Scuttle Quotes

I should have been a pair of ragged claws/ Scuttling across the floors of silent seas.

I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.

In my life long study of human beings, I have found that no matter how hard they try, they have found no way yet to prevent the arrival of Monday morning. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workday lives of meaningless toin and suffering.

Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.

Another guy barked orders to a small army of brooms, mops, and buckets that were scuttling around, cleaning up the city. "Like that cartoon," Sadie said. "Where Mickey Mouse tries to do magic and the brooms keep splitting and toting water." "'The Sorcerer's Apprentice,'" Zia said. "You do know that was based on an Egyptian story, don't you?

The waitress scuttles away, and I make a shooing motion at the old couple who’re still glaring. “Don’t you have something to better to work on?” I hiss. “Like golfing or eating prunes or dying?” The old lady looks shocked. “Okay, sorry, not dying. But seriously, prunes are good for you.

He was still frowning at the cake, looking at it as if he expected it to sprout dozens of legs and begin scuttling toward him, thin-lipped, teeth bared.

Then it was a rumble, causing the house to groan and small clouds of dust to drop from the ceiling. The table scuttled over the floor. A chair toppled over and then another. Somewhere in the living room, a window shattered. Kat was going to bring the house down.

Brigan spun around to face the man, swearing with as much as exasperation and fury as Fire had ever heard anyone swear. The man scuttled away in alarm.

Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.

Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.

Morpheus is not his true name. He is glory and deprecation—sunlight and shadows—the scuttle of a scorpion and the melody of a nightingale. The breath of the sea and the cannonade of a storm. Can you relay birdsong, or the sound of wind, or the scurry of a creature across the sand? For the proper names of netherlings are made up of the life forces defining them. Can you speak these things with your tongue?

You, you are a cockroach. No matter how many times we tried to get rid of you, you kept finding a way to scuttle your way back. And as much as I don’t like you, well, you are persistent. And even I can admire you that.

As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.

They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.

Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?

That was Flint's treasure that we had come so far to seek, and that had cost already the lives of seventeen men from the Hispaniola. How many it had cost in the ammassing, what blood and sorrow, what good ships scuttled on the deep, what brave men walking the plank blindfold, what shot of cannon, what shame and lies and cruelty, perhaps no man alive could tell.

When Chong made to sit down next to her, Lilah drew her knife and stabbed the point into the earth between them. "I can see that you need some quiet time," he said and scuttled quickly away.

It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.

It had become a chimney poking from a vertical universe of bookshelves. There was motion below her. There were people on the shelves. They clung to the edges of the cases and moved across them in expert scuttles. They wore ropes and hooks and carried picks on which they sometimes hung. Dangling from straps they carried notebooks, pens, magnifying glasses, ink pads, and stamps. The men and women took books from the shelves as they went, checked their details, leaning against their ropes, replaced them, pulled out little pads and made notes, sometimes carried the books with them to another place and reshelved it there. ... I'm Margarita Staples." She bowed in her harness. 'Extreme librarian. Bookaneer.

The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.

I noticed years ago that when people (myself definitely included) are anxious they tend to busy themselves with irrelevant activities, because these distract from and therefore reduce their actual experience of anxiety. To stay perfectly still is to feel the fear at its maximum intensity, so instead you scuttle around doing things as though you are, in some mysterious way, short of time.

Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.

[...]And his head is on fire with new things[...]he called himself the little blue hermit, scuttling across the sand in search of a new shell, but now he looks at the sky and knows that no shell will ever be big enough, ever.

Fleetfoot just zoomed on by, a blur of gold. A moment later, when the little librarian came waddling into view and asked if they'd seen a dog, Celaena only shook her head and said that she had heard something--from the opposite direction. And then she told him to keep his voice down, because this was a library. His eyes shooting daggers at her, the man huffed and scuttled away, his shouting a bit softer. When he was gone, Dorian turned to her, brows high on his head.

Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.

He was supposed to be turning a beetle into a button, but all he managed to do was give his beetle a lot of exercise as it scuttled over the desktop avoiding his wand.

Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope.

It was no mean trick doing the wiring with those mittens on. But I managed it and crawled out, batting spiders into the shadows. I could hear a thud as they hit the floor joists, then a scuttling sound, then, worst of all, the silence of spiders.

The secret island had looked mysterious enough on the night they had seen it before - but now, swimming in the hot June haze, it seemed more enchanting than ever. As they drew near to it, and saw the willow trees that bent over the water-edge and heard the sharp call of moorhens that scuttled off, the children gazed in delight. Nothing but trees and birds and little wild animals. Oh, what a secret island, all for their very own, to live on and play on.

You know every alley in my mind, every broken bottle and rat scuttling in there.

They're here!" he cried, slamming the door and scuttling to the window. Amber frowned. "The vampires?" Glen looked back at her, real fear on his face. "Your parents.

You may look back on your life and accept it as good or evil. But it is far, far harder to admit that you have been completely unimportant; that in the great sum of things all a man's endless grapplings are no more significant than the scuttlings of a cockroach. The universe is neither friendly nor hostile. It is merely indifferent. This makes me ecstatic. I have reached a nirvana of negativity. I can look futility in the face and still see promise in the stars.

She moved suddenly, planting her hands against the kitchen floor. Throwing back her head, she screamed, and that sound was full of sorrow and heartbreak. It started as a low tremble under my feet and then increased, shaking the kitchen table and rattling the plates and cups in the cabinets. Then it was a rumble, causing the house to groan and small clouds of dust to drop from the ceiling. The table scuttled over the floor. A chair toppled over and then another. Somewhere in the living room, a window shattered. Kat was going to bring the house down. “Shit.

From the sky, everything looked fake. The buildings were doll houses. The cars were Matchbox racers. People scuttled about, but they weren’t really people anymore. Their little lives meant absolutely nothing from this altitude.

Most literary critics agree that fiction cannot be reduced to mere falsehood. Well-crafted protagonists come to life, pornography causes orgasms, and the pretense that life is what we want it to be may conceivably bring about the desired condition. Hence religious parables, socialist realism, Nazi propaganda. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. For if they could only do that, then why not us?

The rat scuttles, the big cat creeps, the monkey dashes, The bat glides, the white crane soars, the lizard darts, And the owl hoots In the middle of the night.

The flowers that I left in the ground, that I did not gather for you, today I bring them all back, to let them grow forever, not in poems or marble, but where they fell and rotted. And the ships in their great stalls, huge and transitory as heroes, ships I could not captain, today I bring them back to let them sail forever, not in model or ballad, but where they were wrecked and scuttled. And the child on whose shoulders I stand, whose longing I purged with public, kingly discipline, today I bring him back to languish forever, not in confession or biography, but where he flourished, growing sly and hairy. It is not malice that draws me away, draws me to renunciation, betrayal: it is weariness, I go for weariness of thee, Gold, ivory, flesh, love, God, blood, moon- I have become the expert of the catalogue. My body once so familiar with glory, My body has become a museum: this part remembered because of someone's mouth, this because of a hand, this of wetness, this of heat. Who owns anything he has not made? With your beauty I am as uninvolved as with horses' manes and waterfalls. This is my last catalogue. I breathe the breathless I love you, I love you - and let you move forever.

On more than one occasion David, in his urge to explore the darker corners of the bookshelves, had found himself wearing strands of spider silk in his face and hair, causing the web's creator to scuttle into a corner and crouch balefully, lost in thoughts of arachnoid revenge.

Ah...Dectective, this is a very private and personal moment for them both. I'm sure you can understand their need for-" A man stumbled out clutching a sheet round his waist and Valkyrie's eyes widened. "Whoa," she said as he hummed into a table. He was tall and sandy-haired and his physique was jaw-dropping lay amazing. "No way," she said. "Scapegrace?" The man looked at her, and shook his head. The a woman came charging out of the back room, slammed into the man and they both went rolling across the floor. "Give it to me!" The woman screamed. "Give it to me!" Nye scuttled over. "Mr Scapegrace, you know the procedure cannot be repeated, your brains are in far too deteriorated a condition." "You! Gave! Me! The! Wrong! Body!

Six vampires came scuttling over the roof, in assorted colors of sunblock, like someone spilled a bag of Skittles. Taste the undead rainbow.

The greatest of poems is an inventory. Every kitchen tool becomes ideal because Crusoe might have dropped it in the sea. It is a good exercise, in empty or ugly hours of the day, to look at anything, the coal-scuttle or the book-case, and think how happy one could be to have brought it out of the sinking ship on to the solitary island.

We try to make guests feel welcome," said Dee, scuttling behind his desk. He pulled off his pointed hat and, to Vimes's amazement, put on a pair of thick smoked glasses. "You had papers?" he said. Vimes handed them over. "It says here "His Grace"," the dwarf said, after reading them for awhile. "Yes, that's me." "And there's a sir." "That's me, too." "And an excellency." "'fraid so." Vimes narrowed his eyes. "I was blackboard monitor for awhile, too.

The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer's voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death.

To Galen’s relief, they reached the silver and pearl gate before Rose could convince Pansy to tell her any more. He rode in the boat with Jonquil and her prince, who was not as stoic as his brothers. “What did you eat for dinner?” the dark prince huffed. “What do you mean?” Jonquil frowned at her escort as he rowed. “You’re so heavy, it’s like you’re wearing iron underthings,” he panted. “Oh!” Jonquil whacked her prince on the shoulder with her fan. “How rude!” When their boat reached the island and the black palace, Jonquil leaped out without waiting for assistance. She stalked into the palace ahead of everyone else, with her prince scuttling at her heels, apologizing every step of the way.

Nothing sends patriarchy scuttling under covers of propriety faster than rambunctious peals of laughter emanating from rubicund lips

Samirah," Loki growled, "turn into a lizard and scuttle away, my dear." Sam frowned at him. "No, Father, I don't think I will. Why don't you?" "Oooh!" Some of the giants even clapped.

Every decent man in America ought to swoon with joy for the opportunity to crush with his heel the woolly head of this black lizard, to keep him from scuttling on his belly farther over the earth and spitting forth his venom of death!

Jules: A house with Emma; laughing by a fire together. All that would make it better would be his brothers and sisters somewhere nearby, where he could see them every day, where he could fence with Livvy and watch movies with Dru and help Tavvy learn the crossbow. Where he could look for animals with Ty, hermit crabs down by the edge of the water, scuttling under their shells. Where he could cook massive dinners with Mark and Helen and Aline and they'd all eat them together, out under the stars in the desert air.

Have you ever seen an anthill?" he said at last. "A machine of tiny marchers. Too much motion, you cannot make out the aims in it. But take something away from that anthill – a stone, a leaf, a dead caterpillar – and the ants scurry. You see which ones you have sabotaged, which ones are disturbed and scuttling to prop something in its place. That is what I do. That is kleptomancy. Divination by theft. Find something that is important, something on which you suspect many plans rely, and remove it. Then sit and watch. That’s why stealing you will help, even if you know nothing. Right now, the people who want to use you and the people who want you dead will be in a race to find you before the other does. People in a hurry often show their hand by mistake.

Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension.

He knew what his father thought: that immigration, so often presented as a heroic act, could just as easily be the opposite; that it was cowardice that led many to America; fear marked the journey, not bravery; a cockroachy desire to scuttle to where you never saw poverty, not really, never had to suffer a tug to your conscience; where you never heard the demands of servants, beggars, bankrupt relatives, and where your generosity would never be openly claimed; where by merely looking after your wife-child-dog-yard you could feel virtuous. Experience the relief of being an unknown transplant to the locals and hide the perspective granted by journey. Ohio was the first place he loved, for there at last he had been able to acquire poise --

For the first time in her sixty-nine years she felt the fear: the fear every woman knows is always waiting for her, the possibility that lurks and scuttles in the shadows of her mind, even if she’s spent her entire life being so tenderly loved and protected by good men.

Horror fiction seems to spawn more dumbass 'rules' than any other kind of writing, and one of the dumbest is the assumed 'requirement' of a twist ending, going all the way back to H.H. Munro. This story is also the result of a long rumination on how stories are sometimes scuttled or diminished by succumbing to such 'rules'.

There you are, I've been looking for you," said a deep, sensual male voice I'd never heard. But I kept my eyes on the three faeries, bracing myself for flight as the male behind me stepped to my side and slipped a casual arm around my shoulders. The Three lesser faeries pales, their dark eyes wide. "Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.

There, scuttling across the floor, blind and querulous, is the old cell phone—scrabbling and bulky, trying to get away from you.

He told how he had seen the lies run down the lawyer’s tongue. Vague but of a substance, they came down like mice and looked about a moment before scuttling off.

Ash fell from the sky. Lord Tresting frowned, glancing up at the ruddy, mid-day sky as his servants scuttled forward, opening a parasol over Tresting and his distinguished guest.

Love is a pain in disguise, a scorpion lying in wait for just the right moment to strike and inject you with its poison before scuttling off into the shadows.

While Evie loved all animals, she was especially fond of the smaller ones, those creepers of meadow and leapers of deadfall, the fragile-winged and the scuttling.

I arrived here a King’s Hand, riding through the gates at the head of my own sworn men, Tyrion reflected, and I leave like a rat scuttling through the dark, holding hands with a spider.

In my lifelong study of human beings, I have found that no matter how hard they might try, they have found no way yet to prevent the arrival of Monday. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workaday lives of meaningless toil and suffering

But no one can prepare for the worst. The worst doesn't only dash hopes; it tears through everything in ways that are almost meant to hurt, to punish, to shame. Despite my most sobering forecasts, life can still play the cruelest card and scuttle everything—and just when I thought we were sailing past the shoals.

It was all as it had been, except for the weight of the present, that scuttled the pact we made with heaven. In truth there was no cause for rejoicing, nor need to turn around, either. We were lost just by standing, listening to the hum of wires overhead.

The way she says alone makes it sound like a cave. Like some hideous, dark cave whose oozing walls are teeming with all the unpleasant things of this world, and I am crawling willingly, brazenly, into this awful space of my own free will. Shoveling the vermin I find scuttling across the floor into my mouth for sustenance.

The event that will light the way for immigration in North America is the talking picture. The silent film brings nothing but entertainment—a pie in the face, a fop being dragged by a bear out of a department store—all events governed by fate and timing, not language and argument. The tramp never changes the opinion of the policeman. The truncheon swings, the tramp scuttles through a corner window and disturbs the fat lady’s ablutions. These comedies are nightmares. The audience emits horrified laughter as Chaplin, blindfolded, rollerskates near the edge of the unbalconied mezzanine. No one shouts to warn him. He cannot talk or listen. North America is still without language, gestures and work and bloodlines are the only currency.

Donald set his sights on the University of Pennsylvania. Unfortunately, even though Maryanne had been doing his homework for him, she couldn’t take his tests, and Donald worried that his grade point average, which put him far from the top of his class, would scuttle his efforts to get accepted. To hedge his bets he enlisted Joe Shapiro, a smart kid with a reputation for being a good test taker, to take his SATs for him.

A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.

For a wolf, no,” said Tabaqui, “but for so mean a person as myself a dry bone is a good feast. Who are we, the Gidur-log [the jackal people], to pick and choose?” He scuttled to the back of the cave, where he found the bone of a buck with some meat on it, and sat cracking the end merrily.

If Pakistani cities were caricatures, most would be easy to draw. Lahore is corpulent and languid, stretched out in a shalwar kameez, twirling its moustache over a greasy breakfast. Islamabad cuts a more clipped figure, holding court in a gilded drawing room, proffering Scotch and political whispers. Peshawar wears a turban or a burka, scuttling among the stalls of an ancient bazaar. But Karachi is harder to sketch. It has too many faces: the shiny-shod businessman, rushing to the gym; the hardscrabble labourer who sends his wages to a distant village; the slinky young socialite, kicking off her heels as she bends over a line of cocaine.

And speaking of Escher, it’s worth recording this for posterity: the artists were right, literally right, all along. Beneath what we used to call ‘reality’ there was always an Escheresque, a Boschian, a Munchian fact—a scuttling Guernicopia of horrors just waiting to be discovered once the civilizational rock was finally overturned.

The hours spent forming a written work can make one obsessive, distracted, compulsive, and neurotic even, especially when it comes to those rare, precious occasions of streaming pure inspiration. To have a muse moment interrupted - to watch her scuttle back into hiding with unshared insight remaining on the tip of her tongue - is a wicked irritation. When a writer's eyes glaze over, when she stares off at nothing or appears to be memorizing the lines on a blank page, when she falls asleep at the desk... tiptoe softly. For a writer's greatest desire is to receive inspiration; her greatest nightmare, to have tossed to the wind what could have been captured in words.

I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.

Listen,” you said. “To what? There’s nothing.” “There is. Maybe not shopping centers and cars, but other things … buzzing insects, racing ants, a slight wind making the tree creak, there’s a honeyeater up there, scuttling around, and the camels are coming.

...people outdoors here just scuttle in vectors from air conditioning to air conditioning. The sun is a hammer. I can feel one side of my face start to cook. The blue sky is glossy and fat with heat, a few thin cirri sheared to blown strands like hair at the rims.

Homer would scuttle up the side of my denim-clad leg (to this day, there’s nothing he loves climbing so much as a pair of jeans)

My task was to ensure that the people scuttling in the background of the film would be real Vietnamese things and dressed in real Vietnamese clothing, right before they died.

impinged on the normal nightly Holcomb noises—on the keening hysteria of coyotes, the dry scrape of scuttling tumbleweed, the racing, receding wail of locomotive

He was the mildest manner’d man / That ever scuttled ship or cut a throat.

Despite threats to their kids’ lives, they still prioritise sharing their fears with the world before they scuttle off to rescue their little ones. Share then react. I love it.

I've never found a live, wild animal. It must be a fantastic experience to look down and see something living scuttling along. Maybe it'll happen someday to me like it did him.

Then out of the dust and sand came the crabs, unharmed and infuriated, scuttling forward in search of revenge!

In the glass cases roaches scuttled, a dry rattling sound as they traversed the candy in broken ranks, scaled the glass with licoriced feet, their segmented bellies yellow and flat.

Springing back, sword high, he saw the horror strike the floor, wheel and scuttle toward him with appalling speed – a gigantic black spider, such as men see only in nightmare dreams.

For, like the wind, the sun, or the flowing river, like a soaring man-of-war or a beetle under a stone, like a spider at a web or a crab scuttling sideways across a shore, Nimrod was free.

What. Are. Thooooooose?" the walrus moaned. On the holo-screen airing the happenings in Genevieve Square, a swarm of scorpspitters released by the Glass Eyes was scuttling toward Alyss and the other. Never before had a Wonderlander seen these scorpion-like contraptions that could bullets of deadly poison from their "tails"--not even Bibwit, who assumed they were the latest in a long line of armaments invented by Redd. But before a single scorpspitter curled its tail into a C to take aim at the queen, she imagined into existance a horde of disembodied boots with steel-plated soles, which hovered monetarily in the air, then-- With a slight nod, she brought them down hard, stomping the scorpspitters flat, squishing their armor-crapaces and making absract art of their wiry guts. Ooh, now why can't Queen Alyss do that to the Glass Eyes?" the walrus-bulter cried.

Guns, double-crosses, hitmen… I can get used to a lot of things, but I’m never going to get used to sleeping where apocalypse bugs mate,” Wednesday said, walking into the room looking around. She dropped her Birkin on the floor and heard something scuttling behind the cheap plastic wood print veneer covered dresser. She turned to face Alvin, her head cocked to the side. “Seriously. I’m not saying five-star… I’m saying go on Expedia and find a place that actually has stars… any stars.

I imagine crossing Grey Street in the daytime. Would night fall over me gently like a velvety curtain? Or would the day turn dark in the blink of my eye? I don't really need the sunrise to know that Shyness is different. It's like there is a thin layer of static over everything that stops me from seeing what's really going on. People here scuttle around like they're scared of their own shadows.

You want a beer?” Amos asked. “You’re having beer for breakfast?” “Figure it’s dinner for you,” Amos said. The man was right. Miller needed sleep. He hadn’t managed more than a catnap since they’d scuttled the stealth ship, and that had been plagued by strange dreams. He yawned at the thought of yawning, but the tension in his gut said he was more likely to spend the day watching newsfeeds than resting. “It’s probably breakfast again,” Miller said. “Want some beer for breakfast?” Amos asked. “Sure.

Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes

Travel is transition, and at its best it is a journey from home, a setting forth. I hated parachuting into a place. I needed to be able to link one place to another. One of the problems I had with travel in general was the ease and speed with which a person could be transported from the familiar to the strange, the moon shot whereby the New York office worker, say, is insinuated overnight into the middle of Africa to gape at gorillas. That was just a way of feeling foreign. The other way, going slowly, crossing national frontiers, scuttling past razor wire with my bag and my passport, was the best way of being reminded that there was a relationship between Here and There, and that a travel narrative was the story of There and Back.

If your voice could overwhelm those waters, what would it say? What would it cry of the child swept under, the mother on the beach then, in her black bathing suit, walking straight out into the glazed lace as if she never noticed, what would it say of the father facing inland in his shoes and socks at the edge of the tide, what of the lost necklace glittering twisted in foam? If your voice could crack in the wind hold its breath still as the rocks what would it say to the daughter searching the tidelines for a bottled message from the sunken slaveships? what of the huge sun slowly defaulting into the clouds what of the picnic stored in the dunes at high tide, full of the moon, the basket with sandwiches, eggs, paper napkins, can-opener, the meal packed for a family feast, excavated now by scuttling ants, sandcrabs, dune-rats, because no one understood all picnics are eaten on the grave?

Evans, Evans!" He Cried. Mrs. Smith was talking aloud to himself, Agnes the servant girl cries to Mrs. Filmer in the kitchen. "Evans, Evans" he had said as she brought in the tray. She jumped, she did. She scuttled downstairs.

When Stephen comes into a room, the furnishings shrink from him. Chairs scuttle backwards. Joint-stools flatten themselves like pissing bitches. The woollen Bible figures in the king’s tapestries lift their hands to cover their ears.

Glory and deprecation—sunlight and shadows—the scuttle of a scorpion and the melody of a nightingale. Sister One’s description of him has never seemed more apt. The breath of the sea and the cannonade of a storm. Can you speak these things with your tongue?

It's one small mercy that here in prison we don't see anyone we don't choose to see. In this way, prison is beautifully unlike real life. In real life, people from your past litter your life like cockroaches, popping out of crevices and scuttling across the dark.

What's he doing?" Mary Lou asked. "What's he doing?" "Getting a spoon. I was was right-he went out to buy ice cream." The light blinked out, and Morelli disappeared. Mary Lou and I scuttled across Morelli's backyard and squinted into his window. "Do you see him?" Mary Lou asked. "No. He's disappeared." "I didn't hear the front door open." "No, and he's got the television on. He's just out of sight somewhere." Mary Lou crept closer. "Too bad he's got the shades pulled on his front windows." "I'll try to be more considerate next time," Morelli said, standing inches behind us. Mary Lou and I yelped and instinctively sprang away, but Morelli had both of us by the back of our jackets.

The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.

It a heasy t'ing to live for de lightnin' crack hillumination of possession. It heasy to hide in de dark o' faith, pretendin' dat anyt'in' dat skitter an' scuttle in de night is jus' bad himagination. It a heasy t'in' jus' to stay where you at. Grow roots. Vegetate. Be a potato.

Here’s the thing about vampires: I hate them. Have for years. They’re like cockroaches. I mean I get it: they’re simply scuttling around doing what they need to do to survive just like the rest of us. But that doesn’t mean I don’t feel the urge to squeal and stomp the second I see one.

brought forth scintillating jeweled scuttling crabs, which the Vogons ate, smashing their shells with iron mallets; tall aspiring trees of breathtaking slenderness and color which the Vogons cut down and burned the crabmeat with; elegant gazellelike creatures with silken coats and dewy eyes which the Vogons would catch and sit on. They were no use as transport because their backs would snap instantly, but the Vogons sat on them anyway.

It was curious how that beetlelike type proliferated in the Ministries: little dumpy men, growing stout very early in life, with short legs, swift scuttling movements, and fat inscrutable faces with very small eyes. It was the type that seemed to flourish best under the dominion of the Party.

On the crowded subway car back to Brooklyn afterwards, the youngest of my three female companions had her bottom groped by a man about Strauss-Kahn’s age. At first, she thought he had simply bumped into her. That was before she felt her buttock being cupped and said something to me, as young women often do, tentatively, quietly, as though it were perhaps not happening or perhaps not quite a problem. Finally, she glared at him and told him to stop. I was reminded of a moment when I was an impoverished seventeen-year-old living in Paris and some geezer grabbed my ass. It was perhaps my most American moment in France, then the land of a thousand disdainful gropers; American because I was carrying three grapefruits, a precious purchase from my small collection of funds, and I threw those grapefruits, one after another, like baseballs at the creep and had the satisfaction of watching him scuttle into the night. His action, like so much sexual violence against women, was undoubtedly meant to be a reminder that this world was not mine, that my rights -- my liberté, egalité, sororité, if you will -- didn’t matter. Except that I had sent him running in a barrage of fruit.

That’s the experience I’ve gained from working in the garden: there’s no reason to be cautious or anxious about anything, life is so robust, it seems to come cascading, blind and green, and at times it is frightening, because we too are alive, but we live in what amounts to a controlled environment, which makes us fear whatever is blind, wild, chaotic, stretching towards the sun, but most often also beautiful, in a deeper way than the purely visual, for the soil smells of rot and darkness, teems with scuttling beetles and convulsing worms, the flower stalks are juicy, their petals brim with scents, and the air, cold and sharp, warm and humid, filled with sunrays or rain, lies against skin, accustomed to the indoors, like a soothing compress of hereness.

There mostly is rats an’ mice in attics. You gets used to the noise they makes scuttling about. I’ve got so I don’t mind ’em s’ long as they don’t run over my piller.” “Ugh!” said Sara. “You gets used to anythin’ after a bit,” said Becky. “You have to, miss, if you’re born a scullery maid. I’d rather have rats than cockroaches.” “So would I,” said Sara; “I suppose you might make friends with a rat in time, but I don’t believe I should like to make friends with a cockroach.

Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

Something had curdled in the atmosphere of the great hall. A further restlessness, a sense of unease, seemed to seep into the air through the walls. The cat, once more in its favored perch in the window recess, began to back up against the shutter, its ears flat and its eyes wide. After a moment even this refuge would not suffice, and it dropped with a small bang onto the table below, leaped to the floor, and scuttled along the wall till it disappeared through an archway near the dais.

Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.

The snarfblat dates back to pre-hysterical times when humans used to sit around and stare at each other all day. Got very boring.

Churchill quoted to Smuts the lines from Byron’s Don Juan: ‘He was the mildest-mannered man / That ever scuttled ship or cut a throat.

Some people leave us scuttled and damaged. In my case, I'm the one who did the scuttling, yet I'm the one who never recovered.

Following that, according to Speer, “on the suggestion of the nuclear physicists we scuttled the project to develop an atom bomb

Glory and deprecation—sunlight and shadows—the scuttle of a scorpion and the melody of a nightingale.

a damn roach…[that] scuttled around just like Nate; reappearing, existing forever, never dying. Like Twinkies. So bad, yet deeply desired.

has killed them and scuttled their vessel

She preferred him to think of her that way. Blank. A curtain hung between her past and present and she could never peek behind it. Who knows what might scuttle through?

To scuttle a boat you don't have to rip out the whole bottom, you just need to remove a few planks, one by one.

Soon the room had that desolate look that comes from the chaos of packing up to go away and, worse, from removing the shade from the lamp. Never, never take the shade off a lamp. A lampshade is something sacred. Scuttle away like a rat from danger and into the unknown. Read or doze beside your lampshade; let the storm howl outside and wait until they come for you.

The more she thought about it, the more confused she became: each of them told the story with complete conviction. In the end, she thought, perhaps they were all right. The stories of what had happened to each of them in those bloody days of the revolution were a web they wove together; the truth scuttled back and forth between the delicate strands of memory, and could not be pinned down.

Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist.

The march took Addy past her old apartment building, the place where she had lived with Marco for two years. The top few stories had fallen, including their apartment. Marauder webs coated the rest, and the aliens were scuttling across them. It had been a difficult two years, living in that cage, watching Marco spiral into the depression and madness of shell shock. But Addy missed those days now.

Wait!” I turn and put my hands in the air. The figure halts. “The dead Mask in the desert,” I say. “You did that?” “A message for you, little singer,” the woman rasps. “So you wouldn’t be stupid enough to fight me. Don’t feel badly about it. He was a murderer and a rapist. He deserved to die. Which reminds me.” She tilts her head. “The girl—Laia. Don’t touch her. If any harm comes to her, no force in this land will stop me from gutting you. Slowly.” With that, she is moving again. I leap up and unsheathe my blade. Too late. The woman is through the open window and scuttling away across the rooftops. But not before I catch sight of her face—hardened by hatred, mangled beyond belief, and instantly recognizable. The Commandant’s slave. The one who is supposed to be dead. The one everyone called Cook.

YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B. - I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) - on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four-miles' walk, arrived at Heathcliff's garden-gate just in time to escape the first feathery flakes of a snow-shower.

An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.

He is the same soul. You are simply seeing another aspect of him. There is a secret core in everyone that not even Gabriel can know by trying to know. Listen now. The intellect derives from the senses, which are limited, and come from the body. The intellect therefore is also limited, and it can never truly know reality, which is infinite and eternal. Khalid wanted to know reality with his intellect, and he can't. Now he knows that, and is downcast. Intellect has no real mettle, you see, and at the first threat, into a hole it scuttles. But love is divine. It comes from the realm of the infinite, and is entrusted to the heart as a gift from God. Love has no calculation in it. 'God loves you' is the only possible sentence! So it's love you must follow to the heart of your father-in-law. Love is the pearl of an oyster living in the ocean, and intellect lives on the shore and cannot swim. Bring up the oyster, sew the pearl onto your sleeve for all to see. It will bring courage to the intellect. Love is the king that must rescue his coward slave.

Eurystheus snarled. “You deceitful hero! I’ll make your next task impossible!” “I thought the last four were impossible.” “This will be even more impossible! Near the city of Stymphalia is a lake overrun by a flock of demonic birds—” “If they’re called the Stymphalian birds—” “They are called the Stymphalian birds!” “I’m going to puke.” “You will not puke! You will rid the lake of every single bird. Ha-ha! Copreus, my herald…” The king’s herald scuttled over. “Yes, my lord?” “What do people say when they wish someone luck, but they mean it in a sarcastic way?” “Um, good luck with that?” “Yes! Good luck with that, Hercules! Ha-ha!

They all nodded. A favorite game in quarry had been based on a highly successful film series with lasers, robots, and a princess who wore her hair like a pair of stereo headphones. (It had been agreed without a word being said that if anyone was going to play the part of any stupid princesses, it wasn't going to be Pepper.) But the game normally ended in a fight to be the one who was allowed to to wear the coal scuttle and blow up planets.

He thought he would light the fire when he got inside, and make himself some breakfast, just to pass away the time; but he did not seem able to handle anything from a scuttleful of coals to a teaspoon without dropping it or falling over it, and making such a noise that he was in mortal fear that it would wake Mrs. G. up, and that she would think it was burglars and open the window and call “Police!” and then these two detectives would rush in and handcuff him, and march him off to the police-court. He was in a morbidly nervous state by this time, and he pictured the trial, and his trying to explain the circumstances to the jury, and nobody believing him, and his being sentenced to twenty years’ penal servitude, and his mother dying of a broken heart.  So he gave up trying to get breakfast, and wrapped himself up in his overcoat and sat in the easy-chair till Mrs. G came down at half-past seven.

How irritating indeed to believe you are about to astonish your listener with a profoundly shocking fact only to have your moment scuttled by the other person’s intolerable cleverness. Kesgrave had done it to her more than once.

With life blooming inside her, the water answered her questions with a whispered yes, and part of her knew home. In a tidal river on the Virginia coast she encountered a peculiar creature that scuttled the riverbed. She held it up and examined the graceful curve of its shell, its neat spike of a tail, and spidery feet that kicked and scratched at the air as she cradled it in her palm. A wonder just for her, she thought. The flickering of a child inside her laughed. Evangeline

Power and influence in Congress," he explained, "are not obtained by promoting one's own measures. They come either from blocking measures others want enacted or sup-                                     porting measures others oppose. As a member of the Agricul- ture Committee, Mrs. Chisholm would have been in an ideal position to make her presence felt. Without offending her own constituents, she could have voted against all of the bills introduced for the benefit of farmers. At the same time she could have introduced bills to scuttle price supports and other farm programs. Before long, farm belt congressmen would have been knocking on her door, asking favors." That kind of long-range Machiavellian strategy may be fine for a white, mid-western congressman whose district has more cows than voters, and who has all the time in the world to try to work himself up to that comfortable share of power that a House member can achieve if he plays by the rules, makes his district "safe," and lives long enough. What I can never forget, and what my friend the reporter apparently never knew, is that there are children in my district who will not live long enough for me to play it the way he proposes.

You wonder if, at any point in history, some creature scuttled over what would, eons later, be the living room, and cocked its head to the side to listen to the faintest of sounds: yelling, weeping. Ghosts of a future that hadn't happened yet.

The word spread. It began with the techno-literates: young summoners who couldn’t quite get their containment circles right and who had fallen back on Facebook to keep themselves occupied while the sacred incense was cooked in their mum’s microwaves; eager diviners who scoured the internet for clues as to the future of tomorrow, and who read the truth of things in the static at the corners of the screen; bored vampires who knew that it was too early to go out and hunt, too late still to be in the coffin. The message was tweeted and texted onwards, sent out through the busy wires of the city, from laptop to PC, PC to Mac, from mobile phones the size of old breeze blocks through to palm-held devices that not only received your mail, but regarded it as their privilege to sort it into colour-coordinated categories for your consideration. The word was whispered between the statues that sat on the imperial buildings of Kingsway, carried in the scuttling of the rats beneath the city streets, flashed from TV screen to TV screen in the flickering windows of the shuttered electronics stores, watched over by beggars and security cameras, and the message said: We are Magicals Anonymous. We are going to save the city.

In Blake’s mind, her life before him had been tragic, her whole family swallowed up. She preferred him to think of her that way. Blank. A curtain hung between her past and present and she could never peek behind it. Who knows what might scuttle through?

Slowly crossing the deck from the scuttle, Ahab leaned over the side and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel—forbidding—now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the Pacific contain such wealth as that one wee drop.

I don’t know, Armand. It made me sick. And sad. And glad I live far—” “From the madding crowd?” Vincent Gilbert smiled and nodded. “Yes. I peek out every now and then, then scuttle back to my little cabin, where I hope so-called civilization won’t find me.

Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later; sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope. To hope is to gamble. It’s to bet on the future, on your desires, on the possibility that an open heart and uncertainty is better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk.

In focusing on “cultural change” and “conflict between cultures,” these studies avoid fundamental questions about the formation of the United States and its implications for the present and future. This approach to history allows one to safely put aside present responsibility for continued harm done by that past and the questions of reparations, restitution, and reordering society.9 Multiculturalism became the cutting edge of post-civil-rights-movement US history revisionism. For this scheme to work—and affirm US historical progress—Indigenous nations and communities had to be left out of the picture. As territorially and treaty-based peoples in North America, they did not fit the grid of multiculturalism but were included by transforming them into an inchoate oppressed racial group, while colonized Mexican Americans and Puerto Ricans were dissolved into another such group, variously called “Hispanic” or “Latino.” The multicultural approach emphasized the “contributions” of individuals from oppressed groups to the country’s assumed greatness. Indigenous peoples were thus credited with corn, beans, buckskin, log cabins, parkas, maple syrup, canoes, hundreds of place names, Thanksgiving, and even the concepts of democracy and federalism. But this idea of the gift-giving Indian helping to establish and enrich the development of the United States is an insidious smoke screen meant to obscure the fact that the very existence of the country is a result of the looting of an entire continent and its resources. The fundamental unresolved issues of Indigenous lands, treaties, and sovereignty could not but scuttle the premises of multiculturalism.

He stood over her for as long as he could endure the cold, long enough for the boy tending the dead to pass twice on fingertips and toes. The boy's self-appointed mission was to keep all of their eyes closed, the dead. Otherwise he couldn't sleep, the boy. But he never did anyway, as far as the Agent could tell. Any hour, there he'd be, scuttling from body to body under his calf robe. Many nights when the Agent locked his door, it wasn't to keep the Piegan from stealing his tins and blankets, but to keep the boy's hands from covering his own eyes.

The six elephants stood, roped each by the foreleg side by side in the vast thirty-foot tent put up several days since for their comfort; their trunks peacefully swaying as the cowardie scuttled back and forth with limp forkloads of hay. Small puffs of steam came from their mouths. Their breath was sweet, filling the sun-warmed, crisp air; and their hides, soothed, clean and lustrous from the water, lay calm on their great hips like the skin of the moon. Only at the end of the line the great bull stirred a little, the towering back swathed and padded and the knowing eye blurred.

Am I alone in an ensconced inner world where I obsessively worry about what happens to me, where the story of personal survival becomes the central theme of my shallow existence? I think not. Swaddled in our own brand of strangeness, we all struggle to come to terms with our demonstrated personal shortcomings. Our yearned-for life of living in pink skyways far removed from harm’s way is depressingly marked in contrast by our actual crabby existence spent scuttling along akin to a smug lobster, scrunched down on the asphalt streets, working in the city grid as frumpy members of the faceless mob.

Laura smiles and starts to mouth, You’ve got this, but just as she gets to the th in “this,” a mother trying to corral her fleet of young children scuttles past her. Laura makes an ‘excuse you’ face until she realizes that the mother is Angelina Jolie. ‘Excuse you’ face turns into ‘oh you go right on ahead you glorious angel’ face. I try to meet Laura’s eyes again, even for a quick second, before the lights come back on. I’m desperate for her support. I’m sure that I’m penetrating her soul with my desperation, but it doesn’t matter. I’ve lost her to Angelina. Not that I can blame Laura. I get it.

After Moros came a great rush of offspring, one after the other, like a monstrous airborne invasion. First came APATE, Deceit, whom the Romans called FRAUS (from whom we derive the words “fraud,” “fraudulent,” and “fraudster”). She scuttled off to Crete where she bided her time. GERAS, Old Age, was born next; not necessarily so fearful a demon as we might think today. While Geras might take away suppleness, youth, and agility, for the Greeks he more than made up for it by conferring dignity, wisdom, and authority. SENECTUS is his Roman name, a word that shares the same root as “senior,” “senate,” and “senile.

And in the morning, under thick gray clouds scudding slowly eastward, Roland and Lawry and ten handpicked soldiers escorted thirty-six burn-scarred men, women and children out to the edge of the dirtwart land. After the shooting was over, the dirtwarts emerged from their holes and scuttled forward to claim the corpses.

The way she says alone makes it sound like a cave. Like some hideous, dark cave whose oozing walls are teeming with all the unpleasant things of this world, and I'm crawling willingly, brazenly, into this awful space of my own free will. Shovelling the vermin I find scuttling across the floor into my mouth for sustinence.

West was the only officer on the quarterdeck, and it so happened that the party of hands making dolphins and paunch-mats on the forecastle were all Shelmerstonians. West was gaping rather vacantly over the taffrail when he saw an extraordinarily handsome woman ride along the quay, followed by a groom. She dismounted at the height of the ship, gave the groom her reins, and darted straight across the brow and so below.    'Hey there,' he cried, hurrying after her, 'this is Dr Maturin's cabin. Who are you, ma'am?'    'I am his wife, sir,' she said, 'and I beg you will desire the carpenter to sling a cot for me here.' She pointed, and then bending and peering out of the scuttle she cried 'Here they are. Pray let people stand by to help him aboard: he will be lying on a door.' She urged West out of the cabin and on deck, and there he and the amazed foremast hands saw a blue and gold coach and four, escorted by a troop of cavalry in mauve coats with silver facings, driving slowly along the quay with their captain and a Swedish officer on the box, their surgeon and his mate leaning out of the windows, and all of them, now joined by the lady on deck, singing Ah tutti contenti saremo cosí, ah tutti contenti saremo, saremo cosí with surprisingly melodious full-throated happiness.

I could not see the rats, scuttling in the shadows, or hear the crunching of termites, feasting on rafters and braces. I could not feel the ivy, ripping at stone, turning towers into sand. I knew nothing yet of the cloying sickness of relations in that house. To me, the manor was simply beautiful. I was, after all, a child.

single-handed, through the bathrooms of the big bungalow in Segowlee cantonment. Darzee, the Tailorbird, helped him, and Chuchundra, the musk-rat, who never comes out into the middle of the floor, but always creeps round by the wall, gave him advice, but Rikki-tikki did the real fighting. He was a mongoose, rather like a little cat in his fur and his tail, but quite like a weasel in his head and his habits. His eyes and the end of his restless nose were pink. He could scratch himself anywhere he pleased with any leg, front or back, that he chose to use. He could fluff up his tail till it looked like a bottle brush, and his war cry as he scuttled through the long grass was:

The attic smelled like dust and mice. Piper was sure she could hear faint scuttling sounds off in the shadows, feel beady eyes upon her. She hoped it was only mice and not something larger, something more dangerous. Was it more than rustling? Was that faint breathing she heard coming from the darkest corner, the place where no light touched?

She sat so straight, such a good back, such a proper back, a back you would trust in any crowd, and there was her hand—a different animal entirely—scuttling off down, a tiny crab with its friend the snake, gone stealing little florets of cauliflowers. Sol Myer started giggling. You could not tell a story like this. A story like this you could only feel.

Sometimes, the world suddenly seemed equal to what I required of it. But, otherwise, I was under the world, a cockroach-man scuttling beneath stones in filth, scrambling from the light. Or else I was above the world, as certain and mighty as a fundamental force, as electricity. The sadness of always being at a distance from things, above or else beneath.

In late August and early September, just after the first fall rain, hundreds of male tarantulas emerge from holes in the ground. They skitter through mint-scented mountain sage in search of burrows delicately draped in silk, where females are ready to mate. Visitors armed with flashlights flock to the mountain around sunset or just after dark, the best time to see the tarantulas. Bats wheel over gray pines and live oaks. Great horned owls hoot solemnly. Beams from flashlights weaving across trails sometimes catch a piece of earth that’s moving; closer inspection reveals the scuttling of saucer-size tarantulas. The male tarantulas never return to their holes. They mate as much as they can and then die, from starvation or cold.

Whatever was on your shopping list—linseed oil, two-inch masonry nails, coal scuttle, small can of Brasso metal polish—Mr. Morley had it. I am sure if you said to him, “I need 125 yards of razor wire, a ship’s anchor, and a dominatrix outfit in a size eight,” he would find them for you after rooting around for a few minutes among bird feeders and bags of bone meal. Mr.

The even newer new guy now that's come in to take Chandler Foss's spot's name is Dave K. and is one grim story to behold, Thrust assures him, a junior executive guy at ATHSCME Air Displacement, an upscale guy with a picket house and kids and a worried wife with tall hair, who this Dave K.'s bottom was he drank half a liter of Cuerva at some ATHSCME Interdependence Day office party and everything like that and got in some insane drunken limbo-dance challenge with a rival executive and tried to like limbo under a desk or a chair or something insanely low, and got his spine all fucked up in a limbolock, maybe permanently: so the newest new guy scuttles around the Ennet House living room like a crab, his scalp brushing the floor and his knees trembling with effort.

We said our goodbyes to Eurytion, Tyson pulled the cattle grid off the hole and we dropped back into the maze. I wish I could’ve put the mechanical spider on a leash. It scuttled along the tunnels so fast that most of time I couldn’t even see it. If it hadn’t been for Tyson’s and Grover’s excellent hearing, we never would’ve known which way it was going. We ran down a marble tunnel, then dashed to the left and almost fell into an abyss. Tyson grabbed me and hauled me back before I could fall. The tunnel continued in front of us, but there was no floor for about thirty metres, just gaping darkness and a series of iron rungs in the ceiling. The mechanical spider was about halfway across, swinging from bar to bar by shooting out metal web fibre. ‘Monkey bars,’ Annabeth said. ‘I’m great at these.’ She leaped onto the first rung and started swinging her way across. She was scared of tiny spiders, but not of plummeting to her death from a set of monkey bars. Go figure. Annabeth got to the opposite side and ran after the spider. I followed. When I got across, I looked back and saw Tyson giving Grover a piggyback ride (or was it a goatyback ride?).

The first and most basic evolutionary point is that the primary targets and beneficiaries of sociality are the offspring. Why? Because mammalian babies are immature at birth and will certainly die without care. Baby turtles, after hatching from their eggs, immediately dig their way up out of the sand, scuttle down to the water, and begin to look for food. No parents are anywhere close by, nor are any needed.

We went back to our green bedroom with its insane mural, and we were conscious of being depressed. We couldn’t figure out exactly why, and then it came to us: there is very little laughter in the streets, and rarely any smiles. People walk, or rather scuttle along, with their heads down, and they don’t smile. Perhaps it is that they work too hard, that they have to walk too far to get to the work they do. There seems to be a great seriousness in the streets, and perhaps this was always so, we don’t know. We had dinner with Sweet Joe Newman, and with John Walker of Time, and we asked them if they had noticed the lack of laughter. And they said they had. And they said that after a while the lack of laughter gets under your skin and you become serious yourself. They showed us a copy of the Soviet humorous magazine, called Krokodil, and translated some of the jokes. But they were not laughing jokes, they were sharp jokes, critical jokes. They were not for laughter, there was no gaiety in them. Sweet Joe said he had heard that outside of Moscow it was different, and this we subsequently discovered to be true. There is laughter in the country, in the Ukraine, and on the steppes, and in Georgia, but Moscow is a very serious city.

This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind. Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood. ("Before I Wake")

A wave formed, swelling around Ariel's body. It lifted her up higher and higher- or maybe she herself was growing: it was hard to tell. She held the trident aloft. Storm clouds raced to her from all directions like a lost school of cichlid babies flicking to their father's mouth for protection. Lightning coursed through the sky and danced between the trident's tines. Ariel sang a song of rage. Notes rose and fell discordantly, her voice screeching at times like a banshee from the far north. She sang, and the wind sang with her. It whipped her hair out of its braids and pulled tresses into tentacles that billowed around her head. She sang of the unfairness of Eric's fate and her own, of her father's torture as a polyp, even of Scuttle's mortal life, slowly but visibly slipping away. Mostly she sang about Ursula. She sang about everyone whose lives had been touched and destroyed by evil like coral being killed and bleached, like dead spots in the ocean from algae blooms, like scale rot. She sang about what she would do to anyone who threatened those she loved and protected. And then, with her final note, she made a quick thrust as if to throw the trident toward the boats in the bay, pulling it back at the last moment. A clap louder than thunder echoed across the ocean. A wave even larger than the one she rode roared up from the depths of the open sea. It smashed through and around her, leaving her hair and body white with foam. She grinned fiercely at the power of the moment. The tsunami continued on, making straight for Tirulia. But... despite her rage... underneath it all the queen was still Ariel. Her momentary urge to destroy everything came and went like a single flash of summer lightning.

The pampered gods of Mount Olympus shrink from the darkness of Hades' realm...None of them, accustomed as they are to drinking nectar and feasting on ambrosia upon their couches, wreathed in golden purity and all the luxury of their world, would think to walk those dim, dank tunnels sloping ever deeper underground, full of crawling insects and slithering worms and scuttling creatures. But I was not like them and I did not fear the dark.

Since Monday, it has been raining buoyant summer rain shot through with sun, but dark at night and full of sound, full of dripping leaves, watery chimings, sleepless scuttlings. Billy Bob is wide-awake, dry-eyed, though everything he does is a little frozen and his tongue is as stiff as a bell tongue. It has not been easy for him, Miss Bobbit’s going. Because she’d meant more than that. Than what? Than being thirteen years old and crazy in love. She was the queer things in him, like the pecan tree and liking books and caring enough about people to let them hurt him. She was the things he was afraid to show anyone else. And in the dark the music trickled through the rain: won’t there be nights when we will hear it just as though it were really there? And afternoons when the shadows will be all at once confused, and she will pass before us, unfurling across the lawn like a pretty piece of ribbon?

They are both silent, doubt and grief and fury scuttling between them like beetles in search of a meal. Tetsuo and the girl stare at each other with such deep familiarity that Key feels forgotten, alone—almost ashamed of the dreams that have kept her alive for a decade. They have never felt so hopeless, or so false. “Her name is Key,” Tetsuo says, in something like defeat. He turns away, though he makes no move to leave. “She will be your new caretaker.

You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!

The sperm says to the egg: Knock knock. The egg says: I’ve no reason to let you in. There are no guarantees. And yet, the egg opens up. And yet, the sperm wriggles in. And yet, two packets of information merge. That’s how all of us got here. That’s how nothing turns into something. That’s how a bare ball of rock ends up with gulls and shearwaters, with moss and lichen, with unfurling pale green leaves and scuttling millipedes and rabbits and foxes. That’s how we get life.

That girl has been listening,” she said. The culprit snatched up her brush, and scrambled to her feet. She caught at the coal box and simply scuttled out of the room like a frightened rabbit. Sara felt rather hot-tempered. “I knew she was listening,” she said. “Why shouldn’t she?” Lavinia tossed her head with great elegance. “Well,” she remarked, “I do not know whether your mamma would like you to tell stories to servant girls, but I know my manna wouldn’t like me to do it.” “My mamma!” said Sara, looking odd. “I don’t believe she would mind in the least. She knows that stories belong to everybody.” “I thought,” retorted Lavinia, in severe recollection, “that your mamma was dead. How can she know things?” “Do you think she doesn’t know things?” said Sara, in her stern little voice. Sometimes she had a rather stern little voice. “Sara’s mamma knows everything,” piped in Lottie. “So does my mamma--’cept Sara is my mamma at Miss Minchin’s--my other one knows everything. The streets are shining, and there are fields and fields of lilies, and everybody gathers them. Sara tells me when she puts me to bed.” “You wicked thing,” said Lavinia, turning on Sara; “making fairy stories about heaven.” “There are much more splendid stories in Revelation,” returned Sara. “Just look and see! How do you know mine are fairy stories? But I can tell you”--with a fine bit of unheavenly temper--“you will never find out whether they are or not if you’re not kinder to people than you are now. Come along, Lottie.

Someone has been trying to send me a message for weeks—my car keys missing, pyramids of coins stacked neatly in corners, lamps turned on I know I’ve shut off, toast crumbs on the counter make the profile of a face. The scuttling in the attic does not sound animal—when I climb up there’s old insulation, inches of dust and this heaviness I can’t shake. If I could mail one letter to the dead, it would be a chain letter—Send this to the ten people you loved the most— to see if it returned to me.

The next day brought death and judgement, stirring his soul slowly from its listless despair. The faint glimmer of fear became a terror of spirit as the hoarse voice of the preacher blew death into his soul. He suffered its agony. He felt the death chill touch the extremities and creep onward towards the heart, the film of death veiling the eyes, the bright centres of the brain extinguished one by one like lamps, the last sweat oozing upon the skin, the powerlessness of the dying limbs, the speech thickening and wandering and failing, the heart throbbing faintly and more faintly, all but vanquished, the breath, the poor breath, the poor helpless human spirit, sobbing and sighing, gurgling and rattling in the throat. No help! No help! He — he himself — his body to which he had yielded was dying. Into the grave with it. Nail it down into a wooden box, the corpse. Carry it out of the house on the shoulders of hirelings. Thrust it out of men's sight into a long hole in the ground, into the grave, to rot, to feed the mass of its creeping worms and to be devoured by scuttling plump-bellied rats.

THE MIGRANT PEOPLE , scuttling for work, scrabbling to live, looked always for pleasure, dug for pleasure, manufactured pleasure, and they were hungry for amusement. Sometimes amusement lay in speech, and they climbed up their lives with jokes. And it came about in the camps along the roads, on the ditch banks beside the streams, under the sycamores, that the story teller grew into being, so that the people gathered in the low firelight to hear the gifted ones. And they listened while the tales were told, and their participation made the stories great.

I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you made, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.

While everyone adjusted themselves and their packs, Donna sniffed curiously at Louie's nose. Her attitude suggested she might want to make friends with the giant dog; Lou couldn't resist the temptation. Once Donna lured Louie in, she slowly, cautiously, turned about to align her hooves with Louie's head. Perhaps she didn't like dogs. Perhaps she didn't want a rival for Monty's attentions. Perhaps she was merely an impish tarkus much like the Dane himself. Cody watched as the Dane failed to grasp the gravity of his predicament. At the last moment, Cody smacked Louie's hind end, scuttling the devious donkey's murderous trap.

It was a calm summer evening, with no wind in the air. The endless chirping of the crickets and the light pouring out from the numberless stars into the dark and deep blue sky enhanced the sheikh’s state of Hurufi intoxication. Life and meaning, signs and objects, darkness and absence, made up the universe of clues. Light and Soul, Loneliness and Beauty, Strength and Illusion, composed the poetry of the heart. And so the union of Love and God followed a trail of ink winding through the stars, the branches, the scent of flowers, the sound of birds (owls and crows), and the scuttling march of the hedgehogs in the plague-struck night.

A cockroach appeared just as I was about to get into the bath. It was just the right time for a cockroach to make an appearance in my life; couldn't have been better. It scuttled quickly across the porcelain, the little bugger; I looked around for a slipper, but actually I knew my chances of squashing him were small. What was the point in trying? And what good was Oon, in spite of her marvellously elastic vagina? We were already doomed. Cockroaches copulate gracelessly, with no apparent pleasure; but they also do it repeatedly and their genetic mutations are rapid and efficient. There is absolutely nothing we can do about cockroaches.

HEY!” it shouted. “WATCH IT!” “You can talk?” she asked, startled. “No,” said the crab bitterly. “This is all in your head. Of course I can talk.” “Sorry,” she mumbled. “Still getting used to this whole talking-to- underwater-animals thing.” “Hmpf.” “So ... can you sing, too?” The crab went utterly still. “Why. Does. Everyone. Ask. Me. That?” It turned around and snapped its pincers sharply. “Did you also expect me to be bright red and have a Jamaican accent? Because if so, I am not sorry to disappoint! Just because my brother went Hollywood doesn’t mean that I sing and dance, too!” The crab scuttled ahead, muttering something that sounded a lot like Mother wouldn’t understand.

Summer gazed around more closely, looking less at the wreck of the ship and more at all the living things on or around or within it. Tiny shells clustered on the hull, each a living creature; the octopus that scuttled along, a liquid flurry of graceful motion; the amazing snail that crept toward her foot. There were small forests of soft, willowy plants that made home for crabs and squid and rays. Fish, big and small, alone or in schools, darted in and out, up and down, crossing between her and the sun above like flights of birds. In a single moment of awareness she realised that the dead ship was no longer dead. The machine that had failed to protect its human cargo now protected an entire universe of colourful, indescribably strange, stunningly creative, incredible life.

Battered by shifing currents and a cold, unrelenting wind, we sailed past deserted islands crowded with pines and a ghost tree growing staight out of the water, its gaunt trunk and scrawny branches raised heavenward like an outcast pleading for his life. Now, having reached the north shore, we were doggedly searching for the hidden rivulet that would take us into The Peak. We were trapped in muddy water barbed with grasses and covered with thick green algae, which broke apart in clumps, then, after we'd edged through, resealed, erasing all signs of our passing. The wind had dissipated - strange, as it'd been so turbulent minutes ago out on the lake. Dense trees surrounded us, packed like hordes of stranded prisoners. There wasn't a single bird, not a scuttle through the branches, not a cry - as if everything alive had fled.

going to defend him,” Harry said. “Don’t you come around here asking where he is. You probably got him in your pocket.” “Balls to you,” said the lawyer. “I’ve got a job for him.” “Well, go look for him some place else,” Harry said. “He ain’t here.” “I’ve got a job for him, I tell you,” the lawyer said. “You ain’t got a job for anybody. All you are is poison.” Just then the old man with the long gray hair over the back of his collar who sells the rubber goods specialties comes in for a quarter of a pint and Freddy pours it out for him and he corks it up and scuttles back across the street with it. “What happened to your arm?” the lawyer asked Harry. Harry has the sleeve pinned up to the shoulder. “I didn’t like the look of it so I cut it off,” Harry told him. “You and who else cut it off?” “Me and a doctor cut it off,” Harry said.

Were they aware in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanized billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not un-reality but a hidden reality: the presence at all times, in all places, of a beautiful world?

She scuttled back from his approach and held up a hand. “No!” Eversley stilled, his eyes widening at the words. “I beg your pardon?” He was going to smell her. “Don’t come any closer!” “Why not?” “It’s not appropriate.” “What isn’t?” “You. Being here. So near. While I am abed.” One black brow rose. “I assure you, my lady, I’ve no intention of debauching you.” She had no doubt of that, considering her current situation, but she couldn’t well tell him the truth. “Nevertheless, I must insist on the utmost propriety.” “Who do you think nursemaided you for the last day?” Bollocks. He was right. He’d been close. He’d had to have noticed her odor. But it didn’t mean he had to any longer. She straightened her shoulders, ignoring the twinge in the left. “My reputation, you see.” He blinked. “You were shot on the Great North Road while wearing stolen livery—

I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.

We were advancing at good speed up a wide track towards a village when the VC and NVA laid down a very heavy mortar bombardment, at the same time they opened up with medium machine guns in enfilading fire. We saw the South Viet Marines to our left break for the rear. Then amidst the dust and smoke came quite a number of VC and NVA infantry yelling and brandishing Ak rifles with bayonets fixed and throwing grenades. As the South Viets were running we bolted too, for the mortar rounds were dropping thick and fast on the track behind us and among the trees. Then down came our own fire mission, quickly followed by our guys and the South Viets rushing to counter-attack with lots of rifle fire and the throwing of grenades. The VC and NVA scuttled off to the village, and the situation restored. Sergeant Walker, the author of Southlands Snuffys, after- action report, Forest of Assassins, 1967.

Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it. It made us feel special. We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line. The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot. I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end. One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it. I would then scuttle back to my mark, grinning from ear to ear. “Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days. So my training was pretty well rounded. Climbing. Hanging. Escaping. I loved them all. Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin. I took it as a great compliment.

Miraculously, some animals survived at the zoo and many escaped across the bridge, entering Old Town while the capital burned. People brave enough to stand by their windows, or unlucky enough to be outside, watched a biblical hallucination unfolding as the zoo emptied into Warsaw's streets. Seals waddled along the banks of the Vistula, camels and llamas wandered down alleyways, hooves skidding on cobblestone, ostriches and antelope trotted beside foxes and wolves, anteaters called out hatchee, hatchee as they scuttled over bricks. Locals saw blurs of fur and hide bolting past factories and apartment houses, racing to outlying fields of oats, buckwheat, and flax, scrambling into creeks, hiding in stairwells and sheds. Submerged in their wallows, the hippos, otters, and beavers survived. Somehow the bears, bison, Przywalski horses, camels, zebras, lynxes, peacocks and other birds, monkeys, and reptiles survived, too.

From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.

On the platform of a train station, late morning, early June" two women embracing after a separation of several months. Behind them, a tall fair-haired man alighting from the train carrying two suitcases. The women unspeaking, their eyes closed tight, their arms wrapped around one another, for a second, two seconds, three. Were they aware, in the intensity of their embrace, or something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware--were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?

Pat Riley, the famous coach and manager who led the Los Angeles Lakers and Miami Heat to multiple championships, says that great teams tend to follow a trajectory. When they start—before they have won—a team is innocent. If the conditions are right, they come together, they watch out for each other and work together toward their collective goal. This stage, he calls the “Innocent Climb.” After a team starts to win and media attention begins, the simple bonds that joined the individuals together begin to fray. Players calculate their own importance. Chests swell. Frustrations emerge. Egos appear. The Innocent Climb, Pat Riley says, is almost always followed by the “Disease of Me.” It can “strike any winning team in any year and at any moment,” and does with alarming regularity. It’s Shaq and Kobe, unable to play together. It’s Jordan punching Steve Kerr, Horace Grant, and Will Perdue—his own team members. He punched people on his own team! It’s Enron employees plunging California into darkness for personal profit. It’s leaks to the media from a disgruntled executive hoping to scuttle a project he dislikes. It’s negging and every other intimidation tactic.

Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.

play the game of Vogon Civil Service politics, and play it well, and waterproof enough for him to survive indefinitely at sea depths of down to a thousand feet with no ill effects. Not that he ever went swimming of course. His busy schedule would not allow it. He was the way he was because billions of years ago when the Vogons had first crawled out of the sluggish primeval seas of Vogsphere, and had lain panting and heaving on the planet’s virgin shores … when the first rays of the bright young Vogsol sun had shone across them that morning, it was as if the forces of evolution had simply given up on them there and then, had turned aside in disgust and written them off as an ugly and unfortunate mistake. They never evolved again: they should never have survived. The fact that they did is some kind of tribute to the thick-willed slug-brained stubbornness of these creatures. Evolution? they said to themselves, Who needs it?, and what nature refused to do for them they simply did without until such time as they were able to rectify the gross anatomical inconveniences with surgery. Meanwhile, the natural forces on the planet Vogsphere had been working overtime to make up for their earlier blunder. They brought forth scintillating jeweled scuttling crabs, which the Vogons ate, smashing their shells with iron mallets;

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

I worked on a new dish while you were away. A pudding." She ties her apron tight around her waist. "Milk, cream, vanilla, eggs, and sugar." "Oh," I say, slightly unsettled at the jauntiness of her tone, at its certainty. "A custard? Did it curdle?" She ignores my question and tells me that she garnished her pudding with branches of preserved barberries. She asks if I would like to see it. But before I can answer she scuttles to the pantry, returning with a clean pudding cloth over one arm, and my best platter----on which wobbles a custard as large and pale as a harvest moon. Atop are woven branches of barberries that wink like garnets. For a second I am speechless. Her creation---for it is nothing less---is picture-perfect. She offers me an egg spoon and jabs at the platter. "Go on, Miss Eliza. I saved it for you to taste first." I dip the spoon into the custard's wrinkled rind and lift it swiftly, curiously, to my lips. As I do so, I'm aware of a sense of serenity washing through me. My anguish over dedications, the lurking accusatory voice that lives inside my head, all of it slips away. And there is only cream and vanilla. It occurs to me that although this glorious pudding is her creation, Ann is partly my creation, and I am partly her creation. Cooking and tasting have provided their own stage and we are performing on it at this very moment.

I know that I've lost something now because this keeps happening, and I feel as if this is all I ever come to, to this place, this knife, this feeling, almost killing, and I wonder that I'm not drunk because I feel fucked up and cold and hot, and this man, the drunk man, he's backing away from me toward a parked car and he trips over the parking meter and stumbles and takes a few steps and there's a wall he can follow along and he's scuttling back into the doorway of the bar and his off-white shirt gets hazy like cottonwood down floating off the river back home but it's hot in the spring there, back home, when the cottonwoods are dropping, and nothing about this night is even warm at all except my fist around the handle of the knife that's still cold, and there's the smell of the river water, the water in the air, and water everywhere, over my eyes and the city and the night, and I wonder why the water's not frozen because it's cold, cold every night here, so fucking cold, and no amount of weed will warm me up because I'm a long way from home and my bed and my room and my house and my family and anything and everything and everyone that I have ever loved, and I can sleep on a dirty floor with gum and spiders and garbage and wrappers and ants and dust and spit and cum, and I can sleep here and wake up, and I can sleep here and wake up again, but no amount of sleeping and waking will ever make it right.

Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…

For a split second, the space around Werner tears in half, as though the last molecules of oxygen have been ripped out of it. Then shards of stone and wood and metal streak past, ringing against his helmet, sizzling into the wall behind them, and Volkheimer’s barricade collapses, and everywhere in the darkness, things scuttle and slide, and he cannot find any air to breathe. But the detonation creates some tectonic shift in the building’s rubble, and there is a snap followed by multiple cascades in the darkness. When Werner stops coughing and pushes the debris off his chest, he finds Volkheimer staring up at a single sheared hole of purple light. Sky. Night sky. A shaft of starlight slices through the dust and drops along the edge of a mound of rubble to the floor. For a moment Werner inhales it. Then Volkheimer urges him back and climbs halfway up the ruined staircase and begins whaling away at the edges of the hole with a piece of rebar. The iron clangs and his hands lacerate and his six-day beard glows white with dust, but Werner can see that Volkheimer makes quick progress: the sliver of light becomes a violet wedge, wider across than two of Werner’s hands. With one more blow, Volkheimer manages to pulverize a big slab of debris, much of it crashing onto his helmet and shoulders, and then it is simply a matter of scrabbling and climbing. He squeezes his upper body through the hole, his shoulders scraping on the edges, his jacket tearing, hips twisting, and then he’s through.

Josh stood at the edge of the ancient forest with his sister and watched a trio of tiny winged creatures that looked astonishingly like dragons whirl and dance through the first shafts of dawn sunlight. Josh glanced at her, then looked quickly away. “I don’t want you to do this,” he said quickly. Sophie laid her hand on her brother’s arm. “Why not?” she said. She moved in front of her twin, forcing him to look at her. Over his left shoulder, in front of the entrance to the incredible Yggdrasill, she could see Flamel, Scatty and Hekate watching them. All around, thousands of Torc Allta, both in their human and wereboar forms, were scurrying about, preparing for battle. The boars wore plates of leather armor across their haunches and backs, and the human Torc Allta were carrying bronze spears and swords. Huge flocks of nathair swooped across the skies and the bushes, and tall grasses were alive with unseen crawling, slithering, scuttling creatures. Guards were taking up positions all around the Yggdrasill, clambering out onto the huge branches, standing guard with bows and spears in every window. Sophie looked into her brother’s bright blue eyes. She could see herself reflected there, and she abruptly realized that his eyes were magnified behind unshed tears. She reached for him, but he caught her hand and squeezed her fingers gently. “I don’t want anything to happen to you,” he said simply. Sophie nodded, unwilling to trust herself to speak. She felt exactly the same way about her twin.

She and her brother got their usual table, right in front of the grimy, bulletproof window covered with steel bars. Nothing but the best seat in the house when visiting Kyle Rhodes. He laid into her the moment he sat down. “Who’s Tall, Dark, and Smoldering?” Jordan’s mouth dropped open. “Shut up. You’ve been reading Scene and Heard?” Kyle gestured to the bars. “What else am I supposed to do in this place?” “Repent. Reflect on your wrongdoings. Rehabilitate your criminal mind.” “You’re avoiding the question.” Yes, she was. Because her brother was number two on the list of people she really, really didn’t want to lie to, right after her father. “It’s no big deal. He’s just a guy I brought to Xander’s party.” Who, yes, happened to be tall, dark, and smoldering. Allegedly. And who occasionally made her smile, when he wasn’t busy getting under her skin. Like an itch she couldn’t scratch. Or a tick. “For five thousand dollars a head, I doubt he’s ‘just a guy,’ ” Kyle said. Suddenly, their friend Puchalski, the inmate with the black snake tattoo, was at their table. “So who’s this tall, dark, and smoldering jerk?” he asked Jordan, seemingly affronted. Jordan held out her hands. “Seriously, does everyone read Scene and Heard in this place?” Puchalski gestured to Kyle. “I snagged it from Sawyer here while he was reading the financial section. I’ve got to keep up with current events.” He winked. “I won’t be in this place forever, you know.” “You will be if you don’t shut your yap and start following the rules, Puchalski,” a guard warned as he passed by. The inmate scuttled off. Kyle picked up where they’d left off. “So now the big secret’s out.” Jordan glared at her brother, who apparently had decided to be more annoying than usual on this particular subject. “Yes, it’s true—I had a date. Ooh, shocking.

I would have my room,' Cardan said, narrowing his eyes and assuming his most superior pose. 'Perhaps you two might take whatever this is elsewhere.' Part of him thought she would laugh, having known him before he perfected his sneer, but she shrank under his gaze. Locke stood up, putting on his pants. 'Oh, don't be like that. We're all friends here.' Cardan's practiced demeanour went up in smoke. He became the snarling feral child that had prowled the palace, stealing from tables, unkempt and unloved. Launching himself at Locke, he bore him to the floor. They collapsed in a heap. Cardan punched, hitting Locke somewhere between the eye and the cheekbone. 'Stop telling me who I am,' he snarled, teeth bared. 'I am tired of your stories.' Locke tried to knock Cardan off him. But Cardan had the advantage, and he used it to wrap his hands around Locke's throat. Maybe he really was still drunk. He felt giddy and dizzy all at once. 'You're going to really hurt him!' Nicasia shouted, hitting Cardan's shoulder and then, when that didn't work, trying to haul him off the other boy. Locke made a wordless sound, and Cardan realised he was pressing so tightly on his windpipe that he couldn't speak. Cardan dropped his hands away. Locke choked, gasping for air. 'Create some tale about this,' Cardan shouted, adrenaline still fizzing through his bloodstream. 'Fine,' Locke finally managed, his voice strange. 'Fine, you mad, hedge-born coxcomb. But you were only together out of habit; otherwise, it wouldn't have been so easy to make her love me.' Cardan punched him. This time, Locke swung back, catching Cardan on the side of the head. They rolled around, hitting each other, until Locke scuttled back and made it to his feet. He ran for the door, Cardan right behind. 'You are both fools,' Nicasia shouted after them.

No, no. It has quite healed over again. I am very well. It is only that I don’t sleep. Toss, turn, can’t get off, then ill dreams and I wake up some time in the middle watch – never get off again, and I am stupid all the rest of the day. And damned ill-tempered, Stephen; I sway away on all top-ropes for a nothing, and then I am sorry afterwards. Is it my liver, do you think? Not yesterday, but the day before I had a damned unpleasant surprise: I was shaving, and thinking of something else; and Killick had hung the glass aft the scuttle instead of its usual place. So just for a moment I caught sight of my face as though it was a stranger looking in. When I understood it was me, I said, “Where did I get that damned forbidding ship’s corporal’s face?” and determined not to look like that again – it reminded me of that unhappy fellow Pigot, of the Hermione. And this morning there it was again, glaring back at me out of the glass. That is another reason why I am so glad to see you: you will give me one of your treble-shotted slime-draughts to get me to sleep. It’s the devil, you know, not sleeping: no wonder a man looks like a ship’s corporal. And these dreams – do you dream, Stephen?’ ‘No, sir.’ ‘I thought not. You have a head-piece . . . however, I had one some nights ago, about your narwhal; and Sophie was mixed up with it in some way. It sounds nonsense, but it was so full of unhappiness that I woke blubbering like a child. Here it is, by the way.’ He reached behind him and passed the long tapering spiral of ivory. Stephen’s eyes gleamed as he took it and turned it slowly round and round in his hands. ‘Oh thank you, thank you, Jack,’ he cried. ‘It is perfect – the very apotheosis of a tooth.’ ‘There were some longer ones, well over a fathom, but they had lost their tips, and I thought you would like to get the point, ha, ha, ha.’ It was a flash of his old idiot self, and he wheezed and chuckled for some time, his blue eyes as clear and delighted as they had been long ago: wild glee over an infinitesimal grain of merriment.

It was a sort of car that seemed to have a faculty for motion with an absolute lack of any accompanying sound whatsoever. This was probably illusory; it must have been, internal combustion engines being what they are, tires being what they are, brakes and gears being what they are, even raspy street-surfacing being what it is. Yet the illusion outside the hotel entrance was a complete one. Just as there are silencers that, when affixed to automatic hand-weapons, deaden their reports, so it was as if this whole massive car body were encased in something of that sort. For, first, there was nothing out there, nothing in sight there. Then, as though the street-bed were water and this bulky black shape were a grotesque gondola, it came floating up out of the darkness from nowhere. And then suddenly, still with no sound whatsoever, there it was at a halt, in position. It was like a ghost-car in every attribute but the visual one. In its trancelike approach and halt, in its lightlessness, in its enshrouded interior, which made it impossible to determine (at least without lowering one's head directly outside the windows and peering in at nose-tip range) if it were even occupied at all, and if so by whom and by how many. You could visualize it scuttling fleetly along some overshadowed country lane at dead of night, lightless, inscrutable, unidentifiable, to halt perhaps beside some inky grove of trees, linger there awhile undetected, then glide on again, its unaccountable errand accomplished without witness, without aftermath. A goblin-car that in an earlier age would have fed folklore and rural legend. Or, in the city, you could visualize it sliding stealthily along some warehouse-blacked back alley, curving and squirming in its terrible silence, then, as it neared the mouth and would have emerged, creeping to a stop and lying there in wait, unguessed in the gloom. Lying here in wait for long hours, like some huge metal-cased predatory animal, waiting to pounce on its prey. Sudden, sharp yellow spurts of fangs, and then to whirl and slink back into anonymity the way it came, leaving the carcass of its prey huddled there and dead. Who was there to know? Who was there to tell? ("The Number's Up")

The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled

Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.

For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.