Cops Thank You Quotes

We've searched our database for all the quotes and captions related to Cops Thank You. Here they are! All 56 of them:

Thanks for putting me up for it ... trahyner." As V's eyes flared, Butch said, "Yeah, I looked up what the word meant. 'Beloved Friend' fits you perfect as far as I'm concerned." V Flushed. Cleared his throat. "Good Deal, cop. Good... deal.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
He shook his head and eyed Roarke. "You don't look like a cop." "I'm not and thank you for noticing.
J.D. Robb (New York to Dallas (In Death, #33))
Just shut your mouth, you ignorant twat." "Aw, Dallas, he called me a twat. How come you get to be a bitch, but I only get to be a twat." "It's the rank," Eve told her. "You'll make bitch one day." "Thanks. That means a lot to me.
J.D. Robb (Festive in Death (In Death, #39))
The girl says "Oh uh-uh, wait a minute! Wait a minute! Just because I'm dressed this way does not make me a whore!" Which is true, Gentlemen, that is true. Just because they dress a certain way doesn't mean they are a certain way. Don't even forget it. But ladies, you must understand that is fucking confusing. It just is. Now that would be like me, Dave Chappelle, the comedian, walking down the street in a cop uniform. Somebody might run up on me saying, "Oh, thank God. Officer, help us! Come on. They're over here. Help us!" "Oh-hoh! Just because I'm dressed this way does not make me a police officer!" See what I mean? All right, ladies, fine. You are not a whore. But you are wearing a whore's uniform.
Dave Chappelle
As the syringe was filled, Butch stepped up into the surgeon’s grille. Even as incapacitated as the cop was from the inhaling, he was straight-up deadly as he spoke. “I don’t need to tell you not to f*ck my buddy. Right.” The surgeon looked around his little-glass-bottle-and-needle routine. “I’m not thinking about sex at the moment, thank you very much. But if I was, it sure as shit wouldn’t be with him. So instead of worrying about who I’m tapping, how’d you like to do us all a favor and have a shower. You stink.” Butch blinked. Then smiled a little. “You have balls.” “And they’re made of brass. Big as church bells, too.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Daisy was starting to feel like the kind of cop you only ever see in movies: tough, hard-bitten, and perfectly ready to buck the system; the kind of cop who wants to know whether or not you feel lucky or if you’re interested in making his day, and particularly the kind of cop who says “I’m getting too old for this shit.” She was twenty-six years old, and she wanted to tell people she was too old for this shit. She was quite aware of how ridiculous this was, thank you very much.
Neil Gaiman (Anansi Boys)
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
P.G. Wodehouse
All Julie has to do is explain to her friends that she's using it to individually seal each item that she throws out." "Then they'd think she was a geek," I said. "She will thank me later," Monk said. "Why would she thank you for being considered a geek?" "Don't you know anything about teenage life?" Monk said. "It's a badge of respect." "It is?" "I was one," he said. "You don't say." "A very special one. I was crowned King of the Geeks, not once, but every single year of high school," Monk said. "It's a record that remains unbroken in my school to this day." "Were there a lot of students who wanted to be King of the Geeks?" "It's like being homecoming king, only better. You don't have to go to any dances," Monk said. "You aren't even invited.
Lee Goldberg (Mr. Monk and the Dirty Cop (Mr. Monk, #8))
Where I’m from the dopeboys is the rockstars, but they can’t cop cars without seeing cop cars. I guess they want us all behind bars. I know it.
Kanye West (Thank You and You're Welcome)
V smiled, his eyes a little shiny as if he too were choked up. "Don't worry, I'm covered. So, I guess you're back, true?" "And ready to rock and roll." "Really." "For sure. I'm thinking about a future in contracting. Wanted to see how this bathroom was put together. Excellent tile work. You should check it." "How about I carry you back to bed?" "I want to look at the sink pipes next." Respect and affection clearly drove V's cool smirk. "At least let me help you up." "Nah, I can do it." With a groan, Butch gave the vertical move a shot, but then eased back down onto the tile. Turned out his head was a little overwhelming. But if they left him here long enough-a week, maybe ten days? "Come on, cop. Cry uncle here and let me help." Butch was suddenly too tired to front. As he went totally limp, he was aware of Marissa staring at him and thought, man, could he look any weaker? Shit, the only saving grace was there wasn't a cold breeze on his butt. Which suggested the hospital gown had stayed closed. Thank you, God.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Now you’re thinking. I’ll drive.” “No. I’d appreciate the other set of eyes, and the scary brain, but if I’m hung up I need you here to start briefing the team.” Those fabulous eyes stared right through her. “You want me to brief a room of cops? That’s appalling, Eve, on so many levels.” “Nobody knows how to run a meeting as well as you. I’ll try to be back, but I have to follow this out.” “I’m definitely going to want the costumes. I may have them designed for you.” “One of us is worth a dozen of them,” she said, repeating his words. “You’re one of us.” “I realize you see that as a compliment, but ...” He trailed off, sighed. “Thank you.
J.D. Robb (Treachery in Death (In Death, #32))
First, stop talking like that droid Peabody's reactivating. Second, you're not responsible for the flight of this suspect. That's on me." "Lieutenant, I appreciate you taking my inexperience into consideration in my failure to perform my duty and complete this assignment in a satisfactory manner -- " "Shut up, Trueheart." Jesus God, spare her from rookies. "Peabody! Come in here." "I've nearly got the droid up and running, Dallas." "Peabody, tell Officer Trueheart here how I deal with cops who botch assignments or fail to complete same in what I deem a satisfactory manner." "Sir, you bust their balls, mercilessly. It can be very entertaining to watch. From a discreet and safe distance." "Thank you, Peabody. You make me proud. Trueheart, am I busting your balls?" His flush spread. "Ah, no, sir. Lieutenant." "Then it follows that in my opinion, you didn't botch this assignment. If my opinion was otherwise, you'd be curled on the floor, clutching said balls and begging for mercy, which Officer Peabody has succinctly pointed out I do not have. Are we clear?" He hesitated. "Yes, sir?
J.D. Robb (Witness in Death (In Death, #10))
A little boy, he can play like he's a fireman or a cop--although fewer and fewer are pretending to be cops, thank God--or a deep-sea diver or a quarterback or a spaceman or a rock 'n roll star or a cowboy, or anything else glamorous and exciting (Author's note: What about a novelist, Jellybean?), and although chances are by the time he's in high school he'll get channeled into safer, duller ambitions, the great truth is, he can be any of those things, realize any of those fantasies, if he has the strength, nerve and sincere desire...But little girls? Podner, you know that story as well as me. Give 'em doll babies, tea sets and toy stoves. And if they show a hankering for more bodacious playthings, call 'em tomboy, humor 'em for a few years and then slip 'em the bad news...And the reality is, we got about as much chance of growing up to be cowgirls as Eskimos have got being vegetarians.
Tom Robbins (Even Cowgirls Get the Blues)
What kind of a person could kill a Black child and then kill another Black child and then kill another Black child and then kill another Black child and then kill another Black child and then kill another Black child and stay above suspicion? What about the police? What about somebody Black? What sixteen year old would say no to a cop? What seven year old would say no thanks to me? What is an overreaction to murder? What kind of a person could kill a Black child and then kill a Black child and then kill a Black child? What kind of a person are you? What kind of a person am I? What makes you so sure? What kind of a person could save a Black child? What kind of a people will lay down its life for the lives of our children? What kind of a people are we?
June Jordan
The child of divorce and the parent without primary custody know these interstitial places well: the curb, the corridor, the terminal parking lot. It is there where you embrace, you shed tears, you thank God for reuniting you -- or curse God for tearing you asunder once more. All the while, the elevator dings, the custodian sweeps up, the traffic cop urges you to get a move on.
Joshua Ferris (A Calling for Charlie Barnes)
Rosie: Well we’re not exactly 20 years old are we? Ruby: No thank god for that because if that was the case I would have to go through a shit marriage and a divorce all over again. We would have to go out and look for jobs, be all uncertain about our lives, care about dating and how we look and what car we’re driving, what music we’re playing in it, what we wear, whether we’ll get into certain clubs or not bla bla bla bla. What’s so good about being 20? I call them the materialistic years. The years we get distracted by all the bullshit. Then we cop on when we hit our 30s and spend those years trying to make up for the 20s. But your 40s? Those years are for enjoying it. Rosie: Hmmm good point. What are the 50s for? Ruby: Fixing what you fucked up on in your 40s. Rosie: Great. Looking forward to it.
Cecelia Ahern (Love, Rosie)
Butch came around in front, twisting the shirt he’d taken off into a rope. Thanks to all the lifting they’d been doing, the male’s chest and arm muscles were thickening up, and he hadn’t been small to begin with. He couldn’t pull the kind of iron Rhage did, but for a human, the guy was a bulldozer. “You’re getting into some kind of shape, cop.” “Aw, come on, now.” Butch grinned. “Don’t let that shower we took go to your head.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
I'm a very smart guy. I haven't a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals. I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you'll think of me, I'll just leave one of my cards in case anything comes up.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Thank you." "Whatever." "V, seriously—" "Make that fuck you." When there was no slappy comeback, he looked up. Shit. Butch was standing right in front of him, the cop's hazel eyes dark with a knowledge V wished the guy didn't have. V dropped his stare to his lighter. "Whatever, cop, they're just knives." The black tip of the dagger slid under V's chin and angled his head up. As he was forced to meet Butch's stare, V's body tensed. Then trembled. With the weapon linking them, Butch said, "They're beautiful.
J.R. Ward
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?” “Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.” “Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.” Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?” “A switcheroo . . . right. Remind me again how that works?” Jack asked. “It’s because she’s got this big date tonight,” Kamin explained. Jack cocked his head. “A date?” Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.” “I must’ve missed that one.” “Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.” “Ah . . . the Meet Cute,” Wilkins said with a grin. Jack threw him a sharp look. “What did you just say?” “You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.” Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean. Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.” “She’s the maid of honor, see?” Kamin said. Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language. Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.” “Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.” Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?” “Right, sorry. It was Slonsky’s suggestion. 
Julie James (Something About You (FBI/US Attorney, #1))
At her words, words of forgiveness from Rose, an honest and just woman, something broke inside of Wince. His tears began to flow. Age seemed to drift from his face like misty ghosts from a morning field. Katie lifted his chin and, holding back her own tears, looked into his eyes. "Thank you, Wince." Eve placed her free hand on his shoulder. "May we hold her now?" Wince nodded and gently released the baby into the waiting arms of her sisters. "You did the right thing, Wince." Rose gave Wince a hug. "And you can help us bury her after Wilson and the Tar Ponds City Police see if they can find anybody to lay charges against after all this time.
Beatrice Rose Roberts (Twin Loyalties: From The Chronicles Of Tar Ponds City)
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I sometimes wanted to shout at them, “Why are you looking at me like that? Don’t you think I know how I look? Or how bad I smell? Do you think that I like walking down these streets, instead of sitting in a nice heated car like you, sipping coffee and eating a doughnut?” But thankfully, so far I’ve always managed to avoid the temptation. (Shouting something like that is sure to bring you to the attention of the cops, and I was in no mood to spend time in jail, or the county facility for drunks.) I’ve been in the overnight drunk tank several times. Once, they had to take me to a county facility, when I got the DT’s. I vaguely remember being in some hospital bed and strapped down, while I writhed in fear from the sounds
Steven H. Propp (Tattered Pilgrims)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Yo, Y.T.," Roadkill says, " 'sup?" "'Sup with you?" "Surfing the Tura. 'Sup with you?" "Maxing The Clink." "Whoa! Who popped you?" "MetaCops. Affixed me to the gate of White Columns with a loogie gun." "Whoa, how very! When you leaving?" "Soon. Can you swing by and give me a hand?" "What do you mean?" Men. "You know, give me a hand. You're my boyfriend," she says, speaking very simply and plainly. "If I get popped, you're supposed to come around and help bust me out." Isn't everyone supposed to know this stuff? Don't parents teach their kids anything anymore? "Well, uh, where are you?" "Buy 'n' Fly number 501,762." "I'm on my way to Bernie with a super-ultra." As in San Bernardino. As in super-ultra-high-priority delivery. As in, you're out of luck. "Okay, thanks for nothing." "Awwww," he begins. "Surfing safety," Y.T. says, in the traditional sarcastic sign off. "Keep breathing," Roadkill says. The roaring noise snaps off. What a jerk. Next date, he's really going to have to grovel. But in the meantime, there's one other person who owes her one. The only problem is that he might be a spaz. But it's worth a try.
Neal Stephenson (Snow Crash)
Excuse me, sir.” One the young officers put his hand up to stop them. “Are you Furious Barkley?” “Maybe. Maybe not. Is there a problem, officers?” Doug stepped in front of Furi. “Damn straight there’s a problem.” Syn stepped inside the door, yanking his dark aviator glasses off his face. The scowl he wore told Furi this was not a pleasant coincidence. “Thanks guys, you can go.” Furi stood with his mouth hanging open while Syn dismissed the officers. “Seriously, Starsky. You gonna track my boy down every time he leaves the house?” Doug said angrily, still blocking Furi. “He’s not your boy. And what I do regarding Furi is none of your goddamn business.” Syn’s clenched jaw made his words sound like an evil hiss. He shouldered past Doug and got directly in Furi’s face. “When I’ve been calling him for over six hours and he hasn’t picked up or returned any of my calls, I’ll send a fuckin’ SWAT team to find him if I want to.” Syn spun and pointed his finger in Doug’s face, “That’s my say, not yours.” Syn’s voice was rising with his growing temper, and all eyes were on them. “Okay, let’s get out of here.” Furi pushed at both men, urging them out the door. As soon as they were out in the brisk fall air, Syn rounded on Furi, pushing their chest together. “Where have you been, Furious? I’ve been going crazy trying to check on you, and you’re sitting here casually eating pancakes,” Syn growled. “Hey, back up, man.” Doug tried to wedge in between Furi and Syn. Syn looked up in annoyance. “Doug, I swear, if you touch me, I’m gonna ensure that you never regain the use of that hand.” “Okay, okay.” Furi put both hands flat on Syn’s chest, feeling his rapid heartbeat underneath all that muscle. Fuck. He really was scared. What was I thinking turning off my phone with everything that’s going on? “Syn. I’m so sorry. I turned my phone off because–” “You don’t owe him an explanation. You’re a grown man, Furious. You were having a business meeting; he has no right to demand you be available to him at all times, just like Patrick.” Furi and Syn both snapped at Doug. But Furi took control. “Hey! Don’t you ever say that again. This man is nothing like that asshole.” Furi shook his head at the absurdity of Doug’s accusation. “Don’t even say his name in the same sentence as Patrick’s.” Doug looked at Furi as if he were a stranger. “Doug, you don’t know everything that’s been going on. But I promise I’ll catch you up, okay? Then you’re going to feel pretty shitty about what you just said about Syn.” Furi nodded his head. “Go home. I’ll call you when I’m back at Syn’s place.” “You’re staying with him?” Doug yelled. “Doug. You know it’s not safe at my place,” Furi said softly, his eyes pleading with his friend for him to understand. “Then you should come to stay with me. I don’t trust this guy!” “This is fuckin’ crazy,” Syn snarled. “I know you’re his friend, but you’re sounding more pissed than a friend should be.” “Don’t try to read me, Detective. Furi is my best friend, and I’ve had his back since the first day he got here.” Doug wasn’t backing down from Syn’s intimidating posture. Syn’s dark glasses were back on, creating a perfectly badass look with his black leather coat and boots. All the hardware Syn had tucked under his arms and the shiny badge hanging around his neck was a sight right out of a sexy cop porno.
A.E. Via
In Britain, it’s kind of an old-guy thing to do,” I explain as she gleefully chalks up a cue stick. “You’re kidding! We have them in all the bars where I live.” She pantomimes a big theatrical wink. “Not that I’ve been in any, of course. Here, I’ll teach you to play pool. Though ‘snooker’ is a really cool word. Snooker!” she says, and it sounds hilarious in her accent. Who’d have thought it--me and Paige. If not BFFs, we’re certainly BFTs. Best Temporary Friends. I certainly didn’t see that coming. But we’re united, at least, in refusing to withdraw into the kind of slump that both Kendra and Kelly are indulging in. It may be unfair of me, but I think it’s selfish of them. We’re all in this together, away from home, and though the group could cope with one of the four throwing a wobbly, two is unquestionably a downer. Thank goodness, Paige teaching me pool is a lot of fun, especially as she keeps showing me how guys put their arms around girls from behind to do what I call copping a feel and she calls doing a booty rub. We laugh, a lot. We laugh so much that Paige’s mobile rings four times before we hear it, and she only just answers it before it goes to voice mail. “Hey, Ev! No, I wasn’t ignoring you--Violet and I were playing pool. She calls it snooker! Isn’t that such a great word?
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Thank you." "Whatever." "V, seriously—" "Make that fuck you." When there was no slappy comeback, he looked up. Shit. Butch was standing right in front of him, the cop's hazel eyes dark with a knowledge V wished the guy didn't have. V dropped his stare to his lighter. "Whatever, cop, they're just knives." The black tip of the dagger slid under V's chin and angled his head up. As he was forced to meet Butch's stare, V's body tensed. Then trembled. With the weapon linking them, Butch said, "They're beautiful.
J.R. Ward
Full Disclosure: when Dan DiDio approached me about doing one, I was wary to say the least. Nowadays events often mean character deaths or reboots or company-wide publishing initiatives and so on. But the run Greg Capullo and I had on BATMAN was, for better or for worse, idiosyncratic - about our own hopes, our fears, our interests. It was just... very much ours. Even so, I told Dan that I *did* have a story, one I'd been working on for a few years, a big one, in the back of my brain. It was about a detective case that stretched back to the beginnings of humanity, a mystery about the nature of the DC Universe that Batman would try to uncover, and which would lead him and the Justice League to discover that their own cosmology was much larger, scarier and more wondrous than they'd known. But I wasn't sure it would make a good "event". Dan, to his credit, said, "Work it up and let's see." So I did. But in the course of working it up, I reread all the events I could think of. Just for reference. Not only recent ones, but events from years ago, from when I was a kid. And what I discovered, or rediscovered, was that at their core, events are joyous things. They're these great big stories, ridiculous tales about alien invasions or cosmic gems or zombie-space-cop attacks that have the highest stakes possible - stories where the whole universe hangs in the balance and nothing will ever be the same again! They were *about* things, and - what I also realized while doing my homework - when I was a kid, they were THE stories that brought me and my friends together. We'd split our money and buy different parts of an event, just to be able to argue about it. We'd meet after school and go on for hours about who should win, who should lose... Because even the grimmest events are celebratory. They're about pushing the limits of an already ludicrous form to a breaking point. So that's what I came back with. I remember standing in my kitchen and getting ready to pitch DARK NIGHTS: METAL to Greg, having prepared a whole presentation, a whole argument as to why, crazy as it was, it was us, it was *our* event. I said "It's called METAL," and Greg said, "I'm in," before I could even tell him the story. And even though Dan thought it was crazy, he went with it, and for that I'm very grateful. In the end, METAL is a lot of things - it's about those moments when you find yourself face to face with the worst versions of yourself, moments when all looks like doom - but at it's heart it's a love letter to comic storytelling at its most lunatic, and a tribute to the kinds of stories, events that got me thought hard times as a kid and as an adult. It's about using friendship as a foundation to go further than you thought you could go, and that means it's about me and Greg, and you as well. Because we tried something different with it, something ours, hoping you'd show up, and you did. So thank you, sincerely, from all of us on the team. Because when they work, events are about coming together and rocking out over our love of this crazy art form. And you're all in the band, now and always.
Scott Snyder (Dark Nights: Metal)
Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Virgil thanked him, and as he was leaving, said, “I wouldn’t necessarily recommend you invite a cop inside, when you’ve been smoking dope.” “It’s medicinal,” Gates said. “Besides, does anybody really care anymore?
John Sandford (Escape Clause (Virgil Flowers, #9))
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))
me introduce you to Dr. Thomas Seyfried. Dr. Seyfried should be a household name. To the elite group of medical doctors who know his work, he is a rock star. To the many hundreds of patients who still walk this Earth today thanks to Dr. Seyfried’s work, he is a miracle worker. Dr. Seyfried is a professor of biology at Boston College, but when you listen to him talk, you might be reminded more of a street-smart, seasoned cop than an academic. He’s been studying metabolism, genetics, and cancer for more than forty years, and he has hundreds of publications to his name, plus a few books. He came to cancer research by a rather indirect route, having started out studying the genetics of epilepsy.
Cate Shanahan (Dark Calories: How Vegetable Oils Destroy Our Health and How We Can Get It Back)
He was just drifting off when he heard her soft whisper. "Cooper?" "Still here." Maybe she'd changed her mind about the sheet. The thought made his body twitch. Yeah, she was going to toss that damn thing aside and roll toward him. She'd wrap that hot little bod tight to his, and he'd --- "Thank you." Breanne said very quietly. He blinked. "Thank you? He slid his hand down to cup himself. Still hard. Nope, he hadn't missed anything...
Jill Shalvis (Get a Clue)
I deeply admire the president’s determination to defy the small, poll-driven politics of our day to tackle big things. However, the gap between the singular focus of the campaign and his varied and ambitious agenda afterward undoubtedly sapped some of his political strength, leaving Americans wondering if he was truly focused on their concerns. You can’t take politics entirely out of the process. I don’t speak with the president as much anymore. With the campaigns over, our once-frequent conversations have slowed to a trickle. I miss them. And when I hear the thundering hooves of the Washington pundits and pols on a stampede to run him down, I feel for him. Hell, I bleed for him. The brutal midterm election of 2014 was another painful rebuke. Yet I know this: There are people who are alive today because of the health coverage he made possible. There are soldiers home with their families instead of halfway across the world. There are hundreds of thousands of autoworkers on the assembly line who would have been idled but for him, and the overall economy is in better shape than it has been in years. There are folks who are getting improved deals from their banks and mortgage lenders thanks to new rules in place and a new cop on the beat. There are gay and lesbian Americans who are, for the first time, free to defend their country without having to lie about who they are. There are women who have greater legal recourse when they’re paid less than the man doing the exact same job alongside them. There are families who can afford to send their kids to college because there is more aid available. Oh, and yes . . . just as he predicted in my conference room back in those wonderful, heady days when we first considered an audacious run for the presidency, millions of kids in our country today can dream bigger dreams because Barack Obama has blazed the trail for them.
David Axelrod (Believer: My Forty Years in Politics)
No way, Nate. I can’t stop them. Maybe I can embarrass them from time to time, cost the City some money, but what they’re doing here is happening everywhere. We live in a police state and everybody supports the cops.” “So you’re the last line of defense?” “Yep.” “God help us.” “Indeed. Thanks for the scoop. I’ll be in touch.” “Don’t mention it.
John Grisham (Rogue Lawyer)
In fact, if you are in the middle of a heated discussion with someone and they ask, “Well, what do you think?” it is perfectly reasonable to tell them you don’t yet know what you think. Yes, this may frustrate some people. They may think you’re copping out. They may even accuse you of not knowing your own mind. But I have found that many times what I was going to say (but thankfully didn’t!) was not in the end what I wanted to express. Giving our thoughts time to settle and soak in Scripture is a wonderful habit that will keep us from answering too soon and looking foolish.
Karen Ehman (Keep It Shut: What to Say, How to Say It, and When to Say Nothing at All)
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
A.E. Via
Syn didn’t even think twice. He made his way to the end of the bar and lifted the top, coming behind the bar. The two girl bartenders looked at him in shock and Syn flashed his badge again. “Where’s Furious?” he asked, using his authoritative cop tone. “He left,” they said in unison, still looking at him strangely. “Damnit,” Syn hissed and raced out of the pub. He looked anxiously up and down the sidewalk and saw Furious sitting on the bench, head hanging low, waiting on the bus. Even though he had a hoodie pulled up and hanging low over his forehead ... Syn knew it was his ma– He’s not my damn man, he’s just a friend. Syn approached his new friend with all the confidence in the world but wasn’t prepared for the angry, haunted eyes that looked up at him when he slowly removed Furious’ hood. Syn sucked in a hard breath and blew it out slowly before finally deciding to speak. “Furious. Are you okay?” No answer. “Are you hurt?” Syn was really concerned. Furious looked detached, closed in on himself. “Bab–” Shit. “Furi,” Syn quickly corrected. “Please answer me. Look my place is right there.” Syn pointed in the direction of his building. “If you want you can come up and talk. I can take you home later.” It was a few long and very intense minutes that Furious didn’t move or say anything. “We’ll just talk, okay?” Syn tried again. Thanks a lot MARTA. Perfect timing. Just Syn’s luck that the bus pulled up to the curb and the air doors swung open. “Furious, I just want to talk.” “No thanks, Detective.” Furious' voice was so deep and angry, it’d felt like Furi had struck him. Syn swallowed a hard gulp.
A.E. Via
My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
Michael Connelly
A man is stumbling down the street with one foot on the curb and one foot in the gutter. A cop pulls up and says, “Mister, I’ve got to take you in. You’re clearly drunk.” The man asks, “Officer, are you absolutely sure I’m drunk?” “Yeah,” the cop says, “I’m sure. Let’s go.” Obviously relieved, the man says, “Thanks a million, officer. I thought I was a cripple.
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
crossed her arms and stared back at him. “I really don’t have to tell you anything.” “No, you really don’t.” He pointed to the cops and detectives. “But those guys you do. And I’d have a better story prepared than the bullshit you just tried to feed me.” Myers rose. “I need to attend to some things.” “I’m sure. Calling a really good lawyer should be first on the list.” She hurried from the room and disappeared down the hall to her office. On a hunch Puller went over to the bar where one of the waiters was sitting looking exhausted. He held up his set of keys and said, “Ms. Myers asked me to get something from her car, but she was so distraught she forgot to tell me what make and model.” The man said, “Oh, it’s the blue BMW 750. License plate says ‘Grunt.’ She parks it in the back lot.” “Thanks.
David Baldacci (No Man's Land (John Puller, #4))
Mike?” Sam asked. “I didn’t expect to see you.” “I decided not to call ahead, sir,” he said. “I thought—” Brie appeared from around the corner, standing behind her dad. “Mike?” she asked in equal surprise. He smiled. “You look good,” he said, relieved. “Great. You look great. I was saying I didn’t call ahead because I thought if I just came here, maybe I could lure you out of the house for a while. If I’d called, you’d think of a million excuses.” She actually took a step back. “I don’t know…” “How about Folsom,” he said. “Enjoy the mountains, walk around the shops, have a little lunch, maybe stop at a vineyard or two. Just a few hours, just for some fresh air and maybe a little practice at facing the public. You have to get out in the world eventually.” “Maybe not this soon…” “It’s only soon because you haven’t done it. You’ll be safe, Brie.” “Of course, but—” “Brie,” Sam said. “You should take advantage of this. Mike is a trained observer, a cop with years of experience. You couldn’t be in better hands.” Mike gave his head a slight bow in Sam’s direction, respectfully. “Thank you, sir. You’re welcome to join us.” He laughed. “No, I think I’ll pass. But this is a good idea. Brie,” he said, taking her hand and rubbing it between his, as if warming it, “you should go out for at least an hour, maybe two. Mike’s come all this way….” She looked at him pointedly. There might have been a glare in her eye. “You didn’t tell Jack you were doing this, did you.” It was not a question. “Of course not. He would have tried to talk me out of it. If you needed someone to pry you out of the house, he’d want to be the one to do it.” He grinned. “I couldn’t risk that.” She seemed to think about this momentarily. Finally she said, “I’d better change.” “Nah, you’re fine. Folsom isn’t any fancier than your shorts. Let’s just do it. You won’t be out longer than you’re comfortable.” “Dad…?” “This is a good idea, Brie. Go out for a while. Have lunch, a glass of wine. I’ll be right here when you get home.” Mike
Robyn Carr (Whispering Rock (Virgin River, #3))
Oh um, no thanks, I’ll pass on the schedule one narcotics.” Come on, Peck! You’ve been waiting for this moment your entire life and you answered like an undercover cop with Tourette’s?!
Josh Peck (Happy People Are Annoying)
I understand. We’ll be out of here in a few minutes, Officer. Thank you for your understanding.” “Have a nice evening,” the cop said, before walking out of their sight.
Nora Phoenix (No Shame: The Complete Series)
Jack held out the purse. “Here you go, ma’am.” “Oh, thank you.” Her bruised hand trembled as she took it. She zipped it open, checked that the pharmacy bag was still inside, then clutched it to her chest. “Thank you. Thank you, young man.” She reached out for Jack’s arm. Her frail hand, as light as a bird, patted him. “It was our pleasure, ma’am.” Jack nodded toward Chandler and the cop. She waved them closer, then reached out and squeezed Chandler’s hand too. “You boys are my heroes.” “We’re just happy to help, ma’am.” Chandler tipped his head to the woman, then to Denby, and he and Jack headed down the street.
Christopher Greyson (And Then She Was Gone (Jack Stratton, #0))
Dear Serial Killers, Please stop telling the cops that you wouldn’t hurt a fly, because all we can think of is the final scene in Hitchcock’s Psycho. Thanks
J.S. Wolfe
I caught the attention of the bartender. He was older than I’d thought. Maybe in his early seventies. But he looked good. Like an in-shape grandpa. I said, “Can I grab my bill?” He shook his head. “You don’t get a bill. Thank you for your service.” Holy cow, did I need to hear something like that about now. I laid a ten-dollar tip on the bar. I was a little choked up and couldn’t speak. That surprised me. The bartender said, “This too shall pass. That’s what they told me when I came back from Vietnam. No one gave a damn about me. I remember walking through East Harlem in my uniform and someone threw a tomato at me. Another woman called me a baby killer. But they all came around. It may have taken twenty-five years, but people finally understood that we were just doing our duty. You’ll see. The same attitude will come around about cops. In the meantime, stay safe.
James Patterson (Blindside (Michael Bennett #12))
I’m sure our newcomers appreciate hearing that being diagnosed with HIV is not all doom and gloom.” The leader’s gaze swept over all the others in the circle. “With an attitude like Duncan’s, great things will happen to you. Don’t let the disease define you. Make the disease work for you instead.” An hour later, the meeting was over. John had gotten the opportunity to introduce himself to the group, something he would have preferred to have skipped, but that wasn’t allowed. Everyone must participate in that part; only the question and answer session that followed was optional. He hadn’t mentioned that he used to be a cop, certainly not that he had been fired. He’d just said that he was a private eye and that he would be happy to be their spy if they needed one. “That wasn’t so bad now, was it?” Linda asked John when they were outside the room and in the hallway, where donuts and coffee and tea were served. Most of the participants milled around there, connecting with each other. John shrugged and grabbed a jelly donut. “I guess not.” The bespectacled leader named Robert came up to them then. He was on the short side and had an emaciated face with delicate features. He stuck out a bony hand toward John. John took it and gave it a firm shake. “John, it’s so nice to have you join us today,” Robert said with a broad smile that displayed big, graying teeth. Robert was HIV-positive as well, and in the chronic HIV stage. “Thank you for having me,” John said and returned the smile as best he could. “It’s been very…educational. I’m glad I came.” “Great,” Robert said, then his attention went to Linda. “Thanks for bringing your friend, Linda. And for coming again yourself.” “Oh, of course,” Linda said and smiled. Her hazel eyes glittered with warmth. “It’s a great group and you’re a great leader.” “Thank you. That’s so kind of you to say.” Robert tossed a glance over his shoulder, then leaned in toward John and Linda. “I just wanted to apologize for Doris.” “Apologize?” Linda repeated. “What did she do?” “Well, for starters, she’s not 33. She’s 64 and has been infected for thirty years. She’s also a former heroin addict and prostitute. She likes to pretend that she’s someone else entirely, and because we don’t want to upset her, we humor her. We pretend she’s being truthful when she talks about herself. I’d appreciate it if you help us keep her in the dark.” That last sentence had a tension to it that the rest of Robert’s words hadn’t had. It was almost like he’d warned them not to go against his will, or else. Not that it had been necessary to impress that on either John or Linda. John especially appreciated the revelation. Maybe having HIV was not as gruesome as Doris had made it seem then. Six Yvonne jerked awake when the phone rang. It rang and rang for several seconds before she realized where she was and what was going on. She pushed herself up on the bed and glanced around for the device. When she eventually spotted it on the floor beside the bed, it had stopped ringing. Even so, she rolled over on her side and fished it up to the bed. Crossing her legs Indian-style, she checked who had called her. It was Gabe, which was no surprise. He was the only one who had her latest burner number. He had left her a voicemail. She played it. “Mom, good news. I have the meds. Jane came through. Where do you want me to drop them off? Should I come to the motel? Call me.” Exhilaration streamed through her and she was suddenly wide awake. She made a fist in the air. Yes! Finally something was going their way. Now all they had to do was connect without Gabe leading the cops to her. She checked the time on the ancient clock radio on the nightstand. It was past six o’clock. So she must have slept
Julia Derek (Cuckoo Avenged (Cuckoo Series, #4))
After ordering, they’d sniffed around at each other at first, talking about the weather and state politics until their food arrived. She didn’t know what she thought of him yet. He was polite enough, more formal than she was used to, and had stood up when she came in. His big mustache hid his mouth and he had the dead-eyed cop look down cold. His hands were huge and reminded her of bear paws when he grasped them together on the table. Legerski seemed serious, if somehow forced, as if he were playacting at being vigilant and extremely sincere. He had a gruff low voice and a drawn-out, western way of speaking. Legerski chose his words carefully and seemed to want to use as few of them as possible. He didn’t wear a wedding ring. She’d said, “I understand you were married to the sister of our dispatcher, Edna.” He’d nodded, and said, “Love is grand, but divorce is a hundred grand.” It was the kind of thing men said to each other and generally didn’t say to women, she thought. But she gave him the benefit of the doubt and hoped he thought of her as serious, as well as a colleague. Since he was a state trooper and she was an investigator for an out-of-county sheriff’s department, the hierarchy was clear. But he didn’t act superior. “Thanks for meeting me this morning,” she said. “You bet,” he said, between mouthfuls of food. “But it’s kind of a busy time.
C.J. Box (The Highway (Highway Quartet #2))
Okay, okay.” Tohr backed over to the door. “But do yourself a favor. Cop to what’s going on with that female. An unacknowledged weakness is deadly.” Wrath growled and leaned into his attack pose, upper body jutting forward on his hips. “Weakness? This coming from a male who’s dumb enough to love his shellan? You gotta be kidding me.” There was a long silence. And then Tohr said softly, “I’m lucky to have found love. I thank the Scribe Virgin every day that Wellsie is in my life.” Wrath’s temper surged, set off by something he couldn’t put his finger on. “You’re pathetic.” Tohr hissed. “And you’ve been dead for hundreds of years. You’re just too mean to find a grave and lie down.” Wrath threw the leather jacket to the floor. “At least I’m not pussy-whipped.” “Nice. Fucking. Suit.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
first published on tumblr 27 Aug 2020 Biden and Harris are AMERICANS for AMERICANS and world peace. white power slave hole American rot blood lust sadistic arousal yet continues even with the survivor Mr Blake chained to a bed. Police racist garbage please stop getting your sadistic arousal at the expense of humanity your racist sadistic aroused pull to continue salivating over the capture cage slave hole of mr blake is very nauseating. you enjoy humiliating and debasing humanity because you want to control our lives our movement our vote. racist sadistic police forcing us to comply with sadistic misogyny because you cant have us and you do not control us You racist cops want to destroy humanity because mr.jacob blake reveals the emergency door. The emergency that the world is over your stupid racist bitches violence who want to use us for your sadistic fuck and its not wanted by humanity. dont want it. NO THANK YOU. YOU HAVE RACIST IDIOTS DEDICATED TO HUMILIATING AND DEBASING HUMANITY BECAUSE THEY CANT GET A LIFE OR THEY FEEL IT IS THEIR FUCKING DUTY IN LIFE TO PUT HUMANITY IN ITS PLACE WHAT PLACE IS THAT RACIST ZUNT BITCHES?????????? YOU RACIST ZUNTS COULDNT HAVE A FUCKING DAY IF YOU DIDNT FUCK ABOUT HUMANITY IN SOME FUCK. YOU ARE DISGUSTING IN YOUR USE OF HUMANITY FOR YOUR OWN PROFIT. YOU MAKE A NICE PROFIT OF OFF THE ABUSE HUMILIATION DEBASING DEHUMANIZATION YOU INFLICT ON US. STUPID FUCKING RACIST BITCHES FROM GOVERNMENT TO THE POLICE TO ANY FUCKING SOCIAL CONSTRUCT. AND HUMANITY IS OVER YOUR EVIL BITCH. GET A LIFE FIND IT GO SOMEWHERE OR NOT DO WHATEVER THE FUCK YOU WANT WITH YOUR LIFE AND STAY THE FUCK AWAY FROM FOLK WHO JUST WANT TO HAVE A DAY. sadistic murder aroused racists want to keep humanity in the slave hole because racist dont want humanity to advance any exchange out of the slave hole is based on the racists sadistic aroused need its always the stupid fucking racists or racist sadistic cops taking advantage of humanity theres never freedom never any conditions for freedom or power to choose or change. Well this is over. humanity has power stupid fucking sadistic cops and taxpayers are over this evil bitch of yours. GO get some processing racist cops on how you abuse of power with so much of your murder blood lust because you cant handle your own sex and sexuality and feelings you fight because you want humanity who does not want you and NEVER WILL!!!! go get processing racist cops. Find out why you cant handle your own explorations of your own sexuality and how you want to murder hurt humiliate humanity who reject you and your racism. how you are racists murdering cops who exist for those exchanges. Even the set up is a sadistic master turn on the whole fucking thing is nauseating and then the after clean the blood up after the scene routine the put the slave back in the slave hole is beyond silence it makes want to vomit and never stop vomiting. leave humanity alone. fuck off racist cop unions no you dont look powerful or witty or anything smart to the world AMERICA is a mockery to the world because of your stupid bitch moves. Americans are powerful and voting for real leaders that will eradicate this evil racism by finding real cops who just do their work to serve and to protect humanity and thats it!!!!!!!!!!!!!!!!!!!!! gwencalvo 8 27 20
Gwen Calvo
first published on tumblr 27 Aug 2020 Biden and Harris are AMERICANS for AMERICANS and world peace. white power slave hole American rot blood lust sadistic arousal yet continues even with the survivor Mr Blake chained to a bed. Police racist garbage please stop getting your sadistic arousal at the expense of humanity your racist sadistic aroused pull to continue salivating over the capture cage slave hole of mr blake is very nauseating. you enjoy humiliating and debasing humanity because you want to control our lives our movement our vote. racist sadistic police forcing us to comply with sadistic misogyny because you cant have us and you do not control us You racist cops want to destroy humanity because mr.jacob blake reveals the emergency door. The emergency that the world is over your stupid racist bitches violence who want to use us for your sadistic fuck and its not wanted by humanity. dont want it. NO THANK YOU. YOU HAVE RACIST IDIOTS DEDICATED TO HUMILIATING AND DEBASING HUMANITY BECAUSE THEY CANT GET A LIFE OR THEY FEEL IT IS THEIR FUCKING DUTY IN LIFE TO PUT HUMANITY IN ITS PLACE WHAT PLACE IS THAT RACIST ZUNT BITCHES?????????? YOU RACIST ZUNTS COULDNT HAVE A FUCKING DAY IF YOU DIDNT FUCK ABOUT HUMANITY IN SOME FUCK. YOU ARE DISGUSTING IN YOUR USE OF HUMANITY FOR YOUR OWN PROFIT. YOU MAKE A NICE PROFIT OF OFF THE ABUSE HUMILIATION DEBASING DEHUMANIZATION YOU INFLICT ON US. STUPID FUCKING RACIST BITCHES FROM GOVERNMENT TO THE POLICE TO ANY FUCKING SOCIAL CONSTRUCT. AND HUMANITY IS OVER YOUR EVIL BITCH. GET A LIFE FIND IT GO SOMEWHERE OR NOT DO WHATEVER THE FUCK YOU WANT WITH YOUR LIFE AND STAY THE FUCK AWAY FROM FOLK WHO JUST WANT TO HAVE A DAY. sadistic murder aroused racists want to keep humanity in the slave hole because racist dont want humanity to advance any exchange out of the slave hole is based on the racists sadistic aroused need its always the stupid fucking racists or racist sadistic cops taking advantage of humanity theres never freedom never any conditions for freedom or power to choose or change. Well this is over. humanity has power stupid fucking sadistic cops and taxpayers are over this evil bitch of yours. GO get some processing racist cops on how you abuse of power with so much of your murder blood lust because you cant handle your own sex and sexuality and feelings you fight because you want humanity who does not want you and NEVER WILL!!!! go get processing racist cops. Find out why you cant handle your own explorations of your own sexuality and how you want to murder hurt humiliate humanity who reject you and your racism. how you are racists murdering cops who exist for those exchanges. Even the set up is a sadistic master turn on the whole fucking thing is nauseating and then the after clean the blood up after the scene routine the put the slave back in the slave hole is beyond silence it makes want to vomit and never stop vomiting. leave humanity alone. fuck off racist cop unions no you dont look powerful or witty or anything smart to the world AMERICA is a mockery to the world because of your stupid bitch moves. Americans are powerful and voting for real leaders that will eradicate this evil racism by finding real cops who just do their work to serve and to protect humanity and thats it!!!!!!!!!!!!!!!!!!!!! gwencalvo 8 27 20
Gwen Calvo
But thanks, my man.” “One other thing.” “What.” “I think we’re dating now.” As V barked out a laugh, the cop shrugged. “Come on . . . I got you naked. You wore a damn corset. And don’t get me started about the sponge bath afterward.” “Fucker.” “To the end.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))