β
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the mossβd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has oβer-brimmβd their clammy cells.
β
β
John Keats (Complete Poems and Selected Letters)
β
While we kept on dancing
our souls delicately embraced.
β
β
Laura Chouette
β
Beautiful things are quiet beings.
β
β
Laura Chouette (When Dusk Falls)
β
What we outlive
becomes our cage
eventually.
β
β
Laura Chouette
β
For the ink is the same each day -
but the words are blooming in colours
no one has ever seen;
for my words are flowers,
and your love is a garden.
β
β
Laura Chouette
β
Everything dies once - only love dies twice.
β
β
Laura Chouette
β
I kept every letter - only to be reminded of the wrong one's words can cause.
β
β
Laura Chouette
β
There is no crown without guilt.
β
β
Laura Chouette
β
There is no crown without guilt -
and there is no mercy without a kingdom.
β
β
Laura Chouette
β
A crown is heavy
without mercy -
and yet the darkness
painted the gold with jewels.
β
β
Laura Chouette
β
And our own darkness became our kingdom; while the light burnt up each one of our hearts as an act of mercy and revolt - for nothing is build on ashes and too much is written about the fallen ones.
β
β
Laura Chouette
β
I kept every letter - only to be remembered of the wrong one's words can cause (to the heart).
β
β
Laura Chouette
β
Love is too much for our generation.
β
β
Laura Chouette
β
My love is so fragile; and still it chooses your hands to bloom.
β
β
Laura Chouette (Profound Reverie)
β
And the home we build for our love
ended up keeping it out of its own walls.
β
β
Laura Chouette (Profound Reverie)
β
The ink I write withΒ
is borrowed from the stars -Β
too blue to be the skyΒ
and too dark to be its night.
β
β
Laura Chouette (Profound Reverie)
β
Everything
outside of our mind is endless -
so why limit oneself?
β
β
Laura Chouette (Profound Reverie)
β
I wrote so much about our love
that the feeling itself turned into art.
β
β
Laura Chouette (Profound Reverie)
β
We can rest on each other's hearts - yet our dreams keep on wondering.Β
β
β
Laura Chouette (Profound Reverie)
β
The right way to admire something is to love it unconditionally.
β
β
Laura Chouette (Profound Reverie)
β
While we keep on dancing
our souls delicately embrace.
β
β
Laura Chouette (Profound Reverie)
β
My love dances quietly,
so it does not wake
the memories of you.
β
β
Laura Chouette (Profound Reverie)
β
To Autumn"
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,β
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
β
β
John Keats (To Autumn)
β
Those provinces of masculine knowledge (Latin and Greek) seemed to her a standing ground from which all truth could be seen more truly. As it was she constantly doubted her own conclusions because she felt her own ignorance: how could she be confident that one-roomed cottages were not for the glory of God, when men who knew the classics appeared to conciliate indifference to the cottages with zeal for the glory? Perhaps even Hebrew might be necessary--at least the alphabet and a few roots--in order to arrive at the core of things, and judge soundly on the social duties of the Christian.
β
β
George Eliot (Middlemarch)
β
Mrs. Buxton did not make a set labor of teaching; I suppose she felt that much was learned from her superintendence, but she never thought of doing or saying anything with a latent idea of its indirect effect upon the little girls, her companions. She was simply herself; she even confessed (where the confession was called for) to short-comings, to faults, and never denied the force of temptations, either of those which beset little children, or of those which occasionally assailed herself. Pure, simple, and truthful to the heart's core, her life, in its uneventful hours and days, spoke many homilies.
β
β
Elizabeth Gaskell (The Moorland Cottage)
β
The woman shocks me to my core, but I love it, and Iβm at great risk of falling for her.
Or flying.
β
β
L.B. Dunbar (Learning at 40 (Lakeside Cottage, #2))
β
Weβd never again share a horsey-smelling cottage while learning to fly. Who shall separate us? Life, thatβs who. Iβd had the same feeling when Pa got married, the same presentiment, and hadnβt it come true? In the Camilla era, as Iβd predicted, I saw him less and less. Weddings were joyous occasions, sure, but they were also low-key funerals, because after saying their vows people tended to disappear. It occurred to me then that identity is a hierarchy. We are primarily one thing, and then weβre primarily another, and then another, and so on, until deathβin succession. Each new identity assumes the throne of Self, but takes us further from our original self, perhaps our core selfβthe child. Yes, evolution, maturation, the path towards wisdom, itβs all natural and healthy, but thereβs a purity to childhood, which is diluted with each iteration. As with that hunk of gold, it gets whittled away.
β
β
Prince Harry (Spare)
β
What our love dreads the most
is the fear of never loving -
not the thought of following
the wrong heart.
β
β
Laura Chouette (Profound Reverie)
β
She lived with too many ghosts inside her mind -
maybe that's why she became one herself in the end.
β
β
Laura Chouette (Profound Reverie)
β
In June 2020 they post a black square and from then on, they post frolicky Black women in the company's cottage core aesthetic and say they acknowledge they have to do better.
β
β
Sheena Patel (I'm a Fan)
β
Some bury their feelingsΒ
in the hope that flowers bloom;
(and too many of us dieΒ
while waiting forever).
β
β
Laura Chouette (Profound Reverie)
β
The mountains fell in love
Β with the sky -Β
while knowing the oceanΒ
is much nearer;Β
and still,Β
they loved it the same.
β
β
Laura Chouette (Profound Reverie)
β
Simple feelings surviving
while everything else breaks so fast -
touching the edgesΒ
just to feel something.
β
β
Laura Chouette (Profound Reverie)
β
I wanted to write about someone I miss -Β
and even the ink refused to remember -
so, in the end, I was leftΒ
with nothing but empty pages;
with the greatest words in my mind.
β
β
Laura Chouette (Profound Reverie)
β
Love is a delicately suffering.
β
β
Laura Chouette (Profound Reverie)
β
Love is a delicately sweet suffering.
β
β
Laura Chouette
β
Memories are not always a prison -
sometimes they can be a key too.
β
β
Laura Chouette (Profound Reverie)
β
While others feared the ghosts of the past, she fell in love with them.
β
β
Laura Chouette (Profound Reverie)
β
Art completes our hearts.
β
β
Laura Chouette (Profound Reverie)
β
The meadows lay weeping
with tears like an emeralds gleam;
while every nightingale is seeking
the shelter of its only willow's green.
-
And silently,
my step falls on leaves
that carry me much further than I'd dream;
for willows and thoughts are fading slowly
while everything eternal is not seen
and yet they keep
so many of us in good company
for some can not be on their own,
nor can they be free.
-
So I found peace,
the one eternal each one seeks
and so I left my soul for emerald's gleam;
while the meadow still lays weeping
with grief over my grave so quietly
for it lays beneath the shadow
of its only willow's green.
β
β
Laura Chouette (Profound Reverie)
β
I used to paint the world golden
while drowning inside the silver of your words.
β
β
Laura Chouette (Profound Reverie)
β
The lights are gone
yet your absence makes
even the darkness tremble -
for nothing feels as empty as a place
without you.
β
β
Laura Chouette (Profound Reverie)
β
I touched each star
you collected for me in vain;
Only to see my sky fadeΒ
inside the glimmer of a dream.
β
β
Laura Chouette
β
And I kept each piece
that the night offered me -
for the night was full of you.
β
β
Laura Chouette (Profound Reverie)
β
Shallow are the hearts
that bloom beside empty dreams.
β
β
Laura Chouette (Profound Reverie)
β
You can not break my heart -
and call the lines you write on art.
β
β
Laura Chouette (Profound Reverie)
β
A reverie is one soulβs river;
but a word is one heartβs vein.
β
β
Laura Chouette (Profound Reverie)
β
For the ink is the same each day -
but the words are blooming in coloursΒ
no one has ever seen -
for my words are flowers,Β
and your love is a garden.
β
β
Laura Chouette (Profound Reverie)
β
Weβve all carried too much;
maybe thatβs why,Β
when we lay down something,Β
it feels like everything is leaving, and yet -Β
too much remains.
β
β
Laura Chouette (Profound Reverie)
β
There is a part of you I can't entirely forget - where my memories grow flowers and our past outreaches the gates of my garden; where the words I rather forget become a book of regret.
β
β
Laura Chouette (Profound Reverie)
β
Champagne lips and tired eyes
under endless velvet skies β
a love living only for the highs.
β
β
Laura Chouette (Profound Reverie)
β
And between allΒ
those eternities
you realise that art & love
my be the only thingsΒ
that stay long enoughΒ
inside one's soul
to make an impression.
β
β
Laura Chouette (Profound Reverie)
β
And if everything we loveΒ
is considered artΒ
then our love isΒ
the greatest masterpiece.
β
β
Laura Chouette (Profound Reverie)
β
To make the ordinary beautiful β that is true art.
β
β
Laura Chouette
β
EDINBURGH
Sombre echoes
that mark the dawning
that is greying on the hills;
the steep streets still wet from rain
the small buildings look emptier with
each day passing on;
thoughts are done
passing rounds -
counting circles
inside my head.
pale faces of familiar strangers
crossing me on the way back
to a place that used to feel like home -
falling back in time.
β
β
Laura Chouette
β
VALLEY
The valleys climb towards the sky in the early morning hours - seeking horizon's lines;
More than the gravestones do with all the memory lined neatly up and half-forgotten - nearly washed away.
Our sun is doomed to meet both.
β
β
Laura Chouette
β
A SIMPLE DRAFT
Sometimes a simple draft
can make a poet whole
that is left with half a heart
and feelings for a hundred
it would take to bear.
A few words can cover
the whole world,
creating light for the darkest of lines
one can call a home or paradise -
only a few can also lay bare their soul.
β
β
Laura Chouette
β
CONFESSION
Sometimes
I feel like the lines of mine
are in the way of every love
that tries to cross the last bridge
I have left leading to my heart.
For I burned every other one
while numbing the wounds
the fire caused -
setting alight to all that is left of me.
I must admit
that I kept on to the match,
long after it burned down
and reached my fingertips.
β
β
Laura Chouette
β
3 A.M. SAINTS
It is 3 a.m. again
and you are showing me all of your sins
by holding up your scars to the starless sky.
Painting the entire universe with gold
and clothing my velvet heart in purple -
we become saints within
those unholy hours close to dawn.
Still, the world is spinning -
even though it feels a little slower now -
while the silence carries us away
into the next day.
β
β
Laura Chouette
β
BLOOMING SCARS
Those flowers dance around vour marble bust like they were fearing October's kiss - gently they laugh and fall asleep on vour stone veins and cold lips.
For they love their names written upon your chest in
gold
for your heart may be broken, yet it is searching for something untold.
They do not know that silver mends the scars that the years formed and the cracks on your skin the sun caused -
so silent, still, and weary are the blossoms with whom my love for you is betrothed.
β
β
Laura Chouette
β
AMBER HEART'S
Amber chases the night sky
like the stars became fire and gold -
and the moon is falling ever closer
to the sun he loves so much;
So there is not much pain
with the world to share,
yet we begin to doubt our love
and forget our hearts need care.
Still, we wish upon the stars
to fall faster in love than we did out,
so we won't try and pull back
for broken hearts are heavy and hard to catch.
So while the constellations fade
and our souls disappear in their entanglement
we hope to learn what it means
to truly live again the least.
β
β
Laura Chouette
β
QUIET WRITING
Quiet
does not mean
that we have nothing to say,
or that we leak the power of speech -
we rise up and tell our truths
even if it feels like people don't like it the least;
Writing
is our means
to have something to tell
when we lost our voice suddenly
we still stand behind our truths
even if it feels like people
won't like it.
Beautifully
are the quiet lines
written with thunder
and silent boldness -
for we can have a revolution
inside the pages of nowadays.
β
β
Laura Chouette
β
THE ART OF EVERYONE
And autumn died long before the sun touched the last leaf;
for death forgets every winter for as long as summer blossoms for itself;
For the art of everyone is close to the idea and dwells in thoughts.
For every thought rises in the morning - and every beginning
is the closest to us in the end, and eventually takes
a lifetime to complete itself.
β
β
Laura Chouette
β
STARVING PIECES
A heart starved of love will break itself
and shed the pieces quickly - so it has less to feed with love.
β
β
Laura Chouette
β
CHURCH WINDOWS ARE MY MIRRORS
Blessed are the scars and the holiness of our hearts.
Only saints break it without remorse for sinners, I expect nothing else but playing their part with our gentle soul.
Church windows are my mirrors and prayers my gate to heavens end - I find everything by losing myself-nothing was ever lost from the beginning.
β
β
Laura Chouette
β
FLORENCE
Soft emerald valleys lay in crimson light beneath the rolling hills;
the waters of the Arno gleam like bronze the city's vein, so still.
Each artist at the shore of the river stares in wonder and delight - how far do the lines reach across the bridge, beyond their work?
One may seek rest under the cypresses and soft light of the August amber sun - here, at his grave, the city walls lay high around the garden, he knew once as paradise.
His dark eyes still seem to pierce the lines of the hills,
like he searches for his soul - still;
(somewhere between the Arno and the nightfall).
The trees - heavily laid with summer's fruit - stand high above the city in marble glance.
Clear is now the dark sky - full of shards which dreamers call the stars.
β
β
Laura Chouette
β
THE MONSTER & THE MAN
One obstacle pierces his soul and calls him down the dark road - heavy sighing he must carry on and at last, the thorn is retrieved
- with agony in his brown eyes - he suddenly sees:
Fever dreams, scarlet on blue velvet, like ink drowning in words - words drowning inside his veins - words that pleaded in vain - words so scarlet... so stained.
Empty lines for empty souls that carry too much inside; empty pages for empty hands with nothing else to hide
nor to control the beast inside his soul.
β
β
Laura Chouette
β
THE BALLADE OF SUMMER'S FALL
Hues of pale green, on delicate olive branches the soft rustling of somberness along the fields of gold that lay themselves to gentle rest after another long summer.
I have nothing to bury under them
except my own heart -that is my soul's greatest regret, once my lines begin to fill in autumn, under the velvet gloom of shortening days.
The admiration of the Florentine sun had doomed my words to become eventually a remembrance once September falls in October's pale hands.
I shall have nothing to grieve for
once the winter arrives, coming over the distant hills and laying bare the orchards along his way.
I doomed them to become ruins by overthinking, hoping - at least once too often - for change;
So, let it be then.
I will mourn my mere passion for life in the presence of death - though my art may be eternal.
β
β
Laura Chouette
β
OCTOBER MORNINGS
How your eyes gleamed like emeralds once autumn's first day arrived, how amber was the glance that met my tired eyes.
Like silk was the light of morning that came through half-shut doors and made a line of gold upon our bedroom floor.
Silent creeks
empty hallways full of doubt, the room is empty now.
β
β
Laura Chouette
β
And autumn died long before the sun touched the last leaf;
for death forgets every winter for as long as summer blossoms for itself;
For the art of everyone is close to the idea and dwells in thoughts.
For every thought rises in the morning - and every beginning
is the closest to us in the end, and eventually takes
a lifetime to complete itself.
β
β
Laura Chouette
β
THE SHEETS & THE LIGHT
Sombre echoes
that mark the dawning greying on the hill;
the steep streets still wet from rain the small buildings look emptier with each day passing on;
Thoughts are done passing rounds counting circles inside my head.
Pale mirror-faces
crossing me on the way back to the place that felt like home - falling back in time.
β
β
Laura Chouette
β
COLOURS IN THE MIRROR
One day my pride will outlive myself and whatever remains of its colours will be remembered by others - for I was always my true self.
I live too little for things that make me dream & care too much for fears that sleep in between the fine lines of my weary mind - so write me gentle words, for it may break.
My diversity should not be a mistake but a celebration of identity & guiding light to others who ache to leave the numbness of Β»pretending-to-beΒ«.
We are not broken mirrors that hurt the world by showing our true reflection;
we are merely hearts used to rejection - yet, their words will only blur but not break our shine.
β
β
Laura Chouette
β
PIECES OF LIGHT
I see the art of each heart reflecting the mirror
that the world put it in front of - for so long that the lines so once so clear became hate for everything we see - blurring out the real;
Seeing a thousand lights reflecting one's own means nothing anymore, now that we live by the one offered by the world;
The price of being a small part of everyone's standard is being praised so, we may break into one single piece.
β
β
Laura Chouette
β
ASBOLUTION
Our paradise is not made out of worldly things but of the broken fragments of heaven - laced with doubt and forgiveness;
Nearly silent we promise each other absolutisation for every promise we ever dared to make with words and deeds - yet I feel incomplete.
β
β
Laura Chouette
β
WEDNESDAY MIRAGE
How far do they reach the rivers of our grieve - far beyond the horizon and deep into a soul;
Suffering can feel like drowning in numbness and being awake for days;
It's roots growing further then our mind can go and make dark a heart that once was full of light;
β
β
Laura Chouette
β
THE MEADOWS OF MEDEA
'The meadows lay weeping with tears like an emerald's gleam; while every nightingale is seeking the shelter of its only willow's green.
And silently,
my step falls on leaves
that carry me much further than I'd dream; for willows and thoughts are fading slowly while everything eternal is not seen - and yet they keep
so many of us in good company - for some can not be on their own, nor can they be free.
So I found peace,
the one eternal each one seeks
and so I left my soul for emerald's gleam; while the meadows still lay weeping with grief over my grave so quietly for it lays beneath the shadow of its only willow's green.
β
β
Laura Chouette
β
OUR OLYMP
At this altitude of wavering faith and dying stars our love could not stand a chance;
it disappears slowly within my rhymes sky.
Fading along the pale darkness like a path of crumbling anecdotes on old crumpled philosophers' notes.
I can not see the moon anymore - neither I can imagine the place where it should rest tonight
in the sky of ours, where it used to be so bright.
The Gods themselves dare not make a home at this height of our hearts, for even the immortals would refuse to hold sacred a place so high.
Even our wishes refuse to fall at the mountains feet, still climbing, trembling, and slowly loosing
- defeat.
β
β
Laura Chouette
β
CROSSROAD
Lights flicker above the crossroad shining in green now and then for people who won't cross and red for others - which won't stop;
The dull grey splits the city in pieces of lines and corners, sometimes outshined by heavy rain and flooded glimpses of chaos;
Broken glass upon crimson roads empty silence and nothing to say - while the city sleeps on and will awake, eventually.
β
β
Laura Chouette
β
ATHENA
They fall silently.
the steps of her arrival - crossing snow so pale even the morning sky would fade into nightfall's amber;
For she has entered the palace of gold - her hair braided with hope and tainted with red leaves
which colours remind of a hanged man's rope - for her name is war
and her crown is crafted out of grief.
β
β
Laura Chouette
β
I can not kiss you
unless you unraveled
every line of my heart
and declared with your lips
the beauty of our unfading love.
β
β
Laura Chouette
β
Autumn sharpens the night air
and paints the morning gold
on the edge of winterβs silver breath,
dancing delicately between life and death,
between 4 pm and 3 am.
β
β
Laura Chouette
β
At a certain point,
you no longer hope;
you just keep on existing.
One day at a time,
for the rest of your life.
And that feeling
is not shallow but runs deepβ
deeper than any happiness
or love could ever run.
A vein is a mere line
poets like me used to write on
and a lifeline where sailors
swim towards at night.
If we keep on writing and giving,
we grow on that existing line
with millions of words that save hope -
and thus give existence and life.
β
β
Laura Chouette