Craft Shop Quotes

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I don’t want to speak too disparagingly of my generation (actually I do, we had a chance to change the world but opted for the Home Shopping Network Instead)…
Stephen King (On Writing: A Memoir of the Craft)
There is only one thing that you write for yourself, and that is a shopping list.
Umberto Eco (On Literature)
You cannot be a great writer in a shop where words are sold in tens and twenties.
Rick Aster
She has the kind of beauty that takes your breath from your lungs, tears from your eyes and speeds your heart each time you look at her. She has the kind of beauty reserved for works of art, where men spend years of their life mastering their craft to replicate. She is beauty, stunning, transcendent, right down through to the bone, the unfathomable depth of her heart. She is Muse. She is wonder. She is sublime.
Kirk Diedrich (Junk Shop Heart)
If it looks like an alien relic bought at a junk-shop or yard sale where you can hardly remember stopping, you’re ready.
Stephen King (On Writing: A Memoir of the Craft)
The hipster narrative about gentrification isn’t necessarily inaccurate—young people are indeed moving to cities and opening craft breweries and wearing tight clothing—but it is misleading in its myopia. Someone who learned about gentrification solely through newspaper articles might come away believing that gentrification is just the culmination of several hundred thousand people’s individual wills to open coffee shops and cute boutiques, grow mustaches and buy records. But those are the signs of gentrification, not its causes. As
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
No wonder that tantra is so popular today in the West: it offers the ultimate "spiritual logic of late capitalism" uniting spirituality and earthly pleasures, transcendence and material benefits, divine experience and unlimited shopping. It propagates the permanent transgression of all rules, the violation of all taboos, instant gratification as the path to enlightenment; it overcomes old-fashioned "binary" thought, the dualism of mind and body, in claiming that the body at its most material (the site of sex and lust) is the royal path to spiritual awakening. Bliss comes from "saying yes" to all bodily needs, not from denying them: spiritual perfection comes from the insight that we already are divine and perfect, not that we have to achieve this through effort and discipline. The body is not something to be cultivated or crafted into an expression of spiritual truths, rather it is immediately the "temple for expressing divinity.
Slavoj Žižek (Living in the End Times)
He was careful to avoid meeting anyone. There was Stubbs, the gardener, coming along the path. He hid behind a tree till he had passed. He let himself out at a little gate in the garden wall. he skirted all stables, kennels, breweries, carpenters’ shops, wash-houses, places where they make tallow candles, kill oxen, forge horse-shoes, stitch jerkins – for the house was a town ringing with men at work at their various crafts – and gained the ferny path leading uphill through the park unseen. There is perhaps a kinship among qualities; one draws another along with it; and the biographer should here call attention to the fact that this clumsiness is often mated with a love of solitude. Having stumbled over a chest, Orlando naturally loved solitary places, vast views, and to feel himself for ever and ever and ever alone.
Virginia Woolf (Orlando)
Baptist minister and inventor Burrell Cannon (1848–1922) led some Pittsburg investors to establish the Ezekiel Airship Company and build a craft described in the Biblical book of Ezekiel. The ship had large fabric-covered wings powered by an engine that turned four sets of paddles. It was built in a nearby machine shop and was briefly airborne at this site late in 1902, a year before the Wright brothers first flew. Enroute to the St. Louis World’s Fair in 1904, the airship was destroyed by a storm. A second model crashed and the Rev. Cannon gave up the project.
James W. Loewen (Lies Across America: What Our Historic Sites Get Wrong)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
At the same moment when massive global institutions seem to rule the world, there is an equally strong countermovement among regular people to claim personal agency in our own lives. We grow food in backyards. We brew beer. We weave cloth and knit blankets. We shop local. We create our own playlists. We tailor delivery of news and entertainment. In every arena, we customize and personalize our lives, creating material environments to make meaning, express a sense of uniqueness, and engage causes that matter to us and the world. It makes perfect sense that we are making our spiritual lives as well, crafting a new theology. And that God is far more personal and close at hand than once imagined.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
You sell your own wares,then.Are you clever at it?" Shelby lifted her wine. "I like to think so." Tossing her hangs out of her eyes, she turned to Alan. "Would you say I was clever at it, Senator?" "Amazingly so," he returned. "For someone without any sense of organization, you manage to work at your craft,run a shop,and live precisely as you choose." "I like odd compliments," Shelby decided after a moment. "Alan's accustomed to a more structured routine. He'd never run out of gas in the freeway." "I like odd insults," Alan murmured into his wine. "Makes a good balance.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
All communities require sustainable ways to make a living. Economic sustainability involves: Small-scale business, crafts, and services that create maximum diversity of economic base and a rich ecology of financial, income and job opportunities. Possibilities include cottage industries, local services, education, printing and publishing, trading, small-scale manufacturing, consulting, shops and cooperatives.
Christine Connelly (Sustainable Communities: Lessons from Aspiring Eco-Villages)
FOR NEARLY THIRTY years, the One who had crafted the universe with His voice crafted furniture with His hands. And He was good at what He did—no crooked table legs ever came out of the carpenter’s shop in Nazareth.1 But Jesus was more than a master carpenter. He was also God incognito. His miraculous powers rank as history’s best-kept secret for nearly three decades, but all that changed the day water blushed in the face of its Creator.
Mark Batterson (The Grave Robber: How Jesus Can Make Your Impossible Possible)
Look,” she told me one day in a Millsport coffeehouse. “Shopping—actual, physical shopping—could have been phased out centuries ago if they’d wanted it that way.” “They who?” “People. Society.” She waved a hand impatiently. “Whoever. They had the capacity back then. Mail order, virtual supermarkets, automated debiting systems. It could have been done and it never happened. What does that tell you?” At twenty-two years old, a Marine Corps grunt via the street gangs of Newpest, it told me nothing. Carlyle took in my blank look and sighed. “It tells you that people like shopping. That it satisfies a basic, acquisitive need at a genetic level. Something we inherited from our hunter-gatherer ancestors. Oh, you’ve got automated convenience shopping for basic household items, mechanical food distribution systems for the marginalized poor. But you’ve also got a massive proliferation of commercial hives and speciality markets in food and crafts that people physically have to go to. Now why would they do that, if they didn’t enjoy it?” I probably shrugged, maintaining my youthful cool. “Shopping is physical interaction, exercise of decision-making capacity, sating of the desire to acquire, and an impulse to more acquisition, a scouting urge. It’s so basically fucking human when you think about it. You’ve got to learn to love it, Tak. I mean you can cross the whole archipelago on a hover; you never even need to get wet. But that doesn’t take the basic pleasure out of swimming, does it? Learn to shop well, Tak. Get flexible. Enjoy the uncertainty.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
Similarly, the computers used to run the software on the ground for the mission were borrowed from a previous mission. These machines were so out of date that Bowman had to shop on eBay to find replacement parts to get the machines working. As systems have gone obsolete, JPL no longer uses the software, but Bowman told me that the people on her team continue to use software built by JPL in the 1990s, because they are familiar with it. She said, “Instead of upgrading to the next thing we decided that it was working just fine for us and we would stay on the platform.” They have developed so much over such a long period of time with the old software that they don’t want to switch to a newer system. They must adapt to using these outdated systems for the latest scientific work. Working within these constraints may seem limiting. However, building tools with specific constraints—from outdated technologies and low bitrate radio antennas—can enlighten us. For example, as scientists started to explore what they could learn from the wait times while communicating with deep space probes, they discovered that the time lag was extraordinarily useful information. Wait times, they realized, constitute an essential component for locating a probe in space, calculating its trajectory, and accurately locating a target like Pluto in space. There is no GPS for spacecraft (they aren’t on the globe, after all), so scientists had to find a way to locate the spacecraft in the vast expanse. Before 1960, the location of planets and objects in deep space was established through astronomical observation, placing an object like Pluto against a background of stars to determine its position.15 In 1961, an experiment at the Goldstone Deep Space Communications Complex in California used radar to more accurately define an “astronomical unit” and help measure distances in space much more accurately.16 NASA used this new data as part of creating the trajectories for missions in the following years. Using the data from radio signals across a wide range of missions over the decades, the Deep Space Network maintained an ongoing database that helped further refine the definition of an astronomical unit—a kind of longitudinal study of space distances that now allows missions like New Horizons to create accurate flight trajectories. The Deep Space Network continued to find inventive ways of using the time lag of radio waves to locate objects in space, ultimately finding that certain ways of waiting for a downlink signal from the spacecraft were less accurate than others. It turned to using the antennas from multiple locations, such as Goldstone in California and the antennas in Canberra, Australia, or Madrid, Spain, to time how long the signal took to hit these different locations on Earth. The time it takes to receive these signals from the spacecraft works as a way to locate the probes as they are journeying to their destination. Latency—or the different time lag of receiving radio signals on different locations of Earth—is the key way that deep space objects are located as they journey through space. This discovery was made possible during the wait times for communicating with these craft alongside the decades of data gathered from each space mission. Without the constraint of waiting, the notion of using time as a locating feature wouldn’t have been possible.
Jason Farman (Delayed Response: The Art of Waiting from the Ancient to the Instant World)
Death came cheap in Agdel Lex, if you knew the market and weren’t afraid to comparison shop.
Max Gladstone (The Ruin of Angels (Craft Sequence, #6))
recommend to all storytellers a watchful attitude and a thoughtful, careful choice of adjectives and adverbs, because the bakery shop of English is rich beyond belief, and narrative prose, particularly if it’s going a long distance, needs more muscle than fat.
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
What is it about the Greek character that has allowed this complex culture to thrive for millennia? The Greek Isles are home to an enduring, persevering people with a strong work ethic. Proud, patriotic, devout, and insular, these hardy seafarers are the inheritors of working methods that are centuries old. On any given day, fishermen launch their bots at dawn in search of octopi, cuttlefish, sponges, and other gifts of the ocean. Widows clad in black dresses and veils shop the local produce markets and gather in groups of two and three to share stories. Artisans stich decorative embroidery to adorn traditional costumes. Glassblowers, goldsmiths, and potters continue the work of their ancient ancestors, ultimately displaying their wares in shops along the waterfronts. The Greeks’ dedication to time-honored occupations and hard work is harmoniously complemented by their love of dance, song, food, and games. Some of the earliest works of art from the Greek Isles--including Minoan paintings from the second millennium B.C.E.--depict the central, day-to-day role of dance, and music. Today, life is still lived in common, and the old ways often survive in a deep separation between the worlds of women and men. In the more rural areas, dancing and drinking are--officially at least--reserved for men, as the women watch from windows and doorways before returning to their tasks. At seaside tavernas throughout the Greek Isles, old men sip raki, a popular aniseed-flavored liqueur, while playing cards or backgammon under grape pergolas that in late summer are heavy with ripe fruit. Woven into this love of pleasure, however, are strands of superstition and circumspection. For centuries, Greek artisans have crafted the lovely blue and black glass “eyes” that many wear as amulets to ward off evil spirits. They are given as baby and housewarming gifts, and are thought to bring good luck and protect their wearers from the evil eye. Many Greeks carry loops of wooden or glass beads--so-called “worry beads”--for the same purpose. Elderly women take pride in their ability to tell fortunes from the black grounds left behind in a cup of coffee.
Laura Brooks (Greek Isles (Timeless Places))
What will the unsuccessful do? Apprenticeship to traditional crafts seems degrading to whoever has the slightest book-learning. The dream is to become a clerk. The trowel is spurned. The horde of the jobless swells the flood of delinquency. Should we have been happy at the desertion of the forges, the workshops, the shoemaker's shops? Should we have rejoiced so wholeheartedly? Were we not beginning to witness the disappearance of an elite of traditional manual workers? Eternal questions of our eternal debates. We all agreed that such dismantling was needed to introduce modernity within our traditions. Torn between the past and the present, we deplored the "hard sweat" that would be inevitable. We counted the possible losses. But we knew that nothing would be as before. We were full of nostalgia but we were resolutely progressive.
Mariama Bâ (So Long a Letter)
It was well past noon when the boys sighted Northport on their left. Passing between a pair of entrance buoys, the Sleuth came off the swelling ocean onto the calm surface of a small, well-protected harbor. On one side a forest of thick masts rose from a fleet of sturdy fishing boats. At the far end of the bay, bright-colored pleasure craft rode at anchor. Slender, pencillike masts marked the sailboats. On the shore nearby were the yellow wooden skeletons of boats under construction. Joe guided the Sleuth toward a large dock with gasoline pumps, which extended into the water from the boatyard. “This must be the yard that sponsored the regatta,” Frank commented. “Bring her in, Joe.” Within minutes the young detectives had made their craft secure and scrambled onto the dock. They hurried down the wooden planking and turned onto Waterfront Street. There were restaurants, souvenir shops, and boat-supply stores. All of them were well kept and busy. The boys stopped in a luncheonette for a snack, then hurried on. They
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
And so they did. Over the next several weeks, the garden friends collected trash that they found lying around—from soda cans that had tumbled out of the recycling bin, to a weather-beaten cardboard box, to an old baseball cap that was the perfect size for a mosquito-sized soda fountain. The friends used this junk to construct tiny buildings. They decorated their new business with colorful leaves and flower petals, and they used rocks and pebbles for tables and chairs. Wiggly worked hard at making tunnels in the dirt for his new park, and even Snarky caught on to the enthusiasm and collected shiny pebbles for his shop. By the time they were finished, Garden Town had come to be—a tiny town with a soda fountain, a park, a restaurant, and a pebble shop. Wiggly Worm and his friends had proved that, with a little hard work and determination, it’s possible to make your dreams come true! Just for Fun Activity Collect old containers and other trash-bound items in your house. With a little imagination (and some craft supplies), I bet you can make a pretty cool Garden Town of your own! Glue the town to a piece of poster
Arnie Lightning (Wiggly the Worm)
Rarely in the realm of the flesh have I been as prepared as I am in almost all video games: I obsessively check drawers, pilfer medicine cabinets, steal supplies, craft items and load up at the shop.
Ken Baumann (EarthBound (Boss Fight Books, #1))
When poverty abolitionists shop and invest based on their commitments to human dignity and material well-being, they should brag about it, crafting an aesthetics and even a lifestyle around those decisions. There is considerable evidence that it’s easier to change norms than beliefs.
Matthew Desmond (Poverty, by America)
Scattered craft knowledge is concentrated in the hands of the employer, then doled out again to workers in the form of minute instructions needed to perform some part of what is now a work process.
Matthew B. Crawford (Shop Class as Soulcraft: An Inquiry into the Value of Work)
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tomharvey009
Association of dissimilar ideas “I had earlier devised an arrangement for beam steering on the two-mile accelerator which reduced the amount of hardware necessary by a factor of two…. Two weeks ago it was pointed out to me that this scheme would steer the beam into the wall and therefore was unacceptable. During the session, I looked at the schematic and asked myself how could we retain the factor of two but avoid steering into the wall. Again a flash of inspiration, in which I thought of the word ‘alternate.’ I followed this to its logical conclusion, which was to alternate polarities sector by sector so the steering bias would not add but cancel. I was extremely impressed with this solution and the way it came to me.” “Most of the insights come by association.” “It was the last idea that I thought was remarkable because of the way in which it developed. This idea was the result of a fantasy that occurred during Wagner…. [The participant had earlier listened to Wagner’s ‘Ride of the Valkyries.’] I put down a line which seemed to embody this…. I later made the handle which my sketches suggested and it had exactly the quality I was looking for…. I was very amused at the ease with which all of this was done.” 10. Heightened motivation to obtain closure “Had tremendous desire to obtain an elegant solution (the most for the least).” “All known constraints about the problem were simultaneously imposed as I hunted for possible solutions. It was like an analog computer whose output could not deviate from what was desired and whose input was continually perturbed with the inclination toward achieving the output.” “It was almost an awareness of the ‘degree of perfection’ of whatever I was doing.” “In what seemed like ten minutes, I had completed the problem, having what I considered (and still consider) a classic solution.” 11. Visualizing the completed solution “I looked at the paper I was to draw on. I was completely blank. I knew that I would work with a property three hundred feet square. I drew the property lines (at a scale of one inch to forty feet), and I looked at the outlines. I was blank…. Suddenly I saw the finished project. [The project was a shopping center specializing in arts and crafts.] I did some quick calculations …it would fit on the property and not only that …it would meet the cost and income requirements …it would park enough cars …it met all the requirements. It was contemporary architecture with the richness of a cultural heritage …it used history and experience but did not copy it.” “I visualized the result I wanted and subsequently brought the variables into play which could bring that result about. I had great visual (mental) perceptibility; I could imagine what was wanted, needed, or not possible with almost no effort. I was amazed at my idealism, my visual perception, and the rapidity with which I could operate.
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
Andy and I met Ramiz for our bi-weekly sessions. At some juncture of each rendezvous, Ramiz would lay two golden eggs he had inserted into his anus! After they had been cleaned, these eggs were presented to us as tokens of appreciation for our service. They were crafted by Chimento, the luxury purveyor from whom Ramiz had bought the Faberge eggs. The shop made two dozen of the hollow, twenty-four carat gold eggs. He stuffed several hundred dollars in each of them. Andy nicknamed him 'The Man who lays the Golden Eggs.'  Like the golden goose in ‘Jack and the Beanstalk’, my teacher never failed to lay golden eggs during each session.
Young (Initiation (A Harem Boy's Saga Book 1))
A shopping bag from a local hobby store contained kits for making buzzers and doorbells. Jugs of liquid resin and rolls of plastic food wrap sat beside the bag, and a mini-loaf baking pan was wedged between the jugs. Plastic sewing kits were stacked next to X-Acto knives, and so many arts and crafts supplies Amy could open a hobby shop. The
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
In 1946 there was no money in art, no dealer galleries, no craft shops. After the war we started to teach art in every school for the first time. Our generation played a crucial role. We were the stepping stones towards today's galleries.
Theresa Sjoquist
Which brings us to a little book that may provide a clue to the cure. My wife got it as a gift from a friend. It is titled Porn for Women. It’s a picture book of hunks, photographed in all their chiseled, muscle-bound, testosterone-marinated, PG-rated glory. Lots of naked chests and low-cut jeans, complete with tousled hair and beckoning eyes. And they are ALL doing housework. There’s a picture of a well-cut Adonis, and he’s loading the washing machine. The caption reads: “As soon as I finish the laundry, I’ll do the grocery shopping. And I’ll take the kids with me so you can relax.” There’s another hunk, the cover guy, vacuuming the floor. A particularly athletic-looking man peers up from the sports section and declares, “Ooh, look, the NFL playoffs are today. I bet we’ll have no trouble parking at the crafts fair”. Porn for Women. Available at a marriage near you.
Anonymous
The yarn forms the stitches, the knitting forges the friendships, the craft links the generations.” —Karen Alfke, “Unpattern” designer and knitting instructor LYDIA HOFFMAN
Debbie Macomber (The Shop on Blossom Street (Blossom Street, #1))
Andy and I met Ramiz for our bi-weekly sessions. At some juncture of each rendezvous, Ramiz would lay two golden eggs he had inserted into his anus! After they had been cleaned, these eggs were presented to us as tokens of appreciation for our service. They were crafted by Chimento, the luxury purveyor from whom Ramiz had bought the Faberge eggs. The shop made two dozen of the hollow, twenty-four carat gold eggs. He stuffed several hundred dollars in each of them.
Young (Initiation (A Harem Boy's Saga Book 1))
Scarf. Fountain. Beautiful man. Aunt Evelyn. She might as well have orchestrated the elements of nature to do her bidding. My favorite romance novelist, Ingrid Ing, could not have crafted a more glorious beginning.
Roselle Lim (Vanessa Yu's Magical Paris Tea Shop)
BROOM PURIFICATION This basic purification with a broom can be done almost anytime and anywhere. Do not use a plastic or nylon-bristled broom. Find one with real straw bristles. Craft shops and farms open to the public sometimes sell handmade brooms. (For a personal touch, you can make one yourself following the directions in Chapter 7.) You can keep the broom you use for purification for that purpose alone, or use your regular housecleaning broom to purify. Here is how you should purify with a broom: 1. Stand in the middle of the room you intend to purify. Hold the broom in your hands. 2. Take three deep, slow breaths to calm yourself. 3. Begin to make a sweeping motion, sweeping the broom from your right to your left. Don’t actually touch the floor with the broom, but swing the broom an inch or so above it. It’s energy you’re sweeping, not the floor itself. 4. Turning to your left, slowly turn in place. This is a counterclockwise direction, which is traditionally associated with breaking up and banishing negative energy. Walk in a counterclockwise spiral around the room, sweeping just above the floor as you go. As you walk and sweep, visualize the energy of the room being stirred up by the motion of your broom, and any heavy spots being broken up and restored to the regular flow. See the energy being transformed from murky to bright and sparkling. 5. Sweep the entire room, gradually widening your counterclockwise spiral until you end at the door. 6. If you wish, you may end the purification with a short statement, such as: Bright and strong flows the energy through my home. This room is purified.
Arin Murphy-Hiscock (The Green Witch: Your Complete Guide to the Natural Magic of Herbs, Flowers, Essential Oils, and More (Green Witch Witchcraft Series))
Laxmi Nagar, a heaven for sweet tooths, boasts an array of renowned mithai shops. But amidst these gems, Shagun Sweets shines brightly, captivating hearts with its delectable offerings. For generations, we've crafted authentic Indian sweets using time-honored recipes and the finest ingredients. Step into our welcoming space and be greeted by the irresistible aroma of freshly prepared pedas, soan papdis, and barfis. Explore our diverse selection, from melt-in-your-mouth kalakhands to rich and creamy rasgullas. We proudly present traditional favorites like kaju katlis and ladoos alongside innovative creations that tantalize your taste buds. Visit us today and discover why we're a beloved name among the famous sweet shops in Laxmi Nagar.
Shagun sweets
When I was young, and my mother began filling my hope chest with bed sheets and serving spoons and cuttings of colorful fabrics, and saving pictures from the JC Penney catalog of china hutches and dinnerware and lush comforters for someday, I created shadow boxes for places I dreamed of visiting. I’d spend birthday money on bags of seashells and craft sand from the hobby shop for a Hawaiian beach scene, create a Swiss ski village with cotton balls and thrift store sweaters cut into tiny versions for Popsicle stick skiers, prop toothpick tents on top of papier-mâché Kilimanjaros and Everests. These adorned my room, anointing my dresser and the fake wood paneling of our trailer walls with my fantasies. My mother once came in while I was dusting them and said, “It’s all well and good to dream. Dreaming keeps a body moving.
Kim Henderson
Best Gulab Jamun Shop in Delhi Indulge in the soft and flavorful delight of Gulab Jamuns at the Best Gulab Jamun Shop in Delhi. Renowned for their precision and passion, these establishments have mastered the art of crafting golden-brown dumplings soaked in aromatic sugar syrup. Whether it's a family gathering or a festive celebration, the Gulab Jamuns from these shops redefine indulgence. The perfect balance of sweetness and texture makes the Best Gulab Jamun Shop in Delhi the ultimate destination for connoisseurs seeking an authentic and delightful sweet treat.
Shagun sweets
Imagine yourself in pre-industrial times and consider how implausible each of these recent advances would have seemed. To an artisan skilled in the crafting of violins, an iPod would seem frankly preposterous. To a worker in a print shop in the seventeenth century, the power and outward simplicity of a desktop printer would be beyond imagining
K. Eric Drexler (Radical Abundance: How a Revolution in Nanotechnology Will Change Civilization)
Sell your art, crafts, or any handcrafted item on etsy.com Develop a travel concierge service to help people when they miss their flights Offer online tutoring services in your field of expertise Host a networking event (charge a low ticket price and get sponsors to provide food) Create and sell a visitors’ guide to your town or city, or build a web resource for tourists, supported by advertisers Create an online (or offline) course in some quirky subject you happen to know a lot about Publish a blog with a new lesson on a specific topic every day Start a podcast and sell sponsorship Visit yard sales or thrift shops and buy items to resell Offer a simple freelance service—anything from fact-checking to tech support or something else entirely Become a home, office, or life organizer Manage P.R. or social media accounts for small businesses Buy and sell used textbooks to college students Sell your musings on business, art, or culture as a freelance writer Start a membership website, where people pay a monthly or annual fee to access useful information about a specific topic Write and publish a book (if I can do it, you can too!)
Chris Guillebeau (Side Hustle: From Idea to Income in 27 Days)
We were doing this shopping search and saying, “We want a test where on this query we want to get 80 percent right answers.” And so they're saying, “Right! So if it's a wrong answer it's a bug, right?” And I said, “No, it's OK to have one wrong answer as long at it's not 80 percent.” So they say, “So a wrong answer's not a bug?” It was like those were the only two possibilities. There wasn't an idea that it's more of a trade-off.
Peter Seibel (Coders at Work: Reflections on the Craft of Programming)
working in Elspeth’s craft shop in Relton three days a week in exchange for the use of the pottery wheel and kiln in the back. But Elspeth was hardly an ordinary person; she was a kindly old silver-haired lesbian who had been living in Relton with her companion, Dottie, for over thirty years. She affected the tweedy look of a country matron, but the twinkle in her eyes told a different story. Mara loved both of them very much, but Dottie was rarely to be seen these days. She was ill – dying of cancer, Mara suspected – and Elspeth bore the burden with her typical gruff stoicism. At twelve o’clock, Rick knocked and came in through the back door, interrupting Mara’s wandering thoughts. He looked every inch the artist: beard, paint-stained smock and jeans, beer belly. His whole appearance cried out that he believed in himself and didn’t give a damn what other people thought about him. ‘All quite on the western front?’ he asked. Mara nodded. She’d been half listening for the sound of a police car above the wind chimes. ‘They’ll be here, though.’ ‘It’ll probably
Peter Robinson (A Necessary End (Inspector Banks, #3))
The Romans built houses, shops, public buildings, and baths from concrete. The breakwaters, towers, and other structures that made up the colossal man-made harbor of Caesarea,8 in what is now Israel, were built with concrete, as was the foundation of the Colosseum, along with countless bridges and aqueducts9 across the empire. Most famously, Rome’s Pantheon, built nearly 2,000 years ago, is roofed with a spectacular concrete dome—still the biggest concrete structure without reinforcing steel in the world. Like so much other knowledge the Romans had accumulated, though, the science and technology of concrete faded from memory as the empire slowly crumbled over the centuries that followed. “Perhaps the material was lost because it was industrial in nature and needed an industrial empire to support it,” writes scientist and engineer Mark Miodownik in Stuff Matters. “Perhaps it was lost because it was not associated with a particular skill or craft, such as ironmongery, stonemasonry, or carpentry, and so was not handed down as a family trade.”10 Whatever the reasons, the result was striking: “There were no concrete structures built for more than a thousand years after the Romans stopped making it,” notes Miodownik.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
Sixty years ago my family lived in an orange grove. Forty years ago we were one house in a field of houses, with few orange trees between. Twenty years ago we were one of many houses in a row in a rich neighborhood. Ten years ago, mainlanders bought up all the houses, all but my family’s, because my father didn’t sell. So now we have a hotel to the left of us, and a surf shop to the right, and two bars on the street, and three mansions, and no orange trees. My father sits on the porch and rocks, as he’s done all my life. Even if you live sixty years on one block, the block moves around you. Gladstone, Max. The Craft Sequence . Tom Doherty Associates. Kindle Edition.
Max Gladstone (Full Fathom Five (Craft Sequence, #3))
ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Few records exist to establish a definitive date as to when the first ships were built in the Piscataqua region. Fishing vessels were probably constructed as early as 1623, when the first fishermen settled in the area. Many undoubtedly boasted a skilled shipwright who taught the fishermen how to build “great shallops”as well as lesser craft. In 1631 a man named Edward Godfrie directed the fisheries at Pannaway. His operation included six large shallops, five fishing boats, and thirteen skiffs, the shallops essentially open boats that included several pairs of oars, a mast, and lug sail, and which later sported enclosed decks.5 Records do survive of the very first ship built by English settlers in the New World. In 1607, at the mouth of the Kennebec River in Maine, the Plymouth Company erected a short-lived fishing settlement. A London shipwright named Digby organized some settlers to construct a small vessel with which to return them home to England, as they were homesick and disenchanted with the New England winters. The small craft was named, characteristically, the Virginia. She was evidently a two-master and weighed about thirty tons, and she transported furs, salted cod, and tobacco for twenty years between various ports along the Maine coast, Plymouth, Jamestown, and England. She is believed to have wrecked somewhere along the coast of Ireland.6 By the middle of the seventeenth century, shipbuilding was firmly established as an independent industry in New England. Maine, with its long coastline and abundant forests, eventually overtook even Massachusetts as the shipbuilding capital of North America. Its most western town, Kittery, hovered above the Piscataqua. For many years the towns of Kittery and Portsmouth, and upriver enclaves like Exeter, Newmarket, Durham, Dover, and South Berwick, rivaled Bath and Brunswick, Maine, as shipbuilding centers, with numerous shipyards, blacksmith shops, sawmills, and wharves. Portsmouth's deep harbor, proximity to upriver lumber, scarcity of fog, and seven feet of tide made it an ideal location for building large vessels. During colonial times, the master carpenters of England were so concerned about competition they eventually petitioned Parliament to discourage shipbuilding in Portsmouth.7 One of the early Piscataqua shipwrights was Robert Cutts, who used African American slaves to build fishing smacks at Crooked Lane in Kittery in the 1650s. Another was William Pepperell, who moved from the Isle of Shoals to Kittery in 1680, where he amassed a fortune in the shipbuilding, fishing, and lumber trades. John Bray built ships in front of the Pepperell mansion as early as 1660, and Samuel Winkley owned a yard that lasted for three generations.8 In 1690, the first warship in America was launched from a small island in the Piscataqua River, situated halfway between Kittery and Portsmouth. The island's name was Rising Castle, and it was the launching pad for a 637-ton frigate called the Falkland. The Falkland bore fifty-four guns, and she sailed until 1768 as a regular line-of-battle ship. The selection of Piscataqua as the site of English naval ship construction may have been instigated by the Earl of Bellomont, who wrote that the harbor would grow wealthy if it supplemented its export of ship masts with “the building of great ships for H.M. Navy.”9 The earl's words underscore the fact that, prior to the American Revolution, Piscataqua's largest source of maritime revenue came from the masts and spars it supplied to Her Majesty's ships. The white oak and white pine used for these building blocks grew to heights of two hundred feet and weighed upward of twenty tons. England depended on this lumber during the Dutch Wars of the
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
MYTH-1: Handmade items are costly! The items are modest yet the commitment of the craftsmen behind the items we offer is costly The vast majority of the cycles engaged with making the item are finished by the creator – the plan, however, the choice of the materials, the working out of how to cause the materials to go together, gathering the item, capturing the item, advertising the item, planning the bundling, and posting, conveying, or action selling. In spite of this, the items that the fasten organization offers you are truly sensible. Haven't viewed our list? here you go! (click here) Have you ever discovered such wonderful hand-made items at such modest rates?? I GUESS NOT! MYTH-2: HAND-MADE PRODUCTS ARE NOT STYLISH On the off chance that you believe that way, I have an inquiry for you – did your grandmother convey such a shopping pack when went out to get for food supplies or did she have such telephone and individual embellishment sacks? Certainly not. The crafted works are not, at this point unfashionable or old-fashioned. Actually, they are intended for pioneers. Simply being an aspect of the pattern and following it has neither rhyme nor reason. Be the person who sets it MYTH-3: HANDMADE GOODS ARE OF POOR QUALITY I can't envision how individuals have such misguided judgment. The machine-made merchandise is to some degree bargained with quality. In any case, with regards to hand made items, they are taken well consideration of by the craftsmen as referenced above, there is no trade-off with the quality. They are made of cotton and jute which are solid and strong. They are lightweight and simple to deal with. MYTH-4: THEY ARE SAME OLD PATTERNS You can't quit lecturing about the handcrafted items which are extremely extraordinary as it will never be equivalent to some other the explanation being that they are delivered by the hands of a craftsman and not a machine. The sack so made is a result of devotion, love, energy, and the enthusiasm to serve the client. Individuals love block prints due to the strong and straightforward plans that can be made, yet that effortlessness finds a way to accomplish. The strategy is brilliant for pictures with only a couple of tones and fewer subtleties however can be hard to use for pictures with bunches of little content, or extremely fine subtleties that will, in general, sever the square with such a large number of employments. One of the benefits of square printing is that it very well may be done on a surface of practically any size and surface. I print on texture, paper, canvas, wood, and different materials, and you don't need to stress over fitting it through a printer or a press. MYTH-5: HANDMADE PRODUCTS ARE NOT LONG LASTING Recollect the last cowhide sack you had? Which lost its covering not long after getting wet in a downpour or subsequent to utilizing it for 3-4 times. That is not the situation with hand-made cotton packs. They are launderable which makes it look clean with each utilization. No problem with the upkeep.
The Stitch Company
Alfred Wallis,
Ali McNamara (Kate and Clara's Curious Cornish Craft Shop)
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense.
Shelley Brown (Weird Girl Adventures from A to Z)
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense. I’ll give you a hint. A woman walked around wearing a t-shirt stating, “Data is the new bacon.” Excuse me, but fuck you, it is not! Okay, fine. Last hint. All the Mumford & Sons dudes and non-makeup wearing inked millennials are wearing the exact same shirt. Slap yourself if you get this wrong. My hell is the APPLE STORE!
Shelley Brown-Weird Girl Adventures from A to Z
Jana Ann Bridal Couture | San Diego Custom Wedding Dresses What appeals to one person may not appeal to another. Which is why Jana Ana Bridal Couture prides itself on creating custom wedding dresses from start to finish. Jana Ana Bridal Couture offers custom wedding dresses in the San Diego area and beyond. You are in control of your own destiny here. Did you find an almost-perfect dress that’s not your preferred shade of off-white? Or maybe it doesn’t have a long and dramatic train that you had your heart set on? What if we told you that you don’t have to settle for less? At Jana Ana Bridal Couture, we are excited by the opportunity of crafting your dream dress. If you’re a bride that knows what she wants and won’t stop until she gets it, we should be the first people you call, because we put your needs first. Custom wedding dresses are all the rage, and there’s no one who does custom wedding dresses better than Jana Ana Bridal Couture. We were making custom dresses before it was cool! Stop on by our San Diego Bridal Boutique today. Jana Ana Bridal Couture also provides Plus Size Wedding Dresses, Beach Wedding Dresses and with our variety of styles and special collections will sure end your baffles, our team is waiting for you to give the service you deserve, plan your wedding dress in style with the best San Diego Wedding Dresses shop. Call us: (619) 649-2439 #San_Diego_Wedding_Dresses #San_Diego_Bridal_Shops #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San_Diego #Plus_Size_Wedding_Dresses #Beach_Wedding_Dresses #Simple_Wedding_Dresses #San_Diego_Bridal_Shops #Bridal_Shops_near_me #Wedding_Dresses_San_Diego #Wedding_Dresses_near_me #San_Diego_Bridal_Boutique #Bridal_Boutique_near_me #San_Diego_Wedding_Shop #Wedding_shop_near_me #San_Diego_Bridal_Stores #Bridal_Stores_near_me
Jana Ann Bridal Couture San Diego Wedding Dress Styles
But he’s the best leatherworker in Serin,” Cayla insisted, “and he’s so honored to be crafting your holsters. I told him you greatly appreciated his efforts, and he was so flustered, he spilled half a shelf of sheaths on the ground. I helped him clean it all up, though, and then he posted a beautiful, hand-soldered sign in his front window that says ‘Personal Craftsman to the Honorable Baron Flynt.’” Now, I turned around. “He’s not my personal craftsman,” I clarified, “he’s yours, and I don’t know that I like--” “Mason, he’s eighty-three years old and has seventeen great grandchildren running around his shop,” Cayla informed me, and any irritation I had just poofed into dust. “Oh,” I replied as my women giggled. “Well, then Hugo’s my personal craftsman. But I don’t really think I need a whip.
Eric Vall (Metal Mage 11 (Metal Mage, #11))