Nightmare Before Christmas Quotes

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And I Jack, the Pumpkin King, have grown so tired of the same old thing...
Tim Burton (The Nightmare Before Christmas)
Mayor: How horrible our Christmas will be! Jack Skellington: *No.* [the Mayor switches to his upset face] Jack Skellington: How *jolly*! Mayor: Oh. How *jolly* our Christmas will be
Tim Burton
My dearest friend, if you don’t mind, I’d like to join you by your side. Where we could gaze into the stars, and sit together, now and forever. For it is plain as anyone can see, we’re simply meant to be.
Tim Burton (The Nightmare Before Christmas)
I had never before been a special fan of that great comedian Phyllis Diller, but she utterly won my heart this week by sending me an envelope that, when opened, contained a torn-off square of brown-bag paper of the kind suitable for latrine duty in an ill-run correctional facility. Duly unfurled, it carried a handwritten salutation reading as follows: Money's scarce Times are hard Here's your f****** Xmas card I could not possibly improve on the sentiment, but I don't think it ought to depend on the current austerities. Isn't Christmas a moral and aesthetic nightmare whether or not the days are prosperous?
Christopher Hitchens
Can the fool of a story also be the hero?
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I had seen other stop-motion animated features, and they were either not engaging or they're just too bizarre. There was one I liked when I was a kid called Mad Monster Party. People thought Nightmare was the first stop-motion animated monster musical, but that was.
Tim Burton (Burton on Burton)
I am no longer your creation, I think, words knitted in my chest.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I was born in Dream Town, but I am also the Pumpkin Queen. I will fight for Jack. I will fight to set things right.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Because there is nothing quite so wasted as a life unlived. And I intend to live mine.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
In Halloween Town, it’s said that if you’re ever lost, you should follow your own shadow…it will always take you where you need to go.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I only want you to be happy.” He says it softly, so only I can hear, then he kisses my palm, soft and sweet.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
The doorway smells of lavender, of freshly brewed chamomile tea, and my doll eyes flutter, suddenly heavy, like silver coins placed on the eyelids of the dead. I feel the soft, dreamy tug of a gentle wind. Easy and quiet. Like bedding down in a knoll of moss, or sinking into a cellar, without sound.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
At the crisp, inky hour of midnight, Jack and I are married atop Spiral Hill in the Death Door's Cemetery. Wind stirs the bone-dry leaves, and Jack takes my soft rag doll hands in his--the coolness of his fingers calming the flutter rippling across my stitched seams.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Zeldaborn
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Jack pulls me back into his arms, as if he could absorb the pain and take it from me. And I know, I would do it all over again: I would leave Dream Town and never return a thousand times just to be here with Jack, to touch his face, to feel his ice-cold lips on mine, to have a life with him in this town. To stand beside him as Pumpkin Queen. This is the life I want. The one I'm willing to sacrifice everything for.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I am Sally Skellington, the Pumpkin Queen." There is warmth in my chest now, heat and fury and anger. "But I was born in Dream Town." The words feel like their won conjuring, a spell, a ritual or bedtime riddle to cast things into the stars and make them true. I feel suddenly awake and alive, a woman who isn't simply a rag doll, but a ruler who has traveled to all the realms, even the human world, to set things right. Who feels a spark, a wrath growing inside her.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He kisses me again, folding me in his arms--the place I want to stay for a thousand years. When I first discovered Dream Town, I wasn't sure where I belonged, where my true home was. But now I know. Sometimes home is a town, a house with four walls. Other times, it's two hollow eyes in a skull, a skeleton without a heartbeat. It's here---not in Dream Town or Halloween Town---but in Jack's arms. Folded against this hollow, skeleton chest is where I belong. I let the tears stream down my face, I let them bind us together, salt and water and fabric and bone. Woven parts of ourselves that become one.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I think how heavenly it must be to nibble on tiny cakes and swirled caramels and plum ginger puffs all day. Tea with lemon petit fours in the afternoon; after-dinner mint truffles with butterscotch coffee in the evening. My mind swims with the notion of it. The easy, sugar-induced lull that would follow me into candy-tinted dreams each night. Life here, in Valentine's Town, would surely be simple and uncomplicated.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I pass by cottages with candles glowing in windows, rocking chairs on front porches where people sit with large books on their laps drinking steaming cups of golden milk or tea that smells of chamomile and night jasmine. The entire place feels like a storybook, an old world frozen in time.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
It feels like a fairy tale from one of those happily-ever-after books where the princess storms the castle, slays a goblin-dragon, and takes over the kingdom for herself. Except I am not golden-haired or fine-boned. I have no bones at all. I am a rag doll who married a skeleton king. A rag doll who woke from the impossible daydream and found herself in her own heroine story--a tale whose ending hasn't yet been written; but instead, is only just the beginning.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
It's a ghastly thing to lose an arm--or any part of yourself, really--to feel disconnected from your body. Not quite whole.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Even if my seams can be broken, that doesn't mean I will be.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Your curiosity will kill you, Dr. Finkelstein once told me. Maybe he was right. But instead of killing me, it's taken the man, the skeleton, I love.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
My mind hisses with overcrowded thoughts, like poison bubbling over-left to simmer too long on a cackling fire.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Perhaps the crown has sat heavier on some heads than on others. Threatening to break them, or reshape them into something else. Something even mightier.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He stood in the open door, hands planted on the roof of the Suburban. "I've never had a woman tell me I gave her nightmares before, but plenty have told me I played a prominent role in their dreams.
Debbie Mason (The Trouble with Christmas (Christmas, Colorado #1))
Maybe, maybe, I can be both, too. A rag doll and a Pumpkin Queen. In control of her own life, her own royal title. A queen who doesn't allow the sovereignty to overshadow the rag doll she's always been.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Because right now I am simply a rag doll in a boat with a skeleton whom I love. Madly, Feverishly. Floating through a town where my title doesn't matter. Queen, queen, queen. Where no one knows who I am.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
But now I know. Sometimes home is a town, a house with four walls. Other times, it’s two hollow eyes in a skull, a skeleton without a heartbeat. It’s here—not in Dream Town or Halloween Town—but in Jack’s arms.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Because there is nothing quite so wasted as a life unlived. And I intend to live mine. Fully. Unbound by the rules of others. Queen or not, we all deserve these things. Freedom. Hope. A chance to find out who we really are. Jack
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
And I wonder: do other queens and princesses and duchesses feel as I do? In other realms, in other times? Have they peered at their reflections in ponds and warm bathwater and magic mirrors and wondered who they've become? How they lost the girl they once were?
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
a poem called “The Night Before Doom”: “ ’Twas the night before Doom, / and all through the house, / I had set up my multi-playing networks, / each with a mouse. / The networks were strung, / with extra special care / in hopes that Doom, / soon would be there.” The publisher of a computer magazine had a darker vision he printed in an editorial called “A Parent’s Nightmare Before Christmas”: “By the time your kids are tucked in and dreaming of sugar plums, they may have seen the latest in sensational computer games . . . Doom.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I'm certain they should just bury us both here, at the center of the graveyard. Married and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids. The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our feet as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart. I am now Sally Skellington. The Pumpkin Queen. And I'm certain I will never again be as happy as I am right now.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
The guilt is a double-edged dagger, twisting inside me, breaking threads and tearing me apart. Can the fool of a story also be the hero? Doubtful. But I have loved Jack for too long to let him be fated to a life worse than death. A life spent in a nightmare he can't wake from. I would cross a thousand thresholds into a thousand different worlds for him.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
There is an entire orchard. Hidden, tucked away. Rows and rows of magical, uncharted trees. Doorways into old, long forgotten towns. Father Time. Old Man Winter. The Tooth Fairy. Multitudes of worlds, places we never knew existed. I smile, and Jack pulls me to him. A queen, and her king. And I know, with a certainty that is knitted in my linen bones, we will spend a lifetime---Jack and I, side by side---slipping through doorways that lead to other doorways, carved into ancient, gnarled trees. Lands to explore, adventures to be had. But always together. Because there is nothing quite so wasted as a life unlived. And I intend to live mine. Fully. Unbound by the rules of others. Queen or not, we all deserve these things. Freedom. Hope. A chance to find out who we really are.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
You're the only rag dolls I've seen in Dream Town," I comment, seeing myself reflected back in the features of their faces--something I've never known until now. The seams of Albert's mouth lift into a half smile. "There are a few others. Rag dolls like us, and also several Teddy Bears and Floppy-Eared Rabbits. They are all sleep-weavers, but they spend most of their time in the human world, helping lull children to sleep.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
In St. Patrick Town, we find the stubborn, sprightly residents all awake--the leprechaun I spoke to days before still in search of his lost pot of gold in the glen, rain clouds heavy in the distance, and rainbows gleaming above the treetops. In Valentine's Town, Queen Ruby is bustling through the streets, making sure the chocolatiers are busy crafting their confections of black velvet truffles and cherry macaroons, trying to make up for lost time, while her cupids still flock through town, wild and restless. The rabbits have resumed painting their pastel eggs in Easter Town. The townsfolk in Fourth of July Town are testing new rainbow sparklers and fireworks that explode in the formation of a queen's crown, in honor of the Pumpkin Queen who saved them all from a life of dreamless sleep. In Thanksgiving Town, everyone is preparing for the feast in the coming season, and the elves in Christmas Town have resumed assembling presents and baking powdered-sugar gingerbread cookies. And in Halloween Town, we have just enough time to finish preparations for the holiday: cobwebs woven together, pumpkins carved, and black tar-wax candles lit.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I pull out the blue spool of thread and the sharp needle I always keep in the left pocket of my dress--because old seams have a way of popping, thread unspooling, and you never know when you'll need it--and begin stitching my arm back into place. It takes longer than usual; some of the linen has begun to fray along the seam, and I need to gather a few spare dead leaves from the graveyard to fill my shoulder socket all the way. It's a ghastly thing to lose an arm--or any part of yourself, really--to feel disconnected from your body. Not quite whole. And I've always wished Dr. Finkelstein had stuffed my insides with something other than dried, shriveled leaves, tossed aside by the trees. Cotton perhaps, or rose petals. Something silken and ladylike.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
A graveyard. It's the largest cemetery I've ever seen--a place Jack would surely love. A long rectangle of green lawn lined with rows and rows of old, moss-coated and weather-worn gravestones. Rain pounds the earth, and the cold tickle of air against my neck reminds me of the cemetery in Halloween Town. A feeling that exists in every cemetery, it seems. That hint of death. Of sorrow. Of lives brought to an end. But I don't have to go far before I find a small stone structure, an ornate mausoleum with spires along the roofline and a copper door, tarnished green from the rain. A tomb where the dead are placed to rest. I glance up the path, the cemetery glistening in the wet air. I have passed through many realms, all the way into the human world to a city made strangely silent, and now this mausoleum is my way home. My way back to Jack.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
he’s disastrously hot, wearing a goddamn corset vest. The satiny black vest has vertical ribs that taper his chest into his waist in the very definition of a perfect V. I want nothing more than to drop to my knees and weep, good lord how I have never seen a corset vest before—I mean, I’ve seen one, but I’ve never seen one, not on someone whose body looks physically sculpted to fill out this apex of human fashion. He’s got the only pop of color in the entire group, a scarlet silk button-up under the vest, the color such a deep red that there’s no question it’s meant to symbolize gore and darkness rather than Christmas’s cherry brightness. Tight black pants taper into calf-high combat boots and the tips of his black hair now brush his shoulders, half the strands pulled behind his head, showing—displaying—the blade-edge sharpness of his jaw and cheekbones and the array of piercings up the shell of his left ear. Wide, observant dark eyes rimmed with black liner go from the floor up to my dad and Iris, no emotion at all on his face, but that lack of emotion is reaction enough—I get the distinct feeling he’s pissed to be here. His hands hang at his sides, loosely clenched in fists, most of his fingers set with thick silver rings. “The royal house of Halloween,” an announcer bellows. “King Ichabod Hallow. Queen Carina Hallow. And their son Prince Hex Hallow.
Sara Raasch (The Nightmare Before Kissmas (Royals and Romance, #1))
Around Christmas 2003, we visited Chris’s parents in Texas. I found myself exceptionally hungry, though I couldn’t figure out why. When we came back to California, I just felt something was off. Could I be…pregnant? Nah. I bought a pregnancy test just in case. Chris and I had always planned to have children, but we weren’t in a rush about it. In fact, we had only recently decided to be “a little less careful.” It was a compromise between our spontaneous impulses and our careful planning instincts, which we both shared. We figured, if it happens somewhere in the next year… I was upstairs in the house working when I decided to take a break and check things out. Wow. WOW!!! Chris happened to be home fiddling with something in the garage. I ran downstairs, holding the stick in my hand. When I got there, I held it up, waving. “Hey, babe,” he said, looking at me as if I were waving a sword. “Come here,” I said. “I have to show you something.” He came over. I showed him the stick. “Okay?” “Look!” “What is it?” “Look at this!” Obviously, he wasn’t familiar with home pregnancy tests. Maybe that’s a guy thing-given that the tests reveal either your worst nightmare or one of the most exciting events of your life. I’d wager every woman in America knows what they are and how they work. Slowly it dawned on him. “Oh my God,” he said, stunned. “Are you…?” “Yes!” We confirmed it at the doctor’s soon after. I know you’re supposed to wait something like twelve weeks before telling anyone-there’s so much that can go wrong-but we couldn’t keep that kind of secret to ourselves for more than a few days. We ended up sending packages with an ultrasound and baby booties-one pink, one blue-to our parents, telling them we had a late Christmas surprise and to call us so we could be on the phone when they opened them.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I am now Sally Skellington. The Pumpkin Queen.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I look fine as hell in it—Christmas Prince, I see no Christmas Prince, just a runway model.
Sara Raasch (The Nightmare Before Kissmas (Royals and Romance, #1))
Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock! “Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.” He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm: “But cold and dead by the sunken log, Are they who came from the town.” We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?” Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.” “Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.” The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.
Philip van Doren Stern (The Civil War Christmas Album)
For it is plain as anyone can see. We’re simply meant to be”.
Nightmare Before Christmas
The Mayor stands broad-chested before us, officiating the ceremony, his face alternating between corkscrew-eyed elation and pale, ghastly tears, while we speak our vows to each other in the grim custom of ancient wedding eulogies.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Jack taps a finger on the broad tree with a perfect heart, painted a buttery pink, carved at the center.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Even though Mr Graham was a fascinating witness, the High Court hearing–just like the Cork Circuit Court libel action before it–suddenly began to revolve around Marie Farrell. The former west Cork shopkeeper, who had since relocated to her native Longford, was a core strategic element of Mr Bailey’s case. Her claims about making statements to the 2003 libel hearing under garda duress had been hugely damaging to An Garda Síochána. The High Court action would now hear precisely what she had seen on 23 December 1996 at Kealfadda Bridge–and why she had given evidence at Cork Circuit Court that she had later recanted. Mrs Farrell was called to offer evidence in December, just two weeks before the High Court suspended its hearings for the Christmas break. Her evidence was nothing short of extraordinary. She claimed a garda had exposed himself to her, that another garda had stripped naked in front of her and asked for sex, that gardaí had put her under unrelenting pressure to support an incriminating statement that undermined Mr Bailey’s key alibi–and had threatened her with arrest if she did not comply.
Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
Jack weaves his fingers through mine, grinning curiously, like he's just sprung from a shadow and frightened a ghost back into the dark---one of his favorite pastimes---and we follow the winding path out of the forest, away from the grove of seven trees. I run my fingertips along the dusty pink poppies and vibrant bloodred roses that line the path, and when we finally step free of the dense forest, I peer up at a cloudless sky, shimmering a soft airy pink.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
And truthfully, Valentine's Town is unexpectedly charming--in an odd, sideways sort of way. No sooty sky or charcoal buildings teetering in the distance. No rotted skulls or jack-o'-lanterns glowing sinisterly in the dark, no cackling ghouls or demons or grim reapers with hollowed-out eyes watching us from shadowed corners. In fact, there are no dark places at all. Instead, everything is bright and confectioner-sugar-shiny. The air has a pinked, dreamy quality, a subtly sweet tinge, like rosebuds newly bloomed in spring or the first lick of pumpkin-pie filling on a spoon.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
You still think I'm the same girl, don't you, Zero?" I ask as we make our way deeper into the woods, under the cover of starlight and swaying bare branches. Zero's nose glows brighter, and I run a hand along his pale ghost body. He is both solid and made of cool winter air, and sometimes I swear I can feel his ears beneath my palm, while other times my fingers pass right through. He is both here and not here. Alive and dead. And right now he feels like my only friend--the only one who thinks I'm unchanged. Made of the same linen and blue thread. Everyone else in Halloween Town seems to think I am someone entirely new--a girl with a royal title whose hair should be like the silken threads of a spider's web, with coffin-straight posture and a crown of feathers atop her head. But I am not these things.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Maybe he wasn't the villain of the story after all; he simply needed a long overdue nap. Like a cranky child who's had too many lemon sugar drops and gone too long without sleep.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
On the night of All Hallow's Eve party, I sew my own black gown using the Witch Sisters' chiffon fabric, and a crown made of forged iron and dove feathers from Valentine's Town. I stand at the mirror, pressing down the silky fabric along my ribs, still feeling like myself--like a rag doll, who is also a queen. Instinctively, I tug at the thread on my wrist, but beneath the seam, I feel the softness of cotton, not the crunch of dead leaves. When I was born, my insides were filled with air-puffed cotton--Dream Town cotton. But when Dr. Finkelstein kidnapped me, he replaced the cotton with dead leaves; he wanted no reminders of where I was really from. But now I have filled myself with both: cotton and dead leaves. Because although I am the queen of Halloween Town, I am also a daughter of Dream Town. Made of nightmares and dreams. A little of both.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He starts to turn away, then stops, scratching at his beard, considering something, before bending low in the grass and plucking something from the soil. He holds it out in his palm. "Good luck, giant," he says, nodding. In his palm rests a tiny green leaf. "It's a four-leaf clover," he explains with a wink. "And one that's been plucked from inside St. Patrick Town is particularly lucky." I take the green clover from his palm and hold it up to the clouded sky, marveling at its four perfectly rounded leaves. It smells of soil and rain, resting delicately between my fingertips. And it looks just like the clover on the doorway into this realm. "Thank you," I say to him, but when I glance up, he's already vanished into the thick green spruce trees and falling raindrops.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Your father even wrote the first theories about daytime dreaming in this library." She smiles at Albert, a look of pride. "He invented daydreams, you know," she says, looking back to me. "A way for humans to dream up wild, unthinkable things right in the middle of the afternoon, without ever needing to go to sleep." I think back to my own daydreams, moments when I'd managed to lose myself in thought, especially in my old life: dreaming of a future with Jack, dreaming of who I might be if I ever escaped Dr. Finkelstein.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
There are books on Dream Making for Insomniacs, Sheep Counting 101, encyclopedias on the methods of sleep, theories around daydreams and naps and sleepwalkers. I pull out a recipe book titled, Sleep Tonics, filled with recipes for golden milk and warm butterscotch cocoa. There is a book on how to choose the correct pillow firmness for side sleepers, and a DIY book on constructing your own mattress made of recycled fibers and sheep's wool.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I stir the simmering potion until it turns a bright, gruesome red, the same shade as Ruby Valentino's lips. But it's too bright, too obvious. Then I remember. I reach into the pocket of my dress, past the spool of thread, to the thing I'm looking for. When I pull it out, the leaves are slightly flattened, but it's still intact: the four-leaf clover given to me by the leprechaun in St. Patrick Town. He said it would bring me luck. And I need it now. I drop the green clover into the potion, and within seconds, the color turns a vibrant, grassy green--reminding me of the damp meadow in St. Patrick Town, freshly dewed with rain. The exact shade I need.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Across the street from the bed-and-breakfast, I open a small café where residents can sip cocoa lattes, eat raspberry tarts baked in Valentine's Town, and savor orange whipped toffees that Helgamine and Zeldaborn complain get stuck in their few remaining teeth--yet they keep coming back for more. Wolfman and Behemoth sit together every afternoon sharing a pot of black rose tea, delicately holding their cups between clawed and too-large fingertips, nibbling on coconut macaroons. I even sell my sleeping tonic at the café--in a much milder dose than what I brew for the Sandman, who still stops by for a refill now and then--in scents of lavender and chamomile, herbs harvested from Dream Town.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Their joints crack and pop as they scuttle around me, and their breath is like a bog. Yet they have no problem pointing out my apparent flaws, as if I am a sad, lost cause.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
A girl whose life has always been decided for her and would discover the same dark prison walls once she became queen.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
orange
Brooklyn Niro (Nightmares Before Christmas Cookbook: Recipes From the Scary Nightmares Before Christmas Movie)
lime
Brooklyn Niro (Nightmares Before Christmas Cookbook: Recipes From the Scary Nightmares Before Christmas Movie)
ALL RIGHTS RESERVED. No part of this book may be used or reproduced in any matter whatsoever without the written and signed permission of the author. All trademarked names are the property of their owner and are acknowledged by the proper use of capitalization throughout. OTHER ‘Game on Boys’ BOOKS Available on Amazon as eBooks or print books Game on Boys 4 can be read separately or part of a series FREE ebook Game on Boys 1:The PlayStation Playoffs(8-12) Game on Boys 2 : Minecraft Madness (8-12) Game on Boys 3 : NO Girls Allowed Game on Boys 5 : House of Horrors Game on Boys 6 : Galactic Zombie Other books by Kate Cullen FREE Diary Of a Wickedly Cool Witch : Bullies and Baddies(8-13) Boyfriend Stealer : Diary of a Wickedly Cool Witch 2 (8-13) Diary of a Wickedly Cool Witch 3 : Perfect Ten (8-13) Diary of a Wickedly Cool Witch 4 : Witch School for Misfits Lucy goes to the Halloween Party (Early readers) Lucy the Easter Dog (Early readers) Lucy's Merry Christmas Sammy McGann and the Secret Soup People (5-10) Follow KATE on TWITTER at Kate Cullen @ katekate5555 Or email gameonboysseries@gmail.com to receive email updates. (Copy and paste) Or visit her website for new books and giveaways Kate Cullen author website Contents 1. Wow 2. BYODD 3. Secrets 4. News 5. Brats 6. Santa 7. Wishing 8. Blocky 9. Monsters 10. Wolverine 11. Creepy. 12. Arachnophobia 13. Fartblaster 14. Superhero 15. Enderman 16. Teleporting 17. Lost 18. Potions 19. Scared 20. Spells 21. Fireworks 22. Homecoming 1. WOW You know how awesome Christmas is, and birthdays are sick as, Easter is just a big fat chocolate splurge, and even Thanksgiving is like pig-out insanity. Weekends are kinda cool too, but holidays are totally far out man. And when a new PS game comes out and they have a midnight release extravaganza at the game store, it’s like crazy time, coolness overload. All these things are the main reason I exist on this earth. Without all this stuff, life would just SUCK big time. But nothing, I repeat NOTHING comes close to the Christmas I just had. WOW! I repeat WOW! Where do I even start? This Christmas was a like a dream come true. Actually it was sort of like a nightmare too, if that makes any sense. A dream and a nightmare mixed up into one. Totally far out man. Totally gobsmacking, totally awesome, but totally freaking scary. So you’re probably thinking like I won a million bucks or something and then got mugged, or the owner of Sony PlayStation company sent me 1000 free PS games, and then the house got robbed at gunpoint. Or even better, the owner made me the new boss of the Sony PlayStation company. Yeah right! Like that will ever happen! In my dreams!! Although, after what happened, I’m thinking that absolutely anything is possible. 2. BYODD The last day at school before Christmas break was awesome. We had a BYOD day in the afternoon. The first part of the day we had to do all the boring Christmassy stuff like making soppy cards for our families, coloring pictures of Santa and doing boring word searches looking for words like (DER) ‘Santa, Christmas, present, jingle, stocking’. Like BORING. Capital ‘B’ Boring. Why can’t Christmas word finds have proper Christmas words like, console, iPhone 6, PlayStation games, Star wars, BMX, Nerf Modulous Blaster, Thunderblast, Star Wars darth vader vehicle, lego Star Wars Death star?
Kate Cullen (GAME ON BOYS : Minecraft Superhero (Game on Boys Series Book 4))
There's still a hefty amount of protocol, and even if the bride and groom look like they've respectively stepped out of The Nightmare Before Christmas and an Archie comic, the royal tradition is---" "The brandy-soaked, raisin spotted, intestine-clogging brick known as fruitcake," Pet interrupted. "Will look and taste the same whether it was made yesterday or two decades ago. And at no time during its lengthy existence will anyone want to eat it. I've told you, the bride likes chocolate cake. Specifically and vitally, she apparently likes your Death by Chocolate fudge cake. Very little about this couple conforms to royal standards, which is half the reason the bookies are already taking revolting odds on how long the marriage will last, or if they'll actually make it to the altar. Rose is infamously a strong personality and a massive pain in her family's arse. I guarantee that however she has to bend to tradition, she'll wrangle final say over details like the inside of her cake.
Lucy Parker (Battle Royal (Palace Insiders, #1))