Coupling Sally Quotes

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It was a relationship, and also not a relationship. Each of our gestures felt spontaneous, and if from the outside we resembled a couple, that was an interesting coincidence for us. We developed a joke about it, which was meaningless to everyone including ourselves: what is a friend? we would say humorously. What is a conversation?
Sally Rooney (Conversations with Friends)
Suiffy, have you ever felt a sort of strange emptiness in the heart? A sort of aching void of the soul?' 'Oh, rather!' 'What do you do about it?' 'I generally take a couple of cocktails.
P.G. Wodehouse (Doctor Sally)
Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me. After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.
Sally Rooney (Beautiful World, Where Are You)
Squiffy, have you ever felt a sort of strange emptiness in the heart? A sort of aching void of the soul?' 'Oh, rather!' 'What do you do about it?' 'I generally take a couple of cocktails.
P.G. Wodehouse (Doctor Sally)
At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape. So a mother’s relationship with her daughter is poured into a vessel marked ‘mother and child’, and the relationship takes the contours of its container and is held inside there, for better or worse. Maybe some unhappy friends would have been perfectly contented as sisters, or married couples as parents and children, who knows. But what would it be like to form a relationship with no preordained shape of any kind? Just to pour the water out and let it fall. I suppose it would take no shape, and run off in all directions.
Sally Rooney (Beautiful World, Where Are You)
Didn't you just turn eighteen, Jen?" Vasile asked her. Jen looked a little confused at his choice of response. "Umm, yes. I believe that loud racket you heard a couple of weeks ago was Sally and Jacque's idea of a birthday party. What does that have to do with me leaving?" "If you are eighteen, Jen, you are an adult. I can't make you stay here. If you want to leave, if you really think that is the best thing for you, then you can go. I will allow you to use the pack plane to get back to the U.S. if that is truly what you want," Vasile explained. Jen cocked her head to the side, eyes narrowed at the Alpha sitting calmly in front of her. "Just like that? No trying to convince me to stay, or telling me not to give up, or yada yada yada bull crap?" "No 'yada yada yada bull crap'," he agreed. "Huh, okay then.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Actually I am pretty pregnant with the news Sid brought me, but glad we have not spread it. The girls look very happy. With their heads bound up in babushkas they might be out of the peasant chorus of a Russian opera. Any minute now we will sing and dance to the balalaika. Charity is tall and striking; Sally smaller, darker, quieter. One dazzles, the other warms. In a couple of hours I will need sympathy, but for now I like being washed by the wind.
Wallace Stegner (Crossing to Safety)
Jasper frowned at the name. "Like, a meet-cute?" "At the end," I supplied. "It's when Darcy tells Elizabeth he loves her most ardently, when Mark brings Bridget a new diary, when Harry tells Sally he loves her, when Will buys Junie the inn." I smiled up at the name, putting my hands on my hips. "The grand romantic gesture." So, obviously, we named the bookshop the Grand Romantic.
Ashley Poston (A Novel Love Story)
Knowing that a particle can occupy two different states at the same time—a state known as superposition—and, two particles, such as two particles of light, or photons, can become entangled, means that there is a unique, coupled state in which an action, like a measurement, upon one particle immediately causes a correlated change in the other. If there is a better word to describe my relationship with Fanio than entangled, I have yet to hear it. Even when the two entangled particles—or people—are separated by a great distance (and I mean emotional or physical distance, such as mine with Epifanio, or like being at opposite ends of the universe), their movements or actions affect each other. Yet, before any measurements or other assessments occur, the actual "spin states" of either of the two particles are uncertain and even unknowable.
Sally Ember
When I let him in we looked at one another for a couple of seconds and it felt like drinking cold water.
Sally Rooney (Conversations with Friends)
It was a relationship, and also not a relationship. Each of our gestures felt spontaneous, and if from the outside we resembled a couple, that was an interesting coincidence for us.
Sally Rooney (Conversations with Friends)
Quincy and Jake seem to be content to spend an enormous amount of time along together, which I count as romantic, but might simply be because they don't have a child: the Blues versus the world.
Sally Koslow (With Friends Like These)
At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape. So a mother’s relationship with her daughter is poured into a vessel marked ‘mother and child’, and the relationship takes the contours of its container and is held inside there, for better or worse. Maybe some unhappy friends would have been perfectly contented as sisters, or married couples as parents and children, who knows. But what would it be like to form a relationship with no preordained shape of any kind? Just to pour the water out and let it fall. I suppose it would take no shape, and run off in all directions. That’s a little like myself and Felix, I think. There is no obvious path forward by which any relation between us can proceed. I don’t believe he would describe me as a friend, because he has friends, and the way he relates to them is different from the way he relates to me.
Sally Rooney (Beautiful World, Where Are You)
At time I think of human relationships as something soft like sand or water, and by pouring them into particular vessels, we give them shape. So a mother's relationship with her daughter is poured into a vessel marked 'mother and child', and the relationship takes the contours of its container and is held inside there, for better or worse. Maybe some unhappy friends would have been perfectly contented as sisters, or married couples, as parents and children, who knows. But what would it be like to form a relationship with no preordained shape of any kind? Just to pour the water out and let it fall. I suppose it would take no shape, and run off in all directions.
Sally Rooney (Beautiful World, Where Are You)
Was I really like that once? A person capable of dropping down into the most fleeting of impressions, and dilating them somehow, dwelling inside them, and finding riches and beauty there. Apparently I was – ‘for a couple of hours, but I am not that person’. I wonder whether the book itself, the process of writing the book, caused me to live that way, or whether I wrote because I wanted to record that kind of experience as it was happening.
Sally Rooney (Beautiful World, Where Are You)
We never fight. It's true. They bicker, they sulk, but they never explode, never shout or weep, never break a dish. It has always seemed that they haven't fought yet; that they're still too new for all out war; that whole unexplored continents lie ahead once they've worked their way through their initial negotiations and feel sufficiently certain in each other's company to really let loose. What could she have been thinking? She and Sally will soon celebrate their eighteenth anniversary together. They are a couple that never fights
Michael Cunningham (The Hours)
At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape. So a mother's relationship with her daughter is poured into a vessel marked 'mother and child,' and the relationship takes the contours of its container and is held inside there, for better or worse. Maybe some unhappy friends would have been perfectly contented as sisters, or married couples as parents and children, who knows. But what would it be like to form a relationship with no preordained shape of any kind? Just to pour the water out and let it fall.
Sally Rooney (Beautiful World, Where Are You)
I have difficulty in recognizing those hopeful innocents as ourselves. What justification did Sally have for her faith in me? What justification did I have for faith in myself? Why did all those Ellises and Langs, down to the remotest cousin, take us at our declared value—or more accurately, at the value that Sid and Charity declared for us? I suppose I know. To them we were no very special phenomenon—a young couple on their way up, just starting out. That family expected young people to be reasonably attractive socially, and gifted in some way. They had bred so many kinds of competence and so many examples of distinction that mediocrity would have surprised them more than accomplishment did. And they rather liked the fact that like Lyle Lister we came from nowhere. We corroborated some transcendental faith of theirs that the oversoul roof leaked on all alike.
Wallace Stegner (Crossing to Safety)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
She hit a new low in mid-July when she took up with Dodi Fayed, the son of Egyptian tycoon Mohamed Fayed, who had been repeatedly denied British citizenship by the U.K. government. Mohamed Fayed had befriended Diana as a generous benefactor of several of her charities. He appealed to her, according to Andrew Neil, a sometime consultant for Fayed, “by cultivating the idea that both were outsiders and had the same enemies.” Diana met Dodi while she and her sons were staying at the ten-acre Fayed estate in Saint-Tropez. At age forty-two, Dodi was a classic case of arrested development: spoiled, ill-educated, unemployed, rootless, and irresponsible, with a taste for cocaine and fast cars. He showered Diana with extravagant gifts, including an $11,000 gold Cartier Panther watch, and sybaritic trips on his father’s plane and yachts. From the moment the story of their romance broke on August 7, the tabloids covered the couple’s every move with suggestive photographs and lurid prose. William and Harry, who were at Balmoral with their father, mistrusted Dodi, and they were embarrassed by their mother’s exhibitionistic behavior.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
She had to admit, the lifestyle of being coupled and childless was hard to beat. They were slaves to nothing and no one.
Sally Hepworth (The Younger Wife)
I know the adolescent phenomenon of staring wistfully out of a rainy car window and pretending you're in an Avril Lavigne music video doesn't belong exclusively to lesbians, but I'm talking about the collective energy of this experience. Lesbians are the energy of staring wistfully out of a rainy car window and pretending you're in an Avril Lavigne music video, personified. And that's because yearning is an inherent part of the queer female experience. And I'm not talking about, like, the 2018 awards cycle, when Bradley Cooper and Lady Gaga essentially performed yearning to sell their movie. I'm also not talking about Sally Rooney's Normal People, which is about a heterosexual couple who, for reasons unbeknownst, cannot be together because one plays football and the other one... reads books? Straight people, someone needs to tell you this once and for all. You are allowed to be together. You have always been allowed to be together. Romeo and Juliet is essentially hetero fanfic about what it's like to be gay. Your parents hate each other-who cares! For people who experience same-sex attraction, sometimes yearning is all we have. For me, yearning used to be everything-so much so that it damaged the relationships in my adult life. But before I had yearning, I existed in the Thirst Vacuum-a space that was so dark, so desolate, I couldn't yearn for anyone at all.
Jill Gutowitz (Girls Can Kiss Now: Essays)
The most important piece of equipment in any kitchen,” said Francis Pottenger Jr., MD, “is the stockpot.” Dr. Pottenger was the author of a seminal article describing how gelatin-rich broth helps digestion. He recommended the stockpot as a gift for couples getting married.
Sally Fallon Morell (Nourishing Broth: An Old-Fashioned Remedy for the Modern World)
The thing about marriage a lot of people don’t understand is that you don’t get everything. Some people get passion, others get security. Some get companionship. Children. Money. Wisdom. Status. Then there is trust and fidelity. They’re the two you hear most about. In general, couples will cite trust or fidelity as their nonnegotiable. In a lot of cases, a partner will offer one in exchange for the other. But Gabe and I have always agreed on our nonnegotiable. Loyalty. Gabe has certainly made me work for that one.
Sally Hepworth (The Soulmate)
What sort of couple could know this about the other and then move on with their lives as if it were inconsequential?
Sally Hepworth (The Soulmate: A Novel (Wheeler Publishing Large Print Hardcover))
[...] the chimps had many empty hours to fill. Time can seem endless and often cruel for caged animals. Nim and Sally did have some diversions in their enclosure: a small television set, rarely watched; a tire swing; a basketball set; and a variety of allegedly indestructible toys. But the chimps mainly passed the time interacting with each other—grooming, cuddling, playing, chasing. When occasional squabbles erupted, their high-pitched screeches could be heard from a distance. Minutes later the couple would make up and hug. Nim was frequently seen signing “sorry” to Sally, who always forgave her close friend. On his own, Nim spent hours flipping through the pages of old magazines, seeming particularly diverted by images of people. The magazines, which Nim tore to shreds, were swept away at the end of each day and replaced by new ones in the morning. But he did manage to keep two children's books intact—no small accomplishment. His prize possessions, they were carefully tucked away in the loft area of his cage. (WER would have appreciated Nim's affection for books.) During the day, Nim brought the books down from the loft and pored over them intently, as if studying for an exam. One was a Sesame Street book with an illustrated section on how to learn ASL. The other was in essence his personal photo album from his New York years, a battered copy of The Story of Nim: The Chimp Who Learned Language, published in 1980. In it, dozens of black-and-white photographs of Nim— with Terrace, LaFarge, Petitto, Butler, and a handful of others—tell the story of his childhood (or an idealized version of it) from his infancy to his return to Oklahoma. Nim appears dressed in little-boy clothes, doing household chores, and learning his first signs. The book ends with a photo of Nim and Mac playing together, cage-free, in Oklahoma. The accompanying text explains that Nim is a chimpanzee, not a human, which was why he had been sent back to IPS.
Elizabeth Hess (Nim Chimpsky: The Chimp Who Would Be Human)
sides I could see junk, but not much more. She opened it and took out a comb, a Lipsalve, a couple of pens, some bits of paper, and then she stopped. Something about the way she did it made me stop and
Blake Banner (Mustang Sally (Dead Cold Mystery #20))
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Sally Mikhail Bemis
families with young children. One grandmother. An older couple,
Sally Hepworth (The Family Next Door)
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
I want someone who believes in me like the couple in Legally Blonde . Who's my best friend, like they were in When Harry Met Sally . Who would give me the raft in Titanic, except I wouldn't let them. We would both find a way to fit on that tiny door because they totally could have. I want my heart to race when I see their message like in you got mail basically Em all your movies were in me because now I need the spark
Betty Cayouette
All you have to do is cut out bread and wine for a couple of weeks.” As if. Bread and wine were essential. Jesus told me so.
Sally Kilpatrick (Nobody's Perfect)
The thing about marriage a lot of people don’t understand is that you don’t get everything. Some people get passion, others get security. Some get companionship. Children. Money. Wisdom. Status. Then there is trust and fidelity. They’re the two you hear most about. In general, couples will cite trust or fidelity as their nonnegotiable. In a lot of cases, a partner will offer one in exchange for the other.
Sally Hepworth (The Soulmate)
A couple of nights ago, I was getting a taxi home on my own after a book launch. The streets were quiet and dark, and the air was oddly warm and still, and on the quays the office buildings were all lit up inside, and empty, and underneath everything, beneath the surface of everything, I bagan to feel it all over again - the nearness, the possibility of beauty, like a light radiating softly from behind the visible world, illuminating everything. As soon as I realized what I was feeling, I tried to move toward it in my thoughts, to reach out and handle it, but it only cooled a little or shrank away from me, or slipped off further ahead. The lights in the epty offices had reminded me of something, and I had been thinking about you, trying to imagine your house, I think, and I remembered I'd had an email from you, and at the same time I was thinking of Simon, of the mystery of him, and somehow as I looked out the taxi window, I started to think about his physical presence in the city, that somewhere inside the city's structure, standing or sitting, holding his arms one way or another, dressed or undressed, he was present, and Dublin was like an advent calendar concealing him behind one of its million windows, and the quality of the air was instilled, the temperature was instilled, with his presence, and with your email, and with this message I was writing back to you in my head even then. The world seemed capable of including these things, and my eyes were capable, my brain was capable, of receiving and understanding them. I was tired, it was late, I was sitting half-asleep in the back of a taxi, remembering strangely that wherever I go, you are with me, and so is her, and that as long as you both live the world will be beautiful to me.
Sally Rooney (Beautiful World, Where Are You)