“
You have to kiss a lot of frogs before you find your prince
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
This is me, Ana. All of me...and I'm all yours. What do I have to do to make you realize that? To make you see that I want you any way I can get you. That I love you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
Like a puma in the barrens of Quitratue.
”
”
Pablo Neruda
“
You love me,” I whisper.
His eyes widen further and his mouth opens. He takes a huge breath as if winded. He looks tortured—vulnerable.
“Yes,” he whispers. “I do.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
You wanted hearts and flowers,” he murmurs.
I blink at him, not quite believing what I’m seeing.
“You have my heart.” And he waves toward the room.
“And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Christian, you are the state lottery, the cure for cancer, and the three wishes from Aladdin's lamp all rolled into one
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Toska - noun /ˈtō-skə/ - Russian word roughly translated as sadness, melancholia, lugubriousness.
"No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.
”
”
Vladimir Nabokov
“
Love is—a shade of what I feel.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
I hug him tightly. “I can’t imagine my life without you, Christian. I love you so much it frightens me.” “Me, too,” he breathes. “My life would be empty without you. I love you so much.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I think you can only be truly mad at someone you really love.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
He makes me graceful, that's his skill. He makes me sexy, because that's what he is. He makes me feel loved, because in spite of his fifty shades, he has a wealth of love to give.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Supposing I’ve said I hate him, or worse still, that I love him, in my sleep.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
She was a thief, a runaway, a pirate, a magician.
She was fierce, and powerful, and terrifying.
She was still a mystery.
And he loved her.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometimes too hot the eye of heaven shines,
And too often is his gold complexion dimm'd:
And every fair from fair sometimes declines,
By chance or natures changing course untrimm'd;
By thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
Well my gun fires seven different shades of shit, so what's your favorite color, punk?
”
”
Gerard Way
“
It was finally becoming clear to her that love wasn't about finding someone perfect to marry. Love was about seeing through to the truth of a person, and accepting all their shades of light and dark. Love was an ability.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Maybe its like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And then things happen - these people leave us, or don’t love us, or don’t get us, or we don’t get them, and we lose and fail and hurt one another. And the vessel starts to crack in places. And I mean, yeah once the vessel cracks open, the end becomes inevitable. Once it starts to rain inside the Osprey, it will never be remodeled. But there is all this time between when the cracks start to open up and when we finally fall apart. And its only that time that we see one another, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face to face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade, but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.
”
”
John Green (Paper Towns)
“
Let me love you," he says hoarsely.
"Yes," I answer, and turning, he hauls me into his arms, his lips seeking mine, beseeching me, worshipping me, cherishing me...loving me.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I lay awake for hours and watched you sleep," he murmurs. "I might have loved you even then.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I love him. Simple.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
From: Christian Grey
Subject: My Life's Mission...
Date: September 5, 2011 09:25
To: Anastasia Grey
Is to spoil you, Mrs. Grey.
And keep you safe because I love you.
Christian Grey
Smitten CEO, Grey Enterprises Holdings Inc.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Life is never going to be boring with Christian, and I’m in this for the long haul. I love this man: my husband, my lover, father of my child, my sometimes Dominant……my Fifty Shades.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
Anastasia Steele. I love you. I want to love, cherish, and protect you for the rest of my life. Be mine. Always, Share my life with me. Marry me.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way
Across the universe
Sounds of laughter shades of love are
Ringing through my open ears inciting and inviting me
Limitless undying love which shines around me like a
Million suns, and calls me on and on
Across the universe
”
”
John Lennon
“
Whether love of friend, love of country, love of God, or even love of enemy—love reveals to us the truly miraculous nature of the human spirit.
”
”
Ruta Sepetys (Between Shades of Gray)
“
Sometimes there is such beauty in awkwardness. There's love and emotion trying to express itself, but at the time, it just ends up being awkward.
”
”
Ruta Sepetys (Between Shades of Gray)
“
I want my world to start and end with you.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
I've never wanted more, until I met you.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Caring was a thing with claws. It sank them in, and didn’t let go. Caring hurt more than a knife to the leg, more than a few broken ribs, more than anything that bled or broke and healed again. Caring didn’t break you clean. It was a bone that didn’t set, a cut that wouldn’t close.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I was waiting for you," he says softly, his eyes dark gray and luminous.
"That's... that's such a lovely thing to say."
"It's true. I didn't know it at the time." He smiles his shy smile.
"I'm glad you waited."
"You are worth waiting for, Mrs. Grey.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
No. No!” he says.
“I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know.
“You can’t go. Ana, I love you!”
“I love you, too, Christian, it’s just—”
“No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .”
“No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What?
“Christian, what are you doing?”
He continues to stare down, not looking at me.
“Christian! What are you doing?”
My voice is high-pitched. He doesn’t move.
“Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant.
Holy Fuck . . . Christian. The submissive.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I've never wanted more, until I met you. - Christian Grey, Fifty Shades of Grey
”
”
E.L. James
“
You love strapping me in, don’t you?”
“In any form,” he says, a wicked grin playing on his lips.
“You are a pervert.”
“I know.” He raises his eyebrows and his grin broadens.
“My pervert,” I whisper.
“Yes, yours.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
“No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.”
My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified.
“You want to play on your Xbox?” I ask. He laughs, loudly.
“No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
“You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.”
“Just open the damn door, Christian.”
He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in.
And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Anatasia
You Are My More
My Love, My Life
Christian
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
You know, you’re topping from the bottom,” he murmurs against my lips.
“What?” I don’t understand what he’s talking about.
“Don’t worry. I’ll live with it,” he whispers, amused...
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
I Ignore the unwelcome stab of disappointment. Why do I want to spend every single minute with this controlling sex god? Oh yes, I've fallen in love with him, and he can fly.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
They say that when you remember something, you are really remembering the last time you remembered it. Each time you recollect a memory, you change it, ever so slightly, shading it with new information, new feelings.
”
”
Taylor Jenkins Reid (One True Loves)
“
Love was that way. You could not render it in black or white. It always came down to the strange, blended shades of grey.
”
”
Jodi Picoult
“
So you've just slept with him, given him your virginity, a man who doesn't love you. In fact, he has odd ideas about you, wants to make you some sort of kinky sex slave.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Love is the most beautiful of dreams and the worst of nightmares.
”
”
Aman Jassal (Rainbow - the shades of love)
“
Oh, my. What a lovely shade of bitch you're wearing today. --T-SHIRT
”
”
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
“
We always hurt the ones we love, darling.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
But death doesn't work like that. It doesn't care if someone loves you, doesn't want you to go. It just takes. It takes and it takes until eventually you have nothing left.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
I don’t care if it’s Twilight or Fifty Shades or War and Peace - Never let someone make you ashamed of what you love to read!
”
”
Rae Carson
“
You said you loved me, is that now in the past tense?" "No, it's not." "Good.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Whoa. I’ve never heard him sing, not even in the shower, ever. I frown. He has a lovely voice—of course. Hmm . . . has he heard me sing?
He wouldn’t be asking you to marry him if he had! My subconscious has her arms crossed and is wearing Burberry check . . . jeez.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
He pauses and takes a deep breath. "I love you Anastasia. I will do everything in my power to protect you. I cannot imagine my life without you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Yes, I need you, my fairy-tale. Because you are the only person I can talk with about the shade of a cloud, about the song of a thought — and about how, when I went out to work today and looked a tall sunflower in the face, it smiled at me with all of its seeds.
”
”
Vladimir Nabokov (Letters to Vera)
“
Love doesn't happen in an instant. It creeps up on you and then it turns your life upside down. It colors your waking moments, and fills your dreams. You begin to walk on air and see life in brilliant new shades. But it also brings with it a sweet agony, a delicious torture.
”
”
Vikas Swarup (Q & A)
“
I love you and all your kinky fuckery
”
”
E.L. James
“
And soon you will be my wife to have and to hold... To love and to cherish... "With my body I will worship you." Christian Grey--Fifty Shades Darker, E.L.James
”
”
E.L. James
“
it's colder than hell (yes) but
the blankets are thin,
and the pulled-down shades
are as full of holes as love is.
”
”
Charles Bukowski (The People Look Like Flowers at Last)
“
One day you will be old and wrinkled, and I will still love you.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Love has different shades. Like the way I loved Cassia when I thought she'd never love me. The way I loved her on the Hill. The way I love her now that she came into the canyon for me. It's different. Deeper. I thought I loved her and wanted her before, but as we walk through the canyon together I realize this could be more than a new shade. A whole new color.
”
”
Ally Condie (Crossed (Matched, #2))
“
I love you, Kell, but I had no interest in matching tattoos.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
Did she ever regret her choices? Were her decisions more clear-cut than mine - or are there always shades of gray whe it comes to matters of the heart?
”
”
Emily Giffin (Love the One You're With)
“
You have a house if not a home," she spat. "You have people who care for you if not about you. You may not have everything you want, but I'd wager you have everything you could ever need, and you have the audacity to claim it all forfeit because it is not love."
"I--"
"Love doesn't keep us from freezing to death, Kell," she continued, "or starving, or being knifed for the coins in our pocket. Love doesn't buy us anything, so be glad for what you have and who you have because you may want for things but you need nothing.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
To: Christian Grey
You've made me cry again.
I love the iPad.
I love the songs.
I love the British Library App.
I love you.
Goodnight.
Ana xx
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I don't make love . . I fuck . . hard
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Aura, I'm really patient, but I'm not a bloody saint.
”
”
Jeri Smith-Ready (Shade (Shade, #1))
“
Kell has only two faces. The one he wears for the world at large, and the one he wears for those he loves.” He sipped his wine.
“For us.” Lila’s expression hardened. “Whatever he feels for me, it isn’t love.”
“Because it isn’t soft and sweet and doting?” Rhy rocked back, stretching against the pillar. “Do you know how many times he’s nearly beat me senseless out of love? How many times I’ve done the same? I’ve seen the way he looks at those he hates …” He shook his head. “There are very few things my brother cares about, and even fewer people.
”
”
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
There is only him and me and this thing between us that I cannot name, not out loud, but that my heart knows is love.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
And it seems people should not build houses anymore
it seems people should stop working and sit in small rooms on second floors
under electric lights
without shades;
it seems there is a lot to forget
and a lot not to do
and in drugstores, markets, bars,
the people are tired, they do not want to move, and I stand there at night
and look through this house and the house does not want to be built
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
I learned that life is so, so fragile. I learned that you can know someone for just days and never forget the impression he left on you. I learned that art can be beautiful and sad at the same time. I learned that if someone loves you, he'll wait for you to love him back. I learned that how much you want something doesn't determine whether you get it or not, that "no" might not be enough, that life isn't fair, that my parents can't save me, that maybe no one can.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
I want you, Anastasia,” he murmurs. “I love and I hate, and I love arguing with you. It’s very new. I need to know that we’re okay. It’s the only way I know how.”
“My feelings for you haven’t changed,” I whisper.
His proximity is overwhelming, exhilarating. The familiar pull is there, all my synapses goading me toward him, my inner goddess at her most libidinous. Staring at the patch of hair in the V of his shirt, I bite my lip, helpless, driven by desire—I want to taste him there.
He’s so close, but he doesn’t touch me. His heat is warming my skin.
“I’m not going to touch you until you say yes,” he says softly. “But right now, after a really shitty morning, I want to bury myself in you and just forget everything but us.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
The tallest and oldest trees that seemed to have just have casually always been there, hold the greatest love: as it nurtures love for others: providing shade for two lovers, becoming home for birds to build a nest, and giving food to the squirrels whom scurry upon it.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
I'm intoxicated with this man, my man, my Fifty Shades.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Merry Christmas. I bought you every shade of lipstick Chanel carries, so you can create your own million kisses in your lifetime. Hopefully you’ll share some of those kisses with me. Love, Crew
”
”
Monica Murphy (A Million Kisses in Your Lifetime)
“
And what else is she?" Jerome asked. Jazza didn't offer any reply so I chimed in with, "A bitchweasel?"
"A bitchweasel!" Jazza's face lit up. "She's a bitchweasel! I love my new roommate.
”
”
Maureen Johnson (The Name of the Star (Shades of London, #1))
“
I flush,and my inner goddess grabs a rose between her teeth and starts to tango.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
You many have noticed I have a temper ... but when I calmed down, I realized that this world, blighted and imperfect as it is, would be better with you in it.
”
”
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
“
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly. “No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion — put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
”
”
Wendell Berry
“
Having the thought of you being with someone else is like a knife twisting in my dark soul
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
We knew, and to see her there like that with you-and armed. I think I died a thousand deaths, Ana.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Sometimes home is a person.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
In this nasty-ass strip club bathroom full of pissing dudes and possible rogue ejaculators, Shades is no longer some guy I love fucking. He’s some guy I fucking love.
”
”
Kendall Grey (Strings (Hard Rock Harlots, #1))
“
We always hurt the ones we love, darling. You’ll have to tell her you’re sorry. And mean it and give her time. - Grace Trevelyan-Grey to Christian Grey
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
I choose this," I say, my voice ragged with want. "I choose you.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
Rhy shook his head, exasperated. “Kell isn't the only one you fail to understand. My bond with him didn't start with this curse. You wanted him to kill for me, die for me, protect me at all costs. Well, Mother, you got your wish. You simply failed to realize that that kind of love, that bond, it goes both ways. I would kill for him, and I would die for him, and I will protect him however I am able, from Faro and Vesk, from White London, and Black London, and from you.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
He watched you like a man starved for the only thing that could fulfill his hunger."
My eyes popped out and my body flushed about a thousand shades of red. "Oh, wow...
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
Because I liked you better
Than suits a man to say,
It irked you, and I promised
I'd throw the thought away.
To put the world between us
We parted stiff and dry:
'Farewell,' said you, 'forget me.'
'Fare well, I will,' said I.
If e'er, where clover whitens
The dead man's knoll, you pass,
And no tall flower to meet you
Starts in the trefoiled grass,
Halt by the headstone shading
The heart you have not stirred,
And say the lad that loved you
Was one that kept his word.
”
”
A.E. Housman (A Shropshire Lad)
“
Love is not black and white. It’s not even gray. Love is every shade of color in the spectrum, changing with every ray of light given and stolen.
”
”
Cassia Leo (Bring Me Home (Shattered Hearts, #4))
“
If that isn't a declaration of love, I don't know what is. And the words tumble out of me—a dam breached.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Like the moon shining bright
Up high with all its grace,
I can only show you at night
And hide half of my face.
”
”
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
“
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all
A heart whose love is innocent!
”
”
Lord Byron (Selected Poems of Lord Byron)
“
How about, 'I just kissed a guy at Black Weeds because you've been ignoring me. P.S. I love you.
”
”
Jeri Smith-Ready (Shade (Shade, #1))
“
Nowhere is the sky so blue, the grass so green, the sunshine so bright, the shade so welcome, as right here, now, today.
”
”
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
“
The platinum Omega watch he gave me at breakfast on our first morning in London obscures the red line. The inscription still makes me swoon.
Anastasia
You are My More
My Love, My Life
Christian
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
His soul's fabric was weaving itself with mine. I loved the frayed ends where it came unraveled, and I loved the strength at its firm, solid center.
I loved every thread.
”
”
Jeri Smith-Ready (Shine (Shade, #3))
“
Linda was nine then, as I was, but we were in love...it had all the shadings and complexities of mature adult love and maybe more, because there were not yet words for it, and because it was not yet fixed to comparisons or chronologies or the ways by which adults measure such things...I just loved her. Even then, at nine years old, I wanted to live inside her body. I wanted to melt into her bones -- that kind of love.
”
”
Tim O'Brien (The Things They Carried)
“
Right and wrong were shades of meaning, not sides of a coin.
”
”
Louise Erdrich (Love Medicine (Love Medicine, #1))
“
August. We were arguing. You want love to be like this every day don't you? 92 degrees even in the shade.
”
”
Jeanette Winterson (Written on the Body)
“
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want.
I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say.
I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom.
I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about.
I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes.
Believe it or not, I even love your road smell – of sweat and horses and leather and wool.
I want to breathe you in for the rest of my life.
”
”
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
“
I don't want anything to happen to you. You being hurt...that thought fills me with dread. I can't promise not to interfere, not if I think you'll come to harm." He pauses and takes a deep breath. "I love you, Anastasia. I will do everything in my power to protect you. I cann't imagine my life without you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
We can fight, and we can disagree, but I'm never going to let you walk away from me thinking I don't love you.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
Why are you forever comparing me to animals, shoes and food?”
“Because, I see the world in different shades of Olivia. I’m comparing them to you – not the other way around.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
Does a leaf, when it falls from the tree in winter, feel defeated by the cold?
The tree says to the leaf:
"That’s the cycle of life. You may think you’re going to die, but you live on in me. It’s thanks to you that I’m alive, because I can breathe. It’s also thanks to you that I have felt loved, because I was able to give shade to the weary traveller. Your sap is in my sap; we are one thing.
”
”
Paulo Coelho (Manuscript Found in Accra)
“
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather
box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch.
Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum
or white gold—I don’t know, but it’s absolutely enchanting. Attached to it
are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie
Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream
cone? I look up at him, bemused.
“Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course.
“Christian, this is beautiful. Thank you. It’s yar.” He grins.
My favorite is the heart. It’s a locket.
“You can put a picture or whatever in that.”
“A picture of you.” I glance at him through my lashes. “Always in my heart.”
He smiles his lovely, heartbreakingly shy smile.
I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to
use his first name. I smile at the thought. And finally, there’s a key.
“To my heart and soul,” he whispers.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
How could he mean so much to me in such a short time?
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
I see a bright
portion
under the overhead light
that shades into
darkness
and then into darker
darkness
and I can't see beyond that.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
Nothing can grow in the shade of secrets, she would say, love needs light and space to flourish.
”
”
Isabel Allende (A Long Petal of the Sea)
“
There is something immensely scary about putting yourself out there for people to love or hate you, fan or pan you, review or screw you.
”
”
L.V. Lewis (Fifty Shades of Jungle Fever)
“
If someone loves you, he'll wait for you to love him back
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
I must know, he thinks. It must be clear to me. There is a world which is closed to him, a world of shadings, gradations, nuances, and subtleties. He is a genius and yet he is too explicit. June slips between his fingers. You cannot posses without loving.
”
”
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
“
There you'll find the place I love most in the world. The place where I grew thin from dreaming. My village, rising from the plain. Shaded with trees and leaves like a piggy bank filled with memories. You'll see why a person would want to live there forever. Dawn, morning, mid-day, night: all the same, except for the changes in the air. The air changes the color of things there. And life whirs by as quiet as a murmur...the pure murmuring of life.
”
”
Juan Rulfo (Pedro Páramo)
“
I love you. When I say it, I don’t say it lightly. I say it because when I look at you, I see an angel who God let slip through his fingers to leave behind just for me.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices. I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his
moods… oh – and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more… love.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Can You Imagine?
For example, what the trees do
not only in lightening storms
or the watery dark of a summer's night
or under the white nets of winter
but now, and now, and now - whenever
we're not looking. Surely you can't imagine
they don't dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade - surely you can't imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in its own mood, comes
to visit, surely you can't imagine
patience, and happiness, like that.
”
”
Mary Oliver
“
The evening blessed us with a sunset to rival a painting by Carpaccio in its colours. The sky mutated from shades of ultramarine and azure to vermilion and ochre, then strips of violet and finally indigo.
”
”
Gina Buonaguro (The Virgins of Venice)
“
Because I want to have sex with him--and because that's sinful--I'm blushing and flushing furiously under his scrutinizing scrutiny.
”
”
Jess C. Scott
“
Alec Lightwood, eldest son of the Shadowhunters who ran the New York Institute, had turned up on Magnus’s doorstep, thanked him for saving his life, and asked him out while turning fifteen shades between puce and mauve. In response Magnus had promptly lost his mind, kissed him, and made a date for Friday.
”
”
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles #10))
“
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
I need him to want me like I want and need him, and deep down I know that's not possible.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
The man who will wholeheartedly deserve your love is the man who will be there at your lowest, the one who loves you in all your shades—the light, the hued and the dark.
”
”
Pamela Ann (Scornfully Yours (Torn, #1))
“
Quit making shade while I’m trying to make noon. Go put on a blindfold and act like midnight. There’s leftover love in the freezer if you get cold.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Drawing up my knees, I fold in on myself. I want to make myself as small as possible. Perhaps this nonsensical pain will be smaller the smaller I am. Placing my head on my knees, I let the irrational tears fall unrestrained. I am crying over the loss of something I never had. How ridiculous.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Of course I do. I love you touching me, Ana. I'm like a starving man at a banquet when it comes to your touch.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
My life would be empty without you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Boo: "Go talk to her."
Callum: "About what?"
Boo: "Anything."
Callum: "You want me to walk up to her and say, 'Are you a ghost?'"
Boo: "I do that."
Callum: "I love it when you get it wrong.
”
”
Maureen Johnson (The Name of the Star (Shades of London, #1))
“
I am completely caught up in your spell...
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
I love you. I want to shout it sometimes. I know you worry about our letters and texts getting read--shades of WWII, haunting us still, I guess, and I'm well aware that nothing's safe on the internet. I worry too. You need to know that when I say it, when I ask you to say it, it's because my lungs feel full of dark water, and seeing it or writing it lets me breathe.
”
”
Amy Lane (Keeping Promise Rock (Promises, #1))
“
This is all I know, too. Perhaps together we can chart a new course.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
He blinks. Touches the side of my face, near my eyes. My eyes that are blue now, not green. With oval irises.
"I'm still me," I say, because my greatest fear now is that he doesn't want a hybrid Amy.
He cocks an eyebrow. "You think I care if your eyes are blue or green? I just care about you." His hand slips down my arm, and he wraps his pinky finger around mine.
"You came back to me," I say, my voice breaking over unshead tears of joy.
"I'll always come back to you," he tells me pulling me close.
Always.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
But all of the survivors had one thing in common, and that was love. They survived through love. Whether love of friend, love of country, love of God, or even love of enemy—love reveals to us the truly miraculous nature of the human spirit.
”
”
Ruta Sepetys (Between Shades of Gray)
“
…and suddenly I love you beyond all measure is not just words but a heart, a soul bursting open, a stripping raw of all pretense. It is Sully, it is Gabriel, it is his tears on my face, his body in mine, our minds seamless. It is hopes and dreams and failures. It is apologies and a prayer for redemption. It is heaven and damnation.
All that I am is yours pales beside it.
It is everything.
It is love.
”
”
Linnea Sinclair (Shades of Dark (Dock Five Universe, #2))
“
You are the woman I love. You’re my wife. I never put my ring on another woman. I never gave them my love. I never gave them me. Not once. Only to you, my wife, have I given myself to. Don’t you ever doubt that again.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
Living up to his reputation as the hottest billionaire in town, Lachlan switched from boyish to devilishly handsome within a blink. With those ocean blue eyes, he offered so many shades of gorgeous I kept forgetting to breathe around him.
”
”
J.J. Sorel (A Taste of Peace)
“
Love may make you feel blue, love may make you feel green, and sometimes love may even make you feel turquoise or teal. Depression and envy get all the pretty shades of description, and I love that, but in a pink/purple kind of way.
”
”
Jarod Kintz (This Book is Not for Sale)
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
Subject: Sundown
Date: June 14 2011 09:35
To: Christian Grey
Dear Completely & Utterly Smitten
I love waking up with you, too. But I love being in bed with you and in elevators and on pianos and billiard tables and boats and desks and showers and bathtubs and strange wooden crosses with shackles and four poster beds with red satin sheets and boathouses and childhood bedrooms.
Yours
Sex Mad and Insatiable xx
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
You turn me inside out. I want to fuck you seven shades of Sunday, and I want to make long, slow, sweet love to you for days. I’m craving you, goddamn it, and you can’t just say shit like that to me when I know what you taste like, and what you look like and I need desperately to know what the fuck you feel like.
”
”
Kristen Proby (Play with Me (With Me in Seattle, #3))
“
startling! such determination in the
dull and uninspired
and the copyists.
they never lose the fierce gratitude
for their uneventfulness,
nor do they forget to laugh
at the wit of slugs;
as a study in diluted senses
they'd make any pharaoh
cough up his beans;
in music they prefer the monotony of
dripping faucets;
in love and sex they prefer each other
and therefore compound the
problem;
the energy with which they propel their
uselessness
(without any self-doubt)
toward worthless goals
is as magnificent as
cow shit.
they produce novels, children, death,
freeways, cities, wars, wealth, poverty, politicians
and total areas of grandiose waste;
it's as if the whole world is wrapped in dirty
bandages.
it's best to take walks late at
night.
it's best to do your business only on
Mondays and
Tuesdays.
it's best to sit in a small room
with the shades down
and
wait.
the strongest men are the fewest
and the strongest women die alone
too.
”
”
Charles Bukowski (The People Look Like Flowers at Last)
“
I blinked at her. My shades were down and the hall was dark and to me, half-drugged and reeling, she seemed not at all her bright unattainable self but rather a hazy and ineffably tender apparition, all slender wrists and shadows and disordered hair, the Camilla who resided, dim and lovely, in the gloomy boudoir of my dreams.
”
”
Donna Tartt (The Secret History)
“
Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, don’t ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or a ring. Do not be afraid. These are human acts, acts of bravery and love in the face of death and loss.
”
”
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
“
In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water, the need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.
”
”
Alain de Botton (On Love)
“
I loved you when you were a snot-nosed kid, into so much mischief
it's a wonder my hair didn't turn prematurely gray. I loved you when you
were a teenager with long, skinny legs and eyes that broke my heart
every time I looked at you. I love you now that you're a woman who
makes my brain go soft, my legs go weak, and my dick get hard. When
you walk into a room, my heart damn near jumps out of my chest. When
you smile, I feel as if I've won a Nobel Prize. And your eyes still
break my heart.
”
”
Linda Howard (Shades of Twilight)
“
If anything she was a shade too plump, but she knew the ninety-seven ways of making love that the Hindus are supposed to set much store by―though mind you, it is all nonsense, for the seventy-fourth position turns out to be the same as the seventy-third, but with your fingers crossed.
”
”
George MacDonald Fraser (Flashman (The Flashman Papers, #1))
“
When we're in a human body, we don't care about universal collapse - instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair.
”
”
David Eagleman (Sum: Forty Tales from the Afterlives)
“
Life without you was a series of pros and cons. Risks and rewards. Black and white with very few shades of gray. But then you came back and flipped a switch inside me, flooding my world with color after a ten-year blackout, and I don’t plan on giving that up. Not now. Not ever.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
Will you let me stand beside you on your plot of earth? We'll tell the weeds to grow tall around our ankles, and when the wind gives us sycamore seeds, we'll raise them as sprouts, seedlings, saplings until they overpower, shade, and nurture us. Our trees will grow for two hand years or more as our union becomes even more unquestionable and strong.
”
”
Emily Habeck (Shark Heart)
“
Arnesians had a dozen ways to say hello, but no word for good-bye.
When it came to parting ways, they sometimes said vas ir, which meant in peace, but more often they chose to say anoshe–until another day. Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications...
I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know?
"Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out.
”
”
John Green (Paper Towns)
“
You must be Warden Ramirez."
This is the part where I got nervous. Ramirez loved women. Ramirez never shut up about women. Well, he never shut up about anything in general, but he'd go on and on about various conquests and feats of sexual athleticism and—
"A virgin?" Lara blurted. Lara blurted. She turned her head to me, grey eyes several shades paler than they had been, and very wide. "Really, Harry, I'm not sure what to say. Is he a present?
”
”
Jim Butcher (White Night (The Dresden Files, #9))
“
A whole big, giant world full of men. Men with blue eyes. Brown eyes. Green eyes. And indescribable shades in between. Tall men. Short men. Skinny men. Built men. And all combinations thereof. Nice men (so I've heard, but never really seen). Mean men. Decent men, indecent. And who knows which is the best kind to have, to hold, to love? I'd say, with so many men in the world, it would pay to sample a few. Scratch that. More than a few. Lots and lots. And then a few more. And maybe, after years of research, you might find one worth not throwing back. But hey, the fun is in the fishing.
”
”
Ellen Hopkins (Identical)
“
Cam starts laughing, "Oh, I love it when she reads." He turns to Lucy who's face is starting to contort and turn to a bright shade of red, "She reads these smutty books, like full on dirty shit, full of sex and like... bdsm shit."
"I'm not joking boys, they're like full on pornographic. Talking about silky shafts and veiny dicks and shit," Logan is now on the ground holding his side from the pain of laughing too hard.
"Sometimes she'll be reading, then all of sudden she'll put her book down and look at me like she wants to eat me, literally eat me!" he yells, laughing harder, still swatting away her hands that are trying to shut him up, "I mean I don't mind it, not at all. It's hot as fuck. And she wants to try everything she reads in these books. Like... everything. She learns everything from these books... so I don't give a shit when, of how much she reads, I get rewards.
”
”
Jay McLean (More Than This (More Than, #1))
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe any thing but the perception…. If any one, upon serious and unprejudic'd reflection thinks he has a different notion of himself, I must confess I can reason no longer with him. All I can allow him is, that he may be in the right as well as I, and that we are essentially different in this particular. He may, perhaps, perceive something simple and continu'd, which he calls himself; tho' I am certain there is no such principle in me.
”
”
David Hume (A Treatise of Human Nature)
“
Arms around me in the dark. Lips against mine in the sunlight. Do you know why I love you?
He knew me. And loved me. And he had never asked me for anything. Even Shade wanted me to
die for him. Maybe I shouldn’t forgive a monster just because he loved me that way—but—
But loving me that way made him a monster. My doom was the price of saving Arcadia, and only
a monster would care more about me than saving thousands upon thousands of innocents. Shade was
the last prince; of course if he could save only one, he would choose Arcadia. I would do the same.
”
”
Rosamund Hodge (Cruel Beauty)
“
We know summer is the height of of being alive. We don't believe in God or the prospect of an afterlife mostly, so we know that we're only given eighty summers or so per lifetime, and each one has to be better then the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo's Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived your summertime best? What if you missed out on some morsel of shaded nirvana?
”
”
Gary Shteyngart (Super Sad True Love Story)
“
Okay. I don’t know if I have the right words, but love is this feeling I get when I look at you. A feeling that as long as you’re near me, or in the world even, then everything will be okay. That everything has meaning. It’s as if the world was all shades of sepia—like an old movie reel—and that everywhere I looked I saw suffering and pain. Then I heard your voice, I saw your face, and somehow the color came into everything.
”
”
Ryan Winfield (Jane's Melody (Jane's Melody, #1))
“
Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired a hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newly weds."
"Oh my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenous activities, like a long night of love making, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had just poured for him.
"What about you princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry."I sighed and sat up.
"Oh really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means last night is none of your business," I snapped.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
i have sung for you, he said, his voice cracking with pain. but who will sing for me? the woman i love... she is where you are now. If you meet her on the road to heaven, tell her that i love her. tell her that i'm waiting for her, and that i want nothing more than to cross that gorge scross which i have sent you , and to see her shade for myself! if she will forgive me for having failed her- having failed out peave!
”
”
Kailin Gow (Frost Kisses (Frost, #4))
“
I promise I'll never tell."
"Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?"
"No."
"Promise me."
"No!"
"I will possess your heart."
Heat flared along the back of my neck. "What did you say?"
"My favorite song. 'I Will Possess Your Heart.'"
"By Death Cab for Cutie?"
He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie."
... "Why? What's wrong with it?"
"Nothing, but it doesn't seem to fit you. It's kind of a sad song."
"No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'"
A nervous laugh bubbled up. "You will, huh?"
His fingers brushed my cheek, then slid into my hair. "I will.
”
”
Jeri Smith-Ready (Shade (Shade, #1))
“
Brother, please. I can’t lose her. I’m not like you and the others. I can pretend I have emotions, but they’re not there for anyone. There’s nothing inside of me except shadows. Lily drives the shadows away. She feels everything she can’t even stand to crush a fucking flower under her foot and I don’t feel anything unless I’m with her, I can’t lose that. I waited so long for her, I’ve loved her for years; she’s only loved me for a few weeks.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
[The] insistence on the absolutely indiscriminate nature of compassion within the Kingdom is the dominant perspective of almost all of Jesus' teaching.
What is indiscriminate compassion? 'Take a look at a rose. Is is possible for the rose to say, "I'll offer my fragrance to good people and withhold it from bad people"? Or can you imagine a lamp that withholds its rays from a wicked person who seeks to walk in its light? It could do that only be ceasing to be a lamp. And observe how helplessly and indiscriminately a tree gives its shade to everyone, good and bad, young and old, high and low; to animals and humans and every living creature -- even to the one who seeks to cut it down. This is the first quality of compassion -- its indiscriminate character.' (Anthony DeMello, The Way to Love)...
What makes the Kingdom come is heartfelt compassion: a way of tenderness that knows no frontiers, no labels, no compartmentalizing, and no sectarian divisions.
”
”
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
“
There are stories of elopements, unrequited love, family feuds and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself the smile of a lover...
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations ... I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
”
”
Michael Ondaatje (Running in the Family)
“
Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel absurd.)
Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
”
”
Allen Ginsberg
“
There on the dune, beside the table, one of the camel boys has his arm around the other, and they sit there like that as they watch the sun. The dunes are turning the same shades of adobe and aqua as the buildings of Marrakech. Two boys, arms around each other. To Less, it seems so foreign. It makes him sad. In his world, he never sees straight men doing this. Just as a gay couple cannot walk hand in hand down the streets of Marrakech, he thinks, two men, best friends, cannot walk hand in hand down the streets of Chicago. They cannot sit on a dune like these teenagers and watch a sunset in each other’s embrace. This Tom Sawyer love for Huck Finn.
”
”
Andrew Sean Greer (Less)
“
I've never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother's eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave?...All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our own ghosts; we haunt ourselves.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Now we will count to twelve
and we will all keep still.
For once on the face of the earth
let's not speak in any language,
let's stop for one second,
and not move our arms so much.
It would be an exotic moment
without rush, without engines,
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.
Those who prepare green wars,
wars with gas, wars with fire,
victory with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.
If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.
Now I'll count up to twelve
and you keep quiet and I will go.
”
”
Pablo Neruda
“
As long as I can hear the sweet melody of your words,
I need not;
The angel’s secret, to be whispered in my ears
As long as I can lace your silky fingers round my own,
I need not;
Pretty diamonds, nor big cash nor gold
As long as I can watch the handsome sunshine of your face,
I need not;
Open skies, nor snowfall, nor the rain
As long as I can gaze into the emeralds of your eyes,
I need not;
New colors, new wings or paradise
As long as I can feel the tender tickle of your breath,
I need not;
The drifting wind, nor its call, nor caress
As long as I can feel your soft lips upon mine,
I need not;
Melted sugar, nor the most expensive of wines
As long as I can feel your warm body close to me
I need not;
A blanket, nor a bonfire's luxury
As long as I can see you every morning I wake,
I need not;
A mirror, nor a cloud, nor shade
As long as I can keep you in every petal of memories
I need not:
Dreams, nor desires, nor fantasies
And as long as I can hold you in every moment that I breathe,
I need not;
Oxygen, nor blood, nor heartbeats.
”
”
Sanober Khan
“
Something cascaded lightly through me—a gentling, a suffused glow. If love could be morphed into a physical element, this would be it. It was strength and yet it was vulnerability. It was all-encompassing and yet it was freedom. It was a wall of protection. It was wings of trust and faith.
It was Gabriel Ross Sullivan, answering the questions I couldn’t ask. Not that everything would be okay, but that everything in his power would be done, and we’d face whatever outcomes there were together.
”
”
Linnea Sinclair (Shades of Dark (Dock Five Universe, #2))
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL.
Soul is at home in the deep shaded valleys.
Heavy torpid flowes saturated with black grow there.
The rivers flow like arm syrup. They empty into huge oceans of soul.
Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers.
Life is sparse and sound travels great distances.
There is soul music, soul food, and soul love.
People need to climb the mountain not because it is there
But because the soulful divinity need to be mated with the Spirit.
Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.
”
”
Dalai Lama XIV
“
I haven’t had the chance to look at too many men’s faces up close. And I noticed how his skin was thicker than mine, and a gorgeous shade of toast. The stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn’t so pointy afterall. …And out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.
”
”
Kathryn Stockett (The Help)
“
Saying good-bye, perhaps to her father -- her favorite person in this world. this is how she would remember him. Not by the sad unknowing in his eyes, or the grim set of his jaw as he led her to church, but by the things he loved. By the way he showed her how to hold a stick of charcoal, coaxing shapes and shades with the weight of her hand. The songs and stories, the sights from the five summers she went with him to market, when Adeline was old enough to travel, not old enough to cause a stir. By the careful gift of a wooden ring, made for his first and only daughter when she was born -- the one she then offered to the dark.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Next time I walk away,” she whispered into his skin, “come with me.” She let her gaze drift up to his throat, his jaw, his lips. “When this is all over, when Osaron is gone and we’ve saved the world again, and everyone else gets their happily ever after, come with me.”
“Lila,” he said, and there was so much sadness in his voice, she suddenly realized she didn’t want to hear his answer, didn’t want to think of all the ways their story could end, of the chance that none of them would make it out alive, intact. She didn’t want to think beyond this boat, this moment, so she kissed him, deeply, and whatever he was going to say, it died on his lips as they met hers.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
He was meant to be your shield,” she murmured. “Your shelter. You were never meant to be his.”
Rhy shook his head, exasperated. “Kell isn’t the only one you fail to understand. My bond with him didn’t start with this curse. You wanted him to kill for me, die for me, protect me at all costs. Well, Mother, you got your wish. You simply failed to realize that that kind of love, that bond, it goes both ways. I would kill for him, and I would die for him, and I will protect him however I am able, from Faro and Vesk, from White London, and Black London, and from you.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Kaylee, this means something to me.” His hands trailed down my arms to cup my elbows, and his gaze held mine. “With any
luck, we’re going to have millions of moments over the course of eternity, and I plan to love every one of them. But we’ll never
have this moment again, and this is very important to me.” The twists of blue in his eyes coiled so tightly the color was almost gone,
lost among pale shades of a need so deep it couldn’t possibly be captured in a kiss, or a touch. “I need to know that this is important
to you, too. I need to know that this isn’t like last time. That you’re not doing this just so you can say you’ve done it. Because that’s
not good enough for me. That’s not good enough for us.
”
”
Rachel Vincent (Before I Wake (Soul Screamers, #6))
“
ROSE of all Roses, Rose of all the World!
The tall thought-woven sails, that flap unfurled
Above the tide of hours, trouble the air,
And God’s bell buoyed to be the water’s care;
While hushed from fear, or loud with hope, a band
With blown, spray-dabbled hair gather at hand.
Turn if you may from battles never done,
I call, as they go by me one by one,
Danger no refuge holds, and war no peace,
For him who hears love sing and never cease,
Beside her clean-swept hearth, her quiet shade:
But gather all for whom no love hath made
A woven silence, or but came to cast
A song into the air, and singing past
To smile on the pale dawn; and gather you
Who have sought more than is in rain or dew
Or in the sun and moon, or on the earth,
Or sighs amid the wandering starry mirth,
Or comes in laughter from the sea’s sad lips;
And wage God’s battles in the long grey ships.
The sad, the lonely, the insatiable,
To these Old Night shall all her mystery tell;
God’s bell has claimed them by the little cry
Of their sad hearts, that may not live nor die.
Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim grey sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die.
The Sweet Far Thing
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
Black Beauty"
I paint my nails black,
I dye my hair a darker shade of brown
'Cause you like your women Spanish, dark, strong and proud
I paint the sky black
You said if you could have your way
You'd make a night time of today
So it'd suit the mood of your soul
Oh, what can I do?
Nothing, my sparrow blue
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
I paint the house black
My wedding dress black leather too
You have no room for light
Love is lost on you
I keep my lips red
The same like cherries in the spring
Darling, you can't let everything
Seem so dark blue
Oh, what can I do?
To turn you on or get through to you
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, ah ah
Black beauty, ah ah
Black beauty, ah ah ah ah
Black beauty, baby
Black beauty, baby
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
”
”
Lana Del Rey
“
So you see,' said Stepan Arkadyich, 'you're a very wholesome man. That is your virtue and your defect. You have a wholesome character, and you want all of life to be made up of wholesome phenomena, but that doesn't happen. So you despise the activity of public service because you want things always to correspond to their aim, and that doesn't happen. You also want the activity of the individual man always to have an aim, that love and family life always be one. And that doesn't happen. All the variety, all the charm, all the beauty of life are made up of light and shade.
”
”
Leo Tolstoy (Anna Karenina)
“
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive. That it should be not like a palace with marble walls and polished floors, and guards standing at the door, but like a tree with its roots deep in the soil, that shelters every kind of bird and beast and gives blossom in the spring and shade in the hot sun and fruit in the season, and in time gives up its good sound wood for the carpenter; but that sheds many thousands of seeds so that new trees can grow in its place. Does the tree say to the sparrow, 'Get out, you don't belong here?' Does the tree say to the hungry man, 'This fruit is not for you?' Does the tree test the loyalty of the beasts before it allows them into the shade?
”
”
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
“
Child, you do not know me. You have created a mythical being in my likeness whom you have set up as a god. It is not I. Many times, infant, I have told you that I am no hero, but I think you have not believed me. I tell you now that I am no fit mate for you...My reputation is damaged beyond repair, child. I come from vicious stock, and I have brought no honor to the name I bear. To no women have I been faithful; behind me lies scandal upon sordid scandal...You have seen perhaps the best of me; you have not seen the worst'
'Ah, Monseigneur, you need not have told me this! I know--I have always known, and still I love you. I do not want a boy. I only want Monseigneur.
”
”
Georgette Heyer (These Old Shades (Alastair-Audley, #1))
“
Opening the door, he nearly did a double take into the mirror behind
him.
Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway.
“Been thinking.”
Two words, more than usual.
“Been around a bit.”
Six, speech worthy of a national holiday.
“Looking for a station now.”
Eleven, whole fucking fireworks.
"Central station.”
Thirteen, and the heavens came down for Matt.
“You still offering?”
Sixteen, and the world stopped spinning.
Matt stood thinking for a while, not a muscle in his face twitched. Then
stepped aside, gestured the other man to follow him. Closed the door.
“One condition.”
Hooch’s brows rose for a split second.
Matt broke into a grin at last, which threatened to split his face. “Promise
not to talk too much.
”
”
Marquesate (Special Forces)
“
We’re going to rectify the situation right now.”
“What do you mean? What situation?”
“Your situation. Ana, I’m going to make love to you, now.”
“Oh.” The floor has fallen away. I’m a situation. I’m holding my breath.
“That’s if you want to, I mean, I don’t want to push my luck.”
“I thought you didn’t make love. I thought you fucked hard.” I swallow, my mouth suddenly dry.
He gives me a wicked grin, the effects of which travel all the way down there.
“I can make an exception, or maybe combine the two, we’ll see. I really want to make love to you. Please, come to bed with me. I want our arrangement to work, but you really need to have some idea what you’re getting yourself into. We can start your training tonight – with the basics. This doesn’t mean I’ve come over all hearts and flowers, it’s a means to an end, but one that I want, and hopefully you do too.” His gray gaze is intense
”
”
E.L. James
“
I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.
”
”
Bram Stoker
“
Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite.
Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody.
But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements?
Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas.
For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction.
Therefore let your soul exalt your reason to the height of passion, that it may sing;
And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes.
I would have you consider your judgment and your appetite even as you would two loved guests in your house.
Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both.
Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows -- then let your heart say in silence, "God rests in reason."
And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky -- then let your heart say in awe, "God moves in passion."
And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.
”
”
Kahlil Gibran
“
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air —
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath —
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
”
”
Alan Seeger
“
Kell had told his brother about the deals he struck in Grey London, and in White, and even on occasion in Red, about the various things he’d smuggled, and Rhy had stared at him, and listened, and when he spoke, it wasn’t to lecture Kell on all the ways it was wrong, or illegal. It was to ask why.
“I don’t know,” said Kell, and it had been the truth.
Rhy had sat up, eyes bleary from drink. “Have we not provided?” he’d asked, visibly upset. “Is there anything you want for?”
“No,” Kell had answered, and that had been a truth and a lie at the same time.
“Are you not loved?” whispered Rhy. “Are you not welcomed as family?”
“But I’m not family, Rhy,” Kell had said. “I’m not truly a Maresh, for all that the king and queen have offered me that name. I feel more like a possession than a prince.”
At that, Rhy had punched him in the face.
For a week after, Kell had two black eyes instead of one, and he’d never spoken like that again, but the damage was done.
”
”
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
Max." Fang let go of my hand. "Right now, it's really all about—us."
He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun.
While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely,
utterly trusted.
When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature.
Still looking up at us, Angel gave us a big thumbs-up.
"She approves," Fang said with a hint of amusement.
"Jeez," I wondered aloud. "Is that a good thing or a bad thing?
”
”
James Patterson (Max (Maximum Ride, #5))
“
[A]s people are beginning to see that the sexes form in a certain sense a continuous group, so they are beginning to see that Love and Friendship which have been so often set apart from each other as things distinct are in reality closely related and shade imperceptibly into each other. Women are beginning to demand that Marriage shall mean Friendship as well as Passion; that a comrade-like Equality shall be included in the word Love; and it is recognised that from the one extreme of a 'Platonic' friendship (generally between persons of the same sex) up to the other extreme of passionate love (generally between persons of opposite sex) no hard and fast line can at any point be drawn effectively separating the different kinds of attachment. We know, in fact, of Friendships so romantic in sentiment that they verge into love; we know of Loves so intellectual and spiritual that they hardly dwell in the sphere of Passion.
”
”
Edward Carpenter (The Intermediate Sex: A Study Of Some Transitional Types Of Men And Women)
“
It is estimated that Josef Stalin killed more than twenty million people during his reign of terror. The Baltic states of Lithuania, Latvia, and Estonia lost more than a third of their population during the Soviet genocide. The deportations reached as far as Finland. To this day, many Russians deny they ever deported a single person. But most Baltic people harbor no grudge, resentment, or ill will. They are grateful to the Soviets who showed compassion. Their freedom is precious, and they are learning to live within it. For some, the liberties we have as American citizens came at the expense of people who lie in unmarked graves in Siberia. Like Joana for Lina, our freedom cost them theirs.
Some wars are about bombing. For the people of the Baltics, this war was about believing. In 1991, after 50 years of brutal occupation, the three Baltic countries regained their independence, peacefully and with dignity. They chose hope over hate and showed the world that even through the darkest night, there is light. Please research it. Tell someone. These three tiny nations have taught us that love is the most powerful army. Whether love of friend, love of country, love of God, or even love of enemy - love reveals to us the truly miraculous nature of the human spirit.
”
”
Ruta Sepetys (Between Shades of Gray)
“
Truth disappears with history and gossip tells us in the end nothing of personal relationships. There are stories of elopements, unrequited love, family feuds, and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself he smile of a lover. Individuals are seen only in the context of these swirling social tides. It was almost impossible for a couple to do anything without rumour leaving their shoulders like a flock of messenger pigeons.
Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations...I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
”
”
Michael Ondaatje (Running in the Family)
“
Suffering is the nature of this world. It is the golden standard by which all things are measured. It is not happiness that sets the bar, but agony. Even happiness cannot be fully recognized without the right measure of misery to contrast its borders. Suffering magnifies hunger-exhaustion-prods you to move when prosperity is just a dream out of reach. It is the mortal twin of eternal hope. How you respond to its touch molds you, shapes your future as it rains down oppression like fire over your shoulders.
Deception. It laid over my world like a bruise. Covered it so completely I bought the lie that the shadow offered and found comfort nestled in its thorny arms. I walked the trail it dusted with breadcrumb, walked in the slip noose it had skillfully wove and dove off the cliff without realizing- willingly, with vigor.
Heartbreak. There is no bigger void, no darker shade of soot- no ache more unstoppable than that of a broken heart.
A heart in pieces can very much kill you-without love’s healing touch, you will surely die.
They say time heals all wounds.
They lied.
”
”
Addison Moore (Expel (Celestra, #6))
“
There are parts of a woman’s heart that are reserved for certain types of love. Experiencing the love of a father figure in an appropriate way is essential in paving the way for the love of a man to be experienced in the right way.
The love of a father is vital in ensuring that a woman’s heart is kept open in this area. If this area is not kept open, it produces problems later on in a woman’s life, for that area is also reserved for the romantic love that comes in the form of a marriage relationship.
This is an extremely sensitive area of the heart for a woman, and has plenty of opportunity to be easily bruised. When that does occur, she will put up a protective barrier to try and avoid any such pain occurring again. If this barrier isn’t dismantled fairly soon, a woman’s heart becomes accustomed to its protective barrier, and the heart shielded inside gradually becomes hardened. As women, we may be able to function like this for awhile. But there will come a time in your life where God will begin to peel away those hard layers surrounding your heart, and you probably won’t like that sensation. But you have to fight your natural instinct to run away.
This is where many Christian women may get stuck. They view every man through the lens of what their father was to them, or what he was not. Their perception of men is shaded, and often damaged, by the very people who should have been modeling the world of adult relationships to their daughters. As a result, their judgement is often clouded, and women find themselves settling for less than what they truly deserve. Many marriages, even Christian marriages, have been damaged and even terminated because one or both partners refused to sit down and deal with their past issues.
”
”
Corallie Buchanan (Watch Out! Godly Women on the Loose)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
The season of the world before us will be like no other in the history of mankind. Satan has unleashed every evil, every scheme, every blatant, vile perversion ever known to man in any generation. Just as this is the dispensation of the fullness of times, so it is also the dispensation of the fullness of evil. We and our wives and husbands, our children, and our members must find safety. There is no safety in the world: wealth cannot provide it, enforcement agencies cannot assure it, membership in this Church alone cannot bring it.
As the evil night darkens upon this generation, we must come to the temple for light and safety. In our temples we find quiet, sacred havens where the storm cannot penetrate to us. There are hosts of unseen sentinels watching over and guarding our temples. Angels attend every door. As it was in the days of Elisha, so it will be for us: “Those that be with us are more than they that be against us.”
Before the Savior comes the world will darken. There will come a period of time where even the elect will lose hope if they do not come to the temples. The world will be so filled with evil that the righteous will only feel secure within these walls. The saints will come here not only to do vicarious work, but to find a haven of peace. They will long to bring their children here for safety’s sake.
I believe we may well have living on the earth now or very soon the boy or babe who will be the prophet of the Church when the Savior comes. Those who will sit in the Quorum of Twelve Apostles are here. There are many in our homes and communities who will have apostolic callings. We must keep them clean, sweet and pure in an oh so wicked world. There will be greater hosts of unseen beings in the temple. Prophets of old as well as those in this dispensation will visit the temples. Those who attend will feel their strength and feel their companionship. We will not be alone in our temples.
Our garments worn as instructed will clothe us in a manner as protective as temple walls. The covenants and ordinances will fill us with faith as a living fire. In a day of desolating sickness, scorched earth, barren wastes, sickening plagues, disease, destruction, and death, we as a people will rest in the shade of trees, we will drink from the cooling fountains. We will abide in places of refuge from the storm, we will mount up as on eagle’s wings, we will be lifted out of an insane and evil world. We will be as fair as the sun and clear as the moon.
The Savior will come and will honor his people. Those who are spared and prepared will be a temple-loving people. They will know Him. They will cry out, “Blessed be the name of He that cometh in the name of the Lord; thou are my God and I will bless thee; thou are my God and I will exalt thee.”
Our children will bow down at His feet and worship Him as the Lord of Lords, the King of Kings. They will bathe His feet with their tears and He will weep and bless them for having suffered through the greatest trials ever known to man. His bowels will be filled with compassion and His heart will swell wide as eternity and He will love them. He will bring peace that will last a thousand years and they will receive their reward to dwell with Him. Let us prepare them with faith to surmount every trial and every condition. We will do it in these holy, sacred temples. Come, come, oh come up to the temples of the Lord and abide in His presence.
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Vaughn J. Featherstone