Costume Parade Quotes

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Damen had half expected a gaudy parade costume, but Laurent had always defined himself against the opulence of the court. And he did not need gilt to be recognised under a parade standard, only the uncovered bright of his hair.
C.S. Pacat (Captive Prince (Captive Prince, #1))
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
Another thing I take issue with are people who take their dogs on "play dates," or even worse, people who choose to dress their dogs up in outfits better suited for homosexuals participating in a gay pride parade. Dog costumes are right up there with something else I find particularly offensive: sweater vests.
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
cause we don't hide, We parade our pride!
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
When I look at a pumpkin muffin, I see the brilliant orange glow of a sugar maple in its full autumnal glory. I see the crisp blue sky of October, so clear and restorative and reassuring. I see hayrides, and I feel Halloween just around the corner, kids dressed up in homemade costumes, bobbing for apples and awaiting trick or treat. I think of children dressed as Pilgrims in a pre-school parade, or a Thanksgiving feast, the bounty of harvest foods burdening a table with its goodness. I picture pumpkins at a farmer's market, piled happy and high, awaiting a new home where children will carve them into scary faces or mothers will bake them into a pie or stew.
Jenny Gardiner (Slim to None)
A man goes to a foreign country and kills somebody who's not aggressing against him; in a Hawaiian shirt he's a criminal, in a green costume he's a hero who gets a parade and a pension. So that, as a culture, we remain in a state of moral insanity. To point out these contradictions to people in society is to be labeled insane. This is how insane society remains, that anybody who points out logical opposites in the most essential human topic of ethics, is considered to be insane.
Stefan Molyneux
New Rule: Designers of women's Halloween costumes must admit that they're not even trying. They just choose a random profession, like nurse or referee, and put the word "sexy" in front of it, thereby perpetuating the idea of Halloween as a day when normally shy women release their inner sluts and parade around like vixens, and I just completely forgot what I was complaining about.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Olmsted’s greatest concern, however, was that the main, Jackson Park portion of the exposition simply was not fun. “There is too much appearance of an impatient and tired doing of sight-seeing duty. A stint to be got through before it is time to go home. The crowd has a melancholy air in this respect, and strenuous measures should be taken to overcome it.” Just as Olmsted sought to conjure an aura of mystery in his landscape, so here he urged the engineering of seemingly accidental moments of charm. The concerts and parades were helpful but were of too “stated or programmed” a nature. What Olmsted wanted were “minor incidents … of a less evidently prepared character; less formal, more apparently spontaneous and incidental.” He envisioned French horn players on the Wooded Island, their music drifting across the waters. He wanted Chinese lanterns strung from boats and bridges alike. “Why not skipping and dancing masqueraders with tambourines, such as one sees in Italy? Even lemonade peddlers would help if moving about in picturesque dresses; or cake-sellers, appearing as cooks, with flat cap, and in spotless white from top to toe?” On nights when big events in Jackson Park drew visitors away from the Midway, “could not several of the many varieties of ‘heathen,’ black, white and yellow, be cheaply hired to mingle, unobtrusively, but in full native costume, with the crowd on the Main Court?
Erik Larson (The Devil in the White City)
In the morn when they woke, it was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade! After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.
Natasha Wing (The Night Before Halloween)
I love Fourth of July. It's my favorite, isn't it, Mim? This was going to be the year I won the golf cart parade and the pie-eating contest up at the lake. William Faulkner, too" "William Faulkner was going to win a pie-eating contest?" I asked. Still channeling Lillian, John David gave me a look. "Don't be ridiculous, Sawyer. There is no canine pie-eating contest. William Faulkner is going to win the costume contest, which is part of the parade." "I mean, sure," I said, nodding. "Who doesn't celebrate American independence with some kind of dog costume contest?" "And parade." John David could not have emphasized those words more.
Jennifer Lynn Barnes (Deadly Little Scandals (Debutantes, #2))
To the delight of visiting American sailors, the British still had a military base there, Changi, and shared it with those stout lads from Down Under, the Australians, who naturally came supplied with Down Under lassies. Australian women were the glory of Singapore. These tall, lithe creatures with tanned, muscular legs and striking white teeth that were forever being displayed in dazzling smiles somehow completed the picture, made it whole. You ran into them at Raffles, the old hotel downtown with ceiling fans and rattan chairs and doddery old gentlemen in white suits sipping gin. You ran into them in the lobbies and restaurants of the new western hotels and in the bazaars and emporiums. You saw them strolling the boulevards and haggling with small Chinese women in baggy trousers for sapphires and opals. You saw them everywhere, young, tan, enjoying life, the center of attention wherever they were. It helped that their colorful tropical frocks contrasted so vividly with the drab trousers and white shirts that seemed to be the Singaporean national costume. They were like songbirds surrounded by sparrows. “If Qantas didn’t bring them here, the United Nations should supply them as a gesture of good will to all human kind.” Flap Le Beau stated this conclusion positively to Jake Grafton and the Real McCoy as they stood outside Raffles Hotel surveying the human parade on the sidewalk. “I think I’m in love,” the Real McCoy told his companions. “I want one of those for my very own.
Stephen Coonts (The Intruders (Jake Grafton #2))
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
The sound of trumpets rang out, signaling the arrival of the first course. A parade of glittering slaves trotted forward, some carrying decorations of the sea, statues made of shells, ribbons of blue and silver, or wearing costumes turning them into fish or mermaids. These slaves wandered among the diners as they ate, entertaining them with music or dances reminiscent of the sea. In the midst of these spectacles were the slaves carrying the food on massive trays covered in snow from the mountains, topped with stuffed mussels, lobster mince wrapped in grape leaves, and sea urchins boiled, honeyed, and served open in their own spiny husks.
Crystal King (Feast of Sorrow)
Siena From Assisi we took the bus to Siena, another walled medieval city. It is built on 3 hills and divided into 17 districts. Each district, known as a contrada, is represented by an animal, like a goose, eagle, or elephant. One district even has a dragon as its symbol! Each year 10 districts are chosen to compete in the Corsa del Palio (Parade of the Banner). It is held twice a year on July 2 and August 16. First there’s a procession with flag bearers, musicians, horses, and riders. Everyone dresses up in medieval costumes. The main event is a bareback horse race around the Piazza del Campo, a slanting, fan-shaped plaza. More than 40,000 spectators come to watch.
Lisa Halvorsen (Letters Home From - Italy)
Celebrations Christmas is Italy’s biggest holiday. Stores decorate in gold, silver, red, and white. At home, many people celebrate Christmas Eve with a huge feast, often featuring fish. The Christmas season in Italy lasts until Epiphany, January 6, the date when the Three Wise Men are said to have reached Jesus’s manger. Santa Claus, or Saint Nicholas, is mainly a northern European traditional figure, but one that Italians now often celebrate. Traditionally, Italian children become excited about a different gift-giving figure--Befana, whose name comes from the Italian word for Epiphany, Epifania. Befana as supposedly a woman who meant to go with the Wise Men but was too busy. She planned to see them on their way back, but they returned by a different route. Since then, each year on Epiphany, she busily searches for them, riding on a broomstick and bringing gifts. Children dress in costumes like Befana and go to neighboring houses, where they receive small gifts such as fruit and nuts. At the end of the Befana celebration, Befana figures are burned in a bonfire to get rid of the old year and start the new year fresh. Another major festival is Carnevale. It is a huge festival celebrated in the last week before Lent, a serious forty-day period that precedes Easter. Italy’s biggest Carnevale celebration is in Venice, where people dress in dazzling costumes and parade around the city. Though the costumes often feature somber masks, Carnevale is a time for giddy fun. Children run about throwing confetti. Shopkeepers pass out snacks in the city’s squares. Music fills the air. Like Italy itself, it is a feast for the senses.
Jean Blashfield Black (Italy (Enchantment of the World Second Series))
creation. Finally, the day of the costume parade arrived.
Uncle Amon (Whiskers the Cat: 5 Heartwarming Tales of Friendship and Fun)
the Battle of San Juan. Two years later, the regiment held its first reunion, with a grand three-day celebration at Oklahoma City. The young metropolis would show the world that it could do things. There would be visitors from every state. "T. R.," national hero, would attend. A grand display of fireworks, the largest ever seen west of the Mississippi, was ordered. Quanah was besought to bring a troop of Indians for the parade. They would be fed and cared for, paid a small sum, and could see the show. The agent agreed, and there was no difficulty in assembling a troop. The young men gathered their gayest finery and borrowed the carefully saved costumes of their fathers, war bonnets, belts, and beads and feather ornaments.
University of California Berkeley (Novembers Winter, The Indian Cries: The Most Powerful Indian Story in American History)
America had become an ice cream society in the last years of the twenties, thanks in large part to Prohibition. Bars and fine lounges in hotels sold ice cream, because they could no longer sell liquor, and dairy bars began to crop up all over the country. It was an incredible era. The straitlaced Cal Coolidge, who assured the nation that his fiscal probity had brought prosperity here to stay, moved the White House to the Black Hills of South Dakota for the summer and celebrated the Fourth of July by parading around in a cowboy costume. Babe Ruth signed a three-year contract with the Yankees for the stupefying figure of $70,000 a year. Lindbergh flew nonstop from New York to Paris. Al Jolson sang in the first talking pictures. And—wonder of wonders—in 1929 the Chicago Cubs won the National League pennant! Big
Ray Kroc (Grinding It Out: The Making of McDonald's)
In the morn when they woke, It was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade!
Natasha Wing (The Night Before Halloween)
I flip through those two “fancy” hangers again and again—and even expand the search to the “not fancy” section of the closet. I scour the “outgrew it but not ready to say goodbye” section in the way back of the closet, but the shirt is nowhere to be found. Blergh! In desperation, I drop down to my pile of “let’s see if they still smell tomorrow” clothes on the floor, pinching my nose closed as I rummage through the mountain of stinky horse-themed tops and gym clothes. “Aha!” I bravely plunge my arm into the pile of stench. There, hiding at the very bottom, is the missing white button-down. Of course! I wore it back in October for my Amelia Earhart costume at the Halloween parade! It must have somehow disappeared in my Bermuda Triangle of laundry . . . for three months. Yikes. I
Carrie Seim (Horse Girl)
The Morioka region of northern Japan is famous for its horses and this festival was originally conceived by horse breeders who wished to pray for long and happy lives for their animals. It now features a parade of colourfully dressed horses ridden by local children with round 80–100 horses usually taking part dressed in konida costumes (worn by the horses of daimyo – feudal lords – in the Edo Period). The name of the festival comes from the noise made by the bells (chagu chagu) on the horses’ harnesses (umakko) and the event is designated as a national intangible folklore cultural asset. At the end of the parade, prayers are offered for a bountiful rice harvest and thanks are given to the horses.
Melusine Draco (Western Animism: Zen & The Art Of Positive Paganism (Pagan Portals))
So it was, and so imperially attired they went away from the Gardens, away from that house weighed down by death into the parade that celebrated life; and so, running toward life and any from death, they found death waiting for them, as the old story had prophesied, in Samarra, which was to say, on Sixth Avenue between Fourth Street and Washington Place. Death in a Joker costume carrying an AR-15.(...) Guns were alive in America and death was their random gift
Salman Rushdie (The Golden House)
There is a gap of about three to four hundred years where the Christmas horned monsters aren’t attested in the sources, where the complaining churchmen found other things to moan about, and the folklorists had yet to appear. It is, technically, possible that the tradition of parading snapping, horned animal heads on poles at Christmastime died out across Europe in the fifteenth century, and then re-appeared during the eighteenth in a completely unconnected form that happened to look extremely similar. But it feels like the simplest explanation is that the traditions were related, that the Christmas horned animal costumes of the eighteenth, nineteenth and twentieth centuries were an extension of the Christmas stag guises from Late Antiquity and the Middle Ages.
Sarah Clegg (The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures)