Correct Spelling Of Quotes

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It was an annoying name to have. People tended to spell in Mangus, rhymes with Angus. I always corrected them: No, it's Magnus, rhymes with swagness. At which point they would stare at me blankly.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Balthazar was the kind of guy who used totally correct spelling and punctuation even when he was texting, which was sort of bizarrely hot. She was in serious trouble if commas could get her going.
Claudia Gray (Balthazar (Evernight, #5))
Look, Sage. I don't know much about chemistry or computer hacking or photosynthery, but this is something I've got a lot of experience with." I think he mean photosynthesis, but I didn't correct him. "Use my knowledge. Don't let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
One store owner said he was going to leave a dictionary on a public bench so the vandals could at least spell the obscenities correctly. It
Anne Bishop (Marked in Flesh (The Others, #4))
This is less of a 'the king needs a reason' thing and more of a 'the king loves burning shit and killing people' thing," Eric corrected.
Drew Hayes (NPCs (Spells, Swords, & Stealth, #1))
Adrian looked over at me again. “Who knows more about male weakness: you or me?” “Go on.” I refused to directly answer the question. “Get a new dress. One that shows a lot of skin. Short. Strapless. Maybe a push-up bra too.” He actually had the audacity to do a quick assessment of my chest. “Eh, maybe not. But definitely some high heels.” “Adrian,” I exclaimed. “You’ve seen how Alchemists dress. Do you think I can really wear something like that?” He was unconcerned. “You’ll make it work. You’ll change clothes or something. But I’m telling you, if you want to get a guy to do something that might be difficult, then the best way is to distract him so that he can’t devote his full brainpower to the consequences.” “You don’t have a lot of faith in your own gender.” “Hey, I’m telling you the truth. I’ve been distracted by sexy dresses a lot.” I didn’t really know if that was a valid argument, seeing as Adrian was distracted by a lot of things. Fondue. T-shirts. Kittens. “And so, what then? I show some skin, and the world is mine?” “That’ll help.” Amazingly, I could tell he was dead serious. “And you’ve gotta act confident the whole time, like it’s already a done deal. Then make sure when you’re actually asking for what you want that you tell him you’d be ‘so, so grateful.’ But don’t elaborate. His imagination will do half the work for you. ” I shook my head, glad we’d almost reached our destination. I didn’t know how much more I could listen to. “This is the most ridiculous advice I’ve ever heard. It’s also kind of sexist too, but I can’t decide who it offends more, men or women.” “Look, Sage. I don’t know much about chemistry or computer hacking or photosynthery, but this is something I’ve got a lot of experience with.” I think he meant photosynthesis, but I didn’t correct him. “Use my knowledge. Don’t let it go to waste.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Louie brought his new girlfriend over, and the nicest thing I can say about her is all her tattoos are spelled correctly.
Robert Harling (Steel Magnolias)
Standard” language and “correct” spelling are collective agreements, not eternal truths, and collective agreements can change.
Gretchen McCulloch (Because Internet: Understanding how language is changing)
Some argued that the youth of today were poorly educated and insufficiently industrious, but one of them had sought to validate his generation by spending considerable time and effort chiseling an obscene word in the concrete picnic table, and he had spelled it correctly.
Dean Koontz
The police have no leads as yet on the person or persons who painted obscene suggestions on the buildings. One store owner said he was going to leave a dictionary on a public bench so the vandals could at least spell the obscenities correctly.
Anne Bishop (Marked in Flesh (The Others, #4))
The race film had confirmed a dead heat. That was great. But even better, most of the New York press finally learned to spell my name correctly.
Louis Zamperini (Devil at My Heels: A Heroic Olympian's Astonishing Story of Survival as a Japanese POW in World War II)
I gave her a love letter and she returned it back to me by correcting spelling and punctuation.
M.F. Moonzajer (A moment with God ; Poetry)
I thought about this for days, just as I thought of the special-ed teacher I met in Pittsburgh. "You know," I said, "I hear those words and automatically think Handicapped, or, Learning disabled. But aren't a lot of your students just assholes?" "You got it," she said. Then she told me about a kid - last day of class - who wrote on the blackboard, "Mrs. J____ is a cock master." I was impressed because I'd never heard that term before. She was impressed because the boy had spelled it correctly.
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
The word itself—dyslexia—is ironically very hard for dyslexic people to spell correctly
Eddie Izzard (Believe Me: A Memoir of Love, Death, and Jazz Chickens)
Despite the months that had melted into years since I had left my native Scotland, I liked to maintain a grip on my heritage and a certain amount of decorum when it came to correct spelling, punctuation, and grammar. It may sound dull, but I assure you, I am not. I just appreciate the correct use of the English language.
Anna Martin (Tattoos & Teacups (Tattoos, #1))
When you "spell" a word correctly, you are in effect casting a spell, charging these abstract, arbitrary symbols with meaning and power.
Christopher Vogler (The Writer's Journey: Mythic Structure for Writers)
Many BrainPal users find it useful to give their BrainPal a name other than BrainPal. Would you like to name your BrainPal at this time? "Yes," I said. Please speak the name you would like to give your BrainPal. "Asshole," I said. You have selected "Asshole," the BrainPal wrote, and to its credit it spelled the word correctly. Be aware that many recruits have selected this name for their BrainPal. Would you like to chose a different name? "No," I said, and was proud that so many of my fellow recruits also felt this way about their BrainPal. Your BrainPal is now Asshole, the BrainPal wrote. You may change this name in the future if you like. Now you must choose an access phrase to activate Asshole. While Asshole is active at all times it will only respond to commands after it has been activated. Please choose a short phrase. Asshole suggests "Activate Asshole" but you may choose another phrase. Please say your activation phrase now. "Hey, Asshole," I said. You have choosen "Hey, Asshole." Please say it again to confirm. I did. Then it asked me to choose a deactivation phrase. I chose (of course) "Go away, Asshole." Would you like Asshole to refer to itself in the first person? "Absolutely." I said. I am Asshole. "Of course you are.
John Scalzi (Old Man's War (Old Man's War, #1))
You have soul ties with the people you sleep with and even when you are no longer in bed with them, they remain in your head. Your thoughts are consumed by their absence in your life. We feel disconnected from something when we give away our most prized bodily asset to a person that can’t even spell our last name correctly
Chris Marvel (Love Laws "Rules of Love and Relationship in the 21st Century)
There is an incident which occurred at the examination during my first year at the high school and which is worth recording. Mr. Giles, the Educational Inspector, had come on a visit of inspection. He had set us five words to write as a spelling exercise. One of the words was 'kettle'. I had mis-spelt it. The teacher tried to prompt me with the point of his boot, but I would not be prompted. It was beyond me to see that he wanted me to copy the spelling from my neighbour's slate, for I had thought that the teacher was there to supervise us against copying. The result was that all the boys, except myself, were found to have spelt every word correctly. Only I had been stupid. The teacher tried later to bring this stupidity home to me, but without effect. I never could learn the art of 'copying'.
Mahatma Gandhi (All Men Are Brothers: Autobiographical Reflections)
Spell < tear=dropps > with a dubble < p > at the end, and use a < = > to join the words -- I find it looks much more melancholy; ergo, more correct -:
Arno Schmidt (KAFF auch Mare Crisium)
here is a new rule: If you are too stupid to spell “disappointed” even approximately correctly, you are not allowed to take part in public discourse at any level. Trawling
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
You have to stop drawing on things!"Teena was yelling. "Paper only, okay? Not walls. Not faces. Not Mrs. Reynold's dog. Not my pants." "I was doing the days of the week pants" "I don't need days of the week pants!" She shouted. "And if I did I would spell Wednesday correctly!
Jojo Moyes (After You (Me Before You, #2))
I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles—no matter the imminent peril—these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good.
Vladimir Nabokov (Lectures on Literature)
If the words of this book are misspelled, but accidentally spell other words correctly, and also accidentally fall into a grammatically coherent arrangement, where coherency is defined as whatever doesn't upset people, it means this book is legally another book, and not this book.
Ben Marcus (Notable American Women)
In the first place, there is no point whatever in being able to spell anything. Shakespeare and Milton could not spell; Marie Corelli and Alfred Austen could. Spelling is thought desirable partly for snobbish reasons, as an easy way of distinguishing the “educated” from the “uneducated”; partly, like correct clothes, as a part of herd domination; partly because the devotee of natural law feels pain in the spectacle of any sphere in which individual liberty remains.
Bertrand Russell (Sceptical Essays (Routledge Classics))
As an extreme measure, Hicks, Porter, Gary Cohn and White House social media director Dan Scavino proposed they set up a committee. They would draft some tweets that they believed Trump would like. If the president had an idea for a tweet, he could write it down or get one of them in and they would vet it. Was it factually accurate? Was it spelled correctly? Did it make sense?
Bob Woodward (Fear: Trump in the White House)
I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life. Originally published in The Washington Post Book World
Michael Chabon
It drove me crazy to think these people could potentially get away with silencing me for good. When someone on Twitter speculated that the FBI might kill me “to protect the ultrarich and well connected,” I felt the need to respond. If I died suddenly, I tweeted, no one should believe that it was an accident. “I am making it publicly known that in no way, shape, or form am I suicidal,” I typed hastily but resolutely (making several spelling and grammatical errors that I’ve corrected here). “I have made this known to my therapist and GP—If something happens to me—for the sake of my family, do not let this go away and help me to protect them. Too many evil people want to see me quieted.
Virginia Roberts Giuffre (Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice)
He pointed his wand at the pink roses. "These aren't roses." He suddenly looked at them with an evil look in his eye and muttered Well If you wanted Honesty that's all you haD TO SAY! . "hat's not a spell that's an MCR song." I corrected him wisely.
Tara Gilesbie (My Immortal)
It's important to note that neither British nor American English is the "correct" one, and in fact, there's no proper way to speak, or write, or spell. The thing about language is that it can't stay still. Restless and impatient, it races forward without waiting for our dictionaries to catch up. The changes made in this book are meant to make it easier for us to understand each other. That's the entire point of having language in the first place. In fact, I would say that if a person is rude about the way you speak, write, or spell, they are showing a distinct lack of understanding, and it's perfectly reasonable to make up a creative word to describe them.
Beth Lincoln (A Dictionary of Scoundrels (The Swifts #1))
Currently, it was leading him through a neighborhood that was on the downside of whatever curve you hoped you'd bought your property on the upside of. Graffiti and garbage were everywhere here. They were everywhere in the city, if it came to that, but elsewhere the garbage was better quality, and the graffiti was close to being correctly spelled. The whole area was waiting for something to happen, like a really bad fire.
Terry Pratchett
The sad truth is, S—, most people are not writers. This has nothing to do with literacy—or intelligence, or general culture. There are people who can correct the grammar, spelling, diction, and style of a college English paper with the best of them—who are still not writers. Indeed, most of what gets published in books, magazines, and newspapers is not written by real writers—which is one reason why so much of it is so bad.
Samuel R. Delany (About Writing: Seven Essays, Four Letters, & Five Interviews)
Correct spelling, correct punctuation, correct grammar. Hundreds of rules for itsy-bitsy people. No one could remember all that stuff and concentrate on what he was trying to write about. It was all table manners, not derived from any sense of kindness or decency or humanity, but originally from an egotistic desire to look like gentlemen and ladies. Gentlemen and ladies had good table manners and spoke and wrote grammatically. It was what identified one with the upper classes. In Montana, however, it didn’t have this effect at all. It identified one, instead, as a stuck-up Eastern ass.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
A mixture of gullibility and cynicism had been an outstanding characteristic of mob mentality before it became an everyday phenomenon of masses. In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true. The mixture in itself was remarkable enough, because it spelled the end of the illusion that gullibility was a weakness of unsuspecting primitive souls and cynicism the vice of superior and refined minds. Mass propaganda discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow. The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.
Hannah Arendt (The Origins of Totalitarianism)
Without entering into the discussion, he took occasion to talk to me about the manner of my writing; observed that, though I had the advantage of my antagonist in correct spelling and pointing (which I ow'd to the printing-house), I fell far short in elegance of expression, in method and in perspicuity, of which he convinced me by several instances.
Benjamin Franklin (The Autobiography of Benjamin Franklin)
It's good netiquette to judge others by the the intent of their words not content of characters. NetworkEtiquette.net
David Chiles
The walls were covered with graffiti and William passed the time correcting the spelling
Terry Pratchett
Claire had a theory that the abbreviation of definitely stemmed from everyone’s inability to spell it correctly. It always got spellchecked into defiantly.
Adam Cesare (The Summer Job)
Pieter Bruegel the Elder. Sixteenth century Flemish painter. The Matthew McConaughey of his era as no one can ever quite remember how to spell his name.
Benjamin Dreyer (Dreyer's English: An Utterly Correct Guide to Clarity and Style)
Flannery O’Connor considered herself “a very innocent speller.” Spelling has therefore been corrected in this transcription of A Prayer Journal, so that the reader is not distracted.
Flannery O'Connor (A Prayer Journal)
A child who has slept all night in a stuffy, overcrowded room, and then breakfasts on a cup of weak tea and a piece of bread, can hardly be expected to show a sharp, sustained interest in the abstractions of arithmetic, and the unrelated niceties of correct spelling. Punishment (or the threat of it) for this lack of interest is unlikely to bring the best out of him.
E.R. Braithwaite (To Sir, With Love)
It was all due to her mother’s lack of attention to spelling, she speculated. A caring parent would have spelled Margaret correctly. And then she could have been a Peggy, or a Maggie – big, robust names, full of reliability. There wasn’t much you could do with a Magrat. It sounded like something that lived in a hole in a river bank and was always getting flooded out.
Terry Pratchett (Witches Abroad (Discworld, #12))
Were have you been did you run of to give your spy riport to the Germans. Noel corrected the grammar and spelling, wrote None of your business, you utter ignoramus at the bottom and handed it back.
Lissa Evans (Crooked Heart)
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
We did not get along at first," Dr. Mitchell said. "She pushed me harder than anyone ever had. She gave me extra homework and made me stay after school and read aloud to her. At one point, I was so tired of the special treatment, I threatened to graffiti her house if it didn't stop. The next day she handed me a can of spray paint and a card with her address and said, "Whatever you write, just make sure it's spelled correctly.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
Press,” I said loudly. “Good morning. May I take your name? I want to make sure I spell it correctly. Are you an official representative? Our readers will want to know what you have against women who want to do war work.
A.J. Pearce (Yours Cheerfully (The Emmy Lake Chronicles, #2))
In Writing: be attentive enough to detail to spell the person’s name correctly. My name is misspelled all the time; Ramsay with an AY, not an EY. It’s not much of a personal follow-up if the recipient feels insignificant.
Beth Ramsay (#Networking is people looking for people looking for people)
In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant
R.A. Salvatore (Streams of Silver (Forgotten Realms: The Icewind Dale, #2; Legend of Drizzt, #5))
I have had an aversion to good spelling for sixty years and more, merely for the reason that when I was a boy there was not a thing I could do creditably except spell according to the book. It was a poor and mean distinction, and I early learned to disenjoy it. I suppose that this is because the ability to spell correctly is a talent, not an acquirement. There is some dignity about an acquirement, because it is a product of your own labor. It is earned, whereas to be able to do a thing merely by the grace of God, and not by your own effort, transfers the thing to our heavenly home--where possibly it is a matter of pride and satisfaction, but it leaves you naked and bankrupt.
Mark Twain (Autobiography of Mark Twain: Volume 1, Reader's Edition)
By early 1937, the Nazi state could be likened to an atomic structure. The nucleus was Hitler, surrounded by successive rings of henchmen. The innermost ring was Göring, Himmler and Goebbels, privy to his less secret ambitions and the means he was proposing to employ to realize them. In the outer rings were the ministers, commanders-in-chief and diplomats, each aware of only a small sector of the plans radiating from the nucleus. Beyond them was the German people. The whole structure was bound by the forces of the police state – by the fear of the wiretap, the letter censors, the Gestapo and ultimately the short, sharp corrective spells provided by Himmler's renowned establishments at Dachau and elsewhere.
David Irving (The War Path)
Most Black lesbians were closeted, correctly recognizing the Black community's lack of interest in our position, as well as the many more immediate threats to our survival as Black people in a racist society. It was hard enough to be Black, to be Black and female, to be Black and female, and gay. To be Black, female, gay, and out of the closet in a white environment, even to the extent of dancing in the Bagatelle, was considered by many Black lesbians to be simply suicidal.
Audre Lorde (Zami: A New Spelling of My Name)
We could go to Lough Bealach,” Aislinn answered. “Is that a place, or are you choking?” I asked, earning me a glare in return. Dad made a strangled sound that might have been a laugh. He covered it with a cough and said, “Lough Bealach is a lake in Ireland. It was once a very sacred place to the Brannick family, if I’m correct.” “The most sacred place,” Aislinn answered. “It was once the Brannicks’ responsibility to guard it.” “What’s there that needs guarding?” “Supposedly, an opening to the underworld,” Mom answered. “If we’re going to fight demons, it might be handy to have a lot of demonglass, seeing as how it’s the only thing that can kill a demon,” Aislinn said. “And the underworld is the only place we could get it. “Like literally going to hell?” I asked. Everyone ignored me.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The point is, your style guide-or any given "rule" you learned in school-was created so you would do something the same way every time for the sake of consistency, for the reader's sake. It's less distracting that way. You learn style rules so you don't have to stop and ponder every time you, say, come to a number in the text: "Hmm. Here's a number. Shall I spell it out? Use numerals?" You know your chosen style by heart, so you just flybywith confidence. Style rules aren't used because they're "correct." They're used for your convenience in serving the reader.
Carol Fisher Saller (The Subversive Copy Editor: Advice from Chicago (or, How to Negotiate Good Relationships with Your Writers, Your Colleagues, and Yourself))
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Seneca
Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.
Mary Katharine Ham
There is a love for structure in them that I recognize, and a desire to worship correctness that I know and I share. When I look at them, I think: to prize traditionalism above all else in a church that began in revolution is to do a great violence to it. But I feel that same ache for the past in myself: to uphold the columns of literature, grammar, the Western tradition. The English language began as an upheaval; I am not protecting it when I try to guard it against change. The Jesus Christ of it, Chaucer, walked across the water telling dirty jokes, made twenty stories stretch to feed a million people, spelled the word "cunt" five ways, performed miracles. Any innovation I put down on paper is an attempt to remind myself of this. I am not modern. I was not born to blaze new paths or bring down walls. I break form against my nature to tell myself that revolution, too, is a tradition that must be upheld.
Patricia Lockwood (Priestdaddy)
For the benefit of your research people, I would like to mention (so as to avoid any duplication of labor): that the planet is very like Mars; that at least seventeen states have Pinedales; that the end of the top paragraph Galley 3 is an allusion to the famous "canals" (or, more correctly, "channels") of Schiaparelli (and Percival Lowell); that I have thoroughly studied the habits of chinchillas; that Charrete is old French and should have one "t"; that Boke's source on Galley 9 is accurate; that "Lancelotik" is not a Celtic diminutive but a Slavic one; that "Betelgeuze" is correctly spelled with a "z", not an "s" as some dictionaries have it; that the "Indigo" Knight is the result of some of my own research; that Sir Grummore, mentioned both in Le Morte Darthur ad in Amadis de Gaul, was a Scotsman; that L'Eau Grise is a scholarly pun; and that neither bludgeons nor blandishments will make me give up the word "hobnailnobbing".
Vladimir Nabokov
The depiction of the divine family is one of the key expressions of the greatest word of power, the Unpronounceable Name of God, or Tetragrammaton.  This fourfold name is comprised of the Hebrew letters Yod, Heh, Vav, Heh corresponding respectively to the Father, Mother, Son, and Daughter.  The correct pronunciation of Tetragrammaton, which was said to be immensely powerful and capable of destroying the universe, has been lost for centuries.  Significantly, if the Yod, symbolising God the Father, is removed from this name, we are left with Heh Vav Heh, which spells Eve, the first woman of the Book of Genesis and some of the Gnostic texts.
Sorita d'Este (The Cosmic Shekinah)
Mankato was originally called Mahkato—meaning “greenish blue earth”—by its earliest inhabitants, the Dakota, although it didn’t look any different to me. It became Mankato because of a spelling error that was never corrected, possibly made by the eighteenth-century Europeans searching for the Northwest Passage who settled there after getting lost on the Minnesota River.
David Housewright (Pretty Girl Gone (Mac McKenzie, #3))
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Seneca
We have now reached a level in which many people are not merely unacquainted with the fundamentals of punctuation, but don’t evidently realize that there are fundamentals. Many people—people who make posters for leading publishers, write captions for the BBC, compose letters and advertisements for important institutions—seem to think that capitalization and marks of punctuation are condiments that you sprinkle through any collection of words as if from a salt shaker. Here is a headline, exactly as presented, from a magazine ad for a private school in York: “Ranked by the daily Telegraph the top Northern Co-Educational day and Boarding School for Academic results.” All those capital letters are just random. Does anyone really think that the correct rendering of the newspaper is “the daily Telegraph”? Is it really possible to be that unobservant? Well, yes, as a matter of fact. Not long ago, I received an e-mail from someone at the Department for Children, Schools and Families asking me to take part in a campaign to help raise appreciation for the quality of teaching in Great Britain. Here is the opening line of the message exactly as it was sent to me: “Hi Bill. Hope alls well. Here at the Department of Children Schools and Families…” In the space of one line, fourteen words, the author has made three elemental punctuation errors (two missing commas, one missing apostrophe; I am not telling you more than that) and gotten the name of her own department wrong—this from a person whose job is to promote education. In a similar spirit, I received a letter not long ago from a pediatric surgeon inviting me to speak at a conference. The writer used the word “children’s” twice in her invitation, spelling it two different ways and getting it wrong both times. This was a children’s specialist working in a children’s hospital. How long do you have to be exposed to a word, how central must it be to your working life, to notice how it is spelled?
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
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Seneca
ground in a fetal position. The frog man looked down at him with a frown. “Young man, I have no intention of eating you,” he said. “Is he always like this?” the frog man asked Alex. Alex responded with a squeal almost identical to the one her brother had made. “I know, I know. Don’t worry; I’m used to people screaming at me,” the frog man told them. “Get it out of your systems. The shock will only last a minute.” “We’re sorry!” Alex finally managed to say. “It’s just that, where we’re from there aren’t many … um … frog people? Sorry if that isn’t the politically correct term for what you are!” Conner let out another high-pitched noise. It wasn’t a scream this time, but it was embarrassing nonetheless. The frog man studied their faces and paid special attention to their clothes. “Where exactly are you from?” “Pretty far from here,” Alex said.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
We are about to study the idea of a computational process. Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells. A computational process is indeed much like a sorcerer's idea of a spirit. It cannot be seen or touched. It is not composed of matter at all. However, it is very real. It can perform intellectual work. It can answer questions. It can affect the world by disbursing money at a bank or by controlling a robot arm in a factory. The programs we use to conjure processes are like a sorcerer's spells. They are carefully composed from symbolic expressions in arcane and esoteric programming languages that prescribe the tasks we want our processes to perform. A computational process, in a correctly working computer, executes programs precisely and accurately. Thus, like the sorcerer's apprentice, novice programmers must learn to understand and to anticipate the consequences of their conjuring. Even small errors (usually called bugs or glitches) in programs can have complex and unanticipated consequences.
Harold Abelson (Structure and Interpretation of Computer Programs)
The spelling in the honors essays was mostly correct, and the diction was clear (although my cautious college-bound don’t-take-a-chancers had an irritating tendency to fall back on the passive voice), but the writing was pallid. Boring. My honors kids were juniors—Mac Steadman, the department head, awarded the seniors to himself—but they wrote like little old men and little old ladies, all pursey-mouthed and ooo, don’t slip on that icy patch, Mildred.
Stephen King (11/22/63)
Beyond this [checking for spelling, punctuation, and grammar] is where copyediting can elevate itself from what sounds like something a passably sophisticated piece of software should be able to accomplish--it can't, not for style, not for grammar (even if it thinks it can), and not even for spelling (more on spelling, much more on spelling, later)--to true craft. On a good day, it achieves something between a really thorough teeth cleaning--as a writer once described it to me--and a whiz-bang magic act.
Benjamin Dreyer (Dreyer's English: An Utterly Correct Guide to Clarity and Style)
In a conversation, he once discussed the concepts of chaos and order as complementary rather than contrary. ‘People assume that a jungle means disorder and a garden spells order,’ he said. ‘I use the word “jungle” to mean a very superior, highly sophisticated order. You don’t see any straight lines, but still everything is in place. The order of the jungle is not logically correct. For a gardener, a jungle may look chaotic. But no, there is a very deep order in this chaos. A forest will live for millions of years, while a garden may not even last a month without maintenance.
Sadhguru (Adiyogi: The Source of Yoga)
Particularly since Thalberg’s death, she felt like “Penelope with her needles” because others unraveled her work as soon as it was done. Screen-writing had become “writing on the sand with the wind blowing. They chew up and disgorge your stories until they’re so far removed from your original idea or conception that all you recognize is your name, and often that isn’t spelled correctly.” Or your name wasn’t on the screen at all. Even though she had signed over the rights to a dozen scripts she had completed for MGM since 1940, Frances had not received an on-screen credit in all that time.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
Names and how they are pronounced, revered, and understood reveal a lot—about classism, stereotypes, and history. As part of Dr. Deborah Roberts’s research for the Pluralism series, she typed the names of more than two hundred and fifty African American women into her computer. As she typed, red lines appeared under nearly every name to indicate that the names were spelled incorrectly. For each name, there was a correct and an incorrect way that they should be rendered. “These names are African American names,” Roberts notes. “These are names born from an American history. How can they be wrong?
Jenna Wortham (Black Futures)
Xuan pulled out his phone and searched Google. He had to ask for the correct spelling of the drug. He wanted more real information about how much of a financial burden he would be to his parents. Money was a big concern. Possibly a deal breaker. “Several sites—it’s around five hundred dollars a day! That’s fifteen thousand a month! How could I let my parents pay that much for me?” Fifteen thousand dollars. I gasped, appalled. I staggered to the chair and collapsed into it. He’ll never agree to that. Xuan opened his mouth and closed it again, in shock. The atmosphere in the room plunged from friendly and informative to frigid with mathematical figures and calculations. I sat with my elbows on my knees, my face buried in my hands. Saints, I knew cancer treatment was expensive, but I never imagined it was that expensive. That was too much. Ironically, I didn’t know if I could live with myself, knowing my parents were working day and night to keep me alive. That would be a huge financial responsibility. I just couldn’t imagine allowing it, month after month. Sadly, I wondered how many people died every year because of the cost of medication in the United States. In a way, it seemed like pharmaceutical companies were getting away with murder.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
Walking back from Somerville, we kept passing curbside piles of discarded household items. I pulled out a doormat that said I AM NOT YOUR DOORMAT. “It’s like it’s capable of self-deception!” I enthused. Joanne asked in a kind voice if I wanted to take it home and have it be our doormat. I imagined seeing it every day, this protesting resentful doormat: we would crush its conception of itself, again and again, with our feet. I replaced the mat where I had found it, between a CD tower and part of a disassembled futon. A few blocks later, Riley found another doormat that had seven cats on it spelling WELCOME with their tails. It was clearly the correct doormat.
Elif Batuman (Either/Or)
How has it come about that we are so bewitched by our self-hatred, so impressed and credulous in the face of our self-criticism, as unimaginative as it usually is? And why is it akin to a judgement without a jury? A jury, after all, represents some kind of consensus as an alternative to autocracy… We need to be able to tell the difference between useful forms of responsibility taken for acts committed, and the evasions of self-contempt… This doesn’t mean that no one is ever culpable; it means that culpability will always be more complicated than it looks; guilt is always underinterpreted… Self-criticism, when it isn’t useful in the way any self-correcting approach can be, is self-hypnosis. It is judgement as spell, or curse, not as conversation; it is an order, not a negotiation; it is dogma, not overinterpretation.
Adam Phillips
How much does it cost to change the name on a plane ticket? The cost to change a name on an American Airlines ticket depends on the type of correction needed. Minor fixes—such as correcting a typo or small spelling error—are typically free. However, more significant changes, like updating a name due to marriage or a legal name change, may come with a fee. These fees generally range from $25 to $200 for domestic flights and can reach up to $700 for international travel. Fees usually apply after the 24-hour risk-free cancellation window. To start a name change request, call American Airlines at +1-866-829-1153. Can I change the passenger name on an airline ticket? Yes, but with certain restrictions. American Airlines allows minor name corrections on unused tickets, such as fixing misspellings or formatting issues. However, you cannot transfer your ticket to someone else. For questions about what name changes are allowed, contact American Airlines directly at +1-866-829-1153.
Joseph Heller
I have an industrious and neat companion, and four dear children--the oldest a girl of nine years, and three fine boys, the oldest eight, the next six, and the youngest four vears old. The three oldest are now going regularly to school-two can read and write, and the other can spell with tolerable correctness words of two sylla-bles. Dear fellows! they are all in comfortable beds, and are sound asleep, perfectly secure under my own roof. There are no slaveholders here to rend my heart by snatching them from my arms, or blast a mother's dearest hopes by tearing them from her bosom. These dear children are ours--not to work up into rice, sugar, and tobacco, but to watch over, regard, and protect, and to rear them up in the nurture and admonition of the gospel--to train them up in the paths of wisdom and virtue, and, as far as we can, to make them useful to the world and to themselves. Oh! sir, a slaveholder never appears to me so completely an agent of hell, as when I think of and look upon my dear children.
Frederick Douglass
I’m very hungry, Sir Wulf,’ she whispered hopefully. ‘Is that soup?’ ‘Don’t you dare!’ breathed Goodbye. ‘It’s our spell, and you can’t have any.’ September brightened a little. This was what she had come for: witches and spells and wairwulves. ‘What sort of spell?’ All three looked at her as though she had asked what color a carrot is. ‘We’re witches,’ said Hello. Manythanks pointed meaningfully at his hat. ‘But witches do all kinds of spells—’ ‘That’s sorceresses,’ corrected Goodbye. ‘And magic—’ ‘That’s wizards,’ sighed Hello. ‘And they change people into things—’ ‘That’s thaumaturgists,’ huffed Manythanks. ‘And make people do things—’ ‘Enchantresses,’ sneered Goodbye. ‘And they do curses and hexes—’ ‘Stregas,’ hissed both sisters. ‘And change into owls and cats—’ ‘Brujas,’ growled Manythanks. ‘Well . . . what do witches do, then?’ September refused to feel foolish. It was hard enough for a human to get into Fairyland. True stories must be nearly impossible to get out. ‘We look into the future,’ grinned Goodbye. ‘And we help it along.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Erroneous plurals of nouns, as vallies or echos. Barbarous compound nouns, as viewpoint or upkeep. Want of correspondence in number between noun and verb where the two are widely separated or the construction involved. Ambiguous use of pronouns. Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.” Erroneous use of shall and will, and of other auxiliary verbs. Use of intransitive for transitive verbs, as “he was graduated from college,” or vice versa, as “he ingratiated with the tyrant.” Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.” Errors in moods and tenses of verbs, as “If I was he, I should do otherwise,” or “He said the earth was round.” The split infinitive, as “to calmly glide.” The erroneous perfect infinitive, as “Last week I expected to have met you.” False verb-forms, as “I pled with him.” Use of like for as, as “I strive to write like Pope wrote.” Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.” The superfluous conjunction, as “I wish for you to do this.” Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is a meticulous writer.” Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.” Use of false or unauthorized words, as burglarize or supremest. Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness. Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its. Of all blunders, there is hardly one which might not be avoided through diligent study of simple textbooks on grammar and rhetoric, intelligent perusal of the best authors, and care and forethought in composition. Almost no excuse exists for their persistent occurrence, since the sources of correction are so numerous and so available.
H.P. Lovecraft
She would never kill what she desired most- not when she wanted Tamlin as much as I did. But if I killed him... she either knew I couldn't do it, or she was playing a very, very dangerous game. Conversation after conversation echoed in my memory, until I heard Lucien's words, and everything froze. And that was when I knew. I couldn't breathe, not as I replayed the memory, not as I recalled the conversation I'd overheard one day. Lucien and Tamlin in the dining room, the door wide open for all to hear- for me to hear. 'For someone with a heart of stone, yours is certainly soft these days.' I looked at Tamlin, my eyes flicking to his chest as another memory flashed. The Attor in the garden, laughing. 'Though you have a heart of stone, Tamlin,' the Attor said, 'you certainly keep a host of fear inside it.' Amarantha would never risk me killing him- because she knew I couldn't kill him. Not if his heart couldn't be pierced by a blade. Not if his heart had been turned to stone. I scanned his face, searching for any glimmer of truth. There was only that bold rebellion within his gaze. Perhaps I was wrong- perhaps it was just a faerie turn of phrase. But all those times I'd held Tamlin... I'd never felt his heartbeat. I'd been blind to everything until it came back to smack me in the face, but not this time. That was how she controlled him and his magic. How she controlled all the High Lords, dominating and leashing them just as she kept Jurian's soul tethered to that eye and bone. Trust no one, Alis had told me. But I trusted Tamlin- and more than that, I trusted myself. I trusted that I had heard correctly- I trusted that Tamlin had been smarter than Amarantha, I trusted that all I had sacrificed was not in vain. The entire room was silent, but my attention was upon only Tamlin. The revelation must have been clear on my face, for his breathing became a bit quicker, and he lifted his chin. I took a step toward him, then another. I was right. I had to be. I sucked in a breath as I grabbed the dagger off the outstretched pillow. I could be wrong- I could be painfully, tragically wrong. But there was a faint smile on Tamlin's lips as I stood over him, ash dagger in hand. There was such a thing as Fate- because Fate had made sure I was there to eavesdrop when they'd spoken in private, because Fate had whispered to Tamlin that the cold, contrary girl he'd dragged to his home would be the one to break his spell, because Fate had kept me alive just to get to this point, just to see if I had been listening. And there he was- my High Lord, my beloved, kneeling before me. 'I love you,' I said, and stabbed him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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