“
Crazy Horse dreamed and went into the world where there is nothing but the spirits of all things. That is the real world that is behind this one, and everything we see here is something like a shadow from that one.
”
”
Black Elk (Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux)
“
That's what this war is all about, my friend. It's about which of us is the crazier.And clearly you British have an advantage.You were crazy beforehand.
”
”
Michael Morpurgo (War Horse (War Horse, #1))
“
Do you think you could persuade that horse of yours to stay with the other horses for a minute or two?” he said with a mock severity. “Otherwise he’ll wind up believing he’s one of us.”
He’s been driving Halt crazy since we found your tracks,” Horace put in. “He must have picked up your scent and known it was you we were following, although Halt didn’t realize it.”
At that, Halt raised an eyebrow. “Halt didn’t realize it?” he repeated. “And I suppose you did?”
Horace shrugged. “I’m just a warrior,” he replied. “I’m not supposed to be the thinker. I leave that to you Rangers.
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
They fight a war and they don't know what for. Isn't that crazy? How can one man kill another and not really know the reason why he does it, except that the other man wears a different color uniform and speaks a different language?
”
”
Michael Morpurgo (War Horse (War Horse, #1))
“
Treat the earth well: it was not given to you by your parents, it was loaned to you by your children. We do not inherit the Earth from our Ancestors, we borrow it from our Children.
”
”
Crazy Horse
“
Zane rolled his eyes. "Galloping crazies."
Ty squeezed his hand. "Well, you said you liked horses.
”
”
Abigail Roux (Stars & Stripes (Cut & Run, #6))
“
The strength of a tree, the old ones say, comes not from growing thicker in the good years when there is water, but from staying alive in the bad, dry times.
”
”
Joseph M. Marshall III (The Journey of Crazy Horse: A Lakota History)
“
Like he cared about a lot of stupid settlers and Indians and soldiers who hung around out here before he was even born. Hell, before his prehistoric grandparents had been born.
Who gave a shit about Crazy Horse and Sitting Bullshit. He cared about X-Men and the box scores.
”
”
Nora Roberts (Black Hills)
“
The water you kids were playing in, he said, had probably been to Africa and the North Pole. Genghis Khan or Saint Peter or even Jesus may have drunk it. Cleopatra might have bathed in it. Crazy Horse might have watered his pony with it. Sometimes water was liquid. Sometimes it was rock hard- ice. Sometimes it was soft- snow. Sometimes it was visible but weightless- clouds. And sometimes it was completely invisible- vapor- floating up into the the sky like the soals of dead people. There was nothing like water in the world, Jim said. It made the desert bloom but also turned rich bottomland into swamp. Without it we'd die, but it could also kill us, and that was why we loved it, even craved it, but also feared it. Never take water forgranted, Jim said. Always cherish it. Always beware of it.
”
”
Jeannette Walls (Half Broke Horses)
“
If one person tells you you're a horse , they are crazy. If three people tell you you're a horse, There's conspiracy afoot. If ten people tell you you're a horse,it's time to buy a saddle
”
”
Jack Rosenblum
“
I thought of something I learned from reading Crazy Horse: The Strange Man of the Oglalas by Mari Sandoz. Crazy Horse believes that he will be victorious in battle, but if he stops to take spoils from the battlefield, he will be defeated. He tattoos lightning bolts on the ears of his horses so the sight of them will remind him of this as he rides. I tried to apply this lesson to the things at hand, careful not to take spoils that were not rightfully mine.
”
”
Patti Smith (Just Kids)
“
Saddle Club Forever!" Stevie, Carole, and Lisa said.
”
”
Bonnie Bryant (Horse Crazy (Saddle Club, #1))
“
Would Crazy Horse have spent this much to remodel a kitchen?
”
”
Ian Frazier (On the Rez)
“
Our culture's quest to hide death behind a facade of denial has made fools and pretended immortals of us all. Perhaps it would be more helpful and liberating to begin each day by repeating the words of Crazy Horse, "Today is a good day to die.
”
”
Richard Paul Evans (A Step of Faith (The Walk, #4))
“
So basically
be careful never to be too awesome
or you will be mysteriously executed
just like Martin Luther King
and Gandhi
and Abraham Lincoln
and JFK
and Malcolm X
and Sitting Bull
and Crazy Horse
and... wow
why are we so mean to our best people?
”
”
Cory O'Brien (George Washington Is Cash Money: A No-Bullshit Guide to the United Myths of America)
“
Apologies aren't meant to change the past, they are meant to change the future.
”
”
Kevin Hancock (Not For Sale: Finding Center in the Land of Crazy Horse)
“
I tell you, my friends,’ he said one day. ‘I tell you that I am the only sane man in the regiment. It’s the others that are mad, but they don’t know it. They fight a war and they don’t know what for. Isn’t that crazy? How can one man kill another and not really know the reason why he does it, except that the other man wears a different colour uniform and speaks a different language? And it’s me they call mad!
”
”
Michael Morpurgo (War Horse (War Horse, #1))
“
I salute the light within your eyes where the whole universe dwells. For when you are at that center within you and I am at that place within me, we shall be one.
”
”
Crazy Horse
“
Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds.
”
”
Rebecca Solnit
“
And as the old men warned, power does not listen with honest ears to the whispers of the powerless.
”
”
Joseph M. Marshall III (The Journey of Crazy Horse: A Lakota History)
“
All that existed was precious in Crazy Horse’s religion—whatever a man did or thought was good, was wakan, so long as he obeyed his own inner voice, for that too was wakan.
”
”
Stephen E. Ambrose (Crazy Horse and Custer: The Parallel Lives of Two American Warriors)
“
Little Crazy Love Song”
I don’t want eventual,
I want soon.
It’s 5 a.m. It’s noon.
It’s dusk falling to dark.
I listen to music.
I eat up a few wild poems
while time creeps along
as though it’s got all day.
This is what I have.
The dull hangover of waiting,
the blush of my heart on the damp grass,
the flower-faced moon.
A gull broods on the shore
where a moment ago there were two.
Softly my right hand fondles my left hand
as though it were you.
”
”
Mary Oliver (Blue Horses)
“
Affection is the mortal illness of lonely people.
”
”
Gary Indiana (Horse Crazy)
“
Crazy Horse was dead. He was brave and good and wise. He never wanted anything but to save his people, and he fought the Wasichus only when they came to kill us in our own country. He was only thirty years old. They could not kill him in battle. They had to lie to him and kill him that way.
I cried all night, and so did my father.
”
”
Black Elk (Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux)
“
My lands are where my dead lie buried.
”
”
Crazy Horse
“
A very great vision is needed, and the man who has it must follow it as the eagle seeks the deepest blue of the sky.
”
”
Crazy Horse
“
Detach or go crazy.
”
”
Alex Adams (White Horse (White Horse, #1))
“
One does not sell the earth upon which the people walk.
”
”
Crazy Horse
“
Life is a circle. The end of one journey is the beginning of the next.
”
”
Joseph M. Marshall III (The Journey of Crazy Horse: A Lakota History)
“
Unknown Assassin, says the headline. Blanche skips over the details she already knows. How bizarre to see what she lived through last night turned into an item tucked between stock prices and Crazy Horse whupping the army at Little Bighorn.
”
”
Emma Donoghue (Frog Music)
“
He tries to force the anger down, but it's like an anvil on his chest. He closes his eyes, like Sammy taught him, and forces the anvil up; he softens.
”
”
Chris Crutcher (The Crazy Horse Electric Game)
“
Even Crazy Horse, the famous Oglala warrior, was named for his father. But nobody called him Junior, for rather logical reasons. “Look! There’s the most feared and mysterious Indian of all time! Behold! It is Junior!
”
”
Sherman Alexie (You Don't Have to Say You Love Me)
“
Casa Hatüey was named Hatüey because in Times Past it supposedly had been owned by a descendant of the priest who tried to baptize Hatüey right before the Spaniards burned him at the stake. (What Hatüey said on that pyre is a legend in itself: Are there white people in Heaven? Then I'd rather go to Hell.) History, however, has not been kind to Hatüey. Unless somethings changes ASAP he will go out like his camarada Crazy Horse. Coffled to a beer, in a country not his own.
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
After four hundred years of betrayals and excuses, Indians recognize the new fashion in racism, which is to pretend that the real Indians are all gone.
”
”
Peter Matthiessen (In the Spirit of Crazy Horse: The Story of Leonard Peltier and the FBI's War on the American Indian Movement)
“
Loving someone is sticking a pin through a voodoo doll and not hitting any vital organs
”
”
Josh Stern (And That’s Why I’m Single)
“
Horse crazy girls? Horses don't make girls crazy, horses make girls women
”
”
Heidi Furseth
“
If bliss are a type of potato, then ignorance can be french-fried
”
”
Josh Stern (And That’s Why I’m Single)
Bonnie Bryant (Horse Crazy (Saddle Club, #1))
“
If this were a courageous country,
it would ask Gloria to lead it
since she is sane and funny and beautiful and smart
and the National Leaders we've always had
are not.
When I listen to her talk about women's rights
children's rights
men's rights
I think of the long line of Americans
who should have been president, but weren't.
Imagine Crazy Horse as president. Sojourner Truth.
John Brown. Harriet Tubman. Black Elk or Geronimo.
Imagine President Martin Luther King confronting
the youthful "Oppie" Oppenheimer. Imagine President
Malcolm X going after the Klan. Imagine President Stevie
Wonder dealing with the "Truly Needy."
Imagine President Shirley Chisholm, Ron Dellums, or
Sweet Honey in the Rock
dealing with Anything.
It is imagining to make us weep with frustration,
as we languish under real estate dealers, killers,
and bad actors.
”
”
Alice Walker (Horses Make a Landscape Look More Beautiful)
“
She thought she could be saved. She thought he could take her hand and owldance her around the circle. She thought she could watch him fancydance, watch his calf muscles grow more and more perfect with each step. She thought he was Crazy Horse.
”
”
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
“
I’d jumped into raging rivers, ridden wild bulls, bucking horses and fought off deadly snakes. I’d done a thousand crazy things in my life that made Ma yell at me, but I’d never—never—been as scared as I was when I looked at him. *
”
”
N.R. Walker (Red Dirt Heart (Red Dirt Heart, #1))
“
Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake.
”
”
J.D. Salinger
“
How can you sit here and know that day... three I'm not going to be driving you crazy because I laugh like a horse or...or... dress up your penis in Barbie clothes?
”
”
Suzanne Brockmann (Hot Pursuit (Troubleshooters, #15))
“
Welfare mothers make better lovers
”
”
Neil Young
“
Apologies aren't meant to change the past, they are mean't to change the future.
”
”
Kevin Hancock (Not For Sale: Finding Center in the Land of Crazy Horse)
“
Rarely did anyone dream of the Thunders, and anyone who did had a special calling to be a “sacred clown,” the one who did the opposite of what was expected.
”
”
Joseph M. Marshall III (The Journey of Crazy Horse: A Lakota History)
“
Discipline is what makes an army—and civilization.
”
”
Stephen E. Ambrose (Crazy Horse and Custer: The Parallel Lives of Two American Warriors)
“
The white man, as one Indian said, “was in the Black Hills just like maggots”;10 wasicu, or “the greedy one” (literally, “he-who-takes-the-fat”),11 was the term the Lakota used to describe the miners, and it later became their term for whites in general. “The love of possessions is a disease with them,” said Sitting Bull, who was never behindhand in his contempt.
”
”
Peter Matthiessen (In the Spirit of Crazy Horse: The Story of Leonard Peltier and the FBI's War on the American Indian Movement)
“
Treat life as a suicide mission, take on the impossible jobs and attack with the gusto of someone who has nothing to lose.... and when you revel in victory, make like it's a dirty win
”
”
Josh Stern (And That’s Why I’m Single)
“
I don’t want to be demure or respectable.
I was that way, asleep, for years.
That way, you forget too many important things.
How the little stones, even if you can’t hear them,
are singing.
How the river can’t wait to get to the ocean and
the sky, it’s been there before.
What traveling is that!
It is a joy to imagine such distances.
I could skip sleep for the next hundred years.
There is a fire in the lashes of my eyes.
It doesn’t matter where I am, it could be a small room.
The glimmer of gold Böhme saw on the kitchen pot
was missed by everyone else in the house.
Maybe the fire in my lashes is a reflection of that.
Who do I have so many thoughts, they are driving me
crazy.
Why am I always going anywhere, instead of
somewhere?
Listen to me or not, it hardly matters.
I’m not trying to be wise, that would be foolish.
I’m just chattering.
”
”
Mary Oliver (Blue Horses)
“
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?"
"It's a terrific bore."
"I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean."
"Well, I don't exactly hate it. You always have to--"
"Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--"
"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting.
"Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--"
"I don't know what you're even talking about," old Sally said. "You jump from one--"
"You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically."
"You're sweet," she said. But you could tell she wanted me to change the damn subject.
"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--"
"Now, listen," old Sally said. "Lots of boys get more out of school that that."
"I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape."
"You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Besides the fact that the typical pacifist is quite clearly white and middle class, pacifism as an ideology comes from a privileged context. It ignores that violence is already here; that violence is an unavoidable, structurally integral part of the current social hierarchy; and that it is people of color who are most affected by that violence. Pacifism assumes that white people who grew up in the suburbs with all their basic needs met can counsel oppressed people, many of whom are people of color, to suffer patiently under an inconceivably greater violence, until such time as the Great White Father is swayed by the movement’s demands or the pacifists achieve that legendary “critical mass.” [...] Nonviolence declares that the American Indians could have fought off Columbus, George Washington, and all the other genocidal butchers with sit-ins; that Crazy Horse, by using violent resistance, became part of the cycle of violence, and was “as bad as” Custer. Nonviolence declares that Africans could have stopped the slave trade with hunger strikes and petitions, and that those who mutinied were as bad as their captors; that mutiny, a form of violence, led to more violence, and, thus, resistance led to more enslavement. Nonviolence refuses to recognize that it can only work for privileged people, who have a status protected by violence, as the perpetrators and beneficiaries of a violent hierarchy.
”
”
Peter Gelderloos
“
At first it was simply that the spells would not come off. Or they would, but with the most unexpected results. He would try to move a small object, a salt cellar; it would overturn. He would try again and the salt would burst into flames. On the third try it might fly at his head, or mine. One day he attempted a simple messenger spell, and in the space of five minutes every spider, centipede, and earwig in the place came swarming in under the door. We began conducting his training outside after that.
“Attempting to levitate, he blew up an entire grove of trees in the park. A simple summoning, butterflies I think, and all the horses went crazy for an hour. Things soon reached such a state that whenever anything unusual happened within the Orëska grounds, we got the blame for it.
“Oh, but it was frustrating! In spite of all the blunders, all the destruction, I knew the power was there. I could feel it, even when he could not. For he did succeed now and then, but so erratically! Poor Seregil was devastated. I saw him brought to tears just trying to light a candle. Then there was the time he turned himself into a brick.
”
”
Lynn Flewelling (Luck in the Shadows (Nightrunner, #1))
“
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”.
And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
”
”
Jess Walter (Beautiful Ruins)
“
The buffalo were taking leave of the earth and all they loved,” said the old chiefs and hunters after years had passed and they could tell what split their hearts. “The buffalo went crazy with grief to see the end of things. Like us, they saw the end of things and like many of us, many today, they did not care to live.
”
”
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
“
Crazy Horse was a new kind of leader to emerge after the Civil War, at the beginning of the army’s wars of annihilation in the northern plains and the Southwest. Born in 1842 in the shadow of the sacred Paha Sapa (Black Hills), he was considered special, a quiet and brooding child. Already the effects of colonialism were present among his people, particularly alcoholism and missionary influence. Crazy Horse became a part of the Akicita, a traditional Sioux society that kept order in villages and during migrations. It also had authority to make certain that the hereditary chiefs were doing their duty and dealt harshly with those who did not.
”
”
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
“
Peace and beauty? You think Indians are so worried about peace and beauty? ... If Wovoka came back to life, he'd be so pissed off. If the real Pocahontas came back, you think she'd be happy about being a cartoon? If Crazy Horse, or Geronimo, or Sitting Bull came back, they'd see what you white people have done to Indians, and they'd start a war. They'd see the homeless Indians staggering around downtown. They'd see fetal-alcohol-syndrome babies. They'd see the sorry-ass reservations. They'd learn about Indian suicides and infant mortality rates. They'd listen to some dumb-ass Disney song and feel like hurting somebody. They'd read books by assholes like Wilson, and they would start killing themselves some white people, and then kill some asshole Indians too.
Dr. Mather, if the Ghost Dance worked, there would be no exceptions. All you white people would disappear. All of you. If those dead Indians came back to life ,they wouldn't crawl into a sweathouse with you. They wouldn't smoke the pipe with you. They wouldn't go to the movies and munch popcorn with you. They'd kill you. They'd gut you and eat your heart.
”
”
Sherman Alexie (Indian Killer)
“
They had wanted to go to the barn and brush the horses. If they brushed the horses and mucked out a few of the stalls then usually Ned would let them take turns riding the mare for the afternoon. But Albie was driving them crazy. What was he doing that was so intolerable? Standing here in front of him now, Franny couldn't remember. Or maybe he wasn't doing anything wrong. Maybe it was just that someone had to watch him around the horses and none of them wanted to do it. He wasn't the monster they told him he was, in fact there wasn't anything so awful about him. It was only that he was a little kid.
”
”
Ann Patchett (Commonwealth)
“
Forget the National Debt Clock. We need an electronic billboard to track all the daily shootings in this country. I'm really sick of listening to all the mouth breathers who soil their camouflage pants every time someone suggests we might have a gun problem. Other countries have crazy, violent people. What they don't have is 300,000,000 WMDs and a gun show loophole that allows any psycho with a valid credit card to own 'em.
”
”
Quentin R. Bufogle (Horse Latitudes)
“
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
”
”
Hunter S. Thompson (Hell's Angels)
“
A mounted buffalo chase was one of the most exciting things a man could do. There was always the risk of injury and death, but having once hunted buffalo from the back of a horse, no man could resist trying it over and over again. It was one thing to wait in ambush along a trail for black-tailed or white-tailed deer or at a waterhole for the white-bellied pronghorn, but chasing buffalo was the pursuit of life itself, testing one’s nerves and skills to the limit as fast as a horse could run.
”
”
Joseph M. Marshall III (The Journey of Crazy Horse: A Lakota History)
“
I have never seen the truth,” said Damien, “without crossing my eyes. Life is crazy.
”
”
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
“
How crazy it would be
if the moon did spin
and the earth stood still
and the sun went dim!
How absolutely ludicrous
if snakes could walk
and kids could fly
and mimes did talk!
How silly it would be
if the nights were tan
and the mornings green
and the sun cyan!
How totally ridiculous
if horses chirped
and spiders sang
and ladies burped!
How shocking it would be
if the dragons ruled
and the knights were daft
but the fish were schooled!
How utterly preposterous
if rain were dry
and snowflakes warm
and real men cried!
I love to just imagine
all the lows as heights,
and the salty, sweet,
and our lefts as rights.
Perhaps it is incredible
and off the hook,
but it all makes sense
in a storybook!
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Eventually, it was around midnight, I was told to get ready and put the gloves on. I felt physically depleted and drained of energy, and had no get-up-and-go left in me. I wanted a bed badly, not a boxing ring.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
Camped somewhere deep in an impenetrable crag of the immense Powder River Country during the late autumn of 1856, more than likely in the shadow of the sacred Black Hills, one imagines the thirty-five-year-old Red Cloud stepping from his tepee to listen to the bugle of a bull elk in its seasonal rut. Around him women haul water from a crystalline stream as cottonwood smoke rises from scores of cook fires and coils toward a sky the color of brushed aluminum. The wind sighs, and a smile creases his face as he observes a pack of mounted teenagers collect wagers in preparation for the Moccasin Game, or perhaps a rough round of Shinny. His gaze follows the grace and dexterity of one boy in particular, a slender sixteen-year-old with lupine eyes. The boy is Crazy Horse, and the war leader of the Bad Faces makes a mental not to keep tabs on this one.
”
”
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
“
In the midst of this imagining, I heard, out from nowhere, the distant sound of sleigh bells. I was going crazy.
But there, right in front of me, across the street, was a horse – chestnut, with white spots – trotting down the street. It trotted long purposefully, cheerfully, unhurried, down Broadway. Holding my breath, I managed to find my phone and snap a photo before it disappeared from sight…. I uploaded the photo I just took. I added a caption: If a horse rides through Times Square and no one is there to see it, did it actually happen? If New York is breaking down and no one documents it, is it actually happening?
I clicked Publish.
”
”
Ling Ma (Severance)
“
I was hostile to the white man…We preferred hunting to a life of idleness on our reservations. At times we did not get enough to eat and we were not allowed to hunt. All we wanted was peace and to be let alone. Soldiers came…in the winter..and destroyed our villages. Then Long Hair (Custer) came…They said we massacred him, but he would have done the same to us. Our first impulse was to escape…but we were so hemmed in we had to fight. After that I lived in peace, but the government would not let me alone. I was not allowed to remain quiet. I was tired of fighting…They tried to confine me..and a soldier ran his bayonet into me. I have spoken.
”
”
Crazy Horse - Sioux Chief
“
Of the tens of thousands of men who died in combat in the war, possibly as many as half lost their lives in vain. Lee’s charges at Malvern Hill and Gettysburg, Burnside’s at Fredericksburg, Grant’s at Vicksburg, and many others left the dead strewn everywhere for no discernible military gain. The Sioux would never have followed men who led such bloody, futile assaults, but the Americans made heroes out of these generals—and the higher a general’s losses, it seemed, the greater the hero he became.
”
”
Stephen E. Ambrose (Crazy Horse and Custer: The Parallel Lives of Two American Warriors)
“
When I stopped I begun to hear all sorts of things I hadnt heard while I was running. It was like being born again, coming into a new world. There was a great crash and clatter of firing, and over all this I could hear them all around me, screaming and yelping like on a foxhunt except there was something crazy mixed up in it too, like horses trapped in a burning barn. I thought theyd all gone crazy—they looked it, for a fact. Their faces were split wide open with screaming, mouths twisted every which way, and this wild lunatic yelping coming out. It wasnt like they were yelling with their mouths: it was more like the yelling was something pent up inside them and they were opening their mouths to let it out. That was the first time I really knew how scared I was.
”
”
Shelby Foote (Shiloh)
“
I must have been crazy for taking that fight, I should have told Anth to get on his bike, but what made it worse was I knew if I were in shape I’d have beaten him inside of two rounds. Some people reckon fighters must have a little madness in them, I reckon they might be right.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
Everyone in the place seen me nut him apart from the ref, it caught him on the blind side. I tried to nut him on the eyebrow so it would split open, but I got him on the forehead. The crowd turned right against me, but I made it to the last bell and lost on a unanimous decision.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
I had a burning desire in me to win and started to get him on the back foot. I was looking for that one special shot when I put him down with the famous Horsley Muckspreader right hand… an unstoppable force. Incredibly, he got up and took the count and the ref waved us to continue.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
In the last round I was so wiped-out that for the first time in my life I tried to get disqualified. He was throwing punches non-stop and he was dangerous with those shots and becoming a little bit too cute for my liking. I backed to the ropes and catapulted off them and nutted him.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
She caught the crazy-eyed look in one about the size of a small horse, wondered vaguely why anyone would want a dog they could essentially ride around the house. When she made the mistake of meeting those crazy eyes for a split second, it danced its great gray bulk in place, then charged, dragging its squeaking owner out of her chair. In defense, Eve slapped a hand to her weapon, but the horse-dog covered the ground like a sprinter, heaved itself up, planted its enormous front paws on her shoulders. And lapped its wide, wet tongue from her chin to her hairline in one noisy slurp.
”
”
J.D. Robb (Dark in Death (In Death, #46))
“
Age didn’t seem to matter; nor did physical condition, though everything crazy you do when you’re young, every bar fight, every rough horse ridden and thrown from, every torturous twist the military does to your body comes back with a kind of staggering vengeance when you get old. Creaking bones, small and large traveling pains, bad vision . . . And none of it seemed to matter even remotely; the pain became a kind of wonderful recognition that I was still alive, another obstacle to beat or, as the Marines put it, “Pain is weakness leaving the body.” Bushwa, of course, but it was and is that way for me
”
”
Gary Paulsen (This Side of Wild: Mutts, Mares, and Laughing Dinosaurs)
“
We drove a couple of miles to a pasture near his parents’ house and met up with the other early risers. I rode along with one of the older cowboys in the feed truck while the rest of the crew followed the herd on horseback, all the while enjoying the perfect view of Marlboro Man out the passenger-side window. I watched as he darted and weaved in the herd, shifting his body weight and posture to nonverbally communicate to his loyal horse, Blue, how far to move from the left or to the right. I breathed in slowly, feeling a sudden burst of inexplicable pride. There was something about watching my husband--the man I was crazy in love with--riding his horse across the tallgrass prairie. It was more than the physical appeal, more than the sexiness of his chaps-cloaked body in the saddle. It was seeing him do something he loved, something he was so good at doing.
I took a hundred photos in my mind. I never wanted to forget it as long as I lived.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
People of color in the internal colonies of the US cannot defend themselves against police brutality or expropriate the means of survival to free themselves from economic servitude. They must wait for enough people of color who have attained more economic privilege (the “house slaves” of Malcolm X’s analysis) and conscientious white people to gather together and hold hands and sing songs. Then, they believe, change will surely come. People in Latin America must suffer patiently, like true martyrs, while white activists in the US “bear witness” and write to Congress. People in Iraq must not fight back. Only if they remain civilians will their deaths be counted and mourned by white peace activists who will, one of these days, muster a protest large enough to stop the war. Indigenous people need to wait just a little longer (say, another 500 years) under the shadow of genocide, slowly dying off on marginal lands, until-well, they’re not a priority right now, so perhaps they need to organize a demonstration or two to win the attention and sympathy of the powerful. Or maybe they could go on strike, engage in Gandhian noncooperation? But wait-a majority of them are already unemployed, noncooperating, fully excluded from the functioning of the system. Nonviolence declares that the American Indians could have fought off Columbus, George Washington, and all the other genocidal butchers with sit-ins; that Crazy Horse, by using violent resistance, became part of the cycle of violence, and was “as bad as” Custer. Nonviolence declares that Africans could have stopped the slave trade with hunger strikes and petitions, and that those who mutinied were as bad as their captors; that mutiny, a form of violence, led to more violence, and, thus, resistance led to more enslavement. Nonviolence refuses to recognize that it can only work for privileged people, who have a status protected by violence, as the perpetrators and beneficiaries of a violent hierarchy.
”
”
Peter Gelderloos (How Nonviolence Protects the State)
“
In Tibet, we have a traditional image, the windhorse, which represents a balanced relationship between the wind and the mind. The horse represents wind and movement. On its saddle rides a precious jewel. That jewel is our mind. A jewel is a stone that is clear and reflects light. There is a solid, earthly element to it. You can pick it up in your hand, and at the same time you can see through it. These qualities represent the mind: it is both tangible and translucent. The mind is capable of the highest wisdom. It can experience love and compassion, as well as anger. It can understand history, philosophy, and mathematics—and also remember what’s on the grocery list. The mind is truly like a wish-fulfilling jewel. With an untrained mind, the thought process is said to be like a wild and blind horse: erratic and out of control. We experience the mind as moving all the time—suddenly darting off, thinking about one thing and another, being happy, being sad. If we haven’t trained our mind, the wild horse takes us wherever it wants to go. It’s not carrying a jewel on its back—it’s carrying an impaired rider. The horse itself is crazy, so it is quite a bizarre scene. By observing our own mind in meditation, we can see this dynamic at work. Especially in the beginning stages of meditation, we find it extremely challenging to control our mind. Even if we wish to control it, we have very little power to do so, like the infirm rider. We want to focus on the breathing, but the mind keeps darting off unexpectedly. That is the wild horse. The process of meditation is taming the horse so that it is in our control, while making the mind an expert rider.
”
”
Sakyong Mipham (Running with the Mind of Meditation: Lessons for Training Body and Mind)
“
If the only vision we have of ourselves comes from the social mirror—from the current social paradigm and from the opinions, perceptions, and paradigms of the people around us—our view of ourselves is like the reflection in the crazy mirror room at the carnival. “You’re never on time.” “Why can’t you ever keep things in order?” “You must be an artist!” “You eat like a horse!” “I can’t believe you won!” “This is so simple. Why can’t you understand?” These visions are disjointed and out of proportion. They are often more projections than reflections, projecting the concerns and character weaknesses of people giving the input rather than accurately reflecting what we are.
”
”
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
“
The crowd were totally behind him and it spurred him on, I was right in the heat of battle. There was only one to win; I dug deep and summoned up every bit of strength, I had in me to put in to one punch to see if I could hit the jackpot. I drew him to the ropes and put everything in to a cracking right uppercut and just missed, bastard!
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
I think I know more about you at age seven than you do," Henri teased.
"Do you, now?" she asked, happy he couldn't see her blushing since she sat in front of him on their steed.
"Yes," he said confidently. "I know you always preferred the colors blue and yellow to any other. You were excellent at hide-and-seek. You hated cold porridge, and my personal favorite- you named every horse in the royal stables and liked to put bows on them when allowed."
She colored some more and burst out laughing. This she did not remember! "I did not! Did I?"
Henri laughed, too. "Apparently you did, driving the royal seamstress crazy with your requests for ribbons and bows for the royal steeds.
”
”
Jen Calonita (Mirror, Mirror)
“
Free Falling"
She's a good girl, loves her mama
Loves Jesus and America too
She's a good girl, crazy 'bout Elvis
Loves horses and her boyfriend too
It's a long day livin' in Reseda
There's a freeway runnin' through the yard
I'm a bad boy, 'cause I don't even miss her
I'm a bad boy for breakin' her heart
And I'm free, I'm free fallin'
All the vampires walkin' through the valley
Move west down Ventura Blvd
All the bad boys are standing in the shadows
All the good girls are home with broken hearts
And I'm free, I'm free fallin'
I wanna glide down over Mulholland
I wanna write her name in the sky
I wanna free fall out into nothin'
Gonna leave this world for a while
And I'm free, I'm free fallin
”
”
Tom Petty
“
When I reached the age of five, I was told I was adopted as a baby, at that time I was gun and holster mad, a bit of a lone ranger, as was the rage in those days. My parents, Tom and Brenda, told me they went to see all these special kids and they picked me out from them. Waiting for my reaction, I looked up at my parents and chimed, ‘Did I have my guns on?
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
There was a boy down at the stables." She laughed suddenly with her back comfortably nestled against Grant's chest. "Oh,Lord,he was a bit like Will, all sharp,awkward edges."
"You were crazy about him."
"I'd spend hours mucking out stalls and grooming horses just to get a glimpse of him.I wrote pages and pages about him in my diary and one very mushy poem."
"And kept it under your pillow."
"Apparently you've had a nodding aquaintance with twelve-year-old girls."
He thought of Shelby and grinned, resting his chin on the top of her head. Her hair smelled as though she'd washed it with rain-drenched wildflowers. "How long did it take you to get him to kiss you?"
She laughed. "Ten days.I thought I'd discovered the answer to the mysteries of the universe.I was a woman."
"No female's more sure of that than a twelve-year-old.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
The crowd started cheering as soon as they seen him, he was one of them, a local lad from Lancashire. In the first round, I tried to put him away but my punches had nothing in them, I might as well as been hitting thin air. It was then that I knew I had to really dig deep if I wanted to hear the final bell; I threw a clever little corkscrew right. A great shot, but ineffective unless it hits with some vigour, which it didn’t!
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
My first sparring session with him saw him bullying me around the ring, so I thought fuck this, and when he came back in close, I threw the boxing code of conduct out of the window and hit him with a cracking right hand in to the balls! That sapped the energy out of him and that was the end of that. In the end, I could take anything he threw at me and then I’d come back with mine, which he didn’t like and people would comment on how much I’d ‘come on’.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.”
Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.”
I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.”
“If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.”
“Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!”
Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach.
I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.”
Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right.
I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.”
“As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood.
Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, ‘Don't I know you?’
He was looking snake-eyed at me like a typical big screen gangster.
I stood in front of him and drawled back, ‘I don’t know, but they call me Richy Horsley,’ and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up.
”
”
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
“
This is a love story, Michael Deane says.
But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
”
”
Jess Walter (Beautiful Ruins)
“
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed,long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
”
”
Henry Wadsworth Longfellow
“
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
”
”
Laura Hillenbrand (Seabiscuit: An American Legend)
“
Psychoanalysis: An Elegy"
What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever.
”
”
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
“
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try.
“Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control.
“I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.”
But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer.
“Sally,” he says.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes.
How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord.
Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
”
”
Hallgrímur Helgason
“
I hurt my hip, too.”
“Let me see.”
She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.”
“If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt.
“Stop that.”
“Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans.
“My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.”
He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated.
She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.”
She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?”
“You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.”
Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.”
He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.”
Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?”
“He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.”
“Where am I supposed to sleep? My bedroll and tent are with my horse.”
“You should have thought of that before you started that little striptease of yours.”
“You’re the one who shouted and scared me half to death. I was only trying to cool off.”
“And heating me up in the process!”
“I can’t help it if you have a vivid imagination.”
“It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull”
“I was getting some air!”
“You slid your butt around that saddle like you were sitting right on my lap.”
“That’s ridiculous!”
“Then you lifted your arms to hold your hair up and those perfect little breasts of yours—”
“That’s enough,” she interrupted. “You’re crazy if you think—”
“You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?”
“I most certainly was not!”
“Could’ve fooled me.”
She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!”
“Damned contentious Creed!
”
”
Joan Johnston (The Texan (Bitter Creek, #2))
“
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate.
Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps.
Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out.
Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country."
"Haven't you ever heard of riding skirts?"
"Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark."
"Somebody ought to wash that barnyard mouth of yours,woman."
Willow rested her hand on her gun. "You can try, if you dare."
As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth?
Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk.
"Now what?" Icy turquoise eyes met his, dark and searing.
"Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken."
Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop.
Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell!
He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
”
”
Charlotte McPherren (Song of the Willow)
“
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys.
But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car.
‘The taxi is here,’ became my favourite sentence.
”
”
Hallgrímur Helgason