“
I need to brush my teeth. And I need a shower."
He grinned, hopping off the bike. "Now that is an invitation.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
And if that bastard’s innocent,” Rhage spoke up, “I’m the fucking Easter bunny.”
“Oh, good,” someone quipped. “I’m calling you Hop-along Hollywood from now on.”
“Beasty Bo Peep,” somebody else threw out.
“We could put you in a Cadbury ad and finally make some money—”
“People,” Rhage barked, “the point is that he is not innocent and I’m not the Easter bunny—”
“Where’s your basket?”
“Can I play with your eggs?”
“Hop it out, big guy—”
“Will you guys fuck off ? Seriously!
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
My Dad says that being a Londoner has nothing to do with where you're born. He says that there are people who get off a jumbo jet at Heathrow, go through immigration waving any kind of passport, hop on the tube and by the time the train's pulled into Piccadilly Circus they've become a Londoner.
”
”
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
“
Only downside to your place is the disturbing low amount of extraneous toiletries. No conditioner? Lip gloss? Sunscreen?" I jerked my thumb toward the front door. "I need to brush my teeth. And I need a shower."
He grinned, hopping off the bike. "Now that is an invitation.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
The hip-hop guy nodded curtly, like he knew that, and despite appearances to the contrary, he had not been trippin', but had, in fact, been chillin' like a mo-fuckin' villain, so step the fuck off, wigga. He crossed against the light, limping slightly under the weight of the subtext.
”
”
Christopher Moore (A Dirty Job (Grim Reaper, #1))
“
Rhiannon's Law #16: If it looks like a rabbit, and it hops like a rabbit, run the other way and fast. That shit is liable to tear you arm off.
”
”
J.A. Saare (Dead, Undead, or Somewhere in Between (Rhiannon's Law, #1))
“
... That would be like stepping in front of a moving train and saying, 'Hey, honey, come stand next to me.'"
I hopped off the wall and stood next to him. "Anytime."
He just looked at me.
"I've never killed a train before. It might be fun to try.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’”
I hopped off the wall and stood next to him. “Anytime.”
He just looked at me.
“I’ve never killed a train before. It might be fun to try.”
“Are you sure?”
“One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.”
“I remember,” he said.
“That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
Maybe he's just... craving the meatloaf?"
Dani hops off the counter and gives me the once over. "Craving the meatloaf? Is that what the kids are calling it now?
”
”
Sarah Ockler (Bittersweet)
“
Per your request and his, this is how it's going to be from now on. When I want to ask you to abandoned buildings or kiss those lips of yours or stare into your otherworldly eyes or imagine what you look like under all those baggy drab clothes you're always hiding in or ravish you on some grimy floor like I'm desperate to this very minute, I'll just bugger off on my Hippity Hop. Deal?
”
”
Jandy Nelson (I'll Give You the Sun)
“
We live in a world with a lot of insecure, jealous people. Some of them are our best friends. They are blood relatives. Failure terrifies them. So does our success. Because when we transcend what we once thought possible, push our limits, and become more, our light reflects off all the walls they’ve built up around them. Your light enables them to see the contours of their own prison, their own self-limitations. But if they are truly the great people you always believed them to be, their jealousy will evolve, and soon their imagination might hop its fence, and it will be their turn to change for the better.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
Taking the leap felt appropriate. Only it wasn’t just a short hop. It was a full plunge off a cliff.
”
”
Maya Banks (Rush (Breathless, #1))
“
We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.
”
”
Eleanor Brown (The Weird Sisters)
“
Life is too small a container for certain individuals. Some of them, such as Alobar, huff and puff and try to expand the container. Others, such as Kudra, seek to pry the lid off and hop out.
”
”
Tom Robbins (Jitterbug Perfume)
“
If you really want me to be safe, maybe it's time."
"I'd just feel safer if you'd start sleeping in a coffin."
Just then my door creaked open.
Billy's expression turned to surprise.
"Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song."
But that didn't keep Billy out. Instead he was totally interested.
"You're writing a song? That's so cool. I want to hear it."
"It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.
”
”
Ellen Schreiber (Cryptic Cravings (Vampire Kisses, #8))
“
Walk it off, man" he suggested with a smirk as he began leading him by the elbow out of the chaos of the stacks and toward the hallway.
"Bastard, " Zane hissed.[]You'd probably say that if I lost a leg."
"Nah," Ty scoffed as they got out into the hall. []"I'd probably say hop it off," he corrected with a barely restrained snicker.
”
”
Abigail Roux (Cut & Run (Cut & Run, #1))
“
I feel like the world stopped. And I got off...and then it started spinning again, but too fast for me to hop back on. I feel like I'm still trying to get a...to get some kind of foothold on living
”
”
Jacqueline Woodson (Behind You)
“
I promise I'll never tell."
"Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?"
"No."
"Promise me."
"No!"
"I will possess your heart."
Heat flared along the back of my neck. "What did you say?"
"My favorite song. 'I Will Possess Your Heart.'"
"By Death Cab for Cutie?"
He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie."
... "Why? What's wrong with it?"
"Nothing, but it doesn't seem to fit you. It's kind of a sad song."
"No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'"
A nervous laugh bubbled up. "You will, huh?"
His fingers brushed my cheek, then slid into my hair. "I will.
”
”
Jeri Smith-Ready (Shade (Shade, #1))
“
Be careful, little girl. That’s not a toy.” I hopped off and ran my finger along the letters emblazoned on the saddlebags. “What’s C.B. stand for anyway?” “Those are my initials.” “Let me guess…Cocky Bastard?
”
”
Penelope Ward (Cocky Bastard (Cocky Bastard, #1))
“
Under fire, trying to get a fugitive out of Honduras: “Their pilot hopped out of the cockpit to allow them entry room. Pack sent Keto [Belgian Malinois K-9] up first. Then he dragged Triandos up. The prisoner’s head pinged off every step on the way up. His head struck the bulkhead as Pack flung his bulk into the cabin. ‘I know there’s a protocol,’ Pack thought, ‘but whoever wrote it was never in this situation.
”
”
John M. Vermillion (Pack's Posse (Simon Pack, #8))
“
I am trapped inside this fragile body. I could be run off the road. I could be crushed by a van. I could choke on a grape. I could be allergic to bees; I am so impermanent that a measly bug could hop from a daisy to my arm, sting me, and I could be erased. Black. Nothing.
”
”
Emily Austin (Everyone in This Room Will Someday Be Dead)
“
BDSM is like visiting a kinky Amusement Park. Once you pay the entry fee, you hop on an erotic roller coaster of deviant self-discovery. Although I have the threat of pain before me, I’m not even close to wanting to get off of this ride. It’s such a fucking thrill. Or is that a thrilling fuck? Whatever. Either way, it’s as hot as hell.
”
”
Nikki Sex (Kink (Fate #2))
“
An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?"
For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ."
"She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be."
The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend.
"Why did you say that?" Arya hopped to her feet, "You're not my brother."
"That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high."
Arya was taken aback by the fury in his voice. "That's not the way I mean it."
"Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her."
"But . . ."
"I said, go away. M'lady."
Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
The joey, large-eyed and gangly in the way of almost all young animals, frisked about. He – she – it (Saskia couldn’t tell what sex) batted its front paws at its mother – who straightened from her feeding with a look of resigned patience to fend off the tiny fists before reaching out and enfolding the youngster in her arms. The joey melted into her embrace, touching its nose against her mouth. Saskia took several photos, letting out a small “oooh!” at the cuteness of the interaction. The youngster hopped away and leapt into the air with twists that could be for no other reason than the joy of doing them. Suddenly, it returned to the doe and, once again, interrupted her grazing by thrusting its head into her pouch.
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
“
Hannah returns to our booth carrying our drink orders. Or rather, Allie and Dex’s drink orders. Logan and I asked for sodas, but what we get is water.
“Where’s my Dr. Pepper, Wellsy?” Logan whines.
She levels him with a stern look. “Do you know how much sugar is in a soft drink?”
“A perfectly acceptable amount and therefore I should drink it?” supplies Logan.
“Wrong. The answer is too damn much. You’re playing Michigan in an hour—you can’t get all hopped up on sugar before a game. You’ll get a five-minute energy boost and then crash halfway through the first period.”
Logan sighs. “G, why is your girl our nutritionist now?”
I pick up my water glass and take a sip of defeat. “Do you want to argue with her?”
Logan looks at Hannah, whose expression clearly conveys: you’ll get a soda over my dead body. Then he looks back at me. “No,” he says glumly.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Humans, we just hop out of things, off things. We splatter ourselves in inappropriate places. Because we have nothing to live for. Because we want to destroy what we can. Because we want to be something we can’t. Because we don’t really believe we can die.
”
”
Deb Olin Unferth (Vacation)
“
I’ll wear you down,” he proclaimed.
“No, you won’t,” I denied.
“You won’t let me in, I’ll break in, sneak in, blast in,” he promised.
“You won’t get in,” I contradicted.
He shut up again and stared at me.
After long moments, I watched as suddenly, weirdly and, most of all, scarily, he saw something in me that made his face clear.
I didn’t think that was good.
I would find out I was right.
“Let you in on a secret, babe, and you think on this,” he told me.
I was not going to think on anything.
“Hop… get… off… me,” I snapped.
His body pressed into mine so he could lift his hands up and frame my face.
“I’m already in. Just gotta wait for you to realize it.
”
”
Kristen Ashley (Fire Inside (Chaos, #2))
“
He hopped lightly from the stairs and jogged off to join his friends. “Wish me luck!” he called over his shoulder. “Good luck,” I said automatically and then wanted to kick myself. Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together. I sat frozen on the steps, watching them disappear down the path, still feeling the warm pressure of Mal’s hand in mine. Oh well, I thought as I got to my feet. Maybe he’ ll fall into a ditch on his way there. I
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception.
Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight.
The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab.
Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall.
They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it.
It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time.
Here's to them.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping.
"You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning.
"You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--"
But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied.
"Touche."
His eyes didn't move a millimeter from hers.
This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
Mor made no comment—and I knew that if had worn nothing but my undergarments, she would have told me to own every inch of it. I turned to her. “I’d like my sisters to meet you. Maybe not today. But if you ever feel like it …” She cocked her head. I rubbed the back of my bare neck. “I want them to hear your story. And know that there is a special strength … ” As I spoke I realized I needed to hear it, know it, too. “A special strength in enduring such dark trials and hardships … And still remaining warm, and kind. Still willing to trust—and reach out.” Mor’s mouth tightened and she blinked a few times. I went for the door, but paused with my hand on the knob. “I’m sorry if I was not as welcoming to you as you were to me when I arrived at the Night Court. I was … I’m trying to learn how to adjust.” A pathetic, inarticulate way of explaining how ruined I’d become. But Mor hopped off the bed, opened the door for me, and said, “There are good days and hard days for me—even now. Don’t let the hard days win.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The best sex of my life has officially wiped me out, every muscle a relaxed mess of orgasmy uselessness. He breathes hard, staring at me, then wipes his mouth and hops off the bed, walking bare assed out of the room.
”
”
Alessandra Torre (To Have (The Dumont Diaries, #1))
“
As I was waiting, a man came out of a side room, and at a glance I was sure he must be Long John. His left leg was cut off close by the hip, and under the left shoulder he carried a crutch, which he managed with wonderful dexterity, hopping about upon it like a bird. He was very tall and strong, with a face as big as a ham—plain and pale, but intelligent and smiling. Indeed, he seemed in the most cheerful spirits, whistling as he moved about among the tables, with a merry word or a slap on the shoulder for the more favoured of his guests.
”
”
Robert Louis Stevenson (Treasure Island)
“
I dropped my backpack, shrugged off my coat, and hopped on the exercise bike. Charging the batteries was usually the only physical exercise I got each day.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
I will not eat Craster’s food, he decided suddenly. “I broke my fast with the men, my lord.” Jon shooed the raven off Longclaw. The bird hopped back to Mormont’s shoulder, where it promptly shat. “You might have done that on Snow instead of saving it for me,” the Old Bear grumbled. The raven quorked.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Grant... look..." Remus made sparks with his wand. He levitated the coffee table, and then - showing off, because it had been so long - transformed his mug into a frog.
"All right!" Grant recoiled, as the frog hopped onto the carpet, "Ok, I believe you! Jesus Christ!"
"Oh, just "Remus Lupin" will do." Remus stuck his tongue out.
”
”
MsKingBean89 (All The Young Dudes - Volume Three: ‘Til the End (All The Young Dudes, #3))
“
He didn’t show up on a white horse declaring that she hops on before he gallops away. No, this prince got off his horse, fell on his ass, and stumbled in the mud with her until she could mount her own stallion. And then, in one last act of bravery, he gently trotted beside her into the unknown.
”
”
Kate Stewart (The Guy on the Right (The Underdogs, #1))
“
It happens sometimes in families: one child who doesn’t fit, whose rhythm is off, whose meter is set to the wrong tune. In our family, that was Tyler. He was waltzing while the rest of us hopped a jig; he was deaf to the raucous music of our lives, and we were deaf to the serene polyphony of his.
”
”
Tara Westover (Educated)
“
On the way out, a man loading up a wagon exchanged a wave with them. “You boys looking for work?” he asked skeptically. “Neither of you looks up to a full day in the field.”
“You’d be surprised,” said Jesper. “We signed on to do some work out near Saint Hilde.”
Wylan waited, nervous, but the man just nodded. “You doing repairs at the hospital?”
“Yup,” Jesper said easily.
“Your friend there don’t talk much.”
“Shu,” said Jesper with a shrug.
The older man gave some kind of grunt in agreement and said, “Hop on in. I’m going out to the quarry. I can take you to the gates. What are the flowers for?”
“He has a sweetheart out near Saint Hilde.”
“Some sweetheart.”
“I’ll say. He has terrible taste in women.”
Wylan considered shoving Jesper off the wagon.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You planned this all along, didn’t you?” Screwing me silly, lulling me into a false sense of security so I’ll drop my guard and you can win the case,” she hisses.
She moves to hop off the bed but I grab her arm. “You think my cock is powerful enough to turn you stupid? Aw, precious, that’s really flattering.
”
”
Emma Chase (Appealed (The Legal Briefs, #3))
“
Compared to you,” said the Klavar soprano, “humans are joyful rosebushes bouncing through the stars. If you ever stopped napping long enough to escape Earth, you would sweep across this galaxy like nothing before, an endless wave of carnage. You would hunt our worlds one by one and ruin everything we’ve built. Only your laziness protects us.” Capo hopped down off the railing. She lifted her tail in the air haughtily and glanced back over her furry shoulder. “Most likely,” she purred. “Best keep mum, don’t you think? Wouldn’t want to wake us u
”
”
Catherynne M. Valente (Space Opera (Space Opera, #1))
“
The Truth About Owls
You flinch at leaf shadows
tumbling across your driveway
and the shadows notice you flinching.
The thought gets under their skin,
starts them asking questions to your back
as you walk away.
"Are we something to fear?"
Two nights later,
the shadows pile into three dimensions,
hop twice, and fly off on soundless wings.
”
”
Jarod K. Anderson (Field Guide to the Haunted Forest)
“
Maybe we are all Beths, boarding other people's life journeys, or letting them hop aboard ours. For a while we ride together. A few minutes, a few miles. Companions on the road, sharing our air and our view, our feet swaying to the same beat. Then you get off at your stop, or I get off at mine. Unless we decide to stay on longer together.
p 251
”
”
Rachel Simon (Riding the Bus with My Sister: A True Life Journey)
“
Margaret looked up at him from where she sat by the window.
"Oh, Brother Gregory, what's wrong with your hand"
"I'm just scratching it; it itches."
"Really, is it red?"
"No, it's just a bite. You gave me a flea."
"I don't have fleas, Brother Gregory," insisted Margaret.
"Everyone has fleas, Margaret. It's part of God's plan."
"I don't. I wash them off."
"Margaret, you haven't any sense at all. They just hop back. You can't wash enough to keep them off."
"I do."
"Aren't you afraid your skin will come off? It could, you know. That's much worse than fleas." Brother Gregory spoke with an air of absolute certainty.
"Everyone tells me that. It hasn't come off yet."
"Margaret, you're too hardheaded for your own good. Now take for your next sentence, 'Fleas do not wash off.'"
"Is this right?" She held up the tablet, and Brother Gregory shook his head in mock indignation.
"I despair of you, Margaret. Flea is not spelled with one e--it's spelled with two.
”
”
Judith Merkle Riley (A Vision of Light (Margaret of Ashbury, #1))
“
Gorgeous, arrogant and pissed off?” I chuckled a little. “Yes, that’s him.” “His name is Graham Morgan, and I know just where you should bring the phone.” I fished a pen from my purse. “Okay.” “Are you anywhere near the 1 train?” “I’m not too far.” “Okay. Well, hop on the 1 and take that all the way downtown. Pass Rector Street and get off at the South Ferry Terminal.” “Okay. I can do that.” “Once you’re off. Take a right on Whitehall and then a left on South Street.” I knew the area and tried to visualize the buildings around there. It was a pretty commercial neighborhood. “Won’t that take me to the East River?” “Exactly. Toss that asshole’s phone in, and forget you ever saw the man.” The phone line went dead.
”
”
Vi Keeland (Stuck-Up Suit)
“
I think we're the only ones in the building," he says.
"Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish.
"Quick!" he says.
"What?" I hop off the desk. Is Nate here? Did he see?
But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor.
"Well," he says. Our conversation halts for the first time in hours.
I look past him. "Um.Good night."
"See you tomorrow? Late breakfast at the creperie?"
"That'd be nice."
"Unless-" he cuts himself off.
Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away.
"Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna.
The stairwell door bursts open.
My heart stops.
St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now."
"Uh." I can't breathe.
He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-"
"No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay."
St. Clair is still for a moment. And then he nods.
I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Chase hopped back onto the ice for another shift. Our gazes collided, and an electric jolt ran through my body. Goose bumps popped up on my arms beneath my black puffy down parka. He flashed me a drop-dead gorgeous cocky smile and winked before skating off to the other end.
”
”
Avery Keelan (Offside (Rules of the Game, #1))
“
grab this world by its clothespins, and shake it out again and again. And hop on top and take it for a spin. And when you hop off, shake it again. For this is yours. Make these words worth it. Make this not just another poem that I write. Not just another poem like just another night, that sits heavy above us all. Walk into it, breath it in. Let it crawl though the halls of your arms, like the millions of years of millions of poets coursing like blood, pumping and pushing, making you live, shaking the dust. So when the world knocks at your door, clutch the knob tightly and open on up. And run forward. Run forward as fast and as far as you must. Run into its widespread greeting arms with your hands outstretched before you, fingertips trembling though they may be.
”
”
Anis Mojgani (Songs From Under the River: A collection of early and new work)
“
—in case Wayne failed.” “Which never happens.” Wayne grinned and took a bite of his apple, hopping off his steps to walk beside Waxillium. “Except that one time. And that other one time. But those don’t matter, onnacount of my getting hit to the head enough times that I can’t remember them.
”
”
Brandon Sanderson (Shadows of Self (Mistborn, #5))
“
The moment we’re born, we start dying. We spend our lives dying. Some of us just get there sooner. You never know when you might hop off the local and end up on the express to death. Think about it.
”
”
Kelly Parsons (Doing Harm)
“
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.”
I sat bolt upright, and Akinli rolled his eyes.
“I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.”
I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging.
As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me.
I took it and positioned myself in front of him as he shook his head, grinning.
“All right, we’ll take this slow. Five, six, seven, eight.”
In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much.
People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied.
We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up.
“Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
”
”
Kiera Cass (The Siren)
“
Now.Go all the way into the pond."
"Um...how,exactly?"
I was afraid she was going to make me hop out into the water until it was over my head, an image too mortifying to even contemplate. Cal stepped forward, hopefully to come to my rescue.
"I could toss her off the pier, Ms. Vanderlyden."
Or not.
"Good," the Vandy said with a brisk nod, like that had been her plan all along. Then Cal leaned down and swept me into his arms.
There were more giggles, and even a few sighs. I knew most girls would give up a vital organ for Cal to hold them, but my face flamed red. I wasn't sure this was any less embarrassing than flopping out into the pond on my own.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
She hops out of the car without a word, then reluctantly taps on the passenger window.
Stifling a grin, I press the button to roll down the window. “Forget something?” I mock.
“Thank you for the ride,” she says primly.
And then she’s gone, her green dress fluttering in the night breeze as she hurries toward the darkened buildings.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Puss hopped down from the couch and rummaged in Mark’s closet until he found a black leather belt. This he looped along his shoulder, around his waist, and then clasped together. “I’m off to make war, so that you may have love.
”
”
Zechariah Barrett (The Feline Inheritance)
“
For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity.
Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting."
Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories.
The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it.
— excerpt of "Praise For The Prancy Boys," by Clint Catalyst
appears in first edition (ISBN # 1-932360-56-5)
”
”
Mattilda Bernstein Sycamore (That's Revolting!: Queer Strategies for Resisting Assimilation)
“
Sir Bird preens next to me, tucking feathers into place with a low noise in his throat almost like he’s talking to himself. A slow smile spreads across Finn’s face as he rubs his knuckles—black and blue with several bruises from Sir Bird’s beak.
“Let’s see,” he says, flipping through his father’s book. “Here! I’ll need some water in a shallow bowl . . . ink . . . yes, I think this is everything.” He gathers the items, then reads over the entry several times, eyebrows knit in concentration. Dipping his pen in the ink, he whispers strange words while writing on the surface of the water. The ink drips down, elongating the form of the symbols that still hover where he wrote them. I recognize one—change. But the rest I haven’t learned yet.
Then, without warning, he lifts up the bowl and dumps the whole thing onto Sir Bird.
Only instead of getting wet, as the water washes over his body, Sir Bird’s feathers turn . . . blue.
Bright, brilliant, shimmering blue.
Squawking in outrage, Sir Bird hops and flies around the room, frantically shaking his feathers. He lands on the desk with a scrabble of clawed feet, then begins trying to bite off the color.
“Ha!” Finn says, pointing at his knuckles. “Now you’re black and blue, too!”
I can’t help but laugh at my poor, panicking bird. Not to mention the ridiculous pettiness of Finn’s magic show. Picking up Sir Bird, I stroke his feathers and speak softly to him. “Hush now. I’ll make him fix you. You’re still very handsome, but blue isn’t your color, is it?”
He caws mournfully, still pulling at his own feathers.
“Finn.”
He puts his hands behind his back, trying to look innocent. “What? He deserved it.”
“He’s a bird. You can’t really find this much satisfaction in revenge against a bird, can you?”
His voice comes out just a tad petulant. “He started it.
”
”
Kiersten White (Illusions of Fate)
“
They clapped palms and John dragged the other male off the snow with his good arm. Then they walked off into the night, side by side. It was almost, John reflected, as if they’d done this before— Murhder started to whistle a cheery little tune, and John had to do a double take. After a silent laugh, John joined in, finding a perfect harmony: “Don’t Worry, Be Happy.” When Murhder started doing a hop’ita-skip’ita every third step, John Fred Astaire’d, too. Just two vampires, looking for the undead, ready to enjoy some good old-fashioned bloodshed. Besties.
”
”
J.R. Ward (The Savior (Black Dagger Brotherhood, #17))
“
He flicked off the light switch, setting the alarm system. Overhead he could hear
Reno—music that could only be Japanese hip-hop, for God’s sake, and thumps and
bumps. Either he had half a dozen girls up there on the floor and he was doing them one by one, or he was doing some sort of exercise. Or dancing. The thought of Reno dancing was enough to send cold shivers down Peter’s spine. He preferred the notion of an orgy.
”
”
Anne Stuart (Ice Storm (Ice, #4))
“
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
But William Dilworth English, M.D., was not thinking of the immediate punishment of his son; that was something which could be decided upon. He was not thinking of the glory of having a son who hopped freight trains. The thing that put him in the deep mood and gave him the heavy look that Julian saw on his face was that 'chip off the old block' refrain of Butch Doerflinger’s. William Dilworth English was thinking of his own life, the scrupulous, notebook honesty; the penny-watching, bill-paying, self-sacrificing honesty that had been his religion after his own father’s suicide. And that was his reward: a son who turned out to be like his grandfather, a thief.
”
”
John O'Hara (Appointment in Samarra)
“
The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.”
He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was.
Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather.
When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there.
It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town.
On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting.
One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
The girls stepped back into the canoe and paddled off. As they rounded the next bend, Helen cried, “There’s the Lilac Inn dock!” When the canoe came abreast of the dock, Nancy secured it to a post. The girls hopped out and started up the path that led to the inn. On both sides of the path were groves of lilac trees which displayed a profusion of blooms, from creamy white to deep purple.
”
”
Carolyn Keene (The Mystery at Lilac Inn (Nancy Drew, #4))
“
Bella Swan: Jasper? Are you sure there's nothing I can do to help?
Jasper Hale: Well just your presence alone, your scent, will distract the newborns. Their hunting instinct will take over, and drive 'em crazy.
Bella Swan: Good, I'm glad.
[Jasper nods and begins to walk away]
Bella Swan: .
Bella Swan: Hey,
[Jasper turns around]
Bella Swan: how do you know so much about this?
Jasper Hale: I didn't have quite the same upbringing as my adopted siblings.
[Rolls up sleeves and shows Bella his arms, which have bite marks on them]
Jasper Hale: .
Bella Swan: [Hops off Jeep] Those bites are like mine.
Jasper Hale: Battle scars
[smiles]
Jasper Hale: . All the training the Confederate Army gave me was useless against the newborns, but still, I never lost a fight.
Bella Swan: Hey, this - this happened during the Civil War?
Jasper Hale: I was the youngest major in the Texas Calvary, all without having seen any real battle.
Bella Swan: Until...?
Jasper Hale: Till I met a certain immortal... Maria
”
”
David Slade
“
Back in 1998, the days were so much more spacious. When she woke up in the morning, the day rolled out in front of her like a long hallway for her to meander down, free to linger over the best parts. Days were so stingy now. Mean slivers of time. They flew by like speeding cars. Whoosh! When she was pulling back the blankets to hop into bed each night, it felt as if only seconds ago she’d been throwing them off to get up.
”
”
Liane Moriarty (What Alice Forgot)
“
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly.
Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.”
“And they said?”
“Mom said, ‘Have a nice time, dear.’ Dad just looked at me.”
“Embarrassing much?”
“Worth it.”
He walks slowly over, his eyes locked on mine, then puts his hands around my waist.
“Um. So . . . are we going to study?” My tone’s deliberately casual.
Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt.
In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor.
“Sorry!” he says, and we both freeze, even though no one’s home to hear the sound.
In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack.
In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again.
But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
There just wasn’t enough time in 2008. It had become a limited resource. Back in 1998, the days were so much more spacious. When she woke up in the morning, the day rolled out in front of her like a long hallway for her to meander down, free to linger over the best parts. Days were so stingy now. Mean slivers of time. They flew by like speeding cars. Whoosh! When she was pulling back the blankets to hop into bed each night, it felt as if only seconds ago she’d been throwing them off to get up.
”
”
Liane Moriarty (What Alice Forgot)
“
The only good thing was that by midnight, even most of the bums had gone home to sleep it off. That was lucky for them, because Ray was the worst damn driver I’d ever seen. And that was after I jerked his head out of the duffel and parked it on the dashboard.
“Gah! That makes it worse!” he told me, as I tried to get the eyes facing forward.
“How can it possibly be worse?”
“Because I got double vision now! Get it off! Get it off!”
He batted at his own head and succeeded in sending it tumbling into Christine’s lap. She immediately went into hysterics and slapped it away. The head fell out of the car; Ray hit the brakes and we came to a screeching halt.
“What are you doing?” I screeched, as he hopped out. “There are people firing at us!”
“Tough!” came from somewhere under the car.
”
”
Karen Chance (Death's Mistress (Dorina Basarab, #2))
“
The first time I met Crenshaw was about three years ago, right after first grade ended. It was early evening, and my family and I had parked at a rest stop off a highway. I was lying on the grass near a picnic table, gazing up at the stars blinking to life. I heard a noise, a wheels-on-gravel skateboard sound. I sat up on my elbows. Sure enough, a skater on a board was threading his way through the parking lot. I could see right away that he was an unusual guy. He was a black and white kitten. A big one, taller than me. His eyes were the sparkly color of morning grass. He was wearing a black and orange San Francisco Giants baseball cap. He hopped off his board and headed my way. He was standing on two legs just like a human. “Meow,” he said. “Meow,” I said back, because it seemed polite.
”
”
Katherine Applegate (Crenshaw)
“
We will need to stay over two nights in a hotel on our trip home.”
Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?”
Mr. Kadam chuckled. “I’ll see what I can do.”
I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.”
He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face.
I sputtered, “Ren! That is so disgusting!”
I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road.
Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes.
I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
A Bird, came down the Walk - (359)
A Bird, came down the Walk -
He did not know I saw -
He bit an Angle Worm in halves
And ate the fellow, raw,
And then, he drank a Dew
From a convenient Grass -
And then hopped sidewise to the Wall
To let a Beetle pass -
He glanced with rapid eyes,
That hurried all abroad -
They looked like frightened Beads, I thought,
He stirred his Velvet Head. -
Like one in danger, Cautious,
I offered him a Crumb,
And he unrolled his feathers,
And rowed him softer Home -
Than Oars divide the Ocean,
Too silver for a seam,
Or Butterflies, off Banks of Noon,
Leap, plashless as they swim.
”
”
Emily Dickinson
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.”
“Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively.
“We all did. Hop to it.”
“What about Sam?” Tucker asked. “His woman is the one who got us into this.”
“I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps.
Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted.
“He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.”
“That hurt,” Sam said, turning back.
“Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.”
“Fat help you are,” Sam accused. “I could use a little confidence here.”
Kyle snorted. “You don’t have a chance, buddy.”
“Goin’ to meet your maker,” Gator added solemnly.
Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.”
“Have you ever actually used a sword before?” Kadan asked, all innocent.
Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.”
“You’re all a big help,” Sam said and stepped out into the hall.
This was the biggest moment of his life. If they turned him down, he was lost.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Honey’s Cottage Miss Honey joined Matilda outside the school gates and the two of them walked in silence through the village High Street. They passed the greengrocer with his window full of apples and oranges, and the butcher with bloody lumps of meat on display and naked chickens hanging up, and the small bank, and the grocery store and the electrical shop, and then they came out at the other side of the village on to the narrow country road where there were no people any more and very few motor-cars. And now that they were alone, Matilda all of a sudden became wildly animated. It seemed as though a valve had burst inside her and a great gush of energy was being released. She trotted beside Miss Honey with wild little hops and her fingers flew as if she would scatter them to the four winds and her words went off like fireworks, with terrific speed. It was Miss Honey this and Miss Honey that and Miss Honey I do honestly feel I could move almost anything in the world, not just tipping over glasses and little things like that . . . I feel I could topple tables and chairs, Miss Honey . . . Even when people are sitting in the chairs I think I could push them over, and bigger things too, much bigger things than chairs and tables . . . I only have to take a moment to get my eyes strong and then I can push it out, this strongness, at anything at all so long as I am staring at it hard enough . . . I have to stare at it very hard, Miss Honey, very very hard, and then I can feel it all happening behind my eyes, and my eyes get hot just as though they were burning but I don’t mind that in the least, and Miss Honey . . .
”
”
Roald Dahl (Matilda)
“
Can two walk together, unless they are agreed?’
Amos 3:3
‘Does This Person Belong in your Life?’
A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
”
”
Patience Johnson
“
So what happened?"
"I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment.
No.Not funny.One hundred percent the exact opposite of funny.
"I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened."
Underwear,on.
"Did you turn the ringer back on last night?"
"What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red.
"You went to see a film,right? Don't you set your mobile to silent at the theater?"
He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror.
A mirror St. Clair is facing.
"It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..."
"Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Good people, your food is digested by various juices in the stomach. There is a stomach juice for everything you eat. There is a juice for meat and a juice for potatoes. There is a juice for chitterlings and a juice for sweet potato pie. There is a juice for buttermilk and a juice for hopping John. But sometimes it happens these juices get mixed up and the wrong juice is applied to the wrong food. Now you might eat corn on the cob which has just been taken out of the pot and it’s so hot you burn your tongue. Well, your mouth gets mixed up and sends the wrong signal to your stomach. And your stomach hauls off and lets go with the juice for cayenne pepper. Suddenly you got an upset stomach and the hot corn goes to your head. It causes a burning fever and your temperature rises. Your head gets so hot it causes the corn to begin popping. And the popped corn comes through your skull and gets mixed up with your hair. And that’s how you get dandruff. Dusty Fletcher at the Apollo Theater on 125th Street in Harlem
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
After a week's worth of failed fairy tales—stories that made my eyelids flutter open and not shut—my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State.
”
”
Monique Truong (Bitter in the Mouth)
“
Frankie,I noticed as I flipped the mic up to its normal position, was staring at me through narrowed eyes, clapping so slowly that I could actually measure the silence in between beats.
I felt about three inches tall as I stepped off the stage.
~~~
"...and went down like a rock.Bam."
"Oh,man. What did you do?"
"What could I do?" I shrugged. "I hopped up, took a bow, and ran. I was late to meet you."
Alex was gently rubbing my bare knee. I'd rolled up my jeans to show him the bruise already blossoming there. "I would have caught you," he said, fingers sliding to the inside of my leg and making my insides feel like jelly.
"Not likely, O Gallant One.The stage is only a foot high."
"I gotta see this place sometime.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
I turn to Peter and say, “I can’t believe you did this.”
“I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.”
I look around. “Um…”
That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
“Hurry up and get up there before all the candles melt, Lara Jean,” Chris calls out.
Darrell and Gabe help hoist me onto the table, careful not to set my dress on fire. Peter says, “Okay, now you look at me adoringly, and I lean forward like this.”
Chris comes forward and puffs out my skirt a bit. “Roll up your sleeve a little higher,” she instructs Peter, looking from her phone to us. Peter obeys, and she nods. “Looks good, looks good.” Then she runs back to her spot and starts to snap. It takes no effort on my part at all to look at Peter adoringly tonight.
When I blow out the candles and make my wish, I wish that I will always feel for Peter the way I do right now.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
This writing thing, it ain’t like that hip hop shit, City. For li’l niggas like you,” he told me, “this writing thing is like a gotdamn porta potty. It’s one li’l nigga at a time, shitting in the toilet, funking up the little space he get. And you shit a regular shit or a classic shit. Either way,” he said. “City, you gotta shit classic, then get your black ass on off the pot.” He actually grabbed my hand. “You probably think I’m hyping you just for the money. It ain’t just about the money. It’s really not. It’s about doing whatever it takes for you to have your voice heard. So I don’t know what you’re writing in that book you always carrying around, but it better be classic because you ain’t gonna get no two times to get it right, you hear me?
”
”
Kiese Laymon (Long Division)
“
A pale, sweaty Corona bottle invaded my field of vision. It was clamped in a hand attached to a muscular arm with pale blond hair.
“Peace offering,” Curran said.
Did I hear him come in? No.
I took the beer. He paused on the other side of the tub. He was wearing a white gym towel. “I’m about to take the towel off and hop in,” he said. “Fair warning.”
There are times in life when shrugging takes nearly all of your will. “I’ve seen you naked.”
“Didn’t want you to run away screaming or anything.”
“You flatter yourself.”
He took the towel off.
I hadn’t exactly forgotten what he looked like without clothes. I just didn’t remember it being quite so tempting. He was built with survival in mind: strong but flexible, defined but hardly slender. You could bounce a quarter from his abs.
Curran stepped into the tub. He was obviously in no hurry.
It was like walking on a high bridge: don’t look down. Definitely not below his waist . . . Oh my.
He sank into the hot water near me. I remembered to breathe. “How’s your back?”
“It’s fine,” he said. “Thanks.”
“Don’t mention it.” It had to be sore.
“Does your side hurt?”
“No.”
His smile told me he knew we were both full of it.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
I think having faith and believing that things are ultimately in God’s hands is very close to trusting your ability in sports such as golf. When a golfer is in the right frame of mind, he’s confident that he can produce the shot he sees with his mind’s eye. He trusts that the skills he has ingrained through practice are going to work for him if he just lets them and doesn’t try to guide or steer the ball. But at the same time, part of his thinking is acceptance of whatever happens to the golf ball once he hits it. He knows that because he’s a human being, not every shot will come off the way he intends it. He knows that because golf can be a capricious game, his ball is sometimes going to take a weird hop into the woods. He knows he can only do his best and wait to see what the outcome is.
”
”
Bob Rotella (How Champions Think: In Sports and in Life)
“
He just lingers long enough to see his plane put to bed properly, then grabs a cab at the airport-gate. "The Settlement" and forgetting that he's not inland any more, that Shanghai's snappier than Chicago, "Chop-chop."
"Sure, Mike," grins the slant-eyed driver. "Hop in."
A change has come over the city since he went away, he can feel that the minute they hit the outskirts, clear the congested native sections, and cross the bridge into the Settlement. Shanghai is already tuning-up for its oncoming doom, without knowing it. A city dancing on the brink of the grave. There's an electric tension in the air, the place never seemed so gay, so hectic, as tonight; the roads opening off the Bund a welter of blinking, flashing neon lights, in ideographs and Latin letters alike, as far as the eye can see. Traffic hopelessly snarled at every crossing, cops piping on their whistles, packed sidewalks, the blare of saxophones coming from taxi-dance mills, and overhead the feverish oriental stars competing with inter-crossed searchlight beams from some warships or other on the Whang-poo. Just about the right town and the right night to have fifteen thousand bucks in, all at one time. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
Then it was horn time. Time for the big solo.
Sonny lifted the trumpet - One! Two! - He got it into sight - Three!
We all stopped dead. I mean we stopped.
That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit.
Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?"
I looked close and said: "Man, I hope not."
But why kid? We'd seen that trumpet a million times.
It was Spoof's.
Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night...
I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and -
That blast got into our ears like long knives.
Spoof's own trademark!
Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide.
Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat.
The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves...
And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted:
'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!'
And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz.
Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep...
And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!'
God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
”
”
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face.
He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.”
She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms.
“Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands.
She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time.
And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on.
When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent.
He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.”
He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.”
She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.”
He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?”
She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.”
Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
It was 1977. Bob Marley was in a foreign studio, recovering from an assassin’s ambush and singing: “Many more will have to suffer. Many more will have to die. Don’t ask me why.” Bantu Stephen Biko was shackled, naked and comatose in the back of a South African police Land Rover. The Baader-Meinhof gang lay in suicide pools in a German prison. The Khmer Rouge filled their killing fields. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. In London, as in New York City, capitalism’s crisis left entire blocks and buildings abandoned, and the sudden appearance of pierced, mohawked, leather-jacketed punks on Kings Road set off paroxysms of hysteria. History behaved as if reset to year zero. In the Bronx, Herc’s time was passing. But the new culture that had arisen around him had captured the imagination of a new breed of youths in the Bronx. Herc had stripped down and let go of everything, save the most powerful basic elements—the rhythm, the motion, the voice, the name. In doing so, he summoned up a spirit that had been there at Congo Square and in Harlem and on Wareika Hill. The new culture seemed to whirl backward and forward—a loop of history, history as loop—calling and responding, leaping, spinning, renewing.
”
”
Jeff Chang (Can't Stop Won't Stop: A History of the Hip-Hop Generation (PICADOR USA))
“
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.”
Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.”
I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.”
“If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.”
“Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!”
Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach.
I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.”
Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right.
I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility."
"His wang us rubbed shiny," Josh elaborates. "For luck."
"Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?"
"Really?" I ask. "Shiny wang?"
"Very," St. Clair says.
"Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?"
"Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass.
St. Clair gets away with everything.
We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes.
"Well.That was sufficiently creepy. Happy Halloween."
"Did you know this place is home to three thousand cats?" St. Clair asks.
"Sure.It's filed away in my brain under 'Felines,Paris.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight.
The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab.
Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall.
They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it.
It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time.
Here's to them.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe #5))
“
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm.
"How do you feel?" he says.
"Better," I say to his reflection.
He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing."
He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather."
"And my mother agreed to that?"
Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school."
A flash from the storm illuminates my blush. "Because we told her we're dating."
He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!"
I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs.
"No you weren't. Let me up."
"I will." He laughs.
"Galen, you let me up right now-"
"Sorry, not ready yet."
I gasp. "Oh, no! The room is spinning again." I hold still, tense up.
Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk.
A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says.
Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them.
As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time.
"I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.
”
”
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
“
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics."
"Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place.
Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..."
He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!"
Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car.
Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow.
The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag.
"I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors."
"I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance.
"Hey, I offered to carry you," Sage offered.
"No, thank you."
I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time.
After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked.
"We're here."
There was nothing in front of us but more trees.
"Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed.
"You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest."
"Thank you," Sage said.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams.
I spin around. “Oh my God, Peter!”
He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.”
I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth.
Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say.
“Of course we knew it was your birthday,” Lucas says.
Darrell says, “My boy’s been planning this for weeks.”
“It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.”
Chris says, “He called me, too. I was like, how the hell should I know?”
“And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!”
“I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.”
I turn to Peter and say, “I can’t believe you did this.”
“I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.”
I look around. “Um…”
That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.
”
”
Claire North (The First Fifteen Lives of Harry August)
“
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
”
”
John Green (The Fault in Our Stars)
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))