Copenhagen Quotes

We've searched our database for all the quotes and captions related to Copenhagen. Here they are! All 100 of them:

She was standing in the airport of Copenhagen, staring at a doorway, trying to figure out if it was (a) a bathroom and (b) what kind of bathroom it was. The door merely said H. Was she an H? Was H "hers"? It could just as easily be "his". Or "Helicopter Room: Not a Bathroom at All
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
The Copenhagen Interpretation is sometimes called "model agnosticism" and holds that any grid we use to organize our experience of the world is a model of the world and should not be confused with the world itself. Alfred Korzybski, the semanticist, tried to popularize this outside physics with the slogan, "The map is not the territory." Alan Watts, a talented exegete of Oriental philosophy, restated it more vividly as "The menu is not the meal.
Robert Anton Wilson (Cosmic Trigger: Die letzten Geheimnisse der Illuminaten oder An den Grenzen des erweiterten Bewusstseins)
Childhood is long and narrow like a coffin, and you can’t get out of it on your own.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
You must come to Copenhagen to work with us. We like people who can actually perform thought experiments!
Niels Bohr
You know the phrase I keep thinking about?" a poet asked, on a different panel, at a festival in Copenhagen. "The chickens are coming home to roost.' Because it's never good chickens. It's never 'You've been a good person and now your chickens are coming home to roost.' It's never good chickens. It's always bad chickens.
Emily St. John Mandel (Sea of Tranquility)
Meanwhile I am only twenty years old, and the days descend on me un-noticeably like dust, each one just like the rest.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Mathematics becomes very odd when you apply it to people. One plus one can add up to so many different sums
Michael Frayn (Copenhagen)
There had been no real coffee in Copenhagen since the beginning of the Nazi occupation. Not even any real tea. The mothers sipped at hot water flavored with herbs. “Annemarie,
Lois Lowry (Number the Stars)
childhood falls silently to the bottom of my memory, that library of the soul from which I will draw knowledge and experience for the rest of my life.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
Yes, all of this is sorrow. But leave a little love burning always like the small bulb in the room of a sleeping baby that gives him a bit of security and quiet love though he doesn’t know what the light is or where it comes from.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
That’s the worst thing about grownups, I think – they can never admit that just once in their lives they’ve acted wrongly or irresponsibly. They’re so quick to judge others, but they never hold Judgement Day for themselves.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
It bothers me a lot that I don’t seem to own any real feelings anymore, but always have to pretend that I do by copying other people’s reactions. It’s as if I’m only moved by things that come to me indirectly. I can cry when I see a picture in the newspaper of an unfortunate family that’s been evicted, but when I see the same ordinary sight in reality, it doesn’t touch me. I’m moved by poetry and lyrical prose, now as always – but the things that are described leave me completely cold. I don’t think very much of reality.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
The streets of Copenhagen are filled with people who oddly look not like Prince Hamlet and Ophelia, and that strikes the cord of bizarre sadness within your heart, and drives you into the weirdly unsettled state.
Della Swanholm
Food needs to be made with love. Everything tastes better when it’s made with love.
Julie Caplin (The Little Café in Copenhagen (Romantic Escapes, #1))
If I could choose one place to be right now - fuck Copenhagen and Cuba. I’d be at right beside you, wherever you are, smiling.
Darnell Lamont Walker (Creep)
Similar to observers in the Copenhagen interpretation, we only see the possibility we focus on. And that’s the key to locking that particular possibility into place as “reality.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
Wherever you turn, you run up against your childhood and hurt yourself because it’s sharp-edged and hard, and stops only when it has torn you completely apart. It seems that everyone has their own and each is totally different. My brother’s childhood is very noisy, for example, while mine is quiet and furtive and watchful. No one likes it and no one has any use for it.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
I always think there is a mystical understanding between the moon and the street, like between two sisters who have grown old together and no longer need any language to communicate with each other.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Time passed and my childhood grew thin and flat, paperlike. It was tired and threadbare, and in low moments it didn’t look like it would last until I was grown up.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
and I always dream about meeting some mysterious person who will listen to me and understand me. I know from books that such people exist, but you can't find any of them on my childhood street.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Incited. That was it, the guidingprinciple of her life in Copenhagen. She was incited to make an impression, a voluptous impression. She was incited to inflame attention and admiration. She was dressed for it, subtly schooled for it. And after a little while she gave herself up wholly to the fascinating business of being seen, gaped at, desired.
Nella Larsen (Quicksand)
Bohr: Heisenberg, I have to say - if people are to be measured strictly in terms of observable quantities... Heisenberg: Then we should need a strange new quantum ethics.
Michael Frayn (Copenhagen)
Being a teacher seemed to involve carting around an awful lot of stuff.
Julie Caplin (The Little Café in Copenhagen (Romantic Escapes, #1))
Some questions remain long after their owners have died. Lingering like ghosts. Looking for the answers they never found in life.
Michael Frayn (Copenhagen)
Childhood is dark and it’s always moaning like a little animal that’s locked in a cellar and forgotten. It comes out of your throat like your breath in the cold, and sometimes it’s too little, other times too big. It never fits exactly. It’s only when it has been cast off that you can look at it calmly and talk about it like an illness you’ve survived.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
The echo of a great love is like the echo of a huge dog’s barking in an empty Jerusalem house marked for demolition.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
And I want so badly to own my own time instead of always having to sell it.
Tove Ditlevsen (Childhood, Youth, Dependency (The Copenhagen Trilogy #1-3))
Two thousand million people in the world, and the one who has to decide their fate is is the only one who's always hidden from me.
Michael Frayn (Copenhagen)
Only my penis is still free and happy, no good for sword fights and no good for any work, or even for hanging things on, or for digging trenches. Praise be to God that it is so.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
The man had no more romance in his soul than a codfish.
Elizabeth Peters (The Copenhagen Connection)
She puts on a great front, a bit like you, but there’s something that isn’t right. She’s almost too happy. Too upbeat. Being positive to hide the truth.
Julie Caplin (The Little Café in Copenhagen (Romantic Escapes, #1))
Copenhagen interpretation Niels Bohr’s combination of instrumentalism, anthropocentrism and studied ambiguity, used to avoid understanding quantum theory as being about reality.
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
NAMBLA's infiltrated First Recon,' Person continues after bringing the vehicle to a stop. 'There's a guy in Third Platoon, hes going to be collecting photographs of all the children and sending them back to NAMBLA HQ. Back at Pendleton he volunteers at the daycare center. He goes around collecting all the turds from the five-year-olds and puts them into Copenhagen tins. Out there everyone thinks he's dipping, but it's not tobacco. It's dookie from five-year-olds.
Evan Wright (Generation Kill: Devil Dogs, Iceman, Captain America, and the New Face of American War)
Day one, the van broke down. It was so cold the accelerator cable froze, so when Tony [Iommi] put his foot down it snapped in half. Which meant we were stranded in the middle of f**king nowhere, halfway to Copenhagen. There was a blizzard outside, but Tony said it was my job – as the band’s ‘public representative’ – to go and find some help. So out I walked into this field, snow blowing into my face, two icicles of snot hanging out of my nose, until finally I saw the lights of a farmhouse up ahead. Then I fell into a trench. After finally pulling myself out of the f**king thing, I waded through the snow until I reached the front door, then knocked loudly. ‘Halløj?’ said the big, red-faced Eskimo bloke who opened the door. ‘Oh, thank f**k,’ I said. [...] ‘Halløj?’ I didn’t know any Danish, so I pointed towards the road, and said, ‘Van. El kaputski. Ya?'
Ozzy Osbourne (I Am Ozzy)
«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»
Sherry Thomas (Private Arrangements)
Both [Quine and Feyerabend] want to revise a version of positivism. Quine started with the Vienna Circle, and Feyerabend with the Copenhagen school of quantum mechanics. Both the Circle and the school have been called children of Ernst Mach; if so, the philosophies of Feyerabend and Quine must be his grandchildren.
Ian Hacking (Why Does Language Matter to Philosophy?)
Copenhagen is also the only city I’ve ever been in where office girls come out at lunchtime to sunbathe topless in the city parks. This alone earns it my vote for the European City of Culture for any year you care to mention.
Bill Bryson (Neither Here nor There: Travels in Europe)
So, Henrik, is the weather good for fishing?” Papa asked cheerfully, and listened briefly. Then he continued, “I’m sending Inge to you today with the children, and she will be bringing you a carton of cigarettes. “Yes, just one,” he said, after a moment. Annemarie couldn’t hear Uncle Henrik’s words. “But there are a lot of cigarettes available in Copenhagen now, if you know where to look,” he went on, “and so there will be others coming to you as well, I’m sure.” But it wasn’t true. Annemarie was quite certain it wasn’t true. Cigarettes were the thing that Papa missed, the way Mama missed coffee. He complained often—he had complained only yesterday—that there were no cigarettes in the stores.
Lois Lowry (Number the Stars)
On the sly, you observe the adults whose childhood lies inside them, torn and full of holes like a used and moth-eaten rug no one thinks about anymore or has any use for. You can’t tell by looking at them that they’ve had a childhood, and you don’t dare ask how they managed to make it through without their faces getting deeply scarred and marked by it. You suspect that they’ve used some secret shortcut and donned their adult form many years ahead of time. They did it one day when they were home alone and their childhood lay like three bands of iron around their heart, like Iron Hans in Grimms’ fairy tale, whose bands broke only when his master was freed. But if you don’t know such a shortcut, childhood must be endured and trudged through hour by hour, through an absolutely interminable number of years. Only death can free you from it, so you think a lot about death, and picture it as a white-robed, friendly angel who some night will kiss your eyelids so that they never will open again.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
A woman of Copenhagen, with whom I travelled from Odense to this city, and who gladly, according to her means, would have supported me, obtained, through one of her acquaintance, a language-master, who gratuitously gave me some German lessons,
Hans Christian Andersen (True Story of My Life)
Yes, and you’ve never been able to understand the suggestiveness of paradox and contradiction. That’s your problem. You live and breathe paradox and contradiction, but you can no more see the beauty of them than the fish can see the beauty of the water
Michael Frayn (Copenhagen)
But she didn’t say it, she sing it so we know that it’s you. And plenty in the ghetto, in Copenhagen City, in Rema, and for sure in the Eight Lanes sing it too. The two men who bring guns to the ghetto don’t know what to do since when music hit you can’t hit it back.
Marlon James (A Brief History of Seven Killings)
They were beautiful books, sometimes very thick, sometimes very thin, always typographically exhilarating, with their welter of title pages, subheads, epigraphs, emphatic italics, italicized catchwords taken from German philosophy and too subtle for translation, translator's prefaces and footnotes, and Kierkegaard's own endless footnotes, blanketing pages at a time as, crippled, agonized by distinctions, he scribbled on and on, heaping irony on irony, curse on curse, gnashing, sneering, praising Jehovah in the privacy of his empty home in Copenhagen.
John Updike
My love turns me like a salt sea, it seems, Into sweet drops of autumn’s first rain. I’m brought to you slowly as I fall. Take me in. For us there’s no angel who will come to redeem. For we are together. Each of us alone.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
Bohr Before we can lay our hands on anything, our life’s over. Heisenberg Before we can glimpse who or what we are, we’re gone and laid to dust. Bohr Settled among all the dust we raised. Margrethe And sooner or later there will come a time when all our children are laid to dust, and all our children’s children.
Michael Frayn (Copenhagen)
We have one set of obligations to the world in general, and we have other sets, never to be reconciled, to our fellow-country men, to our neighbors, to our friends, to our family to our children. We have to go through not two slits at the same time but twenty-two. All we can do is to look afterwards, and see what happened.
Michael Frayn (Copenhagen)
In 1967, the second resolution to the cat problem was formulated by Nobel laureate Eugene Wigner, whose work was pivotal in laying the foundation of quantum mechanics and also building the atomic bomb. He said that only a conscious person can make an observation that collapses the wave function. But who is to say that this person exists? You cannot separate the observer from the observed, so maybe this person is also dead and alive. In other words, there has to be a new wave function that includes both the cat and the observer. To make sure that the observer is alive, you need a second observer to watch the first observer. This second observer is called “Wigner’s friend,” and is necessary to watch the first observer so that all waves collapse. But how do we know that the second observer is alive? The second observer has to be included in a still-larger wave function to make sure he is alive, but this can be continued indefinitely. Since you need an infinite number of “friends” to collapse the previous wave function to make sure they are alive, you need some form of “cosmic consciousness,” or God. Wigner concluded: “It was not possible to formulate the laws (of quantum theory) in a fully consistent way without reference to consciousness.” Toward the end of his life, he even became interested in the Vedanta philosophy of Hinduism. In this approach, God or some eternal consciousness watches over all of us, collapsing our wave functions so that we can say we are alive. This interpretation yields the same physical results as the Copenhagen interpretation, so this theory cannot be disproven. But the implication is that consciousness is the fundamental entity in the universe, more fundamental than atoms. The material world may come and go, but consciousness remains as the defining element, which means that consciousness, in some sense, creates reality. The very existence of the atoms we see around us is based on our ability to see and touch them.
Michio Kaku (The Future of the Mind: The Scientific Quest To Understand, Enhance and Empower the Mind)
Defective is an adjective that has long been deemed too freighted for liberal discourse, but the medical terms that have supplanted it—illness, syndrome, condition—can be almost equally pejorative in their discreet way. We often use illness to disparage a way of being, and identity to validate that same way of being. This is a false dichotomy. In physics, the Copenhagen interpretation defines energy/matter as behaving sometimes like a wave and sometimes like a particle, which suggests that it is both, and posits that it is our human limitation to be unable to see both at the same time. The Nobel Prize–winning physicist Paul Dirac identified how light appears to be a particle if we ask a particle-like question, and a wave if we ask a wavelike question. A similar duality obtains in this matter of self. Many conditions are both illness and identity, but we can see one only when we obscure the other. Identity politics refutes the idea of illness, while medicine shortchanges identity. Both are diminished by this narrowness. Physicists gain certain insights from understanding energy as a wave, and other insights from understanding it as a particle, and use quantum mechanics to reconcile the information they have gleaned. Similarly, we have to examine illness and identity, understand that observation will usually happen in one domain or the other, and come up with a syncretic mechanics. We need a vocabulary in which the two concepts are not opposites, but compatible aspects of a condition. The problem is to change how we assess the value of individuals and of lives, to reach for a more ecumenical take on healthy. Ludwig Wittgenstein said, ―All I know is what I have words for.‖ The absence of words is the absence of intimacy; these experiences are starved for language.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
But that one single soul was emperor of the universe, no less than each of us.
Michael Frayn (Copenhagen)
Nadja, who is always hunting for a man, but always the wrong one, is trying to get together with Ebbe’s brother Karsten, who she would fit like a ring in his nose.
Tove Ditlevsen (The Copenhagen Trilogy: Childhood – Youth – Dependency)
Lili chiuse gli occhi (li sentiva così pesanti sotto lo strato di cipria!) e pensò a Copenhagen come a una città dove lei e Einar potevano vivere entrambi come una stessa persona.
David Ebershoff (The Danish Girl)
1943 Bohr was tipped off by the Swedish ambassador in Copenhagen that he faced immediate arrest as part of the plan to deport all of Denmark’s Jews.
Leonard Mlodinow (The Upright Thinkers: The Human Journey from Living in Trees to Understanding the Cosmos)
The advantage of this interpretation is that we can drop condition number three, the collapse of the wave function. Wave functions never collapse, they just continue to evolve, forever splitting into other wave functions, in a never-ending tree, with each branch representing an entire universe. The great advantage of the many worlds theory is that it is simpler than the Copenhagen interpretation: it requires no collapse of the wave function. The price we pay is that now we have universes that continually split into millions of branches.
Michio Kaku (Parallel Worlds: A Journey through Creation, Higher Dimensions, and the Future of the Cosmos)
Andersen himself believed that many of his finest stories were written after travels to Rome, Naples, Constantinople, and Athens in 1841. He returned to Copenhagen reinvigorated by the encounter with the 'Orient' and began inventing his own tales rather than relying on the folklore of his culture. Andersen believed that he had finally found his true voice, and 'The Snow Queen,' even if it does not mark a clean break with the earlier fairy tales, offers evidence of a more reflective style committed to forging new mythologies rather than producing lighthearted entertainments.
Maria Tatar
The gunshots awakened Mr. Ullman, a banker by trade and a recent arrival from Copenhagen, who looked out the bedroom window just in time to see a tremendous bull galloping across his yard with a thrashing young American impaled on its rack. Mr. Ullman quickly telephoned the police and informed them, as urgently as his newly-acquired English would allow, that an 'unlucky cowboy is being perforated seriously.
Carl Hiaasen (Stormy Weather (Skink #3))
Nonetheless, the appeal of Copenhagen makes some sense, seen in this light. Quantum physics drove much of the technological and scientific progress of the past ninety years: nuclear power, modern computers, the Internet. Quantum-driven medical imaging changed the face of health care; quantum imaging techniques at smaller scales have revolutionized biology and kicked off the entirely new field of molecular genetics. The list goes on. Make some kind of personal peace with Copenhagen, and contribute to this amazing revolution in science . . . or take quantum physics seriously, and come face-to-face with a problem that even Einstein couldn't solve. Shutting up never looked so good.
Adam Becker (What Is Real?: The Unfinished Quest for the Meaning of Quantum Physics)
Jokin ahdistaa rintaani kun kiipeän portaita ylös. Ihmiselämän nurja puoli ammottaa entistä avoimempana minua vasten, ja sitä on entistä vaikeampi kattaa niillä kirjoittamattomilla, vapisevilla sanoilla joita sydämeni aina kuiskaa.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
Before it became popular to be “green,” drive an electric car, or greenwash, I traveled across the European continent, from Graz and Berlin to Copenhagen and Brussels, pushing for a “Green New Deal” for Europe. The idea was ahead of its time.
Pamela Anderson (Love, Pamela: A Memoir)
An extensive expansion of the opportunities to bicycle in New York began in 2007. Photos show 9th Avenue in Manhattan in April and November 2008 with the new “Copenhagen-style” bicycle path designed so that parked cars protect bicycle traffic.
Jan Gehl (Cities for People)
Someday I’ll write down all of the words that flow through me. Someday other people will read them in a book and marvel that a girl could be a poet, after all . . . I want so badly to write down the words, but where in the world would I hide such papers?
Tove Ditlevsen
My classmates find me unceasingly, overwhelmingly comical, and I've gotten used to the clown role and even find a sad comfort in it, because together with my confirmed stupidity, it protects me against their peculiar meanness toward anyone who is different.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Witnessing at first-hand the failure of the Copenhagen Climate Conference and wondering what went wrong, Andrew Charlton realised the truth of a colleague’s words: “The world is split between those who want to save the planet and those who want to save themselves.
Andrew Charlton (Man-Made World: Choosing Between Progress and Planet (Quarterly Essay #44))
The bishop has pushed himself to the limits of his reputation to avoid any connection to the distasteful funeral going on across the way. Yet he knows, along with all of Copenhagen, that the events below are all anyone is talking about. They will be in all the papers tomorrow, and the next day, and the next. It is of paramount importance that these papers record that the newly minted Bishop of all Denmark, Hans L. Martensen, shepherd to the nation, was not present at the burial of his former student, now the scourge of all Christendom, Søren Kierkegaard.
Stephen Backhouse (Kierkegaard: A Single Life)
The two men who bring guns to the ghetto watch you sing yourself out of their hands and they not happy at all. Nobody uptown singing thanks and praises for you. Not the man who bring guns to the Eight Lanes, still run by Shotta Sherrif. That man know him party going up for re-election and they need to win, to stay in power, to bring power to the people, all comrades and socialists. Not the Syrian who bring guns to Copenhagen City and who want to win the election so bad that he will move God himself if God in the seat. The American who come with guns know that whoever win Kingston win Jamaica and whoever win West Kingston win Kingston, before any man in the ghetto tell him.
Marlon James (A Brief History of Seven Killings)
Kierkegaard, in 'Either/Or,' makes fun of the 'busy man' for whom busyness is a way of avoiding an honest self-reckoning. You might wake up in the middle of the night and realize that you're lonely in your marriage, or that you need to think about what your level of consumption is doing to the planet, but the next day you have a million little things to do, and the day after that you have another million things. As long as there's no end of little things, you never have to stop and confront the bigger questions. Writing or reading an essay isn't the only way to stop and ask yourself who you really are and what your life might mean, but it is one good way. And if you consider how laughably unbusy Kierkegaard's Copenhagen was, compared with our own age, those subjective tweets and hasty blog posts don't seem so essayistic. They seem more like means of avoiding what a real essay might force on us. We spend our days reading, on screens, stuff we'd never bother reading in a printed book, and bitch about how busy we are.
Jonathan Franzen (The End of the End of the Earth: Essays)
the German ambassador in Copenhagen had a bright idea. He suggested to the Foreign Ministry that the best way to use the Russian Revolution to take Russia completely out of the war was to encourage its political extremists, especially those in exile, to return and spread chaos in their home country. The man at the head of everyone’s list was Lenin.
Arthur Herman (1917: Lenin, Wilson, and the Birth of the New World Disorder)
Childhood is dark and it's always moaning like a little animal that's locked in a cellar and forgotten. It comes out of your throat like your breath in the cold, and sometimes it's too little, other times too big. It never fits exactly. It's only when it has been cast off that you can look at it calmly and talk about it like an illness you've survived.
Tove Ditlevsen (Childhood, Book One of the Copenhagen Trilogy)
Writing! There's nothing like it! Well, you would know! You sit down in a corner. By yourself. With a sheet of paper and an old ballpoint. And out it comes! While the world, and all the steps in it, can go hang! Of course, it's often rubbish. Tedious, boring, over the top. But then you hit your stride for a few yards, and you feel wonderful! You find a phrase that exactly expresses what you want to say about something. You read it back to yourself again and again. It feels good. You read it again the next day; it still feels good.
David Burke (The Copenhagen Papers)
A gyerekkor hosszú és szűk, mint egy koporsó, és egyedül nem lehet kijutni belőle.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
Ohne, dass ich es weiß sinkt meine Kindheit leise auf den Grund der Erinnerung. Diese Seelenbibliothek aus der ich bis an mein Lebensende wissen und Erfahrungen schöpfen werde
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
The man had no more romance in his soul than a codfish
Elizabeth Peters (The Copenhagen Connection)
Childhood is long and narrow like a coffin, and you can't get out of it on your own.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Then with some amazing wisdom that sprang from who knew where, I said, ‘The great thing about mistakes is you can put them right.
Julie Caplin (The Little Café in Copenhagen (Romantic Escapes, #1))
Eine Hure ist eine Dame, die es für Geld macht, was mir viel mehr einleuchtet, als es umsonst zu machen.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
Mpelelezi wa Tume ya Dunia kutoka Israeli Daniel Yehuda Ben-Asher Ebenezer, Mhebrania aliyeishi Givat Ram, Jerusalem, na mke wake mrembo Hadara na mtoto wake mzuri Navah Ebenezer, alikuwa Ukanda wa Gaza siku alipopigiwa simu na Kiongozi wa Kanda ya Asia-Australia ya Tume ya Dunia U Nanda – kutoka Copenhagen kuhusiana na wito wa haraka wa kuonana na Rais wa Tume ya Dunia. Yehuda aliondoka usiku kwenda Yangon, Myama, ambapo alionana na U Nanda na kupewa maelekezo yote ya kikazi aliyotakiwa kuyafuata. Mbali na maelekezo yote ya kikazi aliyotakiwa kuyafuata, Nanda alimkabidhi Yehuda kachero wa Kolonia Santita Mandi Dickson Santana (bila kujua kama Mandi ni kachero wa Kolonia Santita) ili amsindikize mpaka stendi ya mabasi ya Maubin, nje ya Yangon. Baada ya hapo Yehuda alisafiri mpaka Copenhagen ambapo yeye na wenzake walikabidhiwa Operation Devil Cross, ya kung’oa mizizi ya Kolonia Santita duniani kote. Yehuda alifanya kosa kubwa kuonana na kachero wa Kolonia Santita Mandi Santana! Kwa sababu hiyo, sauti na picha ya Yehuda vilichukuliwa, watu wengi walikufa katika miji ya Copenhagen na Mexico City.
Enock Maregesi
Imagine a cat, a vial of poison, and a radioactive source in a sealed box. If an internal sensor registers radioactivity, like an atom decaying, the vial is broken, releasing a poison that kills the cat. The atom has an equal chance of decaying or not decaying. It’s an ingenious way of linking an outcome in the classical world, our world, to a quantum-level event. The Copenhagen interpretation of quantum mechanics suggests a crazy thing: before the box is opened, before observation occurs, the atom exists in superposition—an undetermined state of both decaying and not decaying. Which means, in turn, that the cat is both alive and dead. And only when the box is opened, and an observation made, does the wave function collapse into one of two states. In other words, we only see one of the possible outcomes. For instance, a dead cat. And that becomes our reality. But then things get really weird. Is there another world, just as real as the one we know, where we opened the box and found a purring, living cat instead? The Many-Worlds interpretation of quantum mechanics says yes. That when we open the box, there’s a branch. One universe where we discover a dead cat. One where we discover a live one. And it’s the act of our observing the cat that kills it—or lets it live. And then it gets mind-fuckingly weird. Because those kinds of observations happen all the time. So if the world really splits whenever something is observed, that means there’s an unimaginably massive, infinite number of universes—a multiverse—where everything that can happen will happen.
Blake Crouch (Dark Matter)
Nu vallen de laatste resten van mij af als schilfers van een door de zon verbrande huid en eronder komt een ongepaste, onmogelijke volwassene tevoorschijn. Ik lees in mijn poesiealbum terwijl de nacht langs het raam wandelt en zonder dat het doorheb, glijdt mijn kindertijd stilletjes naar de bodem van mijn herinneringen, die bibliotheek van het gemoed, waaruit ik voor de rest van mijn hele bestaan kennis en ervaring zal opdiepen.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
EARLY ONE DARK April morning a few years ago I was sitting in my living room in central Copenhagen, wrapped in a blanket and yearning for spring, when I opened that day’s newspaper to discover that my adopted countrymen had been anointed the happiest of their species in something called the Satisfaction with Life Index, compiled by the Department of Psychology at the University of Leicester. I checked the date on the newspaper: it wasn’t 1 April.
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
Bjørnskov, an expert in the fields of social trust, subjective well-being, and life satisfaction, told me about some other, highly revealing experiments that had been carried out in the field. “Back in the nineties there was an experiment done [in 1996, by Reader’s Digest] where wallets were left around in various cities and they counted how many were returned. And the cool thing is that in the places where more people say they can trust others, the more wallets were returned. I think they did an experiment with about forty wallets and the only two countries where all forty were returned were Norway and Denmark. I thought it was too good to be true, but TV2 [a Danish TV channel] did the same experiment again four years ago in Copenhagen Central Station, and they literally could not even leave the wallets—people would instantly pick them up and come running after them, so they had to give up!
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
In the Middle of This Century” In the middle of this century we turned to each other With half faces and full eyes like an ancient Egyptian picture And for a short while. I stroked your hair In the opposite direction to your journey, We called to each other, Like calling out the names of towns Where nobody stops Along the route. Lovely is the world rising early to evil, Lovely is the world falling asleep to sin and pity, In the mingling of ourselves, you and I, Lovely is the world. The earth drinks men and their loves Like wine, To forget. It can’t. And like the contours of the Judean hills, We shall never find peace. In the middle of this century we turned to each other, I saw your body, throwing shade, waiting for me, The leather straps for a long journey Already tightening across my chest. I spoke in praise of your mortal hips, You spoke in praise of my passing face, I stroked your hair in the direction of your journey, I touched your flesh, prophet of your end, I touched your hand which has never slept, I touched your mouth which may yet sing. Dust from the desert covered the table At which we did not eat But with my finger I wrote on it The letters of your name.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy, 2))
...apám elismerően mondja, hogy "a Victor Hugó nagyon jó író", fontoskodva kioktatom: Apa rosszul mondja a nevét. Ügónak ejtik. Leszarom, hogy ejtik, mondja apám rezzenéstelenül. Minden nevet úgy kell ejteni, ahogy le van írva. A többi csak felvágás.
Tove Ditlevsen (Childhood (The Copenhagen Trilogy #1))
On September 11, it was government that failed. Law enforcement agencies didn't detect the plot. The FBI had reports that said young men on the terrorist watch list were going from flight school to flight school, trying to find an instructor who would teach them how to fly a commercial jet. But the FBI never acted on it. The INS let the hijackers in. Three of them had expired visas. Months after the attack, the government issued visas to two dead hijackers. The solution to such government incompetence is to give the government more power? Congress could have done what Amsterdam, Belfast, Brussels, Copenhagen, Frankfurt, Hamburg, London, Paris, and Rome did: set tough standards and let private companies compete to meet them. Many of those cities switched to private companies because they realized government-run security wasn't working very well. Private-sector competition keeps the screeners alert because the airport can fire them. No one can fire the government; that's a reason government agencies gradually deteriorate. There's no competition.
John Stossel (Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media...)
The silent steps of lovers walking hand-in-hand on Danish, impossible-to-pronounce streets resound through me. Their voices drone through the night in strange volumes under those little planted trees and pass like the incomprehensible gibberish of a forgotten dream.
Bruce Crown (The Romantic and The Vile)
Veronica, after discovering that most women in prison in developing countries are incarcerated for poverty-related crimes, established the Copenhagen-based fashion label Carcel—which enables women in prison to turn wasted time into skills and paid jobs so they can support themselves, send their children to school, and save up for a new, crime-free beginning, in the hope, ultimately, of breaking the cycle of poverty and crime. Each product carries the name of the woman who made it and is manufactured inside women’s prisons that pay fair wages to the women to help them support themselves and their children.
Meik Wiking (The Little Book of Lykke: Secrets of the World's Happiest People (The Happiness Institute Series))
Kwa sababu za kijiografia, Copenhagen iko mbele kwa masaa 9 (PST) kuilinganisha na Tijuana (kaskazini-magharibi mwa Meksiko) na masaa 7 (CST) kuilinganisha na Salina Cruz (kusini-magharibi mwa Meksiko). Mauaji ya Meksiko yametokea saa 4 usiku wa Jumanne, Copenhagen ikiwa saa 1 asubuhi Jumatano CET. Saa 5 usiku wa Jumanne, El Tigre anahamishwa (na ndege binafsi) kutoka katika milima ya Tijuana (alikokuwa amejificha) mpaka katika jumba la kifahari la Eduardo Chapa de Christopher (Mkurugenzi wa Usafirishaji wa Kolonia Santita) nje ya Salina Cruz – ambako Chui anafika saa 10 alfajiri na kuendesha kikao cha dharura cha Bodi ya Wakurugenzi ya Kolonia Santita.
Enock Maregesi (Kolonia Santita)
My son, again you worry me. From time to time you worry me, so regularly it should calm me. I remember once, when you were little, we saw a fire together in a big hotel. The flames and the water and the smoke, the wailing and the shouting and the madly flashing lights, all these saved me from lots of talk on what life is. And we stood in silence. I ask myself where my father hid his fear, perhaps in a closed closet or some other place beyond the reach of children, perhaps deep in his heart. But now again you worry me. I’m always looking for you, this time among the mists of the Upper Galilee. I am a mist father. And the child is no more, for he is already grown.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
I am Emir Dynamite!" he shouted, swaying on top of the tall camelback. "If within two days we don't get any decent food, I'll incite the tribes to revolt! I swear! I will appoint myself the Prophet's representative and declare holy war, jihad. On Denmark, for example. Why did the Danes torment their Prince Hamlet? Considering the current political situation, a casus beli like this would satisfy even the League of Nations. No, seriously, I'll buy a million worth of rifles from the British--they love to sell firearms to the tribes--and onward to Denmark. Germany will let us through--in lieu of war reparations. Imagine the tribes invading Copenhagen! I'll lead the charge on a white camel.
Ilya Ilf (Золотой теленок)
According to the Copenhagen Interpretation, when an electron is ejected from an electron ‘gun’ on one side of the experiment it leaves as a particle, and can be detected as a particle. But it immediately dissolves into a probability wave, which travels through both of the holes and interferes with itself to make a pattern of probability on the other side of the holes. At the detector screen, the electron can appear as a particle at any point allowed by the probabilities, but with some places more likely than others, and, crucially, some locations being absolutely forbidden. There is a ‘collapse of the wave function’ at the point where the electron is observed, or measured. It arrives as a particle.
John Gribbin (Erwin Schrödinger and the Quantum Revolution)
It was about this same time that Oppenheimer met the great Danish physicist Niels Bohr, whose lectures he had attended at Harvard. Here was a role model finely attuned to Robert’s sensibilities. Nineteen years older than Oppenheimer, Bohr was born—like Oppenheimer—into an upper-class family surrounded by books, music and learning. Bohr’s father was a professor of physiology, and his mother came from a Jewish banking family. Bohr obtained his doctorate in physics at the University of Copenhagen in 1911. Two years later, he achieved the key theoretical breakthrough in early quantum mechanics by postulating “quantum jumps” in the orbital momentum of an electron around the nucleus of an atom. In 1922, he won the Nobel Prize for this theoretical model of atomic structure.
Kai Bird (American Prometheus)
Einstein’s own remarks, given on the last day of the conference, show that the uncertainty principle was not the only aspect of quantum mechanics that concerned him. He was also bothered—and later would become even more so—by the way quantum mechanics seemed to permit action at a distance. In other words, something that happened to one object could, according to the Copenhagen interpretation, instantly determine how an object located somewhere else would be observed. Particles separated in space are, according to relativity theory, independent. If an action involving one can immediately affect another some distance away, Einstein noted, “in my opinion it contradicts the relativity postulate.” No force, including gravity, can propagate faster than the speed of light, he insisted.
Walter Isaacson (Einstein: His Life and Universe)
A Tourist On a great rock by the Jaffa Gate sat a golden girl from Scandinavia and oiled herself with suntan oil as if on the beach. I told her, don’t go into these alleys, a net of bachelors in heat is spread there, a snare of lechers. And further inside, in half-darkness, the groaning trousers of old men, and unholy lust in the guise of prayer and grief and seductive chatter in many languages. Once Hebrew was God’s slang in these streets, now I use it for holy desire.
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
Slowly, numbed, I walk through the city's spring, the others' spring, the others' joyous transformation, the others' happiness. I'll never be famous, my poems are worthless. I'll marry a stable skilled worker who doesn't drink, or get a steady job with a pension. After that deadly disappointment, a long time passes before I write in my poetry album again. Even though no one else cares for my poems, I have to write them because it dulls the sorrow and longing in my heart.
Tove Ditlevsen (The Copenhagen Trilogy (The Copenhagen Trilogy, #1-3))
Like high mountain climbers who set up a base in the valley at the foot of the mountains and another camp and camp number two and camp number three at various heights on the road to the peak, and in every camp they leave food and provisions and equipment to make their last climb easier and to collect on their way back everything that might help them as they descend, so I leave my childhood and my youth and my adult years in various camps with a flag on every camp. I know I shall never return, but to get to the peak with no weight, light, light!
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy Book 2))
Bohr is really doing what the Stoic allegorists did to close the gap between their world and Homer's, or what St. Augustine did when he explained, against the evidence, the concord of the canonical scriptures. The dissonances as well as the harmonies have to be made concordant by means of some ultimate complementarity. Later biblical scholarship has sought different explanations, and more sophisticated concords; but the motive is the same, however the methods may differ. An epoch, as Einstein remarked, is the instruments of its research. Stoic physics, biblical typology, Copenhagen quantum theory, are all different, but all use concord-fictions and assert complementarities. Such fictions meet a need. They seem to do what Bacon said poetry could: 'give some show of satisfaction to the mind, wherein the nature of things doth seem to deny it.' Literary fictions ( Bacon's 'poetry') do likewise. One consequence is that they change, for the same reason that patristic allegory is not the same thing, though it may be essentially the same kind of thing, as the physicists' Principle of Complementarity. The show of satisfaction will only serve when there seems to be a degree of real compliance with reality as we, from time to time, imagine it. Thus we might imagine a constant value for the irreconcileable observations of the reason and the imagination, the one immersed in chronos, the other in kairos; but the proportions vary indeterminably. Or, when we find 'what will suffice,' the element of what I have called the paradigmatic will vary. We measure and order time with our fictions; but time seems, in reality, to be ever more diverse and less and less subject to any uniform system of measurement. Thus we think of the past in very different timescales, according to what we are doing; the time of the art-historian is different from that of the geologist, that of the football coach from the anthropologist's. There is a time of clocks, a time of radioactive carbon, a time even of linguistic change, as in lexicostatics. None of these is the same as the 'structural' or 'family' time of sociology. George Kubler in his book The Shape of Time distinguished between 'absolute' and 'systematic' age, a hierarchy of durations from that of the coral reef to that of the solar year. Our ways of filling the interval between the tick and tock must grow more difficult and more selfcritical, as well as more various; the need we continue to feel is a need of concord, and we supply it by increasingly varied concord-fictions. They change as the reality from which we, in the middest, seek a show of satisfaction, changes; because 'times change.' The fictions by which we seek to find 'what will suffice' change also. They change because we no longer live in a world with an historical tick which will certainly be consummated by a definitive tock. And among all the other changing fictions, literary fictions take their place. They find out about the changing world on our behalf; they arrange our complementarities. They do this, for some of us, perhaps better than history, perhaps better than theology, largely because they are consciously false; but the way to understand their development is to see how they are related to those other fictional systems. It is not that we are connoisseurs of chaos, but that we are surrounded by it, and equipped for coexistence with it only by our fictive powers. This may, in the absence of a supreme fiction-or the possibility of it, be a hard fate; which is why the poet of that fiction is compelled to say From this the poem springs: that we live in a place That is not our own, and much more, nor ourselves And hard it is, in spite of blazoned days.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.
Edward Frederick Knight (The Falcon on the Baltic: A Coasting Voyage from Hammersmith to Copenhagen in a Three-Ton Yacht)
On his journey home from delivering his acceptance speech in Sweden the following summer, Einstein stopped in Copenhagen to see Bohr, who met him at the train station to take him home by streetcar. On the ride, they got into a debate. “We took the streetcar and talked so animatedly that we went much too far,” Bohr recalled. “We got off and traveled back, but again rode too far.” Neither seemed to mind, for the conversation was so engrossing. “We rode to and fro,” according to Bohr, “and I can well imagine what the people thought about us.”43 More than just a friendship, their relationship became an intellectual entanglement that began with divergent views about quantum mechanics but then expanded into related issues of science, knowledge, and philosophy. “In all the history of human thought, there is no greater dialogue than that which took place over the years between Niels Bohr and Albert Einstein about the meaning of the quantum,” says the physicist John Wheeler, who studied under Bohr. The social philosopher C. P. Snow went further. “No more profound intellectual debate has ever been conducted,” he proclaimed.44 Their dispute went to the fundamental heart of the design of the cosmos: Was there an objective reality that existed whether or not we could ever observe it? Were there laws that restored strict causality to phenomena that seemed inherently random? Was everything in the universe predetermined?
Walter Isaacson (Einstein: His Life and Universe)
Kamishna … karibu," alisema Nafi huku akisimama na kutupa gazeti mezani na kuchukua karatasi ya faksi, iliyotumwa. "Ahsante. Kuna nini …" "Kamishna, imekuja faksi kutoka Oslo kama nilivyokueleza – katika simu. Inakutaka haraka, kesho, lazima kesho, kuwahi kikao Alhamisi mjini Copenhagen," alisema Nafi huku akimpa kamishna karatasi ya faksi. "Mjini Copenhagen!" alisema kamishna kwa kutoamini. "Ndiyo, kamishna … Sidhani kama kuna jambo la hatari lakini." "Nafi, nini kimetokea!" "Kamishna … sijui. Kwa kweli sijui. Ilipofika, hii faksi, kitu cha kwanza niliongea na watu wa WIS kupata uthibitisho wao. Nao hawajui. Huenda ni mauaji ya jana ya Meksiko. Hii ni siri kubwa ya tume kamishna, na ndiyo maana Oslo wakaingilia kati." "Ndiyo. Kila mtu ameyasikia mauaji ya Meksiko. Ni mabaya. Kinachonishangaza ni kwamba, jana niliongea na makamu … kuhusu mabadiliko ya katiba ya WODEA. Hakunambia chochote kuhusu mkutano wa kesho!" "Kamishna, nakusihi kuwa makini. Dalili zinaonyesha hali si nzuri hata kidogo. Hawa ni wadhalimu tu … wa madawa ya kulevya." "Vyema!" alijibu kamishna kwa jeuri na hasira. Halafu akaendelea, "Kuna cha ziada?" "Ijumaa, kama tulivyoongea wiki iliyopita, nasafiri kwenda Afrika Kusini." "Kikao kinafanyika Alhamisi, Nafi, huwezi kusafiri Ijumaa …" "Binti yangu atafukuzwa shule, kam …" "Nafi, ongea na chuo … wambie umepata dharura utaondoka Jumatatu; utawaona Jumanne … Fuata maadili ya kazi tafadhali. Safari yako si muhimu hivyo kulinganisha na tume!" "Sawa! Profesa. Niwie radhi, nimekuelewa, samahani sana. Samahani sana.
Enock Maregesi (Kolonia Santita)
I know of no actor who is so pure onstage that he thinks only what his character thinks. If he did, he would presumably become the character: a form of madness. This may be of course what happens to Hamlet--he puts on an antic disposition, and gets stuck with it. [...] Acting is mostly a twin-track mental activity. In one track runs the role, requiring thoughts ranging from, say, gentle amusement to towering rage. Then there is the second track, which monitors the performance: executing the right moves, body language, and voice level; taking note of audience reaction and keeping an eye on fellow actors; coping with emergencies such as a missing prop or a faulty lighting cue. These two tracks run parallel, night by night. If one should go wrong, then it is likely that the other will misbehave too. [...] But there is a third and wholly subversive track that intrudes itself at intervals, full of phantom thoughts and feelings that come and go of their own volition. This ghost train of random musings is, of course, to be discouraged, but it can never be entirely denied. As Bohr and his wife, Margrethe, say in the play: "So many things we think about at the same time. Our lives and our physics...All the things that come into our heads out of nowhere.
David Burke (The Copenhagen Papers)
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
Мама стоит вся в черном тюле, усыпанном сотнями сияющих блесток. Они опадают так же легко, как и ее хрупкое счастье. Отец знает, что я всё слышала, и подсаживается ко мне, в его добрых грустных глазах – неуверенность. Кем ты хочешь стать, когда вырастешь? – неловко спрашивает он. Королевой ночи, отвечаю я с обидой, потому что рядом именно тот «Дитлев», который всегда портит удовольствие моей маме. Кстати, позже Эдвин признается, что стихотворения хорошие. Вот если бы только их написал кто-то другой, а не я. Когда знаешь, что всё там сплошная ложь, считает он, остается лишь смеяться до смерти. Я радуюсь его похвале, а слова про ложь мне безразличны. Я знаю, что иногда приходится лгать, чтобы вывести правду наружу. В одном журнале я вычитала строчку: “сиди и пялься на два кулака, что Господь сотворил так умело”. Это стихотворение о безработных, и оно напоминает мне об отце. Незаметно наблюдаешь за взрослыми, чье детство затаилось внутри, драное и дырявое, словно проеденный молью половик, о которым все позабыли и больше им не пользуются. По ним не скажешь, что у них вообще было детство, и не решаешься спросить, как им удалось вырваться из него без глубоких шрамов и отметин на лице. Впору заподозрить, что они воспользовались потайным ходом и облачились во взрослую форму многими годами раньше. Из детства не вырваться, оно липнет к тебе, будто запах. Он исходит и от других детей, и у каждого детства он свой, особенный. Но собственного запаха не замечаешь, и иногда становится страшно, что у тебя он хуже, чем у других. Детство – оно длинное и тесное, как гроб, и без посторонней помощи из него не выбраться. Однажды я спросила: “причитания” – папа, что это значит? Я нашла это выражение у Горького, и оно очень понравилось мне. Отец долго думал, поглаживая вздернутые кончики усов. Это русское понятие, произнес он. Означает боль, одиночество, печаль. Он, гордость семьи, заколачивает гвозди в доску. Это занятие для мальчиков, а девочкам нужно просто выйти замуж и родить детей. Они должны быть обеспечены, и больше им нечего ждать и не на что рассчитывать. Я поднимаю на нее глаза и одновременно осознаю несколько вещей: она меньше других взрослых женщин, моложе других матерей и боится мира за пределами нашей улицы. И в момент, когда мы вместе боимся его, она готова нанести мне удар со спины. В те редкие моменты, когда отец по-настоящему сердится на нее, он уверяет, что всё в ней – сплошная ложь, но я знаю, что это не так. Я знаю, что у каждого человека своя правда, как у каждого ребенка – свое детство.
Тове Дитлевсен (Childhood (The Copenhagen Trilogy #1))