“
I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
And then something invisible snapped insider her, and that which had come together commenced to fall apart.
”
”
John Green (Looking for Alaska)
“
There's no need to clarify my finger snap," said Magnus. "The implication was clear in the snap itself.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
It's not charity," I snap. "He cares about me--and I care about him!"
Warner nods, unimpressed. "You should get a dog, love. I hear they share much the same qualities.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Magnus, standing by the door, snapped his fingers impatiently. "Move it along, teenagers. The only person who gets to canoodle in my bedroom is my magnificent self."
"Canoodle?" repeated Clary, never having heard the word before.
"Magnificent?" repeated Jace, who was just being nasty. Magnus growled. The growl sounded like "Get out.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Saints, Kaz, you actually look happy."
"Don't be ridiculous," he snapped. But there was no mistaking it. Kaz Brekker was grinning like an idiot.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Out of the corner of her eye she thought she saw Jace shoot her a look of white rage - but when she glanced at him, he looked as he always did: easy, confident, slightly bored.
"In future, Clarissa," he said, "it might be wise to mention that you already have a man in your bed, to avoid such tedious situations."
"You invited him into bed?" Simon demanded, looking shaken.
"Ridiculous, isn't it?" said Jace. "We would never have all fit."
"I didn't invite him into bed," Clary snapped. "We were just kissing."
"Just kissing?" Jace's tone mocked her with its false hurt. "How swiftly you dismiss our love.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Four flips the gun in this hand, presses the barrel to Peter's forehead, and clicks a bullet into place. Peter freezes with his lips parted, the yawn dead in his mouth. "Wake. Up," Four snaps. "You are holding a loaded gun, you idiot. Act like it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
But then she snapped your neck.”
Tears rolled down his face.
“And I felt you die,” he whispered.
Tears were sliding down my own cheeks.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I’m never wearing them," Ron was saying stubbornly. "Never."
"Fine," snapped Mrs. Weasley. "Go naked. And, Harry, make sure you get a picture of him. Goodness knows I could do with a laugh.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
The funny thing about facing imminent death is that it really snaps everything else into perspective.
”
”
James Patterson (The Angel Experiment (Maximum Ride, #1))
“
I'm not your anything," I snapped, glaring up at him.
His eyebrows pulled in and he stopped dancing. "You're my everything.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Don’t leave me,” he whispers.
“Oh, for crying out loud—no! I am not going to go!” I shout and it’s cathartic. There, I’ve said it. I am not leaving.
“Really?” His eyes widen.
“What can I do to make you understand I will not run? What can I say?”
He gazes at me, revealing his fear and anguish again. He swallows. “There is one thing you can do.”
“What?” I snap.
“Marry me,” he whispers.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Sit, Your High Majestic Lord Princes," she said. She yanked a chair from the table and sat herself down.
"You're in fine temper," Raffin said.
"Your hair is blue," Katsa snapped back.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
Once upon a time, an angel and a devil held a wishbone between them.
And its snap split the world in two.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
How many times can our emotions be tied to someone else's - be pulled and stretched and twisted - before they snap? Before they can never be mended again?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
You stole a boat,” she snapped. “What am I doing with you, you boat-stealing lunatic?
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Do you ever stop being so serious and dull?"
"Do you ever stop being such a prick?" I snapped back.
Dead—really, truly, I should have been dead for that.
But Lucien grinned at me. "Much better.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Hmm…” Jason snapped his fingers. “I can call a friend for a ride.”
Percy raised his eyebrows. “Oh, yeah? Me too. Let's see whose friend gets here first.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
You look lousy,' he said.
Jace blinked. 'Seems an odd time to start an insult contest, but if you insist, I could probably think up something good.'
'No I mean it. You don't look good.'
'This is from a guy ho has all the sex appeal of a penguin. Look, I realize you may be jealous that the good Lord didn't deal you the same chiseled hand he dealt me, but that's no reason to-'
'I am not trying to insult you.' Simon snapped.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
You’re that lady,” Leo said. “The one who was named after Caribbean music.”
Her eyes glinted murderously. “Caribbean music.”
“Yeah. Reggae?” Leo shook his head. “Merengue? Hold on, I’ll get it.”
He snapped his fingers. “Calypso!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
Fine,' Jared snapped. 'But if you try cuddling up to me tonight... so help me, O'Shea."
Ian chuckled. ' Not to sound overly arrogant, but to be perfectly honest, Jared, were I so inclined, I think I could do better.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
So you're my boss now," I snap.
"Technically, I'm you're boss's boss's boss."
"And technically, it's gross moral turpitude- the fact that i am fucking my boss's boss's boss."
"At the moment, you're arguing with him." Christian scowls.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Angry grizzly bears are going to look tame next to what is waiting for you at home." I snapped the phone shut and placed it in her waiting hand. "I'm done.
”
”
Stephenie Meyer (Eclipse)
“
I ain't grouchy,” Teft snapped. “I just have a low threshold for stupidity.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
I have a strange feeling with regard to you. As if I had a string somewhere under my left ribs, tightly knotted to a similar string in you. And if you were to leave I'm afraid that cord of communion would snap. And I have a notion that I'd take to bleeding inwardly. As for you, you'd forget me.
”
”
Charlotte Brontë (Jane Eyre)
“
Seriously", Macey snapped. "go. Kiss. A baby"
"can you believe her?" Preston asked, coking his head towards macey." everytime she sees me, all she does is call me baby and talk about kissing."
Macey looked like she wanted to kill him. But I kind of wanted to laugh.
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
“
I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you."
He closed his eyes and pressed his head back into his pillow.
"I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?"
He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.
”
”
Rainbow Rowell (Eleanor & Park)
“
Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.
”
”
Gillian Flynn (Sharp Objects)
“
It’s impossible,” he snapped.
“Why?”
“Because I’m Sebastian, Lord St. Vincent. I can’t be celibate. Everyone knows that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.
”
”
Alan Moore (V for Vendetta)
“
Fang! Come Back!" I started pulling his hair. Shaking his head and shoulders. Hard. "Wake up! Snap out of it! You stupid jerk! I am going to kill you if you die on me!
”
”
James Patterson (Fang (Maximum Ride, #6))
“
Thanks,” I muttered and added under my breath, “Douchebag.”
He laughed, deep and throaty. “Now that’s not very ladylike, Kittycat.”
I whipped around. “Don’t ever call me that,” I snapped.
“It’s better than calling someone a douchebag, isn’t it?” He pushed out the door. “This has been a stimulating visit. I’ll cherish it for a long time to come.”
Okay. That was it. “You know, you’re right. How wrong of me to call you a douchebag. Because a douchebag is too nice of a word for you,” I said, smiling sweetly. “You’re a dickhead.”
“A dickhead?” he repeated. “How charming.”
I flipped him off.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Living is a risk,” I snapped at him. “Every decision, every interaction, every step, every time you get out of bed in the morning, you take a risk. To survive is to know you’re taking that risk and to not get out of bed clutching illusions of safety.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
There aren't any syringes." Red Sox came over and held a sterile pack out. When she tried to take it from him, he kept a grip on the thing. "I know you'll use this wisely."
"Wisely?" She snapped the syringe out of his hand. "No, I'm going to poke him in the eye with it. Because that's what they trained me to do in medical school.
”
”
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
“
It’s Aelin now,” she snapped as loudly as she dared. “Celaena Sardothien doesn’t exist anymore.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Honor from death,” I snap, “is a myth. Invented by the war torn to make sense of the horrific. If we die, it will be so that others may live. Truly honorable death, the only honorable death, is one that enables life.
”
”
Rae Carson (The Girl of Fire and Thorns (Fire and Thorns, #1))
“
I thought you were all-seeing.”
All-knowing, not all-seeing!” he snapped. “I’m a God, not Santa Claus!
”
”
Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
“
I know you think you're a punk," Declan said. "But you aren't nearly as bad ass as you think you are."
"Oh, go to hell," Ronan snapped, just as the alter boys broached the rear doors.
"Guys," Matthew pleaded. "Be holy.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
What's so funny?" Bella mumbled.
"I got food in her hair," I told her, chortling again.
"I'm not going to forget this, dog," Rosalie hissed.
"S'not so hard to erase a blond's memory," I countered. "Just blow in her ear."
Get some new jokes, "Rosalie snapped.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
The notion of my future suddenly snapped into focus: it didn't exist yet.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. (In the library, the Doctor walks back to the TARDIS. He stops, looking at the doors. Then he raises his hand, and stands there poised like that for a long moment. Finally he snaps his fingers. The doors open. He smiles slowly and walks in, joining Donna. Then he snaps his fingers again, and the doors close. River's voice continues over this.) Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call... everybody lives.
”
”
Steven Moffat
“
The moment we stepped out into the hall, Cam's apartment door flung open. Ollie appeared, a cellphone in one hand and Raphael wiggling in the other. "Smile!" he shouted as he snapped a picture on his phone. "It's like my two kids are going to prom.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
I can't take it anymore. The waiting. The wanting. Something inside me snaps. I hate myself. I hate that I have to deal with this. I hate my life. And I hate how I can't count on anyone to be completely there when I need them, exactly the way I need them to be.
”
”
Susane Colasanti (Waiting for You)
“
I’ve never understood this taste for otkazat’sya. Is it because you thought you were one of them for so long?”
“I had a taste for you, once.” His head snapped up. He hadn’t expected that. Saints, it was satisfying.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
And she was right. No matter how they tried, the two humans, with the cat but without the microchip, couldn’t connect to headquarters. Raya heard a loud popping sound in her mind, like a huge rubber band being snapped, like a glider plane released from a Piper Cub.
”
”
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
“
A Vampire!" I stammered. Then I noticed her legs. Below the cheerleader skirt, her left leg was brown and shaggy with a donkey's hoof. Her right leg was shaped like a human leg was it was made of bronze. "Uhh, a vampire with-"
"Don't mention the legs!" Tammi snapped. "It's rude to make fun.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
Before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!”
“You don’t win,” Anthony snapped.
“Oh, it feels like I’ve won,” she reveled.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Vhat ozzer abilities do you haf?" ter Borcht snapped, which his assistant waited, pen in hand.
Gazzy thought. "I have X-ray vision," he said. He peered at ter Borcht's chest, then blinked and looked alarmed.
Ter Borcht was startled for a second, but then he frowned. "Don't write dat down," he told his assistant in irritation. The assistant froze in midsentence.
"You. Do you haf any qualities dat distinguish you in any way?"
Nudge chewed on a fingernail. "You mean, like, besides the WINGS?" She shook her shoulders gently, and her beautiful fawn-colored wings unfolded a bit.
His face flushed, and I felt like cheering. "Yes," he said stiffly. "Besides de vings."
"Hmm. Besides de vings." Nudge tapped one finger against her chin. "Um..." Her face brightened. "I once ate nine Snickers bars in one sitting. Without barfing. That was a record!"
"Hardly a special talent," ter Borcht said witheringly.
Nudge was offended. "Yeah? Let's see YOU do it."
...
"I vill now eat nine Snickers bars," Gazzy said in a perfect, creepy imitation of ter Borcht's voice, "visout bahfing."
Iggy rubbed his forehead with one hand. "Well, I have a highly developed sense of irony."
Ter Borcht tsked. "You are a liability to your group. I assume you alvays hold on to someone's shirt, yes? Following dem closely?"
"Only when I'm trying to steal their dessert"
...Fang pretended to think, gazing up at the ceiling. "Besides my fashion sense? I play a mean harmonica."
"I vill now destroy de Snickuhs bahrs!" Gazzy barked.
”
”
James Patterson
“
Magnus snapped his fingers again, menacingly. "Get up."
"Or you'll be the next one to go up in smoke," said Simon with relish.
"There's no need to clarify my finger snap. The implication was clear in the snap itself.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
A snap of Rhys’s fingers, and my nightclothes—and some flimsy underthings—appeared on the bed. “I couldn’t decide which scrap of lace I wanted you to wear, so I brought you a few to choose from.”
“Pig,” I barked
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin."
It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand.
"About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Katniss: 'What about you? Ive seen you in the market. You can lift hundred pound bags of flour'. I snap at him
Tell him that. Thats not nothing.
Peeta: Yes and Im sure the arena will be full of bags of flour for me to chuck at people.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next day had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
”
”
Sylvia Plath (The Bell Jar)
“
We need to talk,” she said. “All of us. About what we‘re going to do now.”
“I was going to watch Project Runway,” said Jace. “Its on next.”
“No you‘re not,” said Magnus. He snapped his fingers and the TV went off, releasing a small puff of smoke as the picture died. “You need to deal with this.”
“Suddenly you‘re interested in solving my problems?”
“I‘m interested in getting my apartment back. I‘m tired of you cleaning all the time.” Magnus snapped his fingers again menacingly. “Get up.”
“Or you‘ll be the next one to go up in smoke,” said Simon with relish.
“There’s no need to clarify my snap,” said Magnus. “The implication was clear in the snap itself.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Alina, I'll be back to fetch you for dinner, but should you grow restless, do feel free to run screaming from the room or take a dagger to her. Whatever seems most fitting at the time."
"Are you still here?" snapped Baghra.
"I go but hope to remain in your heart," he said solemnly. Then he winked and disappeared.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Wear that scarf," he said, pointing to a blue cashmere scarf hanging on a peg. "It matches your eyes."
Alec looked at it. Suddenly he was filled with hate - for the scarf, for Magnus, and most of all for himself. "Don't tell me," he said. "The scarf's a hundred years old, and it was given to you by Queen Victoria right before she died, for special services to the Crown or something."
Magnus sat up. "What's gotten into you?"
Alec stared at him. "Am I the newest thing in this apartment?"
"I think that honor goes to Chairman Meow. He's only two."
"I said newest, not youngest," Alec snapped.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Hey!" Caleb snapped as he realized Nick was about to lock him on the outside with their attackers. He pushed the door open and glared at him. "No man left behind."
Nick scoffed. "This aint' the army, boy. It's every man for himself. Fall behind. Get eaten
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
A gold coin says he misses," Fenrys rasped.
"Save your breath for healing," Aelin snapped.
"Make it two," Aedion said behind them. "I say he hits."
"You can all go to hell," Aelin snarled. But then added, "Make it five. Ten says he downs it with the first shot.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
When I want to be lectured on strategy, I'll consult someone who's actually won battles,' Amelie said. 'Not one who ran away from them.'
'Snap,' Eve said.
'You know what they're talking about?' Shane asked.
'Don't need to know to get that one. She smacked him so hard his momma felt it.
”
”
Rachel Caine (Fade Out (The Morganville Vampires, #7))
“
I was thrown into a state of sheer, mindless panic. “It’s my mother!” I whispered fiercely,
as if Bones hadn’t figured that out. “Holy shit, you have to hide!”
I literally shoved him toward the bedroom, yelling, “I—I’ll be right there, I’m not
dressed!”
He went, but with none of my hysteria. “Kitten, you still haven’t told her? Blimey, what
are you waiting for?”
The Second Coming of Christ!” I snapped. “And not a moment sooner! Here, in the
closet!
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
I never felt like that before. Maybe it could be depression, like you get. I can understand how you suffer now when you're depressed; I always thought you liked it and I thought you could have snapped yourself out any time, if not alone then by means of the mood organ. But when you get that depressed you don't care. Apathy, because you've lost a sense of worth. It doesn't matter whether you feel better because you have no worth.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Well,” said the frog, “what are you going to do about it?”
“Marrying Therandil? I don’t know. I’ve tried talking to my parents, but they won’t listen, and neither will Therandil.”
“I didn’t ask what you’d said about it,” the frog snapped. “I asked what you’re going to do. Nine times out of ten, talking is a way of avoiding doing things.
”
”
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
“
Sometimes I have the strangest feeling about you. Especially when you are near me as you are now. It feels as though I had a string tied here under my left rib where my heart is, tightly knotted to you in a similar fashion. And when you go to Ireland, with all that distance between us, I am afraid that this cord will be snapped, and I shall bleed inwardly.
”
”
Charlotte Brontë
“
I don't have any idea what to wear anymore, so I tried to cover all bases."
"Try skin."
"Little chilly for that."
We looked at each other across the coffee table.
His eyes didn't say, I'd heat you up, and mine didn't say What are you waiting for? He didn't reply, Fuck if I'm making the first move, so I was careful not to say, I wish you would, because I can't, because I'm... and he didn't snap ...choking on your pride?!
"As if you aren't."
"Excuse me?"
"Really Barrons," I said drily. "I'm not the only one who didn't just not have that conversation, and you know it."
There was the faint, sexy lift of his lip. "You're a piece of work, Ms. Lane."
"Right back at you.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
All right. Are you going to come back? Do you want any soup?"
"No," said Jace.
"Do you think Hodge will want any soup?"
"No one wants any soup."
"I want some soup," Simon said.
"No, you don't," said Jace. "You just want to sleep with Isabelle."
Simon was appalled. "That is not true."
"How flattering," Isabelle murmured into the soup, but she was smirking.
"Oh, yes it is," said Jace. "Go ahead and ask her—then she can turn you down and the rest of us can get on with our lives while you fester in miserable humiliation." He snapped his fingers. "Hurry up, mundie boy, we've got work to do.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
And everyone saw me. Tobias saw me.
I hear footsteps. Tobias marches toward me and wrenches me to my feet.
"What the hell was that, Stiff?"
"I..." My breath comes in a hiccup. "I didn't-"
"Get yourself together! This is pathetic."
Something within me snaps. My tears stop. Heat races through my body, driving the weakness out of me, and I smack him so hard my knuckles burn with the impact. He stares at me, one side of his face bright with blush-blood, and I stare back.
"Shut up," I say. I yank my arm from his grasp and walk out of the room.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Mew," the kitten retorted, locking gazes with him. It had the expression common to all kittens, that of a tyrant in the becoming. 'I was comfortable, and you dared to move,' those jade eyes said. 'For that you must die.' When it became apparent to the cat that its two or three pounds of mass were insufficient to break Locke's neck with one mighty snap, it put its paws on his shoulders and began sharing its drool-covered nose with his lips. He recoiled.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
What the hell is going on?" demanded Kami's dad, advancing with his black eyes snapping. Jared blurted, "My intentions are honourable."
Kami sat up straight in her bed and stared in Jared's direction. "Are you completely crazy?" she wanted to know. "This isn't the eighteenth century. How do you think that's going to help?"
"Well, I mean," Jared said, back against the wall like a cornered animal. "When we're older. I mean-"
"Please shut up," Kami begged.
"I agree with Kami," said Dad. "When you're in an abyss-like hole, quit digging.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
He ignored me, thank God, saying to Kat, "Let go of Frosty's leash. You're choking the life out of him."
Kat's eyes narrowed to tiny slits, a sure sign of her aggression. "He deserves to choke. He didn't keep little frosty in his pants this summer." the words snapped like a whip.
"He did." Cole snapped back with unwavering confidence.
"Not."
"Did."
"Not!"
"Did,"
"Not, not, not!" she shouted with a stomp of her foot.
"What are we five?" Cole said.
"Six.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
I had done everything – everything for that love. I had ripped myself to shreds, I had killed innocents and debased myself, and he had sat beside Amarantha on that throne. And he couldn’t do anything, hadn’t risked it – hadn’t risked being caught until there was only one night left, and all he’d wanted to do wasn’t free me, but fuck me. And when Amarantha had broken me, when she had snapped my bones and made my blood boil in its veins, he’d just knelt and begged her. He hadn’t tried to kill her, hadn’t crawled for me. Yes, he’d fought for me – but I’d fought harder for him.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The god of wine looked around at the assembled crowd. “Miss me?”
The satyrs fell over themselves nodding and bowing. “Oh, yes, very much, sire!”
“Well, I did not miss this place!” Dionysus snapped. “I bear bad news, my friends. Evil news. The minor gods are changing sides. Morpheus has gone over to the enemy. Hecate, Janus, and Nemesis, as well. Zeus knows how many more.”
Thunder rumbled in the distance.
“Strike that,” Dionysus said. “Even Zeus doesn’t know.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
Alec isn’t happy,” said Magnus, as if she hadn’t spoken.
“Of course he isn’t,” Isabelle snapped. “Jace—”
“Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said:
“I thought you were friends.”
“It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.”
Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —”
“I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—”
“Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said.
“How dare you make this worse than it is —”
“Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.”
“There is nothing weak about Alec,” said Isabelle.
“No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.”
“Of course he loves me. I’m his sister.”
“Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Oh, dear God and baby Jesus in the manger, my eyes!” Dee shrieked. “My eyes!”
My own eyes snapped open. Daemon lifted his head, eyes luminous. Then I realized my hands were still up his shirt. I yanked them out.
“Oh my God,” I whispered, mortified.
Daemon said something that burned my ears. “Dee, you didn’t see anything.” And then he added much lower, “Because you have impeccable timing.”
“You were on…her and your mouths were doing this.” I could just imagine her hand signals at that point. She went on. “And that’s more than I want to see. Like, ever.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be.
“Boys, God doesn’t like you,” Fang intoned behind them.
Whaaat? I thought, dumbfounded.
“Wha!” they said, whirling.
At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death.
His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice.
“What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head.
I whipped my own wings open. Fun, anyway.
“This was a test,” I said, using my best spooky voice. “And guess what? You both failed.”
The bums stopped dead, looks of horror and amazement on their faces.
Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up.
“Rowr!” I said myself, shaking my wings out.
“Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way.
Fang and I slapped each other a quick high five—and we were out of there, jack.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
Kate makes good sausage," Jim said.
Six pairs of eyes stared at me. Thank you, Mr. Wonderful. Just what I needed.
"Oh yeah," Andrea snapped her fingers. "The links? The ones we had the beginning of the month? I didn't know you made those. I thought they were bought. They were so good." Her smile was positively cherubic. Of all the times not to be able to shoot laser beams out of my eyes...
"What do you put into your sausage, Kate?" Raphael wanted to know, giving me a perfectly innocent look.
Werejaguars with big mouths with a pinch of werehyena thrown in. "Venison and rabbit."
"That sounds like some fine sausage," Doolittle said. "Will you share the recipe?"
"Sure."
"I had no idea you were a sausage expert," Curran said with a completely straight face.
Die, die, die, die...
Even Derek cracked a smile. Raphael put his head down on the table and jerked a little.
"Is he choking?" Dali asked, wrinkling her forehead.
"No, he just needs a moment," Curran said. "Young bouda males. Easily excitable.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really."
Here we go again, George said. Always talking about himself.
Quiet! Martha snapped. Do you want to get set on vibrate?
Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo."
"Did he get blasted to tiny pieces?" I asked.
"Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry."
So what's the moral?"
"The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?"
"Um ..."
"How about this: stealing is not always bad?"
"I don't think my mom would like that moral."
Rats are delicious, suggested George.
What does that have to do with the story? Martha demanded.
Nothing, George said. But I'm hungry.
"I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
You saw a ghost, didn't you?" he said.
To my relief, I managed to laugh. "Hate to break it to you, but
there's no such thing as ghosts."
Huh."
His gaze traveled around the laundry room, like a cop searching
for an escaped convict. When he turned that
piercing look on me, its intensity sucked the backbone out of me.
What do you see, Chloe?"
I -I-I don't s-s-s-"
Slow down." He snapped the words, impatient. "What do they
look like? Do they talk to you?"
You really want to know?"
Yeah."
I chewed my lip, then lifted onto my tiptoes. He bent to listen.
They wear white sheets with big eye holes. And they say 'Boo!'" I
glowered up at him. "Now get out of my
way."
I expected him tosneer. Cross his arms and say, Make me, little girl.His lips twitched and I steeled myself, then I realized he was smiling.Laughing at me.
He stepped aside. I swept past him to the stairs.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background.
Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run.
Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette.
Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you.
Run, I said.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
How am I supposed to decide this? How can I possibly stay without mom and dad? How can I leave without Teddy? Or Adam? This is too much. I don’t even understand how it all works, why I’m here in the state that I’m in or how to get out of it if I wanted to. If I were to say, I want to wake up, would I wake up right now? I’ve already tried snapping my heels to find Teddy and tried to beam myself to Hawaii, and that didn’t work. This seems a whole lot more complicated.
But in spite of that, I believe it’s true. I hear the nurse’s words again. I am running the show. Everyone’s waiting on me.
I decide. I know this now.
And this terrifies me more than anything else that has happened today.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
Dimitri's voice snapped my attention back to him. "That's Adrian Ivashkov." He said the name the same way everyone else did.
"Yeah, I know."
"This is the second time I've seen you with him."
"Yeah," I replied glibly. "We hang out sometimes."
Dimitri arched an eyebrow, then jerked his head back toward where we'd come from. "You hang out in his room a lot?"
Several retorts popped into my head, and then a golden one took precedence. "What happens between him and me is none of your business." I managed a tone very similar to the one he'd used on me when making a similar comment about him and Tasha.
"Actually, as long as you're at the Academy, what you do is my business."
"Not my personal life. You don't have any say in that.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Are wild strawberries really wild?
Will they scratch an adult, will they snap at a child?
Should you pet them, or let them run free where they roam?
Could they ever relax in a steam-heated home?
Can they be trained to not growl at the guests?
Will a litterbox work or would they make a mess?
Can we make them a Cowberry, herding the cows,
or maybe a Muleberry pulling the plows,
or maybe a Huntberry chasing the grouse,
or maybe a Watchberry guarding the house,
and though they may curl up at your feet oh so sweetly
can you ever feel that you trust them completely?
Or should we make a pet out of something less scary,
like the Domestic Prune or the Imported Cherry,
Anyhow, you've been warned and I will not be blamed
if your Wild Strawberries cannot be tamed.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums.
That's Mama! Inej had cried.
Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.
You burn with hunger for food that does not exist.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
”
”
David Foster Wallace
“
Do you know how long a year takes when it's going away?' Dunbar repeated to Clevinger. 'This long.' He snapped his fingers. 'A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man.'
'Old?' asked Clevinger with surprise. 'What are you talking about?'
'Old.'
'I'm not old.'
'You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?' Dunbar was almost angry when he finished.
'Well, maybe it is true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?'
'I do,' Dunbar told him.
'Why?' Clevinger asked.
'What else is there?
”
”
Joseph Heller (Catch-22)
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask."
Derek ... snapped, "Then you need to stop taking the pills."
Love to. If I could. But after what happened last night, they're giving me urine tests now."
Ugh. That's harsh." Simon went quiet, then snapped his fingers.
Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine."
Derek stared at him.
What?"
You did pass chem last year, didn't you?"
Simon flipped him the finger. "Okay, genius, what's your idea?"
I'll think about it. ..."
***
Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it."
It's a ... jar."
He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room.
It's for your urine."
My what?"
He rolled his eyes, a growl-like sound sliding through his teeth as
he leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing."
I lifted the jar to eye level. "I think they'll give me something
smaller."
...
You took your meds today, right?" he whispered.
I nodded.
Then use this jar to save it."
Save . . . ?"
Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds."
You want me to . . . dole it out? Into specimen jars?"
Got a better idea?"
Um, no, but ..." I lifted the jar and stared into it.
Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me."
Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.
”
”
Brandon Sanderson (The Final Empire (Mistborn, #1))
“
It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent...
...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
”
”
David Foster Wallace (Infinite Jest)