Cow Baby Quotes

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On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em.
David Sedaris (Me Talk Pretty One Day)
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
Jennifer Donnelly (A Northern Light)
I believe in the baby Jesus, and I believe he is handsome and lives in the sky with his pet cow. I believe that it is essential the cow like you, and if you pet the cow with your mind, it will lick your hand and give you cash. But if you make the cow angry, it will turn away from you, forget you exist, and your life will fall into shambles. I believe that as long as the cow likes you, you can get what you want. In order to keep the cow’s favor, you need to ‘let go and let God,’ meaning you can’t obsess about controlling every little thing. You have to let things unfold naturally, and not try to change things you cannot change. On the other hand, I believe that if you’ve made the cow happy by living this way, you’re allowed to ask for favors...
Augusten Burroughs (Magical Thinking)
No touching Baby Jesus.” “But we’re his parents!” proclaimed Mary Beth, who was being generous to include poor Joseph under this appellation. “Mary Beth,” Barb Wiggin said, “if you touch the Baby Jesus, I’m putting you in a cow costume.
John Irving (A Prayer for Owen Meany)
What started Baby Jesus growing in Mary's tummy was an angel zoomed down, like a ghost but a really cool one with feathers. Mary was all surprised, she said, "How can this be?" and then, "OK let it be." When Baby Jesus popped out of her vagina on Christmas she put him in a manger but not for the cows to chew, only to warm him up with their blowing because he was magic.
Emma Donoghue (Room)
Why? Because you feed on fluffy little baby cows and chickens and I feed on mortals?
Lynsay Sands (A Bite to Remember (Argeneau, #5))
Baby rats need rat milk, baby cats need cat milk, baby dogs need dog milk, baby humans need human milk, baby cows need cow milk, baby chimps need chimp milk.. Would anyone believe it if someone claimed adult giraffes need elephant milk? or adult horses need squirrel milk? or adult possums need goat milk? or adult humans need cow milk? oh, wait, no, that last one makes total sense.. NOT
Mango Wodzak
It's a little blip. There's a tiny little blip in my belly. Tiny. Wow. I forget my discomfort as I stare dumbfounded at the blip.... The little blip is a baby. A real honest to goodness baby. Christian's baby. My baby. Holy cow. A baby! - Ana Grey
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Mrs. Turner was a milky sort of a woman that belonged to child-bed. Her shoulders rounded a little, and she must have been conscious of her pelvis because she kept it stuck out in front of her so she could always see it. Tea Cake made a lot of fun about Mrs. Turners shape behind her back. He claimed that she had been shaped up by a cow kicking her from behind. She was an ironing board with things throwed at it. Then that same cow took and stepped in her mouth when she was a baby and left it wide and flat with her chin and nose almost meeting.
Zora Neale Hurston (Their Eyes Were Watching God)
I'm hungry.' 'Me too.' 'Will you get us something to eat?' 'I suppose I could take a look around. Maybe find a baby bird or a dead squirrel, or something. One word about a quiche, and I'll kill you.' 'While you're up there, try to find some nice, soft grasses we can sit on and be more comfortable.' 'Yes, comrade. ... Here. I found some eggs to suck on.' 'Did you remember to get the grasses?' 'No. I forgot.' 'Are you going to get the grasses?' 'Can I eat first?' 'I don't know why you say you'll do things if you don't mean it.' 'I MEANT it! I just FORGOT!' 'You can get the grasses after you finish eating.' 'Thank you.' 'And try to find some water. We're going to need water if we plan on hiding out here.' 'YES COMRADE! ANYTHING ELSE?' ... 'Y'know, we could've had these eggs in a quiche!
Jeff Smith (Bone, Vol. 2: The Great Cow Race (Bone, #2))
I'll remind you of that someday , Maura says. "when you're married to a man who once looked into your eyes and promised to forsake all others. I'll remind of that after you've just had his baby and you have postpartum depression and feel as fat as cow and you are pumping milk into a plastic containers in the middle of the night while he's running around with some twenty-two-years old named Lissette. I'll remind you of that. Maura to Jess.
Emily Giffin (Baby Proof)
Any little beliefs that babies are delivered by storks or found under bushes tend to get sorted out early on if you live on a farm, especially when a cow is having a difficult calving in the middle of the night.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
What the Motorcycle Said Br-r-r-am-m-m, rackerty-am-m, OM, AM: All-r-r-room, r-r-ram, ala-bas-ter- Am, the world’s my oyster. I hate plastic, wear it black and slick, hate hardhats, wear one on my head, That’s what the motorcycle said. Passed phonies in Fords, knockede down billboards, landed On the other side of The Gap, and Whee, bypassed history. When I was born (The Past), baby knew best. They shook when I bawled, took Freud’s path, threw away their wrath. R-r-rackety-am-m. Am. War, rhyme, soap, meat, marriage, the Phantom Jet are sh*t, and like that. Hate pompousness, punishment, patience, am into Love, hate middle-class moneymakers, live on Dad, that’s what the motorcycle said. Br-r-r-am-m-m. It’s Nowsville, man. Passed Oldies, Uglies, Straighties, Honkies. I’ll never be mean, tired, or unsexy. Passed cigarette suckers, souses, mother-fuckers, losers, went back to Nature and found how to get VD, stoned. Passed a cow, too fast to hear her moo, “I rolled our leaves of grass into one ball. I am the grassy All.” Br-r-r-am-m-m, rackety-am-m, OM, Am: All-gr-r-rin, oooohgah, gl-l-utton- Am, the world’s my smilebutton.
Mona van Duyn
Can I have baby cows?” Meg asked. “Well, Meg,” I said, “first you would have to have some mommy cows. You see—” “Guys,” Percy interrupted. “So, just to recap, you have to be Meg’s servant for…?” “Some unknown amount of time,” I said. “Probably a year. Possibly more.” “And during that time —” “I will undoubtedly face many trials and hardships.” “Like getting me my cows,” Meg said. I gritted my teeth.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Haiku Christmas Story New light in the sky announces a sacred birth. Shine brightly young star. Hallelujah song carries on a gentle wind, heralding a king. Shepherds lift their heads, not to gaze at a new light but to hear angels. "Unto you is born in the city of David a Savior for all." Born on straw at night under low stable rafters, Baby Jesus cried. Sheep and goats and cows gather 'round a manger bed to awe at a babe. Wise men come to see a child of greater wisdom and honor divine. Rare and precious gifts, gold and myrrh and frankincense, to offer a king. Mary and Joseph huddle snugly together. They cradle God's son. On this wise He came, the Son of God to the earth. A humble wonder.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
Jason Born (The Norseman (The Norseman Chronicles, #1))
Sheep and goats and cows gather 'round a manger bed to awe at a babe.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Cheese, where you takes liquid from a cow lady's business parts, mix it with a bit o' juices from a baby cow's fourth stomach and then let it grow all fuzzy-moldy for a few years, eh?
Jeffery Russell (The Dungeoneers (The Dungeoneers, #1))
I became a vegan the day I watched a video of a calf being born on a factory farm. The baby was dragged away from his mother before he hit the ground. The helpless calf strained its head backwards to find his mother. The mother bolted after her son and exploded into a rage when the rancher slammed the gate on her. She wailed the saddest noise I’d ever heard an animal make, and then thrashed and dug into the ground, burying her face in the muddy placenta. I had no idea what was happening respecting brain chemistry, animal instinct, or whatever. I just knew that this was deeply wrong. I just knew that such suffering could never be worth the taste of milk and veal. I empathized with the cow and the calf and, in so doing, my life changed.
James McWilliams
Do you need hope? Look at the tiny baby in a cow trough. See the adult's gentle hands blessing the children. Hear his words of invitation and see those hands pierced with spikes. Contemplate the blood-soaked mud. View the empty tomb and the folded grave clothes. See him rise physically to return to his Father, clothed in human flesh. Anticipate his return on the clouds and your eternal union and reign with him. Don't turn away from the hope of the gospel: Christ is utterly and eternally preeminent. You need this hope to face your day; don't look away to yourself or any other person.
Elyse M. Fitzpatrick (Because He Loves Me: How Christ Transforms Our Daily Life)
The British investigators know what butchers have long known: If you want people to feel comfortable about dead bodies, cut them into pieces. A cow carcass is upsetting; a brisket is dinner. A human leg has no face, no eyes, no hands that once held babies or stroked a lover’s cheek. It’s difficult to associate it with the living person from which it came. The anonymity of body parts facilitates the necessary dissociations of cadaveric research: This is not a person. This is just tissue. It has no feelings, and no one has feelings for it. It’s okay to do things to it which, were it a sentient being, would constitute torture.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. “Is thems the thoughts of cows?” I’d ask the butcher, pointing to the calves’ brains displayed in the front window.
David Sedaris (Me Talk Pretty One Day)
The term given to the way babies are brought up in elephant herds is allomothering, a fancy word for “It takes a village.” Like everything else, there is a biological reason to allow your sisters and aunts to help you parent: When you have to feed on 150 kilograms of food a day and you have a baby that loves to explore, you can’t run after him and get all the nutrition you need to make milk for him. Allomothering also allows young cows to learn how to take care of a baby, how to protect a baby, how to give a baby the time and space it needs to explore without putting it in danger. So theoretically you could say an elephant has many mothers. And yet there is a special and inviolable bond between the calf and its birth mother. In the wild, a calf under the age of two will not survive without its mother. In the wild, a mother’s job is to teach her daughter everything she will need to know to become a mother herself. In the wild, a mother and daughter stay together until one of them dies.
Jodi Picoult (Leaving Time)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
Any fool female can procreate. Cows have babies every spring, but cows can’t publish a book or plant a garden or sit in a porch swing and admire the sunset. That’s making something of your life. Having babies is like going to the bathroom. Sure, it’s natural, but it’s not worth bragging about.
Tim Sandlin (Lydia: A Novel (GroVont series Book 4))
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
He rubbed his hands. For, of course, they didn't content themselves with merely hatching out embryos: any cow could do that. "We also predestine and condition. We decant our babies as socialized human beings, as Alphas or Epsilons, as future sewage workers or future..." He was going to say "future World Controllers", but correcting himself, said "future Directors of Hatcheries" instead.
Aldous Huxley
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She has seen neighbouring women do it, has heard their cries rise into screams, smelt the rusty coin scent of new birth. She has seen the pig, the cow, the ewes birth their young; she has been the one called on by her father, by Bartholomew, when lambs were stuck. Her female fingers, slender, tapered, were required to enter that narrow, heated, slick canal, and hook out the soft hoofs, the gluey nose, the plastered-back ears. And she knows, in the way she always does, that she will reach the other side of birth, that she and this baby will live. Nothing, however, could have prepared her for the relentlessness of it. It is like trying to stand in a gale, like trying to swim against the current of a flooded river, like trying to lift a fallen tree. Never has she been more sensible of her weakness, of her inadequacy. She has always felt herself to be a strong person: she can push a cow into milking position, she can douse and stir a load of laundry, she can lift and carry her small siblings, a bale of skins, a bucket of water, an armful of firewood. Her body is one of resilience, of power: she is all muscle beneath smooth skin. But this is something else. Something other. It laughs at her attempts to master it, to subdue it, to rise above it. It will, Agnes fears, overtake her. It will seize her by the scruff of her neck and plunge her down, under the surface of the water.
Maggie O'Farrell (Hamnet)
In one corner of the square is a manger scene with two live sheep, a bed of hay, a couple of cows. The baby Jesus is a brown-faced doll lying in his crib, but Mary and Joseph are real and dressed in period garb. Joseph hoists a staff, Mary sports her virginal blue robes. As I walked by the other day, Joseph balanced on the crib, light bulb in hand, reaching toward an electrical socket. Mary, I guess, was taking a break. She sat on the edge of the crib. Her blue robes were hiked high enough to reveal Doc Marten boots beneath. She sipped a can of Coke and smoked.
Laura Kelly (Dispatches from the Republic of Otherness)
Five months after Zoran's disappearance, his wife gave birth to a girl. The mother was unable to nurse the child. The city was being shelled continuously. There were severe food shortages. Infants, like the infirm and the elderly, were dying in droves. The family gave the baby tea for five days, but she began to fade. "She was dying," Rosa Sorak said. "It was breaking our hearts." Fejzić, meanwhile, was keeping his cow in a field on the eastern edge of Goražde, milking it at night to avoid being hit by Serbian snipers. "On the fifth day, just before dawn, we heard someone at the door," said Rosa Sorak. "It was Fadil Fejzić in his black rubber boots. He handed up half a liter of milk he came the next morning, and the morning after that, and after that. Other families on the street began to insult him. They told him to give his milk to Muslims, to let the Chetnik children die. He never said a word. He refused our money. He came 442 days, until my daughter-in-law and granddaughter left Goražde for Serbia." The Soraks eventually left and took over a house that once belonged to a Muslim family in the Serbian-held town of Kopaci. Two miles to the east. They could no longer communicate with Fejzić. The couple said they grieved daily for their sons. They missed their home. They said they could never forgive those who took Zoran from them. But they also said that despite their anger and loss, they could not listen to other Sebs talking about Muslims, or even recite their own sufferings, without telling of Fejzić and his cow. Here was the power of love. What this illiterate farmer did would color the life of another human being, who might never meet him, long after he was gone, in his act lay an ocean of hope.
Chris Hedges (War Is a Force That Gives Us Meaning)
I pick up my menu and start looking at the food choices. “What do you recommend?” I ask Carrick. “Veal. That’s what I usually have.” “But…isn’t veal baby cows?” My brows draw together. “Yep.” “Jesus, I’m not eating baby cows!” I screw up my face in disgust. “I’ll have the steak instead.” Carrick sputters out a laugh. “You won’t eat baby cows, but you’ll eat adult cows? Where’s the logic, babe?” “They’re babies!” I gesticulate. “It’s just wrong!” “But it’s okay to eat the mammy cows?” Fuck. He’s got me there. “Fine. I’ll have the crayfish.” “But what if that’s a baby crayfish?” Bastard.
Samantha Towle (Revved (Revved, #1))
Lena?" He glanced at the dictionary. "Are you 'pleased, contented, joyful, delighted'? Do you feel 'Lucky, fortunate'? Are things 'clever and fitting,' 'successful and suitable' for you?" Lena stopped slicing vegetables and closed her eyes. "Read me the list again, please," she said. He shut the book. "What have I done, you got to stop and think an hour before you can tell me. All I ask is a simple yes or no! You're not contented, delighted, joyful?" "Cows are contented, babies and old people in second childhood are delighted, God help them," she said. "As for 'joyful,' Lee? Look how I laugh scrubbing out the sink . . ." He peered closely at her and his face relaxed. "Lena, it's true. A man doesn't appreciate. Next month, maybe, we'll get away." "I'm not complaining!" she cried. "I'm not the one comes in with a list saying/stick out your tongue. Lee, do you ask what makes your heart beat all night? No! Next will you ask, What's marriage? Who knows, Lee? Don't ask. A man who thinks like that, how it runs, how things work, falls off the trapeze in the circus, chokes wondering how the muscles work in the throat. Eat, sleep, breathe, Lee, and stop staring at me like I'm something new in the house!
Ray Bradbury (Dandelion Wine)
Are there, like, cows on that farm?” asked Rafe. “They depress me. Doomed. Zero exceptions. It’s either a bolt shot through your head when you’re two or they let you live till you’re five. Make you a breeder and kidnap all your babies. Suck out the milk that was meant for them. And after that you die.” “I didn’t realize you were vegan,” said Sukey, slightly sneering. “Whose barn is it?” asked Dee. “Rich lady’s,” said Burl. “She’s a hobby farmer. I do maintenance for her. Not there now. Lives in TriBeCa.” The map app gave us a clear path when Burl entered the address—not that the app could be trusted. It also wanted us to levitate across the sparking power line.
Lydia Millet (A Children's Bible)
Back in the pens, once the herd was gathered, the men gingerly and methodically guided the calves into a separate gated area. The cows mooed and their babies bawled once they realized the extent of the physical distance between them, and my bottom lip began to tremble in sympathy. Before that moment, I had no hands-on experience of the tug of motherhood and the tangible connection between the hearts of a mother and child, whether it be bovine, equine, or human. And while I knew that what I was witnessing was a rite of passage, a normal part of agriculture, I realized for the first time that this enormous thing that would be happening in a few short months--this motherhood thing--was serious business. It took a morning among cows for me to understand.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When’s the day, Sarah?” asked Maggie. “Soon. A few weeks…a month? The end of summer. The truth is I’m too old for this. This baby,” said Mama. “I was too old when I came to live here.” I looked quickly at Mama. What did she mean “too old”? “No. I’m old,” said Papa. “No, I’m old,” said Grandfather, making everyone laugh. “Grandfather wins,” Caleb said. Maggie put her arms around me. “And Cassie, you are beautiful!” No one had ever called me beautiful. They had called me sneaky and elusive and imaginative. Not beautiful. “You look just like your mama.” I frowned. I looked at Mama. Big. “I think I look like Anna,” I said. “Ah no,” said Maggie. “You have your mama’s smile and her eyes.” I frowned again. “Actually, I think Cassie looks like Eleni, the cow,” said Caleb. There was laughter. “No,” said Mama. “I look like Eleni.” “Don’t worry, Sarah. Eleni is a very beautiful cow,” said Grandfather.
Patricia MacLachlan (More Perfect than the Moon (Sarah, Plain and Tall #4))
The technological efficiency of daughter-proofing a pregnancy may make it seem as if the girl shortage is a problem of modernity, but female infanticide has been documented in China and India for more than two thousand years.119 In China, midwives kept a bucket of water at the bedside to drown the baby if it was a girl. In India there were many methods: “giving a pill of tobacco and bhang to swallow, drowning in milk, smearing the mother’s breast with opium or the juice of the poisonous Datura, or covering the child’s mouth with a plaster of cow-dung before it drew breath.” Then and now, even when daughters are suffered to live, they may not last long. Parents allocate most of the available food to their sons, and as a Chinese doctor explains, “if a boy gets sick, the parents may send him to the hospital at once, but if a girl gets sick, the parents may say to themselves, ‘Well, we’ll see how she is tomorrow.
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
Other men might deride farmers-turned-soldiers. Not he. Farmers knew what they were fighting for; farmers were used to death and killing, for they did it every autumn when they killed the cattle and swine that would feed them through the winter. The average citydweller might never see meat that was not already rendered into its component parts; the farmer had raised that “meat” from a baby, and had resisted his children’s efforts to name it and make a pet of it. Killing a cow was easier than killing a man? Not when the farmer had delivered the cow as a calf, had agonized over its illnesses, had called it to its food every day for all of its life, brought it all unaware into the killing shed, and stared into its eyes before killing it. Whereas the man he faced was a stranger, was hidden in his helm, and wanted to kill him. Then wanted to take his land, his goods, and his women. A farmer would have no difficulty in making the decision to kill a man.
Mercedes Lackey (Exile's Honor (Alberich's Tale, #1))
It’s hard to imagine calling the dairy industry anything but “inhumane” when you consider that on dairy farms, cows are artificially inseminated and forced to give birth, only to have their beloved babies torn away from them so the milk that nature intended for them can instead be consumed by humans. Both mother cows and their calves are emotionally traumatised when forcibly separated from one another. The mother cows bellow in desperation, and their calves bawl in distress. They cry out for each other for days – in vain. The male calves – often referred to as “by-products” – are either shot at birth or destined to become veal. The female calves, like their mothers, face a lifetime of repeated forcible impregnation and anguish over their stolen babies. Their bodies are strained to the limit in order to squeeze out every last drop of milk. Today, British cows typically produce 10 times more milk than they would naturally in order to feed their calves.
Mimi Bekhechi
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him. 'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.' 'Why don't you eat meat or at least milk the cows?' I asked. 'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.' 'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.' We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz. Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
I got that part. I’m thinking.” But how could I free the cow serpent when she (I decided it was probably a “she”) panicked at the sight of a blade? It was like she’d seen swords before and knew how dangerous they were. “All right,” I told the hippocampi. “I need all of you to push exactly the way I tell you.” First we started with the boat. It wasn’t easy, but with the strength of three horsepower, we managed to shift the wreckage so it was no longer threatening to collapse on the baby cow serpent. Then I went to work on the net, untangling it section by section, getting lead weights and fishing hooks straightened out, yanking out knots around the cow serpent’s hooves. It took forever—I mean, it was worse than the time I’d had to untangle all my video game controller wires. The whole time, I kept talking to the cow fish, telling her everything was okay while she mooed and moaned. “It’s okay, Bessie,” I said. Don’t ask me why I started calling her that. It just seemed like a good cow name. “Good cow. Nice cow.” Finally, the net came off and the cow serpent zipped through the water and did a happy somersault. The hippocampi whinnied with joy. Thank you, lord!
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
Future visitors from outer space, who mount archaeological digs of our planet, will surely find ways to distinguish designed machines such as planes and microphones, from evolved machines such as bat wings and ears. It is an interesting exercise to think about how they will make the distinction. They may face some tricky judgements in the messy overlap between natural evolution and human design. If the alien scientists can study living specimens, not just archaeological relics, what will they make of fragile, highly strung racehorses and greyhounds, or snuffling bulldogs who can scarcely breathe and can't be born without Caesarian assistance, of blear-eyed Pekinese baby surrogates, of walking udders such as Friesian cows, walking rashers such as Landrace pigs, or walking woolly jumpers such as Merino sheep? Molecular machines - nanotechnology - crafted for human benefit on the same scale as the bacterial flagellar motor, may pose the alien scientists even harder problems... Given that the illusion of design conjured by Darwinian natural selection is so breathtakingly powerful, how do we, in practice, distinguish its products from deliberately designed artefacts?... [Graham] Cairns-Smith was writing in a different context, but his point works here too. An arch is irreducible in the sense that if you remove part of it, the whole collapses. Yet it is possible to build it gradually by means of scaffolding[, which after] the subsequent removal of the scaffolding... no longer appears in the visible picture...
Richard Dawkins (The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution)
After dinner, as we had so many times during our months and months together, Marlboro Man and I adjourned to his porch. It was dark--we’d eaten late--and despite my silent five-minute battle with the reality of my reproductive system, there was definitely something special about the night. I stood at the railing, breathing in the dewy night air and taking in all the sounds of the countryside that would one day be my home. The pumping of a distant oil well, the symphony of crickets, the occasional moo of a mama cow, the manic yipping of coyotes…the din of country life was as present and reassuring as the cacophony of car horns, traffic sounds, and sirens had been in L.A. I loved everything about it. He appeared behind me; his strong arms wrapped around my waist. Oh, it was real, all right--he was real. As I touched his forearms and ran the palms of my hands from his elbows down to his wrists, I’d never been more sure of how very real he was. Here, grasping me in his arms, was the Adonis of all the romance-novel fantasies I clearly never realized I’d been having; they’d been playing themselves out in steamy detail under the surface of my consciousness, and I never even knew I’d been missing it. I closed my eyes and rested my head back on his chest, just as his impossibly soft lips and subtle whiskers rested on my neck. Romancewise, it was perfection--the night air was still--almost imperceptible. Physically, viscerally, it was almost more than I could stand. Six babies? Sure. How ’bout seven? Is that enough? Standing there that night, I would have said eight, nine, ten. And I could have gotten started right away. But getting started would have to wait. There’d be plenty of time for that. For that night, that dark, perfect night, we simply stayed on the porch and locked ourselves in kiss after beautiful, steamy kiss. And before too long, it was impossible to tell where his arms ended and where my body began.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He served Adaira the first slice and grinned when she cast a wary look his way. “You made this?” “Aye,” he said, standing close to her, waiting. Adaira took her spoon and poked at the pie. “What’s in it, Jack?” “Oh, what all did we dump in there, Frae? Blackberries, strawberries, pimpleberries—” “Pimpleberries?” Frae gasped in alarm. “What’s a pim—” “Honey and butter and a dash of good luck,” he finished, his gaze remaining on Adaira. “All of your favorite things, as I recall, heiress.” Adaira stared at him, her face composed save for her pursed lips. She was trying not to laugh, he realized. He was suddenly flustered. “Heiress, I did not put pimpleberries in there,” Frae frantically said. “Oh, sweet lass, I know you didn’t,” Adaira said, turning a smile upon the girl. “Your brother is teasing me. You see, when we were your age, there was a great dinner in the hall one night. And Jack brought me a piece of pie, to say sorry for something he had done earlier that day. He looked so contrite that I foolishly believed him and took a bite, only to realize something was very strange about it.” “What was it?” Frae asked, as if she could not imagine Jack doing something so awful. “He called it a ‘pimpleberry’, but it was actually a small skin of ink,” Adaira replied. “And it stained my teeth for a week and made me very ill.” “Is this true, Jack?” Mirin cried, setting her teacup down with a clatter. “‘Tis truth,” he confessed, and before any of the women could say another word, he took the plate and the spoon from Adaira and ate a piece of the pie. It was delicious, but only because he and Frae had found and harvested the berries and rolled out the dough and talked about swords and books and baby cows while they made it. He swallowed the sweetness and said, “I believe this one is exceptional, thanks to Frae.” Mirin bustled into the kitchen to cut a new slice for Adaira and find her a clean utensil, muttering about how the mainland must have robbed Jack of all manners. But Adaira didn’t seem to hear. She took the plate from his hands, as well as the spoon, and ate after him.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
I remember every detail of it, you insignificant cow,” Morwen panted, affecting a crooked grin that failed to convey the same confidence it had before. “You screamed. You cried and blubbered like a baby before you died.” “It won’t work,” said Jenny. “You can’t rile me anymore.” “No? You should have seen your handsome Howard Carson after our vamp got through with him,” Morwen went on. For all her venom, she looked as though she might pass out at any moment. The trip through the wall had left several gashes along her arms, and her eyes appeared to be having difficulty focusing. “You could barely recognize his butchered corpse in the end,” she hissed. “We pitched what was left into the fire like greasy table scraps.” Jenny did not rise to the bait. She only drifted slowly to a stop, looming over Morwen. Morwen gripped her dark dagger so tightly her knuckles whitened. She lashed out wildly at the specter, but the blade met nothing more substantial than moonlight. The effort cost the nixie her balance, and she collapsed again onto the carpet. “It’s frustrating, isn’t it?” said Jenny calmly. “Not being able to make contact.” She reached down and easily plucked the blade out of Morwen’s grasp. She shifted the weapon from one hand to the other, regarding the dark metal curiously. The solidity of the thing sat at odds with her translucent fingers. Morwen pushed herself up with great difficulty, swaying to an unsteady slouch on one knee. The fight had left the nixie, but not her fury. Her dress was torn and she had plaster ground into her hair. Her voice was hollow. “Just get it over with.” “It is over,” said Jenny. She dropped the blade onto the carpet behind her with a soft thump. Morwen narrowed her eyes. “Don’t waste your pity on me, ghost,” she spat. “I won’t,” said Jenny. “Nor any fear nor fury. I’m done with you, Morwen. My friends, however . . . are not. Mr. Jackaby?” Jackaby stepped forward. He unwound the chain from his hand as he moved around toward Morwen. “Done with me?” Morwen spat. “You only exist because of me, ghost! You’re nothing but a ripple in my wake, you worthless trash. I made you!” “You didn’t make me,” Jenny said gently. “I made myself, and I will continue to make myself forever after. What you did to me? That made you. It made you a murderer and it made you a monster. They buried the girl you killed, Morwen. I’m the spirit you couldn’t kill. You have no power over me.
William Ritter (Ghostly Echoes (Jackaby, #3))
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Five months after Zoran's disappearance, his wife gave birth to a girl. The mother was unable to nurse the child. The city was being shelled continuously. There were severe food shortages. Infants, like the infirm and the elderly, were dying in droves. The family gave the baby tea for five days, but she began to fade. "She was dying," Rosa Sorak said. "It was breaking our hearts." Fejzić, meanwhile, was keeping his cow in a field on the eastern edge of Goražde, milking it at night to avoid being hit by Serbian snipers. "On the fifth day, just before dawn, we heard someone at the door," said Rosa Sorak. "It was Fadil Fejzić in his black rubber boots. He handed up half a liter of milk he came the next morning, and the morning after that, and after that. Other families on the street began to insult him. They told him to give his milk to Muslims, to let the Chetnik children die. He never said a word. He refused our money. He came 442 days, until my daughter-in-law and granddaughter left Goražde for Serbia." The Soraks eventually left and took over a house that once belonged to a Muslim family in the Serbian-held town of Kopaci. Two miles to the east. They could no longer communicate with Fejzić. The couple said they grieved daily for their sons. They missed their home. They said they could never forgive those who took Zoran from them. But they also said that despite their anger and loss, they could not listen to other Sebs talking about Muslims, or even recite their own sufferings, without telling of Fejzić and his cow. Here was the power of love. What this illiterate farmer did would color the life of another human being, who might never meet him, long after he was gone. In his act lay an ocean of hope.
Chris Hedges (War Is a Force That Gives Us Meaning)
The knowledge of dairy cows has exceeded that of human lactation and has had a misleading influence on the understanding of human mothers and babies.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
She drove, not thinking about where she was going. There were fields to her right, a fence and a tree on a hill. One Tree Hill Farm, she knew. Brilliantly original name. As a rule the bucolic setting calmed her spirit, made her happy. They raised cattle, and normally had two sets of calves a year, one in the spring and again in the fall. She loved to drive by and see the babies trotting after their mothers, lowing for milk. It was one of the reasons they’d bought off of this road, because for a brief moment, Taylor felt like she was in the country driving to and from work. There were three vultures sitting on the fence posts, leering at a grouping of cattle. Taylor slowed, watching them, so out of place in her mind and her pastoral getaway. Vultures meant death. She glanced at the bulk of black and realized that it was a grouping of cows, each facing outward, protecting something at the center of their circle. She looked closer, trying to figure out what was happening. Her mind filled in the details. A
J.T. Ellison (14 (Taylor Jackson, #2))
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things: 1. Whether or not she is pregnant. 2. How far along she is. With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame. Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home. At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times. I sat up in bed. I was definitely in labor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Are you all right, Alex?” Dave asked. “I’ve just been thinking,” said Alex. “Do you think if a cow and a bee had a baby, you could get honey-flavored milk?” Spidroth rolled her eyes. “I’m surrounded by morons.
Pixel Ate (Multiverse Tournament of Champions: Book 1: An Unofficial Minecraft Crossover Series)
Are you all right, Alex?” Dave asked. “I’ve just been thinking,” said Alex. “Do you think if a cow and a bee had a baby, you could get honey-flavored milk?” Spidroth rolled her eyes. “I’m surrounded by morons.” “I think it’s a good question, Alex,” said Carl. “Maybe I could breed a baked potato with a cow and get baked potato flavored milk.
Pixel Ate (Multiverse Tournament of Champions: Book 1: An Unofficial Minecraft Crossover Series)
Once you start having babies, that perfect, loving husband of yours will start treating you like a milk cow. Trust me. It’s like they think they have something over you. And they do. You’re trapped, and they know that you need them, but they can walk away at any time and find somebody younger and tighter to have fun with.
Karin Slaughter (Last Breath (Good Daughter, #0.5))
The gods muttered among themselves and nodded. The baby might be a thief, but at least he was a respectful thief. “This is ridiculous!” Apollo cried. “Father Zeus, he stole from me. Put him in juvie! Put him on the chain gang!” Zeus suppressed a smile. He knew he had to be just, but he also couldn’t help admiring Hermes’s audacity. “Hermes, you will immediately show Apollo where you’ve hidden his cows. Then you will pay Apollo whatever price he demands for the two cows you killed.” “I’ll throw him into Tartarus!” Apollo yelled. “That’ll be my price!” Zeus shrugged. “You’ll have to work that out between yourselves. Now, off with you.” Hermes sighed. “As you wish, Father. Apollo, you drive. I’ll navigate.” Apollo picked up the cradle and flew off with Hermes. The baby god directed him to the secret cave where he’d hidden the cattle, but he took a roundabout route. He was furiously thinking about how he could avoid punishment. When Apollo saw his missing cows, he calmed down a little bit, but he was still angry with Hermes. “It’s
Rick Riordan (Percy Jackson's Greek Gods)
How then can one begin to describe the inside of Laura, where the child-mind lived in the midst of the familiar relics of the baby-mind, like a Fascist in Rome? When swimming under water, it is a very sobering thing suddenly to look a large octopus in the face. One never forgets it: one's respect, yet one's feeling of the hopelessness of any real intellectual sympathy. One is soon reduced to mere physical admiration, like any silly painter, of the cow-like tenderness of the eye, of the beautiful and infinitesimal mobility of that large and toothless mouth, which accepts as a matter of course that very water against which you, for your life's sake, must be holding your breath. There he reposes in a fold of rock, apparently weightless in the clear green medium but very large, his long arms, suppler than silk, coiled in repose, or stirring in recognition of your presence. Far above, everything is bounded by the surface of the air, like a bright window of glass. Contact with a small baby can conjure at least an echo of that feeling in those who are not obscured by an uprush of maternity to the brain.
Richard Hughes (A High Wind in Jamaica)
Curious now, she glanced to its contents and this time did squeal with delight when she saw all the cages holding the furry friends she'd rescued, mended and adopted over the years. At least, the ones that hadn't been released back to the wild: Osborn the three-legged goat, Lowrans the blind wildcat, Grisell the baby cow who couldn't walk when she first saw her and now could but was still quite wobbly on her feet, and of course Brodie the bunny, and her earless little fox.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
Creation Myth I'm the great-grandson of a sheep farmer, child of sumacs, trash trees shedding their ancient scales. I'm drawn from fair grass on the north end, my molecules spat from coal and cattle, the Indiana dusk. I'm notes scrawled on freezer paper, the one looped oven mitt Aunt Bev crocheted while the baby lay feverish in its crib. I rise from a day gone thin as Cousin Ceily, who wore her cancer wigs to church. I come from boys unfastening in the 4-H bathroom, the stink of urinal cakes, dirty hands that scratched an itch. I breathe in arc welders and air compressors. I breathe out milk leaking from nurse cows, Uncle Jake's spoiled old bitches. I'm run through with moths and meth labs, a child of the KKK, men who lynched Tom Shipp from a split oak in Marion, August 1930. My cells carry his shadow swaying over uncut grass. They carry my second third cousin cheering in the back. I rise from aphids in honeysuckle, egg yolks flecked with blood. Born one humid summer night, my body hums like a black cricket, transmitting August across the fields. I sing till my throat bleeds. I smoke like a pan of scorched sugar. I'll never forget the miracle of firecrackers, freezer meat, murky gray lemonade. I'm born to thunder in the veins, a child of form, a rusted gasket ring, some disenchanted thing, the promise of a worm.
Bruce Snider (Fruit (Volume 1) (Wisconsin Poetry Series))
Dairy calves belong with their mothers, not in hutches alone, freezing in the cold.
Angie karan
The People of Ice Planet Barbarians As of the end of Barbarian’s Mate (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 VEKTAL (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. GEORGIE – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. TALIE (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah – (Ses-uh) - Their youngest son Rokan – (Row-can) – Their oldest son. Adult male hunter. CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Has an unnamed child. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, and has an unnamed child. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Extremely pregnant. Cashol – (Cash-awl) – Mate to Megan. Hunter. CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Unnamed child. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Unnamed child. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli, Pashov and Dagesh. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Mated to Hemalo. No living child. Hemalo (Hee-mah-lo) – Mated to Asha. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. CAVE 20 Josie – Human woman and last one to resonate. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie
Ruby Dixon (Barbarian's Mate (Ice Planet Barbarians, #6))
The propaganda worked, not just on my mother, but across the region. It was, we know now, a global scheme engineered by Nestlé to get mothers hooked on formula and to give up breastfeeding. Mothers were taught the risks of breastfeeding and discharged from hospitals armed with sample boxes of formula and baby bottles, ready to rear their children like their wealthy, wondrous, Western counterparts who had already bought into the marketing. But when my grandfather examined the ingredient list on the back of the Nestlé tin can, he flung it across the room. “What is this nonsense?” Dada Abu raged. This was not milk from a living creature. Not from a goat or cow or buffalo or sheep. It was dead milk, made from dead, fake ingredients. And no way was his granddaughter going to be drinking this trash.
Rabia Chaudry (Fatty Fatty Boom Boom: A Memoir of Food, Fat, and Family)
What do you call a cow that’s just had a baby? A: De-calfinated!
Johnny B. Laughing (Funny Jokes for Kids: 125+ Funny and Hilarious Jokes for Kids)
THE LITTLE MILK-MAID 挤奶的小姑娘 Look at me, boys and girls. I am a little milk-maid. I am going home with my milk-pail and my stool. I have been milking the cow. You can see her on the grass in the field. The cow knows me. She never moves when I am milking her. Now my pail is quite full of nice sweet milk. Little baby is very fond of milk. When he can speak, I will teach him to say— Thank you, pretty cow, that made Nice rich milk to soak my bread, Every morn and every night, Fresh and warm, and sweet and white. 中文阅读 孩子们,看看我!我是个挤奶的小姑娘,正拿着凳子和奶桶回家。 我刚才一直在给那头牛挤奶。你看,牛就在田野的草地上。 那头牛认识我,我给它挤奶的时候,它从来都一动不动。 现在,我的提桶,已经装了满满一桶香甜的牛奶。 (家里的)小宝宝特别喜欢喝奶。等他会说话了,我就教他说—— 谢谢好奶牛,因为有了你, 我的面包才能,浸在牛奶里。 新鲜又温暖,甜美又洁白, 早晚每一天,都是那么可爱! 04 THE SWING 秋 千 Fred and his little sister Lucy are on the swing in the garden. Look what a nice large seat of wood it has! It is so large that it holds them both. This is the first day Lucy has been on the swing, so she is a little afraid. But Fred will take care of her, and keep her from falling. Look at her as she sits by his side and holds on by the rope. When all is ready, Fred says, One, two, three, and away! Up and down, on we go; Here we swing to and fro!
托马斯·尼尔森公司 (科学读本(英文原版)(套装1-6册))
Ryban… what do people call you when they don’t want to toss out the full four syllables?” “What, Mister Hessler?” “For short, lad. What do they call you for short?” “They, er… they call me Dairy, Mister Hessler. Since I was found as a baby in the barn where the cows sleep.” “That’s adorable, lad.” “Mister Hessler?” “Yes, Dairy?” “Are you a good wizard?” Hessler was not given to long conversations unless he had someone interesting to argue with. “Do you mean good as in ethical or good as in capable, Dairy?
Patrick Weekes (The Palace Job (Rogues of the Republic, #1))
We’ve brought you a present, dear.’ ‘Really?’ ‘It’s just for you.’ It’s a hardcover of Jane Austen’s Sense and Sensibility and on the inside front page there’s this little oval black and white picture of her with a baby’s bonnet on her head and a kind of ironic smile like She Knows. Jane knows what stupid insensitive people there are in the world and that’s what is behind every word she writes. Look at her portrait, She Knows. I think Dear Jane had a bit of the Impossible Standard herself although maybe it wasn’t even that impossible, maybe it was just some kind of decency and awareness she was expecting. ‘It’s Jane Austen, dear,’ Aunt P says. ‘What?’ Nan asks from the fire. ‘JANE AUSTEN,’ Aunt roars. ‘EXHAUSTING?’ Nan bellows back. ‘YES,’ and starts the Aged P nod. Neither of my aunts, I am convinced, ever drank tea from a mug. The china cups are out for them. They are a pair in the world, the two of them, and trade in exchange one to the other an entire currency of startled, dismayed and disapproving looks. The world fails the Impossible Standard constantly. Sometimes I imagine a whole gallery of their failed suitors, scrubbed jowly farmers of Meath, tweeded-up and cow-licked down, sent up to evenings in Ashcroft. The Meath men have surnames like Castlebridge, Farns, Ainsley. The sisters kill them off afterwards with cutting remarks. One sentence will do for each one.
Niall Williams (History of the Rain)
I must be pregnant, because I’m craving some strange food. Right now I feel like eating organic, grass-fed cow cud, covered with a sautéed sauce of impoverished baby vomit.
Jarod Kintz (This Book is Not for Sale)
What’s that?” he breathed. “Lube,” I said, dripping some of it onto my fingers. “I’ve been doing some research online.” “What kind of research?” “The kind that’s going to make you come hard all over me.” He groaned. I loved that I could make him do that with just a little dirty talk. I put my lubed fingers between Josh’s legs, and worked that slickness into his crease. “What do you think?” I asked, teasing a slippery finger against his hole. “Oh, Caleb,” he moaned. “Don’t stop.” Well then. I pressed the tip of my finger inside, and his breath hitched. “Okay?” I asked. He let out a breath. “It’s strange.” “Should I stop?” He shook his head, then buried his face in the crook of my shoulder. I took a moment to add more of the slippery liquid to my finger. “Relax, baby. Can you do that?” He nodded into my neck. Slowly, I pushed my finger into his body. With my other hand, I slowly stroked Josh’s dick. I felt his chest rise and fall with a deep breath, and then he seemed to bear down on my finger. I stretched, reaching for the spot I hoped to find. And when my finger brushed his prostate, Josh shuddered in my arms. “You like that?” I whispered. He moaned so loudly that the cows probably looked up from their hay.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
Tessa Dahl A daughter of famed British novelist Roald Dahl, Tessa Dahl was a good friend of Diana’s and her colleague at several successful charities. A prolific writer and editor, Tessa is a regular contributor to many important British newspapers and magazines, including the Sunday Times, the Daily Mail, the Telegraph, Vogue and the Tatler. The only part that marred the night was, typically, my dad, Roald Dahl, who left at the interval. I was devastated, but that was his modus operandi. I wanted him to see me in the Royal Box. I fear most of the post-party was spent with me on the phone crying to him, after Diana had left and we had done the royal lineup. Gosh, she was always so good at that. Talk about doing her homework. Every single performer, she had time for, even knowing a little bit about each one. We didn’t see each other again until Bruce Oldfield’s ball. Diana had come with Prince Charles and looked really miserable. Beautiful, in a gold crown (with Joan Collins trying to outdo her--good luck, Joan), but still, she had a new aura of hopelessness. Although she did dance with Bruce to KC and the Sunshine Band’s “That’s the Way I Like It.” We stopped to talk. “How’s Daisy?” she asked kindly. She obviously knew that I had been having my baby down the hall in the same hospital and at the same time as she had had Prince Harry. “Actually, it’s a different bovine name. She’s called Clover.” I was touched that she had remembered that we had had our babies around the same time and that my little girl did have a good old-fashioned cow’s name. I asked, “Wasn’t it fun at the Lindo? I do love having babies.” “I’m afraid I find it rather disgusting,” she revealed. This, of course, was the famous time when Prince Charles had been so disparaging about Harry’s being a redhead.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
6A day will come when the wolf will live peacefully beside the wobbly-kneed lamb, and the leopard will lie down with the young goat; The calf and yearling, newborn and slow, will rest secure with the lion; and a little child will tend them all. 7Bears will graze with the cows they used to attack; even their young will rest together, and the lion will eat hay, like gentle oxen. 8-9Neither will a baby who plays next to a cobra’s hole nor a toddler who sticks his hand into a nest of vipers suffer harm. All my holy mountain will be free of anything hurtful or destructive, for as the waters fill the sea, The entire earth will be filled with the knowledge of the Eternal.
Anonymous (The Voice Bible: Step Into the Story of Scripture)
The man of the house has very politely informed guests who have come to see the baby that I am unavailable, as I am ‘milking’, and thereby sealed my status from cool chick to mooing cow. 10.
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees It was an hour before the Indians paused again, and then they stopped so abruptly that prisoners were tripping over each other. It frightened Eben. What was going to happen? What dread plan might the Indians have for their white prisoners now? No Indian lifted a weapon. They stood motionless, looking west. Eben watched for several moments before he was able to pick out distant figures coming toward them. It was not rescue. If those were English, the Indians would long ago have surrounded and attacked them. Slowly, the shapes turned into men; men carrying burdens; men bent double under the weight, yet not staggering as Eben had. They looked as if they had killed and were carrying entire cows. They were very close before Eben realized he was seeing warriors carrying their wounded. Each hurt man was rolled up into a package, swaddled like a baby in blankets and strapped to a warrior’s back. These men were carrying, by their foreheads and on their spines, a weight equal to their own. Eben was awestruck. Dropping his own pack on the snow, Eben’s Indian knelt beside one of the wounded men, unwrapping bandages to examine the wound. His profile against the snow was beautiful as an eagle or a hawk is beautiful.
Caroline B. Cooney (The Ransom of Mercy Carter)
Average human life expectancy in North America was at an all-time high: seventy-five years.  Up significantly in the past forty years.               “But many people, particularly the baby boomers, are healthier than previous generations.  Incidences of new cancer have slowed, and less people are getting diabetes and heart disease. Or they’re getting them under control through diet, exercise, and existing medicine. “That’s all bad news for us.  The revenue from the drugs we use to treat those illnesses is steady or declining.  Worse still, many of our cash cow drugs are losing patent protection soon.  Not good for us.”               “We need new kinds of sick people.  We need new revenue streams,
Hunt Kingsbury (Book of Cures (A Thomas McAlister Adventure 2))
Danone is the second biggest (after Nestlé) artificial milk and baby food manufacturer in the world. This was not stated on the GAIN website. Danone owns baby food company Blédina and Numico (which owns Nutricia, Cow & Gate and Milupa). They all violate the WHO Code, thus undermining infant nutrition and the Convention on the Rights of Child.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
Until the mid-1700s, newborn babies were often fed, or “dry-nursed,” with bread, cake or biscuit mixed with cow’s milk, butter and sugar—known as “pap”—supplemented by brandy, rum or wine
Wendy Moore (How to Create the Perfect Wife: Britain's Most Ineligible Bachelor and His Enlightened Quest to Train the Ideal Mate)
The Lord is good to all: and his tender mercies are over all his works. —Psalm 145:9 (KJV) The gray clouds hung below the mountain peaks, smothering the sun. A cold breeze brushed across my cheeks as I tossed hay in the feeder for the horses and mules. I glanced at the brown grass in the pasture rimmed by the skeletal trees. Not a sprig of life showed anywhere. The gloomies seeped into my soul. How I longed for signs of life! Lord, I need You to brighten my day. I heard a low bellow from the neighbors’ pasture a few hundred yards away. Uh-oh, it sounds like a cow’s having problems giving birth. The neighbors lived miles away and wouldn’t be back to check on the cows for a couple more hours. “C’mon, Sunrise,” I called to my golden retriever, “let’s go check it out.” As we neared the pasture, I noticed a lone black cow standing with her head down. Keeping my distance, I stood on tiptoes, craning my neck. A brand-new wet calf lay on the ground. “Isn’t this exciting? What a cute baby!” Sunrise’s nose wiggled as she caught the scent of the baby. For the next hour I sat in the pasture, watching the newborn struggle to stand on its stiltlike legs. I giggled as the calf sucked on its mom’s knees and elbows before it found the udder and slurped. Lord, when my days are glum, remind me to ask You to brighten them. —Rebecca Ondov Digging Deeper: Pss 8, 84:11
Guideposts (Daily Guideposts 2014)
You know nothing about farming. Do you know how expensive the start-up will be for that?” “Well, thank God I’m a single man with an expendable income that I can fuck around with. Moooooo-ve over . . . the cows are coming, baby.
Meghan Quinn (The Reason I Married Him (Almond Bay, #2))
Are you seriously shirtless and bottle-feeding a baby cow right now?” I winked at her and she groaned, “You’ve got to be kidding me.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
Are you seriously shirtless and bottle-feeding a baby cow right now?
Lyla Sage (Swift and Saddled (Rebel Blue Ranch #2))
stay quiet, little baby, Sleep well and deep, For in only a few seconds Father and Mother will return From taking care of the cows. He then
Colin Cotterill (Curse Of The Pogo Stick (Dr. Siri Paiboun, #5))
It was springtime on Mischief Farm. Babies were everywhere. Baby chicks at the feed store. Baby dairy cows in the field. Baby bunnies and foxes in our woods. But the things I used to delight in now served as a reminder of how broken I felt. Jeff was home, but I was avoiding him. We didn’t know how to talk to each other. The things I needed to hear, he didn’t know how to say; and the things he needed me to be, I couldn’t be. We moved around the same spaces, but not together. He wouldn’t enter a room until I left it. I wouldn’t tell him where I was going; I’d just leave and hide out in the garden or in town. I was just a vessel, and I was empty. Any energy I did have was going to Gus; I had nothing left for Jeff.
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
I felt bad for the cows, so I gave them some wheat. Baby cows are pretty cute. Know who isn’t cute? Steve.
Crafty Nichole (Diary of an Angry Alex: Book 2 (An Unofficial Minecraft Book))
Kristy had a cow.
Ann M. Martin (Mary Anne + 2 Many Babies (The Baby-Sitters Club, #52))
swallowed and stepped a little closer to it, my mother crying out to me, in tears. "Catherine! Please!" I could hear their shouts, but it wasn't going to stop me. I was going to face that storm... face that breeze. As the tornado began to approach all I could hear was infant crying. I ignored it and stepped closer to my doom... our doom. I had never liked my parents... taking me away from my boyfriend, making me give up the baby... They should pay the price. I walked a little forward in a bit of a harder struggle, as there was something in my hands trying to escape. The infant cries soon became infant screams, screeching in my ears and I would cover them if I could, but my hands were busy carrying something. Carrying... someone. My baby sister was screaming in my arms, only just turning one and I could hear my mother's screams and yells of horror soaked in tears as I stepped closer and closer to the spiraling tornado, taking my little sister with me. She had red hair like me... and had reminded me of what my own child would've been like. Except he would've been half cast. And my father had held a gun to my boyfriend's head, yelling. "Never come back." Now I was never coming back... and I was taking their precious little baby with me. Away from them. Into the storm. I took two last steps, before I was near the very gusts and wood and decapitated cows and sheep. In a second the two of us were yanked into the tornado. Gone.
A.A. Wray (20 Dark, Scary and Sad Short Stories)
Sam had come over from the fireplace to stand beside us. My heart began bucking like a stallion and I looked at Cecelia, then up at Sam, the proud father beaming down at his boy, his face full of love. Everything went dim. For seven years, I’d hunted this man the length and breadth of our Republic, and now I stood up, putting a hand on the table top to steady myself, knocking over my stool in the process. “Are you poorly?” Sam asked. He nodded at the far side of the room to a sunken bed—likely the very bed where he and Cecelia had conceived this baby boy—and said, “Lie down a minute.” Well, that was the last feather. I turned and stumbled out the door. Outside, the autumn sun was blinding. My mare grazed in a patch of grass, and I walked her down and mounted up. I felt old of a sudden, very old. Sam was in the doorway now and he called something to me. I wouldn’t look at him, wouldn’t show my pitiful face. I walked my horse back along the cow path and pushed up to a trot. Directly, we commenced to burn the breeze, the leaves blurring by. I did not feel betrayed: let me say that right out. Rather, I felt that the hard hand of the Lord had swung down to swat me a final blow. And I deserved it. I’d done everything to beg Him for such a slap—all my lust and foolishness—and for some strange reason, I began to laugh. Or, it was laughter that came out of me. It didn’t seem to be me who was doing it—certainly, there was nothing amusing. I felt like He had borrowed my mouth, just like He’d borrowed that of Balaam’s ass, that the Lord Himself was laughing, and I thought of my father all those years ago, riding Young Roger through the Kentucky forest to find me and Tom Yarbrough bached up together. The laughter died away, and I began weeping as my father had wept decades before, and now I understood. It hadn’t been out of shame as I’d supposed, but rather, my father had seen this very moment coming for me. He’d known if I pursued my heart’s desire, I’d find myself galloping through a wilderness in an unfamiliar land, an old man without home or family, learning at long last how all things end in judgment.
Aaron Gwyn (All God's Children)
Dr. Sarah Jackson says that Black women’s sexuality and motherhood have been part of public discourse since slavery, when our reproduction was an integral part of the economy, like the livestock that kept the agricultural engine going.12 People were as inclined to talk about Black women birthing babies as they were cows bearing calves. And, like those cows, Black women were viewed as uncivilized and unintentional breeders. The institution of slavery required a voluntary blindness to the idea of Black family. No doubt this history influences the medical care (or lack thereof) Black women receive when pregnant, as well as how they are viewed as mothers. “If you’re treating a group of people like animals, you have to believe that they’re not capable of making the same emotional bonds with their children that you are. Otherwise, you might feel bad about selling their children off down the river,” Jackson says.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Mariah is thrown back on her ass. Back to asking. Please God don’t let my baby die. Her boobs are rock hard and burning, she’s crying tears, crying milk, lowing like a cow. Matty starts to wail again in the dark, the special howl a baby keeps on reserve if the need should arise for exploding a mother’s heart. Mariah feels it like a knife in her rib cage, lifting skin from bone, but she’s thanking God her baby hasn’t died yet of hunger or cold or the bad luck of getting born in this shit family
Barbara Kingsolver (Demon Copperhead)
Contrary to popular belief, a nursing mother’s breasts are not full of milk. They’re swollen, sure, sometimes to the point that they resemble fleshy water balloons, but they’re full of blood, fat, and glandular tissue. There’s no bladder in a breast that holds a sloshing cup of milk that empties as the baby nurses and then gradually fills up again, ready for next time. Even a dairy cow’s udder isn’t the bag of milk you might think it to be; like us, a cow’s udder is a visible mound of mammary tissue, along with a few nipples.[*10] The ductwork of a nursing human breast can hold, at most, a couple of tablespoons of milk at a time. It’s the act of suckling that normally triggers a breast’s “let-down reflex”—a cascade of signals that tell the milk glands to kick up production and dump fresh milk out the front door.
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
I killed their father. You’ve barely promoted me from evil to very bad. Jason is good. He’s as close to a saint as people get. We’re taking them to him.” “But....” “Didn’t you promise to obey?” Hell. A wagon trip with a baby, two young girls, a milk cow, and an angry, not-speaking wife.
Ellen O'Connell (Beautiful Bad Man (Sutton Family, #1))
For years, films had suggested this plot development by having one woman whisper into the ear of another, but some audiences snickered at this, so studios had begun using the actual words. “There must be a sweeter phrase for motherhood in pictures,” wrote B. P. McCormick of Canon City, Colorado. “Don’t say a mother is ‘having a baby.’ Let’s get above the level of the cow having a calf. Motherhood is worthy of a sweeter expression.
Mark A. Vieira (Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies)
AW YEAH!!!” roared Carl, punching the air. “PO-TATO! PO-TATO!” “I want to join in too!” said Alex. “PO-TATO! PO-TATO! PO-TATO!” “Yo, are we doing freestyle?” said Jean-Cowphio. “Let your boy JC lay down some bars. Uh, sometimes life can be pretty slow; but it don’t matter when you got pota-to. PO-TAY-TO! PO-PO-PO-POTATO! If you don’t know ‘bout ‘tatoes, then we ain’t homies no mo’. Uh, you know how we do. Jean-Cowphio comin’ at you like a sack of potatoes. Remember the name. And we won’t stop. Because we can’t stop. Straight outta Cow Village. Now and forever, baby. Peace.
Dave Villager (Dave the Villager 43: An Unofficial Minecraft Book (The Legend of Dave the Villager))
He was the biggest fool pup I ever saw, chuck full of life and spirits, always going at racing speed, generally into mischief; breaking his neck nearly over some small matter; breaking his heart if his master did not notice him, chewing up clothing, hats, and boots, digging up garden stuff that he could not eat, mistaking every leg of every chair and table for a lamp-post, going direct from wallow in the pigstye to frolic in the baby’s cradle, getting kicked in the ribs by horses and tossed by cows, but still the same hilarious, rollicking, endlessly good-natured, energetic fool pup, and given by common consent the fit and lasting name of “Silly Billy.
Ernest Thompson Seton (Billy and other stories from Wild Animals Ways being personal histories of Billy Atalapha, the Wild Geese of Wyndygoul Jinny)
THE PEOPLE of ICE PLANET BARBARIANS As of the start of BARBARIAN’S PRIZE (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 VEKTAL (Vehk-tall) - The chief of the sa-khui GEORGIE – His mate TALIE (Tah-lee) – Their baby daughter CAVE 2 Maylak (May-lack) – Tribe Healer Kashrem (Cash-rehm) - Her mate Esha (Esh-uh) – Their daughter CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah – (Ses-uh) - Their youngest son Rokan – (Row-can) – Their oldest son. Adult male hunter. CAVE 4 Warrek – Tribal hunter. Eklan – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Has an unnamed child as of book 5. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, and has an unnamed child. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Extremely pregnant. Cashol – (Cash-awl) – Mate to Megan. Hunter. CAVE 11 Marlene (Mar-lenn) – Mate to Zennek. Has unnamed child. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Mate to Zolaya. Unnamed child. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Unnamed child. AT THE SOUTH CAVES SOUTH CAVE 1 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Mate to Aehako, mother of Kae. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. SOUTH CAVE 2 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. SOUTH CAVE 3 Drayan – Elder. Drenol – Elder. SOUTH CAVE 4 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. SOUTH CAVE 5 Asha (Ah-shuh) – Mated to Hemalo. No living child. Hemalo (Hee-mah-lo) – Mated to Asha. SOUTH CAVE 6 Tiffany – Currently unmated. Human female. Josie -- Currently unmated. Human female. SOUTH CAVE 7 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. SOUTH CAVE 8 Haeden (Hi-den) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli, Pashov and Dagesh.
Ruby Dixon (Barbarian's Prize (Ice Planet Barbarians, #5))
THE PEOPLE OF ICE PLANET BARBARIANS As of the end of BARBARIAN’S TOUCH (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 Vektal (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. Georgie – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. Talie (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah (Ses-uh) - Their youngest son CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Currently pregnant for a second time. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Mother to Pacy, a baby boy. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, father to Pacy. Pacy – Their infant son. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Mother to newborn Holvek. Cashol – (Cash-awl) – Mate to Megan. Hunter. Father to newborn Holvek. Holvek – (Haul-vehk) – Wee blue baby boy! CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Mother to Analay. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Father to Analay. Analay – (Ah-nuh-lay) – Their infant son. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli and Pashov. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Separated from Hemalo. No living child. Maddie – Lila’s sister. Found in second crash. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. Hemalo (Hee-mah-lo) – Separated from Asha. CAVE 20 Josie – Human woman. Mated to Haeden and newly pregnant. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie. CAVE 21 (formerly a storage cave) Rokan (Row-can) – Oldest son to Sevvah and Oshen. Brother to Aehako and Sessah. Adult male hunter. Now mated to Lila. Has ‘sixth’ sense. Lila – Maddie’s sister. Hearing impaired. Resonated to Rokan.
Ruby Dixon (Barbarian's Touch (Ice Planet Barbarians, #7))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
I am five, Wading out into deep Sunny grass, Unmindful of snakes & yellowjackets, out To the yellow flowers Quivering in sluggish heat. Don't mess with me 'Cause I have my Lone Ranger Six-shooter. I can hurt You with questions Like silver bullets. The tall flowers in my dreams are Big as the First State Bank, & they eat all the people Except the ones I love. They have women's names, With mouths like where Babies come from. I am five. I'll dance for you If you close your eyes. No Peeping through your fingers. I don't supposed to be This close to the tracks. One afternoon I saw What a train did to a cow. Sometimes I stand so close I can see the eyes Of men hiding in boxcars. Sometimes they wave & holler for me to get back. I laugh When trains make the dogs Howl. Their ears hurt. I also know bees Can't live without flowers. I wonder why Daddy Calls Mama honey. All the bees in the world Live in little white houses Except the ones in these flowers. All sticky & sweet inside. I wonder what death tastes like. Sometimes I toss the butterflies Back into the air. I wish I knew why The music in my head Makes me scared. But I know things I don't supposed to know. I could start walking & never stop. These yellow flowers Go on forever. Almost to Detroit. Almost to the sea. My mama says I'm a mistake. That I made her a bad girl. My playhouse is underneath Our house, & I hear people Telling each other secrets.
Yusef Komunyakaa
Why’s that cow sticking her thing inside that other cow?” Bartimaeus laughed. “That’s how they make baby cows, Daddy said. But the one with the thing is the boy. The other one’s the girl.” “No it’s not,” Perfect contested. “The girl’s the one with the thing. Just like I got.” Bartimaeus hollered. “What? You ain’t got no thing, girl!” “Yes I do!” Perfect insisted. “No you don’t.” “Yes I do!” she screamed louder. “Okay. If you say so, then I guess you do.” “I do,” Perfect repeated. “Girls have little things down there”—she pointed to her genitalia—“but I don’t know what boys have.
Daniel Black (Perfect Peace)
PROTEIN one serving: ¼ egg, 2 thin strips of chicken, ½ meatball, 1 ounce fish, or 2 table-spoons purée. Good protein choices include meat, fish, poultry, eggs, tofu, or beans and lentils. grain one serving: ½ cup oatmeal or cooked rice, quinoa, pasta, or couscous; 2 slices baked oatmeal; or ½ slice toast, cut into sticks. fruit or vegetable one serving: 2 pieces, such as 2 slices of soft pear or steamed apple, 2 steamed carrot sticks, ¼ medium avocado, 2 small steamed broccoli florets, or 2 tablespoons purée. dairy one serving: ½ cup (4 ounces) full-fat yogurt; ¾ ounce full-fat cheese, shredded or cut into thin sticks. Cow’s milk is not recommended as a main drink for infants under 12 months. 4 to 6 months FIRST THING IN THE MORNING: Breastmilk on demand or 6–7 ounces formula BREAKFAST: 1–2 tablespoons cereal • 1–2 tablespoons fruit or vegetable MIDMORNING: Breastmilk on demand or 6–7 ounces formula LUNCH: 1–2 tablespoons cereal • 1–2 tablespoons fruit or vegetable OR breastmilk on demand or 6–7 ounces formula
Jenna Helwig (Baby-Led Feeding: A Natural Way to Raise Happy, Independent Eaters)