“
Remember people you may not be plastic...but you are fantastic! never forget that
”
”
Louis Tomlinson
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Are you going to be all right now? No more tears? I don't know how to handle crying girls. Every time my five-year-old sister turns on the waterworks, I end up buying her a Barbie. You don't need a new Barbie, do you?
”
”
Jessica Verday (The Hollow (The Hollow, #1))
“
For, in a world full of Barbies, every girl needs a Joan Jett
”
”
Dave Grohl (The Storyteller: Tales of Life and Music)
“
Do vampyres play chess? Were there vampyre dorks? How about Barbie-like vampyre cheerleaders? Did any vampyres play in the band? Were there vampyre Emos with their guy-wearing-girl’s-pants weirdness and those awful bangs that cover half their faces? Or were they all those freaky Goth kids who didn’t like to bathe much? Was I going to turn into a Goth kid? Or worse, an Emo? I didn’t particularly like wearing black, at least not exclusively, and I wasn’t feeling a sudden and unfortunate aversion to soap and water, nor did I have an obsessive desire to change my hairstyle and wear too much eyeliner.
”
”
Kristin Cast (Marked (House of Night, #1))
“
Barbie’s disfigured. It’s fine to play with her just as long as you keep that in mind.
”
”
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
“
Why do the gingerbread girls have to wear pink?" Penny asks.
"Why should the gingerbread girls feel like they shouldn't wear pink?" I say. "I like pink."
"Only because you've been conditioned to like it by Barbies and gendered Lego."
"Lay off, Penny. I've never played with Lego.
”
”
Rainbow Rowell (Carry On)
“
I felt like Barbie's less-than-perfect friend.
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
involves us taking our pants off and dancing to I'm a Barbie Girl at three o'clock in the morning while drinking boxed wine.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
There was a little spritz of sequined leaves across the right shoulder because you didn’t seem to be able to get away with none. Apparently the majority of ball gowns were designed by five-year-old girls armed with glitter guns, but at least this one didn’t look entirely like an explosion in a Barbie factory.
”
”
Ruth Ware (The Woman in Cabin 10 (Lo Blacklock, #1))
“
She is the ocean crashing into me, tossing me, drowning me.
”
”
Heidi Acosta (Barbie Girl (Baby Doll, #1))
“
If Eleanor tried to kiss Park, it would be real-life version of some little girl making her Barbie kiss Ken. Just smashing their faces together.
”
”
Rainbow Rowell (Eleanor & Park)
“
I am dying. Every part of me is shattering; falling to the floor, a hole in my chest is ripped wide open for the world to see. The earth is set into motion again spinning faster than before, nothing makes sense, but everything makes sense.
Heidi Acosta. Barbie Girl (Kindle Locations 3335-3336).
”
”
Heidi Acosta (Barbie Girl (Baby Doll, #1))
“
As a little girl, I'd have given up my Barbie Dreamhouse to have a miniature purple dragon - as an adult, I didn't find it nearly as exciting.
”
”
R.L. Naquin (Phoenix in My Fortune (Monster Haven, #6))
“
Apparently the majority of ball gowns were designed by five-year-old girls armed with glitter guns, but at least this one didn’t look entirely like an explosion in a Barbie factory. I
”
”
Ruth Ware (The Woman in Cabin 10 (Lo Blacklock, #1))
“
When I was a little girl I wanted to be a reindeer-the flying kind. I spent a couple years galloping around looking for lichen and fantasizing about boy reindeer. Then one day I saw Peter Pan and my reindeer phase was over. I didn't understand the allure of not growing up, because every little girl got boobs and go steady. I did understand that a flying Peter Pan was better than a flying reindeer. Mary Lou had seen Peter Pan too, but Mary Lou's ambition was to be Wendy, so Mary Lou and I made a good pair. On most any day we could be seen holding hands, running through the neighborhood singing, "I can fly! I can fly!" If we'd been older this probably would have started rumors.
The Peter Pan stage was actually pretty short-lived because a few months into Peter Pan I discovered Wonder Woman. Wonder Woman couldn't fly, but she had big, fat bulging boobs crammed into a sexy Wondersuit. Barbie was firmly entrenched as role model in the burg, but Wonder Woman gave her a good run for her money. Not only did Wonder Woman spill over her Wondercups but she also kicked serious ass. If I had to name the single most influential person in my life it would have to be Wonder Woman.
All during my teens and early twenties I wanted to be a rock star. The fact that I can't play a musical instrument or carry a tune did nothing to diminish the fantasy. During my more realistic moments I wanted to be a rock star's girlfriend.
”
”
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
“
What kind of girl reads Wealth of Nations for fun?”
She closed the book and looked at the front jacket, then at him. “It’s a shame really. I had nothing else to read. I left all my Barbie comic books at home.
”
”
Jill Barnett (The Days of Summer)
“
The Barbies with their stick legs and rocket breasts were another problem Megan had to endure. She was supposed to spend hours dressing up or playing house with them, including the darker ones she was supposed to find more relatable. In a fit she'd once tried to commit Barbicide, defaced them with colored marker pens, chopped off hair, extracted eyes with scissors and de-limbed a few... The Barbie invasion proliferated on birthdays and at Christmas, relatives talked about incredible collection, as if she'd actually chosen to have them in her life.
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
The world stops spinning. She is the ocean crashing into me, tossing me, drowning me. I can’t breathe. I do not care. I want to die right now. I want nothing more than to drown in her. My head is filled with a gray fog. I am being pulled toward heaven and my angel is kissing me.
Heidi Acosta. Barbie Girl (Kindle Locations 3330-3332).
”
”
Heidi Acosta (Barbie Girl (Baby Doll, #1))
“
And what was with Malibu Barbie?” Angie asked. “A girl could strain something looking that happy all the time.
”
”
Jenn McKinlay (Sprinkle with Murder (Cupcake Bakery Mystery #1))
“
She didn't look like a Willow Queen. Of course, I'm not sure what exactly I expected - maybe something akin to Glinda the Good Witch. But this woman looked like Surfer Girl Barbie.
”
”
Richelle Mead (Storm Born (Dark Swan, #1))
“
Next to my green eyes, my blond hair is definitely my best feature. So, out of obligation to all the blondes before me (Cinderella, Sleeping Beauty, the many Barbies I have loved and tortured), I tend to spend hours getting it right. You know, so as not to let down the team.
”
”
Sarah Strohmeyer (Smart Girls Get What They Want)
“
Once young girls used to play with baby dolls, seeing themselves in the role of the nurturing mother; now they can be seen playing with Barbie dolls, seeing themselves in the place of the doll. And of course, the doll is both pretty and stacked. The pressure is on and stays on.
”
”
Douglas Wilson (Reforming Marriage: Gospel Living for Couples)
“
There is, it’s worth noting, no “Mom-with-three-ungrateful-children Barbie.
”
”
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
“
Cuz I look like Barbie.” I reply, knowing they can connect the dots. “Bad girls don’t like Barbie?” Michael asks, both his eyebrows rising. “No. Bad girls want to rip Barbie’s head off and flush it down the toilet,
”
”
Amy A. Bartol (Under Different Stars (Kricket, #1))
“
Anyway...I'm a firm believe that every girl should get one Barbie dream wedding in her lifetime, but if that marriage craps out, I'm also a firm believer that all future weddings must be banned to beaches and back yards.
”
”
Chrissy Anderson (The Hope List (The List Trilogy, #3))
“
EJ cries, "We've been best friends since kindergarten. You can't become a babe slayer and leave me in the dust! I don't have an older sister. I'm disadvantaged. All I got is Emmy, who can only drop preschool wisdom like, 'No pull Barbie's hair!'"
"That's probably some early girl wisdom. Nobody likes to get their hair pulled," I say. "Except this one chick in my porno; I think she's into it. I cant really tell, though. I wish they would slow down.
”
”
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
“
He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.
She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that.
He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.
She said, Better to get it over with when she's young. He said, All right but don't let me see it.
She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.
He said, I guess we're safe.
”
”
Margaret Atwood (The Female Body)
“
Schooner and CJ. Like Ken and Barbie come to life. They were the epitome of every out-of-stater’s fantasy of what the quintessential California boy and California girl looked like. Schooner and CJ. They were beautiful and they looked like they belonged together.
”
”
Julie A. Richman (Searching For Moore (Needing Moore, #1))
“
The box room. No bigger than a coffin. It would be like being buried. Maybe she wouldn't keep her Barbies after all. She would make a huge bonfire in the back garden. She would burn her clothes. She would burn all her old toys (except for her old teddy bear Rasputin, obviously—he was more of a guru and personal trainer than a toy). She would burn her CDs and her CD player. She would burn all her makeup. She would shave all her hair off and burn that. She would wear only a pair of Oriental black pajamas. She would sleep in the box room on a small mat made out of rushes. The only item in the room would be a plain white saucer for her tears. Then they'd be sorry.
”
”
Sue Limb (Girl, 15, Charming but Insane (Jess Jordan, #1))
“
The bathroom was jungle-fogged, flooded with puddles, piled with soaked towels; cakes of soap with long strands of blonde baked in.
A girl in pieces: Barbie-thin ankles, a shaving cut on her knee; hipbones she could stab you with; white hands gelled with strawberry body lotion.
”
”
Allyse Near (Fairytales for Wilde Girls)
“
In the past few decades quite a few people have suggested -- citing most often the offence of impossible proportions -- that Barbie dolls teach young girls to hate themselves. But the opposite may be true. British researchers recently found that girls between the ages of seven and eleven harbor surprisingly strong feelings of dislike for their Barbie dolls, with no other toy or brand name inspiring such a negative response from the children. The dolls "provoked rejection, hatred, and violence" and many girls preferred Barbie torture -- by cutting, burning, decapitating, or microwaving -- over other ways of playing with the doll. Reasons that the girls hated their Barbies included, somewhat poetically, the fact that they were 'plastic.' The researchers also noted that the girls never spoke of one single, special Barbie, but tended to talk about having a box full of anonymous Barbies. 'On a deeper level Barbie has become inanimate,' one of the researchers remarked. 'She has lost any individual warmth that she might have possessed if she were perceived as a singular person. This may go some way towards explaining the violence and torture.
”
”
Eula Biss (The Best American Nonrequired Reading 2009)
“
She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
..she gave the girl a blond-haired Barbie doll from lost and found....The doll, dressed in ballroom gown and tiara, appeared surprisingly chipper given her emaciated waistline.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
They all claimed to be religious men, but what kind of religion forces polygamous “marriages” on girls still playing with Barbie dolls?
”
”
Betty Webb (Desert Wives (A Lena Jones Mystery #2))
“
I’ve always known I was gay, I think. Whenever I played with dolls, I’d make up romantic storylines about two girl Barbies. Before I even knew the word ‘gay,’ I knew I was gay.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
One day the Barbie without a head convinced Donny and Marie to put pink and blue Life pegs through the holes in their hands. The Barbies pretended the pegs were hits of acid and got the Osmonds to think they could fly.
”
”
Pamela Ribon (Why Girls Are Weird)
“
SHE WAS A KNOCKOUT. A stoned fox. I’d never seen her before. Not one of the cutesy Irish Barbie Dolls I normally fell for, this was something of a different class altogether. No disco glam or sparkles or fashionably trashy stripper chic. No make-up or slutty, revealing outfit. No desperate, tits-in-your-face “notice me” B.S. This was something pure and earthy -- fresh as newly cut grass. The smoking-hot girl next door, but yet completely of another world and time. A true classic.
”
”
Quentin R. Bufogle (KING OF THE NEW YORK STREETS)
“
He wants to know, “Why would you fuck up Tris’s Barbies?” and now I’m like, Shit, is this the price of the sacrifice for Caroline passing out unexpectedly early—that Nick has taken over the melancholy stage that usually follows Caroline’s inquisitive one? “I have three sisters and I know that’s some serious business, messing with another girl’s Barbies.” Okay, maybe he’s not being melancholy because his sarcastic smile lets me know he’s back to being standard-issue band-boy irony creature. Damn him that it somewhat makes me wanna jump his bones.
”
”
David Levithan
“
He thought of the Finishing School for Barbies where long-legged, high-breasted, stomachless girls went to get shaved clean, get their toenails painted pink, their nipples removed, and all body opening sewn shut, except for their mouths, which curved in perpetual smiles and led nowhere.
”
”
Kate Wilhelm (Kate Wilhelm in Orbit, Volume One)
“
Bibi: Mi papá me dijo que esta vez no me va a apoyar con David Hasselhoff porque me estoy haciendo daño y me quiso mandar a terapia. Yo no necesito terapia, lo que necesito es amor.
Chiquis: El amor es una patria en ruinas.
Nené: El amor de la gente, de la multitud.
Bibi: All you need is love, love, love is all you need.
Bibi: ¿Es un poema?
Chiquis: De Edgar Allan Poe.
”
”
Mario Cantú Toscano (Barbie girls)
“
I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.
”
”
Wendy McClure (The Wilder Life: My Adventures in the Lost World of Little House on the Prairie)
“
A girl, hardly ten, holding a Barbie doll by its hair, bent over the edge of the fountain, sprinkled her face and forearms, and stared to the side for a moment as Piccoletto, who was also seated on the edge of the fountain, his legs outspread, chewing at his silver crucifix, pulled off his socks. The girl stared long into his leg holes at his balls hanging from his baggy yellow underwear and at the creased foreskin draped over the head of his large member.
”
”
Josef Winkler (Natura morta)
“
Sometimes mothers blame Barbie for negative messages that they themselves convey, and that involve their own ambivalent feelings about femininity. When Mattel publicist Donna Gibbs invited me to sit in on a market research session, I realized just how often Barbie becomes a scapegoat for things mothers actually communicate. I was sitting in a dark room behind a one-way mirror with Gibbs and Alan Fine, Mattel's Brooklyn-born senior vice president for research. On the other side were four girls and an assortment of Barbie products. Three of the girls were cheery moppets who immediately lunged for the dolls; the fourth, a sullen, asocial girl, played alone with Barbie's horses. All went smoothly until Barbie decided to go for a drive with Ken, and two of the girls placed Barbie behind the wheel of her car. This enraged the third girl, who yanked Barbie out of the driver's seat and inserted Ken. "My mommy says men are supposed to drive!" she shouted.
”
”
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
“
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
”
”
Lizz Winstead (Lizz Free Or Die)
“
But I wasn't left alone, I realize now.
I was left with Megan.
…
"You think you're the only one who's ever lost someone?" Megan snaps. There is ice in her voice. Do you think you're the only one who has ever wanted to make somebody pay?"
I've never heard her talk like this, seen her look like this. She is nothing like Lila now. And she's nothing like the little girl who used to bring over her Barbies, either. It's like everything else has been camouflage. This is the Megan she has spent her whole life hiding.
”
”
Ally Carter (All Fall Down (Embassy Row, #1))
“
I am a person of binges. I have never understood the phrase “too much of a good thing.” Look: it’s irrational, impossible. See fig. 1: when I was a child, I became obsessed with horses. I know, I know, all little girls are obsessed with horses. But I lived for them. I gorged on them. I begged for them in any incarnation: films, toys, patterns, photographs, posters. Once, I cut the hair off a Barbie and superglued it to the base of my spine. I thrilled to wear my pony tail under my clothes, in secret, my parents knowing nothing, thinking me merely human, but it rubbed off after two days, leaving long blond doll hairs clotting in the corners of the house. My birthday came, and my parents, who were still together then, splurged on an afternoon of horseback riding lessons. When it was time to leave, they found that I had knotted my hair into the horse’s mane so elaborately that they had to cut me away from it with a pair of rusted barn shears. I still have the clump of matted girl-and-horse hair hidden in a drawer, though after all the times I put it in my mouth, I admit that it is somewhat the worse for wear.
”
”
Emily Temple
“
Never play the princess when you can
be the queen:
rule the kingdom, swing a scepter,
wear a crown of gold.
Don’t dance in glass slippers,
crystal carving up your toes --
be a barefoot Amazon instead,
for those shoes will surely shatter on your feet.
Never wear only pink
when you can strut in crimson red,
sweat in heather grey, and
shimmer in sky blue,
claim the golden sun upon your hair.
Colors are for everyone,
boys and girls, men and women --
be a verdant garden, the landscape of Versailles,
not a pale primrose blindly pushed aside.
Chase green dragons and one-eyed zombies,
fierce and fiery toothy monsters,
not merely lazy butterflies,
sweet and slow on summer days.
For you can tame the most brutish beasts
with your wily wits and charm,
and lizard scales feel just as smooth
as gossamer insect wings.
Tramp muddy through the house in
a purple tutu and cowboy boots.
Have a tea party in your overalls.
Build a fort of birch branches,
a zoo of Legos, a rocketship of
Queen Anne chairs and coverlets,
first stop on the moon.
Dream of dinosaurs and baby dolls,
bold brontosaurus and bookish Belle,
not Barbie on the runway or
Disney damsels in distress --
you are much too strong to play
the simpering waif.
Don a baseball cap, dance with Daddy,
paint your toenails, climb a cottonwood.
Learn to speak with both your mind and heart.
For the ground beneath will hold you, dear --
know that you are free.
And never grow a wishbone, daughter,
where your backbone ought to be.
”
”
Clementine Paddleford
“
LAST FALL
UNIVERSITY OF MERIT
The music was loud enough to shake the pictures on the walls. An angel and a wizard made out on the stairs. Two naughty cats tugged a vampire between them, a guy with yellow contacts howled, and someone spilled a Solo cup of cheap beer near Eli’s feet.
He snagged the horns from a devil by the front door, and set them on top of his head. He’d seen the girl walk in, flanked by a Barbie and a Catholic schoolgirl flaunting numerous uniform infractions, but she was in jeans and a polo, blond hair loose, falling over her shoulders. He’d lost sight of her for only a moment, and now her friends were there, weaving through the crowd with interlocking fingers held over their heads, but she was gone. She should have stood out, the lack of costume conspicuous at a Halloween party, but she was nowhere to be found.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
The little girls who invited Poppy over had pink rooms and pink LEGOs and pink comforters over pink sheets on their pink beds. They had crates—actual crates!—of tutus and high heels and dress-up clothes, stuffed animals who themselves wore tutus and high heels and dress-up clothes, Barbies and clothes for the Barbies, jewelry, nail polish, fairies, and baby dolls. They liked to draw and trade stickers. They liked to put their stuffies in strollers and give them a bottle and push them around the block. They liked to have a lemonade stand. They liked to chase each other around the house but in tutus and high heels, and when they caught you at the end, they just hugged you and giggled and laughed together instead of making a big thing about who was a loser and sitting on your head and farting. Poppy could not understand why everyone in the whole world didn’t want to be a girl.
”
”
Laurie Frankel (This Is How It Always Is)
“
Barbie"
Through my many and long travels
I’ve come across many who read books
On planes, buses, and on trains…
Over the years, three titles caught my attention
of books in the hands of women
who either looked like or tried to look like the Barbie doll…
I don’t remember the exact titles of these books,
But I remember that one of them was something along the lines of
“how keep your husband or preserve your marriage.”
The other was something about “signs that he is cheating on you.”
And the third was something on how to get rid of him and move on!
It was as if these titles summarized the lifecycle of every woman
who lets herself to play the role of a Barbie…
And I often wondered if reading books on
“How to stop playing the Barbie role” in love and life
is not just enough to solve all the problems
the other three books are claiming to address…
[Original poem published in Arabic on May 16, 2024 at ahewar.org]
”
”
Louis Yako
“
Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.
”
”
NOT A BOOK
“
here are many things that I’ve always known about myself, but my gender just isn’t one of them. I didn’t know that I was a girl. And forgive the double negative, but I wasn’t sure that I wasn’t a boy, either. I just knew that gender was kinda stupid and that I wanted to play with Barbies, get dirty in the creek behind my house, and kiss the blue Power Ranger real bad. As people, our identities change over our lifetimes. This applies to transgender and cisgender people alike. Everyone has a gender that evolves. Even if you identify as a woman, what it means to be a woman is never the same from day to day. Or, if you identify as a man, the way that your manhood manifests will be different throughout your life. The idea that gender is consistent is a flawed premise to begin with. By resisting convenient labels and embracing authentic ambiguity, I want to challenge the tenet that gender must be consistent and immediately legible to others.
”
”
Jacob Tobia (Sissy: A Coming-of-Gender Story)
“
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see.
Everyone already saw
A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby.
"Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes.
"Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy).
Clearly, ice wasn't required for me to fall.
A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good.
I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently.
The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say.
She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon.
"Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better.
Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder.
"Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming?
"Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?"
Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be.
Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again.
"Actually," Romeo said, his voice calm, "I am pretty bored."
Three smirks were sent my way. What a bunch of idiots.
"The view from where I'm standing sure leaves a lot to be desired."
One by one, their eyes rounded when they realized the view he referenced was them.
Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair."
Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
”
”
Tina Fey (Bossypants)
“
Do you ever find yourself reminiscing about the girl you used to be? I used to do it all the time, and depending on my mood – I’d either smile or cringe. I went through phases where, on the outside, I was the ‘everything’s gonna be okay’ type of girl. I comforted my friends and family. I was intelligent, confident, and strong, but in private, I hated myself. You see, I was adopted into what many consider the perfect family, and while I can say that I was raised in a loving home, there still wasn't enough love in the world that could’ve convinced me that I was enough. There wasn’t enough love in the world to make me believe I was loveable. Although my adoptive parents gave me all of their love, there wasn’t enough love in the world that could make me stop craving the love of my birth mother. It's taken me a very long time to accept myself. It’s taken years to win the war between who I am versus the crippling insecurities that made me hate myself. I’d love to be the perfect woman without flaws or insecurities, but this isn’t Barbie’s Dreamhouse. So, I apologize in advance for my inconsistency, at times. I apologize in advance for my mood swings. I apologize in advance for my immaturity. I apologize for my stupidity. I apologize for my moments of low self-esteem. I apologize for my lingering self-doubt. And I apologize for believing that I wasn’t good enough. I’m still a work in progress, and one day, I’ll even be confident enough to stop apologizing, but in the meantime, please bear with me. Growth doesn’t always happen in a straight line, nor does it happen overnight, so I thank you in advance for this difficult journey that we're about to embark on together, and I hope you can grow to love me as I’ve finally grown to love myself.
”
”
Lauren Lacey (Love You, Finally (Love in Beverly Mills Book 2))
“
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials.
One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen.
“Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.”
Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go.
“I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body.
Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down.
“Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
”
”
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
“
Isn’t this the weekend of Xander Eckhart’s party?”
“Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone.
“So are you bringing anyone?” Melinda asked.
Foiled.
Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.”
Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?”
“Because I just met him a few days ago.”
Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?”
“What does he do?” Melinda asked.
“Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?”
Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends.
With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp.
Blame it on Kyle.
I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now.
Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation.
Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.”
“Oh, he definitely is that,” Melinda said with a gleam in her eye.
Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?”
Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.”
“He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?”
“Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin.
“And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said.
“I second that,” Jordan said, and the three women clinked their glasses in agreement
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
* He also had every Masters of the Universe action figure including Rattlor and Two Bad and Zoar the fighting falcon, however—and this is very important—he did not have Castle Grayskull. So one time he and his friends told me I couldn’t play with them because I was a girl and Masters of the Universe were for boys and I went home crying and told my parents, and even though money was tight, even though they weren’t fans of Barbie-type plastic toys, even though they believed in solving problems with logic and discussion (“Use your head,” they’d say, “your words”), we went straight to Kmart and bought Teela and Evil-Lyn and the Sorceress. (Where are their pants? I wondered. Aren’t they cold?) And—the icing on my six-year-old fuck you cake—that ginormous plastic castle. I was hot shit on the block, I tell you what. Know what else? I shared.
”
”
Megan Stielstra (The Wrong Way to Save Your Life: Essays)
“
At first glance, it really did look like an assortment of doll parts. Close-up shots taken after a destructive toddler has had his way with a Barbie doll.
”
”
L.T. Vargus (Dead End Girl (Violet Darger, #1))
“
Barbie taught us a lot—sometimes more than we wanted to know. Her posture showed us that being sexual meant being immobile. It meant: walk on your toes, bust out, limbs rigid. Barbie would flash the white of her teeth, cock her head, swivel on her torso, half raise her smooth arm, but she could say nothing. For Barbie had no conceivable character or inner life. Barbie’s breasts and clothes seemed to blunt her personality. In Barbie’s life, events were merely excuses for ensembles. Her story could really go nowhere. Which meant, perhaps, that once we got over the excitement of getting provocatively dressed and then undressed, our story would go nowhere.
We were fixated on Barbie, but we also despised her. The secret game in countless American basements and playrooms involved (and still does, I am told) little girls doing bad things to Barbie. Sometimes we would make her take positions that were ludicrous or that looked painful. Other times, we would pop her head off the rounded stump of her neck. While this was a nice, French Revolution sort of vengeance, it also scared us. It was scary because even when you held her body in one hand and her head in the other, nothing seemed much changed. After all, she had been made up of parts to start with. Even when fully assembled, she wasn’t whole. Her hands didn’t grasp, her feet didn’t walk, her face had no expression.
”
”
Naomi Wolf (Promiscuities: The Secret Struggle for Womanhood)
“
girls enjoy torturing, decapitating, and microwaving their Barbies nearly as much as they like to dress them up
”
”
Peggy Orenstein (Don't call me princess: essays on girls, women, sex, and life)
“
Girls are growing up aware that their bodies are under constant scrutiny and feeling worthless because theirs don’t come in Barbie’s shape. No one’s does, because they would have no room in their torsos for internal organs and their necks would not be able to support their heads.
”
”
Luvvie Ajayi Jones (I'm Judging You: The Do-Better Manual)
“
Eleanor didn't know the first thing about kissing.
Of course, she'd watched a million kisses on TV (thank you, Fonzie), but TV never showed you the mechanics of it. If Eleanor tired to kiss Park it would be like a realise version of some little girl making her Barbie kiss Ken. Just smashing their faces together.
”
”
Rainbow Rowell (Eleanor & Park)
“
BARBIE GOES TO WAR There are more than a billion Barbies. Only the Chinese outnumber them. The most beloved woman on the planet would never let us down. In the war of good against evil, Barbie enlisted, saluted, and marched off to Iraq. She arrived at the front wearing made-to-measure land, sea, and air uniforms reviewed and approved by the Pentagon. Barbie is accustomed to changing professions, hairdos, and clothes. She has been a singer, an athlete, a paleontologist, an orthodontist, an astronaut, a firewoman, a ballerina, and who knows what else. Every new job entails a new look and a complete new wardrobe that every girl in the world is obliged to buy. In February 2004, Barbie wanted to change boyfriends too. For nearly half a century she had been going steady with Ken, whose nose is the only protuberance on his body, when an Australian surfer seduced her and invited her to commit the sin of plastic. Mattel, the manufacturer, announced an official separation. It was a catastrophe. Sales plummeted. Barbie could change occupations and outfits, but she had no right to set a bad example. Mattel announced an official reconciliation.
”
”
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
“
You shouldn’t pay any attention to what she says,” Kendra says firmly, nodding at Elisa sprawled out on the terrace chair. “She’s just a nasty bitch. Ignore her.”
Elisa hears this, as she’s meant to.
“And you,” she calls to Kendra, swiveling on her chair to face inside the dining room, “you think you are so pretty, so beautiful, because all the boys want you. Well, they only want you because you are different. They think you are esotica. Exotic.”
Kendra looks as if Elisa just slapped her in the face, and Paige draws in her breath sharply.
“Are you kidding me?” Paige snaps at Elisa. “What did you just call her?”
Her hands clenched into fists, Paige marches around the table in Elisa’s direction; skinny Elisa flinches at the sight of 140 pounds of super-confident, sporty, protein-fed American girl heading toward her with fury in her eyes. I nip around the table from the other side and head Paige off before she backhands Elisa like Serena Williams hits a tennis ball, and sends her flying across the terrace and into the olive grove beyond. I’m not an etiquette expert, but I can’t help feeling that knocking our hostess’s daughter over a stone balcony might not be considered the most appropriate way to celebrate the first full day of our summer course.
“Paige, leave it! She’s just jealous,” I say swiftly. “Ignore her. She’s having a go at us because she’s pissed off that Luca likes foreign girls--he doesn’t want her.”
Elisa grabs her cigarettes and her phone, jumps up, and, sneering at us all, storms off the terrace, muttering, “Vaffanculo!” as she flees the wrath of Killer Barbie.
That’s right--run away. To me, “exotic” sounds nice, like a compliment: out-of-the-ordinary, glamorous, exciting. But Kendra clearly hasn’t taken it that way, nor did Paige. I want to ask them why, but it’s Kelly, of all people, who saves the moment by saying meditatively:
“You know, we should make a note of all the mean things Elisa says to us in Italian. That way, we’ll learn all the best swearwords.
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
I'm a Barbie girl, in a Barbie world.
”
”
Barbie (Barbie Dreamhouse Party/Una fiesta de ensueño: An English/Spanish Flap Book (1) (Lift-the-Flap) (Spanish and English Edition))
“
Sweden, a nation that officially promotes gender equality, once pressured a toy company to change its Christmas catalog so that it featured boys with a Barbie Dream House and girls with guns and action figures.7 But when the Swedish psychologist Anders Nelson asked three- and five-year-old children to show him their toy collections, things turned out differently. Almost every child had his or her own room with a staggering average of 532 toys. After going through 152 rooms and classifying thousands of toys, Nelson concluded that the collections reflected exactly the same stereotypes as in other countries. The boys had more tools, vehicles, and games, and the girls had more household items, caregiving devices, and outfits. Their preferences had proved immune to the equality ethos of Swedish society. Studies in other countries confirm that the attitudes of parents have little or no impact on children’s toy preferences.
”
”
Frans de Waal (Different: Gender Through the Eyes of a Primatologist)
“
I’d always been compared to the girls who tried harder and made an effort to look pretty. I was taller, had bigger feet, barely brushed my hair, and would’ve never been caught dead in a cutoff shirt growing up. I always fell short. I was the friend, the girl guys talked to about other girls. My best friends had never done that, though. Until this moment in the truck. I was dressed up like Barbie’s Aunt Candy and I still couldn’t hold a candle to Sasha.
”
”
Rebel Bloom (Fake and Don't Tell)
“
Barbie...A microplastic's dream girl.
”
”
Anthony T. Hincks
“
Men, who are more likely to punish you for an abortion
than they are for sexual assault
But if they see the procedure
To be the murderer of a baby inside of a woman
Then tell me.
When a girl gets raped, is the child inside her not dying too?
-Barbie, poem by
”
”
Demetri Manabat
“
First, educate the traffick-aged victim on how to stay safe - especially in regards to social media. I don’t think they have nay idea that once they hit that send button just how far that message or picture can go and how it can be used. I think we should help parents understand their responsibility and what they can do to keep their kids safe. In addition to that, I think to educate the schools and school counselors, school nurses, teachers to be aware of the signs of the student who suddenly either begins to withdraw or become hyper-sexualized. Something is going on there. Also, I think society as a whole needs to look at prostitution differently. There is no girl who wants to become a prostitute. It’s just not like that. And, we really didn’t play with hooker Barbies when we were kids and say “that’s what I want to be when I grow up.” No, we wanted to be nurses or stewardesses or something else. Don’t drive by prostitutes and look down at them and call them names and be hateful to them - but love them, pray for them. Everybody can help in some way whether it’s through prayer, financial support, or volunteering. Everyone can help in some way. Selling people for sex is a profitable business right now. I would love for the purchasers to stop buying. I think that’s wrong. If there’s no buying of the product, people will quit trying to sell the product, so it would end the market. I’d like that!
”
”
David Trotter (Heroes of Hope: Intimate Conversations with Six Abolitionists and the Sex Trafficking Survivors They Serve)
“
Sindy is British and much more demure and well brought up than Barbie, who seems like a brash, oversexualised gold-digger if you ask me. The sort of girl who would marry a minor Rolling Stone. Even in her air-hostess uniform she looks like a hard-eyed little pole dancer.
”
”
Stephen May (Wake Up Happy Every Day)
“
But even with her record sales, the Barbie of the late eighties was not the vibrant virago of the early eighties. "We Girls Can Do Anything" gave way to "We're into Barbie," a slogan that suggests turning inward, away from active engagement with the world. "The viewpoint of people changed," Barbara Lui explained, "and the 'mommy track' came on, and women didn't believe anymore that they could do anything. We're in an era—perhaps we're leaving it now—where people did not give themselves goals that were as tough.
”
”
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
“
This is not to cast Barbie as a New Traditionalist. Even in retrograde times, she has never stayed at home against her will. The jobs on her 1989 resume—physician, astronaut, veterinarian, fashion designer, executive, Olympic athlete—are impressive; a little girl could do worse than identify with such a doll. Her move away from demeaning stereotypes can also be documented. Compared with, say, the 1973 Barbie Friend Ship, in which Barbie is forced to play scullery maid to a painted-on pilot, the 1990 Flight Time Barbie, developed in 1989, is herself an aviatrix. But Flight Time Barbie is also a Day-to-Night doll, and her after-hours outfit, vastly more girlish than what she wore in 1985, undercuts her authority. In five years, her homeovestite behavior has intensified, suggesting that her achievements have left her fraught with anxiety.
”
”
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
“
Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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This is not, however, to let Barbie off the hook. In the doll's early years, before women spoke openly about anorexia, Barbie's props encouraged girls to obsess on their weight. In addition to pink plastic hair curlers, Barbie's 1965 "Slumber Party" outfit featured a bathroom scale permanently set at 110. Mattel also gave her bedtime reading—a book called How to Lose Weight that offered this advice: "Don't Eat.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Swicord is not a New Age nut; she's a writer. And even after mega-wrangles with Mattel's management—the musical was sketched out but never produced—she is still a fan of the doll. "Barbie," she said, "is bigger than all those executives. She has lasted through many regimes. She's lasted through neglect. She's survived the feminist backlash. In countries where they don't even sell makeup or have anything like our dating rituals, they play with Barbie. Barbie embodies not a cultural view of femininity but the essence of woman." Over the course of two interviews with Swicord, her young daughters played with their Barbies. I watched one wrap her tiny fist around the doll's legs and move it forward by hopping. It looked as if she were plunging the doll into the earth—or, in any event, into the bedroom floor. And while I handle words like "empowering" with tongs, it's a good description of her daughters' Barbie play. The girls do not live in a matriarchal household. Their father, Swicord's husband, Nicholas Kazan, who wrote the screenplay for Reversal of Fortune, is very much a presence in their lives. Still, the girls play in a female-run universe, where women are queens and men are drones. The ratio of Barbies to Kens is about eight to one. Barbie works, drives, owns the house, and occasionally exploits Ken for sex. But even that is infrequent: In one scenario, Ken was so inconsequential that the girls made him a valet parking attendant. His entire role was to bring the cars around for the Barbies.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Barbie's new face, fashioned by doll sculptor Joyce Clark, was the face of disco. The doll appears in the 1977 catalogue against a black background, as if on the edge of a cavernous dance floor. Light glints off her glossy magenta boa, her burnished gold hair, her luminous diamondlike ring. Gone is the haughty smirk of her early years. Seemingly stupefied by the disco beat, SuperStar Barbie's mouth is set in a broad smile. The revamped Barbie changed the relationship between the doll and the little girl who owned it. Barbie could still function as an object onto which the child projected her future self; but because the doll had the trappings of celebrity, the girl's imagined future had to involve being rich and famous.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Barbie Baby-Sits" appeared in 1963, a year after the publication of Helen Gurley Brown's best-selling Sex and the Single Girl. And whether it was Brown's influence or an effect of synchronicity, Barbie began to resemble Brown's happily unmarried woman.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Celebrities who in the sixties had led Barbie-esque lives now forswore them. Jane Fonda no longer vamped through the galaxy as "Barbarella," she flew to Hanoi. Gloria Steinem no longer wrote "The Passionate Shopper" column for New York, she edited Ms. And although McCalVs had described Steinem as "a life-size counter-culture Barbie doll" in a 1971 profile, Barbie was the enemy. NOW's formal assault on Mattel began in August 1971, when its New York chapter issued a press release condemning ten companies for sexist advertising. Mattel's ad, which showed boys playing with educational toys and girls with dolls, seems tame when compared with those of the other transgressors. Crisco, for instance, sold its oil by depicting a woman quaking in fear because her husband hated her salad dressing. Chrysler showed a marriage-minded mom urging her daughter to conceal from the boys how much she knew about cars. And Amelia Earhart Luggage—if ever a product was misnamed—ran a print ad of a naked woman painted with stripes to match her suitcases.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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Instead of reworking the doll, Shackelford implemented a market "segmentation strategy," which she thinks helped Barbie achieve record sales. She did this by "segmenting the market," introducing dolls with different themes and then "creating whole worlds around them." Beginning about 1980, Mattel issued separate dolls for each of the major play patterns. There was a "hairplay" doll that came with styling paraphernalia; a "lifestyle" doll that came with sporting equipment; and a "glamour" doll that came with a gaudy dress. The strategy benefited Mattel in two major ways: because the costumes were sold on dolls, Mattel could charge more for them, and the variety encouraged girls to own more than one doll.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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began. A chief element in positioning the new Barbie was her promotion. In 1984, after a campaign that featured "Hey There, Barbie Girl" sung to the tune of "Georgy Girl," Mattel launched a startling series of ads that toyed with female empowerment. Its slogan was "We Girls Can Do Anything," and its launch commercial, driven by an irresistibly upbeat soundtrack, was a sort of feminist Chariots of Fire. Responding to the increased number of women with jobs, the ad opens at the end of a workday with a little girl rushing to meet her business-suited mother and carrying her mother's briefcase into the house. A female voice says, "You know it, and so does your little girl." Then a chorus sings, "We girls can do anything." The ad plays with the possibility of unconventional gender roles. A rough-looking Little Leaguer of uncertain gender swaggers onscreen. She yanks off her baseball cap, her long hair tumbles down, and—sigh of relief—she grabs a particularly frilly Barbie doll. (The message: Barbie is an amulet to prevent athletic girls from growing up into hulking, masculine women.) There are images of gymnasts executing complicated stunts and a toddler learning to tie her shoelaces. (The message: Even seemingly minor achievements are still achievements.) But the shot with the most radical message takes place in a laboratory where a frizzy-haired, myopic brunette peers into a microscope. Since the seventies, Barbie commercials had featured little girls of different races and hair colors, but they were always pretty. Of her days in acting school, Tracy Ullman remarked in TV Guide that she was the "ugly kid with the brown hair and the big nose who didn't get [cast in] the Barbie commercials." With "We Girls," however, Barbie extends her tiny hand to bookish ugly ducklings; no longer a snooty sorority rush chairman, she is "big-tent" Barbie.
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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One factor was the Barbie group at Ogilvy & Mather, the ad agency that had, in the seventies, acquired Carson/Roberts. By 1984—a year after Sally Ride's landmark space flight, the same year as Geraldine Ferraro's historic bid for the U.S. vice presidency—Mattel urged O&M creative director Elaine Haller and writer Barbara Lui to, in Lui's words, "express where women were and where they wanted their daughters to be at the time." Upon hearing that, Lui told me last year, she remembered her own childhood on Manhattan's Upper West Side. "My mother's words came to me," she said. "My name is Barbara—I was called Bobbie at home—and my mother used to say, 'Bobbie, you can do anything,' " which, with a few revisions, became the doll's new slogan: "We girls can do anything, right, Barbie?
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M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
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She tilts her head back, exposing her neck. Like a moth to a flame, I bring my mouth to that golden skin. She lets a moan escape as I explore the feel of her.
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Heidi Acosta (Barbie Girl (Baby Doll, #1))
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She used to come home crying when she was a little girl. She said she wanted to be like Rapunzel, then Barbie, and I offered her nothing in their place. From
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Wame Molefhe (Go Tell the Sun)
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Not all girls look like Barbie!
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Gabi Chanudet
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Listen, Sam, and everyone, you need to know something so it won’t freak you out: Pack Leader can speak. I mean, human words. Like Smart-Girl Barbie there was saying, he’s some kind of mutant or whatever. I know you think I’m probably crazy.”
She had Hermit Jim’s tin cup now and used it to scoop up another helping of wonderful, wonderful pudding. Blondie—Astrid—was opening a can of fruit cocktail.
“What do you know about the FAYZ?” Astrid asked.
Lana stopped eating and stared at her. “The what?”
Astrid shrugged and looked embarrassed. “That’s what people are calling it. The Fallout Alley Youth Zone. FAYZ.”
“What does that mean?”
“Have you seen the barrier?”
She nodded. “Oh, yeah. I’ve seen the barrier. I touched the barrier, which, by the way, is not a good idea.”
Sam said, “As far as we can tell, it goes clear around in a big circle. Or maybe a sphere. We think the center is the power plant. It seems like a ten-mile radius from there, you know, twenty miles across.”
“Circumference of 62.83 miles, with an area of 314.159 square miles,” Astrid said.
“Point 159,” Quinn echoed from his corner. “That’s important.”
“It’s basically pi,” Astrid said. “You know, 3.14159265…. Okay, I’ll stop.”
Lana hadn’t stopped being hungry. She took a scoop of the fruit cocktail. “Sam, you think the power plant caused it?”
Sam shrugged, and then he hesitated, surprised. Lana guessed that he felt no pain in his shoulder. “No one knows. All of a sudden every single person over the age of fourteen disappears and there’s this barrier and people…animals…”
Lana slowly absorbed this new information. “You mean all the adults? They’re gone?”
“Poof,” Quinn said. “They ditched. They blinked out. They vacated. They took the off-ramp. They cut a hole. They emigrated. Adults and teenagers. Nothing left but kids.”
“I’ve done all I can to strengthen the door,” Edilio announced. “But all I have is nails. Someone can break it in eventually.”
“Maybe they didn’t all ditch,” Lana said. “Maybe we did.”
Astrid said, “That’s definitely one of the possibilities, not that it makes any real difference. It’s effectively the same thing.
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Michael Grant
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She had a Barbie Dreamhouse, which back then, to little girls, was pretty much the equivalent of crack. That
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Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
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John laughed as he saw the scolding look on Roger’s face. “What?” The big man just shook his head, arms crossed. “You’re in for it now. What if you have two girls?” John scowled. That had occurred to him as well. Two boys would be ideal. He could deal with boys. What the hell would he do with girls? Chad punched Roger in the shoulder. “Hey, now. Girls are fine. Mercy is amazing.” He looked at John. “Don’t give in to all that stereotypical bullshit. She plays with cars and stuffed animals. Give her a Barbie doll and she turns her nose up at it. I can’t wait to take her shooting at the ranch. I found this awesome little .22 caliber rifle called a Cricket. Shorter barrel, shorter stock. Totally made for a little girl.” John looked at the picture Chad had saved on his phone of the little pink gun. Huh…okay. That was pretty cute. “Besides,” Chad continued, “I doubt Shannon will let you avoid them. Twins are a lot of work, my friend. I used to babysit my niece Grace when she was a baby, and just one kid is a handful. I can’t imagine two.” “Thanks for the pep talk, Lowell,” John growled. They
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J.M. Madden (Embattled Ever After (Lost and Found #5))
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She was silent for a moment, trying to force her thoughts into words her tongue could articulate. “I don’t know. I’m saying we should go out sometime. I’m saying that I want to see you without your lab coat, and I want to wear a nice dress and maybe a pair of shoes like your Barbie doll over there.” She pointed at Bridget. “What do you say?
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Emmie White (Captive)
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When girls like me, who are relatively smart and pretty, who have something to say, and who have their own points of view, spend every Friday night home alone watching reality TV, this is because all of the guys they might potentially have dated are out with Adventure Barbie.
You know who she is—that girl with the perfectly tousled hair, long legs, and no fat anywhere because she doesn’t eat. She wears super-high heels, which she can walk in perfectly, but she also comes equipped with hiking boots. A guy who finds himself an A.B. is pleased to find out that she is equally at home zip-lining and fine dining. She will go with him to his kickboxing gym and impress all the guys there, and then she will go home and change into a little black dress and five-inch heels. A.B. does not exist in nature; she is her own creation. And no regular girl can match her. A regular girl’s face betrays her panic when she is asked to go rock climbing or cliff diving. A regular girl looks like a drowned rat after an afternoon of white-water rafting. But not Adventure Barbie.
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J.J. Howard
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Today’s pubic hair removal may indicate something similar: we have opened our most intimate parts to unprecedented scrutiny, evaluation, commodification. Largely as a result of the Brazilian trend, cosmetic labiaplasty, the clipping of the folds of skin surrounding the vulva, has skyrocketed: while still well behind nose and boob jobs, according to the American Society of Aesthetic Plastic Surgeons (ASAPS), there was a 44 percent rise in the procedure between 2012 and 2013—and a 64 percent jump the previous year. Labiaplasty is almost never related to sexual function or pleasure; it can actually impede both. Never mind: Dr. Michael Edwards, the ASAPS president in 2013, hailed the uptick as part of “an ever-evolving concept of beauty and self-confidence.” The most sought-after look, incidentally, is called—are you ready?—the Barbie: a “‘ clamshell’-type effect in which the outer labia appear fused, with no labia minora protruding.” I trust I don’t need to remind the reader that Barbie is (a) made of plastic and (b) has no vagina.
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Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
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Miss Barbie is one delicate princess!
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Bill Campbell (Meet Maddi - Ooops! (Diary of an Almost Cool Girl #1))
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Hey, Hayley,” I say as I sit down and pick up one of her action figures. She has Barbies, too, but she would rather play with her Legos and building blocks. Maybe she’ll be an engineer one day. Or maybe she’ll be an amazing tattoo artist like her dad. I make her action figure kiss her Barbie, and she giggles. “I think they’re in love,” I whisper. “Like you and my daddy,” she says back quietly. I nod. And emotion clogs my throat again. I turn my head and cough, and then I dump a box of Legos on the floor. “I think Barbie needs a fortress,” I say. She nods, and we start to build a plastic fortress together, because sometimes a girl just needs a fucking fortress.
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Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
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I jerk my thumb toward the big house they made. “I see you were busy.” “We made a fortress for Barbie.” That word makes me smile. “Did Barbie need a fortress?” “All girls need a fortress. Barbie doesn’t have a dad, so she needed one more than most.” She shrugs. “Hayley and I discussed all this when she tried to convince me that girls with strong daddies don’t need big walls.” She lays a hand on my chest and looks up at me, blinking those green eyes. She’s so fucking beautiful. “You’ll always protect her heart. And if anything ever happens to you, you have four brothers who will do the same. So Hayley won’t need a fortress.” I get it. I so get it. “You guys went that deep?” She nods. “We did. It’s a kick-ass fortress, don’t you think?” I kiss her forehead. “Badass. Just like you.
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Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
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A headline-grabbing 2005 British study revealed that girls aged six to twelve enjoyed torturing, mutilating, and microwaving their Barbies nearly as much as they liked dressing them up for the prom. What
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Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
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I used to cringe when people said I looked like him—my father, because I was a girl and girls aren’t supposed to look like their fathers. Girls are supposed to look like their mothers, or fairy princesses, or Barbie dolls, or some crap like that. I
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Bianca Scardoni (Inception (The Marked, #1))
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Question three: * When you were wearing pretty frocks and playing with dolls, did you feel less than a boy? How did you feel or react when you saw other boys playing with ‘boyish’ toys like miniature toy soldiers, train sets, etc.? Answers: a) No, I did not feel any less a boy when I was dressed in girls’ clothes. I thought girls’ garments were more creative and imaginative than boys’. In fact, I often wondered why boys’ clothes were so boring and mundane compared to what my mother dressed me in. b) Playing with dolls came naturally to me. It might be because, from the moment I opened my little eyes, I was surrounded by dolls. I did enjoy playing dress-up with my doll collection, especially the Barbies, which in later years I saved my own money to purchase. Round about ages 5 or 6, I began taking a keen interest in designing Barbie dolls’ clothes. There were times in the middle of the night, after I went to bed when the house lights were off, I would shine a light under the sheets to begin the process of making and dressing my dolls. I enjoyed doing that when there was nobody to bother me and I had all the time needed to craft these feminine creations. c) Train sets, toy soldiers or ‘toys for boys’ never interested me. They seemed too mechanical and bloodthirsty, fighting and killing each other all the time. These warlike sports were not to my liking. I don’t understand why boys take great pride in killing, beating each other. Is that what being manly is about?
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Young (Unbridled (A Harem Boy's Saga, #2))