fireman. They are so daggum twisted. He looked at me. Come on. We need to get low. The fire will move up and if we need to jump, I don’t want to do it from the fourth floor. Just stay with me. I’m getting you out of this. Okay. I’m with you. He smiled. You are so brave, sweetheart. You came into that burning building to get me without blinking an eye. And now, you’re following me, without a shadow of doubt, that I’ll get us out of here. I trust you. And I would do it again to save you. I know. I love you, little bird. The first thing we’re doing when we get out of here is getting married because I’m done waiting. I felt my mouth open, but he took my hand and pulled me behind him. Stay low, he ordered. Gosh, Seth ordering my safety and weddings was so sexy. I tried to remember we were in a deadly situation. He smiled back at me and shook his head. “Okay,

The waves lapped onto the shore in quiet, relentless ripples. A seagull screeched from somewhere down the shoreline, and another bird replied. She missed home, the comfort of her padded swing, her tall shade trees and scented lilac bushes. If she closed her eyes and blocked out the sound of the waves, she could almost imagine that she was back home in her garden, dozing on her swing under the tall oak— “Hey, Meri!” Jake’s voice shattered the illusion. She craned her head around, following the sound of his voice to an upstairs window. His elbows perched lazily on the ledge. She glared up at him. “Meridith.” “Wanna come take a look?” She’d rather beat the smug grin off his face. “Be right there.” Her bones ached as she climbed the main stairway, a repercussion of her night on the hard floor. Just beyond the guest loft, Jake stood in front of the doorway, making some final adjustment to the latch. It looked different with the area closed off from the hall. The smell of wood and some kind of chemical hung in the air. “What do you think?” He’d already hung the drywall, and the patching was drying, which explained the smell. He swung the door open, showing her the thumb-turn on the other side, then closed the door and demonstrated the lock with the key. Thank you, Vanna. “Are both doors keyed the same?” “Yep.” He threw her the new set of keys, and she caught it clumsily. She’d keep one set in her room and find a hiding spot in the kitchen for the other. He gathered his tools and supplies. Now that he was finished, maybe she could take the kids to the driving range. She could teach them how to tee off. Jake capped the drywall compound, then walked through the new doorway toward the family suite. “Where are you going?” Meridith followed him down the hall. “Patching up the other partition.” “I thought you were done.” “If I get them both patched, they’ll be ready to sand and paint on Monday. You got any more of this green?” “What? I don’t know.” He trotted down the back stairway and unlocked the new door’s thumb-turn. Meridith stopped at the top of the steps, sighing. The sooner he finished, the sooner he’d be out of her life. Out of the house, she corrected herself. That man was not in her life.

She's been scouted by Ford and Elite- real New York agencies. Micah, the agent for Elite- a tall black guy in silver eyeliner- said that Felice was "heart-stopping." Everyone says that Felice looks like Elizabeth Taylor- all pleased with themselves, as if she were hearing this for the first time. It used to bug Felice: she pictured that squat, henlike woman in her wig and jewels, holding hands with Michael Jackson. But one day, Duffy brought over an old movie magazine while Felice and Berry lounged at their cafe table. He opened it and jabbed at the photo. "There. Look. You kids really are morons. You really don't know anything, do you? 'That's' Elizabeth Taylor." Berry craned over the page. "Wow, you really kind of do. Look at her. You guys could be related." A little nearsighted, Felice held the magazine closer, startled to see the resemblance- the straight brow bone, glimmering eyes, the fine jaw; only Felice's straight hair was self-hacked below the shoulders and Liz's hair was a sable bob, thick as a paintbrush. She finally realized what a compliment this comparison was.

THE ELIZABETHANS ATE all sorts of fowl, including quail, crane, heron, buzzards, and pigeons. Partridge, like many of the other birds, was thought to “comforte the brayne and the stomachke, & … augment carnall lust.

Sky Burial   Standing ‘mongst the dogs all squint of eye and crane of neck until I named the circling turkey buzzard speck of cumulus nimbus. Such scavengers bring me pause. Earth was lying easy on her back and breathing into blue, a thermal sigh, lifting bird and wonder to where this one might fly. The expanse so vast along the glaciered seam of plains and mountains, distance and the silence held still a dusky moment for the bird to preen in copper light on rocky moraine, preparing for its earnest work. In Tibet, whether monk or peasant, in breaching death, the empty vessel is washed in water, in prayer, carried by solemn procession into thinning air, laid prone, left alone, sacred fare, shared by vultures as spirit migrates to a new birth, born again somewhere. If we are attending to the way, we pass through many deaths. Birds can be a sign of such transitions. Yes, the buzzard had me thinking I was once a starling lost in false murmurations. Today, my name is lone hawk on bare limb.

There’s a short memoir called The Crane Wife by C. J. Hauser. Hauser had recently broken off an engagement and headed to Texas to study whooping cranes for a novel. This is what she says: Here is what I learned once I began studying whooping cranes: only a small part of studying them has anything to do with the birds. Instead we counted berries. Counted crabs. Measured water salinity. Stood in the mud. Measured the speed of the wind.

There’s a short memoir called The Crane Wife by C. J. Hauser. Hauser had recently broken off an engagement and headed to Texas to study whooping cranes for a novel. This is what she says: Here is what I learned once I began studying whooping cranes: only a small part of studying them has anything to do with the birds. Instead we counted berries. Counted crabs. Measured water salinity. Stood in the mud. Measured the speed of the wind. It turns out, if you want to save a species, you don’t spend your time staring at the bird you want to save. You look at the things it relies on to live instead. You ask if there is enough to eat and drink. You ask if there is a safe place to sleep. Is there enough here to survive? (Author’s emphasis.)

An almost invisible bird, a small piece of hopping dirt, purposed along the edge of the flower bed, eyeing for beauty or looking for worms. Olivia watched it as she walked with her husband toward the yew and puzzling statue. We count those birds as nothing, she thought, the small dun-colored ones, and prefer to keep our wonder for the spectral glory of cardinals, or the ungainly grace of cranes. Goldfinches and even jays delight us, but are they so different from these common little brown birds which we think of as vermin? Astonishing accidents of pigment, size, plumage: Why do they elicit or wonder?

I’ve heard that the demilitarized zone between North and South Korea has some of the best bird-watching in the region, with a rare crane species that survives in the buffer of wilderness provided by a history of war. Wouldn’t that be nice, if rare birds were living in every country’s outline?

The dams on the Upper Missouri, called the Pick-Sloan Plan, were located so as not to disturb white settlements. Instead, they would flood the bottomlands of eight reservations, land guaranteed to tribes by treaty and home to thousands of families. Pick-Sloan, the Lakota historian Vine Deloria, Jr., wrote, was “the single most destructive act ever perpetrated on any tribe by the United States.

When the cranes begin their fairylike descent onto milky-blue sheets of water, you find yourself in a place where humans are far outnumbered by birds. You let the primal orchestra of cranes and geese remind you of the place your ancestors came from.

THE WEBSITE FOR SSA Marine says, “Accelerating the Pace of Business.” Its terminal is now giving off a deafening whir: engine sounds, horns, beeps, and the echoes of workers shouting. The giant cranes lift containers off the ship, sliding them inward fast enough that they swing a little bit in midair. Currently, the bay is full of the haze-lightened silhouettes of container ships, players in that sprawling, fractal network whose workings have recently come to the fore in headlines about the supply chain. In the restored marsh along the park, clusters of migrating shorebirds are keeping their own schedule. It’s currently three hours from high tide, and on the shrinking islands, tiny sandpipers sit together so densely that they look like a tessellated pattern. Stalking around them are a variety of spidery birds, including long-billed curlews, which have surreal curved beaks more than half the length of their entire bodies. They are back for the time being, having traveled northeast to breed—possibly as far as Idaho—and in the meantime, they adjust their activities to the tides. On the one hand, it is true that you can see multiple forms of time here. The containers pile up; the shorebirds probe the mud; the phoebe chases its flies; a small, brown mushroom pushes up from the grass; and the tide continues to rise. Your stomach rumbles. But one of these clocks is not like the others. In order to maintain its equilibrium, it has to run ahead faster and faster.

Birds are masterpieces of nature. The fluid beauty in their colors and their physical form is living art. Their every subtle and conspicuous movement - the undulating traverse of the wren, the high step of the heron, the dance of the crane, and the contemplative blink of the owl — is poetry. Wheeling, pitching, pivoting, swooping and swerving are an aesthetic.

Hesitantly, I follow her up the steps to a metal door. When she opens it, I let out a gasp. A large dome glitters in the sun. Garrance opens up another door, this one glass, and I'm rendered speechless as a plethora of scents and humid air hit me, wrapping me up in Mother Nature's embrace. I'm in the islands. I'm in heaven. And I'm on a roof in Paris. I need a crane to pick up my jaw. "This is my climate-controlled greenhouse, my pride and joy." This slice of Parisian paradise is filled from floor to ceiling with tropical plants like orchids and flowering trees, moths, butterflies, and bees floating from flower to flower---not to mention the exotic birds---cockatoos, parakeets, and a couple of parrots, their plumage in reds, greens, blues, oranges, and whites.

you’ve just met Mr. Crane. A picture of a large crane, as used by construction workers, comes to mind; or perhaps the storklike bird. You’ve looked at his face and decided that his high forehead is the outstanding feature. You look at that forehead, and really picture many large cranes flying out of it; or, you can see them attacking that high forehead! Or perhaps the entire forehead is one gigantic crane.

I sang a song as I sprang from the womb- which is not unusual. After nine months many Kongos come like baby birds- crying and craning.

At twenty years or more Sand-hill Cranes are long-lived birds, and they will sometimes fly five hundred miles each day. For me, their migrations mean something similar to seeing the stars. They are evidence of something that includes us, but is bigger than us, of a force that goes on around us and without us.

I follow the ancient sound of cranes returning at dusk, the great flights descending, coming in after the day of gathering energy from the cornfields, this wild, ancient ritual repeated here before me in a world gone so crazy and broken and out of control. All these birds that have moved across the continent longer than any other, that predate anything we have done, are here still alive.

A man once told me a story of how he dug up the bones of his relatives and held them in his hands.

Lissa’s obsessions came in all forms, sudden and indiscriminate, but each one she had taken on with the faith and focus of a zealot.

Lissa was set on being the best at everything she did. The best drug dealer. The most dogged bondswoman. The eventual leader of each organization she joined.

Lissa had a ready laugh, I noticed, the bearing of a woman who derives entertainment from the absurdities of the world.

I began to feel like a doctor recording the early symptoms of an illness—the oil boom, like an illness, was all anyone wanted to talk about. Yet I also detected in my conversations with tribal members a sense of awe that their fortune had so suddenly reversed. The boom had just begun.

There’s too many spirits in there,” Dennis told Lissa. Dennis wanted to burn the house down, and Lissa agreed. If the house was gone, her memories might return to her, she thought, but as it was, Lissa felt nothing for the house, and this nothing reminded her of her family’s loss. “At least when it’s gone you can romanticize it,” she said.

Her precociousness hardened into defiance, and her defiance broke into a reckless rage that scared even her own mother.

Everybody moved on without me. I got so wrapped up in this case, and when I looked up, everybody was gone.

She focused on each day as if a routine life—billing accounts, file transfers, doctor appointments, school enrollment—might accumulate into an opaque wall dividing the present from her past.

She had been prepared to serve her entire sentence and had practiced thinking in geologic terms: “Like, the dinosaurs,” she said. If life was just a fleck on the timeline of the universe, then her sentence was too brief to appear. This had made it easier to shrug off the time she already lost—ten years to addiction, what were ten more? Not until she boarded the prison van to Fargo had her sense of time shrunk again, and not until she saw her sons had it become clear to her how long—two years—she had been away.

The land scrunched like a dry blanket, where the flatness of the prairie gave way to badlands, to canyons cut by seasonal creeks.

There were roads where she had never seen roads before, curving through pasture like suburban culs-de-sac. Even the contours of the land had changed, cliffs cut, hills reshaped, as if giants had pressed their fingers into clay. It was her first sight of the oil boom.

When the waters came” was how they described the flood, as if to remind themselves they had no choice in the matter.

Percy and Lissa shared a father, but as far as Lissa was concerned, calling him her “half brother” was a “white thing.” A brother was just a brother, no halves about it.

The casino was at the center of a constellation of transactions. I saw fishermen come to fish the lake; a woman looking for a job; elders cracking crab legs at the casino buffet—one of two restaurants on the reservation that served breakfast, lunch, and dinner; and a steady flow of men in suits. One morning, I watched a tour bus disgorge a hundred elderly passengers and learned they had come from a senior center in Bismarck. They were among the few patrons I saw come solely for the slots. The other gamblers were oil workers and tribal members, many of whom lived in the lodge.

The tribe was unprepared for the boom, he believed. After centuries of colonization—of federal entities weakening and displacing tribal institutions—it did not have the resources, let alone the expertise or regulatory power, to control the oil industry. It had no environmental agency to monitor leaks or spills; no transportation department to track trucks; and what was more troubling, it had no criminal jurisdiction over the thousands of non-Native men and women who had come to work, since the U.S. Supreme Court had stripped tribes nationwide of the right to criminally prosecute nonmembers. “It’s like the lottery winners you see on TV,” Fox said. “Their lives get worse, because they’re not ready for it. We’re the same way. My biggest fear is that we end up like other reservations I know—industry comes in, money’s thrown around, everyone celebrates for a while, and when industry leaves, the reservation is in worse shape than before.

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The train was moving too fast to see much beyond the pines stepping up rock walls, but she knew from memory the bird species that would be endemic. She could picture the colored plates in her textbooks- the greater roadrunner, with its shaggy pompadour crest; the yellow eyes of burrowing owls; the shiny, jet-black plumage of the phainopepla, which gobbled up hundreds of mistletoe berries a day. She'd missed the Festival of the Cranes by only a few weeks. How tempting, to find herself just hours from Bosque del Apache, and the Rio Grande. She imagined lying on her stomach, binoculars trained on the sandhill cranes and snow geese in their winter quarters, watching in wonder the mass morning liftoffs and evening fly-ins. It was an old desire, but even now, though she knew the impossibility of it, it persisted; the world as one giant aviary she ached to see, all of its feathered inhabitants in their natural environment, a thousand times better to hear their cries dampened by verdant jungle foliage or echoed across the wells of canyons than to listen to abbreviated bits of captured songs emanating from a machine.

Skunk? Was there skunk in Ireland? Taking out an evidence bag, she tried to pinpoint the area it seemed strongest, but it was impossible to tell. In any case, she swabbed a small area from the wall and then the ground, bagged them, and in addition picked up a sample of grit from the same area on the floor. The tower, with its two battered old wooden slat windows, was completely empty, save for some pigeon droppings. As birds didn’t urinate, Reilly already knew the foul smell definitely wasn’t coming from them. Moving tighter into the wall, she began stepping in concentric circles inwards, her gaze scanning the ground area. Then, her keen eye noticed some tiny bluish dots that were slightly incongruous amongst the grit and the droppings. She pulled out her tweezers and, bending low, carefully lifted one up for inspection. With some idea of what it was, she held it to her nose, sniffed, and removed all doubt. Rubber. Reilly’s mind raced, wondering if this was of any significance. Had the killer dropped it? Probably not. Whoever had hoisted that poor man up into the tree and slashed open his torso surely wouldn’t have then gone to the trouble of coming all the way up here to watch him die. Or would he? She craned her neck, looking upwards into the gloom, then made her way to the window. As she did, she let out a breath. There, framed perfectly in the opening as if it were a painting, was the hawthorn tree, the misfortunate victim dramatically hanging front and center. Leaving little doubt in Reilly’s mind that such positioning was completely intentional. It took a while, but eventually the local police managed to arrange for a mobile elevating platform to be sent to the site from the nearest town. The ME, having repositioned the man’s innards as best she could, wrapped the mutilated body in the tarpaulin and, with the platform operator’s assistance, accompanied it down to the ground, where she could examine it more closely. Reilly took a lint roller from her bag, took samples from the body and then concentrated her efforts around the perimeter of the tree, walking in concentric circles around the base amongst the humongous roots poking through the soil. Granted the victim was not a heavy man, but even so, it

Owls belong to the night world" as Hitchcock pointed out; "they are watchers, and this appeals to Perkins's masochism. He knows the birds and he knows that they're watching him all the time. He can see his own guilt reflected in their knowing eyes." This explains other avian imagery: the crucial shot of Perkins knocking over a sketch of a bird when (in his "son personality") he discovers the body of Janet Leigh—the last "stuffed bird" is, aptly, a woman named Crane, who came from Phoenix (a city named for the mythic bird that returns from the dead); and why, when Perkins suggested candy, Hitchcock insisted it be candy corn, a confection that resembles the kernels pecked by chickens. (As will become clear, everything about Psycho points forward to and aesthetically necessitates Hitchcock's next feature film, The Birds.)

Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she’s doing: It’s a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.

Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she’s doing: It’s a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.

She took another step into the wood, and then another, and as she moved in deeper, she was overwhelmed by the way the forest was attuned to her. Branches lowered themselves down, low enough for her to reach a hand up and stroke the bare bark, low enough for them to tickle the skin of her arms. Soon, her surprise turned into understanding. She knew what this feeling was now. She knew what was happening. It was the same elation she experienced when her garden's roses craned their necks out of concern for her. It was the same tingle that consumed her when the plum tree bent its branches to shade her on sunny days. Only now, in these dense woods, as far from her garden as she'd ever been, it was stronger than ever before. She became part of this forest as soon as she entered it, and it was a part of her. They could communicate. They could be as one, without a single word spoken. Filled with wonder, Harriet sat beneath the biggest tree in the wood. As she did, she heard a familiar rustling noise. Within seconds, curious tendrils of ivy appeared at her side, wrapped eagerly around her legs, and climbed over her hands. Harriet stayed very still. This ivy was different from the ivy in her garden--- it was more childlike in its embrace, more impatient. There was a kind of discovery in the way the tendrils wrapped around and beneath her that was new to them both. But soon, all foreignness was gone, for Harriet was lifted off the ground to lie on a silken pillow of ivy created just for her. Harriet let herself relax into it. We move because of you, the ivy whispered to her, and the trees hummed in agreement. You are exceptional, the wood told her. The words did not come as a person's voice. They came as the warm, whistling breeze, the rustle of branches, the titters of a bird. A sylvan lullaby.