“
It is one thing to make a mistake, and quite another thing not to admit it. People will forgive mistakes, because mistakes are usually of the mind, mistakes of judgment. But people will not easily forgive the mistakes of the heart, the ill intention, the bad motives, the prideful justifying cover-up of the first mistake.
”
”
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
“
To some people, I am kind of a Merlin who takes lots of crazy chances, but rarely makes mistakes. I've made some bad ones, but fortunately, the successes have come along fast enough to cover up the mistakes. When you go to bat as many times as I do, and continually improve upon your mistakes, you're bound to get a good average.
”
”
Walt Disney Company
“
He [Uncle Vernon] held up the envelope in which Mrs. Weasley’s letter had come, and Harry had to fight down a laugh. Every bit of it was covered in stamps except for a square inch on the front, into which Mrs. Weasley had squeezed the Dursleys’ address in minute writing.
“She did put enough stamps on, then,” said Harry, trying to sound as though Mrs. Weasley’s was a mistake anyone could make.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
A Note
Life is the only way
to get covered in leaves,
catch your breath on the sand,
rise on wings;
to be a dog,
or stroke its warm fur;
to tell pain
from everything it's not;
to squeeze inside events,
dawdle in views,
to seek the least of all possible mistakes.
An extraordinary chance
to remember for a moment
a conversation held
with the lamp switched off;
and if only once
to stumble upon a stone,
end up soaked in one downpour or another,
mislay your keys in the grass;
and to follow a spark on the wind with your eyes;
and to keep on not knowing
something important.
”
”
Wisława Szymborska
“
If you make a mistake, admit it. Any attempt at cover-up will ultimately backfire. At some level the patient will sense you are acting in bad faith, and therapy will suffer. Furthermore, an open admission of error is good model-setting for patients and another sign that they matter to you.
”
”
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
Seven, ten, fifteen, eighteen years old and still there is nothing finer than a blank sheet of paper, the white promise that the world can be what I make it. A magical place, an adventurous place, a possible place. Erasers take away the mistakes. Another coat of paint to cover them up. Black and red and purple and blue. Always Blue.
”
”
Stacey Jay (Juliet Immortal (Juliet Immortal, #1))
“
You’re the one getting ready to bolt, Jesper. You just want me to run with you so you don’t have to feel so bad about it. For all your love of a fight, you’re always the first to talk about running for cover.”
“I made a mistake. I let my bad get the best of my good, but for Saints’ sake, Kaz, how long are you going to make me pay for a little forgiveness? [...] How many times have I had your back in a fight? How many times have I gotten it right? Doesn’t that count for anything?” Jesper threw up his hands. “I can’t win with you. No one can.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Deep practice is built on a paradox: struggling in certain targeted ways—operating at the edges of your ability, where you make mistakes—makes you smarter. Or to put it a slightly different way, experiences where you're forced to slow down, make errors, and correct them—as you would if you were walking up an ice-covered hill, slipping and stumbling as you go—end up making you swift and graceful without your realizing it.
”
”
Daniel Coyle (The Talent Code: Unlocking the Secret of Skill in Sports, Art, Music, Math, and Just About Everything Else)
“
Taylor Swift on why girls look up to her:
"It’s the message. I try to have a normal life and look at things in a normal way, under very abnormal circumstances. That’s always going to be my main goal, that’s always what I’m going to strive for, to be a normal human being. It’s interesting because you’re put in really abnormal situations. You have an abnormal-size microscope covering your life and everything you do. You look at the idea of being 22, that’s when you’re supposed to be out there living and being selfish and making mistakes and messing up. If I mess up once, it’s a headline everywhere.
”
”
Taylor Swift
“
I gave up on being Nice. I started putting more value on other qualities instead: passion, bravery, intelligence, practicality, humor, patience, fairness, sensitivity. Those last three might seem like they are covered by “nice,” but make no mistake, they are not. A person who smiles a lot and remembers everyone’s birthday can turn out to be undercover crazy, a compulsive thief, and boring to boot. I don’t put a lot of stock in nice. I’d prefer to be around people who have any of the above qualities over “niceness,” and I’d prefer it if that applied to me, too. I
”
”
Anna Kendrick (Scrappy Little Nobody)
“
They like to use those fancy words. They don't like to say “raped,'” he said. “They say “misdeed,' “inappropriate touching,' “mistake.' That's insulting. I'm not a mistake.
”
”
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
“
He was a thundering paradox of a man, noble and ignoble, inspiring and outrageous, arrogant and shy, the best of me and the worst of men, the most protean, most ridiculous, and most sublime. No more baffling, exasperating soldier ever wore a uniform. Flamboyant, imperious, and apocalyptic, he carried the plumage of a flamingo, could not acknowledge errors, and tried to cover up his mistakes with sly, childish tricks. Yet he was also endowed with great personal charm, a will of iron, and a soaring intellect. Unquestionably he was the most gifted man-at arms- this nation has produced. -William Manchester on Douglas MacArthur
”
”
William Manchester
“
The biggest mistake that you will make in life is believing that governments act in the public interest.
”
”
Steven Magee
“
For that’s how it is, we cover up our mistakes and failings, we invent stories that put ourselves in a more favorable light. Self-deception is perhaps the most human thing of all.
”
”
Karl Ove Knausgård (Spring (Seasons Quartet, #3))
“
[W]hen you make your mistakes in public you will learn that they are mistakes and in being corrected you will grow. It also reminded me that being wrong and responding to correction with resilience was a higher virtue than covering up your mistakes so your students and the watching world assumed that success meant never being wrong. Working from your strengths and cultivating resilience in all matters of life have always been guiding principles for me.
”
”
Rosaria Champagne Butterfield (The Secret Thoughts of an Unlikely Convert: An English Professor's Journey Into Christian Faith)
“
Studies have shown that we are often so worried about failure that we create vague goals, so that nobody can point the finger when we don’t achieve them. We come up with face-saving excuses, even before we have attempted anything.
We cover up mistakes, not only to protect ourselves from others, but to protect us from ourselves. Experiments have demonstrated that we all have a sophisticated ability to delete failures from memory, like editors cutting gaffes from a film reel—as we’ll see. Far from learning from mistakes, we edit them out of the official autobiographies we all keep in our own heads.
”
”
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
“
The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet REvolution, the Sacco-Vanzetti trial of 1920 through 1927- there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgement has already been pronounced and the trial is just a mask for murder.
”
”
Katherine Anne Porter (The Never-Ending Wrong)
“
I saw the folded note peeking up from behind the cover of the book in which I'd hidden it.
I brushed my fingertips across the lineny surface, my skin sparking with electricity, my fingers itching to pull it free.
I shoudn't, I told myself, even as I held my breath and watched myself withdrawing it from the book. I tried to tamp down the feeling of anticipation coursing through me at the same time I argued that it was a mistake to look at it again.
It didn't deserve anymore of my time. He didn't deserve the space he already occupied in my mind.
I glanced around to see if anyone had noticed me there, tucked beneath my desk, reading a note that I'd already memorized.
No one paid me any attention.
I held the letter, vividly picturing the six words written inside the folds. Six words that I already knew by heart. Six words that meant more to me than they should.
I unfolded the top third of the paper, then the bottom, purposely keeping my eyes unfocused for just a moment.
My heart stopped.
And then my eyesight cleared.
I pledge to keep you safe.
”
”
Kimberly Derting (The Pledge (The Pledge, #1))
“
I wasn’t always broken; we are all born pure. It is our journey that burdens us and leads us astray. Our mistakes that beat us down and cover us in guilt and shame, burying us a little more with each successive hardship. It is up to us to dig ourselves out, to come to terms with our faults, to embrace not only our imperfections but those of the ones we love, and to once again find the path we strayed from.
”
”
Madeline Sheehan (Unbeloved (Undeniable, #4))
“
Listen Relda, stop meddling in our affairs or you’re going to regret it,” said the mayor. “If you don’t want me meddling, then you must really do a better job of covering up your mistakes.
”
”
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
“
I gave up on being Nice. I started putting more value on other qualities instead: passion, bravery, intelligence, practicality, humor, patience, fairness, sensitivity. Those last three might seem like they are covered by “nice,” but make no mistake, they are not. A person who smiles a lot and remembers everyone’s birthday can turn out to be undercover crazy, a compulsive thief, and boring to boot. I don’t put a lot of stock in nice. I’d prefer to be around people who have any of the above qualities over “niceness,” and I’d prefer it if that applied to me, too. I’m also okay if the most accurate description of me is nervous, and a little salty. But at least I know what I want to strive for.
”
”
Anna Kendrick (Scrappy Little Nobody)
“
we are all born pure. It is our journey that burdens us and leads us astray. Our mistakes that beat us down and cover us in guilt and shame, burying us a little more with each successive hardship. It is up to us to dig ourselves out, to come to terms with our faults, to embrace not only our imperfections but those of the ones we love, and to once again find the path we strayed from.
”
”
Madeline Sheehan (Unbeloved (Undeniable, #4))
“
I love people who are honest, honest about everything.
People who would bare their souls and say things like "I did it because I was Jealous.",
"I made a mistake, not that I was unconscious of what I was doing but I lost control " ,
instead of covering it up with reasons.
This kind of honesty takes a lot of "Courage" - since it involves admitting your flaws, both, to yourself and others.
"Intelligence" - Since it involves diving deep within, into the true reasons behind your actions, and
"A Big Heart" - Since it involves accepting
those flaws.
”
”
Wordions
“
Fearful leaders side-step issues instead of dealing with them, cover up mistakes instead of owning up to mistakes; they skulk back into the shadows and hope that the crisis—whatever it is—will somehow blow over instead of facing their fears. Worse, they resort to lies and deception to cover up the truth.
”
”
Lee Ellis (Leading with Honor: Leadership Lessons from the Hanoi Hilton)
“
Confession time: I doubt I would ever have picked up one of Marjorie’s books, had I not met her in person. The reason is they’re categorized as Romances, which is where they are shelved in bookstores. Though I have no justification for avoiding it, the romance section is an area in bookstores I seldom wander into. Her novels also have traditional-looking romance book covers, which are occasionally a bit off-putting to us mighty manly men.
Then again, who knows? I don’t carry many biases where good storytelling is concerned. I’m willing to find it anywhere, as too many of my friends will attest, when I try to drag them to wonderful movies that they aren’t eager to go to, simply because they fall under the chick-flick rubric. So, in any case, I’m glad I did meet Marjorie Liu in person, because it would have been a shame to miss out on the work of an author this talented due to whatever degree of cultural prejudices I might still possess. I trust you who read this won’t make the same mistake.
”
”
Bill Willingham
“
Teach and reinforce the merits of mistake-based learning. To encourage people to bring their mistakes into the open and analyze them objectively, managers need to foster a culture that makes this normal and that penalizes suppressing or covering up mistakes.
”
”
Ray Dalio (Principles: Life and Work)
“
Donald Trump telling Jimmy Fallon to be a “man”, is like a turtle telling a cheetah to “run faster”.
Being a “man” means having compassion for children, not cheating on all of your wives, and being strong enough to admit your mistakes, rather than lying to cover them up!
”
”
Ed Krassenstein
“
What were you thinking by trying to run Dahlia off the road?” “That it’s a shame I failed.” The fire chief covers up his laugh with a cough. Dahlia’s heated glare threatens to burn a hole in the side of my face. “Don’t tell me you’ve spent all these years plotting my murder only to fail now?” “Trust me. I won’t make the same mistake again.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
Some of the imperfections will be visible, but this house has been here a long time. I see no reason to cover up the dings and scars. We've all got 'em.
”
”
Chris Coppernoll (A Beautiful Fall)
“
I covered up my mistakes—with dirt, like you’d do with any other dead bodies.
”
”
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
“
It is our journey that burdens us and leads us astray. Our mistakes that beat us down and cover us in guilt and shame, burying us a little more with each successive hardship. It is up to us to dig ourselves out, to come to terms with our faults, to embrace not only our imperfections but those of the ones we love, and to once again find the path we strayed from.
”
”
Madeline Sheehan (Unbeloved (Undeniable, #4))
“
Most white people in Midland City were insecure
when they spoke, so they kept their sentences short and their words
simple, in order to keep embarrassing mistakes to a minimum.
Dwayne certainly did that. Patty certainly did that.
This was because their English teachers would wince and cover their
ears and give them flunking grades and so on whenever they failed to
speak like English aristocrats before the First World War. Also: they
were told that they were unworthy to speak or write their language if
they couldn’t love or understand incomprehensible novels and poems
and plays about people long ago and far away, such as Ivanhoe.
The black people would not put up with this. They went on talking
English every which way. They refused to read books they couldn’t
understand—on the grounds they couldn’t understand them. They
would ask such impudent questions as, “Whuffo I want to read no Tale
of Two Cities? Whuffo?
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
To embellish reality with makeup, with silk and royal purple, isn’t that what we all should be doing? Beneath the life we live every day the silk and the purple are hiding, waiting for us. A person just has to dare to throw off his everyday clothes, to rip them off and to put on the silk and purple that exist, I know it. But we’re the ones who cover them up. Out of boredom, indifference, fear. Mostly fear. So right from the first moment I met you, my lies were always the truth: in telling them I unveiled the world for you — the hidden world, the true world. You were really the one who lied. You wanted everything to remain untouched, paradise to be paradise, and me angel. But you made a fatal mistake: you never believed me. You never understood why I lied, that through my lies I was giving you a unique gift: the truth. You always tried to control me — out of love, of course. But is there any word more ambiguous than the word “love”?
”
”
Margarita Karapanou
“
Let no one read my principles who is not a mathematician,” he famously declared (less famous is the fact that the principles he was referring to were his theories of how the aortic pulmonary valve worked). Ironically, he himself was a poor mathematician, often making simple mistakes. In one of his notes he counted up his growing library: “25 small books, 2 larger books, 16 still larger, 6 bound in vellum, 1 book with green chamois cover.” This reckoning (with its charmingly haphazard system of classification) adds up to fifty, but Leonardo reached a different sum: “Total: 48,” he confidently declared.
”
”
Ross King (Leonardo and the Last Supper)
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
He loves his wife, his two beautiful daughters, of this I am certain. His family doesn’t know he’s lost his job. They don’t know how much he’s been drinking. He’s been making mistakes, then stealing to cover them up.
”
”
Ann Patchett (Tom Lake)
“
But maybe these were just excuses, something I said to comfort myself. For that’s how it is, we cover up our mistakes and failings, we invent stories that put ourselves in a more favourable light. Self-deception is perhaps the most human thing of all.
”
”
Karl Ove Knausgård (Spring (Seasons Quartet, #3))
“
You may have heard the term “narcissistic injury.” This refers to the dynamic wherein, for a narcissist, saying a simple “I’m sorry” is like saying, “I am the worst human being on earth.” For all their bravado, they are easily injured by criticism, others’ disappointment in them, differing points of view, lack of notice or compliments, being ignored, and even their own mistakes. But you won’t necessarily know they are feeling injured, because they are masterful cover-up artists. Instead of appearing wounded, they will hurl the prickliest words at you, avoid you, or demand your applause for some other part of their wonderfulness. You may find yourself surrendering, offering an “I’m sorry” of your own in an effort to quell their unrelenting reactions and mend their tattered egos.
”
”
Wendy T. Behary (Disarming the Narcissist: Surviving and Thriving with the Self-Absorbed)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I thought there was only one lesson in this story, the obvious one about the importance of taking responsibility when you screw up. That's true, and it's significant. In your work, in your life, you'll be more respected and trusted by the people around you if you honestly own up to your mistakes. It's impossible not to make them; but it is possible to acknowledge them, learn from them, and set an example that it's okay to get things wrong sometimes. What's not okay is to undermine others by lying about something or covering your own ass first.
”
”
Bob Iger (The Ride of a Lifetime: Lessons in Creative Leadership)
“
The way we judge ourselves is the worst judge that ever existed. If we make a mistake in front of people, we try to deny the mistake and cover it up. But as soon as we are alone, the Judge becomes so strong, the guilt is so strong, and we feel so stupid, or so bad, or so unworthy.
”
”
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
“
She caught the crazy-eyed look in one about the size of a small horse, wondered vaguely why anyone would want a dog they could essentially ride around the house. When she made the mistake of meeting those crazy eyes for a split second, it danced its great gray bulk in place, then charged, dragging its squeaking owner out of her chair. In defense, Eve slapped a hand to her weapon, but the horse-dog covered the ground like a sprinter, heaved itself up, planted its enormous front paws on her shoulders. And lapped its wide, wet tongue from her chin to her hairline in one noisy slurp.
”
”
J.D. Robb (Dark in Death (In Death, #46))
“
One day, for example, Eric explained the origins of the English word sincere. He told the boys that it was made up of two words, “sine,” meaning without, and “cere,” meaning wax. He explained that in the past when a sculptor made a statue, he would sign the bottom of it and add the phrase “Sine cere.” In doing so, he was guaranteeing that the work he did on the sculpture had no mistakes that had been covered over with wax to disguise them. Eric told the boys that living the Christian life meant that they did not cover up their character weaknesses and mistakes but instead lived sincere lives.
”
”
Janet Benge (Eric Liddell: Something Greater Than Gold (Christian Heroes: Then & Now))
“
I could soon see outlines of people in the water in the distance, all of them covered in oil. I had no way to know who they were, whether Japanese or POWs. It was easy to mistake a Japanese for one of my own. I made up my mind that if it came down to me or a Japanese, he would be going to meet his ancestors.
”
”
Alistair Urquhart (The Forgotten Highlander: An Incredible WWII Story of Survival in the Pacific)
“
footpace! d'ye mind me? And if you've got holsters to that saddle o' yourn, don't let me see your hand go nigh 'em. For I'm a devil at a quick mistake, and when I make one it takes the form of Lead. So now let's look at you." The figures of a horse and rider came slowly through the eddying mist, and came to the side of the mail, where the passenger stood. The rider stooped, and, casting up his eyes at the guard, handed the passenger a small folded paper. The rider's horse was blown, and both horse and rider were covered with mud, from the hoofs of the horse to the hat of the man. "Guard!" said the passenger, in a tone
”
”
Charles Dickens (A Tale of Two Cities)
“
However, when those inside the bureaucracy work primarily to protect themselves, progress slows and the entire organization becomes more susceptible to external threats and pressures. Only when the Circle of Safety surrounds everyone in the organization, and not just a few people or a department or two, are the benefits fully realized. Weak leaders are the ones who only extend the benefits of the Circle of Safety to their fellow senior executives and a chosen few others. They look out for each other, but they do not offer the same considerations to those outside their “inner circle.” Without the protection of our leaders, everyone outside the inner circle is forced to work alone or in small tribes to protect and advance their own interests. And in so doing, silos form, politics entrench, mistakes are covered up instead of exposed, the spread of information slows and unease soon replaces any sense of cooperation and security.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
In good marriages, a confrontation, difference of opinion, clashing habits, and even angry quarrels can bring the couple closer, by helping each partner learn something new and by forcing them to examine their assumptions about their abilities or limitations. It isn’t always easy to do this. Letting go of the self-justifications that cover up our mistakes, that protect our desires to do things just the way we want to, and that minimize the hurts we inflict on those we love can be embarrassing and painful. Without self-justification, we might be left standing emotionally naked, unprotected, in a pool of regrets and losses.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
She is soft, but knows when to stand her ground. Natural disasters aren't a mistake. They're not just a big ol' whoopsy that happened when Mother Nature and Source were planning their calendars out. Mother nature is intentional. Everything about her is intentional. Every rainfall, is intentional. Every sunny day, is intentional. Every storm, is intentional and every natural disaster is intentional. She will roar when she needs, when she needs us to take a closer look. That's what natural disasters are. She won't rob us of our opportunity to rise up together- that's our evolution and she's not gonna do our dirty (epic) work for us. But she will nudge us. And she does nudge us. Do you notice? If we don't do our best to take care of global warming, the tides will rise and beach side cities will be wiped. Perhaps our kids or our kids' kids won't ever see the glaciers of today. She's not gonna cover up for us, but she will love us on our journey and gives us clues and signs. It's up to us to pay attention.
”
”
Peta Kelly (Earth is Hiring: The New way to live, lead, earn and give for millennials and anyone who gives a sh*t)
“
Brushing through my hair was usually bad enough after a shower. Letting it dry without brushing it was a terrible mistake. It was full of painful tangles, and I hadn’t made much progress when the door at the end of the veranda opened and Ren walked out. I squeaked in alarm and hid behind my hair. Perfect, Kells.
He was still barefoot, but had on khaki pants and a sky-blue button-down shirt that matched his eyes. The effect was magnetic, and here I was in flannel pajamas with giant tumbleweed hair.
He sat across from me and said, “Good evening, Kells. Did you sleep well?”
“Uh, yes. Did you?”
He grinned a dazzling white smile and nodded his head slightly. “Are you having trouble?” he asked and watched my detangling progress with an amused expression.
“Nope. I’ve got it all under control.”
I wanted to divert his attention away from my hair, so I said, “How’s your back and your, um, arm, I guess it would be?”
He smiled. “They’re completely fine. Thank you for asking.”
“Ren, why aren’t you wearing white? That’s all I’ve ever seen you wear. Is it because your white shirt was torn?”
He responded, “No, I just wanted to wear something different. Actually, when I change to a tiger and back, my white clothes reappear. If I changed to a tiger now and then switch back to a man again, my current clothes would be replaced with my old white ones.”
“Would they still be torn and bloody?”
“No. When I reappear, they’re clean and whole again.”
“Hah. Lucky for you. It would be pretty awkward if you ended up naked every time you changed.”
I bit my tongue as soon as the words came out and blushed a brilliant shade of red. Nice, Kells. Way to go. I covered up my verbal blunder by tugging my hair in front of my face and yanking through the tangles.
He grinned. “Yes. Lucky for me.”
I tugged the brush through my hair and winced. “That brings up another question.”
Ren rose and took the brush out of my hand.
“What…what are you doing?” I stammered.
“Relax. You’re too edgy.”
He had no idea.
Moving behind me, Ren picked up a section of my hair and started gently brushing through it. I was nervous at first, but his hands in my hair were so warm and soothing that I soon relaxed in the chair, closed my eyes, and leaned my head back.
After a minute of brushing, he pulled a lock away from my neck, leaned down by my ear, and whispered, “What was it you wanted to ask me?”
I jumped.
“Umm…what?” I mumbled disconcertingly.
“You wanted to ask me a question.”
“Oh, right. It was, uh-that feels nice.”
Did I say that out loud?
Ren laughed softly. “That’s not a question.”
Apparently, I did.
“Was it something about me changing into a tiger?”
“Oh, yes. I remember now. You can change back a forth several times per day, right? Is there a limit?”
“No. There’s no limit as long as I don’t remain human for more than a total of twenty-four minutes in a twenty-four hour day.” He moved to another section of hair. “Do you have any more questions, sundari?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I have made so many mistakes in my life, Aly . . . Won’t make you one of them. Not ever again.” His eyes softened while his hold increased. “You never were. You’re a gift. A gift I didn’t know how to truly receive.” He shook his head, and mine followed the movement, locking onto him. “God, Aly, I pushed you away for the longest time because I couldn’t accept the way you made me feel. But when I couldn’t resist you any longer, feeling you became everything. And you felt so damned good I used it to cover up all the bad shit I didn’t want to feel.” With a long blink of his eyes, he released a revealing laugh. “And God, I crave you, Aly. Need you. But I get it. I fucking get it. I can’t fully belong to you if I belong to my past, too.
”
”
A.L. Jackson (Come to Me Softly (Closer to You, #2))
“
I regularly used to tell people that the fastest way to move up in the government is to just screw up, and the bigger the screwup, the bigger the promotion. Every person implicated in your mistakes has an interest in covering up what they did, so they will promote you. That means the people at the very top are usually the most immoral, unethical people in the entire agency.
”
”
Kash Pramod Patel (Government Gangsters: The Deep State, the Truth, and the Battle for Our Democracy)
“
No doubt Agnew felt it helped his cause to get that little bit of fiction out there again in 1980. But he had made a critical error at a critical time. By writing about the conversation with White, Agnew had waived any attorney-client privilege that protected exchanges with his lawyer. And that mistake was a very big reason why Spiro Agnew, finally, would get some measure of comeuppance.
”
”
Rachel Maddow (Bag Man: The Wild Crimes, Audacious Cover-Up & Spectacular Downfall of a Brazen Crook in the White House)
“
My father and I used to watch a ton of old horror movies when I was growing up. ’The Creature from the Black Lagoon‘ was one of my father’s favorites and he was very excited for me to see the film. But after the movie was over, I told him that I was kind of bored. I said to him, ‘I’m sorry, Daddy, but I saw the zipper in the back of the monster’s costume. From that point on, I was really never scared at all. The point I’m trying to make is that I don’t believe someone intentionally tipped off the target. And I maintain that no one made some horrendous mistake, which I’m now trying to cover up. I believe what really happened with the operation was that our target ended up seeing the zipper. Orlo Kharms realized something around him wasn’t… real. And he was able to avoid the trap we had laid out for him.
”
”
Richard Finney (Black Mariah - "A Calling")
“
The major players in the Philby story were invariably wise after the event. Spies, even more than most people, invent the past to cover up mistakes. The Philby case has probably attracted more retrospective conspiracy theories than any other in the history of espionage: Dick White of MI6 was running a ruse to trap him; Nicholas Elliott was secretly jousting with him; James Angleton suspected him and set Miles Copeland to spy on him; Philby’s fellow journalists (another tribe adept at misremembering the past) later claimed that they had always seen something fishy in his behavior. Even Eleanor, his wife, would later look back and claim to have discovered clues to his real nature. No one likes to admit they have been utterly conned. The truth was simpler, as it almost always is: Philby was spying on everyone, and no one was spying on him, because he fooled them all.
”
”
Ben Macintyre (A Spy Among Friends: Kim Philby and the Great Betrayal)
“
Pa tugged him onto the grass. Pa rolled him over and he flopped where he was rolled. Pa felt his wrist and listened at his chest and then Pa lay down beside him.
“He’s breathing,” Pa said. “He’ll be all right, in the air. I’m all right, Caroline. I’m plumb tuckered out, is all.”
“Well!” Ma scolded. “I should think you would be! Of an the senseless performances! My goodness gracious! scaring a body to death, all for the want of a little reasonable care! My goodness! I--” She covered her face with her apron and burst out crying.
That was a terrible day.
“I don’t want a well,” Ma sobbed. “It isn’t worth it. I won’t have you running such risks!”
Mr. Scott had breathed a kind of gas that stays deep in the ground. It stays at the bottom of wells because it is heaver than the air. It cannot be seen or smelled, but no one can breathe it very long and live. Pa had gone down into that gas to tie Mr. Scott to the rope, so that he could be pulled up out of the gas.
When Mr. Scott was able, he went home. Before he went he said to Pa: “You were right about that candle business, Ingalls. I thought it was all foolishness and I would not bother with it, but I’ve found out my mistake.”
“Well,” said Pa, “where a light can’t live, I know I can’t. And I like to be safe when I can be. But all’s well that ends well.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
Given our socialization into dependency, women are also poor risk takers. (...) We avoid new situations, job changes, moves to different parts of the country. Women are afraid that if they should make a mistake, or do "the wrong thing", they'll be punished.
Women are less confident than men in their ability to make judgments, and in relationships will often hand over the decision-making duties to their mates, a situation which only ensures that they will become less confident in their powers of judgment as time goes by.
Most shockingly of all, women are less likely than men to fulfill their intellectual potential. (...) In fact, as women proceed into adulthood, they get lower and lower scores on "total intelligence", owing to the fact that they tend to use their intelligence less and less the longer they're away from school.
Other studies show that the intellect's ability to function may actually be impaired by dependent personality traits. (...)
Confidence and self-esteem are primary issues in women's difficulties with achievement. Lack of confidence leads us into the dark waters of envy. (...) envy must be recognized, seen, and fully comprehended; it can too easily be used as a cover-up for something that is far mroe crucial to women's independence - our own inner feelings of incompetence. These must be dealt with - directly - if we are ever to achieve confidence and strength.
”
”
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
“
When it is a question of taxes, gentlemen, prove their usefulness by reasons with some foundation, but not with that lamentable assertion: “Public spending keeps the working class alive.” It makes the mistake of covering up a fact that it is essential to know: namely, that public spending is always a substitute for private spending, and that consequently it may well support one worker in place of another but adds nothing to the lot of the working class taken as a whole.
”
”
Frédéric Bastiat (Selected Essays on Political Economy (Bastiat Trilogy Book 1))
“
By the fall of 1929, Livermore built up his biggest short position ever, $450 million spread across 100 stocks. And he was about to receive the biggest payday of his entire life. From October 25 through November 13, the Dow crashed 32%. In those 11 days, the Dow fell 5% seven times. Livermore covered all of his shorts and was worth $100 million, equivalent to $1.4 billion in today's dollars. He was one of the richest people in the world. This would be the height of his powers.
”
”
Michael Batnick (Big Mistakes: The Best Investors and Their Worst Investments (Bloomberg))
“
I can't help but wonder how the old Empire would have handled the crisis. I hope you will forgive my partisan attitude but it seems to me that the Emperor would have mobilized his entire armament at the first threat and dealt with the Yuuzhan Vong in an efficient and expeditious manner through the use of overwhelming force. Certainly better than Borsk Fey'lya's policy if I understood it correctly as a policy of negotiating with the invaders at the same time as he was fighting them sending signals of weakness to a ruthless enemy who used negotiation only as a cover for further conquests."
"That's not what the Empire would have done Commander. What the Empire would have done was build a super-colossal Yuuzhan Vong-killing battle machine. They would have called it the Nova Colossus or the Galaxy Destructor or the Nostril of Palpatine or something equally grandiose. They would have spent billions of credits employed thousands of contractors and subcontractors and equipped it with the latest in death-dealing technology. And you know what would have happened It wouldn't have worked. They'd forget to bolt down a metal plate over an access hatch leading to the main reactors or some other mistake and a hotshot enemy pilot would have dropped a bomb down there and blow the whole thing up. Now that's what the Empire would have done."
Dorja Han
”
”
Walter Jon Williams (Destiny's Way (Star Wars: The New Jedi Order, #14))
“
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?”
“I do.”
She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?”
I roll my eyes. “You do realize that’s the same song, don’t you?”
Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud.
“Oh my God, I’m an imbecile!”
“You shouldn’t be so hard on yourself, but if you say so.”
She narrows her eyes. “Bully.” Then she sticks out her tongue.
Big mistake.
Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard.
Painfully, achingly hard.
Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water.
“Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?”
“You sound doubtful.”
She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.”
I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.”
Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.”
And I laugh hard—almost as hard as my cock is.
“Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.”
“Wait till you get to know me—I’m definitely one of a kind.”
The funny thing is, I’m starting to think that’s absolutely true.
I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.”
“Umm . . . Ed Sheeran.”
I shake my head. “All the girls love Ed Sheeran.”
“He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.”
“Women everywhere already adore me.”
“If you were a ginger prince, there’d be more.”
“All right, hush now smartarse-bottum. And listen.”
Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Willa maintains a vigil. Certain tasks are relegated to women. Mourning, staring into the wastes, waiting for no one to surface.
It's a white man who's missing. Usually, that would be enough to keep it in the news, but eight days in, the police release their grief in an official report. The art of blame-casting is a lesser sorcery. History is written in sand, and a broom changes everything. Every woman knows the art of covering up a mess: a carpet, a dustpan, bleach on the boards. What do you do with the cleaning supplies of the world? Use them to wash the blood away, and grind the bones into bread. Swallow the confessions whispered in bed.
If events don't make sense, a story grows to cover up the confusion. Motives and mistakes.
”
”
Maria Dahvana Headley (The Mere Wife)
“
The guy with the revolver stayed at the door. He went into a crouch and pointed the weapon two- handed. At my head. The guy with the shotgun approached close. These were fit lean boys. Neat and tidy. Textbook moves. The revolver at the door could cover the room with a degree of accuracy. The shotgun up close could splatter me all over the window. The other way around would be a mistake. The revolver could miss in a close- quarters struggle and a long- range shotgun blast from the door would kill the arresting officer and the old guy in the rear booth as well as me. So far, they were doing it right. No doubt about that. They had the advantage. No doubt about that, either. The tight booth trapped me. I was too hemmed in to do much. I spread my hands on the table. The officer with the shotgun came near.
”
”
Lee Child (Killing Floor (Jack Reacher #1))
“
When Rabindranath came to know him well, he wrote a poem called "The Good Man." This verse depicts my husband :
Maniram is really clever.
No jolt can shake him.
He is eager not to show off.
He keeps under cover his competence.
He is at ease only when he can hide himself in a corner.
He shuns that assembly
Where he is honoured.
He never says "Give me more"
And would not step on anyone even given the chance.
If he notices that the food is not enough
He says "Well, I am full today."
If there is no salt in the curry,
No one can guess it from his face.
If his friends deceive him
He says, "It's just a mistake."
When the debtor remains silent
He says "I have no urgency."
If he is beaten up
He says "The fault must have been mine!"
The essence and message of this poem is the message of the Gita : "He who is unperturbed at the time of trouble and unattached to the pleasures of life is a yogi.
”
”
Maitreyi Devi (It Does Not Die)
“
Adam and Aaron. Aaron because I was in love, Adam because he beat me. I met Adam first, then Aaron. The wound, then the salve. Maybe you don't know that you're wounded until you receive the salve. The salve that makes everything come back. After you get beaten, you don't go out. Your face swells into a snout. You don't buy Tylenol or groceries, because you'd look like an animal loosened onto the streets. Animal control would mistake you for something else. Instead, I stayed indoors. I washed the blood off the walls and the sheets. The splattered pillow I kept as evidence, not for anyone else, just for myself. I listened to music. Cat Power, The Covers Record. I caught up on my reading. From Primer to Abuse: Practiced abusers don't hit a woman in the face. The novice abuser is pushed to it only by extreme, uncontrollable conditions. I read it again. Not 'conditions'; 'emotions.' I brushed up on philosophy: To live is to exist within time. To remember is to negate time.
”
”
Ling Ma
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
5. The “No Talk” Rule. This rule prohibits the full expression of any feeling, need or want. In shame-based families, the members want to hide their true feelings, needs or wants. Therefore, no one speaks of his loneliness and sense of self-rupture. 6. The “No Listen” Rule. Everyone is so busy using their energy to defend themselves or play their rigid roles, no one really hears anything from the other’s true self. 7. Don’t Make Mistakes. Mistakes reveal the flawed, vulnerable self. To acknowledge a mistake is to open oneself to scrutiny. Cover up your own mistakes, and if someone else makes a mistake, shame him. 8. Unreliability. Don’t expect reliability in relationships. Don’t trust anyone, and you will never be disappointed. The parents didn’t get their developmental dependency needs met and will not be there for their children to depend on. The distrust cycle goes on. 9. Don’t Trust. Since no one feels validated or listened to, and there is unpredictability and unreliability on the part of the source figures, no one develops basic trust in themselves or others.
”
”
John Bradshaw (Healing the Shame that Binds You)
“
Like addiction itself, anxiety will always find a target, but exists independently of its targets. Only when we become aware of it does it wrap itself in identifiable colours. More often we repress it, bury it under ideas, identifications, deeds, beliefs and relationships. We build above it a mound of activities and attributes that we mistake for our true selves. We then expend our energies trying to convince the world that our self-made fiction is reality.
As genuine as our strengths and achievements may be, they cannot but feel hollow until we acknowledge the anxiety they cover up. Incompleteness is the baseline state of the addict. The addict believes — either with full awareness or unconsciously — that he is “not enough.” As he is, he is inadequate to face life’s demands or to present an acceptable face to the world. He is unable to tolerate his own emotions without artificial supports. He must escape the painful experience of the void within through any activity that fills his mind with even temporary purpose, be it work, gambling, shopping, eating or sexual seeking.
”
”
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
“
The thoughts raced and crashed through her. The grate was thirty feet up—no way to go back now. And the floor of the pit was covered with these things, all smelling her, assessing her. But not … advancing. Like something about her gave them pause. Made. Maybe it also meant something to these creatures. Bryce tugged the neckline of her T-shirt down, revealing the star in all its glory. The beasts shrank back, hissing, tossing massive, scaled heads. Their teeth glinted in the starlight. A tunnel stretched on either side of the pit. She could only make out the cavernous mouths, but it seemed like this pit sat in the middle of a passage. To where, though? This was the stupidest thing she’d ever done. In a life full of stupid ideas and mistakes, that was saying something, but … Bryce turned toward one of the tunnels, trying to better see what lay beyond. The star in her chest dimmed. Like her magic was rapidly fading. She whirled toward the other tunnel, trying to see what she could before the magic vanished— The star flared brightly again. “Huh,” she murmured. Bryce turned back the other way. The star faded. To the opposite side: it brightened.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
It all began in 1919 when ex-Marxist Benito Mussolini wrote the Fascist Party platform, calling for central planning through a “partnership” of government, business, and labor. By 1925 he was in total power. Not all of Mussolini’s admirers were in Italy. The cover story of the New York Times Magazine for October 24, 1926, gushed: The most approachable as well as the most interesting statesman in Europe. He is a voracious learner who never makes the same mistake twice. . . . The whole country is keyed up by his energy. . . . The whole economic structure of the nation has been charted out in a graph that shows it as a huge corporation with the Government as the directorate. He explains it clearly and patiently, reminding you that he started his career as a teacher. An earlier New York Times editorial (October 31, 1922) had explained: In Italy as everywhere the great complaint against democracy today is its inefficiency. . . . Neither the failures nor the successes of (Russia’s) Bolshevist Government offer much of an example to the Western world. Dr. Mussolini’s experiment will perhaps tell us something more about the possibilities of oligarchic administration.
”
”
Ludwig von Mises (The Free Market Reader (LvMI))
“
Ione
III.
TO-DAY my skies are bare and ashen,
And bend on me without a beam.
Since love is held the master-passion,
Its loss must be the pain supreme —
And grinning Fate has wrecked my dream.
But pardon, dear departed Guest,
I will not rant, I will not rail;
For good the grain must feel the flail;
There are whom love has never blessed.
I had and have a younger brother,
One whom I loved and love to-day
As never fond and doting mother
Adored the babe who found its way
From heavenly scenes into her day.
Oh, he was full of youth's new wine, —
A man on life's ascending slope,
Flushed with ambition, full of hope;
And every wish of his was mine.
A kingly youth; the way before him
Was thronged with victories to be won;
so joyous, too, the heavens o'er him
Were bright with an unchanging sun, —
His days with rhyme were overrun.
Toil had not taught him Nature's prose,
Tears had not dimmed his brilliant eyes,
And sorrow had not made him wise;
His life was in the budding rose.
I know not how I came to waken,
Some instinct pricked my soul to sight;
My heart by some vague thrill was shaken, —
A thrill so true and yet so slight,
I hardly deemed I read aright.
As when a sleeper, ign'rant why,
Not knowing what mysterious hand
Has called him out of slumberland,
Starts up to find some danger nigh.
Love is a guest that comes, unbidden,
But, having come, asserts his right;
He will not be repressed nor hidden.
And so my brother's dawning plight
Became uncovered to my sight.
Some sound-mote in his passing tone
Caught in the meshes of my ear;
Some little glance, a shade too dear,
Betrayed the love he bore Ione.
What could I do? He was my brother,
And young, and full of hope and trust;
I could not, dared not try to smother
His flame, and turn his heart to dust.
I knew how oft life gives a crust
To starving men who cry for bread;
But he was young, so few his days,
He had not learned the great world's ways,
Nor Disappointment's volumes read.
However fair and rich the booty,
I could not make his loss my gain.
For love is dear, but dearer, duty,
And here my way was clear and plain.
I saw how I could save him pain.
And so, with all my day grown dim,
That this loved brother's sun might shine,
I joined his suit, gave over mine,
And sought Ione, to plead for him.
I found her in an eastern bower,
Where all day long the am'rous sun
Lay by to woo a timid flower.
This day his course was well-nigh run,
But still with lingering art he spun
Gold fancies on the shadowed wall.
The vines waved soft and green above,
And there where one might tell his love,
I told my griefs — I told her all!
I told her all, and as she hearkened,
A tear-drop fell upon her dress.
With grief her flushing brow was darkened;
One sob that she could not repress
Betrayed the depths of her distress.
Upon her grief my sorrow fed,
And I was bowed with unlived years,
My heart swelled with a sea of tears,
The tears my manhood could not shed.
The world is Rome, and Fate is Nero,
Disporting in the hour of doom.
God made us men; times make the hero —
But in that awful space of gloom
I gave no thought but sorrow's room.
All — all was dim within that bower,
What time the sun divorced the day;
And all the shadows, glooming gray,
Proclaimed the sadness of the hour.
She could not speak — no word was needed;
Her look, half strength and half despair,
Told me I had not vainly pleaded,
That she would not ignore my prayer.
And so she turned and left me there,
And as she went, so passed my bliss;
She loved me, I could not mistake —
But for her own and my love's sake,
Her womanhood could rise to this!
My wounded heart fled swift to cover,
And life at times seemed very drear.
My brother proved an ardent lover —
What had so young a man to fear?
He wed Ione within the year.
No shadow clouds her tranquil brow,
Men speak her husband's name with pride,
While she sits honored at his side —
”
”
Paul Laurence Dunbar
“
God, Jane, you’re exactly as I imagined. Only better.”
“You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.”
That got his attention. He drew back to stare at her. “Are you all right?”
She forced a smile. “Now I’m rethinking the seduction.”
He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.”
When she did, the pressure eased some, and she let out a breath.
“Better?” he rasped.
She nodded.
Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.”
Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured.
She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit.
A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?”
“I never guessed that…this would feel…so odd.”
“You’ll get used to it.”
The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt.
Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice.
His gaze burned into her as he drove deep. “Less odd now?” he managed.
“Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.”
He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun.
As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring.
“Dom…oh, Dom…oh my…”
“Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.”
“Only you,” she echoed.
She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun.
When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again.
Because it was too late to go back now. This time, he had her for better or worse.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
”
”
Teresa Driscoll (I Am Watching You)
“
More than putting another man on the moon,
more than a New Year’s resolution of yogurt and yoga,
we need the opportunity to dance
with really exquisite strangers. A slow dance
between the couch and dinning room table, at the end
of the party, while the person we love has gone
to bring the car around
because it’s begun to rain and would break their heart
if any part of us got wet. A slow dance
to bring the evening home, to knock it out of the park. Two people
rocking back and forth like a buoy. Nothing extravagant.
A little music. An empty bottle of whiskey.
It’s a little like cheating. Your head resting
on his shoulder, your breath moving up his neck.
Your hands along her spine. Her hips
unfolding like a cotton napkin
and you begin to think about how all the stars in the sky
are dead. The my body
is talking to your body slow dance. The Unchained Melody,
Stairway to Heaven, power-cord slow dance. All my life
I’ve made mistakes. Small
and cruel. I made my plans.
I never arrived. I ate my food. I drank my wine.
The slow dance doesn’t care. It’s all kindness like children
before they turn four. Like being held in the arms
of my brother. The slow dance of siblings.
Two men in the middle of the room. When I dance with him,
one of my great loves, he is absolutely human,
and when he turns to dip me
or I step on his foot because we are both leading,
I know that one of us will die first and the other will suffer.
The slow dance of what’s to come
and the slow dance of insomnia
pouring across the floor like bath water.
When the woman I’m sleeping with
stands naked in the bathroom,
brushing her teeth, the slow dance of ritual is being spit
into the sink. There is no one to save us
because there is no need to be saved.
I’ve hurt you. I’ve loved you. I’ve mowed
the front yard. When the stranger wearing a shear white dress
covered in a million beads
comes toward me like an over-sexed chandelier suddenly come to life,
I take her hand in mine. I spin her out
and bring her in. This is the almond grove
in the dark slow dance.
It is what we should be doing right now. Scrapping
for joy. The haiku and honey. The orange and orangutan slow dance.
”
”
Matthew Dickman
“
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.”
It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex.
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.”
“You already have,” she pointed out.
“But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?”
She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give.
“You’re not mine,” Arin said.
And kissed her.
Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged.
Speak, they said.
Speak, the kiss answered.
Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night.
It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage.
Kestrel remembered again her promise to Jess.
If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom.
Kestrel pulled away.
Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together.
“My soul is yours,” he said. “You know that it is.”
She lifted a hand, as much to block his face from her sight as to stop those words.
She walked out of the kitchen.
It took all of her pride not to run.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The Big Picture: From Abraham to Armageddon Down through the ages, the sons of Jacob have survived trials, persecution, and thousands of years in exile from their homeland. The Scriptures foretold the dispersion of the Jews and also of their regathering toward the end of the age. After a long absence from a country left in desolation, the Jews have come home to the land that God promised to Abraham: “…a land that has recovered from war, whose people were gathered from many nations to the mountains of Israel, which had long been desolate. They had been brought out from the nations, and now all of them live in safety.” (Ezekiel 38:8). The other branch of Abraham’s family—the sons of Ishmael— are the Islamic Arabs that inhabit the lands surrounding Israel. Ishmael’s descendants epitomize the spirit and temperament that the Bible predicted more than three millennia ago: “…his hand will be against everyone and everyone’s hand against him, and he will live in hostility toward all his brothers” (Genesis 16:12). The Prophet Ezekiel tells us that these same sons of Ishmael will be among the enemies who seek to destroy Israel in the end times: “And thou shalt come up against my people of Israel, as a cloud to cover the land; it shall be in the latter days, and I will bring thee against my land…” (Ezekiel 38:16). The day is soon coming when Ishmael’s descendants will unite as one: “…they receive authority for one hour as kings with the beast.” Their ultimate purpose being the fulfillment of a long-held dream: the annihilation of Israel. Muslims have been taught for centuries that the Last Day will not come until they wage a final war against the Jews and rid the world of them once and for all. They believe that only after this is accomplished will Muslims enjoy a golden age of peace, justice, and worldwide Islamic rule. However, the Bible tells us that God has other plans: Before Israel can be destroyed He is going to intervene, and bring to ruin those who seek her destruction. On that day, multitudes of Jews will realize that Jesus is Messiah, and many Muslims will realize that they have made a fateful mistake. Though most are unaware, we, today, are witnessing the fruition of seeds that were planted nearly four thousand years ago with the birth of Abraham’s sons. God promised Abraham that He would make great nations of both Isaac and Ishmael. To be sure, one would be hard pressed to argue that He did not. The Jewish and Arabic peoples have had an immeasurable impact on the world and can now be found at center stage in the arena of world politics and conflict. Thus, the history of mankind will reach its pinnacle, essentially where it began, in a region literally located at the center of the globe; more specifically, Israel and the nations that surround her.
”
”
T.W. Tramm (From Abraham to Armageddon: The Convergence of Current Events, Bible Prophecy, and Islam)
“
Five minutes later he was out of there. About thirty seconds to do the job, and three minutes thirty to cover his tracks. He could have done anything he liked in the virtual structure, more or less. He could have transferred ownership of the entire organization into his own name, but he doubted if that would have gone unnoticed. He didn’t want it anyway. It would have meant responsibility, working late nights at the office, not to mention massive and time-consuming fraud investigations and a fair amount of time in jail. He wanted something that nobody other than the computer would notice: that was the bit that took thirty seconds. The thing that took three minutes thirty was programming the computer not to notice that it had noticed anything. It had to want not to know about what Ford was up to, and then he could safely leave the computer to rationalize its own defenses against the information’s ever emerging. It was a programming technique that had been reverse-engineered from the sort of psychotic mental blocks that otherwise perfectly normal people had been observed invariably to develop when elected to high political office. The other minute was spent discovering that the computer system already had a mental block. A big one. He would never have discovered it if he hadn’t been busy engineering a mental block himself. He came across a whole slew of smooth and plausible denial procedures and diversionary subroutines exactly where he had been planning to install his own. The computer denied all knowledge of them, of course, then blankly refused to accept that there was anything even to deny knowledge of and was generally so convincing that even Ford almost found himself thinking he must have made a mistake. He was impressed. He was so impressed, in fact, that he didn’t bother to install his own mental block procedures, he just set up calls to the ones that were already there, which then called themselves when questioned, and so on. He quickly set about debugging the little bits of code he had installed himself, only to discover they weren’t there. Cursing, he searched all over for them, but could find no trace of them at all. He was just about to start installing them all over again when he realized that the reason he couldn’t find them was that they were working already. He grinned with satisfaction. He tried to discover what the computer’s other mental block was all about, but it seemed, not unnaturally, to have a mental block about it. He could no longer find any trace of it at all, in fact; it was that good. He wondered if he had been imagining it. He wondered if he had been imagining that it was something to do with something in the building, and something to do with the number thirteen. He ran a few tests. Yes, he had obviously been imagining it.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
Come on, lovey, open up. These buckets is heavy.”
The plea accompanied another tapping.
“Patience, Molly.” Christopher paused for a brief moment, gathering the towel about him again. Then his muscles flexed, and if she had found the breath, Erienne would have shrieked as he lifted her and dumped her onto the bed. She half raised with her mouth open to hotly voice her objection to whatever he had in mind, but he flung the bedcovers over her head, squelching comment. “Lie still.” His whisper bore a tone of command that could prompt immediate obedience from even the most reluctant. Erienne froze, and with a smile Christopher reached across to turn down the other side of the bed to make it seem as if he had just left it. Frantic visions involving her possible fate flew through Erienne’s mind. She considered the horrible humiliation she would suffer if she were discovered in the man’s bed. Her fears burgeoned, her rage peaked, and she threw back the covers, intending to escape the trap he laid for her.
In the next brief second she caught her breath sharply and snatched the covers back over her head again, for the sight of him standing stark naked beside the chair where his clothes were draped was too much for her virgin eyes to bear. It had been no more than a glimpse, but the vision of his tall, tanned, wide-shouldered form bathed in the pinkish light of the rising sun was forever branded in her brain.
Christopher chuckled softly as Erienne curled into the bed and finally obeyed his warning. He slipped on his breeches, secured them, and moved across the room to unlock the door. Molly knew her trade and her competition, and the village of Mawbry suited her well, since there was an absolute lack of the latter. When Christopher opened the portal, she was through it in a trice and shrugging out of the yoke that bore the pails. Pressing herself tightly against the male form, she rubbed her fingers through the hair on his chest and fluttered her lashes. “Oh, lovey, ye are a wondrous sight for any girl to behold.”
“I’ve already told you, Molly. I have no need of yer services,” Christopher stated bluntly.
“I only want the water.”
“Ah, come now, lovey,” she crooned. “I knows ye’ve been away ter sea and needs a li’l tussle in bed. Why, with such a man as yerself, I’d be more’n willin’ ter give ye all ye need without a hint o’ a coin.”
Christopher swept his hand toward the mentioned furnishing, drawing the maid’s eyes to it. “I already have all I desire. Now be along with you.” Molly’s dark eyes widened in surprise as she turned to stare at the bed. Unable to mistake the curvaceous form hidden beneath the quilt, she straightened indignantly and with a swish of her skirts was gone from the room, slamming the door behind her. Erienne waited, not daring to come out from beneath the covering until Christopher tapped her on the shoulder. “ ’Tis safe now. You can come out.”
“Are you dressed?” she asked cautiously, her voice muffled beneath the covers.
Christopher chuckled. “I’ve got my breeches on, if that’s what you’re worried about."
-Molly, Christopher, & Erienne
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage.
“Where were you?”
“Just out.”
“Out where?”
“Down the street.”
Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park.
“Frank, could you rinse the milk bottles before you put them on the stoop?”
“Sorry. I’ll do it now.”
“Too late. I’ve done it already. You know, I can’t do everything.”
“Nobody can.”
“But you can do something, can’t you?”
“Lily, please. I’ll do anything you want.”
“What I want? This place is ours.”
The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.”
The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up
and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
”
”
Toni Morrison (Home)
“
Then he made the mistake of looking into her eyes and froze. Her expression was so open, so full of tenderness and longing as well as heat that he almost balked. This was supposed to be about closure, about having the goodbye they’d never gotten last time. How was he supposed to leave after if she gave herself to him this completely? Her hand came up to cradle the side of his face, her thumb stroking back and forth across his jaw, her touch gentle and loving. “Need you,” she murmured,
It was good. Even better than he remembered. Liam buried his face in the side of her neck and sucked in a breath, struggling to hang on. Being cradled in Honor’s arms, buried to the hilt inside her while she opened her body and heart to him was the most incredible thing in the world. How the f*&^ was he going to walk away later? Without warning his eyes began to sting. As though she sensed how close he was to coming unglued, Honor murmured to him and pressed kisses to the side of his face, her hand urging his head to turn toward her. Liam shook his head, unable to bear that final level of intimacy when he knew this was their last time. Keeping his face in her neck he fought back the swell of emotion and began to move, a slow, shallow rocking motion that was more profound than words could ever be. He loved her. Would always love her, but it wasn’t enough because some things couldn’t be undone and he just couldn’t let her in the way he had before. All they had left was this bittersweet farewell, and he was going to make it memorable. .... A lump settled in his throat and he squeezed his eyes shut, torn between the excruciating pleasure swelling inside him and the need to see her face as he took her this last time. In the end, his heart won out. Powerless to stop himself, he lifted his head and looked down at her. Anguish sliced through his chest when he saw the tears glistening in her beautiful eyes. Don’t. Don’t cry. Shit, he didn’t want either of them to hurt anymore. He was sick of hurting. That’s why he was ending it all tonight. With a low sound of regret he covered her mouth with his, his tongue sliding against hers as he took her. Honor kissed him back deep and slow...
Cupping her cheek with his free hand he gave her everything he had left to give, allowing his emotional shields to drop for these final moments.
She ran her fingertips up and down his back in a soothing motion, her body limp and pliant beneath his, legs still wrapped around him. And all of a sudden he felt like crying. He felt too much, was in too deep again.
He didn’t know what to say to make this any easier. After what they’d just shared he was more conflicted than ever about what to do.
“I’ll miss you,” she murmured, and he caught the slight catch in her voice. Ah, fu&%. He gritted his teeth. It would be so much easier if they could just hate each other. For a moment he considered saying something to make her do exactly that, but couldn’t. Even he wasn’t enough of an a**hole to end things that way. And that look on her face… Against his better judgment, Liam sat back down on the edge of the bed and pulled her into his arms. Honor went willingly into his embrace, pressing her face to his chest as she hugged him tight in return.
“I’ll miss you too.”
Dammit, he should never have come here tonight. “I wish it could be different, but I just… I can’t do this anymore.” I’ll always love you but I can’t afford to let you back in again. “I’m sorry.
”
”
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
“
Don't waste energy trying to cover up failure. Learn from your failures and go on to the next challenge. It's okay to fail. If you're not failing, you're not growing. —H. STANLEY JUDD
”
”
John C. Maxwell (Failing Forward: Turning Mistakes into Stepping Stones for Success)
“
He slipped off her clothes and covered her eyes with one hand, a blindfold of naivete she wore willingly, relishing his embrace like an idiot inmate who mistakes a straitjacket for a snuggie.
”
”
Angela Panayotopulos (The Wake Up)
“
Weak leaders are the ones who extend the benefits of the Circle of Safety only to their fellow senior executives and a chosen few others. They look out for each other, but they do not offer the same considerations to those outside their “inner circle.” Without the protection of our leaders, everyone outside the inner circle is forced to work alone or in small tribes to protect and advance their own interests. And in so doing, silos form, politics entrench, mistakes are covered up instead of exposed, the spread of information slows and unease soon replaces any sense of cooperation and security.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
They may hurt you more than times just to cover up their own mistakes but the Lord will lift you up in His time. You don't need to prove yourself - You have the Lord and IT'S MORE THAN ENOUGH.
”
”
Jennifer Aquillo
“
What happens when you’re intimidated? Run to the nearest corner and hide, do you?”
“I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.”
Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly.
Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Her desperate gaze settled upon the battered pianoforte in the corner. “Shall I play something for you?” She stood without waiting for a reply. It was the only alternative to bolting from the room. Out of the periphery of her vision, she saw Winterborne automatically grip the arms of his chair in preparation to rise, before he remembered that he was in a leg cast.
“Yes,” she heard him say. “I’d like that.” He maneuvered the chair a few inches so that he could see her profile as she played.
The pianoforte seemed to offer a small measure of protection as she sat at the keyboard and pushed up the hinged fallboard that covered the keys. Taking a slow, calming breath, Helen arranged her skirts, adjusted her posture, and placed her fingertips on the keys. She launched into a piece she knew by memory: the allegro from Handel’s Piano Suite in F Major. It was full of life and complexity, and challenging enough to force her to think about something besides blushing. Her fingers danced in a blur over the keys, the exuberant pace unfaltering for two and a half minutes. When she finished, she looked at Winterborne, hoping he had liked it.
“You play with great skill,” he said.
“Thank you.”
“Is that your favorite piece?”
“It’s my most difficult,” Helen said, “but not my favorite.”
“What do you play when there’s no one to hear?”
The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen’s stomach to tighten pleasurably.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Pictures are tragic things that turn into pain, sorrow, and anguish in the end. I don't know why people are so desperate to capture tragedy, why they struggle to get at least one picture. People mistake the flash that explodes every time a picture is taken for a blessing. The light is not a blessing, but a splendid method of disguise to cover up the tragedy called a picture. Darkness begins where the light ends.
”
”
Jang Eun-Jin (No One Writes Back)
“
Ironically enough, when we returned to the zoo, the Dr. Dolittle cameo almost came true. We had to transfer a big female crocodile named Toolakea to another enclosure. Steve geared up for the move as he always did.
“Don’t think about catching Toolakea,” he instructed his crew, me included, before we ever got near to the enclosure. “If you’re concentrating on catching her, she’ll know it. We’ll never get a top-jaw rope on. Crocs know when they’re being hunted.”
For millions of years, wild animals have evolved to use every sense to tune into the world around them. Steve understood that their survival depended on it. So as I approached the enclosure, I thought of mowing the lawn, or doing the croc show, or picking hibiscus flowers to feed the lizards. Anything but catching Toolakea.
It went like clockwork. Steve top-jaw-roped Toolakea, and we all jumped her. He decided that since she was only a little more than nine feet long, we would be able to just lift her over the fence and carry her to her other enclosure.
Steve never built his enclosures with gates. He knew that sooner or later, someone could make a mistake and not latch a gate properly. We had to be masters at fence jumping. He picked up Toolakea around her shoulders with her neck held firmly against his upper arm. This would protect his face if she started struggling. The rest of us backed him up and helped to lift Toolakea over the fence.
All of a sudden she exploded, twisting and writhing in everyone’s arms.
“Down, down, down,” Steve shouted. That was our signal to pin the crocodile again before picking her up. Not everyone reacted quickly enough. As Steve moved to the ground, the people on the tail were still standing up. That afforded Toolakea the opportunity to twist her head around and grab hold of Steve’s thigh.
The big female croc sank her teeth deep into his flesh. I never realized it until later. Steve didn’t flinch. He settled the crocodile on the ground, keeping her eyes covered to quiet her down. We lifted her again. This time she cleared the fence easily. I noticed the blood trickling down Steve’s leg.
We got to the other enclosure before I asked what had happened, and he showed me. There were a dozen tears in the fabric of his khaki shorts. A half dozen of Toolakea’s teeth had gotten through to his flesh, putting a number of puncture holes in his upper thigh.
As usual, Steve didn’t bother with the wound. He cleaned it out and carried on, but even after his leg had healed, he couldn’t feel the temperature accurately on his leg. Once, about a month after the incident, I got a drink out of the fridge and rested it on his thigh.
“I can feel something there,” he said.
“Hot or cold?” I quizzed.
“I don’t know,” he said.
The croc-torn khaki shorts he wore that day made an amazing souvenir for a lucky sponsor of the zoo. People who donated a certain amount of money to our conservation efforts received a bonus in return: one of Steve’s uniforms and a photograph of him in it. Steve was very proud to include his khakis with teeth holes in them as the gift for a generous supporter.
”
”
Terri Irwin (Steve & Me)
“
Accountability An executive in service, as I said in the first chapter, must be one who lives for today but cares nothing for tomorrow. If this is so, and he does what he has to do day-to-day, with zeal and thoroughness, so that nothing at all is left undone, he has no reason to feel any reproach or regret. But living in the moment of the day does not mean ignoring future consequences. Troubles arise when people rely on the future and become lazy and indolent and let things slide. They put off quite urgent affairs after a lot of discussion, not to speak of less important ones, in the belief that they will do just as well the next day. They push off this responsibility onto one comrade and blame another for shortcomings. And when trying to get someone to do something for them, if there is no one to assist, they leave it undone, so that before long there is a big accumulation of unfinished jobs. This is a mistake that comes from relying on the future against which one must be very definitely on one’s guard. For instance, some executives are never accountable enough to arrive on time for a meeting. These silly fellows waste time by having a smoke or chatting with their secretaries and colleagues when they ought to be starting, and so leave their office late. They then have to hurry so much that, as they walk or drive, they do not acknowledge with courtesy people they pass. And when they do get to their destination, they are all covered with perspiration and breathing heavily, and then have to make some plausible excuse for their lateness on account of some very urgent business they had to do. When an executive has a meeting, he never ought to be late for any private reason. And if one man takes care to be a little early and then has to wait a bit for a comrade who is late, he should not sit down and yawn, neither should he hurry away when his time is up as though reluctant to be there. For these things do not look at all well either.
”
”
Don Schmincke (The Code of the Executive: Forty-seven Ancient Samurai Principles Essential for Twenty-first Century Leadership Success)
“
Without the protection of our leaders, everyone outside the inner circle is forced to work alone or in small tribes to protect and advance their own interests. And in so doing, silos form, politics entrench, mistakes are covered up instead of exposed, the spread of information slows and unease soon replaces any sense of cooperation and security.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
Uncle Jarrod groaned. “What are you doing here?” “I came to have a word. Good thing I did, too, I see you’re up to your usual tyranny. Do me a favor and get that blade away from her throat.” “Gerda!” the duke barked. “Go home at once! This is not your concern!” “Not my concern, eh?” Miss Gerda approached Uncle Jarrod, her arms folded. “I assure you, what I have to say concerns every one of us. Jarrod, do you not recognize this child?” “Nothing you say is going to spare her. She is arrested for treason.” Miss Gerda watched him. Being much shorter, she had to look up to meet his eyes. Her plain dress and apron looked very drab beside the king, but she regarded him without embarrassment. “You’ve been friendly with the duke a long time, Jarrod. Came an awful lot in your younger days. And you liked me then, remember? Especially that summer when you came for a long stay. You like me… quite often. And I was stupid enough to think it would last.” “Silence, woman, your words are meaningless. Nobody wants to hear this.” A trace of dread lurked behind Uncle Jarrod’s eyes. “That fall, I left the duke’s manor and returned to my home kingdom of Clerlione. I had told the duke my mother was ill, but that wasn’t it. You see, Jarrod, something came of the time you and I spent together.” She raised a hand to the duke and his prisoner. “Briette.” Briette, still pinned against the duke, suffered a jolt so hard it nearly stopped her heart. She could not have moved even if the duke had let her. Uncle Jarrod’s face was pinched with contempt. “Don’t be a fool.” “Think about it, Jarrod. That summer. It was eighteen years ago. Briette is seventeen. Look at her face, you’ll see.” Uncle Jarrod cleared his throat and stared at the floor. He raised a hand and stroked his beard. It seemed a long time before he spoke. “Let the child come here.” The duke lowered his hands. Briette started walking, though she felt separated from herself, as if watching this happen to somebody else. She made the mistake of letting her eyes drift to her sisters. They stared at her with a mixture of wide-eyed horror and pale disbelief. Arialain had covered her face and was shaking. It seemed a very long walk though in truth it was only six or seven paces. Uncle Jarrod gripped her chin and lifted her face. Briette stared into his clear blue eyes and tried not to think. He looked deeply troubled. Shaken. He released her chin. “It is hard to say. There are little things…. But I’m not sure.” “Then you must take my word,” said Miss Gerda. “If she is what you say, then why didn’t you raise her? She came here as an orphan.” Miss Gerda grew somber. “I wasn’t ready to have a child. Without a husband to support me, how could I care for it? I had to work. I left the baby with my sister in Clerlione. She was married but had no children, and was happy to take Briette. I returned to work for the duke and for two years, all was well. And then came the Red Fever plague.” Briette hugged her sides, her eyes shut. This was too much to bear. She wanted Miss Gerda to stop talking. “By the time I reached Clerlione, my sister and her husband were dead. I was frantic, thinking Briette had died too. But I found a neighbor who told me that my sister had given the baby to the king of Runa Realm. I was shocked. And for a while, quite miserable. But in time, I came to be glad of it. As a princess, she would never know poverty or hardship. So I stayed at the duke’s and kept my silence. But occasionally, at a festival or in the market square, I’d see her. And I was proud.” She smiled at Briette. A short silence followed. Then Heidel spoke up. “Let me be quite clear on this. Briette is Uncle Jarrod’s daughter?” “And
”
”
Anita Valle (Briette)
“
Closed loops are often perpetuated by people covering up mistakes. They are also kept in place when people spin their mistakes, rather than confronting them head on. But there is a third way that closed loops are sustained over time: through skewed interpretation.
”
”
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
“
if our first reaction is to assume that the person closest to a mistake has been negligent or malign, then blame will flow freely and the anticipation of blame will cause people to cover up their mistakes. But if our first reaction is to regard error as a learning opportunity, then we will be motivated to investigate what really happened.
”
”
Matthew Syed (Black Box Thinking: Why Some People Never Learn from Their Mistakes - But Some Do)
“
It’s not enough to say, ‘Hey, I did a bad thing and I won’t do it again. It’s important for me to forgive myself.’ Yes, it is important, but the goal is not to use self-compassion as a Band-Aid to cover up the wound rather than take active steps toward its healing. People can go to confession, religiously or publicly, and admit they did a bad thing and they are sorry, but it won’t make a dime’s worth of difference if they don’t get what that bad thing was and get that they are not going to do it again.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
Bud had told us, “Admitting when you are wrong is a sign of confidence. People with brittle egos can never admit when they’re wrong. Confident people are secure enough in themselves to be honest about their mistakes and regrets. They don’t hide, they don’t blame others, and they don’t try to cover it up. They own their mistakes and they’re willing to ask for forgiveness when necessary.
”
”
Darrin Donnelly (The Turnaround: How to Build Life-Changing Confidence (Sports for the Soul Book 6))
“
In the middle of that phase of my life, I suddenly came across Reincarnated as a Dragon Hatchling, a work written by Necoco-sensei published by Earth Star Novel. I confess that I was drawn to the front cover and title and bought it thinking it was a manga. When I cracked it open and all the words inside leaped up at me, my first thought was, “Ack, I bought the wrong thing!” However, I did spend good money on it, mistake or no, so I decided to give it a read.
”
”
Hamuo (Hell Mode: Volume 1)
“
39 SYLVIA Victoria is dressed in a billowy flower-printed dress that I found in her closet. Something tight is out of the question because of her feeding tube and it would not have been flattering with the way she often slumps in the chair. I have a feeling the dress used to be more snug on her, but now it hangs loose on her bony frame. I also spent some time on her hair. I combed it out and put in the oil treatment again, and it looks lush and shiny. I thought about trying to tie it back, but I think it’s most flattering when it’s loose. Now I’m working on her makeup. I put a layer of pink lipstick on her crooked lips, and now I’m doing my best to cover the scar on her left cheek. I don’t think there’s anything I could do to conceal it entirely, but it looks a lot better than when I started. Victoria is allowing me to put on the makeup, but she looks utterly unenthusiastic. I can’t entirely blame her. As much as I chatter about how much fun this will be, I’m not looking forward to it either. Part of me wants to duck out and leave Victoria and Adam to have Thanksgiving alone as a married couple. But the more I read of her diary, I feel like that is not what Victoria wants. She doesn’t want to be alone with him. And I don’t want her to be alone with him either. “There.” I dab on the last of the concealer—I’ve used half the container and the scar is still very visible. “All done.” Victoria just stares at me. “You look beautiful.” I grab the mirror I found in the bathroom and hold it up to her face. “Take a look.” Victoria glances briefly at the mirror, then turns away. She never seems very happy when I show her a mirror. She either looks away or frowns at herself. Sometimes she touches the scar. I wish Adam had shelled out for her to get plastic surgery. I know he thinks she doesn’t notice, but he’s wrong. “I just…” I chew on my lip. “I want you to know that I’m not going to… I mean, Adam is your husband, not mine. I’m going to tell him tonight that I’m not going to…” For the first time since I came in here, Victoria’s eyes show a spark of interest. “It’s not right,” I say. “It was a mistake and I’m sorry. I’ll tell him tonight.” “Be…” She’s focusing so hard on what she wants to say that some drool comes out of the right side of her mouth, smearing her lipstick. “Be… care…” For once, I know exactly what she’s trying to say. Be careful. I leave Victoria to find some nail polish in the bathroom. That’s the last thing I need to complete her look for the evening. I want Victoria to look really beautiful tonight. Like her old self, as much as possible. It’s important to me. Maggie must have moved the nail polish when she was cleaning. I look in the usual place in the closet within the bathroom, but it’s not there anymore. I search through the other shelves, trying to find the bag of multicolor nail polish tubes. I find more makeup, but not polish. But one thing I do find surprises me. It’s a black bag of medications. I never was sure where Adam kept Victoria’s medications. He always just seems to have them ready to administer. I pick up a bottle from the black plastic bag and see the date of the most recent refill. It was less than a month ago.
”
”
Freida McFadden (The Wife Upstairs)
“
Didn’t she remember when she’d come back to tell them that they’d accidentally given her three pastries instead of two? She went back to the bakery and tried to pay for the third one after she’d realized what had happened, but he’d just barked “Never mind!” at her and turned away. He’d made mistakes like that a bunch more times, but she never bothered to tell him anymore, even though she sort of worried that his bakery must be losing a ton of money if he was messing up that much.
”
”
Jasmine Guillory (Drop, Cover, and Hold On (The Improbable Meet-Cute, #4))
“
hair-trigger mistake or misinterpretation between two nuclear powers that could lead to an immediate, irreversible nuclear confrontation. If such “slippage” occurred now, leaders could, in a matter of minutes, incite events that would wipe out all life on earth.
”
”
Lesley M.M. Blume (Fallout: The Hiroshima Cover-up and the Reporter Who Revealed It to the World)
“
When the consequences of reporting failure are too severe, employees avoid acknowledging mistakes altogether. But when a work environment feels psychologically safe and mistakes are viewed as a natural part of the learning process, employees are less prone to covering them up. The fascinating implication is that fearful teams avoid examining the causes of their blunders, making it all the more likely that their mistakes will be repeated again in the future.
”
”
Ron Friedman (The Best Place to Work: The Art and Science of Creating an Extraordinary Workplace)