Carson Block Quotes

Then a miracle occurred in the form of a plate of sandwiches. Geryon took three and buried his mouth in a delicious block of white bread filled with tomatoes and butter and salt. He thought about how delicious it was, how he liked slippery foods, how slipperiness can be of different kinds. I am a philosopher of sandwiches, he decided. Things good on the inside.

Here it is undeveloped, a roll of film with all its mysteries locked up. I never took it anyplace, just left it waiting in a drawer dreaming of stars. That was our time, to see if Lottie Carson was who we thought she was, all those shots we took, cracking up, kissing with our mouths open, laughing, but we never finished it. We thought we had time, running after her, jumping on the bus and trying to glimpse her dimple through the tired nurses arguing in scrubs and the moms on the phone with the groceries in the laps of the kids in the strollers. We hid behind the mailboxes and lampposts half a block away as she kept moving through her neighborhood, where I've never been, the sky getting dark on only the first date, thinking all the while we'd develop it later.

sadness and depression are very different experiences. Sadness is a natural response to certain stimuli. It often results in tears and full breathing. It can be a powerful, rich, enlivening experience. Depression, on the other hand, is often the result of blocking sadness, or of blocking anger.

I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to “order” than to justice;

If you are trying to write realistic fiction and you people it extensively with overdrawn characters, you’re working against yourself. You can occasionally get away with filling books and stories with grotesques, but unless your name’s Carson McCullers it gets tricky. A less obvious form of caricature consists of giving an otherwise ordinary character a trait or attribute or mannerism on which the reader may focus his attention.

From A Deadly Shade of Gold, a Travis McGee title: “The only thing in the world worth a damn is the strange, touching, pathetic, awesome nobility of the individual human spirit.” From the stand-alone thriller Where Is Janice Gantry?: “Somebody has to be tireless, or the fast-buck operators would asphalt the entire coast, fill every bay, and slay every living thing incapable of carrying a wallet.” These two angles show up everywhere in his novels: the need to—maybe reluctantly, possibly even grumpily—stand up and be counted on behalf of the weak, helpless, and downtrodden, which included people, animals, and what we now call the environment—which was in itself a very early and very prescient concern: Janice Gantry, for instance, predated Rachel Carson’s groundbreaking Silent Spring by a whole year. But the good knight’s armor was always tarnished and rusted. The fight was never easy and, one feels, never actually winnable. But it had to be waged. This strange, weary blend of nobility and cynicism is MacDonald’s signature emotion. Where did it come from? Not, presumably, the leafy block where he was raised in quiet and comfort. The war must have changed him, like it changed a generation and the world.

Question 1: What is the skill you wish to obtain or improve from the DTI? Question 2: What is the context or contexts in which this skill is to be used? Question 3: What is your outcome in doing the DTI? How will you know you have been successful? Question 4: Do you currently have 'blocks' or other negative associations with the skill to be learned, or the context in which it is to be applied? If so, what are these blocks? Question 5: What do you believe about your own abilities now within the context in which you want the change to take place? Question 6: Do you believe it is possible to achieve this outcome in this context? Question 7: Do you believe it is possible to significantly improve skills or performance using the DTI process? Do you believe you are capable of doing so? Do you believe you are capable of absorbing the skills and abilities of the model using DTI? Question 8: What is important to you about doing this DTI? What is important to you about having this skill in this context? And what is important about that? What will having this skill in this context do for you as a person? Question 9: Are you committed to following through with the DTI process? Remember you're going to have to not only absorb these skills, but apply them in a real-world context. In short, you will have to take action in the real-world; are you prepared to ‘just do it’ when the time comes? [Note for the hypnotist: Is the subject congruent in his response?] Question 10: What are your meta-programs in the context of the DTI? What are your meta-programs in the context in which you want to apply the skills gained in the DTI? Question 11: Check to make sure you are unconsciously aligned with the DTI process and with your own goals. What was the result? Question 12: What model is most appropriate for the DTI? Do you have sufficient information about the model, and if not where can you obtain more information? Question 13: What counter model is most appropriate for the DTI? Do you have sufficient information about the counter model, and if not where can you obtain more information about him?

The pain of a parting heart is a testament to the gravity of what once existed. Memories, both cherished and challenging, are the building blocks of our personal narrative. Instead of battling against their presence, let's navigate the waves of emotion, finding solace in the lessons and growth they carry.

In other words, when a person is accountable to monitor an effort or activity—and record and report the results—it is more likely to actually happen.

return” for most of us will be in terms of greater efficiencies, higher levels of customer service, or getting more performance-per-dollar invested using one approach versus another.

When we are depressed, we have a sense of being deadened and blocked. When we fully experience our sadness, we may not feel on top of the world, but we will feel very much alive and may even have a sense of wellbeing. Most importantly, when we experience our emotions fully, we will eventually move through them to a new feeling space. On the other hand, if we avoid our emotions, we tend to stay stuck in a particular emotional state.