Cottage In The Woods Quotes

I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.

Relationships are never static. They have to evolve over time as the individuals in them change.

Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.

It’s never a nice cottage in the woods. If I ever find a witch with a house made of sweets, I’ll give her a hug.

A palace cannot make you rich but a cottage in the woods can! We become rich only through simpleness and modestness!

A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.

In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.

You see, the thing about dreams is that it’s never really too late to make them come true.

Summertime, oh, summertime, pattern of life indelible, the fade-proof lake, the woods unshatterable, the pasture with the sweetfern and the juniper forever and ever . . . the cottages with their innocent and tranquil design, their tiny docks with the flagpole and the American flag floating against the white clouds in the blue sky, the little paths over the roots of the trees leading from camp to camp. This was the American family at play, escaping the city heat.

I had a dream that I saw God walking across Harrison on the far side of the lake, a God so gigantic that above the waist He was lost in a clear blue sky. In the dream I could hear the rending crack and splinter of breaking trees as God stamped the woods into the shape of His footsteps. He was circling the lake, coming toward the Bridgton side, toward us, and all the houses and cottages and summer places were bursting into purple-white flame like lightning, and soon the smoke covered everything. The smoke covered everything like a mist.

This is nothing. And you are nothing. She took another step, and stumbled. The ground was plummeting downward now. You are nothing. There was a starving girl. You gave her things and then left her like a beggar on the street, and for what? There was a couple in the cottage. You could have given them something, but you left. And for what? There was a dancing girl in the marketplace. You could have helped her, but you left. And for what? There was a boy and his bird sister. He helped you, and you gave him nothing. There was a swanskin, and you thought it might make you beautiful. There were red shoes, and you thought they might make you graceful. There was a threshold and a magical woods, and you thought they might make you a hero. There was a boy, and he was your best friend. Your father left you. You left your mother. Come, the wind said, and I will blow you away. Come, the snow said, and I will bury you. Come, the cold said, and I will embrace you. Come. Come. And so she did.

She says I ought to throw out at least two books for every one I buy. I had new bookshelves put up in the cottage after moving in, but already the to-be-read pile is mounting on to floor of the spare room.

And Miss Potter? Well, having believed in fairies when she was a child and continuing to believe in the creative power of the imagination, she was not at all bothered by the possibility that she and the children might see something they didn't understand.

drive through the village square, taking in the market cross, the pretty church, the corner shop, a café and the one boutique selling trinkets, cards and slouchy expensive clothes. All walkable from the cottage and in a dip, surrounded by the woods and the thick oak trees that stretch up to the sky.

Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.

Why is my mother texting me about how hot you are?" "Weird. Think it has anything to do with the fact I just went to the bookstore in nothing but a patent leather trench coat?" Charlie replies with a screenshot of some texts between him and his mom. "Cottage guest is very pretty", Sally writes, then separately, "No ring." Charlie replied: "Oh? Thinking of leaving Dad?" She ignored his comment and instead said, "Tall. You always liked tall girls." "What are you talking about" Charlie wrote back, no question mark. "Remember your homecoming date? Lilac Walter-Hixton? She was practically a giant" "That was the eighth-grade formal" he said "it was before my growth spurt." "Well this girl's very pretty and tall but not too tall." "Tall but not TOO tall," I tell Charlie, "can also be added to my headstone. He says "I'll make a note." I say, "She told me you would bring wood over to the cottage for me." He says "Please swear to me you didn't make a 'too late for that' joke.

I don’t care what flaws any of you might have. My job is to advise you if you want to hear it, listen when you need to talk, but most of all to love you, no matter what.

Somehow the words in her head have freed themselves from the architecture of teeth and tongue pallet

All shall be well, and all shall be well and all manner of thing shall be well,

In a cottage in a wood A little old man at the window stood. Saw a rabbit hopping by knocking at the door. ‘Help me, help me, help me,’ he said. ‘Before the hunter shoots me dead.

I want Sam to witness firsthand the formula behind baking and to experience its safety; I want her to see how it’s helped me become more than just a girl screaming through the woods away from Pine Cottage.

Since I was a small girl, I have lived inside this cottage, shelted by its roof and walls. I have known of people suffering—I have not been blind to them in the way that privilege allows, the way my own husband and now my daughter are blind. It is a statement of fact and not a judgement to say Charlie and Ella’s minds aren’t oriented in that direction; in a way, it absolves them, whereas the unlucky have knocked on the door of my consciousness, they have emerged from the forest and knocked many times over the course of my life, and I have only occasionally allowed them entry. I’ve done more than nothing and much less than I could have. I have laid inside, beneath a quilt on a comfortable couch, in a kind of reverie, and when I heard the unlucky outside my cottage, sometimes I passed them coins or scraps of food, and sometimes I ignored them altogether; if I ignored them, they had no choice but to walk back into the woods, and when they grew weak or got lost or were circled by wolves, I pretended I couldn’t hear them calling my name.

I remembered Ben's words when I also entered that abomination of desolation—the eastern half of the city of labor. In the little cottage in the pine wood, even in the dreariness of winter and under the drag of poverty, there had been beauty—beauty in the white, smooth, glittering enow;

The Reverie of Poor Susan AT the corner of Wood Street, when daylight appears, Hangs a Thrush that sings loud, it has sung for three years: Poor Susan has pass’d by the spot, and has heard In the silence of morning the song of the bird. ’Tis a note of enchantment; what ails her? She sees A mountain ascending, a vision of trees; Bright volumes of vapour through Lothbury glide, And a river flows on through the vale of Cheapside. Green pastures she views in the midst of the dale Down which she so often has tripp’d with her pail; And a single small cottage, a nest like a dove’s, The one only dwelling on earth that she loves. She looks, and her heart is in heaven: but they fade, The mist and the river, the hill and the shade; The stream will not flow, and the hill will not rise, And the colours have all pass’d away from her eyes!

Wherever you set foot—on a street in Manhattan as you dodge traffic; on the soft, freshly turned earth of a Hudson Valley farm; on the kelpy tide line below a Maine cottage; or in the pine woods and palmetto thickets of the Carolina Low Country—do not forget that this was once frontier.

The teaching practice is a success, largely because Mr. Sturridge seems to like me, so much so as to offer me a permanent job there in the autumn term. He tells me that the kids like me too. I’m very flattered and I thank him for the compliment, but ask for some time to consider the offer. That evening I climb up to the top of Clough Head. On the crest of the high ridge I turn back and I can see my life spread out like the valley below me: growing old like Mr. Sturridge, a village teacher, gray-headed and stooped, with worn leather patches on the elbows of my jacket, going home each night to a stone cottage on the hillside with an older Megan standing in the garden, roses in a trellis around the front door, a wood fire in the hearth, my books and my music, idealized, peaceful, devoid of complexity or worry or the vanity of ambition. Whatever is comforting about this image of a possible future, however different it is from the harsh industrial landscape of my childhood, it holds me for no more than a moment and then it is gone. I know the answer I shall give the headmaster, and as the evening draws in I make my way at a brisker pace down the mountain to my digs in the village.

He would never love me because of Rebecca. She was in the house still, as Mrs Danvers had said; she was in that room in the west wing, she was in the library, in the morning-room, in the gallery above the hall. Even in the little flower-room, where her mackintosh still hung. And in the garden, and in the woods, and down in the stone cottage on the beach. Her footsteps sounded in the corridors, her scent lingered on the stairs. The servants obeyed her orders still, the food we ate was the food she liked. Her favourite flowers filled the rooms. Her clothes were in the wardrobes in her room, her

In the house Jake shoved his hands deep in his pockets as he stood at the window watching the women, his expression a mixture of stupefaction and ire. “Gawdamighty,” he breathed, glancing at Ian, who was scowling at the unopened, note in his hand. “The women are chasin’ you clear into Scotland! That’ll stop soon as the news is out that yer betrothed.” Reaching up, he idly scratched his bushy red hair and turned back to the window, peering down the path. The women had vanished from view, and he left the window. Unable to hide a tinge of admiration, he added, “Tell you one thing, that blond gel had spunk, you have to give her that. Cool as can be, she stood there tauntin’ you with your own words and callin’ you a swine. I don’t know a man what would dare to do that!” “She’d dare anything,” Ian said, remembering the young temptress he’d known. When most girls her age were blushing and simpering, Elizabeth Cameron had asked him to dance at their first meeting. That same night she’d defied a group of men in the card room; the next day she’d risked her reputation to meet him in a cottage in the woods-and all that merely to indulge in what she’d described in the greenhouse as a “little weekend dalliance.

Winnie woke early next morning. The sun was only just opening its own eye on the eastern horizon and the cottage was full of silence. But she realized that sometime during the night she had made up her mind: she would not run away today. “Where would I go, anyway?” she asked herself. “There’s nowhere else I really want to be.” But in another part of her head, the dark part where her oldest fears were housed, she knew there was another sort of reason for staying at home: she was afraid to go away alone. It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life--well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors. Still, it was galling, this having to admit she was afraid. And when she remembered the toad, she felt even more disheartened. What if the toad should be out by the fence again today? What if he should laugh at her secretly and think she was a coward? Well, anyway, she could at least slip out, right now, she decided, and go into the wood. To see if she could discover what had really made the music the night before. That would be something, anyway. She did not allow herself to consider the idea that making a difference in the world might require a bolder venture. She merely told herself consolingly, “Of course, while I’m in the wood, if I decide never to come back, well then, that will be that.” She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.

Do you know a Ukraine night? No, you do not know a night in the Ukraine. Gaze your full on it. The moon shines in the midst of the sky; the immeasurable vault of heaven seems to have expanded to infinity; the earth is bathed in silver light; the air is warm, voluptuous, and redolent of innumerable sweet scents. Divine night! Magical night! Motionless, but inspired with divine breath, the forests stand, casting enormous shadows and wrapped in complete darkness. Calmly and placidly sleep the lakes surrounded by dark green thickets. The virginal groves of the hawthorns and cherry-trees stretch their roots timidly into the cool water; only now and then their leaves rustle slumber; but there is a mysterious breath upon the heights. One falls into a weird and unearthly mood, and silvery apparitions rise from the depths. Divine night! Magical night! Suddenly the woods, lakes, and steppes become alive. The nightingales of the Ukraine are singing, and it seems as though the moon itself were listening to their song. The village sleeps as though under a magic spell; the cottages shine in the moonlight against the darkness of the woods behind them. The songs grow silent, and all is still. Only here and there is a glimmer of light in some small window. Some families, sitting up late, are finishing their supper at the threshholds of their houses.

There was something strangely naked about it...and after a second I realized why. It wasn't just the lack of clutter and the minimalist décor...but the fact that there wasn't a single book in the whole place. It didn't even feel like a holiday cottage - every place I've ever stayed in has had a shelf of curling Dan Browns and Agatha Christies. It felt more like a show home.

I roved o'er many a hill and many a dale With this my weary load, in heat and cold, Through many a wood, and many an open ground, In sunshine or in shade, in wet or fair, Now blithe, now drooping, as it might befal, My best companions now the driving winds And now the trotting brooks and whispering trees And now the music of my own sad steps, With many a short-lived thought that pass'd between And disappeared.

The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.

Geralt looked around, and quickly and easily found what he was hunting for. A second, identical arrow, lodged in the trunk of a pine tree, around six paces behind the corpse. He knew what had happened. The boy had not understood the warning, and hearing the whistle and thud of the arrow had panicked and begun to run the wrong way. Towards the one who had ordered him to stop and withdraw at once. The hissing, venomous, feathered whistle and the short thud of the arrowhead cutting into the wood. Not a step further, man, said that whistle and that thud. Begone, man, get out of Brokilon at once. You have captured the whole world, man, you are everywhere. Everywhere you introduce what you call modernity, the era of change, what you call progress. But we want neither you nor your progress here. We do not desire the changes you bring. We do not desire anything you bring. A whistle and a thud. Get out of Brokilon! Get out of Brokilon, thought Geralt. Man. No matter that you are fifteen and struggling through the forest, insane with fear, unable to find your way home. No matter that you are seventy and have to gather brushwood, because otherwise they will drive you from the cottage for being useless, they will stop giving you food. No matter that you are six and you were lured by a carpet of little blue flowers in a sunny clearing. Get out of Brokilon! A whistle and a thud. Long ago, thought Geralt, before they shot to kill, they gave two warnings. Even three. Long ago, he thought, continuing on his way. Long ago. Well, that’s progress.

You’ve a healthy appetite,” I said, laughing. “I think you’d eat grass if there was nothing else.” “I have,” he said in all seriousness. “It doesna taste bad, but it’s no verra filling.” I was startled, then thought he must be teasing me. “When?” I asked. “Winter, year before last. I was livin’ rough—ye know, in the woods—with the … with a group of lads, raidin’ over the Border. We’d had poor luck for a week and more, and no food amongst us left to speak of. We’d get a bit of parritch now and then from a crofter’s cottage, but those folk are so poor themselves there’s seldom anything to spare.

Accordingly, one afternoon, late in the autumn, he rode up to Mrs. Browne's. The air on the heights was so still that nothing seemed to stir. Now and then a yellow leaf came floating down from the trees, detached from no outward violence, but only because its life had reached its full limit and then ceased. Looking down on the distant sheltered woods, they were gorgeous in orange and crimson, but their splendor was felt to be the sign of the decaying and dying year. Even without an inward sorrow, there was a grand solemnity in the season which impressed the mind, and hushed it into tranquil thought.

As the next Cinderella, she would have to marry whichever fairytale prince ended up in her story. But she couldn't help making a small, secret wish that her assigned prince might be the kind who would grab her hand and run off into the woods- build a tree house with her or lie back and watch the stars come out through the canopy. The kind of person who would make a birdhouse for a family of robins. She didn't care about a fancy palace and loads of dresses. Just a cozy cottage somewhere- perhaps with an attached two-story, fully-stocked shoe shed. And a guy with dirt under his fingernails and goodness in his heart.

English towns and villages have as many idiosyncrasies as prima donnas. Some of them hide themselves among woods, or lurk behind hills, to burst into the motorist's view as the road winds round a corner; others are set upon a hilltop, their roofs and spires stretching heavenward for all the world to see. Others, again, lie upon a plain, so that the traveler sees them before him for miles, growing gradually bigger, changing from a toy village to a real one as he approaches. some indulge in outlying suburbs of villas and bungalows, very new and tidy; others in long rows of workmen's cottages with children playing round the doors.

Stop,” Jesse said. I stared up at him, almost panting with fear. “Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?” “How can you say it? It nearly happened on the roof today. You can’t know-“ “I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.” I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin. “The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.” With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm. “Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added. It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world. But he looked up suddenly. “They’re searching for you,” he said, releasing me at once, moving away. They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy. “Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?” “Yes?” There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.

So the badger poked up the fire, poured himself another cup of tea, and went back to the History to read the curious story of the Fern Vale dwelves, a story (he suspected) that was mostly unknown to the Big Folk. Of course, that sort of thing wasn't at all unusual, for although the human residents of the Land between the Lakes thought they knew everything about their surroundings, and although scholarly books related the history, inventoried the animals and plants, and catalogued the folktales, people were aware of only a fraction of what went on around them. One was not criticizing when one said this; one was simply stating the fact. Humans, by and large, were ignorant of the mysteries of life and land.

Grown up at last and required to live all day long in the real world, it now seemed to Beatrix that imaginary fairies were of a great deal more use than real ones. And I think we must agree with her on that score. It is undeniably true that the imagination is far more powerful than knowledge, and that it is much more important to believe in something than to know it! There is, after all, a limit to the things we can know (even if we are fortunate enough to be geniuses), but no limit whatsoever to the things we might imagine. And if we cannot imagine, we will never know what we have yet to learn, for imagination shows us what is possible before knowledge leads us to what is true. For Beatrix, dreaming, imagining, creating, improvising, and fancying redeemed the stern and sometimes frightening world in which she lived, and allowed her to transform it.

The grate had been removed from the wide overwhelming fireplace to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this, I understood, was the Yule-clog, which the squire was particular in having brought in and illumined on a Christmas Eve, according to ancient custom.* * The Yule-clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony on Christmas Eve, laid in the fireplace, and lighted with the brand of last year's clog. While it lasted there was great drinking, singing, and telling of tales. Sometimes it was accompanied by Christmas candles; but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule-clog was to burn all night; if it went out, it was considered a sign of ill luck.

Why can’t we use wood?” Jacob asked. I knew he was thinking of the thick pine woods to the east of the cottage, and how quickly we could cut down a dozen trees and haul them back to Father. But Father shook his head. “Wood’s not strong enough for what’s coming.” What was coming? We knew better than to ask Father, but we talked about it on the long walk back from the bay, Woof trotting obediently at our heels and Flick plodding along in front of us, the cart creaking beneath the weight of the stones we had gathered. “It’s the war,” Jacob said. He looked over toward the mainland as he said it. You can’t see the mainland from the island—even on a clear day, it’s too far, over the horizon of the sea—but sometimes at night you can see the orange glow of the fires reflecting back at you from the clouds, or see the planes flying far overhead with their payload of bombs and gas. “It’s getting closer,” he said, and I nodded.

The greatest benefit we owe to the artist, whether painter, poet or novelist, is the extension of our sympathies. Appeals founded on generalizations and statistics require a sympathy ready-made, a moral sentiment already in activity; but a picture of human life such as a great artist can give, surprises even the trivial and the selfish into that attention to what is apart from themselves, which may be called the raw material of moral sentiment. When Scott takes us into Luckie Mucklebackit's cottage, or tells the story of The Two Drovers,—when Wordsworth sings to us the reverie of Poor Susan,—when Kingsley shows us Alton Locke gazing yearningly over the gate which leads from the highway into the first wood he ever saw,—when Harnung paints a group of chimney-sweepers,—more is done towards linking the higher classes with the lower, towards obliterating the vulgarity of exclusiveness, than by hundreds of sermons and philosophical dissertations.

Recently I've been having the fantasy more and more" the one where Tack and I run away, disappear under the wide-open sky into the forest with leaves like green hands, welcoming us. In my fantasy, the more we walk, the cleaner we get, like the woods are rubbing away the past few years, all the blood and the fighting and the scars - sloughing off the bad memories and the false starts, leaving us shiny and new, like dolls just taken out of the package. And in this fantasy, my fantasy life, we find a stone cottage hidden deep in the forest, untouched, fitted with beds and rugs and plates and everything we need to live - like the owners just picked up and walked away, or like the house had been built for us and was just waiting all this time. We fish the stream and hunt the woods in the summer. We grow potatoes and peppers and tomatoes big as pumpkins. In the winter we stay inside by the fire while snow falls around us like a blanket, stilling the world, cocooning it in sleep.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.

Why did you cry off?” She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed. “How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun. She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.” Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off. When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it. “Who’s the other one?” Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired. Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!” “You spoiled my shot,” she countered. “Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement. “No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.” “He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.” “I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.” “He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.” It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!

She knew what she had to do.” “Did she? How odd for a pampered lady. Though I’m sure she complained constantly about the lack of heat and food and furnishings.” Hell and blazes, he could see where this was going. “She did not. But it was only one night, and we were hiding from killers.” “Trust me, Jackson, killers or no, if you’d hauled me about the woods and put me through such deprivation, I would have been complaining. Loudly. Repeatedly. “ He pushed back from the table to eye her with abject skepticism. “No, you wouldn’t. You’d make the best of things.” “And she didn’t?” With a hard glare, he crossed his arms over his chest. “One night in a cottage is hardly a good test of how well she’d endure a lifetime in Cheapside?” “So last night was a test, was it? And even so, she passed it. In response, you talked about duty and honor and such. Made her feel as if marrying her would be your concession to propriety. Have I judged the situation aright?” It was getting harder to pretend that he’d behaved like anything but an arse this morning. “She has a bloody duke chomping at the bit to marry her, and you think she could be happy with me? Here?” Aunt Ada planted her hands on her hips. “You know, I’m beginning to be insulted. I thought I’d made this quite a comfortable home, and now I find that you think it comparable to some hovel in the woods.” “That’s not what I-“ “If you showed the same lack of feeling with her as you are with me right now, it’s a wonder she didn’t slap the tar out of you.” She shook her head. “You decided her future without even considering her feelings. Don’t you find that presumptuous?

Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.

I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.

If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music. “Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?” Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening. “I cannot escort you there,” he said flatly. Her smile faded. “Why not?” “Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.” Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?” “That was part of the reason.” “What was the rest of it?” she asked curiously. His chuckle was grim. “Call it a well-developed instinct for self-preservation.” “What?” “Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.” Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?” “Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.” A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public. “I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.” “Then where?” “In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts. "Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.

I slid back into my mind and slid once more to my worlds. The wind and the green of Ireland flooded back to me and the clouds moved in from the sea. I threw my head back to the skies and smiled. I could hear the stream nearby and wasted no time seeking it out. She called to me and I listened. I found the stream and I followed through the wood. How I missed my forest, my cottage, my realm. How I wished for nothing else, but to stay there until I died.

She won’t,” Connor conceded. “But you’re not getting married?

It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks, that skirted the mountain; and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart, and lifted her thoughts to the GOD OF HEAVEN AND EARTH. In scenes like these she would often linger along, wrapped in a melancholy charm, till the last gleam of day faded from the west; till the lonely sound of a sheep-bell, or the distant bark of a watch-dog, were all that broke on the stillness of the evening. Then, the gloom of the woods; the trembling of their leaves, at intervals, in the breeze; the bat, flitting on the twilight; the cottage-lights, now seen, and now lost—were circumstances that awakened her mind into effort, and led to enthusiasm and poetry. Her

The stresses of the last few days mean her inner bad genie is dying to get out. Does she really want these locals to see her like that?

The white tree on the bluff over the ocean was hung with icicles like curtains of glass, creaking faintly in the wind. Morgan’s cottage, once they passed through the icy snowless beech wood, was white as bone and black as aged oak among the weathered stems of the garden.

Puzzled, the Hardys continued upriver. Forty minutes later they reached the little village of Brockton and tied up at the public boat landing. A little boy with a sunburned nose who was fishing off the dock with a bamboo pole scowled at them. “Can you tell us where Mrs. Lunberry lives?” Frank asked him with a smile. “That gray cottage over near the woods.” The lad indicated the direction with a jerk of his head and kept on scowling. “You guys realize you just scared off a big fat bluegill?

The world was a different place once. People didn’t own forests when I was a girl. Forests simply were. We witches could drift from place to place, from wood to wood, weaving cottages from magic and whatever bits of the forest were handy…

When things seem too good to be true, they usually are.' 'I'll give you that. But sometimes, very occasionally, the stars align, fate does her job and two people who are destined to be together actually meet.

A burst of florals hypnotizes me towards the cottage. Sweet peas and moonflowers press through the porch's warped wood panels. I make my way up the whitewashed steps, and a velvet orchid wrapped around the banister tickles my hand. Twinkling sea glass wind chimes wreathed with roses send a shiver down my spine as I grip the tarnished doorknob, hopeful that this place will become familiar soon. After all, it is my home now.

As soon as they entered the forest, Dina felt something stirring in her magic. Normally it lay dormant within her until she needed it for a spell. But now it was thrumming in her blood, reacting to this place. The trees were tall and thick, little sunlight made it to the forest floor, and the narrow pebbled path they walked along twisted out of sight ahead of them. "There's something here," she whispered to Immy. "Like magic?" "Yeah. Like, I don't know how to put it--- like this is an old and powerful place. Like the land is breathing." "Ooh, I'm going to write that phrase down for my next book," Immy said, pulling her phone out of her pocket. As Immy slowed down to make her note, Dina walked on, feeling the power of this ancient wood flooding through her. She felt as if she were walking into the mouth of a great, slumbering goddess. But it didn't scare her; it wasn't meant to. It was just nature, older than history, older than bone. The path curled around to the left, revealing a small cottage in the dappled light, dwarfed by the surrounding oaks. The lights were on inside, illuminating the ivy and wisteria vines that had twined themselves around the outer walls of the cottage. The windows were sashed in dark green wood, complete with window boxes filled with daisies. Daisies that Dina was sure shouldn't have been able to grow in such little light, but this wood seemed to play by its own rules.

It was a rare man who didn’t mind having a woman dump all her problems and insecurities in his lap.

Joe Acosta sat at a massive glass-and-steel-frame desk in front of a tinted glass wall that framed Biscayne Bay as if it was a photo of Joe’s personal cottage in the woods. In spite of the tint, the late-afternoon light came up off the water and filled the room with a supernatural glow. Acosta stood up as we entered, and the light from the window behind him surrounded him in a bright aura, making it hard to look at him without squinting. But I looked at him anyway, and even without the halo he was impressive. Not physically; Acosta was a thin and aristocratic-looking man with dark hair and eyes, and he wore what looked like a very expensive suit. He was not tall, and I was sure his wife would tower over him in her spike heels. But perhaps he felt that the power of his personality was strong enough to overcome a little thing like being a foot shorter than her. Or maybe it was the power of his money. Whatever it was, he had it. He looked at us from behind his desk, and I felt a sudden urge to kneel, or at least knuckle my forehead. “Sorry to keep you waiting, Sergeant,” he said. “My wife wanted to be here for this.” He waved an arm at the conversation area. “Let’s sit where we can talk,” he said, and he walked around the desk and sat down in the big club chair opposite Alana. Deborah hesitated for a moment, and I saw that she looked a little bit uncertain, as if it had really hit her for the first time that she was confronting somebody who was only a few steps down the chain of command from God. But she took a breath, squared her shoulders, and marched over to the couch. She sat down, and I sat beside her. The

I think I was actually channelling my grandfather,’ she admitted. ‘He lived right out in the woods in this little cottage and he used to scare the life out of me and my older sister with stories about bears and wolves.’ ‘I didn’t know you grew up in a Grimm fairy-tale.’ ‘Ha, ha – Russia, actually.’ ‘Ahh, I see: Katia Bialogawski,' he pronounced her name slowly, rolling it over his tongue like a boiled sweet, with all the right inflections. It made her spine tingle.

skills were needed, and someone inside that cottage was undoubtedly injured or ill. She moved toward the door and was wondering whether to open it or knock first when it flew open, and her kidnapper tugged her inside. “Over there.” He pointed toward the back of the cottage near the hearth. She stood long enough to notice the two guards on either side of the doorway. Which one was the chief? “Stop gawking and move on over. The one on the pallet needs you. Now heal him. I will get more wood to warm the cabin.” The door slammed behind him. The guards at the door ignored her. Clearly they were not in charge. She blocked them out so she could focus on her new patient and do what needed to be done so she could return home. As

You love each other. You love each other; and a man and woman in love have a gift of sight that’s not granted to other folk. [Rubbing her hands together.] Ho, ho! I’ve watched you; I’ve watched you from the beginning; and on the day of your wedding I saw your love blaze up like dry kindling-wood when you set a match to it. Keep your love burning; keep it burning, and I promise you you’ll never be anything to one another but fair and bonny. [Throwing up her arms wildly and beating her brow.] Ah! Ah! Scarecrow—scarecrow that I am, if my man could rise out of his grave and walk in at this minute, I should be pretty to him; I should be pretty to him. [Walking, with a swaying gait, to the passage, her voice dying to a moan.] Pretty to him! Pretty to him! Pretty to him!

At the back of the yard, tufted with grass like sparse hair on a balding head, is a weathered gray shed with a slit cut out of the door. Fanny nods toward it. “I’ll wait.” “You don’t have to.” “The longer you’re in there, the longer my fingers get a break.” The shed is drafty, and I can see a sliver of daylight through the slit. A black toilet seat, worn through to wood in some places, is set in the middle of a rough-hewn bench. Strips of newspaper hang on a roll on the wall. I remember the privy behind our cottage in Kinvara, so the smell doesn’t shock me, though the seat is cold. What will it be like out here in a snowstorm? Like this, I suppose, only worse. When I’m finished, I open the door, pulling down my dress. “You’re pitiful thin,” Fanny says. “I’ll bet you’re hungry.” Hongry. She’s right. My stomach feels like a cavern. “A little,” I admit. Fanny’s face is creased and puckered, but her eyes are bright. I can’t tell if she’s seventy or a hundred. She’s wearing a pretty purple flowered dress with a gathered bodice, and I wonder if she made it herself. “Mrs. Byrne don’t give us much for lunch, but it’s prolly more’n you had.” She reaches into the side pocket of her dress and pulls out a small shiny apple. “I always save something for later, case I need it. She locks up the refrigerator between meals.” “No,” I say. “Oh yes she does. Says she don’t want us rooting around in there without her permission. But I usually manage to save something.” She hands me the apple. “I can’t—

It’s a habit she hates about herself, this need to be the joker; to always have a quip.

He has that air, the patronizing one a lot of men have, as if she is a bit of a fool. Not a proper person,

He has that air, the patronizing one a lot of men have, as if she is a bit of a fool. Not a proper person, to be taken seriously.

The cottage in the woods may be our house, but there's no place in the world like home. And Evelina is mine.

There was a tremendous flash, as the crystal of the Secret Country exploded into a billion colored shards, and a ringing, terrible, sustained crash as the land, from end to end, from the Mountains of the North to the Dubious Hills, from the Wide West Waste to the Sunrise Sea, cities of men and manners, climates, councils, governments, the boost of heraldry and pomp of power, all that heart heard of or mind expressed, trees, flowers, cottages, and wells, the unicorn, the cardinal, the dragon, and the owl, sun, moon, stars, clouds, the loving detail of High Castle, the barely imagined cities of the Dwarves, the fabulous mines whence came Lord Randolph's ring, the Green Caves and the Magic Wood, King John's solemn tomb, Laura and Ellen downstairs, the stones beneath them and their very bones, shook, rang, shattered, and seemed to collapse in dust.

I'm content by myself, and with my animals. So what if everyone thinks I'm daft. If I had only one cottage by the woods, I would lead a peaceful existence, grateful to be left alone by everyone.

We break off into the streets, repairing the cobblestones with our brisk allegro. The townsfolk step aside in awe as my allongés stitch the pastel wood back into cottages and storefronts. Flowers grow from my quick bourrée steps, breathing life back into Luna Island in shades of pink and purple. Rainbows rise from the sea with my grand jeté, summoning the dolphins to leap alongside our dance. Damien catches me in his arms before lifting me into the air as I paint the sky bright blue. We laugh as the beauty of Luna Island blooms once again, running into the forest and turning the ash into lush green trees. Color bursts in the darkness as we chassé through the angels' village and past the glade where our story first began. With my pirouettes, I add extra pink petals to the garden where Damien and I once lay. I break into a series of chaîné turns as we make our way back down to the beach, unleashing the magic Luna bestowed upon me. The townsfolk watch in awe in the midst of the commotion, and I dust them in a veil of starlight that follows my path, healing bruises and stitching wounds until no one bleeds. They gather around me as I finish my dance, thrumming with applause and tossing the freshly spun flowers at my feet.

It’s just effort, isn’t it? You have to want to get better in order to get better, and maybe I’ve never really wanted it before now. I was content in my little hole. People think of depression as this cold, lonely place inside of your mind, but it isn’t always. Sometimes, it’s warm, like an electric blanket. It feels like sitting inside of a cottage in the woods, curled up next to a crackling fireplace with a purring cat sitting on your lap. It’s nice for a little while because it’s familiar.

Carnaby, the brother, survived childhood.’ ‘If he went into the army, then there will be records,’ John Armstrong announced firmly. ‘I’ll contact my sons and Cecily’s husband, Captain Derwent. Trust me, Lavender; if the rogue did survive and went on to join the army, then there will be records of him—somewhere.’ ‘I need to go and speak with Doctor Goddard,’ Lavender said as they hurried down the main street in Bellingham. ‘We need to split up, Ned. I’ll visit Goddard, then go to The Redesdale Arms and speak to the landlord. You must go to Newcastle, find Mr Agar the lawyer and pursue my request for a copy of Baxter Carnaby’s last will and testament. I must see that document. The last master of Linn Hagh had far more secrets than I ever imagined.’ ‘Didn’t he just,’ Woods said. ‘This case has turned into a sack full of squirmin’ river eels. Slippery buggers, all of them Carnabys—especially the father.’ ‘Indeed. I hope that this document at the lawyers’ will shed some light on what really went on at Linn Hagh.’ ‘I’ll grab a bite to eat from The Rose and Crown before I go,’ Woods told him. ‘Oh—and I might just call on young Anna at her mother’s cottage on me way—just to check she got home safely

Couldn’t live in a town; when the countryside’s in your bones you can’t stay in those places, sucks the life out of you.” He was a farm worker, had been all his life. He’d lived in an employer-owned cottage on the land where he worked, but when the farm was sold, the houses were split off from the land and bought as second homes; he became homeless. He found other work, but the jobs never came with a house and his wages couldn’t cover an expensive rural rent. That’s when he first camped in the wood. Soon, others joined him, until their camp grew into a fluid village of people who came and went as the need arose.

say

The cottage was set in a gloomy woods,

there lived a young witch in a cottage deep in the woods. She was beautiful, and kind, and beloved by her mother. Her mother had done her best to raise her, with her only companions being the denizens of the forest itself

Josh: There's no rush to figure it out. Ashley: Do you back-burner everything in your life until it's convenient? .... You seem to me to epitomize the concept of putting everything off until tomorrow. Josh: And you never put anything off. Maybe I'm just trying to lead you to a middle ground. The truth is, we tend to make our own chaos. Sure, the real world has deadlines, and they're important. But we turn everything into a "must do" crisis. Not everything needs to be done immediately. We can take the pressure off ourselves. We can choose not to participate in the rat race. All it takes is recognizing our own limits, prioritizing, and learning to say no. It was just as he'd try to tell her: answers came as soon as a person stopped trying to force them. (From The Laws of Attraction)

Ashley: If you don't grab at opportunities as soon when they present themselves, how do you get ahead? Josh: Why do you have to? What's wrong with just loving what you do and setting a pace that allows you to live your life? (From The Laws of Attraction)

She had too much pride...besides, he was the one who owed her an apology. At least, almost as much as she owed him one. She had to give him time to reach that conclusion on his own. If he didn't? Well, she could still take matters into her own hands. She wouldn't let this absurd impasse go on forever. (From The Laws of Attraction)

Neve has noticed this, that he manages to live exactly like he had before kids, yet gets praised for the little he does with them.

I think I’d have ended up hitchhiking back to Truro this afternoon and probably being murdered.’ Sally gives her a slightly puzzled look at this and Neve reminds herself that not everyone gets her humour. Feeling slightly chastened, she tentatively asks about topping up the electricity key.

She can only run. Has to keep moving. It’s the only way to avoid the impact. If she keeps moving, this new knowledge can’t shatter her bones, squash her organs, splatter her blood.

The outside of the hotel – which was grandly named the Intercontinental, London – had looked alright with its jaunty blue and white awning, potted plants and fairy-lit windows. Neve has always been a sucker for fairy lights. But the room, with its shabby MDF table and undersized kettle, feels like the kind of place travelling salesmen go to commit suicide.

Lou had been tearful because a special moment – when the family all discovered the presents together – had been ruined. She had been planning to film the whole thing. Lou was, in Neve’s opinion, an obsessive chronicler of her family life. She would have unfollowed her sister on Facebook because of this, had she been able to get away with it.

Steve doesn’t drink much, doesn’t smoke and doesn’t even swear. He runs, he cycles, he plays five-a-side football with people from the large insurance company where he works. He has two comfortably off parents and likes to think of himself as a hands-on dad to his daughters. He is almost completely lacking in a sense of humour. Unfortunately, people like Steve bring out the worst in Neve. The little pursed crease at the corner of his mouth as she sloshes more red wine into a glass, or says, ‘Fuck me, it’s cold,’ only eggs her on.

I know now that I will never be free from him because the monster lives inside my head.

But she has been alone with herself in this past, strange week, and it’s like something is waiting. Something huge and painful, with the potential to smother her.

Bits of ice came free from the gray stones of the cottage, revealing the faded ward-markings etched around the threshold. My father had once convinced a passing charlatan to trade the engravings against faerie harm in exchange for one of his wood carvings.

She saw the horror on his face and rolled her eyes. "Oh, relax, I'm not asked you to love me back, my love isn't conditional. But what I won't accept is you tossing out commands about my life and what I do with it. You're not my boss, Aaron, from the moment I stepped into this house I've been working with you, not for you." Kasey suddenly knew exactly what to do. "I'll take Savannah to school and then I'll go back to my house and work from there relieving you of my company. When I think Savannah is emotionally stronger - and it will be my decision because you are emotionally constipated - I will be spending nights at my cottage, extending the time apart until she can do without me on a day-to-day basis. I will stay in touch with her and God help you if you try to stop me, Phillips. That's my girl in there and I will fight you Billionaire, bucks or not!

We all know you're always in our corner. Just don't forget that we're in yours, too.

A large main room, with a small, shut door in the back. Floor-to-ceiling shelves lined the walls, crammed with bric-a-brac; books, shells, dolls, herbs, pottery, shoes, crystals, more books, jewels... From the ceiling and wood rafters hung all manner of chains, dead birds, dresses, ribbons, gnarled bits of wood, strands of pearls... A junk shop- of some immortal horder. And that hoarder... In the gloom of the cottage, there sat a large spinning wheel, cracked and dulled with age. And before that ancient spinning wheel, her back to me, sat the Weaver. Her thick hair was of richest onyx, tumbling down to her slender waist as she worked the wheel, snow-white hands feeding and pulling the thread around a thorn-sharp spindle. She looked young- her grey gown simple but elegant, sparkling faintly in the dim forest light through the windows as she sang in a voice of glittering gold.

For a moment I imagine skipping through the waves like the playful portraits seen in a certain kind of holiday cottage. Later I’d eat fish and chips on the beach, wrapped up against the October chill blowing off the North Sea before lighting a fire in the wood-burning stove in my perfectly appointed house.

The wood, with the dusk coming softly down on it, was full of furtive movements and sleepy twitterings.

Once upon a time, there was a woman who lived in a cottage at the edge of the woods. She was neither young nor old, neither pretty nor unattractive. As such, people from the village didn’t take much notice of her. Nor did she take much notice of them. She spent her days foraging for roots and mushrooms in the forest, simmering broths in the cauldron at her hearth, and spinning wool into long strings that would be woven into shawls and mittens.