Cradle To Cradle Book Quotes

The Fourteenth Book is entitled, "What can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?" It doesn't take long to read The Fourteenth Book. It consists of one word and a period. This is it: "Nothing.

Anyone unable to understand how useful religion can be founded on lies will not understand this book either.

A girl nearby muttered,"If that's a lady, I'm a cat." Reaching out, Sandry lifted the pitcher of milk from the table. Cradling it in both hands, she walked over to the mutterer. I am Sandrilene fa Toren, daughter of Count Mattin fer Toren and his countess, Amiliane fa Landreg. I am the great-niece of his grace, Duke Vedris of this realm of Emelan, and cousin of her Imperial Highness, Empress Berenene of the Namorn Empire. You are Esmelle ei Pragin, daughter of Baron Witten en Pragin and his lady Colledia of House Wheelwright, a merchant house. If I tell you my friend is a lady, then you"- carefully she poured milk into Esmelle's plate-"you had best start lapping, kitty." She set the pitcher down and returned to her chair.

What can I expect from myself? My sensation in all their horrible acuity, and a profound awareness of feeling. A sharp mind that only destroys me, and an unusual capacity for dreaming to keep me entertained. A dead will and a reflection that cradles it, like a living child.

I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.

Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don't believe them. The only thing for certain is how complicated it all is, like string full of knots. It's all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat's cradle, and maybe knot it up a bit more.

Nothing in this book is true.

Look: each moment is a cradle and a casket: may all life and all death seem strange to you.

I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse

What brings you onto my property?” Rhev said, cradling his mug with both hands and trying to absorb its warmth. “Got a problem.” “I can’t fix your personality, sorry.” Lassiter laughed, the sound ringing through the house like church bells. “No.. I like myself just as I am, thank you.” “Can’t help your delusional nature, either.” “I need to find an address.” “Do I look like the phone book?” “You look like shit, as a matter of fact.” “And you with the compliments.” Rhev finished his coffee. “What makes you think I’d help you?” “Because.” “You want to toss in a couple of nouns and verbs there? I’m lost.” Lassiter grew serious, his ethereal beauty losing its SOP fuck-yourself smirk. “I’m here on official business.” Rhev frowned. “No offense, but I thought your boss pink-slipped your ass.” “I’ve got one last shot at being a good boy.

We were destined to fight until the sky bled and worlds shook. But when he touched me, cradled my face as if I was the most fragile, beautiful being in the world, I melted.

There are as many Africas as there are books about Africa -- and as many books about it as you could read in a leisurely lifetime. Whoever writes a new one can afford a certain complacency in the knowledge that his is a new picture agreeing with no one else's, but likely to be haugthily disagreed with by all those who believed in some other Africa. ... Being thus all things to all authors, it follows, I suppose, that Africa must be all things to all readers. Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home.

Everything that surrounds us becomes part of us, it seeps into us with every experience of the flesh and of life and, like the web of a great Spider, binds us subtly to what is near, ensnares us in a fragile cradle of slow death, where we lie rocking in the wind.

Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!

All of us, from cradle to grave, are happiest when life is organized as a series of excursions, long or short, from the secure base provided by our attachment figure(s).

I have sent books and music there, and all / Those instruments with which high spirits call / The future from its cradle, and the past / Out of its grave, and make the present last / In thoughts and joys which sleep, but cannot die, / Folded within their own eternity.

The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.

Don't be a fool! Close this book at once! It is nothing but foma! Foma, of course, are lies.

Look: each moment is a cradle and a casket: may all life and all death seem strange and new to you.

If tragedy does not ensnare a man, if affliction does not agitate him, if love does not lay him down in the cradle of dreams, then his life is like a blank, white page in the book of existence. In that year I saw the

I'm so sorry we've kept this for such a long time," she said, pulling the watch from her skirt pocket. She unfolded Mother's handkerchief from around it, and offered it to Lord Bradford cradled in her hands. "We shouldn't have taken it in the first place." Lord Bradford's eyebrows rose at the offering, and he opened his mouth, then closed it. He lowered his eyes to the books in his hands, then back to Azalea, and he managed a smile. "When we first met," he said, "ages ago, you gave me a candy stick. Just like you did now, with your hands like that. Do you remember?" Azalea raised an eyebrow. "It happened when my father had just died," he said, quietly. "You came to the graveyard, licking a candy stick. You saw me. You put the stick in my hands, folded my fingers over it, and kissed my fingertips." "That must have been sticky," said Azalea.

Dune; Nova; Double Star; The Corridors of Time; Cat's Cradle; Half Past Human; Murder in Retrospect; Gideon's Day; The Red Right Hand; The Trojan Hearse; A Deadly Shade of Gold; Conjure Wife; Rosemary's Baby; Silverlock; King Conan. He'd packed books not to entertain, nor even to illustrate philosophies of life, but to rebuild civilization.

Anyone unable to understand how a useful religion can be founded on lies will not understand this book either.

I have learned to cradle silence in public places.

The Archbishop cradled his right hand in his left. He hung his head in concentration. The goal was meditation, but I've never been quite sure where meditation ends and prayer begins, or where prayer ends and meditation begins. I have heard it said that prayer is when we speak to God, and meditation is when God answers.

And I remembered The Fourteenth Book of Bokonon, which I had read in its entirety the night before. The Fourteenth Book is entitled, “What Can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?” It doesn’t take long to read The Fourteenth Book. It consists of one word and a period. This is it: “Nothing.

Islam’s all about knowledge, right? Muslims know everything. We seek knowledge from the cradle to the grave. We seek knowledge even if it be in China, Yusef, EVEN IN CHINA! And we’ve reduced our religion to fuckin’ academics. The guy who knows Islam best is the one who really hits the books hard, learns his shit. Muslims brag about having no priests but we’re getting molested by scholars. Yusef Ali, books are not Allah. Even a book by or from Allah is not Allah.

Yours is a world of cradles turning into tombs, and tombs becoming cradles; of days devouring nights, and nights regurgitating days; of peace declaring war, and war suing for peace; of smiles afloat on tears, and tears aglow with smiles.

But since death is inevitable we don’t have to deal with it (it’ll deal with us when it decides to). What we do have to deal with is the psychic, physical, and fusion diseases wrought during our so-called lives as byproducts of the elemental clash. In other words we’re all terminally psychotic and no doctor, hospital, pill, needle, book or guru holds the cure. Because the disease is called life and there is no cure for that but death and death’s just part of the set-up designed to keep you terrified and thus in bondage from the cradle to the crypt so ha ha the joke’s on you except there’s no punchline and the comedian forgot you ever existed as even a comma.

And I have fitted up some chambers there Looking towards the golden Eastern air, And level with the living winds, which flow Like waves above the living waves below.— I have sent books and music there, and all Those instruments with which high spirits call The future from its cradle, and the past Out of its grave, and make the present last In thoughts and joys which sleep, but cannot die, Folded within their own eternity.

(about William Blake) [Blake] said most of us mix up God and Satan. He said that what most people think is God is merely prudence, and the restrainer and inhibitor of energy, which results in fear and passivity and "imaginative death." And what we so often call "reason" and think is so fine, is not intelligence or understanding at all, but just this: it is arguing from our *memory* and the sensations of our body and from the warnings of other people, that if we do such and such a thing we will be uncomfortable. "It won't pay." "People will think it is silly." "No one else does it." "It is immoral." But the only way you can grow in understanding and discover whether a thing is good or bad, Blake says, is to do it. "Sooner strangle an infant in its cradle than nurse unacted desires." For this "Reason" as Blake calls it (which is really just caution) continually nips and punctures and shrivels the imagination and the ardor and the freedom and the passionate enthusiasm welling up in us. It is Satan, Blake said. It is the only enemy of God. "For nothing is pleasing to God except the invention of beautiful and exalted things." And when a prominent citizen of his time, a logical, opining, erudite, measured, rationalistic, Know-it-all, warned people against "mere enthusiasm," Blake wrote furiously (he was a tender-hearted, violent and fierce red-haired man): "Mere enthusiasm is the All in All!

Everything is a burned book, my dear maestro. Music, the tenth dimension, the fourth dimension, cradles, the production of bullets and rifles, Westerns: all burned books.

And if we cannot attain to good unless we first desist from working evil, our love of our neighbor is a sort of cradle of our love to God,

What if each child was taught from the cradle to sing the song of peace...would the cynics not call it foolish, saying that to be gentle is to be weak? But I tell you that until we are as innocent and pure as doves, our journey will be long and the way dark. Raise doves, not wolves.

I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." And how proud would you be when people started dying like flies?" I demanded. They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." Neither one very pleasant, I expect," I suggested. No," said Castle the elder. "For the love of God, both of you, please keep writing!

SOMETIMES THE POOL-PAH,” Bokonon tells us, “exceeds the power of humans to comment.” Bokonon translates pool-pah at one point in The Books of Bokonon as “shit storm” and at another point as “wrath of God.

I detest all books which run chronologically, which commence at the cradle and end with the grave. Even life doesn't run that way, much as people think it does. Life only commences at the hour of spiritual birth - which may be at eighteen or at forty-seven. And death is never the goal - but life! more life!

Reading Aloud to My Father I chose the book haphazard from the shelf, but with Nabokov's first sentence I knew it wasn't the thing to read to a dying man: The cradle rocks above an abyss, it began, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. The words disturbed both of us immediately, and I stopped. With music it was the same -- Chopin's Piano Concerto — he asked me to turn it off. He ceased eating, and drank little, while the tumors briskly appropriated what was left of him. But to return to the cradle rocking. I think Nabokov had it wrong. This is the abyss. That's why babies howl at birth, and why the dying so often reach for something only they can apprehend. At the end they don't want their hands to be under the covers, and if you should put your hand on theirs in a tentative gesture of solidarity, they'll pull the hand free; and you must honor that desire, and let them pull it free.

Language is a door. Words en-trance and are an entrance; they draw you in. When you read, the book you cradle disappears and the tales within unfold in your mind. Writing is a shelter of words and reading an interior adventure.

It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. I was drawn to books that had been read before, novels that girls like myself had cradled and cherished. In my mind-- I suppose in my isolation-- I seized on all those previous readers, and everyone who would read after me, as phantom companions and secret friends.

I refused to have bookshelves, horrified that I'd feel compelled to organise the books in some regimented system - Dewey or alphabetical or worse - and so the books lived in stacks, some as tall as me, in the most subjective order I could invent. Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser's case I think I was focused mainly on his name): George Eliot and Jane Austen shared a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him).

Heredity and environment are funny things. You can’t rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That’s why we’ve lowered the kindergarten age year after year until now we’re almost snatching them from the cradle. We had some false alarms on the McClellans, when they lived in Chicago. Never found a book. Uncle had a mixed record; antisocial. The girl? She was a time bomb. The family had been feeding her subconscious, I’m sure, from what I saw of her school record. She didn’t want to know how a thing was done, but why. That can be embarrassing. You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it.

You poor darling," said his wife, coming quickly to his side. She cradled his head against her breasts, a position he unaccountably loathed as much as she was fond of putting him in it, but which he tolerated now for tactical reasons. "What you need is a nice strong drink," she said.

Then he kissed her as though he had never thought to do so again, hands cradling the back of her head, fingers in her hair. For a moment, there was only the sensation of lips and teeth and tongue. Of skin, and the scent of him that wasn’t masked by bleach or soap, like a charge of electricity in the air. And when he pressed her back against the wall like he had outside the bar that first night, she grinned up at him. “Charlie Hall,” he whispered into her hair. “There will never be anyone like you.” “For which we can all be grateful,” she whispered back, regretting wearing the stretchy pants, which were hell to get off.

Live by the foma1 that make you brave and kind and healthy and happy.” The Books of Bokonon. I: 5

Books are silent voices cradling a universal voice

Hope requires the contender Who sees no virtue in surrender. From the cradle to the bier, The heart must persevere. —The Book of Counted Joys

Never index your own book,

Hijack Leader: [cradling wrist where Eli has severed his hand] What are you standing around for? Kiss him! Hijacker: What'd he say? Eli: He's in shock. I think he meant "Kill Him.

There was a quotation from The Books of Bokonon on the page before me. Those words leapt from the page and into my mind, and they were welcomed there. The words were a paraphrase of the suggestion by Jesus: “Render therefore unto Caesar the things which are Caesar’s.” Bokonon’s paraphrase was this: “Pay no attention to Caesar. Caesar doesn’t have the slightest idea what’s really going on.

What Can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?” It doesn’t take long to read The Fourteenth Book. It consists of one word and a period. This is it: “Nothing.

All of the true things I am about to tell you are shameless lies.” My Bokononist warning is this: Anyone unable to understand how a useful religion can be founded on lies will not understand this book either. So be it. ***

But that thought just makes me wish that we could go back to our dorm after this party, to cradle our teacups and talk about books we’ve read, brand-new ideas we’ve discovered, things that nobody but us realizes are wrong.

Catherine smiled then; opening the Linking Book, she placed her hand against it. "We could fall into the night and be cradled by stars and still return to the place where we began…" The last word was an echo as she vanished.

With life blooming inside her, the water answered her questions with a whispered yes, and part of her knew home. In a tidal river on the Virginia coast she encountered a peculiar creature that scuttled the riverbed. She held it up and examined the graceful curve of its shell, its neat spike of a tail, and spidery feet that kicked and scratched at the air as she cradled it in her palm. A wonder just for her, she thought. The flickering of a child inside her laughed. Evangeline

She thought of the revelations she held cradled against her chest, of how they could potentially serve up more discord, more upset and controversy. Would she be doing this society any good by revealing her new knowledge? “I . . .” She swallowed hard. “I’m sorry. I didn’t mean to disturb you. Really, it’s nothing that can’t wait. Actually”—she stood up and extracted the scrolls from Noah’s hold—“all I wanted was, uh . . . help with some interpretation. But you are busy . . .” She rounded the peculiar triangular table as casually as she could while she spoke, even turning to back out of the room while giving them a bright smile that she hoped did not look as fake as it felt. “You know, there are lots of books down there, and I bet there’s a translation.” She reached up to smack her palm into her forehead, chiding herself for not thinking properly. Isabella reached for the door and closed it even faster than she had originally opened it. Noah looked over at Jacob, one dark brow lifting toward his thick hairline. “Does . . .?” He raised a hand to point to the door, looking utterly perplexed. “Does she have any idea what a lousy liar she is?” “Apparently not,” Jacob said with a long, low sigh. “I think that was my fault,” he speculated wryly. “Your fault?” “Yeah . . . it is . . . a long story. We better get her.” “Relax,” Noah chuckled. “She’s leaning against the other side of the door, trying to catch her breath. “I know. I just thought it would be funny if we opened it behind her.” “I never knew you actually enjoyed being cruel,” the King remarked, humor sparkling in his eyes as they both stepped up to the exit. Noah opened the door, and Jacob reached out to catch her, scrolls and all.

Don't start on the tortured poet crap, okay? You have no idea what it's like to deal with you guys. You just walk away when it suits you. You have all these soulful songs, you have these grandiose feelings, angst and pain. You cry and I feel sorry for you. I want to cradle you and care for you, do anything to help put the broken pieces back together. But then, guess what? When it's over, when it all falls apart, I'm broken, too. You're perfectly happy being in pieces, but I'm not. I'm not happy being broken.

Both Jews and Muslims believe that salt protects against the evil eye. The Book of Ezekial mentions rubbing newborn infants with salt to protect them from evil. The practice in Europe of protecting newborns either by putting salt on their tongues or by submerging them in saltwater is thought to predate Christian baptism. In France, until the practice was abolished in 1408, children were salted until they were baptized. In parts of Europe, especially Holland, the practice was modified to placing salt in the cradle with the child.

What does one real disadvantage, loss, accident, illness, debt, or folly more or less in his life matter, compared with the bondage of the golden cradle, the peacock-tail fan, and the oppressive feeling of having to be actually grateful because he is waited upon and spoiled like an infant?

When I was talking to Alfie I always knew exactly what he meant, but when I thought about his words later I could only grasp at the meaning like it was water running through my fingers, leaving the ghosts of utterances lying naked in the shapes of pools on my palms. I picked them to pieces, whispered them and cradled their shapes in my teeth just to hold them in the air later and string them together like pearls on a necklace. I wore it like a rosary, wrapping the pearls of his words around the knots in my fingers and counting all the ways we had tried to say the same thing and missed.

And I remembered The Fourteenth Book of Bokonon? which I had read in its entirety the night before. The Fourteenth Book is entitled, “What Can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?” It doesn’t take long to read The Fourteenth Book. It consists of one word and a period. This is it: “Nothing.

So we lay in the tall grass between the soccer field and the woods, passing the bottle back and forth and tilting our heads up to sip the wince-inducing wine. As promised in the list, she brought a Kurt Vonnegut book, Cat’s Cradle, and she read aloud to me, her soft voice mingling with the frogs’ croaking and the grasshoppers landing softly around us.

I do not intend that this book be a tract on behalf of Bokononism. I should like to offer a Bokononist warning about it, however. The first sentence in The Books of Bokonon is this: “All of the true things I am about to tell you are shameless lies.” My Bokononist warning is this: Anyone unable to understand how a useful religion can be founded on lies will not understand this book either. So be it. ***

What did they care if the rabbis who found them with the books of haskala, of enlightenment, called them epicureans, atheists, breakers of the wall? These old epithets they began to take as names of honor. Out of their ranks came the minds and spirits that created modern Zionism. The fact that Zionism was cradled against the separatist learning of the old yeshivas colors the state of Israel to this hour.

Books. More books than I had ever seen in my life. I gasped and crawled to my knees. I couldn’t breathe. Books galore. Music books, philosophy books. Math books. Geometry. Opera scores, logic. I sobbed and cradled the books. I hugged them to my naked chest and I cried. I smelled them and touched their spines. I remember how violently my fingers shook. I buried my nose in their pages and wept. Never had I ever held so many books in my life. And they were mine. All my very own. The orgasm still riddled my body. It had barely begun to fade. One orgasm ended, but the euphoria was just beginning.

They say the things they say about us and treat us as they do because they have been taught these things. From the cradle to the grave, it is instilled in them that the Negro is inferior. Their parents probably taught them that; the schools they attended taught them that; the books they read, even their churches and ministers, often taught them that; and above all the very concept of segregation taught them that. The whole cultural tradition under which they have grown - a tradition blighted with more than 250 years of slavery and more than 90 years of segregation - teaches them that Negroes do not deserve certain things. So these men are primary the children of their culture.

He took no note of our arrival. In one hand was a pencil. In the other was paper. 'Bokonon?' 'Yes?' 'May I ask what you're thinking?' 'I am thinking, you man, about the final sentence for The Books of Bokonon. The time for the final sentence has come.' 'Any luck?' He shrugged and handed me a piece of paper. This is what I read: If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.

When a man becomes a writer, I think he takes on a sacred obligation to produce beauty and enlightenment and comfort at top speed.” “I just can’t help thinking what a real shaking up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems… “And how proud would you be when people started dying like flies?” I demanded. “They’d die more like mad dogs, I think—snarling and snapping at each other and biting their own tails.” I turned to Castle the elder. “Sir, how does a man die when he’s deprived of the consolations of literature?” “In one of two ways,” he said, “petrescence of the heart or atrophy of the nervous system.” “Neither one very pleasant, I expect,” I suggested.

If Paul brought the first generation of Christians the useful skills of a trained theologian, Origen was the first great philosopher to rethink the new religion from first principles. As his philosophical enemy, the anti-Christian Porphyry, summed it up, he 'introduced Greek ideas to foreign fables' -- that is, gave a barbarous eastern religion the intellectual respectability of a philosophical defense. Origen was also a phenomenon. As Eusebius put it admiringly, 'even the facts from his cradle are worth mentioning'. Origen came from Alexandria, the second city of the empire and then it's intellectual centre; his father's martyrdom left him an orphan at seventeen with six younger brothers. He was a hard working prodigy, at eighteen head of the Catechetical School, and already trained as a literary scholar and teacher. But at this point, probably in 203, he became a religious fanatic and remained one for the next fifty years. He gave up his job and sold his books to concentrate on religion. he slept on the floor, ate no meat, drank no wine, had only one coat and no shoes. He almost certainly castrated himself, in obedience to the notorious text, Matthew 19:12, 'there are some who have made themselves eunuchs for the kingdom of heaven's sake.' Origen's learning was massive and it was of a highly original kind: he always went back to the sources and thought through the whole process himself. This he learned Hebrew and, according to Eusebius, 'got into his possession the original writings extant among the Jews in the actual Hebrew character'. These included the discovery of lost texts; in the case of the psalms, Origen collected not only the four known texts but three others unearthed, including 'one he found at Jericho in a jar'. The result was an enormous tome, the Hexapla, which probably existed in only one manuscript now lost, setting out the seven alternative texts in parallel columns. He applied the same principles of original research to every aspect of Christianity and sacred literature. He seems to have worked all day and though most of the night, and was a compulsive writer. Even the hardy Jerome later complained: 'Has anyone read everything Origen wrote?'

The dominant literary mode of the twentieth century has been the fantastic. This may appear a surprising claim, which would not have seemed even remotely conceivable at the start of the century and which is bound to encounter fierce resistance even now. However, when the time comes to look back at the century, it seems very likely that future literary historians, detached from the squabbles of our present, will see as its most representative and distinctive works books like J.R.R. Tolkien’s The Lord of the Rings, and also George Orwell’s Nineteen Eighty-Four and Animal Farm, William Golding’s Lord of the Flies and The Inheritors, Kurt Vonnegut’s Slaughterhouse-Five and Cat’s Cradle, Ursula Le Guin’s The Left Hand of Darkness and The Dispossessed, Thomas Pynchon’s The Crying of Lot-49 and Gravity’s Rainbow. The list could readily be extended, back to the late nineteenth century with H.G. Wells’s The Island of Dr Moreau and The War of the Worlds, and up to writers currently active like Stephen R. Donaldson and George R.R. Martin. It could take in authors as different, not to say opposed, as Kingsley and Martin Amis, Anthony Burgess, Stephen King, Terry Pratchett, Don DeLillo, and Julian Barnes. By the end of the century, even authors deeply committed to the realist novel have often found themselves unable to resist the gravitational pull of the fantastic as a literary mode. This is not the same, one should note, as fantasy as a literary genre – of the authors listed above, only four besides Tolkien would find their works regularly placed on the ‘fantasy’ shelves of bookshops, and ‘the fantastic’ includes many genres besides fantasy: allegory and parable, fairy-tale, horror and science fiction, modern ghost-story and medieval romance. Nevertheless, the point remains. Those authors of the twentieth century who have spoken most powerfully to and for their contemporaries have for some reason found it necessary to use the metaphoric mode of fantasy, to write about worlds and creatures which we know do not exist, whether Tolkien’s ‘Middle-earth’, Orwell’s ‘Ingsoc’, the remote islands of Golding and Wells, or the Martians and Tralfa-madorians who burst into peaceful English or American suburbia in Wells and Vonnegut. A ready explanation for this phenomenon is of course that it represents a kind of literary disease, whose sufferers – the millions of readers of fantasy – should be scorned, pitied, or rehabilitated back to correct and proper taste. Commonly the disease is said to be ‘escapism’: readers and writers of fantasy are fleeing from reality. The problem with this is that so many of the originators of the later twentieth-century fantastic mode, including all four of those first mentioned above (Tolkien, Orwell, Golding, Vonnegut) are combat veterans, present at or at least deeply involved in the most traumatically significant events of the century, such as the Battle of the Somme (Tolkien), the bombing of Dresden (Vonnegut), the rise and early victory of fascism (Orwell). Nor can anyone say that they turned their backs on these events. Rather, they had to find some way of communicating and commenting on them. It is strange that this had, for some reason, in so many cases to involve fantasy as well as realism, but that is what has happened.

Lindon sat at a table, mug of hot tea in his hands. “Is it just me, or does this book feel shorter than the others?” “That’s the goal, isn’t it?” Eithan pointed out. He was leaning back in his chair, with his black armor hanging on a stand behind him. “Don’t you want a story to feel shorter than it is? To leave you wanting more?” “Couldn’t say I care if it is,” Yerin said. She rolled her empty mug across the table. “Tea’s not bad. Where’d you get it?” “Space.” Eithan turned back to Lindon. “I’m not usually one for measuring things precisely, but I get the feeling that this book will actually end up longer than the last one. Thanks to a little strategic addition.” “Really?” Lindon frowned and took another sip of tea. “You think this story is longer than the last one?” “If my calculations are correct, this book should have more words than the last by exactly…” Eithan counted to himself. “…one.

Some people on bus seats shake at the shoulders, Stoned Elvises trying to dance after the gig. Some walk into the rain and look like they’re smiling, Running mascara writes sad bitter letters on their faces. Some drive their cars into lay-bys or park edges And cradle the steering-wheel looking like headless drivers. Some sink their open mouths into feather pillows And tremble on the bed like beached dolphins. Some people are bent as question marks when they weep And some are straight as exclamation marks. Some are soaking in emotional dew when they wake, Salt street maps etched into their faces. Some find rooms and fall to the floor as if praying to Allah. Noiseless Faces contorted in that silent scream that seems like laughter. Why is there not a tissue-giver? A man who looks for tears, Who makes the finest silk tissues and offers them for free? It seems to me that around each corner, beneath each stone, Are humans quietly looking for a place to cry on their own.

Ive and Jobs have even obsessed over, and patented, the packaging for various Apple products. U.S. patent D558572, for example, granted on January 1, 2008, is for the iPod Nano box, with four drawings showing how the device is nestled in a cradle when the box is opened. Patent D596485, issued on July 21, 2009, is for the iPhone packaging, with its sturdy lid and little glossy plastic tray inside. Early on, Mike Markkula had taught Jobs to “impute”—to understand that people do judge a book by its cover—and therefore to make sure all the trappings and packaging of Apple signaled that there was a beautiful gem inside. Whether it’s an iPod Mini or a MacBook Pro, Apple customers know the feeling of opening up the well-crafted box and finding the product nestled in an inviting fashion. “Steve and I spend a lot of time on the packaging,” said Ive. “I love the process of unpacking something. You design a ritual of unpacking to make the product feel special. Packaging can be theater, it can create a story.

There was a girl next door," he said, slowly. "She's gone now, I think, dead. I can't even remember her face. But she was different. How? How did she happen?" Beatty smiled. "Here or there, that's bound to occur. Clarisse McClellan? We've a record on her family. We've watched them carefully. Heredity and environment are funny things. You can't rid yourselves of all the odd ducks in just a few years. The home environment can undo a lot you try to do at school. That's why we've lowered the kindergarten age year after year until now we're almost snatching them from the cradle. We had some false alarms on the McClellans, when they lived in Chicago. Never found a book. Uncle had a mixed record; antisocial. The girl? She was a time bomb. The family had been feeding her subconscious, I'm sure, from what I saw of her school record. She didn't want to know how a thing was done, but why. That can be embarrassing. You ask Why to a lot of things and you wind up very unhappy indeed, if you keep at it. The poor girl's better off dead.

A lovely home atmosphere is one of the flowers of the world, than which there is nothing more tender, nothing more delicate, nothing more calculated to make strong and just the natures cradled and nourished within it. Those who have never experienced such a beneficent influence will not understand wherefore the tear springs glistening to the eyelids at some strange breath in lovely music. The mystic chords which bind and thrill the heart of the nation, they will never know. Hurstwood’s residence could scarcely be said to be infused with this home spirit. It lacked that toleration and regard without which the home is nothing. There was fine furniture, arranged as soothingly as the artistic perception of the occupants warranted. There were soft rugs, rich, upholstered chairs and divans, a grand piano, a marble carving of some unknown Venus by some unknown artist, and a number of small bronzes gathered from heaven knows where, but generally sold by the large furniture houses along with everything else which goes to make the “perfectly appointed house.

Pack what you need for the divination,” he said. Relieved that he believed me capable, I walked to his desk. A detailed map of Hereswith was spread over the wood, river rocks pinning down the four corners. It was a map I had memorized with its crooked, winding streets. Above the desk, shelves lined the walls, burdened with leather-bound spell books, stacks of paper, jars brimming with crushed flowers and salt crystals and swan quills, ornate ink pots, cast-iron spoons with jewels embedded in the handles, silver bowls nestled into each other, a potted fern whose wilting leaves dangled like unrequited love. I gathered what I needed: a bowl that shone like a full moon, pink salt, dried gardenias, a spoon with an emerald chip, a pitcher full of water, a swan quill, a silver inkwell that was crafted as an octopus, its tentacles holding a vial of walnut ink. I charmed them all beneath my breath with a shrinking cantrip—a spell my mother had taught me—until the objects could sit cradled in my palm, and I slipped them into my pocket, where the remedies waited. The objects clinked like musical notes when they met, weightless as air.

Italian cuisine is the most famous and beloved cuisine in the world for a reason. Accessible, comforting, seemingly simple but endlessly delicious, it never disappoints, just as it seems to never change. It would be easy to give you, dear reader, a book filled with the al dente images of the Italy of your imagination. To pretend as if everything in this country is encased in amber. But Italian cuisine is not frozen in time. It's exposed to the same winds that blow food traditions in new directions every day. And now, more than at any time in recent or distant memory, those forces are stirring up change across the country that will forever alter the way Italy eats. That change starts here, in Rome, the capital of Italy, the cradle of Western civilization, a city that has been reinventing itself for three millennia- since, as legend has it, Romulus murdered his brother Remus and built the foundations of Rome atop the Palatine Hill. Here you'll find a legion of chefs and artisans working to redefine the pillars of Italian cuisine: pasta, pizza, espresso, gelato, the food that makes us non-Italians dream so ravenously of this country, that makes us wish we were Italians, and that stirs in the people of Italy no small amount of pride and pleasure.

Kruchina was an archaic word for grief, found mostly in the old folk songs and poems. Kruchina grief was not regular sadness or disappointment with everyday troubles, but rather the existential sorrow about a woman’s lot that never goes away, not even at the happiest of moments.    Masha remembered this song from one of the movies of her youth, when all the movies and books were about the war and patriotism, about the great sacrifice for the future. German soldiers were burning a Russian village. The children screamed, the helpless grandmas and grandpas shrieked, the animals and fowl scattered for their lives. A young German soldier broke into the last izba standing and found two women huddled on a bench. Except for a single candle, the house was dark and it was hard to see what was in the shadowy corner: a trunk or a cradle.    Before the soldiers could reload their guns, the women began to sing “Kruchina.” In the middle of this chaos, time stopped. The soldiers listened as the voices washed over their round helmets and tense shoulders, crept into their machine guns, and spread through their stiffened veins and cold stomachs, like mother’s milk.    Sveta might not have even seen the movie, but she and Masha always sang “Kruchina” when their hearts, one or both, were in the wrong place.

I lie on the seashore, the sparkling flood blue-shimmering in my dreamy eyes; light breezes flutter in the distance; the thud of the waves, charging and breaking over in foam, beats thrillingly and drowsily upon the shore—or upon the ear? I cannot tell. The far and the near become blurred into one; outside and inside merge into one another. Nearer and nearer, friendlier, like a homecoming, sounds the thud of the waves; now, like a thundering pulse, they beat in my head, now they beat over my soul, wrapping it round, consuming it, while at the same time my soul floats out of me as a blue waste of waters. Outside and inside are one. The whole symphony of sensations fades away into one tone, all senses become one sense, which is one with feeling; the world expires in the soul and the soul dissolves in the world. Our little life is rounded by a great sleep. Sleep our cradle, sleep our grave, sleep our home, from which we go forth in the morning, returning again at evening; our life a short pilgrimage, the interval between emergence from original oneness and sinking back into it! Blue shimmers the infinite sea, where the jelly-fish dreams of that primeval existence to which our thoughts still filter down through aeons of memory. For every experience entails a change and a guarantee of life’s unity. At that moment when they are no longer blended together, when the experient lifts his head, still blind and dripping, from immersion in the stream of experience, from flowing away with the thing experienced; when man, amazed and estranged, detaches the change from himself and holds it before him as something alien—at that moment of estrangement the two sides of the experience are substantialized into subject and object, and at that moment consciousness is born.33

Have you done anything that’s like that?” he asked. So I had to tell him. “You’re not going to like it. But I was very lonely and very desperate. I was doing a magic for protection against my mother, because she kept sending me terrible dreams all the time. And while I was at it, I did a magic to find me a karass.” He looked blank. “What’s a karass?” “You haven’t read Vonnegut? Oh well, you’d like him I think. Start with Cat’s Cradle. But anyway, a karass is a group of people who are genuinely connected together. And the opposite is a granfalloon, a group that has a fake kind of connection, like all being in school together. I did a magic to find me friends.” He actually recoiled, almost knocking his chair over. “And you think it worked?” “The day after, Greg invited me to the book group.” I let that hang there while he filled in the implications for himself. “But we’d been meeting for months already. You just … found us.” “I hope so,” I said. “But I didn’t know anything about it before. I’d never seen any indication of it, or of fandom either.” I looked at him. He was rarer than a unicorn, a beautiful boy in a red-checked shirt who read and thought and talked about books. How much of his life had my magic touched, to make him what he was? Had he even existed before? Or what had he been? There’s no knowing, no way to know. He was here now, and I was, and that was all. “But I was there,” he said. “I was going to it. I know it was there. I was at Seacon in Brighton last summer.” “Er’ perrhenne,” I said, with my best guess at pronunciation. I am used to people being afraid of me, but I don’t really like it. I don’t suppose even Tiberius really liked it. But after a horrible instant his face softened. “It must have just found us for you. You couldn’t have changed all that,” he said, and picking up his Vimto, drained the bottle.

One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.

Since we human beings are the cause of the environmental problems that we face today, we can also be the solution. We just need a shift in our thinking. We just need to move away from the paradigm of competition and domination. Then this world will not end. In fact, the world will prosper and return to its original place as the cradle of self-discovery and the advancement of human spirituality. And such a world is a true democracy.

The Chalaine peeked between the books. Sure enough, Gen lay aslant on the couch, cradling his sheathed sword on his chest, hilt near his ear. A pile of three books sat on the floor nearby. Even in sleep he looked dangerous.

Throw me the ball,” I say. Sam looks at me like I’m nuts, so I say, “What? Are you afraid to play with a girl?” He smiles and hurls the ball at me. I take off running with it cradled in my arm. Logan runs after me, but I’m faster than any of them expected. Just before I reach the bench Matt’s sitting on, Logan snakes an arm around my waist, swinging me around. While he holds me tightly, Sam wrestles the ball from me. “That’s cheating!” I scream. “Cheating is allowed!” Sam yells back. “In whose rule book?” I ask, stamping my foot. “What rule book?” Matt says with a chuckle. He hefts himself to his feet. “Me and you against them?” he says. He grins at me. “We can take them any day,” I say, throwing my arms around him. He squeezes me gently and sets me away from him. He rubs my head, messing my hair all up. Logan runs down the field, and I chase him. He turns to catch the ball Sam throws, and as soon as he has it, I tackle him. I hit him as hard as I can. He stumbles with me holding his shirt until I can wrap around his legs. He goes down like a big oak tree falling. He lies on his stomach, but he’s smiling at me. I climb on his back and sit on him, plucking the ball from his grip. I hold it in the air and cheer, flailing my feet wildly. He lets me sit there on top of him for a minute as his breath heaves in and out under me. But then he upends me. He rolls me under him. “You cheated,” he says. His hands hold my wrists in a strong grip. “There’s no rule book, remember?” I giggle when he tickles beneath my ribs. “Stop!” I cry. He looks into my eyes. “I think I might be falling in love with you,” he says softly. My breath catches. “Yeah, me too,” I say. He smiles and gets to his feet, tugging me up beside him. His face is flushed, and he’s grinning. “If you two are done playing lovey-dovey,” Matt yells, “we have a game to win.” He waggles his eyebrows at me.

She clung to Darcy’s arm around her waist with one hand and to the horse’s mane with the other, and tried not to contemplate how disastrous a fall from this height would be to her and her baby. “Dinna fash, Malina,” he said in her ear as the wind licked locks of hair out of her up-do. “Rand willna let you fall. Nor will I.” Her racing heart had the gall to calm at his assurance, and her body had the gall to settle into the cradle of his chest, arms and thighs. She wasn’t enjoying the security of his embrace, she told herself. She was merely trusting her safety to an experienced horseman. Those weren’t giddy butterflies dancing in her tummy each time his fists brushed her lap. It was just a side effect of trying not to hyperventilate.

You can't judge a book by its cover, but that's never stopped us from doing so anyway.

Protect me from the fairies wild, Or exchange thee for a stolen child. A debt be paid more than a few, Tempting hunger with fairy stew. A mother’s distraction used as bait, To steal unchristen babes in wait. Malevolent fairies will deceive, Of lower nature and unbelief. An act to reflect the human soul, Will light the darkness of shadow. By living life of higher mind, A changeling thee will never find. In thy cradle a bundle of love, Your child protected by God above." Changelings, Meet the Little People...An Enchanting Adventure

Cryptanalysis could not be invented until a civilization had reached a sufficiently sophisticated level of scholarship in several disciplines, including mathematics, statistics, and linguistics. The Muslim civilization provided an ideal cradle for cryptanalysis, because Islam demands justice in all spheres of human activity, and achieving this requires knowledge, or ilm. Every Muslim is obliged to pursue knowledge in all its forms, and the economic success of the Abbasid caliphate meant that scholars had the time, money, and materials required to fulfil their duty. They endeavoured to acquire knowledge of previous civilizations by obtaining Egyptian, Babylonian, Indian, Chinese, Farsi, Syriac, Armenian, Hebrew and Roman texts and translating them into Arabic. In 815, the Caliph of Ma'mun established in Baghdad the Bait al-Hikmah ('House of Wisdom'), a library and centre for translation.

Bronson finally wandered off. Trevor handed me a Sprite and sat on the ottoman next to my chair. “Are you having a good time?” he asked, gulping down his own drink.  I couldn’t tell what he was drinking since the glass was opaque, but I hoped he was keeping his word that his partying days were behind him. I sipped at my soda. “It's okay. I don't really know anybody though.” “It's getting close to midnight. Do you want to get out of here?” Relieved he had made the suggestion, I smiled. “Yes, please.”  He took my hand as we walked out to his car. “Where should we go?” I asked as I put on my seatbelt. “I know just the place.” He grinned as he started the engine. We drove for a while and when we stopped we were overlooking the valley. Even though it was cold outside, the view was spectacular.  Trevor left the car running so we could stay warm. Even so, I cuddled up to him. He gazed at me, the black of his pupils enlarged in his blue eyes. “It's midnight, Lily.” His voice was husky as he reached out and cradled my face in his hands. I closed my eyes, ready to accept his kiss. He pressed his lips against mine, gently at first, then more urgently. “I don't think I can wait four more weeks,” he groaned. “We're practically married now. Do we really need to wait?” I pulled back. “But we’re not actually married.” He stared at me in the dim moonlight. “You’re one stubborn girl.” Wanting to change the subject, I groped around in my mind for something else to talk about. The messages I'd received popped into my head and they wouldn't leave. “Trevor, I got a weird e-mail the other day.” “Oh, yeah?” He said without much enthusiasm.  “Yes. They were about you.” That got his attention. He sat up straighter. “Who sent them?” “I don't know,” I said. “Okay. What did they say?” “Basically, they told me not to marry you.”  “What?” He shifted in his seat to face me more squarely.  “That's right. This time I sent an e-mail back, though,” I smiled, proud I had taken some sort of action. “And did you get a response?” “Not yet.” His hand shot out and grabbed me by the arm. “Tell me if you do. Will you promise me?” Startled by his response, I said, “Okay, if that's what you want.” He let go of my arm and I rubbed it where he had squeezed.  “It's getting late. I'd better get you home.” Trevor put the car in gear and we drove toward my apartment. His sudden change in attitude concerned me. What did he know that he wasn’t telling me? The spring semester started a few days later. I was excited to begin my new classes and went eagerly to my first one. It was a required Humanities course. I was surprised to find Justin sitting in the classroom. There was an empty seat beside him and I pulled it out and sat down. “What are you doing in this class?” I said. “Oh, hey, Lily. How's it going?” His smile was warm and friendly. “Great. How about you? I hear you and Pamela are getting serious.”  “Yeah, but not as serious as you, I hear.”  I noticed he seemed very pleased to hear about my own engagement and was surprised. I guess he's over me, I thought. That's good, I suppose. “Yes. Three and a

boon for me, and for Turkey and the Middle East as a whole. We have a rich and varied history, a history that is being forgotten in today’s world, buried beneath senseless wars, terrorism and religious zealotry. My museum aims to bring that history once again into the mind of the world, to show East and West that we are not simple, violent brutes. Mesopotamia is the cradle of civilization and I hope one day we can bring that to the world’s notice once again.

Highlights   1) Structure is the selection of events from characters’ lives strategically arranged to serve the writer’s purpose.   2) You should know the lives of your main characters from cradle to grave.   3) In addition to telling a good story, a writer’s secondary goal is to stir ideas or emotions in the reader.   Red Sneaker Exercises   1) List your three favorite books of all time. What do they have in common? Do common themes emerge? Did they produce a specific emotional or intellectual response?   2) Write a job application for your protagonist and antagonist using the form attached as Appendix A. Take your time. Do you know as much about these critical characters as you should?   3) You may have heard the term “takeaway,” meaning what the reader takes away with them after reading a book. What do readers get from your book? How are they rewarded for spending their time in your fictional world? Complete the following sentences:   When readers finish my book, I want them to feel ____________________.   When readers finish my book, I want them to think ______________________.   Now how are you going to arrange your story to make that happen?

The Deaf and Dumb Mother.—The late Countess of Orkney, who died at an advanced age, was deaf and dumb, and was married in 1753 by signs. She resided with her husband at his seat, Rostellan, near Cork. Shortly after the birth of her first child, the nurse saw the mother cautiously approach the cradle in which the infant lay asleep, evidently full of some deep design. The Countess, having first assured herself that her babe was fast asleep, took from under her shawl a large stone, which had purposely been concealed there, and, to the utter horror of the nurse, who largely shared the popular notion that all dumb persons are possessed of peculiar cunning and malignity, raised it up, as if to enable her to dash it down with greater force. Before the nurse could interpose to prevent what she believed would bring certain death to the sleeping and unconscious child, the dreadful stone was flung, not at the cradle, however, but upon the ground, and fell with great violence. The noise awakened the child. The Countess was overjoyed, and, in the fulness of a mother's heart, she fell upon her knees to express her thankfulness that her beloved infant possessed a blessing denied to herself—the sense of hearing. This lady often gave similar indications of superior intelligence, though we can believe that few of them equalled the present in interest. Filial

Cam was staring into her coffee, cradling the mug in both hands. A working woman's hands, sporting a few scrapes and scratches. Strong, capable hands.

Grace Canceled: How Outrage is Destroying Lives, Ending Debate, and Endangering Democracy by Dana Loesch 4/ 5 stars Great book! Book summary: “Popular talk radio host and political activist Dana Loesch confronts the Left's zero-tolerance, accept-no-apologies ethos with a powerful call for a return to core American principles of grace, redemption, justice, and empathy. Diving deep into recent cases where public and private figures were shamed, fired, or boycotted for social missteps, Loesch shows us how the politics of outrage is fueling the breakdown of the American community. How do we find common ground without compromising? Loesch urges readers to meet the face of fury with grace, highlighting inspiring examples like Congressman Dan Crenshaw's appearance on Saturday Night Live.” “Socialists’ two favorite rhetorical tools are envy and shame, and the platform they build on is identity politics. It’s culturally sanctioned prejudice… Identity politics is a tactic of statists, who foster resentment and envy and then peddle the lie that a bigger government can make everything FAIRER. These feelings justify the cruelty inherent in identity politics. Democrats’ favorite tactic is smearing as a ‘racist’ anyone who disagrees with them, challenges their opinion, or simply exists while thinking different thoughts.” -p. 20 “Democrats still need the socialists to maintain power, but it’s a dangerous trade. Going explicitly socialist would doom the Democrats to the dustbin of history. Instead, they’re refashioning the party: It believes wealth is evil, government is your church and savior, and independence is selfishness. Virtue is extinct- ‘virtue signaling’ has replaced actual virtue.” -p. 24 “The socialist definition of social justice ignores merit, neuters ambition, and diminishes the equity of labor. Equal rewards for unequal effort is unjust and fosters resentment.” - pp. 26-7 “The state purports to act on behalf of ‘the common good’. But who defines the common good? It has long been the justification for monstrous acts by totalitarian governments. ...In this way, the common good becomes an excuse for total state control. That was the excuse on which totalitarianism was built. You can achieve the common goal better if there is a total authority, and you must then limit the desires and wishfulness of individuals.” -p. 27 “Socialism is the enemy of charity because it outsources all compassion and altruism to the state. Out of sight, out of mind, they may think-- an overarching theme throughout socialism and communism (and one is just a stepping-stone to the other)... What need is there for personal ambition if government will provide, albeit meagerly, for all your needs from cradle to grave?” -pp. 32-3

Qur'an 5:110: When Allah will say: O Jesus, son of Mary, remember My favour to thee and to thy mother, when I strengthened thee with the Holy Spirit; thou spokest to people in the cradle and in old age, and when I taught thee the Book and the Wisdom and the Torah and the Gospel, and when thou didst determine out of clay a thing like the form of a bird by My permission, then thou didst breathe into it and it became a bird by My permission; and thou didst heal the blind and the leprous by My permission; and when thou didst raise the dead by My permission; and when I withheld the Children of Israel from thee when thou camest to them with clear arguments -- but those of them who disbelieved said: This is nothing but clear enchantment.

Never index your own book', she stated.

I held Boke when they gave her anesthesia and stroked her head as she slipped off to sleep. I thought I’d leave, but Dr. Magee invited me to stay. I watched, wanting to be a witness to this miracle. It took what, forty-five minutes? And it would change Boke’s life forever. And mine, too. I had come to Kenya thinking I would be blessing these kids with good works, and I was the one being blessed. When it was over, Dr. Magee said he was impressed I didn’t flinch once. It was one of the best reviews I’ve ever received. I went with Boke to recovery so that I would be the first person she saw when she woke up. I sat cradling her and marveling that you could already see the transformation of her mouth being made whole. I held her in the crook of my right arm, and in her postoperation sleep, she wrapped her little hand around my left index finger. When she was fully awake, someone went to get her mom to tell her that the surgery was a success. She came in, and we smiled at each other. She had no idea who I was and wanted nothing from me but to step in when she was in need. I hugged her, thinking how scared she must have been. The doctors worked all day, so I stayed late and did the same the next day. When it was over, Ken and I were exhausted, and I could not stop thanking him for getting me involved in Operation Smile. It gave me perspective on what mattered. I hadn’t planned on doing so much soul searching, but being so far away gave me an opportunity to look inward in stillness.

The weather was at war with itself, on one side the prevailing clouds and on the other the glimmer of sunlight, the lunar noon slinking in between the two, the sliver of the old moon cradling the new, the eternal story of sun and moon communicating their conflict across the sky.

She fondled, cradled, pacified and hushed the wounded heart to slumber by constantly saying, It’s over. He’s not coming back.

Anyone unable to understand how a useful religion can be founded on lies will not understand this book either. So be it.