β
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
β
β
E.M. Forster (A Room with a View)
β
Spoon feeding in the long run teaches us nothing but the shape of the spoon.
β
β
E.M. Forster
β
How do I know what I think until I see what I say?
β
β
E.M. Forster
β
I suggest that the only books that influence us are those for which we are ready, and which have gone a little further down our particular path than we have yet gone ourselves.
β
β
E.M. Forster
β
We must be willing to let go of the life we have planned, so as to have the life that is waiting for us.
β
β
E.M. Forster
β
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
β
β
E.M. Forster (A Room with a View)
β
Life is easy to chronicle, but bewildering to practice.
β
β
E.M. Forster (A Room With A View)
β
We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
β
β
E.M. Forster (A Room with a View)
β
If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
β
β
E.M. Forster (What I Believe and Other Essays)
β
I am an unspeakable of the Oscar Wilde sort.
β
β
E.M. Forster (Maurice)
β
You confuse what's important with what's impressive.
β
β
E.M. Forster (Maurice)
β
Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them.
β
β
E.M. Forster (A Room with a View)
β
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
β
β
E.M. Forster (Aspects of the Novel)
β
Adventures do occur, but not punctually.
β
β
E.M. Forster (A Passage to India)
β
Mistrust all enterprises that require new clothes.
β
β
E.M. Forster (A Room with a View)
β
This desire to govern a womanβit lies very deep, and men and women must fight it together.... But I do love you surely in a better way than he does." He thought. "Yesβreally in a better way. I want you to have your own thoughts even when I hold you in my arms.
β
β
E.M. Forster (A Room with a View)
β
Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.
β
β
E.M. Forster (A Room with a View)
β
After all, is not a real Hell better than a manufactured Heaven?
β
β
E.M. Forster (Maurice)
β
It is fate that I am here,' George persisted, 'but you can call it Italy if it makes you less unhappy.
β
β
E.M. Forster (A Room with a View)
β
You do care a little for me, I know... but nothing to speak of, and you don't love me. I was yours once till death if you'd cared to keep me, but I'm someone else's now... and he's mine in a way that shocks you, but why don't you stop being shocked, and attend to your own happiness.
β
β
E.M. Forster (Maurice)
β
Did you ever dream you had a friend, Alec? Someone to last your whole life and you his. I suppose such a thing canβt really happen outside sleep.
β
β
E.M. Forster (Maurice)
β
Only connect the prose and the passion, and both will be exalted, and human love will be seen at its highest. Live in fragments no longer.
β
β
E.M. Forster (Howards End)
β
Life never gives us what we want at the moment that we consider appropriate.
β
β
E.M. Forster (A Passage to India)
β
I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult.
β
β
E.M. Forster
β
It is so difficult - at least, I find it difficult - to understand people who speak the truth.
β
β
E.M. Forster (A Room with a View)
β
A happy ending was imperative. I shouldn't have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense, Maurice and Alec still roam the greenwood.
β
β
E.M. Forster (Maurice)
β
I think youβre beautiful, the only beautiful person Iβve ever seen. I love your voice and everything to do with you, down to your clothes or the room you are sitting in. I adore you.
β
β
E.M. Forster (Maurice)
β
By the side of the everlasting Why there is a Yes--a transitory Yes if you like, but a Yes.
β
β
E.M. Forster (A Room with a View)
β
Only connect!
β
β
E.M. Forster (Howards End)
β
The main facts in human life are five: birth, food, sleep, love and death.
β
β
E.M. Forster
β
Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.
β
β
E.M. Forster (Howards End)
β
Death destroys a man: the idea of Death saves him.
β
β
E.M. Forster (Howards End)
β
Life never gives us what we want at the moment that we consider appropriate. Adventures do occur, but not punctually.
β
β
E.M. Forster (A Passage to India)
β
She could not explain in so many words, but she felt that those who prepare for all the emergencies of life beforehand may equip themselves at the expense of joy.
β
β
E.M. Forster (Howard's End)
β
It comes to this then: there always have been people like me and always will be, and generally they have been persecuted.
β
β
E.M. Forster (Maurice)
β
The armour of falsehood is subtly wrought out of darkness, and hides a man not only from others, but from his own soul.
β
β
E.M. Forster (A Room with a View)
β
Because I say so little you think I don't feel. I care a lot.
β
β
E.M. Forster (Maurice)
β
I taught him, 'he quavered, "to trust in love. I said:'when love comes, that is reality.' I said: 'Passion does not blind. No. Passion is sanity, and the woman you love, she is the only person you will ever really understand.
β
β
E.M. Forster (A Room With a View)
β
She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship.
β
β
E.M. Forster (A Room with a View)
β
While her lips talked culture, her heart was planning to invite him to tea
β
β
E.M. Forster (Howards End)
β
The house was very quiet, and the fogβwe are in November nowβpressed against the windows like an excluded ghost.
β
β
E.M. Forster (Howards End)
β
What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
β
β
E.M. Forster (Two Cheers for Democracy)
β
I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.
β
β
E.M. Forster
β
Passion does not blind. No. Passion is sanity, and the woman you love, she is the only person you will ever really understand.
β
β
E.M. Forster
β
... there are shadows because there are hills.
β
β
E.M. Forster (A Room with a View)
β
I swear from the bottom of my heart I want to be healed. I want to be like other men, not this outcast whom nobody wants.
β
β
E.M. Forster (Maurice)
β
Have you ever noticed that there are people who do things which are most indelicate, and yet at the same time - beautiful?
β
β
E.M. Forster
β
I believe in teaching people to be individuals, and to understand other individuals.
β
β
E.M. Forster (A Passage to India)
β
It's not what people do to you, but what they mean, that hurts.
β
β
E.M. Forster (The Longest Journey)
β
No, he is not tactful, yet have you ever noticed that there are people who do things which are most indelicate, and yet, at the same time, beautiful?
β
β
E.M. Forster (A Room with a View)
β
Works of art, in my opinion, are the only objects in the material universe to possess internal order, and that is why, though I don't believe that only art matters, I do believe in Art for Art's sake.
β
β
E.M. Forster
β
If we act the truth the people who really love us are sure to come back to us in the long run
β
β
E.M. Forster
β
She only felt that the candle would burn better, the packing go easier, the world be happier, if she could give and receive some human love.
β
β
E.M. Forster (A Room with a View)
β
Do we find happiness so often that we should turn it off the box when it happens to sit there?
β
β
E.M. Forster (A Room with a View)
β
Passion should believe itself irresistible. It should forget civility and consideration and all the other curses of a refined nature. Above all, it should never ask for leave where there is a right of way.
β
β
E.M. Forster (A Room with a View)
β
There's enough sorrow in the world, isn't there, without trying to invent it.
β
β
E.M. Forster
β
When we were only acquaintances, you let me be myself, but now you're always protecting me... I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place!
β
β
E.M. Forster (A Room with a View)
β
A humanist has four leading characteristics - curiosity, a free mind, belief in good taste, and belief in the human race.
β
β
E.M. Forster
β
All a child's life depends on the ideal it has of its parents. Destroy that and everything goes - morals, behavior, everything. Absolute trust in someone else is the essence of education.
β
β
E.M. Forster (Where Angels Fear to Tread)
β
At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards.
β
β
E.M. Forster (A Room with a View)
β
One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!
β
β
E.M. Forster (A Room with a View)
β
Don't go fighting against the Spring.
β
β
E.M. Forster (A Room with a View)
β
...though nothing is damaged, everything is changed.
β
β
E.M. Forster (A Room with a View)
β
I do like Christmas on the whole.... In its clumsy way, it does approach Peace and Goodwill. But it is clumsier every year.
β
β
E.M. Forster
β
I seem fated to pass through the world without colliding with it or moving it β and I'm sure I can't tell you whether the fate's good or evil. I don't die β I don't fall in love. And if other people die or fall in love they always do it when I'm just not there.
β
β
E.M. Forster (Where Angels Fear to Tread)
β
When you come back you will not be you. And I may not be I.
β
β
E.M. Forster (The Life to Come and Other Stories)
β
There has been, is, and always will be every conceivable type of person. Β
β
β
E.M. Forster (Maurice)
β
Books have to be read (worse luck it takes so long a time). It is the only way of discovering what they contain. A few savage tribes eat them, but reading is the only method of assimilation revealed to the West.
β
β
E.M. Forster
β
Don't be mysterious; there isn't the time.
β
β
E.M. Forster (Where Angels Fear to Tread)
β
But it struck him that people are not really dead until they are felt to be dead. As long as there is some misunderstanding about them, they possess a sort of immortality.
β
β
E.M. Forster (A Passage to India)
β
Of course he despised the world as a whole; every thoughtful man should; it is almost a test of refinement.
β
β
E.M. Forster (A Room with a View)
β
Words deserted him immediately. He could only speak when he was not asked to.
β
β
E.M. Forster (Maurice)
β
... And now we shan't be parted no more, and that's finished.
β
β
E.M. Forster (Maurice)
β
I am sure that if the mothers of various nations could meet, there would be no more wars.
β
β
E.M. Forster (Howards End)
β
I have almost completed a long novel, but it is unpublishable until my death and England's.
β
β
E.M. Forster
β
To trust people is a luxury in which only the wealthy can indulge; the poor cannot afford it.
β
β
E.M. Forster (Howards End)
β
I was yours once 'till death if you'd cared to keep me, but I'm someone else's now - I can't hang about whining forever - and he's mine in a way that shocks you, but why don't you stop being shocked, and attend to your own happiness?
β
β
E.M. Forster (Maurice)
β
A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.
β
β
E.M. Forster (Howards End)
β
Nature pulls one way and human nature another.
β
β
E.M. Forster
β
The crime of suicide lies rather in its disregard for the feelings of those whom we leave behind.
β
β
E.M. Forster (Howards End)
β
Sometimes I think too much fuss is made about marriage. Century after century of carnal embracement and we're still no nearer to understanding one another.
β
β
E.M. Forster (A Passage to India)
β
At times he entertained the dream. Two men can defy the world.
β
β
E.M. Forster (Maurice)
β
I suppose I shall have to live now
β
β
E.M. Forster (A Room with a View)
β
I should have gone through life half awake if you'd had the decency to leave me alone. Awake intellectually, yes, and emotionally in a way; but here--" He pointed with his pipe stem to his heart; and both smiled. "Perhaps we woke up one another. I like to think that anyway.
β
β
E.M. Forster
β
I knew you read the Symposium in the vac," he said in a low voice.
Maurice felt uneasy.
"Then you understand - without me saying more - "
"How do you mean?"
Durham could not wait. People were all around them, but with eyes that had gone intensely blue he whispered, "I love you.
β
β
E.M. Forster (Maurice)
β
It isnβt possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
β
β
E.M. Forster (A Room with a View)
β
The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.
β
β
E.M. Forster (Howards End)
β
She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.
β
β
E.M. Forster (Howards End)
β
He educated Maurice, or rather his spirit educated Maurice's spirit, for they themselves became equal. Neither thought "Am I led; am I leading?" Love had caught him out of triviality and Maurice out of bewilderment in order that two imperfect souls might touch perfection.
β
β
E.M. Forster (Maurice)
β
There was something better in life than this rubΒbish, if only he could get to itβloveβnobilityβbig spaces where passion clasped peace, spaces no science could reach, but they existed for ever, full of woods some of them, and arched with majestic sky and a friend. . .
β
β
E.M. Forster (Maurice)
β
Take an old man's word; there's nothing worse than a muddle in all the world. It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror - on the things that I might have avoided. We can help one another but little. I used to think I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle.
β
β
E.M. Forster (A Room with a View)
β
The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions. Perhaps he cannot; certainly he does not, or does so very seldom.
β
β
E.M. Forster (A Room with a View)
β
It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored.
β
β
E.M. Forster (A Room with a View)
β
I believe in aristocracy, though -- if that is the right word, and if a democrat may use it. Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secreat understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as themselves, they are considerate without being fussy, their pluck is not swankiness but power to endure, and they can take a joke.
β
β
E.M. Forster (Two Cheers for Democracy)
β
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunityβhow ill they sit on the face, say, of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
β
β
E.M. Forster
β
Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim 'I do enjoy myself' or 'I am horrified' we are insincere. 'As far as I feel anything, it is enjoyment, horror' - it's no more than that really, and a perfectly adjusted organism would be silent.
β
β
E.M. Forster (A Passage to India)
β
What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven't we all to struggle against life's daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these.
β
β
E.M. Forster (Howards End)
β
Why can't we be friends now?" said the other, holding him affectionately. "It's what I want. It's what you want." But the horses didn't want it β they swerved apart: the earth didn't want it, sending up rocks through which riders must pass single file; the temple, the tank, the jail, the palace, the birds, the carrion, the Guest House, that came into view as they emerged from the gap and saw Mau beneath: they didn't want it, they said in their hundred voices "No, not yet," and the sky said "No, not there.
β
β
E.M. Forster (A Passage to India)
β
She had come to that state where the horror of the universe and its smallness are both visible at the same timeβthe twilight of the double vision in which so many elderly people are involved. If this world is not to our taste, well, at all events, there is Heaven, Hell, Annihilationβone or other of those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all that is known as art, assumes that there is such a background, just as all practical endeavour, when the world is to our taste, assumes that the world is all. But in the twilight of the double vision, a spiritual muddledom is set up for which no high-sounding words can be found; we can neither act nor refrain from action, we can neither ignore nor respect Infinity.
β
β
E.M. Forster (A Passage to India)
β
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
β
β
E.M. Forster (A Room With a View)