Scuttle Quotes

We've searched our database for all the quotes and captions related to Scuttle. Here they are! All 100 of them:

I should have been a pair of ragged claws/ Scuttling across the floors of silent seas.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.
Shannon Hale (Book of a Thousand Days)
In my life long study of human beings, I have found that no matter how hard they try, they have found no way yet to prevent the arrival of Monday morning. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workday lives of meaningless toin and suffering.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Another guy barked orders to a small army of brooms, mops, and buckets that were scuttling around, cleaning up the city. "Like that cartoon," Sadie said. "Where Mickey Mouse tries to do magic and the brooms keep splitting and toting water." "'The Sorcerer's Apprentice,'" Zia said. "You do know that was based on an Egyptian story, don't you?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The waitress scuttles away, and I make a shooing motion at the old couple who’re still glaring. “Don’t you have something to better to work on?” I hiss. “Like golfing or eating prunes or dying?” The old lady looks shocked. “Okay, sorry, not dying. But seriously, prunes are good for you.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
He was still frowning at the cake, looking at it as if he expected it to sprout dozens of legs and begin scuttling toward him, thin-lipped, teeth bared.
Karen Marie Moning (Faefever (Fever, #3))
Then it was a rumble, causing the house to groan and small clouds of dust to drop from the ceiling. The table scuttled over the floor. A chair toppled over and then another. Somewhere in the living room, a window shattered. Kat was going to bring the house down.
Jennifer L. Armentrout (Opposition (Lux, #5))
Brigan spun around to face the man, swearing with as much as exasperation and fury as Fire had ever heard anyone swear. The man scuttled away in alarm.
Kristin Cashore (Fire (Graceling Realm, #2))
Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Rest in Peace?’ Why that phrase? That’s the most ridiculous phrase I’ve ever heard! You die, and they say ‘Rest in Peace!’ …Why would one need to ‘rest’ when they’re dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne d’Arc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and I’m only going to be here for a short while, so when I die, I certainly won’t need to rest again! Not while more adventures of the same kind are going on.
Roman Payne (Rooftop Soliloquy)
Morpheus is not his true name. He is glory and deprecation—sunlight and shadows—the scuttle of a scorpion and the melody of a nightingale. The breath of the sea and the cannonade of a storm. Can you relay birdsong, or the sound of wind, or the scurry of a creature across the sand? For the proper names of netherlings are made up of the life forces defining them. Can you speak these things with your tongue?
A.G. Howard (Splintered (Splintered, #1))
You, you are a cockroach. No matter how many times we tried to get rid of you, you kept finding a way to scuttle your way back. And as much as I don’t like you, well, you are persistent. And even I can admire you that.
Rachel E. Carter (Candidate (The Black Mage, #3))
As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
Margaret Mitchell (Gone with the Wind)
They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.
Susan Hill
Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?
Sally Rooney (Beautiful World, Where Are You)
That was Flint's treasure that we had come so far to seek, and that had cost already the lives of seventeen men from the Hispaniola. How many it had cost in the ammassing, what blood and sorrow, what good ships scuttled on the deep, what brave men walking the plank blindfold, what shot of cannon, what shame and lies and cruelty, perhaps no man alive could tell.
Robert Louis Stevenson (Treasure Island)
When Chong made to sit down next to her, Lilah drew her knife and stabbed the point into the earth between them. "I can see that you need some quiet time," he said and scuttled quickly away.
Jonathan Maberry (Flesh & Bone (Rot & Ruin, #3))
I noticed years ago that when people (myself definitely included) are anxious they tend to busy themselves with irrelevant activities, because these distract from and therefore reduce their actual experience of anxiety. To stay perfectly still is to feel the fear at its maximum intensity, so instead you scuttle around doing things as though you are, in some mysterious way, short of time.
John Cleese (So, Anyway...)
It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.
Meg Rosoff (What I Was)
It had become a chimney poking from a vertical universe of bookshelves. There was motion below her. There were people on the shelves. They clung to the edges of the cases and moved across them in expert scuttles. They wore ropes and hooks and carried picks on which they sometimes hung. Dangling from straps they carried notebooks, pens, magnifying glasses, ink pads, and stamps. The men and women took books from the shelves as they went, checked their details, leaning against their ropes, replaced them, pulled out little pads and made notes, sometimes carried the books with them to another place and reshelved it there. ... I'm Margarita Staples." She bowed in her harness. 'Extreme librarian. Bookaneer.
China Miéville
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.
Ray Bradbury (The Martian Chronicles)
He was supposed to be turning a beetle into a button, but all he managed to do was give his beetle a lot of exercise as it scuttled over the desktop avoiding his wand.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
[...]And his head is on fire with new things[...]he called himself the little blue hermit, scuttling across the sand in search of a new shell, but now he looks at the sky and knows that no shell will ever be big enough, ever.
Terry Pratchett (Nation)
Fleetfoot just zoomed on by, a blur of gold. A moment later, when the little librarian came waddling into view and asked if they'd seen a dog, Celaena only shook her head and said that she had heard something--from the opposite direction. And then she told him to keep his voice down, because this was a library. His eyes shooting daggers at her, the man huffed and scuttled away, his shouting a bit softer. When he was gone, Dorian turned to her, brows high on his head.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
It was no mean trick doing the wiring with those mittens on. But I managed it and crawled out, batting spiders into the shadows. I could hear a thud as they hit the floor joists, then a scuttling sound, then, worst of all, the silence of spiders.
Bailey White (Mama Makes Up Her Mind and Other Dangers of Southern Living)
They're here!" he cried, slamming the door and scuttling to the window. Amber frowned. "The vampires?" Glen looked back at her, real fear on his face. "Your parents.
Derek Landy (Demon Road (Demon Road, #1))
You know every alley in my mind, every broken bottle and rat scuttling in there.
Joanna Bourne (The Black Hawk (Spymasters, #4))
You may look back on your life and accept it as good or evil. But it is far, far harder to admit that you have been completely unimportant; that in the great sum of things all a man's endless grapplings are no more significant than the scuttlings of a cockroach. The universe is neither friendly nor hostile. It is merely indifferent. This makes me ecstatic. I have reached a nirvana of negativity. I can look futility in the face and still see promise in the stars.
Sebastian Horsley
She moved suddenly, planting her hands against the kitchen floor. Throwing back her head, she screamed, and that sound was full of sorrow and heartbreak. It started as a low tremble under my feet and then increased, shaking the kitchen table and rattling the plates and cups in the cabinets. Then it was a rumble, causing the house to groan and small clouds of dust to drop from the ceiling. The table scuttled over the floor. A chair toppled over and then another. Somewhere in the living room, a window shattered. Kat was going to bring the house down. “Shit.
Jennifer L. Armentrout (Opposition (Lux, #5))
From the sky, everything looked fake. The buildings were doll houses. The cars were Matchbox racers. People scuttled about, but they weren’t really people anymore. Their little lives meant absolutely nothing from this altitude.
P.S. Baber (Cassie Draws the Universe)
The secret island had looked mysterious enough on the night they had seen it before - but now, swimming in the hot June haze, it seemed more enchanting than ever. As they drew near to it, and saw the willow trees that bent over the water-edge and heard the sharp call of moorhens that scuttled off, the children gazed in delight. Nothing but trees and birds and little wild animals. Oh, what a secret island, all for their very own, to live on and play on.
Enid Blyton (The Secret Island (Secret Series, #1))
Most literary critics agree that fiction cannot be reduced to mere falsehood. Well-crafted protagonists come to life, pornography causes orgasms, and the pretense that life is what we want it to be may conceivably bring about the desired condition. Hence religious parables, socialist realism, Nazi propaganda. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. For if they could only do that, then why not us?
William T. Vollmann (Europe Central)
The rat scuttles, the big cat creeps, the monkey dashes, The bat glides, the white crane soars, the lizard darts, And the owl hoots In the middle of the night.
Sandy Fussell (Owl Ninja (Samurai Kids, #2))
Six vampires came scuttling over the roof, in assorted colors of sunblock, like someone spilled a bag of Skittles. Taste the undead rainbow.
Ilona Andrews (Magic Triumphs (Kate Daniels, #10))
Ah...Dectective, this is a very private and personal moment for them both. I'm sure you can understand their need for-" A man stumbled out clutching a sheet round his waist and Valkyrie's eyes widened. "Whoa," she said as he hummed into a table. He was tall and sandy-haired and his physique was jaw-dropping lay amazing. "No way," she said. "Scapegrace?" The man looked at her, and shook his head. The a woman came charging out of the back room, slammed into the man and they both went rolling across the floor. "Give it to me!" The woman screamed. "Give it to me!" Nye scuttled over. "Mr Scapegrace, you know the procedure cannot be repeated, your brains are in far too deteriorated a condition." "You! Gave! Me! The! Wrong! Body!
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
The flowers that I left in the ground, that I did not gather for you, today I bring them all back, to let them grow forever, not in poems or marble, but where they fell and rotted. And the ships in their great stalls, huge and transitory as heroes, ships I could not captain, today I bring them back to let them sail forever, not in model or ballad, but where they were wrecked and scuttled. And the child on whose shoulders I stand, whose longing I purged with public, kingly discipline, today I bring him back to languish forever, not in confession or biography, but where he flourished, growing sly and hairy. It is not malice that draws me away, draws me to renunciation, betrayal: it is weariness, I go for weariness of thee, Gold, ivory, flesh, love, God, blood, moon- I have become the expert of the catalogue. My body once so familiar with glory, My body has become a museum: this part remembered because of someone's mouth, this because of a hand, this of wetness, this of heat. Who owns anything he has not made? With your beauty I am as uninvolved as with horses' manes and waterfalls. This is my last catalogue. I breathe the breathless I love you, I love you - and let you move forever.
Leonard Cohen (Selected Poems, 1956-1968)
On more than one occasion David, in his urge to explore the darker corners of the bookshelves, had found himself wearing strands of spider silk in his face and hair, causing the web's creator to scuttle into a corner and crouch balefully, lost in thoughts of arachnoid revenge.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
The greatest of poems is an inventory. Every kitchen tool becomes ideal because Crusoe might have dropped it in the sea. It is a good exercise, in empty or ugly hours of the day, to look at anything, the coal-scuttle or the book-case, and think how happy one could be to have brought it out of the sinking ship on to the solitary island.
G.K. Chesterton (Orthodoxy)
The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer's voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death.
Hermann Hesse (Lupul de stepă)
To Galen’s relief, they reached the silver and pearl gate before Rose could convince Pansy to tell her any more. He rode in the boat with Jonquil and her prince, who was not as stoic as his brothers. “What did you eat for dinner?” the dark prince huffed. “What do you mean?” Jonquil frowned at her escort as he rowed. “You’re so heavy, it’s like you’re wearing iron underthings,” he panted. “Oh!” Jonquil whacked her prince on the shoulder with her fan. “How rude!” When their boat reached the island and the black palace, Jonquil leaped out without waiting for assistance. She stalked into the palace ahead of everyone else, with her prince scuttling at her heels, apologizing every step of the way.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
Nothing sends patriarchy scuttling under covers of propriety faster than rambunctious peals of laughter emanating from rubicund lips
Nalini Priyadarshni
We try to make guests feel welcome," said Dee, scuttling behind his desk. He pulled off his pointed hat and, to Vimes's amazement, put on a pair of thick smoked glasses. "You had papers?" he said. Vimes handed them over. "It says here "His Grace"," the dwarf said, after reading them for awhile. "Yes, that's me." "And there's a sir." "That's me, too." "And an excellency." "'fraid so." Vimes narrowed his eyes. "I was blackboard monitor for awhile, too.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
Every decent man in America ought to swoon with joy for the opportunity to crush with his heel the woolly head of this black lizard, to keep him from scuttling on his belly farther over the earth and spitting forth his venom of death!
Richard Wright (Native Son)
Jules: A house with Emma; laughing by a fire together. All that would make it better would be his brothers and sisters somewhere nearby, where he could see them every day, where he could fence with Livvy and watch movies with Dru and help Tavvy learn the crossbow. Where he could look for animals with Ty, hermit crabs down by the edge of the water, scuttling under their shells. Where he could cook massive dinners with Mark and Helen and Aline and they'd all eat them together, out under the stars in the desert air.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Have you ever seen an anthill?" he said at last. "A machine of tiny marchers. Too much motion, you cannot make out the aims in it. But take something away from that anthill – a stone, a leaf, a dead caterpillar – and the ants scurry. You see which ones you have sabotaged, which ones are disturbed and scuttling to prop something in its place. That is what I do. That is kleptomancy. Divination by theft. Find something that is important, something on which you suspect many plans rely, and remove it. Then sit and watch. That’s why stealing you will help, even if you know nothing. Right now, the people who want to use you and the people who want you dead will be in a race to find you before the other does. People in a hurry often show their hand by mistake.
Frances Hardinge (A Face Like Glass)
Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension.
Rebecca Solnit (Hope in the Dark: Untold Histories, Wild Possibilities)
For the first time in her sixty-nine years she felt the fear: the fear every woman knows is always waiting for her, the possibility that lurks and scuttles in the shadows of her mind, even if she’s spent her entire life being so tenderly loved and protected by good men.
Liane Moriarty (Apples Never Fall)
Horror fiction seems to spawn more dumbass 'rules' than any other kind of writing, and one of the dumbest is the assumed 'requirement' of a twist ending, going all the way back to H.H. Munro. This story is also the result of a long rumination on how stories are sometimes scuttled or diminished by succumbing to such 'rules'.
David J. Schow
Love is a pain in disguise, a scorpion lying in wait for just the right moment to strike and inject you with its poison before scuttling off into the shadows.
Ellen Hopkins (Smoke (Burned, #2))
Ash fell from the sky. Lord Tresting frowned, glancing up at the ruddy, mid-day sky as his servants scuttled forward, opening a parasol over Tresting and his distinguished guest.
Brandon Sanderson (Mistborn (The Mistborn #1))
He told how he had seen the lies run down the lawyer’s tongue. Vague but of a substance, they came down like mice and looked about a moment before scuttling off.
Cormac McCarthy (Suttree)
I arrived here a King’s Hand, riding through the gates at the head of my own sworn men, Tyrion reflected, and I leave like a rat scuttling through the dark, holding hands with a spider.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
In my lifelong study of human beings, I have found that no matter how hard they might try, they have found no way yet to prevent the arrival of Monday. And they do try, of course, but Monday always comes, and all the drones have to scuttle back to their dreary workaday lives of meaningless toil and suffering
Jeff Lindsay
But no one can prepare for the worst. The worst doesn't only dash hopes; it tears through everything in ways that are almost meant to hurt, to punish, to shame. Despite my most sobering forecasts, life can still play the cruelest card and scuttle everything—and just when I thought we were sailing past the shoals.
André Aciman (Enigma Variations)
It was all as it had been, except for the weight of the present, that scuttled the pact we made with heaven. In truth there was no cause for rejoicing, nor need to turn around, either. We were lost just by standing, listening to the hum of wires overhead.
John Ashbery (Where Shall I Wander)
He knew what his father thought: that immigration, so often presented as a heroic act, could just as easily be the opposite; that it was cowardice that led many to America; fear marked the journey, not bravery; a cockroachy desire to scuttle to where you never saw poverty, not really, never had to suffer a tug to your conscience; where you never heard the demands of servants, beggars, bankrupt relatives, and where your generosity would never be openly claimed; where by merely looking after your wife-child-dog-yard you could feel virtuous. Experience the relief of being an unknown transplant to the locals and hide the perspective granted by journey. Ohio was the first place he loved, for there at last he had been able to acquire poise --
Kiran Desai (The Inheritance of Loss)
Donald set his sights on the University of Pennsylvania. Unfortunately, even though Maryanne had been doing his homework for him, she couldn’t take his tests, and Donald worried that his grade point average, which put him far from the top of his class, would scuttle his efforts to get accepted. To hedge his bets he enlisted Joe Shapiro, a smart kid with a reputation for being a good test taker, to take his SATs for him.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
For a wolf, no,” said Tabaqui, “but for so mean a person as myself a dry bone is a good feast. Who are we, the Gidur-log [the jackal people], to pick and choose?” He scuttled to the back of the cave, where he found the bone of a buck with some meat on it, and sat cracking the end merrily.
Rudyard Kipling (The Jungle Book: Mowgli's Story)
And speaking of Escher, it’s worth recording this for posterity: the artists were right, literally right, all along. Beneath what we used to call ‘reality’ there was always an Escheresque, a Boschian, a Munchian fact—a scuttling Guernicopia of horrors just waiting to be discovered once the civilizational rock was finally overturned.
Adrian Barnes (Nod)
The hours spent forming a written work can make one obsessive, distracted, compulsive, and neurotic even, especially when it comes to those rare, precious occasions of streaming pure inspiration. To have a muse moment interrupted - to watch her scuttle back into hiding with unshared insight remaining on the tip of her tongue - is a wicked irritation. When a writer's eyes glaze over, when she stares off at nothing or appears to be memorizing the lines on a blank page, when she falls asleep at the desk... tiptoe softly. For a writer's greatest desire is to receive inspiration; her greatest nightmare, to have tossed to the wind what could have been captured in words.
Richelle E. Goodrich
I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Listen,” you said. “To what? There’s nothing.” “There is. Maybe not shopping centers and cars, but other things … buzzing insects, racing ants, a slight wind making the tree creak, there’s a honeyeater up there, scuttling around, and the camels are coming.
Lucy Christopher (Stolen (Stolen, #1))
...people outdoors here just scuttle in vectors from air conditioning to air conditioning. The sun is a hammer. I can feel one side of my face start to cook. The blue sky is glossy and fat with heat, a few thin cirri sheared to blown strands like hair at the rims.
David Foster Wallace (Infinite Jest)
A Colder breeze lifted a dead leaf to the roof and sent it scuttling merrily on its way to catch in my hair. It crackled dry and brittle when Chris plucked it out and held it, just staring down at a dead maple leaf as if his very life depended on reading its secret for knowing how to blow in the wind. No arms, no legs, no wings... bit it could fly when dead.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
If Pakistani cities were caricatures, most would be easy to draw. Lahore is corpulent and languid, stretched out in a shalwar kameez, twirling its moustache over a greasy breakfast. Islamabad cuts a more clipped figure, holding court in a gilded drawing room, proffering Scotch and political whispers. Peshawar wears a turban or a burka, scuttling among the stalls of an ancient bazaar. But Karachi is harder to sketch. It has too many faces: the shiny-shod businessman, rushing to the gym; the hardscrabble labourer who sends his wages to a distant village; the slinky young socialite, kicking off her heels as she bends over a line of cocaine.
Declan Walsh (The Nine Lives of Pakistan: Dispatches from a Precarious State)
The event that will light the way for immigration in North America is the talking picture. The silent film brings nothing but entertainment—a pie in the face, a fop being dragged by a bear out of a department store—all events governed by fate and timing, not language and argument. The tramp never changes the opinion of the policeman. The truncheon swings, the tramp scuttles through a corner window and disturbs the fat lady’s ablutions. These comedies are nightmares. The audience emits horrified laughter as Chaplin, blindfolded, rollerskates near the edge of the unbalconied mezzanine. No one shouts to warn him. He cannot talk or listen. North America is still without language, gestures and work and bloodlines are the only currency.
Michael Ondaatje
What. Are. Thooooooose?" the walrus moaned. On the holo-screen airing the happenings in Genevieve Square, a swarm of scorpspitters released by the Glass Eyes was scuttling toward Alyss and the other. Never before had a Wonderlander seen these scorpion-like contraptions that could bullets of deadly poison from their "tails"--not even Bibwit, who assumed they were the latest in a long line of armaments invented by Redd. But before a single scorpspitter curled its tail into a C to take aim at the queen, she imagined into existance a horde of disembodied boots with steel-plated soles, which hovered monetarily in the air, then-- With a slight nod, she brought them down hard, stomping the scorpspitters flat, squishing their armor-crapaces and making absract art of their wiry guts. Ooh, now why can't Queen Alyss do that to the Glass Eyes?" the walrus-bulter cried.
Frank Beddor (Seeing Redd)
Guns, double-crosses, hitmen… I can get used to a lot of things, but I’m never going to get used to sleeping where apocalypse bugs mate,” Wednesday said, walking into the room looking around. She dropped her Birkin on the floor and heard something scuttling behind the cheap plastic wood print veneer covered dresser. She turned to face Alvin, her head cocked to the side. “Seriously. I’m not saying five-star… I’m saying go on Expedia and find a place that actually has stars… any stars.
Dennis Sharpe (Wednesday)
I imagine crossing Grey Street in the daytime. Would night fall over me gently like a velvety curtain? Or would the day turn dark in the blink of my eye? I don't really need the sunrise to know that Shyness is different. It's like there is a thin layer of static over everything that stops me from seeing what's really going on. People here scuttle around like they're scared of their own shadows.
Leanne Hall (This Is Shyness (This Is Shyness, #1))
You want a beer?” Amos asked. “You’re having beer for breakfast?” “Figure it’s dinner for you,” Amos said. The man was right. Miller needed sleep. He hadn’t managed more than a catnap since they’d scuttled the stealth ship, and that had been plagued by strange dreams. He yawned at the thought of yawning, but the tension in his gut said he was more likely to spend the day watching newsfeeds than resting. “It’s probably breakfast again,” Miller said. “Want some beer for breakfast?” Amos asked. “Sure.
James S.A. Corey (Leviathan Wakes (Expanse, #1))
The way she says alone makes it sound like a cave. Like some hideous, dark cave whose oozing walls are teeming with all the unpleasant things of this world, and I am crawling willingly, brazenly, into this awful space of my own free will. Shoveling the vermin I find scuttling across the floor into my mouth for sustenance.
Mona Awad (Bunny)
If your voice could overwhelm those waters, what would it say? What would it cry of the child swept under, the mother on the beach then, in her black bathing suit, walking straight out into the glazed lace as if she never noticed, what would it say of the father facing inland in his shoes and socks at the edge of the tide, what of the lost necklace glittering twisted in foam? If your voice could crack in the wind hold its breath still as the rocks what would it say to the daughter searching the tidelines for a bottled message from the sunken slaveships? what of the huge sun slowly defaulting into the clouds what of the picnic stored in the dunes at high tide, full of the moon, the basket with sandwiches, eggs, paper napkins, can-opener, the meal packed for a family feast, excavated now by scuttling ants, sandcrabs, dune-rats, because no one understood all picnics are eaten on the grave?
Adrienne Rich (An Atlas of the Difficult World)
Travel is transition, and at its best it is a journey from home, a setting forth. I hated parachuting into a place. I needed to be able to link one place to another. One of the problems I had with travel in general was the ease and speed with which a person could be transported from the familiar to the strange, the moon shot whereby the New York office worker, say, is insinuated overnight into the middle of Africa to gape at gorillas. That was just a way of feeling foreign. The other way, going slowly, crossing national frontiers, scuttling past razor wire with my bag and my passport, was the best way of being reminded that there was a relationship between Here and There, and that a travel narrative was the story of There and Back.
Paul Theroux (Dark Star Safari: Overland from Cairo to Cape Town)
What's he doing?" Mary Lou asked. "What's he doing?" "Getting a spoon. I was was right-he went out to buy ice cream." The light blinked out, and Morelli disappeared. Mary Lou and I scuttled across Morelli's backyard and squinted into his window. "Do you see him?" Mary Lou asked. "No. He's disappeared." "I didn't hear the front door open." "No, and he's got the television on. He's just out of sight somewhere." Mary Lou crept closer. "Too bad he's got the shades pulled on his front windows." "I'll try to be more considerate next time," Morelli said, standing inches behind us. Mary Lou and I yelped and instinctively sprang away, but Morelli had both of us by the back of our jackets.
Janet Evanovich (High Five (Stephanie Plum, #5))
The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.
Ray Bradbury (The Martian Chronicles)
brought forth scintillating jeweled scuttling crabs, which the Vogons ate, smashing their shells with iron mallets; tall aspiring trees of breathtaking slenderness and color which the Vogons cut down and burned the crabmeat with; elegant gazellelike creatures with silken coats and dewy eyes which the Vogons would catch and sit on. They were no use as transport because their backs would snap instantly, but the Vogons sat on them anyway.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
On the crowded subway car back to Brooklyn afterwards, the youngest of my three female companions had her bottom groped by a man about Strauss-Kahn’s age. At first, she thought he had simply bumped into her. That was before she felt her buttock being cupped and said something to me, as young women often do, tentatively, quietly, as though it were perhaps not happening or perhaps not quite a problem. Finally, she glared at him and told him to stop. I was reminded of a moment when I was an impoverished seventeen-year-old living in Paris and some geezer grabbed my ass. It was perhaps my most American moment in France, then the land of a thousand disdainful gropers; American because I was carrying three grapefruits, a precious purchase from my small collection of funds, and I threw those grapefruits, one after another, like baseballs at the creep and had the satisfaction of watching him scuttle into the night. His action, like so much sexual violence against women, was undoubtedly meant to be a reminder that this world was not mine, that my rights -- my liberté, egalité, sororité, if you will -- didn’t matter. Except that I had sent him running in a barrage of fruit.
Rebecca Solnit (Men Explain Things To Me Updated Edition)
That’s the experience I’ve gained from working in the garden: there’s no reason to be cautious or anxious about anything, life is so robust, it seems to come cascading, blind and green, and at times it is frightening, because we too are alive, but we live in what amounts to a controlled environment, which makes us fear whatever is blind, wild, chaotic, stretching towards the sun, but most often also beautiful, in a deeper way than the purely visual, for the soil smells of rot and darkness, teems with scuttling beetles and convulsing worms, the flower stalks are juicy, their petals brim with scents, and the air, cold and sharp, warm and humid, filled with sunrays or rain, lies against skin, accustomed to the indoors, like a soothing compress of hereness.
Karl Ove Knausgård (Om høsten (Årstidsencyklopedien, #1))
With life blooming inside her, the water answered her questions with a whispered yes, and part of her knew home. In a tidal river on the Virginia coast she encountered a peculiar creature that scuttled the riverbed. She held it up and examined the graceful curve of its shell, its neat spike of a tail, and spidery feet that kicked and scratched at the air as she cradled it in her palm. A wonder just for her, she thought. The flickering of a child inside her laughed. Evangeline
Erika Swyler (The Book of Speculation)
Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.
Angela Carter (The Bloody Chamber and Other Stories)
Something had curdled in the atmosphere of the great hall. A further restlessness, a sense of unease, seemed to seep into the air through the walls. The cat, once more in its favored perch in the window recess, began to back up against the shutter, its ears flat and its eyes wide. After a moment even this refuge would not suffice, and it dropped with a small bang onto the table below, leaped to the floor, and scuttled along the wall till it disappeared through an archway near the dais.
Douglas Nicholas
Sicarius stood behind them, not bothering to hide his face as the breeze rifled through his short blond hair. He hadn’t drawn a weapon yet, and Amaranthe hurried to catch up, to keep him from doing so. First one security man glanced over his shoulder and jumped, then the second emulated the move. Sespian lifted a hand. “Don’t hurt—”One of the men pointed to the side of Sicarius, cried, “Look, enforcers!” and hurled himself past Sespian and into the river. The second man squeaked, scuttled backward until his shoulders rammed against the railing, then grabbed it and also propelled himself into the water. His lantern caught and dropped to the deck instead of falling overboard. It clanked and highlighted a dubious puddle before tipping over and winking out. Amaranthe had forgotten how much Sicarius’s reputation affected the average person.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
Wait!” I turn and put my hands in the air. The figure halts. “The dead Mask in the desert,” I say. “You did that?” “A message for you, little singer,” the woman rasps. “So you wouldn’t be stupid enough to fight me. Don’t feel badly about it. He was a murderer and a rapist. He deserved to die. Which reminds me.” She tilts her head. “The girl—Laia. Don’t touch her. If any harm comes to her, no force in this land will stop me from gutting you. Slowly.” With that, she is moving again. I leap up and unsheathe my blade. Too late. The woman is through the open window and scuttling away across the rooftops. But not before I catch sight of her face—hardened by hatred, mangled beyond belief, and instantly recognizable. The Commandant’s slave. The one who is supposed to be dead. The one everyone called Cook.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B. - I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) - on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four-miles' walk, arrived at Heathcliff's garden-gate just in time to escape the first feathery flakes of a snow-shower.
Emily Brontë (Wuthering Heights)
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes)
Eurystheus snarled. “You deceitful hero! I’ll make your next task impossible!” “I thought the last four were impossible.” “This will be even more impossible! Near the city of Stymphalia is a lake overrun by a flock of demonic birds—” “If they’re called the Stymphalian birds—” “They are called the Stymphalian birds!” “I’m going to puke.” “You will not puke! You will rid the lake of every single bird. Ha-ha! Copreus, my herald…” The king’s herald scuttled over. “Yes, my lord?” “What do people say when they wish someone luck, but they mean it in a sarcastic way?” “Um, good luck with that?” “Yes! Good luck with that, Hercules! Ha-ha!
Rick Riordan (Percy Jackson's Greek Heroes)
The word spread. It began with the techno-literates: young summoners who couldn’t quite get their containment circles right and who had fallen back on Facebook to keep themselves occupied while the sacred incense was cooked in their mum’s microwaves; eager diviners who scoured the internet for clues as to the future of tomorrow, and who read the truth of things in the static at the corners of the screen; bored vampires who knew that it was too early to go out and hunt, too late still to be in the coffin. The message was tweeted and texted onwards, sent out through the busy wires of the city, from laptop to PC, PC to Mac, from mobile phones the size of old breeze blocks through to palm-held devices that not only received your mail, but regarded it as their privilege to sort it into colour-coordinated categories for your consideration. The word was whispered between the statues that sat on the imperial buildings of Kingsway, carried in the scuttling of the rats beneath the city streets, flashed from TV screen to TV screen in the flickering windows of the shuttered electronics stores, watched over by beggars and security cameras, and the message said: We are Magicals Anonymous. We are going to save the city.
Kate Griffin (Stray Souls (Magicals Anonymous, #1))
He is the same soul. You are simply seeing another aspect of him. There is a secret core in everyone that not even Gabriel can know by trying to know. Listen now. The intellect derives from the senses, which are limited, and come from the body. The intellect therefore is also limited, and it can never truly know reality, which is infinite and eternal. Khalid wanted to know reality with his intellect, and he can't. Now he knows that, and is downcast. Intellect has no real mettle, you see, and at the first threat, into a hole it scuttles. But love is divine. It comes from the realm of the infinite, and is entrusted to the heart as a gift from God. Love has no calculation in it. 'God loves you' is the only possible sentence! So it's love you must follow to the heart of your father-in-law. Love is the pearl of an oyster living in the ocean, and intellect lives on the shore and cannot swim. Bring up the oyster, sew the pearl onto your sleeve for all to see. It will bring courage to the intellect. Love is the king that must rescue his coward slave.
Kim Stanley Robinson (The Years of Rice and Salt)
In focusing on “cultural change” and “conflict between cultures,” these studies avoid fundamental questions about the formation of the United States and its implications for the present and future. This approach to history allows one to safely put aside present responsibility for continued harm done by that past and the questions of reparations, restitution, and reordering society.9 Multiculturalism became the cutting edge of post-civil-rights-movement US history revisionism. For this scheme to work—and affirm US historical progress—Indigenous nations and communities had to be left out of the picture. As territorially and treaty-based peoples in North America, they did not fit the grid of multiculturalism but were included by transforming them into an inchoate oppressed racial group, while colonized Mexican Americans and Puerto Ricans were dissolved into another such group, variously called “Hispanic” or “Latino.” The multicultural approach emphasized the “contributions” of individuals from oppressed groups to the country’s assumed greatness. Indigenous peoples were thus credited with corn, beans, buckskin, log cabins, parkas, maple syrup, canoes, hundreds of place names, Thanksgiving, and even the concepts of democracy and federalism. But this idea of the gift-giving Indian helping to establish and enrich the development of the United States is an insidious smoke screen meant to obscure the fact that the very existence of the country is a result of the looting of an entire continent and its resources. The fundamental unresolved issues of Indigenous lands, treaties, and sovereignty could not but scuttle the premises of multiculturalism.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Power and influence in Congress," he explained, "are not obtained by promoting one's own measures. They come either from blocking measures others want enacted or sup-                                     porting measures others oppose. As a member of the Agricul- ture Committee, Mrs. Chisholm would have been in an ideal position to make her presence felt. Without offending her own constituents, she could have voted against all of the bills introduced for the benefit of farmers. At the same time she could have introduced bills to scuttle price supports and other farm programs. Before long, farm belt congressmen would have been knocking on her door, asking favors." That kind of long-range Machiavellian strategy may be fine for a white, mid-western congressman whose district has more cows than voters, and who has all the time in the world to try to work himself up to that comfortable share of power that a House member can achieve if he plays by the rules, makes his district "safe," and lives long enough. What I can never forget, and what my friend the reporter apparently never knew, is that there are children in my district who will not live long enough for me to play it the way he proposes.
Shirley Chisholm (Unbought and Unbossed)
He thought he would light the fire when he got inside, and make himself some breakfast, just to pass away the time; but he did not seem able to handle anything from a scuttleful of coals to a teaspoon without dropping it or falling over it, and making such a noise that he was in mortal fear that it would wake Mrs. G. up, and that she would think it was burglars and open the window and call “Police!” and then these two detectives would rush in and handcuff him, and march him off to the police-court. He was in a morbidly nervous state by this time, and he pictured the trial, and his trying to explain the circumstances to the jury, and nobody believing him, and his being sentenced to twenty years’ penal servitude, and his mother dying of a broken heart.  So he gave up trying to get breakfast, and wrapped himself up in his overcoat and sat in the easy-chair till Mrs. G came down at half-past seven.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
West was the only officer on the quarterdeck, and it so happened that the party of hands making dolphins and paunch-mats on the forecastle were all Shelmerstonians. West was gaping rather vacantly over the taffrail when he saw an extraordinarily handsome woman ride along the quay, followed by a groom. She dismounted at the height of the ship, gave the groom her reins, and darted straight across the brow and so below.    'Hey there,' he cried, hurrying after her, 'this is Dr Maturin's cabin. Who are you, ma'am?'    'I am his wife, sir,' she said, 'and I beg you will desire the carpenter to sling a cot for me here.' She pointed, and then bending and peering out of the scuttle she cried 'Here they are. Pray let people stand by to help him aboard: he will be lying on a door.' She urged West out of the cabin and on deck, and there he and the amazed foremast hands saw a blue and gold coach and four, escorted by a troop of cavalry in mauve coats with silver facings, driving slowly along the quay with their captain and a Swedish officer on the box, their surgeon and his mate leaning out of the windows, and all of them, now joined by the lady on deck, singing Ah tutti contenti saremo cosí, ah tutti contenti saremo, saremo cosí with surprisingly melodious full-throated happiness.
Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
We said our goodbyes to Eurytion, Tyson pulled the cattle grid off the hole and we dropped back into the maze. I wish I could’ve put the mechanical spider on a leash. It scuttled along the tunnels so fast that most of time I couldn’t even see it. If it hadn’t been for Tyson’s and Grover’s excellent hearing, we never would’ve known which way it was going. We ran down a marble tunnel, then dashed to the left and almost fell into an abyss. Tyson grabbed me and hauled me back before I could fall. The tunnel continued in front of us, but there was no floor for about thirty metres, just gaping darkness and a series of iron rungs in the ceiling. The mechanical spider was about halfway across, swinging from bar to bar by shooting out metal web fibre. ‘Monkey bars,’ Annabeth said. ‘I’m great at these.’ She leaped onto the first rung and started swinging her way across. She was scared of tiny spiders, but not of plummeting to her death from a set of monkey bars. Go figure. Annabeth got to the opposite side and ran after the spider. I followed. When I got across, I looked back and saw Tyson giving Grover a piggyback ride (or was it a goatyback ride?).
Rick Riordan (Percy Jackson and the Battle of the Labyrinth (Percy Jackson And The Olympians, #4))
We went back to our green bedroom with its insane mural, and we were conscious of being depressed. We couldn’t figure out exactly why, and then it came to us: there is very little laughter in the streets, and rarely any smiles. People walk, or rather scuttle along, with their heads down, and they don’t smile. Perhaps it is that they work too hard, that they have to walk too far to get to the work they do. There seems to be a great seriousness in the streets, and perhaps this was always so, we don’t know. We had dinner with Sweet Joe Newman, and with John Walker of Time, and we asked them if they had noticed the lack of laughter. And they said they had. And they said that after a while the lack of laughter gets under your skin and you become serious yourself. They showed us a copy of the Soviet humorous magazine, called Krokodil, and translated some of the jokes. But they were not laughing jokes, they were sharp jokes, critical jokes. They were not for laughter, there was no gaiety in them. Sweet Joe said he had heard that outside of Moscow it was different, and this we subsequently discovered to be true. There is laughter in the country, in the Ukraine, and on the steppes, and in Georgia, but Moscow is a very serious city.
John Steinbeck (A Russian Journal)
A wave formed, swelling around Ariel's body. It lifted her up higher and higher- or maybe she herself was growing: it was hard to tell. She held the trident aloft. Storm clouds raced to her from all directions like a lost school of cichlid babies flicking to their father's mouth for protection. Lightning coursed through the sky and danced between the trident's tines. Ariel sang a song of rage. Notes rose and fell discordantly, her voice screeching at times like a banshee from the far north. She sang, and the wind sang with her. It whipped her hair out of its braids and pulled tresses into tentacles that billowed around her head. She sang of the unfairness of Eric's fate and her own, of her father's torture as a polyp, even of Scuttle's mortal life, slowly but visibly slipping away. Mostly she sang about Ursula. She sang about everyone whose lives had been touched and destroyed by evil like coral being killed and bleached, like dead spots in the ocean from algae blooms, like scale rot. She sang about what she would do to anyone who threatened those she loved and protected. And then, with her final note, she made a quick thrust as if to throw the trident toward the boats in the bay, pulling it back at the last moment. A clap louder than thunder echoed across the ocean. A wave even larger than the one she rode roared up from the depths of the open sea. It smashed through and around her, leaving her hair and body white with foam. She grinned fiercely at the power of the moment. The tsunami continued on, making straight for Tirulia. But... despite her rage... underneath it all the queen was still Ariel. Her momentary urge to destroy everything came and went like a single flash of summer lightning.
Liz Braswell (Part of Your World)