Fur Mama Quotes

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Justin's small form was very still with excitement, his attention riveted on the black feline. "Look, Mama!" Phoebe glanced at Mr. Ravenel. "Is she feral?" "No, but she's undomesticated. We keep a few barn cats to reduce the rodent and insect population." "Can I pet her?" Justin asked. "You could try," Mr. Ravenel said, "but she won't come close enough. Barn cats prefer to keep their distance from people." His brows lifted as the small black cat made her way to Sebastian and curled around his leg, arching and purring. "With the apparent exception of dukes. My God, she's a snob." Sebastian lowered to his haunches. "Come here, Justin," he murmured, gently kneading the cat along its spine to the base of its tail. The child approached with his small hand outstretched. "Softly," Sebastian cautioned. "Smooth her fur the same way it grows." Justin stroked the cat carefully, his eyes growing round as her purring grew even louder. "How does she make that sound?" "No one has yet found a satisfactory explanation," Sebastian replied. "Personally, I hope they never do." "Why, Gramps?" Sebastian smiled into the small face so close to his. "Sometimes the mystery is more delightful than the answer.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
(It’s a doozy! I could listen to it all day long.) Nikki Lane—“Gone, Gone, Gone,” “Coming Home to You” Patterson Hood—“Belvedere,” “Back of a Bible” Ryan Bingham—“Guess Who’s Knocking” American Aquarium—“Casualties” Devil Doll—“The Things You Make Me Do” American Aquarium—“I’m Not Going to the Bar” Hank Williams Jr.—“Family Tradition” David Allan Coe—“Mama Tried” John Paul Keith—“She’ll Dance to Anything” Carl Perkins—“Honey, Don’t” Scott H. Biram—“Lost Case of Being Found” The Cramps—“The Way I Walk” The Reverend Horton Heat—“Jimbo Song” Justin Townes Earle—“Baby’s Got a Bad Idea” Old Crow Medicine Show—“Wagon Wheel,” “Hard to Love” Dirty River Boys—“My Son” JD McPherson—“Wolf Teeth” Empress of Fur—“Mad Mad Bad Bad Mama” Dwight Yoakam—“Little Sister” The Meteors—“Psycho for Your Love” Hayes Carll—“Love Don’t Let Me Down” HorrorPops—“Dotted with Hearts” Buddy Holly—“Because I Love You” Chris Isaak—“Baby Did a Bad Bad Thing” Jason Isbell—“The Devil Is My Running Mate” Lindi Ortega—“When All the Stars Align” Three Bad Jacks—“Scars” Kasey Anderson and the Honkies—“My Blues, My Love
Jay Crownover (Rowdy (Marked Men, #5))
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
I then asked him why he thought his character put on the make-up. After I asked this, he looked at the floor for such a long time that I started to think that he might have pooed in his pants and was trying to formulate an escape plan. But then he looked up at me and said, ‘Because he loves his mother and wants to be like her.’ I excused myself, locked myself in Mama’s closet, and cried all over her furs and embroidered textiles. All I could think was: None of this was my fault.
Amrou Al-Kadhi (Life as a Unicorn: A Journey from Shame to Pride and Everything in Between)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.
Caroline B. Cooney (The Ransom of Mercy Carter)
a tea shop in Oxford, Freddie told Tessa about it. ‘If you’re in the Fifth and Sixth, you’re allowed to skate for half an hour before prep. And an hour at weekends.’ ‘Do you remember,’ said Tessa, ‘when we were living in Geneva, and we used to go skating on the lake?’ ‘Mama used to watch,’ said Freddie. ‘She used to sit in the café, drinking hot chocolate.’ They often talked about their mother; had decided to, mutually and silently, three years ago, the spring after they had left Italy, after they had been told that she had died during an acute asthmatic attack. That was how you kept someone alive. ‘We were staying in that funny little pension,’ said Freddie. ‘What was the landlady’s name? Madame . . . Madame . . .’ ‘Madame Depaul.’Tessa smiled. ‘We had toasted cheese for supper every night. Madame Depaul thought that was what English people liked to eat. In the morning, after breakfast, Mama used to put on her fur coat and we’d all go down to the lake.’ Tessa had inherited her mother’s fur coat. When it had first arrived from Italy, Christina’s scent had lingered. Tessa had put on the coat and closed her eyes and breathed in Mitsouko and had cried, her
Judith Lennox (Catching the Tide)
— Bună seara, mamă Mărie!... — Bună seara, Avendreo. Ne furaşi cîrlanul!... — Eu?... — Cine altcineva!... — Mamă Mărie, să fie al dracului – din creştet pînă-n cer şi din tălpi pînă-n pămînt – cine v-a furat cîrlanul... A început să rîdă mama, a rîs şi Avendrea. — Cel puţin de acum înainte să nu ne mai furi vitele... — N-o să vi le mai fur. E mare satul.
Zaharia Stancu (پابرهنه‌ها)
mother was under virtual sentence of death, and Vicky flew to the bedside and knelt beside her. ‘Oh, Mama,’ she whispered, stricken with guilt. ‘I should have been here.’ Juba heated rounded river stones in the open fire and wrapped them in blankets. They packed them around Robyn’s body, and then covered her with four karosses of wild fur. She fought weakly to throw off the covers, but Mungo held her down. Despite the internal heat of the fever and the external temperature of the hot stones trapped under the furs, her skin was burning dry and her eyes had the flat blind glitter of water-worn rock crystal. Then as the sun touched the tree-tops and the light in the room turned to sombre orange, the fever broke and oozed from the pores of her marble pale skin like the juice of crushed sugar cane from the press. The sweat came up in fat shining beads across her forehead and chin, each drop joining with the others until they ran in thick oily snakes back into her hair, soaking it as though she had been held under water. It ran into her eyes, faster than Mungo could wipe it away. It poured down her neck and wetted and matted the fur of the kaross. It soaked through the thin mattress and pattered like rain on the hard dry floor below. The temperature of her body plunged dramatically, and when the sweat had passed, Juba and the twins sponged her naked body. She had dehydrated and wasted, so that the rack of her ribs stood out starkly, and her pelvis formed a bony hollowed basin. They handled her with exaggerated care, for any rough movement might rupture the delicate damaged walls of the renal blood vessels and bring on the torrential haemorrhage which so often ended this disease. When
Wilbur Smith (The Angels Weep (The Ballantyne Novels, #3))
Corinne La Mer’s heart beat like wild drums as she ran through the forest. Her bare feet stumbled over the dead leaves and protruding roots of the forest floor. She strained her eyes in the dappled sunlight to keep track of the small, furry agouti that scampered away from her. Occasionally, light glinted off the smooth rock tied to the animal’s hind leg. It called to Corinne like a beacon. When she got close enough, she pounced on the ’gouti and missed, grabbing only a handful of dirt. Corinne grunted and threw the dirt aside. The animal ran beneath a bush and Corinne squeezed down to the damp earth to crawl after it. Her skirt got caught on branches, but she ripped it away, determined to reach the animal. On the other side, the creature cowered against a rock and the roots of a large tree. In her eleven years of life, Corinne had learned that with nowhere to run, a wild animal might try to attack. She hung back. “I’m not going to hurt you,” she said in her calmest voice. She eased closer. “I just need that thing on your leg. You’ll be able to run much faster without it, and I won’t be chasing you . . . so . . .” She moved with care toward the ’gouti and gently untied the silk cord. The animal’s coarse fur shivered and its pulse beat as fast as her own. Corinne closed her fist firmly around the stone pendant and crawled back out of the bush. She rubbed the stone with her thumb. Over years of constant handling, she had worn a smooth groove that fit her finger perfectly. The pendant had been her mama’s, and when she put her thumb into the little hollow, she imagined her mama’s hand around her own. Corinne breathed a sigh of relief now that it was back in her possession, but her relief did not last long. She didn’t know this part of the forest. And it was darker here. The branches of the mahogany trees were so thick that barely any light came through. It even smelled different, of wood and wet earth, while Corinne was used to the smell of the sea. She had no idea which way was out. Somewhere between the leaves, Corinne thought she saw a pair of lights shining. They were close together, like eyes. Her skin prickled, but then the lights disappeared and Corinne tried to shake off her fear. The little bit of light must have been reflecting on something. Don’t be silly, she scolded herself.
Tracey Baptiste (The Jumbies (The Jumbies #1))