Thank You For Coming To The Funeral Quotes

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Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
William Makepeace Thackeray (Vanity Fair)
Senor sempere and I were friends for almost forty years, and in all that time we spoke about God and the mysteries of life on only one occasion. Almost nobody knows this, but Sempere had not set foot in a church since the funeral of his wife Diana, to whose side we bring him today so that they might lie next to one another forever. Perhaps for that reason people assumed he was an atheist, but he was truly a man of faith. He believed in his friends, in the truth of things and in something to which he didn't dare put a name or a face because he said as priests that was our job. Senor Sempere believed we are all a part of something, and that when we leave this world our memories and our desires are not lost, but go on to become the memories and desires of those who take our place. He didn't know whether we created God in our own image or whether God created us without quite knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay. Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them and to making sure their pages, like our memories and our desires are never lost. He believed, and made me believe it too, that as long as there is one person left in the world who is capable of reading them and experiencing them, a small piece of God, or of life, will remain. I know that my friend would not have liked us to say our farewells to him with prayer and hymns. I know that it would have been enough for him to realsie that his friends, many of whom have come here today to say goodbye, will never forget him. I have no doubt that the Lord, even though old Sempere was not expecting it, will recieve our dear friend at his side, and I know that he will live forever in the hearts of all those who are here today, all those who have discovered the magic of books thanks to him, and all those who, without even knowing him, will one day go through the door of his little bookshop where, as he liked to say, the story has only just begun. May you rest in peace, Sempere, dear friend, and may God give us all the opportunity to honour your memory and feel grateful for the priviledge of having known you.
Carlos Ruiz Zafón
My mouth went paper-dry as Alis fluffed out the sparkling train of my gown in the shadow of the garden doors. Silk and gossamer rustled and sighed, and I gripped the pale bouquet in my gloved hands, nearly snapping the stems. Elbow-length silk gloves- to hide the marking. Ianthe had delivered them herself this morning in a velvet-lined box. 'Don't be nervous,' Alis chuckled, her tree-bark skin rich and flushed in the honey gold evening light. 'I'm not,' I rasped. 'You're fidgeting like my youngest nephew during a haircut.' She finished fussing over my dress, shooing away some servants who'd come to spy on me before the ceremony. I pretended I didn't see them or the glittering, sunset-gilded crowd seated in the courtyard ahead, and toyed with some invisible fleck on my skirts. 'You look beautiful,' Alis said quietly. I was fairly certain her thoughts on the dress were the same as my own, but I believed her. 'Thank you.' 'And you sound like you're going to your funeral.' I plastered a grin on my face. Alis rolled her eyes. But she nudged me toward the doors as they opened on some immortal wind, lilting music streaming in. 'It's be over faster than you can blink,' she promised, and gently nudged me into the last of the sunlight.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I didn’t know my dad in person and I never got to say goodbye to him at his funeral and I thought it would be nice to say a few words now that I sort of feel I know him a bit better.’ She gave a nervous smile, and pushed a strand of hair from her face. ‘So. Will … Dad. When I first found out you were my real father, I’ll be honest, I was a bit freaked out. I’d hoped my real dad was going to be this wise, handsome man, who would want to teach me stuff and protect me and take me on trips to show me amazing places that he loved. And what I actually got was an angry man in a wheelchair who just, you know, killed himself. But because of Lou, and your family, over the last few months I’ve come to understand you a bit better. ‘I’ll always be sad and maybe even a bit angry that I never got to meet you, but now I want to say thank you too. “. You gave me a lot, without knowing it. I think I’m like you in good ways – and probably a few not-so-good ways. You gave me blue eyes and my hair colour and the fact that I think Marmite is revolting and the ability to do black ski runs and … Well, apparently you also gave me a certain amount of moodiness – that’s other people’s opinion, by the way. Not mine.’ ‘But mostly you gave me a family I didn’t know I had. And that’s cool. Because, to be honest, it wasn’t going that well before they all turned up.’ Her smile wavered. ‘ So, um, Will … Dad, I’m not going to go on and on because speeches are boring and also that baby is going to start wailing any minute, which will totally harsh the mood. But I just wanted to say thank you, from your daughter, and that I … love you and I’ll always miss you, and I hope if you’re looking down, and you can see me, you’re glad. That I exist. Because me being here sort of means you’re still here, doesn’t it?’ Lily’s voice cracked and her eyes filled with tears. Her gaze slid towards Camilla, who gave a small nod.
Jojo Moyes (After You (Me Before You, #2))
Modeling Modeling is the process of watching how others act in certain situations, then copying their behavior. For example, if you are worried about the first impression you make, pay attention to how others present themselves. What traits give a good first impression? What do people say? How do confident people carry themselves? Also examine people who give a bad first impression and try to determine why. Imitate the actions that impressed you. With time, you will feel more comfortable with modeling and begin to own the traits you admire in others. Modeling works very well when you are in an unfamiliar situation. If you are not sure how to act, watching others will give you clues. Sam’s best friend’s father passed away and Sam attended the service. He had never been to a funeral before and felt very uncomfortable. As he stood in the receiving line, he felt anxious about what to say and how to act. He was terrified of saying the wrong thing and hurting his friend’s family. Sam stepped out of line and stood to the side for a moment. He observed what other people did as he breathed deeply and practiced relaxation techniques. After a few minutes, he figured out what to do and returned to the line. When he reached his friend’s mother, he gave her a hug and said, “I’m so sorry for your loss.” She hugged him back and thanked him for coming. Sam felt confident that he had acted appropriately.
Heather Moehn (Social Anxiety (Coping With Series))
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
Not Your Stereotypical Southern Belle By Betsy Shearon, George Grits I grew up being more interested in scoring touchdowns than wearing tiaras. I never particularly wanted to get married and was well into my thirties before I even got engaged. And although I am a devoted aunt, the call of motherhood for me has always sounded strangely similar to the “Warning Will Robinson!” cry on the old Lost in Space television show. Still, I consider myself a true Southern Girl, simply because, as we say in the South, my mama done raised me right. I say, “yes, ma’am,” “no, sir,” “please” and “thank you.” I am respectful of my elders, even my great-aunt Ida Mable, whose food we were never allowed to eat at family reunions. (Suffice it to say that eccentricity not only runs in my family, it pretty much gallops.) I always wear clean underwear in case I am in an accident. And I always leave the house clean before I go on a trip in case I get killed and strangers have to come into my house to get my funeral wear (this is despite the fact that I have yet to read an obituary that said, “she left a husband, two children, and an immaculate house.”) And I know things that only Southern girls know, such as the fact that it is possible to “never talk to strangers and at the same time greet everyone you meet with a smile and a hello. I know that it is possible to “always tell the truth,” but to always answer “fine” when someone asks how you are--even if your hair is on fire at the time. It is this knowledge that allows us to turn the other cheek when people say ugly things like “Southern girls are stupid, barefoot and pregnant.” Southern girls realize that, given the swollen feet and ankles that accompany pregnancy, going barefoot when possible is actually a very smart and sensible thing to do--and that the Yankees who say things like that probably wouldn’t talk so ugly if their feet didn’t hurt, bless their hearts.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home. Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher. I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
I was watching the news the other night, and they were still covering that story in Mumbai about the terrorists who went on a shooting rampage. The man on the news said that before the terrorists killed the Jews in the Jewish center, they tortured them. I had to turn off the television, because I could see the torture in my head the way they were describing it. I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller. If you want to talk about positive and negative charges in a story, ultimately I think you’d break those charges down into life and death. The fact of life and the reality of death give the human story its dramatic tension. For whatever reason, we don’t celebrate coming into life much. I mean we send cards and women have baby showers and all that, but because the baby can’t really say thank you, we don’t make a big deal out of it. We make a big deal out of death, though. We sit around at funerals, feeling sorry for the unfortunate person whom death happened to. We say nice things about the person; we dig a hole and put the body in the hole and cover the casket with all our questions. I heard that a lot of playwrights used to end their stories with a funeral if it was a tragedy and a wedding if it was a comedy. I think that’s why we make such a big deal out of weddings, because a wedding means life, and because the bride and groom are old enough to write a thank-you note for the serving spoons you gave them. And perhaps because you get to drink and dance, no matter how old you are. I only dance at weddings. I practically only drink at weddings, too, mostly because that’s where I do my dancing. One of the things that gives me hope is that, even with all the tragedy that happens in the world, the Bible says that when we get to heaven, there will be a wedding and there will be drinking and there will be dancing.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)