“
In our family, there was no clear line between religion and fly fishing. We lived at the junction of great trout rivers in western Montana, and our father was a Presbyterian minister and a fly fisherman who tied his own flies and taught others. He told us about Christ's disciples being fishermen, and we were left to assume, as my brother and I did, that all first-class fishermen on the Sea of Galilee were fly fishermen and that John, the favorite, was a dry-fly fisherman.
”
”
Norman Maclean (A River Runs Through It and Other Stories)
“
This brings me back to the image of Kafka standing before a fish in the Berlin aquarium, a fish on which his gaze fell in a newly found peace after he decided not to eat animals. Kafka recognized that fish as a member of his invisible family- not as his equal, of course, but as another being that was his concern.
”
”
Jonathan Safran Foer (Eating Animals)
“
If I felt like a fish out of water in my family, I felt like a fish on Mars in Adam’s circle.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
The world is crazy. You need a license to drive a car and go fishing. You don't need a license to start a family. Two people have sex and BAM! Perfectly innocent kid is born whose life will be screwed up by her parents forever.
”
”
Laurie Halse Anderson (The Impossible Knife of Memory)
“
Sometimes it seemed as if his whole life was an exercise in waiting; not waiting to leave, exactly, but simply waiting to go. He felt like one of those fish that had the capacity to grow in unimaginable ways if only the tank were big enough. But his tank had always been small, and as much as he loved his home- as much as he loved his family- he'd always felt himself bumping up against the edges of his own life.
”
”
Jennifer E. Smith (The Geography of You and Me)
“
I was only then, when I knew I was alone, at least for the moment, that I reached under my gown into the pocket of my dress. As I pulled out my key from the yellow house, which I'd kept on my bureau since the day Nate left, I traced the shape one last time before folding my hand tightly around it.
Behind me, Cora was calling again. My family was waiting. Looking down at the pond, all I could think was that it is an incredible thing, how a whole world can rise from what seems like nothing at all. I stepped closer to the edge, keeping my eyes on my reflection as I dropped the key into the water, where it landed with a splash. At first, the fish darted away, but as it began to sink they circled back, gathering around. Together, they followed it down, down until it was gone.<3
”
”
Sarah Dessen (Lock and Key)
“
Perhaps, Herr Ditzen, it is less important where one lives than how one lives.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
EDMUND: It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death!
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
Your god, sir, is the World. In my eyes, you, too, if not an infidel, are an idolater. I conceive that you ignorantly worship: in all things you appear to me too superstitious. Sir, your god, your great Bel, your fish-tailed Dagon, rises before me as a demon. You, and such as you, have raised him to a throne, put on him a crown, given him a sceptre. Behold how hideously he governs! See him busied at the work he likes best -- making marriages. He binds the young to the old, the strong to the imbecile. He stretches out the arm of Mezentius and fetters the dead to the living. In his realm there is hatred -- secret hatred: there is disgust -- unspoken disgust: there is treachery -- family treachery: there is vice -- deep, deadly, domestic vice. In his dominions, children grow unloving between parents who have never loved: infants are nursed on deception from their very birth: they are reared in an atmosphere corrupt with lies ... All that surrounds him hastens to decay: all declines and degenerates under his sceptre. Your god is a masked Death.
”
”
Charlotte Brontë (Shirley)
“
Lathis rattle against steel railings. Drenched half-naked men, some with torn shirts, jump up and down waving their fists. Some chant ‘Bande Mataram,’ others ‘Mazdur ki jai,’ whatever is their preference, the motherland or the brotherhood of workers. The hammer and sickle, red but limp, flaps like a half-dead fish against the trunk of a banyan tree. The sky cries monsoon tears; it has been crying all night.
”
”
Michael Tobert (Karna's Wheel)
“
Faith in God is an opening up, a letting go, a deept trust, a free act of love- but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up.
At such moments I tried to elevate myself. I would touch the turban I had made with the remnants of my shirt and I would say aloud, "THIS IS GOD'S HAT!"
I would pat my pants and say aloud, "THIS IS GOD'S ATTIRE!"
I would point to Richard Parker and say aloud, "THIS IS GOD'S CAT!"
I would point to the lifeboat and say aloud, "THIS IS GOD'S ARK!"
I would spread my hands wide and say aloud, "THESE ARE GOD'S WIDE ACRES!"
I would point at the sky and say aloud, "THIS IS GOD'S EAR!"
And in this way I would remind myself of creation and of my place in it.
But God's hat was always unravelling. God's pants were falling apart. God's cat was a constant danger. God's ark was a jail. God's wide acres were slowly killing me. God's ear didn't seem to be listening.
Despair was a heavy blackness that let no light in or out. It was a hell beyond expression. I thank God it always passed. A school of fish appeared around the net or a knot cried out to be reknotted. Or I thought of my family, of how they were spared this terrible agony. The blackness would stir and eventually go away, and God would remain, a shining point of light in my heart. I would go on loving.
”
”
Yann Martel (Life of Pi)
“
Night, forever. But within it, a city, shadowy and only real in certain ways.
The entity cowered in its alley, where the mist was rising. This could not have happened!
Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles…
And then bars had come down, slamming down, and the entity had been thrown back.
But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this…
In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching.
A shape appeared in the mist.
It drew nearer.
Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar.
Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?”
The entity stirred, like an old fish in a deep pool. It was too tired to flee.
“I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?”
“I am the Watchman.”
“They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?”
“He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.”
“What kind of human creates his own policeman?”
“One who fears the dark.”
“And so he should,” said the entity, with satisfaction.
“Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.”
The Summoning Dark backed desperately into the alley, but the light followed it, burning it.
“And now,” said the watchman, “get out of town.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
It would presently be his task to take the bandage from this young woman's eyes, and bid her look forth upon the world. But how many generations of the women of had gone to her making had descended bandaged to the family vault? He shivered a little, remembering some of the new ideas in his scientific books, and the much-cited instance of the Kentucky cave-fish, which had ceased to develop eyes because they had no use for them. What if, when he had bidden May Welland to open hers, they could only look out blankly at blankness?
”
”
Edith Wharton (The Age of Innocence)
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave.
He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him.
So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now.
But this isn't a fairy tale, and he doesn't appear. We stand here for a long time.
He really left.
Because it was all that we could do.
”
”
Hannah Moskowitz (Teeth)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
Govern a family as you would cook a small fish—very gently.
”
”
Kirstin Chen (Soy Sauce for Beginners)
“
I wondered if you wanted someone to help zip your dress up before a night out. I wondered if you wanted someone to call first in a crisis. I wondered if you wanted someone to text to bring you fish and chips when you can’t be arsed with a proper dinner. I wondered if you wanted someone in your corner when you visit your family, someone who will tell them how lucky they are to have you. I wondered if you wanted someone to fetch the Lucozade when you have the flu.
”
”
Mhairi McFarlane (Don't You Forget About Me)
“
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self.
It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!
Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight.
You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
If I catch a fish before the sun rises, I have connected myself again to the deep hum of the planet. If I turn on the television because I cannot stand an evening alone with myself or my family, I am admitting my citizenship with the living dead.
”
”
Pat Conroy (The Prince of Tides)
“
Who’s Beth?” Keri asked.
“The bartender at your wedding.”
“Oh, that’s right. How could I forget when
my husband almost got thrown out of our own
reception for trying to hire her like a hooker or
something.”
“What’s a hooker?” Bobby asked.
Keri’s island tan flushed pink. “Oops.”
“You put it on the end of a fishing pole,
dummy,” Brian explained.
Bobby frowned. “Uncle Joe tried to hire a
worm?
”
”
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
“
Writing isn’t my life…it’s a lovely part of my life... but it’s not my life. My life is family, friends, fishing, food…things like reading and painting and all the rest of it, and you can’t really prioritize when you’re involved with family or you’re involved in fishing, you can’t say, ‘Oh, I really should be writing.
”
”
Keri Hulme
“
The children mingled with the adults, and spoke and were spoken to. Children in these families, at the end of the nineteenth century, were different from children before or after. They were neither dolls nor miniature adults. They were not hidden away in nurseries, but present at family meals, where their developing characters were taken seriously and rationally discussed, over supper or during long country walks. And yet, at the same time, the children in this world had their own separate, largely independent lives, as children. They roamed the woods and fields, built hiding-places and climbed trees, hunted, fished, rode ponies and bicycles, with no other company than that of other children.
”
”
A.S. Byatt (The Children's Book)
“
All over the city lights were coming on in the purple-blue dusk. The street lights looked delicate and frail, as though they might suddenly float away from their lampposts like balloons. Long twirling ribbons of light, red, green, violet, were festooned about the doorways of drugstores and restaurants--and the famous electric signs of Broadway had come to life with glittering fish, dancing figures, and leaping fountains, all flashing like fire. Everything was beautiful. Up in the deepening sky above the city the first stars appeared white and rare as diamonds.
”
”
Elizabeth Enright (The Saturdays (The Melendy Family, #1))
“
The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. For the perfect flâneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world - impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito. The lover of life makes the whole world his family, just like the lover of the fair sex who builds up his family from all the beautiful women that he has ever found, or that are or are not - to be found; or the lover of pictures who lives in a magical society of dreams painted on canvas. Thus the lover of universal life enters into the crowd as though it were an immense reservoir of electrical energy. Or we might liken him to a mirror as vast as the crowd itself; or to a kaleidoscope gifted with consciousness, responding to each one of its movements and reproducing the multiplicity of life and the flickering grace of all the elements of life.
”
”
Charles Baudelaire (The Painter of Modern Life and Other Essays (Phaidon Arts and Letters))
“
I found myself thinking of Potts as a tragic figure, a guy who'd been a happy towheaded kid you'd love to take fishing with you, who'd mistakenly invested in academic medicine when he'd have been happy in his family business, and who'd become a splattered mess on the parking lot of a hospital in a city he'd despised. What had been the seductiveness of medicine? Why?
”
”
Samuel Shem (The House of God)
“
After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.
”
”
Sarah Ockler (Twenty Boy Summer)
“
Do not expect too much from your child and she will grow in your love... But if you push her too much, you will push her away. A child is not yours to own but to raise. She may not be what you will have her to be, but she will be what she has to be. Remember what they say, that 'Wood may remain twenty years in the water, but it is still not a fish.
”
”
Jane Yolen (Sister Light, Sister Dark (Great Alta, #1))
“
I was adopted into the Muchquauh, the Bear Clan, of the Muhheconneok people when I reached manhood. The grannies got so tired of my bein' forever at their fires eatin' their food that they decided to make me part of the family so they could quit treatin 'me like a guest and send me out to fish.
”
”
Pamela Clare (Surrender (MacKinnon’s Rangers, #1))
“
And, as always, I thank my family who are an amazing network of support.
”
”
Laisha Rosnau (Notes on Leaving)
“
Give a man a fish
and he'll eat for a day.
Give a WOMAN a fish
and she'll feed the whole family for a week!
”
”
Cameron Semmens (ICE SKATING IN THE TAJ MAHAL - a totally non-depressing look at poverty (in poems you'll want to share))
“
In our family, there was no clear line between religion and fly fishing.
”
”
Norman Maclean (A River Runs Through It and Other Stories)
“
O Heavenly Children, God's messengers are as limitless as the fish in the sea. They come in all colors, regions, languages and creeds. But their message is one and the same, don't you see? He only wishes to unite all His children under one family tree.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
And as I continued to draw, I noticed more. Like how food rotates between meat and fish. Like how you’re always eating the worst parts of the dish. How all you think of is the well-being of our family. I’m really sorry… I’m sorry… for being a terrible son…
”
”
Tsubasa Yamaguchi (ブルーピリオド 1 [Blue Period 1])
“
Tristan’s Mom: What are these?
Tristan: Your granddaughters.
Tristan’s Dad: Don’t worry honey, you don’t look old enough to be a mother let alone a
grandmother.
Tristan’s Mom: Again with the flattery, thank you dear. Where did they come from?
Tristan: Camie gave birth last night.
Jeff: I didn’t know she was pregnant.
Tristan: She wasn’t. It was a miracle.
Tristan’s Mom: Do they have names?
Tristan: Phineas and Ferb.
Jeff: From the cartoon?
Tristan’s Dad: That figures, he named the dog Scooby.
Tristan’s Mom: They sound like boy names.
Tristan: Mom! Shhh, you’ll give them a complex.
Jeff: If that Ferb one climbs my legs again I’m drop kicking it.
Tristan: That’s child abuse and I’ll press charges. Besides, they just miss their mom.
Jeff: I’m calling CPS (cat protective services)…
Tristan: What for?
Jeff: Because you’re making your kids live in a broken home unnecessarily.
Tristan: I’m not talking to you anymore.
Jeff: Fine, as long as you to talk to her.
Tristan: Back off.
Jeff: Nope, not gonna do it.
Tristan: I’m warning you man.
Jeff: You miss her too.
Tristan: Yeah, so?
Jeff: So do something about it.
Tristan: Happy? Last night was miserable and I think it’s too late.
Jeff: You still have a 12 year old ace in the hole.
Tristan: Saving it as a last resort.
Tristan’s Dad: Honey, do you have a clue as to what they’re talking about?
Tristan’s Mom: No and I don’t want one.
Jeff: I’m just helping my nieces get their parents back together. Dude, it’s time. Make the call.
Tristan: Alright, I did it. But I get the feeling I’m about to do business with the mob. I hope I don’t
wake up with the head of my horse in bed with me tonight.
Jeff: Well, a good father will do anything he can to protect his family, even if that means he runs
the risk of sleeping with the fishes.
Tristan: Okay girls, your aunt helped Daddy come up with a plan and if it works you should get to
see Mommy today. Cross your paws, or claws, or whatever…just cross something for luck.
”
”
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
“
I love salmon. Of all my fishy friends, I love salmon the best. Or trout. Or tuna. Or smelts. Oh heck. I love them ALL! But I have such fond memories of salmon. See, my dad was a fisherman. I mean a fanatic fisherman. Fishing was probably what he liked to do most (along with gardening and riding horses and camping in the Sierra and bowling and… ) But honestly, folks, fishing was probably the winner for leisure-time activities.
”
”
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
“
Even a fish can be used to commit a crime. I handled a murder case once. Some bitch cut off her husband’s family jewels. You know what she used? A frozen tilapia she got out of the freezer! The spines along the back were like razors—
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
Here there is space for families to play, grow, expand. Space that doesn’t exist where life is circumscribed by commutes and high costs and the presence of thousands, of millions of other people. If you keep a fish in a small crowded tank it will grow up stunted and tiny, never attaining its true natural size. Part of me believes that people are the same way, that we need space, room to explore and grow, a certain distance from our neighbors.
”
”
Christopher Ingraham (If You Lived Here You'd Be Home By Now: Why We Traded the Commuting Life for a Little House on the Prairie)
“
You have heard, of course, of those tiny fish in the rivers of Brazil that attack the unwary swimmer by thousands and with swift little nibbles clean him up in a few minutes, leaving only an immaculate skeleton? Well, that's what their organization is. "Do you want a good clean life? Like everybody else?" You say yes, of course. How can one say no? "O.K. You'll be cleaned up. Here's a job, a family, and organized leisure activities." And the little teeth attack the flesh, right down to the bone. But I am unjust. I shouldn't say their organization. It is ours, after all: it's a question of which will clean up the other.
”
”
Albert Camus (The Fall)
“
So I went instead and tasted Taki's new white wine. Spiridion! what a wine...like the blood of a dragon and smooth as a fish...
”
”
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
“
If a fish is born in your aquarium and you call him John, write out a birth certificate, tell him about his family history, and two minutes later he gets eaten by another fish — that’s tragic. But it’s only tragic because you projected a separate self where there was none. You got hold of a fraction of a dynamic process, a molecular dance, and made a separate entity out of it.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
Actually, I’m glad I’m not rich. I’ve gotta believe that it’s harder to die if you are. Not only do you lose possession of all those assets, all that cash and those stocks and bonds and cars and antiques and silver and paintings and vacation homes, but in those final days and weeks there can be no denying that a tremendous amount of your life was spent accumulating and fussing over all those assets, time that could have been spent with family and friends or fishing or traveling...
”
”
Jonathan Hull (Losing Julia)
“
We are shaped by stories from the first moments of life, and even before. Stories tell us who we are, why we are here, and what will become of us. Whenever humans try to make sense of their experience, they create a story, and we use those stories to answer all the big questions of life. The stories come from everywhere--from family, church, school, and the culture at large. They so surround and inhabit us that we often don't recognize that they are stories at all, breathing them in and out as a fish breathes water.
”
”
Daniel Taylor
“
The sea is full of saints. You know that? You know that: you're a big boy.
The sea's full of saints and it's been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they're still there now.
Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out: they spit up spirals. There's nothing saints don't do.
Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here come another one! Now they're fighting! Yours won.
There aren't any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What's your favourite saint? I'll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They're all a holy family, they're all cousins. Of each other, and of ... you know what else they're cousins of?
That's right. Of gods.
Alright now. Who was it made you? You know what to say.
Who made you?
”
”
China Miéville (Kraken)
“
In praise of mu husband's hair
A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair.
His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance.
Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
”
”
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
“
Fanfare for the Makers
A cloud of witnesses. To whom? To what?
To the small fire that never leaves the sky.
To the great fire that boils the daily pot.
To all the things we are not remembered by,
Which we remember and bless. To all the things
That will not notice when we die,
Yet lend the passing moment words and wings.
So fanfare for the Makers: who compose
A book of words or deeds who runs may write
As many who do run, as a family grows
At times like sunflowers turning towards the light.
As sometimes in the blackout and the raids
One joke composed an island in the night.
As sometimes one man’s kindness pervades
A room or house or village, as sometimes
Merely to tighten screws or sharpen blades
Can catch a meaning, as to hear the chimes
At midnight means to share them, as one man
In old age plants an avenue of limes
And before they bloom can smell them, before they span
The road can walk beneath the perfected arch,
The merest greenprint when the lives began
Of those who walk there with him, as in default
Of coffee men grind acorns, as in despite
Of all assaults conscripts counter assault,
As mothers sit up late night after night
Moulding a life, as miners day by day
Descend blind shafts, as a boy may flaunt his kite
In an empty nonchalant sky, as anglers play
Their fish, as workers work and can take pride
In spending sweat before they draw their pay.
As horsemen fashion horses while they ride,
As climbers climb a peak because it is there,
As life can be confirmed even in suicide:
To make is such. Let us make. And set the weather fair.
Louis Macneice
”
”
Louis MacNeice (Collected Poems)
“
I never told you about the trip to Portugal 3 years ago when I read Fernando Pessoa at 1 a.m. outside a small family-run restaurant by the harbour. If I close my eyes I can still smell the salt water and the fish, some sort of cleaning powder scent from the kitchen, can still feel the heat, a soft wind and me sitting with wide open eyes on my own at 1 a.m. writing what I thought was profound and excellent. I felt like a writer then. I was not a girlfriend or a daughter or a songwriter who never got signed—I was a writer in the truest sense and I lived in my own flames.
”
”
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
“
Fish and chip night was a Kumar family tradition that dated back to when Jaget was courting his wife and they used to meet in the last white English-owned fish and chip shop in Wembley on the basis that none of their relatives would go in there. “It
”
”
Ben Aaronovitch (The Furthest Station (Rivers of London, #5.7))
“
Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean!
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
The Whites always mean well when they take human fish out of the ocean and try to make them dry and warm and happy and comfortable in a chicken coop; but the kindest-hearted white man can always be depended on to prove himself inadequate when he deals with savages. He cannot turn the situation around and imagine how he would like it to have a well-meaning savage transfer him from his house and his church and his clothes and his books and his choice food to a hideous wilderness of sand and rocks and snow, and ice and sleet and storm and blistering sun, with no shelter, no bed, no covering for his and his family's naked bodies, and nothing to eat but snakes and grubs and offal. This would be a hell to him; and if he had any wisdom he would know that his own civilization is a hell to the savage - but he hasn't any, and has never had any; and for lack of it he shut up those poor natives in the unimaginable perdition of his civilization, committing his crime with the very best intentions, and saw those poor creatures waste away under his tortures; and gazed at it, vaguely troubled and sorrowful, and wondered what could be the matter with them.
”
”
Mark Twain (Following the Equator: A Journey Around the World)
“
If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
Grandma Donna passed the oyster stuffing and asked my father straight out what he was working on, it being so obvious his thoughts were not with us. She meant it as a reprimand. He was the only one at the table who didn't know this, or else he was ignoring it. He told her he was running a Markov chain analysis of avoidance conditioning. He cleared his throat. He was going to tell us more.
We moved to close off the opportunity. Wheeled like a school of fish, practiced, synchronized. It was beautiful. It was Pavlovian. It was a goddamn dance of avoidance conditioning.
”
”
Karen Joy Fowler (We Are All Completely Beside Ourselves)
“
This Henry lived in Edinburgh, making him inaccessible and giving her something to do on the weekends — 'Oh, just flying up to Scotland, Henry's taking me fishing,' which is the kind of thing she imagined people doing in Scotland — she always thought of the Queen Mother, incongruous in mackintosh and waders, standing in the middle of a shallow brown river (somewhere on the outskirts of Brigadoon, no doubt) and casting a line for trout.
”
”
Kate Atkinson (Case Histories (Jackson Brodie, #1))
“
(Jen gets completely sloshed and it's not her wedding)
I was supposed to meet Carol and her family at the aquarium the next morning, and somehow had the presence of mind to leave a voicemail apologizing in advance for not being able to make it. I was please at myself for being so responsible and considerate. After I left the message, I blissfully headed off to bed, wearing a face full of makeup, all my grown up jewelry, and a relatively restrictive girdle.
Suffice it to say, yesterday was rough, what with my apartment spinning and all.
But today I felt better. That is, until Carol played me the voice mail I left for her at 1:03 AM. Somehow I thought I had been able to hold it together on the phone. Following is a transcript of the message I left:
30 seconds of heavy breathing, giggling, and intermittent hiccups (At first Carol thought it was a 911 call.)
Oh, heeheehee, I waassshh wayyyting for a beep. But noooooo beeeeeeep. Why don't you hash a beep on your, your, ummmmmm...celery phone? Noooooo beeeeeeep, hic, heeheeeheee.
Um, hiiiiii, itsch JEENNNNNNNN!! It's thirteen o'clock in the peeeeeee eeeemmmmmmm. Heeeeeeeellllllllllloooooooo! I went to my wedding tonight and it wash sooooo niiiiiiiiiice. Hic."
More giggling and the sound of a phone being dropped and retrieved
Nannyway, I am calling to telllll you noooooooooo fishies tomorry...no fishies for meeee! I hic, heeeee, can't smake it to the quariyummm. Maybeeee you can call me so I can say HIIIIIIIIIIIIIII later hich in the day hee hee hee. Call me at, um, 312, ummmmmmm, 312, uummmmm, hee hee hee I can't member my phone, Hic. Do you know my number? Can you call me and tell me what it isssch? I LIKESH TURKEY SAMMICHES!
10 seconds of chewing, giggling, and what may be gobbling sounds
Okay, GGGGGGGGooooooodniiiiiiiiiggggggggggggghhhhhhhhhhhttttt! No fish! Um, how do I turn this tthing off? Shhhhh, callllls' over. Beeee quiiiiiiietttt, hee hee hee."
15 more seconds of giggles, hiccups, shushing, and a great deal of banging
Perhaps this is why most people only have one wedding?
”
”
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
“
And thus to my final and most melancholy point: a great number of Stalin's enforcers and henchmen in Eastern Europe were Jews. And not just a great number, but a great proportion. The proportion was especially high in the secret police and 'security' departments, where no doubt revenge played its own part, as did the ideological attachment to Communism that was so strong among internationally minded Jews at that period: Jews like David Szmulevski. There were reasonably strong indigenous Communist forces in Czechoslovakia and East Germany, but in Hungary and Poland the Communists were a small minority and knew it, were dependent on the Red Army and aware of the fact, and were disproportionately Jewish and widely detested for that reason. Many of the penal labor camps constructed by the Nazis were later used as holding pens for German deportees by the Communists, and some of those who ran these grim places were Jewish. Nobody from Israel or the diaspora who goes to the East of Europe on a family-history fishing-trip should be unaware of the chance that they will find out both much less and much more than the package-tour had promised them. It's easy to say, with Albert Camus, 'neither victims nor executioners.' But real history is more pitiless even than you had been told it was.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
It remains one of the great inequalities of the world that some children are born light years ahead of others. They may come from more stable homes, from wealthy homes, from homes with cleaners and domestic staff, cooks and tutors. Everything is easier, more streamlined, more conducive to educational and career success. Others will come from one-bedroom huts with no running water and no electricity, little chance of a good education, and little time to do anything besides work. The child born into a rich family will, no doubt, progress at a faster rate and develop the sort of self-assurance that comes from stability. This is the case wherever you’re from; it is as true of communist societies as it is of capitalist ones. I have travelled the world and seen these inequalities. I have witnessed the problems such different starting blocks can bring. But if I’ve learned anything, it is that success is possible, whatever your situation and however your life begins.
I hope that this story, my story, will prove inspirational and that it will encourage others to dream big, take a plunge, use whatever resources are available. If a small poor boy fishing for prawns on a lake in Ningbo can do it, then so can you.
”
”
JOURNEY TO THE WEST By Biao Wang
“
Everyone knew about Morvath’s hatred of the Darlington clan, which was equaled only by his hatred of the Bassingthwaite clan, his adopted family the Morvath clan, the Hanoverian clan currently represented by Queen Victoria, the Chapman and Hall publishing clan, and the company that made those caramel cream profiteroles that ended up tasting like fish.
”
”
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
“
We at length, when we had captured as many fish as we could possibly utilize, set about cleaning and preparing their flesh. Some we salted, some we dried like the herrings, some we treated like the tunny of the Mediterranean—we prepared them in oil. Of the roe of the sturgeon I decided to form caviare, the great Russian dish. I removed from it all the membranes by which it is surrounded, washed it in vinegar, salted it, pressed out all the moisture caused by the wet-absorbing properties of the salt, packed it in small barrels, and
”
”
Johann David Wyss (The Swiss Family Robinson)
“
No sane paleontologist would ever claim that he or she had discovered "The Ancestor." Think about it this way: What is the chance that while walking through any random cemetery on our planet I would discover an actual ancestor of mine? Diminishingly small. What I would discover is that all people buried in these cemeteries-- no mater whether that cemetery is in China, Botswana, or Italy-- are related to me to different degrees. I can find this out by looking at their DNA with many of the forensic techniques in use in crime labs today. I'd see that some of the denizens of the cemeteries are distantly related to me, others are related more closely. This tree would be a very powerful window into my past and my family history. It would also have a practical application because I could use this tree to understand my predilection to get certain diseases and other facts of my biology. The same is true when we infer relationship among species.
”
”
Neil Shubin (Your Inner Fish: a Journey into the 3.5-Billion-Year History of the Human Body)
“
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
”
”
Paul Harding (Tinkers)
“
Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.
”
”
Douglas Coupland (All Families are Psychotic)
“
Of course, there has been a lot of speculation over the last couple of years that our wives must have married us bearded ugly ducklings because of our fame and fortune. The fact is that none of us had much at all when we met our wives, and our long, full beards came after we married them. Our crazy uncle Si likes to joke that our gift of gab--or “hot air,” as he puts it--is what helped woo our wives. Actually, our relationships were built on spiritual principles such as faith, hope, and love. Through our poverty, rugged appearances, and, at times, musty aromas, I learned that true joy doesn’t come from what you have or how you look but from what kind of man you are on the inside. On my second date with Missy, I explained to her my love for hunting and fishing, which often causes me to be gone for several days and sometimes weeks at a time. I figured my admission would rule out a third date, but I was surprised when she replied, “Okay.” I knew right then that Missy was a keeper, and she has become my spiritual soul mate and a wonderful mother to our three beautiful children.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Will you look after my family?" I attempted a smile. "Tommy's going to need a...big brother. Someone to fish with." It seemed stupid to be talking about this stuff,but there weren't any words for the bigger stuff anymore. "He makes his own flies." Jack already knew this.
"Becks-"
"And make sure he doesn't play football." Jack tilted his head at this. "I mean,football's fine, bit it's dangerous.I don't want him concussed-"
"Becks,stop."
"Just tell me you'll do it." I closed my eyes. "Tell me."
There was a long pause,and I wasn't sure there'd be time for him to answer anymore.But after a few moments,he did. "No."
My eyes shot open. "What?"
His eyes were tight,his expression on fire with blazing determination. "You watch over Will."
"What are you...?" My voice trailed off as it dawned on me what was going on. "No!" I tried to wiggle my hands free from his grip. "Don't you dare, Jack Caputo!"
But I couldn't break from his strong grasp. I twisted and thrashed but that only made Jack hold on tighter. He closed his eyes and said, "Stay with me,Becks.Dream of me. I am ever yours."
"No! I will forgive you!" I tried to pull back.Tried to get close enough for the Tunnels to suck me away instantaneously.But Jack had to be about twice my weight and pure muscle. "Let me go!"
He ignored me.In the quickest, strongest move I would ever know,Jack yanked me toward him and threw me to the ground behind him.Away from the Tunnels.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
We can combat existential anguish – the unbearable lightness of our being – in a variety of ways. We can choose to work, play, destroy, or create. We can allow a variety of cultural factors or other people to define who we are, or we can create a self-definition. We decide what to monitor in the environment. We regulate how much attention we pay to nature, other people, or the self. We can watch and comment upon current cultural events and worldly happenings or withdraw and ignore the external world. We can drink alcohol, dabble with recreational drugs, play videogames, or watch television, films, and sporting events. We can travel, go on nature walks, camp, fish, and hunt, climb mountains, or take whitewater-rafting trips. We can build, paint, sing, create music, write poetry, or read and write books. We can cook, barbeque, eat fine cuisine at restaurants or go on fasts. We can attend church services, worship and pray, or chose to embrace agnosticism or atheism. We can belong to charitable organizations or political parties. We can actively or passively support or oppose social and ecological causes. We can share time with family, friends, co-workers, and acquaintances or live alone and eschew social intermixing.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.
Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.
Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.
There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.
On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.
The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.
In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.
No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
”
”
Rachel Carson
“
The obstinacy of antiquated institutions in perpetuating themselves resembles the stubbornness of the rancid perfume which should claim our hair, the pretensions of the spoiled fish which should persist in being eaten, the persecution of the child's garment which should insist on clothing the man, the tenderness of corpses which should return to embrace the living.
"Ingrates!" says the garment, "I protected you in inclement weather. Why will you have nothing to do with me?" "I have just come from the deep sea," says the fish. "I have been a rose," says the perfume. "I have loved you," says the corpse. "I have civilized you," says the convent.
To this there is but one reply: "In former days."
To dream of the indefinite prolongation of defunct things, and of the government of men by embalming, to restore dogmas in a bad condition, to regild shrines, to patch up cloisters, to rebless reliquaries, to refurnish superstitions, to revictual fanaticisms, to put new handles on holy water brushes and militarism, to reconstitute monasticism and militarism, to believe in the salvation of society by the multiplication of parasites, to force the past on the present, – this seems strange. Still, there are theorists who hold such theories. These theorists, who are in other respects people of intelligence, have a very simple process; they apply to the past a glazing which they call social order, divine right, morality, family, the respect of elders, antique authority, sacred tradition, legitimacy, religion; and they go about shouting, "Look! take this, honest people." This logic was known to the ancients. The soothsayers practise it. They rubbed a black heifer over with chalk, and said, "She is white, Bos cretatus."
As for us, we respect the past here and there, and we spare it, above all, provided that it consents to be dead. If it insists on being alive, we attack it, and we try to kill it.
Superstitions, bigotries, affected devotion, prejudices, those forms all forms as they are, are tenacious of life; they have teeth and nails in their smoke, and they must be clasped close, body to body, and war must be made on them, and that without truce; for it is one of the fatalities of humanity to be condemned to eternal combat with phantoms. It is difficult to seize darkness by the throat, and to hurl it to the earth.
”
”
Victor Hugo (Les Misérables)
“
Book, when I close you
life itself opens.
I hear
broken screams
in the harbor.
The copper slugs
cross the sandy areas,
descending to Tocopilla.
It is night.
Between the islands
our ocean
palpitates with fish.
It touches the feet, the thighs,
the chalky ribs
of my homeland.
Night touches the shoreline
and rises while singing
at daybreak
like a guitar awakening.
I feel the irresistible force
of the ocean's call. I am
called by the wind,
and called by Rodriguez,
José Antonio,
I received a telegram
from the "Mina" worker's union
and the one I love
(I won't tell you her name)
waits for me in Bucalemu.
Book, you haven't been able
to enwrap me,
you haven't covered me
with typography,
with celestial impressions,
you haven't been able
to trap my eyes between covers,
I leave you so I can populate groves
with the hoarse family of my song,
to work burning metals
or to eat grilled meat
at the fireside in the mountains.
I love books
that are explorers,
books with forest and snow,
depth and sky,
but
I despise
the book of spiders
that employs thought
to weave its venomous wires
to trap the young
and unsuspecting fly.
Book, free me.
I don't want to be entombed
like a volume,
I don't come from a tome,
my poems don't eat poems,
they devour
passionate events,
they're nurtured by the open air
and fed by the earth
and by men.
Book, let me wander the road
with dust in my low shoes
and without mythology:
go back to the library
while I go into the streets.
I've learned to take life
from life,
to love after a single kiss,
and I didn't teach anything to anyone
except what I myself lived,
what I shared with other men,
what I fought along with them:
what I expressed from all of us in my song.
”
”
Pablo Neruda (All the Odes)
“
1924 A revival meeting seems never to get under my skin. Perhaps I am too fish-blooded to enjoy them. But I object not so much to the emotionalism as to the lack of intellectual honesty of the average revival preacher. I do not mean to imply that the evangelists are necessarily consciously dishonest. They just don’t know enough about life and history to present the problem of the Christian life in its full meaning. They are always assuming that nothing but an emotional commitment to Christ is needed to save the soul from its sin and chaos. They seem never to realize how many of the miseries of mankind are due not to malice but to misdirected zeal and unbalanced virtue. They never help the people who corrupt family love by making the family a selfish unit in society or those who brutalize industry by excessive devotion to the prudential virtues.
”
”
Reinhold Niebuhr (Leaves from the Notebook of a Tamed Cynic: A Library of America eBook Classic)
“
You know, we still have like, half an hour down here. Seems a shame to waste it.”
I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.”
“Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?”
I laughed. “Oh, inflatable castles are totally out of-“
I skidded to a stop on the first step, causing Archer to bump into me.
“What the heck is that?” I asked, pointing to a dark stain in the nearest corner.
“Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger.
Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up.
We studied my fingertip in the dim glow.
“So that’s-“
“It’s blood, yeah,” I said, not taking my eyes off my hand.
“Scary.”
“I was gonna go with vile, but scary works.”
Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood.
“Check the other corners,” I told Archer.
He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one-
“There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
From that age until seventeen I did all the work done with horses, such as breaking up the land, furrowing, ploughing corn and potatoes, bringing in the crops when harvested, hauling all the wood, besides tending two or three horses, a cow or two, and sawing wood for stoves, etc., while still attending school. For this I was compensated by the fact that there was never any scolding or punishing by my parents; no objection to rational enjoyments, such as fishing, going to the creek a mile away to swim in summer, taking a horse and visiting my grandparents in the adjoining county, fifteen miles off, skating on the ice in winter, or taking a horse and sleigh when there was snow on the ground. While still quite young I had visited Cincinnati, forty-five miles away, several times, alone; also Maysville, Kentucky, often, and once Louisville. The journey to Louisville was a big one for a boy of that day. I had also gone once with a two-horse carriage to Chilicothe, about seventy miles, with a neighbor’s family, who were removing to Toledo, Ohio, and returned alone; and had gone once, in like manner, to Flat Rock, Kentucky, about seventy miles away. On this latter occasion I was fifteen years of age.
”
”
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
“
Ding!
Princess Alpacca, pronounced like the animal, first in line to the throne of Alieya Island, a small nation below the south of France. The Queen invited her to Wessco after an attempted coup forced her family into exile last year. She doesn’t speak English and I don’t know a word of Aliesh. This is going to be a challenge.
Guermo, her translator, glares at me like I’m the bubonic plague in human form—with a mixture of hatred, disgust, and just a touch of fear.
She speaks in Aliesh, looking at me.
And Guermo translates. “She says she thinks you are very ugly.”
Princess Alpacca nods vigorously.
She’s pretty in a cute kind of way. Wild curly hair, round hazel eyes, a tiny bulbous nose, and full cheeks.
“She says she doesn’t like you or your stupid country,” Guermo informs me.
Another nod and a blank but eager smile.
“She says she would rather throw herself off the rocks to her death in the waves and be devoured by the fish than be your queen.”
I look him in the face. “She barely said anything.”
He shrugs. “She says it with her eyes. I know these things. If you weren’t so stupid you would know too.”
More nodding.
“Fantastic.”
She says something to Guermo in Aliesh, then he says something back—harshly and disapproving. And now, they’re arguing.
But they can stay.
Guermo is obviously in love with Alpacca and she clearly has no idea. My presence will force him to admit his feelings . . . but does she return his infatuation? It’ll be like living in a Latin soap opera—dramatic, passionate, and over the top. I have to see how it ends.
Ding!
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Margherita was not allowed to play in the 'portego,' for one never knew when a customer would come, and the room must always be clean and tidy and respectable. It was only ever used by the family on special occasions, and so Margherita's eyes widened when she saw that her mother had spread the table with a spotless white cloth and the best pewter bowls and mugs. A small bunch of 'margherita' daisies was in a fat blue jug, and three sweet oranges sat in an earthenware bowl. Coarse brown bread stood ready on a wooden board, next to a bowl of soft white cheese floating in golden oil and thyme sprigs. Soup made with fish and clams and fennel and scattered with sprigs of fresh parsley steamed in a big clay pot.
”
”
Kate Forsyth (Bitter Greens)
“
This is a somewhat risky translation. It pivots on the Hebrew word for “great” gadal (#H1431 גְדִּ֖ל). This word can mean many things, including: horn, as in the horn of a powerful bull, the spike of a crown, the authority that a powerful king can wield to knock down an enemy, or gore them into bloody submission.
This word also carries God-given authority to change history—as it was used in the book of Jonah. Jehovah made six things “great”: Nineveh (Jon 1:2); the storm (Jon 1:4); the fish (Jon 2:1); the plant (Jon 4:6); the worm (Jon 4:7); the wind (Jon 4:8). Each of these items were smaller tools being used by God to prod the bigger tool, like Assyria, into playing God’s weapon to punish unfaithful Israel. (Is 9:5-6)
pg 15
”
”
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
“
He sits aloof from the rest of the family, an inaccessible island with a rocky shoreline. You cannot make landfall on your own. You must first take my mother on board as the pilot to guide you through the treacherous channel. And her MO depends on the nature of the mission.
Sometimes when we had infuriated him, she was like one of those little grooming fish swimming right up to the great white shark in an apparently suicidal approach an nibbling at the menacing snout. And we would hold our breath, waiting for her to be gobbled up in a flash of fish fangs, but the great white wld exhibit some instinctive override, some primal understanding of emotional symbiosis, and would tolerate her proximity. And so the pattern had been established over decades.
”
”
Peter Godwin
“
Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow.
”
”
Fredrik Backman (Anxious People)
“
These are the moments of surprise and consecration that hold me forever in debt and bondage to the memories I bring to bear from a southern life. I fear emptiness in life, vacuity, boredom, and the hopelessness of a life bereft of action. It is the death-in-life of the middle class that sends a primeval shiver through the nerves and open pores of my soul. If I catch a fish before the sun rises, I have connected myself again to the deep hum of the planet. If I turn on the television because I cannot stand an evening alone with myself or my family, I am admitting my citizenship with the living dead. It is the southern part of me which is most quintessentially and fiercely alive. They are deeply southern memories that surround the lodestar of whatever authenticity I bring to light as a man. Because
”
”
Pat Conroy (The Prince of Tides)
“
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor.
But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals.
You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs.
My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
”
”
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
“
Agape doesn’t necessarily involve high heroics, and it certainly doesn’t involve syrupy sentiment. It’s practical. It makes a difference. And it matters. It’s evident when someone cooks a nutritious meal for his children after an exhausting day at work. It’s seen when a mother takes on three or more jobs to do what it takes to keep her family clothed, housed, and fed. It’s donating blood on a regular basis to the local blood bank. It’s risking looking un-cool, and perhaps far more than that, by interrupting people as they’re telling a racist or anti-gay joke. It’s when someone decides to use the year end bonus that he received from his employer to repair the car of the struggling single mother down the street, or purchase a burial plot for someone without means, instead of buying that boat or motorcycle he’s been wanting.
”
”
Roger Wolsey (Kissing Fish: christianity for people who don’t like christianity)
“
As Noah looked upon the powerful beasts of prey that came forth with him from the ark, he feared that his family, numbering only eight persons, would be destroyed by them. But the Lord sent an angel to his servant with the assuring message: “The fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air, upon all that moveth upon the earth, and upon all the fishes of the sea; into your hand are they delivered. Every moving thing that liveth shall be meat for you; even as the green herb have I given you all things.” Before this time God had given man no permission to eat animal food; he intended that the race should subsist wholly upon the productions of the earth; but now that every green thing had been destroyed, he allowed them to eat the flesh of the clean beasts that had been preserved in the ark.
”
”
Ellen Gould White (Patriarchs and Prophets)
“
What is it about the relationship of a mother that can heal or hurt us? Her womb is the first landscape we inhabit. It is here we learn to respond - to move, to listen, to be nourished and grow. In her body we grow to be human as our tails disappear and our gills turn to lungs. Our maternal environment is perfectly safe - dark, warm, and wet. It is a residency inside the Feminine.
When we outgrow our mother's body, our cramps become her own. We move. She labors. Our body turns upside down in hers as we journey through the birth canal. She pushes in pain. We emerge, a head. She pushes one more time, and we slide out like a fish. Slapped on the back by the doctor, we breath. The umbilical cord is cut - not at our request. Separation is immediate. A mother reclaims her body, for her own life. Not ours. Minutes old, our first death is our own birth.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence.
Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon.
So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.
”
”
Peter Grey (Apocalyptic Witchcraft)
“
But in good times his family saw little of him, for then he roamed, fished, hunted, searched for roots, lay in the grass or crouched in trees, sniffed, listened, imitated the voices of animals, kindled little fires and compared the shapes of the smoke clouds with the clouds in the sky, drenched his skin and hair with fog, rain, air, sun, or moonlight, and incidentally gathered, as his Master and predecessor Turu had done in his lifetime, objects whose inner character and outward form seemed to belong to different realms, in which the wisdom or whimsicality of nature seemed to reveal some fragment of her rules and secrets of creation, objects which seemed to unite symbolically widely disparate ideas: gnarled branches with the faces of men or animals, water-polished pebbles grained like wood, petrified animals of the primordial world, misshapen or twinned fruit pits, stones shaped like kidneys or hearts.
”
”
Hermann Hesse (The Glass Bead Game)
“
Having a few half fish in my family tree keeps my vision from blurring through the pudgy tears-I can perfectly see the solid yellow line on the road as I walk it. When I hear him following, I rip off my heels and start sprinting. Two months ago, this kind of abuse to my feet would leave them bleeding and with who-knows-what embedded in them. But with the convenience of my new thick skin, running barefoot is like running in Nike’s latest kicks.
Galen is apparently a flying fish though-his hand wraps around my arm, braking my own sad attempt at flight. He whirls me around. Pulling me to him, he lifts my chin with the pad of his thumb. When I jerk away, he grasps it tight, forcing me to look at him. The old Emma would be bruised within the next ten minutes. The new one is just pissed off.
"Let go!" I screech, pushing against his chest. Somehow this just gets me closer to him.
"Emma," he growls as I stomp his foot. "What would you have done?"
Okay, that's unexpected. I stop flailing. "What?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Right around that time, I started dating a guy named Jeff. He was a classically handsome, popular guy. But there was something different about him too. He was angrier than most teenage boys, and a little misunderstood. I ignored the signs that he was probably a bit unstable. Signs like when they gave him a fish fillet at McDonald’s instead of a Big Mac, he became so furious that he cried. Truly lost it. Real tears of rage. Like the kind of tears guys are only supposed to get when they watch a movie that touches on their dad issues. (So, most movies.) Isn’t it funny that they say most girls have daddy issues, when really, every dude does? But this dude had daddy, mommy, doggy, and fish fillet issues. I just thought, Well, he can’t help it. But I understand him. I’m here for him. Even though we were both generally well liked, when we were together it was us vs. the world. I’ve only recently broken my pattern of being drawn to the “you’re the only one who gets me” guy. Which is a bad guy to be drawn to, and it’s not a coincidence if everyone—including all your friends and family and your dog—dislikes him. But
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
Perhaps I am here because of last night’s dream, when I stood on the frozen lake before a kayak made of sealskin. I walked on the ice toward the boat and picked up a handful of shredded hide and guts. An old Eskimo man said, “You have much to work with.” Suddenly, the kayak was stripped of its skin. It was a rib cage of willow. It was the skeleton of a fish. I want to see it for myself, wild exposure, in January, when this desert is most severe. The lake is like steel. I wrap my alpaca shawl tight around my face until only my eyes are exposed. I must keep walking to stay warm. Even the land is frozen. There is no give beneath my feet. I want to see the lake as Woman, as myself, in her refusal to be tamed. The State of Utah may try to dike her, divert her waters, build roads across her shores, but ultimately, it won’t matter. She will survive us. I recognize her as a wilderness, raw and self-defined. Great Salt Lake strips me of contrivances and conditioning, saying, “I am not what you see. Question me. Stand by your own impressions.” We are taught not to trust our own experiences. Great Salt Lake teaches me experience is all we have.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
The difference between a monarch and a dictator is that the monarchical succession is defined by law and the dictatorial succession is defined by power. The effect in the latter is that the fish rots from the head down — lawlessness permeates the state, as in a mafia family, because contending leaders must build informal coalitions. Since another name for a monarchist is a legitimist, we can contrast the legitimist and demotist theories of government. […] Perhaps unsurprisingly, I see legitimism as a sort of proto-formalism. The royal family is a perpetual corporation, the kingdom is the property of this corporation, and the whole thing is a sort of real-estate venture on a grand scale. Why does the family own the corporation and the corporation own the kingdom? Because it does. Property is historically arbitrary.
The best way for the monarchies of Old Europe to modernize, in my book, would have been to transition the corporation from family ownership to shareholder ownership, eliminating the hereditary principle which caused so many problems for so many monarchies. However, the trouble with corporate monarchism is that it presents no obvious political formula. “Because it does” cuts no ice with a mob of pitchfork-wielding peasants. […] So the legitimist system went down another path, which led eventually to its destruction: the path of divine-right monarchy. When everyone believes in God, “because God says so” is a much more impressive formula.
Perhaps the best way to look at demotism is to see it as the Protestant version of rule by divine right — based on the theory of vox populi, vox dei. If you add divine-right monarchy to a religious system that is shifting from the worship of God to the worship of Man, demotism is pretty much what you’d expect to precipitate in the beaker.
”
”
Mencius Moldbug
“
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
”
”
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
“
When at last he finally hooked one, despite Elizabeth’s best efforts to prevent it, she scrambled to her feet and backed up a step. “You-you’re hurting it!” she cried as he pulled the hook from its mouth.
“Hurting what? The fish?” he asked in disbelief.
“Yes!”
“Nonsense,” said he, looking at her as if she was daft, then he tossed the fish on the bank.
“It can’t breathe, I tell you!” she wailed, her eyes fixed on the flapping fish.
“It doesn’t need to breathe,” he retorted. “We’re going to eat it for lunch.”
“I certainly won’t!” she cried, managing to look at him as if he were a cold-blooded murderer.
“Lady Cameron,” he said sternly, “am I to believe you’ve never eaten a fish?”
“Well, of course I have.”
“And where do you think the fish you’ve eaten came from?” he continued with irate logic.
“It came from a nice tidy package wrapped in paper,” Elizabeth announced with a vacuous look. “They come in nice, tidy paper wrapping.”
“Well, they weren’t born in that tidy paper,” he replied, and Elizabeth had a dreadful time hiding her admiration for his patience as well as for the firm tone he was finally taking with her. He was not, as she had originally thought, a fool or a namby-pamby. “Before that,” he persisted, “where was the fish? How did that fish get to the market in the first place?”
Elizabeth gave her head a haughty toss, glanced sympathetically at the flapping fish, then gazed at him with haughty condemnation in her eyes. “I assume they used nets or something, but I’m perfectly certain they didn’t do it this way.”
“What way?” he demanded.
“The way you have-sneaking up on it in its own little watery home, tricking it by covering up your hook with that poor fuzzy thing, and then jerking the poor fish away from its family and tossing it on the bank to die. It’s quite inhumane!” she said, and she gave her skirts an irate twitch.
Lord Marchman stared at her in frowning disbelief, then he shook his head as if trying to clear it. A few minutes later he escorted her home.
Elizabeth made him carry the basket containing the fish on the opposite side from where she walked. And when that didn’t seem to discomfit the poor man she insisted he hold his arm straight out-to keep the basket even further from her person.
She was not at all surprised when Lord Marchman excused himself until supper, nor when he remained moody and thoughtful throughout their uncomfortable meal. She covered the silence, however, by chattering earnestly about the difference between French and English fashions and the importance of using only the best kid for gloves, and then she regaled him with detailed descriptions of every gown she could remember seeing. By the end of the meal Lord Marchman looked dazed and angry; Elizabeth was a little hoarse and very encouraged.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Forgive me,” he said tightly. “That was uncalled for.”
“It certainly was,” Maria said. “She was saying nice things about you.”
His gaze shot to her. “She was pointing out, yet again, how I’ve failed my family.”
“If you don’t like it,” Maria countered, “why don’t you stop failing them?”
“Touche, Maria,” Minerva said softly.
Gritting his teeth, Oliver turned his gaze out the window, no doubt wishing he could be well away from them all. And as he retreated into himself, Minerva began to tell one story after another about Oliver as a boy.
Maria didn’t want to be enchanted by them, but she couldn’t help herself. She laughed at the tale of how he’d fallen into the pond in front of Halstead Hall while trying to “charm” fish into the boat the way Indians charmed snakes out of their baskets. She tried not to laugh at the one where he coaxed Gabe into sharing Gabe’s piece of cake by claiming that it might have been poisoned, requiring Oliver to “taste it and make sure it was safe.”
But the tale about some lad pulling five-year-old Minerva’s hair, and Oliver jumping to her rescue by punching Minerva’s attacker, made Maria want to cry. The Oliver who’d defended his sister still existed-she glimpsed him from time to time. So where had the other, carefree Oliver gone? His siblings didn’t seem nearly as bitter over the tragedy of their parents’ deaths as he. Was it simply because he’d been older? Or did something else about it plague him?
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.
”
”
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
“
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department.
I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed.
When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town.
Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her.
Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
”
”
Sally Rooney (Conversations with Friends)
“
The night is filled with intermittent panicked shouts and pained wails, followed by the occasional laughter of an Evrallonic soldier. Fury warms me and I don’t feel the bite of the wintry air anymore, but I control my rage, filter and focus it, so that when two soldiers run past me, chasing after a young boy, I am able to act swiftly. I step out of the shadows and grab the first soldier by the hair, which has been left exposed after he either discarded or dropped his helmet. He opens his mouth to shout but it dies on his lips when I slit his throat, dropping him to the ground as he chokes. The soldier chasing the boy stops and turns around, drawing his sword upon seeing me. It’s the last thing he does. Before he moves an inch, I’ve thrown my dagger into his forehead. A wave of shock rolls through the soldiers body and I walk past him, snatching the blade from his skull just before he falls to the ground. The boy has disappeared but he’s none of my concern now. I move through the community like the wraith I’ve been labeled. Anyone wearing soldier’s attire is brought to their knees and left to die in the streets. Fishing families scurry out of my way like they know who I am and take refuge in their homes as I make my way to the other side of the community. An Evrallonic soldier stands on the doorstep of a home, hovering over a young woman whose blouse has been torn. The young woman is sobbing, her body trembling under the pressing soldier. The Evrallonic man is leaning towards her when I approach. He barely has time to look up before I’ve brought my knee up and connected it with his nose. The satisfying crack sounds through the air and the soldier shouts in disbelief, holding his nose. He drops his hand a moment later and unsheathes his sword, swinging a deadly strong blow at me. I sidestep and place my foot between his, easily knocking him to the ground when he trips over me. His sword spills from his hands and I snatch it up, jabbing it through the man’s chest before he can even utter a plea for mercy.
”
”
Rose Reid (Crown of Crimson (The Afterlight Chronicles, #1))
“
Our neighborhood ramen place was called Aoba. That's a joke. There were actually more than fifty ramen places with in walking distance of our apartment. But this one was our favorite.
Aoba makes a wonderful and unusual ramen with a mixture of pork and fish broth. The noodles are firm and chewy, and the pork tender and almost smoky, like ham. I also liked how they gave us a small bowl for sharing with Iris without our even asking.
What I really appreciated about this place, however, were two aspects of ramen that I haven't mentioned yet: the eggs and the dipping noodles. After these two, I will stop, but there's so much more to ramen. Would someone please write an English-language book about ramen? Real ramen, not how to cook with Top Ramen noodles? Thanks. (I did find a Japanese-language book called State-of-the-Art Technology of Pork Bone Ramen on Amazon. Wish-listed!)
One of the most popular ramen toppings is a soft-boiled egg. Long before sous vide cookery, ramen cooks were slow-cooking eggs to a precise doneness. Eggs for ramen (ajitsuke tamago) are generally marinated in a soy sauce mixture after cooking so the whites turn a little brown and the eggs turn a little sweet and salty. I like it best when an egg is plunked whole into the broth so I can bisect it with my chopsticks and reveal the intensely orange, barely runny yolk. A cool egg moistened with rich broth is alchemy. Forget the noodles; I want a ramen egg with a little broth for breakfast.
Finding hot and cold in the same mouthful is another hallmark of Japanese summer food, and many ramen restaurants, including Aoba, feature it in the form of tsukemen, dipping noodles. Tsukemen is deconstructed ramen, a bowl of cold cooked noodles and a smaller bowl of hot, ultra-rich broth and toppings. The goal is to lift a tangle of noodles with your chopsticks and dip them in the bowl of broth on the way to your mouth. This is a crazy way to eat noodles and, unless you've been inculcated with the principles of noodle-slurping physics from birth, a great way to ruin your clothes.
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
There was once a businessman who was sitting by the beach in a small Brazilian village. As he sat, he saw a Brazilian fisherman rowing a small boat toward the shore having caught quite a few big fish. The businessman was impressed and asked the fisherman, “How long does it take you to catch so many fish?” The fisherman replied, “Oh, just a short while.” “Then why don’t you stay longer at sea and catch even more?” The businessman was astonished. “This is enough to feed my whole family,” the fisherman said. The businessman then asked, “So, what do you do for the rest of the day?” The fisherman replied, “Well, I usually wake up early in the morning, go out to sea and catch a few fish, then go back and play with my kids. In the afternoon, I take a nap with my wife, and [when] evening comes, I join my buddies in the village for a drink—we play guitar, sing and dance throughout the night.” The businessman offered a suggestion to the fisherman. “I am a PhD in business management. I could help you to become a more successful person. From now on, you should spend more time at sea and try to catch as many fish as possible. When you have saved enough money, you could buy a bigger boat and catch even more fish. Soon you will be able to afford to buy more boats, set up your own company, your own production plant for canned food and distribution network. By then, you will have moved out of this village and to São Paulo, where you can set up an HQ to manage your other branches.” The fisherman continues, “And after that?” The businessman laughs heartily. “After that, you can live like a king in your own house, and when the time is right, you can go public and float your shares in the Stock Exchange, and you will be rich.” The fisherman asks, “And after that?” The businessman says, “After that, you can finally retire, you can move to a house by the fishing village, wake up early in the morning, catch a few fish, then return home to play with [your] kids, have a nice afternoon nap with your wife, and when evening comes, you can join your buddies for a drink, play the guitar, sing and dance throughout the night!” The fisherman was puzzled. “Isn’t that what I am doing now?
”
”
Anonymous
“
Subect: Sigh.
Okay. Since we're on the subject...
Q. What is the Tsar of Russia's favorite fish?
A. Tsardines, of course.
Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts?
A.?
-Ella
Subect: TG
A. Republicans.
Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win.
You?
-Alex
Subect: Re. TG
Alex,
I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football.
I am hoping to be seated with the adults. It's not a sure thing.
What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present.
-Ella
Subject: Can I Have TG with You?
Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but...
The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest.
(Q. What do you call a fish with no eyes? A. Fish.)
We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me.
Any chance of saving me a cannoli?
-A
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Nevertheless, in certain respects and in certain places, despite philosophy, despite progress, the spirit of the cloister lingers on, in the middle of the nineteenth century, and a bizarre new outbreak of asceticism now astounds the civilized world. The persistence of antiquated institutions in perpetuating themselves is like the stubbornness of stale scent clinging to your hair, the urgency of spoiled fish clamouring to be eaten, the oppression of childish garb expecting to clothe the adult, and the tenderness of corpses wanting to come back to kiss the living.
'Ungrateful wretch!' says the garment. 'I protected you in bad weather. Why will you have nothing more to do with me?' 'I come from the open sea,' says the fish. 'I was a rose,' says the perfume. 'I loved you,' says the corpse. 'I civilized you,' says the convent.
There is only one answer to this: once upon a time.
To dream of the indefinite protraction of defunct things and of embalmment as a way of governing mankind, to restore ravaged dogmas, regild shrines, patch up cloisters, re-bless reliquaries, revitalize superstitions, refuel fanaticisms, replace the handles on holy-water sprinklers and on sabres, recreate monasticism and militarism, to believe in the salvation of society by the multiplication of the parasites, to force the past on the present - this seems strange. Still, there are theorists who propound these theories. Such theorists, and they are intelligent people, have a very simple method: they put a gloss on the past, a gloss they call 'social order', 'divine right', 'morality', 'family', 'respect for elders', 'ancient authority', 'sacred tradition', 'legitimacy', 'religion', and they go about shouting, 'Look! Take this, honest people.' This logic was known to the ancients The haruspices practiced it. They rubbed a black heifer with chalk and said, 'It's white.'
We ourselves respect the past in certain instances and in all cases grant it clemency, provided it consents to being dead. If it insists on being alive, we attack and try to kill it.
Superstitions, bigotries, false pieties, prejudices, these spectres, for all that they are spectres, cling to life. They have teeth and nails in their vaporousness, and they must be tackled head-on, and war must be waged against them, and it must be waged constantly. For it is one of the fates of humanity to be doomed to eternal battle against phantoms. Shades are difficult to throttle and destroy.
”
”
Victor Hugo (Les Misérables)
“
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation.
I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV.
They watch TV and see how we live here in the West.
They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash.
I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this.
I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do.
I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first.
Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me.
Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?"
This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain.
No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball.
I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper?
"You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically.
I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it."
Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))