Cop Wife Quotes

She’s a cop’s wife. She understands what her husband does for a living,” the priest said.

If you haven't seen your wife smile at a traffic cop, you haven't seen her smile her prettiest.

Have you ever made her angry?" If the cop said that he and his wife lived in a state of constant connubial bliss, Andrew decided he'd have full cause to throw a punch. Max raised an eyebrow. "Sure, I'm human." He slid the phone into the pocket of his suit pants and rose to his feet with a distinctly amused glint in his eyes. "Making up is the fun part, in case you haven't figured that out yet.

How could you do that to me?" I repeat. I don´t have to itemize. He knows what I speak of. Eventually N produces three answers, in this order: 1. "Because I am a complete rotter." I silently agree, but it´s a cop-out: I have maggots, therefore I am dead. 2. "I was stressed at work and unhappy and we were always fighting...and you know I was just crazy..." I cut him off, saying, "You don´t get to be crazy. You did exactly what you chose to do." Which is true, he did. It is what he has always done. He therefore seems slightly puzzled at the need for further diagnosis, which may explain his third response: 3. "I don´t know." This, I feel instinctively, is the correct answer. How can I stay angry with him for being what he is? I was, after all, his wife, and I chose him. No coincidences, that´s what Freud said. None. Ever. I wipe my eyes on my sleeve and walk toward the truck, saying to his general direction, "Fine. At least now I know: You don´t know." I stop and turn around and fire one more question: a bullet demanding attention in the moment it enters the skin and spreads outward, an important bullet that must be acknowledged. "What did you feel?" After a lengthy pause, he answers. "I felt nothing." And that, I realize too late, was not the whole truth, but was a valid part of the truth. Oh, and welcome to the Serengeti. That too.

Her eyes were clear; she hadn't been crying. She was a cop's wife first, a woman second; she wouldn't give in to tears as long as Wyatt was fighting for his life because she was fighting with him in spirit.

A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why? “He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?

I’ve sometimes regretted the women I’ve been. There have been so many: daughter, sister, cop, tough broad, several kinds of whore, jilted lover, ideal wife, heroine, killer. I’ll provide the truth of them all, inasmuch as I’m capable of telling the truth. Keeping secrets, telling lies, they require the same skill. Both become a habit, almost an addiction, that’s hard to break even with the people closest to you, out of the business. They say never trust a woman who tells you her age; if she can’t keep that secret, she can’t keep yours. I’m fifty-nine.

It was a gross, tasteless thing to say – my brain had been burping up such inappropriate thoughts at inopportune moments. Mental gas I couldn’t control. Like, I’d started internally singing the lyrics to ‘Bony Moronie’ whenever I saw my cop friend. She’s as skinny as a stick of macaroni, my brain would bebop as Detective Rhonda Boney was telling me about dragging the river for my missing wife. Defense mechanism, I told myself, just a weird defense mechanism. I’d like it to stop.

I always thought 'love at first sight' was silly and incredibly irresponsible. Then, you came along and you flipped it on me. I understand it now. I do! ~Sheriff Derrick Decker

I had long ago given up on the notion that suicide is a cowardly cop-out. I think that anyone who feels suicidal is presented with one of two types of courage. Giulia had one type, which was to face the feelings each day and still choose life. No matter how much life hurt, this courage helped her wake up each day. Marie had the other type of courage, one I wish no one had. She believed in her feelings. So deep was her sense that things would never get better, and that there was no way out, that she ended her whole world.

I drink because I don't stand a chance and I know it. I couldn't drive a truck and I couldn't get on the cops with my build. I got to sling beer and sing when I just want to sing. I drink because I got responsibilities that I can't handle...I am not a happy man. I got a wife and children and I don't happen to be a hard-working man. I never wanted a family...Yes, your mother works hard. I love my wife and I love my children. But shouldn't a man have a better life? Maybe someday it will be that the Unions will arrange for a man to work and to have time for himself too. But that won't be in my time. Now, it's work hard all the time or be a bum... no in-between. When I die, nobody will remember me for long. No one will say, "He was a man who loved his family and believed in the Union." All they will say is," Too bad. But he was nothing but a drunk no matter which way you look at it." Yes they'll say that.

Yet early on in the marriage I found myself -- despite all my self-promises -- drifting into the role of wife: focusing on the renovations of the apartment, doing silly little domestic things instead of writing, using the wife role as cop-out from my work, my work which had always involved me in so much controversy and which some part of me longed to retreat from.... Even when I was forty-seven, full of my own power, my own identity, something in me wanted to escape from the fray and dwindle into a wife. It seemed to comfy, so safe.

A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why? “He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?

Being a cop, or a cop’s wife, is like living in your own country, a parallel nation to the US, one with its own language, own rules, own secrets.

there's a part in the essay that kind of does this academic "Let's unpack the idea of Lynchian and what Lynchian means is something about the unbelievably grotesque existing in a kind of union with the unbelievably banal," and then it gives a series of scenarios about what -- what is and what isn't Lynchian. Jeffrey Dahmer was borderline Lynchian...what was Lynchian was having the actual food products next to the disembodied bits of the corpse. I guess the big one is, you know, a regular domestic murder is not Lynchian. But if the man -- if the police come to the scene and see the man standing over the body and the woman -- let's see, the woman's '50s bouffant is undisturbed and the man and the cops have this conversation about the fact that the man killed the woman because she persistently refused to buy, say, for instance, Jif peanut butter rather than Skippy, and how very, very important that is, and if the cops found themselves somehow agreeing that there were major differences between the brands and that a wife who didn't recognize those differences was deficient in her wifely duties, that would be Lynchian -- this weird confluence of very dark, surreal, violent stuff and absolute, almost Norman Rockwell, banal, American stuff, which is terrain he's been working for quite a while -- I mean, at least since -- at least since "Blue Velvet.

Brutes, those cops were, talking about me that way. Didn’t they know I’d been the wife of a scientist? Didn’t they know I’d worn the most elegant silk blend dresses, gone to dinners at the university? The wife of a state senator had complimented me on my hairdo. They’d printed my picture in the paper a few times. I’d sung in a chorus at college. I’d studied Japanese calligraphy. I once saved a kitten that had crawled up into the wheel well of an old man’s car. And what were those cops good for? Pulling people over for speeding? I pictured their mindspace crawling with headless rats, spewing blood, white flashing neck bones, severed heads gnawing at dead headless bodies. It made me sick to imagine their thoughts, those monsters.

What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.

I was recently pulled over by the police in the wee hours of the morning on my way to vacation in Alabama. I was traveling with my family, and my wife and kids were asleep. I was on the phone with my brother Al, trying to get directions to our beach house. There was no one else on the road as I was driving through a small town. All of a sudden, flashing lights appeared out of nowhere and I pulled over. The lights woke up everybody in the car, and one of my kids said, “Maybe the policeman watches Duck Dynasty.” The officer came up to my window and asked for my driver’s license and insurance card. When I began to speak to the policeman, he put his hand on his holstered gun. My wife said, “Guess he’s not a fan.” The cop gave me a speeding ticket for driving forty-four miles per hour in a thirty-mile-per-hour zone, which was fine. Hey, I broke the law! But what made me a bit uncomfortable was that every time I opened my mouth he put his hand on his gun!

told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your

Frank remembered a guy who killed his wife with a frying pan or a teapot or some other kind of kitchenware. The couple had been married for years, when the husband just snapped. Maybe he’d been nagged too much. Maybe she undercooked his steak or refused to clean his skid-marked undies. Who knows? He felt bad enough about the whole deal to stand around and wait for the cops to come and arrest his ass. He probably learned in state prison exactly how difficult it is to be someone’s wife.

I am thirty-two years old, and the best I can do on a Saturday is accompany my married friends to a craft fair. The thought inspired an instant twitch of self-loathing, because it was such a lame lament. You put something like that in your suicide note, and the cops would have a good laugh. “My wife burned dinner,” someone would say. “I think I’ll hang myself.” Another wit would say, “Hell, nothing but reruns on. I’m gonna get the shotgun out of the attic and blow my damned head off.” Wally found himself resenting these imagined cops. What did they know about his life?

In that season’s finale, Milch wanted Sipowicz — who by this point had suffered the deaths of his eldest son, his partner Bobby, and his wife, and whose young son Theo was facing a medical crisis — to enter the hospital chapel and rant about all that God has taken from him. Tinker was on set. Franz was on set. The entire crew was on set. And, as usual by that point, there was no script. Milch ambled onto the set, realized everyone was waiting on him, announced that he needed someone to take dictation, and launched into a stream-of-consciousness assault on the Almighty, sounding very much like Sipowicz. Minutes later, Franz performed it word-for-word.

He ruffled her hair as he came in, all uncle and no cop about him now. She far preferred her uncle to the chief; he had inherited the sense of humor in the family, while her father got the receding hairline and mad skills with numbers. "Geez, Vi, you didn't need to break your own leg to get out of going to the dance with Grady Spencer. A simple 'no' would have been just fine, I'm sure." Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle's teasing comment without looking away from Violet for even a split second. "She's not going to the dance with Grady," he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. "Really?" her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn't going to let the comment pass unnoticed. "Why is that?" she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. "Because she's going with me." He winked at Violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn't entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I'm-keeping-my-eye-on-you look, but a quick "Hmm" was the only sound he made. How much embarrassment could one person possibly survive? There was a moment of awkward silence, made even more uncomfortable by Jay's refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them. Her uncle Stephen cleared his throat, and Violet jumped a little.

Hagen understood that the policeman believes in law and order in a curiously innocent way. He believes in it more than does the public he serves. Law and order is, after all, the magic from which he derives his power, individual power which he cherishes as nearly all men cherish individual power. And yet there is always the smoldering resentment against the public he serves. They are at the same time his ward and his prey. As wards they are ungrateful, abusive and demanding. As prey they are slippery and dangerous, full of guile. As soon as one is in the policeman’s clutches the mechanism of the society the policeman defends marshals all its resources to cheat him of his prize. The fix is put in by politicians. Judges give lenient suspended sentences to the worst hoodlums. Governors of the States and the President of the United States himself give full pardons, assuming that respected lawyers have not already won his acquittal. After a time the cop learns. Why should he not collect the fees these hoodlums are paying? He needs it more. His children, why should they not go to college? Why shouldn’t his wife shop in more expensive places? Why shouldn’t he himself get the sun with a winter vacation in Florida? After all, he risks his life and that is no joke.

He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.

In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure. In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts. ("Introduction")

Americans are Americans and everyone else is sorry. Half the time we don't even know what we're sorry about, it just squeaks out of our sorry gaps before we've even clues into the conversation. Well, I'm sorry YOU'RE all so sorry. You have to know when to be sorry. You can't really be sorry for something you don't want to remember, can you? Selective memory, isn't it? Let's be honest, hell, you can't even apologize for the shit you did yesterday never mind fifty years ago. Indian residential schools, Japanese internment camps, hell, and this is just in your neighborhood. But it's all right... everybody's sorry these days. The politicians are sorry, the cops are sorry, the priests are sorry, the logging companies are sorry, mining companies, electric companies, water companies, wife beaters, serial rapists, child molesters, mommy and daddy. Everybody's sorry. Everybody's sorry they got caught sticking it to someone else... that's what they are sorry about... getting caught. They could give a rat's ass about you, or me, or the people they are saying sorry to. Think about it... Don't be a sorry ass, be sorry before you have to say you are sorry. Be sorry for even thinking about, bringing about something sorry-filled. And the next time someone says, "There is one law for everyone." Say, "I'm sorry, you're an idiot." Just kidding, now that was harsh.

Homie caught a body Got a naughty shawty Throw her in the trunk of my purple buggati Opps on my tail damn making this a party Firing shots man I think they might’ve got me Bleeding and speeding on the 401 This is hood economics 101 Got that gangsta archetype like Carl Yung Damn making me ask who am I running from? When I know I got balls and a fuckin loaded gun Roll out on the freeway while takin some heat One cop two cop three’s on his feet Yeah bullseye put one his knee Cryin oh please don’t hurt me you know I got family Put him to sleep with nice slick kick As I head to his home to go meet his kids His wife’s crying in the corner as I fire from the hip Yeah there’s heart in this clip I put my all in this shit Leaving their home while unfulfilled Got a taste for killing need more blood to spill God looking down asking me to chill Fire shots in the air tellin him no deal Already dug my grave and wrote my will Therapist tells me just stay home and masturbate man Tell him fuck off you know I’m Patrick Bateman Killers don’t discriminate you know I still kill women Brutally beat them into mush on the pavement Screaming for help with no-one here to save them My life has purpose and I know who I am A cold blooded killer with two glocks in his hands Better run mothafucka you know you stand no chance Cause it takes two to tango and damn I wanna dance

A couple is invited to a swanky masked Halloween party but she gets a terrible headache and tells him to go to the party alone. Being a devoted husband, he protests, but she insists that she is going to take some aspirin and go to bed, and there is no reason he shouldn’t go ahead and have a good time. So he takes his costume and off he goes. The wife, after sleeping soundly for one hour, awakens without pain and decides to go to the party after all. Since her husband won’t recognize her in her costume, she thinks she might have some fun watching him in secret. She soon spots her husband cavorting on the dance floor, dancing with every pretty girl he can, copping a little feel here and a little kiss there. Being a rather seductive babe herself, the wife ventures onto the dance floor to entice her own husband away from his current partner. She lets him go as far as he wishes, naturally, since he is, after all, her husband. Finally he whispers a little proposition in her ear and she agrees. Off they go to his parked car for a little bang. Just before midnight, when the party guests are planning to unmask and reveal their identities, she slips away, goes home, stashes her costume, and gets into bed, wondering what his husband will report about the evening. She is sitting up reading when he comes in. “How was it?” she asks, nonchalantly. “Oh, the same old thing. You know I never have a good time when you’re not there.” “Did you dance much?” “I never even danced one dance. When I got there I met Pete, Bill Brown, and some other guys, so we went into the den and played poker all evening. But I’ll tell you... the guy I loaned my costume to sure had a real good time!

Here are two examples of just how strange and unique humans can be when they go about harming one another and caring for one another. The first example involves, well, my wife. So we’re in the minivan, our kids in the back, my wife driving. And this complete jerk cuts us off, almost causing an accident, and in a way that makes it clear that it wasn’t distractedness on his part, just sheer selfishness. My wife honks at him, and he flips us off. We’re livid, incensed. Asshole-where’s-the-cops-when-you-need-them, etc. And suddenly my wife announces that we’re going to follow him, make him a little nervous. I’m still furious, but this doesn’t strike me as the most prudent thing in the world. Nonetheless, my wife starts trailing him, right on his rear. After a few minutes the guy’s driving evasively, but my wife’s on him. Finally both cars stop at a red light, one that we know is a long one. Another car is stopped in front of the villain. He’s not going anywhere. Suddenly my wife grabs something from the front seat divider, opens her door, and says, “Now he’s going to be sorry.” I rouse myself feebly—“Uh, honey, do you really think this is such a goo—” But she’s out of the car, starts pounding on his window. I hurry over just in time to hear my wife say, “If you could do something that mean to another person, you probably need this,” in a venomous voice. She then flings something in the window. She returns to the car triumphant, just glorious. “What did you throw in there!?” She’s not talking yet. The light turns green, there’s no one behind us, and we just sit there. The thug’s car starts to blink a very sensible turn indicator, makes a slow turn, and heads down a side street into the dark at, like, five miles an hour. If it’s possible for a car to look ashamed, this car was doing it. “Honey, what did you throw in there, tell me?” She allows herself a small, malicious grin. “A grape lollipop.” I was awed by her savage passive-aggressiveness—“You’re such a mean, awful human that something must have gone really wrong in your childhood, and maybe this lollipop will help correct that just a little.” That guy was going to think twice before screwing with us again. I swelled with pride and love.

In the shock of the moment, I gave some thought to renting a convertible and driving the twenty-seven hundred miles back alone. But then I realized I was neither single nor crazy. The acting director decided that, given the FBI’s continuing responsibility for my safety, the best course was to take me back on the plane I came on, with a security detail and a flight crew who had to return to Washington anyway. We got in the vehicle to head for the airport. News helicopters tracked our journey from the L.A. FBI office to the airport. As we rolled slowly in L.A. traffic, I looked to my right. In the car next to us, a man was driving while watching an aerial news feed of us on his mobile device. He turned, smiled at me through his open window, and gave me a thumbs-up. I’m not sure how he was holding the wheel. As we always did, we pulled onto the airport tarmac with a police escort and stopped at the stairs of the FBI plane. My usual practice was to go thank the officers who had escorted us, but I was so numb and distracted that I almost forgot to do it. My special assistant, Josh Campbell, as he often did, saw what I couldn’t. He nudged me and told me to go thank the cops. I did, shaking each hand, and then bounded up the airplane stairs. I couldn’t look at the pilots or my security team for fear that I might get emotional. They were quiet. The helicopters then broadcast our plane’s taxi and takeoff. Those images were all over the news. President Trump, who apparently watches quite a bit of TV at the White House, saw those images of me thanking the cops and flying away. They infuriated him. Early the next morning, he called McCabe and told him he wanted an investigation into how I had been allowed to use the FBI plane to return from California. McCabe replied that he could look into how I had been allowed to fly back to Washington, but that he didn’t need to. He had authorized it, McCabe told the president. The plane had to come back, the security detail had to come back, and the FBI was obligated to return me safely. The president exploded. He ordered that I was not to be allowed back on FBI property again, ever. My former staff boxed up my belongings as if I had died and delivered them to my home. The order kept me from seeing and offering some measure of closure to the people of the FBI, with whom I had become very close. Trump had done a lot of yelling during the campaign about McCabe and his former candidate wife. He had been fixated on it ever since. Still in a fury at McCabe, Trump then asked him, “Your wife lost her election in Virginia, didn’t she?” “Yes, she did,” Andy replied. The president of the United States then said to the acting director of the FBI, “Ask her how it feels to be a loser” and hung up the phone.

HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....

VINNIE. They were such a happy couple. MURRAY. Twelve years doesn't mean you're a happy couple. It just means you're a long couple. SPEED. Go figure it. Felix and Frances. ROY. What are you surprised at? He used to sit there every Friday night and tell us how they were fighting. SPEED. I know. But who believes Felix? VINNIE. What happened? OSCAR. She wants out, that's all. MURRAY. He'll go to pieces. I know Felix. He's going to try something crazy. SPEED. That's all he ever used to talk about. "My beautiful wife. My wonderful wife." What happened? OSCAR. His beautiful, wonderful wife can't stand him, that's what happened. MURRAY. He'll kill himself. You hear what I'm saying? He's going to go out and try to kill himself. SPEED. (To MURRAY.) Will you shut up, Murray? Stop being a cop for two minutes. (To OSCAR.) Where'd he go, Oscar? OSCAR. He went out to kill himself.

Dee readies the Ruger to fire. He looks down the sights and finds the back of the young officer’s head. This is power. To take the most precious thing a man has. To have that choice, squeeze or don’t squeeze, this young cop, this racist, this bully, with the pastor’s wife bent over the car now, her legs spread, he’s a little too thorough while he frisks her, a little too friendly with his hands, does he go home to a wife and child, does he go home feeling like he’s doing the city a service? Would he feel it when the bullet entered his skull? Would he have a second thought, a moment of regret, before the world turned black?

Hemingway took his hands off the wheel and spat out of the window. “We’re on a nice street here, ain’t we? Nice homes, nice gardens, nice climate. You hear a lot about crooked cops, or do you?” “Once in a while,” I said. “Okey, how many cops do you find living on a street even as good as this, with nice lawns and flowers? I’d know four or five, all vice squad boys. They get all the gravy. Cops like me live in itty-bitty frame houses on the wrong side of town. Want to see where I live?” “What would it prove?” “Listen, pally,” the big man said seriously. “You got me on a string, but it could break. Cops don’t go crooked for money. Not always, not even often. They get caught in the system. They get you where they have you do what is told them or else. And the guy that sits back there in the nice big corner office, with the nice suit and the nice liquor breath he thinks chewing on them seeds makes smell like violets, only it don’t—he ain’t giving the orders either. You get me?” “What kind of a man is the Mayor?” “What kind of guy is a mayor anywhere? A politician. You think he gives the orders? Nuts. You know what’s the matter with this country, baby?” “Too much frozen capital, I heard.” “A guy can’t stay honest if he wants to,” Hemingway said. “That’s what’s the matter with this country. He gets chiseled out of his pants if he does. You gotta play the game dirty or you don’t eat. A lot of bastards think all we need is ninety thousand FBI men in clean collars and brief cases. Nuts. The percentage would get them just the way it does the rest of us. You know what I think? I think we gotta make this little world all over again. Now take Moral Rearmament. There you’ve got something. M.R.A. There you’ve got something, baby.” “If Bay City is a sample of how it works, I’ll take aspirin,“ I said. “You could get too smart,” Hemingway said softly. “You might not think it, but it could be. You could get so smart you couldn’t think about anything but bein’ smart. Me, I’m just a dumb cop. I take orders. I got a wife and two kids and I do what the big shots say. Blane could tell you things. Me, I’m ignorant.

A “Sammy” might become rich, powerful and famous, but you wouldn’t want him to marry your daughter. In fact, you wouldn’t want to turn your back on him for fear he’d cop your watch, your story, your company, your wife, your life. The trouble was, Sammy lived by different rules from the rest of us; as the moralizing narrator Al Manheim puts it to him, “You never had the first idea of give-and-take … It had to be all you all the way. You had to make individualism the most frightening ism of all.

Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use." Rachel Cole-Alves: "You know what gives me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us." Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. It's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!

Shakespeare's Sonnet XVIII: This Thing of Ours Should I compare yous to a made man You gots more stugots and love to bust chops. Eh! You do whatcha gotta do, Jack a truck, buttleg or shoot some feds or cops. Nuthin gives you agita like a rat with a wire, You let the boss decide who lives and who gets whacked. You have sit-downs with the higher-ups with all your beefs, You've taken the vow of Omertá, silence and honor is your pact. You love your goomah and take care of your wife, You got your crew'sback, you're a stand-up guy. You got a vig on the Shylock biz and a taste from swag, When your Capo says 'burn that jamook,' never ask why. So long as you don't wanna be a guest of the state and eyes can see, Count on Tony to pop the witnesses, leave the gun and grab the cannoli.

Your wife?” “Right.” “What does she do?” Tracy asked. “She works for a janitorial company; they clean the buildings downtown.” “She works nights?” Kins said. “Yeah.” “Do you have kids?” Tracy asked. “A daughter.” “Who watches your daughter when you and your wife are working nights?” “My mother-in-law.” “Does she stay at your house?” Tracy said. “No, my wife drops her off on her way to work.” “So nobody was at home when you got there Sunday night?” Bankston shook his head. “No.” He sat up again. “Can I ask a question?” “Sure.” “Why are you asking me these questions?” “That’s fair,” Kins said, looking to Tracy before answering. “One of our labs found your DNA on a piece of rope left at a crime scene.” “My DNA?” “It came up in the computer database because of your military service. The computer generated it, so we have to follow up and try to get to the bottom of it.” “Any thoughts on that?” Tracy said. Bankston squinted. “I guess I could have touched it when I wasn’t wearing my gloves.” Tracy looked to Kins, and they both nodded as if to say, “That’s plausible,” which was for Bankston’s benefit. Her instincts were telling her otherwise. She said, “We were hoping there’s a way we could determine where that rope was delivered, to which Home Depot.” “I wouldn’t know that,” Bankston said. “Do they keep records of where things are shipped? I mean, is there a way we could match a piece of rope to a particular shipment from this warehouse?” “I don’t know. I wouldn’t know how to do that. That’s computer stuff, and I’m strictly the labor, you know?” “What did you do in the Army?” Kins asked. “Advance detail.” “What does advance detail do?” “We set up the bases.” “What did that entail?” “Pouring concrete and putting up the tilt-up buildings and tents.” “So no combat?” Kins asked. “No.” “Are those tents like those big circus tents?” Tracy asked. “Sort of like that.” “They still hold them up with stakes and rope?” “Still do.” “That part of your job?” “Yeah, sure.” “Okay, listen, David,” Tracy said. “I know you were in the police academy.” “You do?” “It came up on our computer system. So I’m guessing you know that our job is to eliminate suspects just as much as it is to find them.” “Sure.” “And we got your DNA on a piece of rope found at a crime scene.” “Right.” “So I have to ask if you would you be willing to come in and help us clear you.” “Now?” “No. When you get off work; when it’s convenient.” Bankston gave it some thought. “I suppose I could come in after work. I get off around four. I’d have to call my wife.” “Four o’clock works,” Tracy said. She was still trying to figure Bankston out. He seemed nervous, which wasn’t unexpected when two homicide detectives came to your place of work to ask you questions, but he also seemed to almost be enjoying the interaction, an indication that he might still be a cop wannabe, someone who listened to police and fire scanners and got off on cop shows. But it was more than his demeanor giving her pause. There was the fact that Bankston had handled the rope, that his time card showed he’d had the opportunity to have killed at least Schreiber and Watson, and that he had no alibi for those nights, not with his wife working and his daughter with his mother-in-law. Tracy would have Faz and Del take Bankston’s photo to the Dancing Bare and the Pink Palace, to see if anyone recognized him. She’d also run his name through the Department of Licensing to determine what type of car he drove. “What would I have to do . . . to clear me?” “We’d like you to take a lie detector test. They’d ask you questions like the ones we just asked you—where you work, details about your job, those sorts of things.” “Would you be the one administering the test?” “No,” Tracy said. “We’d have someone trained to do that give you the test, but both Detective Rowe and I would be there to help get you set up.” “Okay,” Bankston said. “But like I said, I have

Fate won’t let us lose forever, for if it did, we would give up and there would be nothing for Fate to watch. You should have seen the aggressive exhibition on the dike today. Supermen in combat clothes firing their futuristic weapons. If I dared to tell my wife, she’d never let me out again. War in a galaxy of a parallel universe. A commander knocking off foreign peons without the slightest emotion. A machine-man, an inhuman computer. Automatic horror released by secret training camps spawned by our own organization. A most effective and interesting show.

I fuck conventional wisdom’s wife. Clipboard. Orange cones. You’re a mall cop. Not a real cop. My personal code is never harm real cops, who risk their lives every day. The Thin Blue Line. You’re an almost-cop, so harming you is a gray area. Thin Gray Line? Who knows? So I’ll err on the side of decency and ask nice. Don’t yell at any more kids before you’re fired.

While I was walking down the beach one bright and sunny day, I saw a great big wooden box a-floatin’ in the bay. I pulled it in and opened it up and much to my surprise, Oh, I discovered a   *     *   right before my eyes, Oh, I discovered a   *     *    right before my eyes. I picked it up and ran to town as happy as a king, I took it to a guy I know who’d buy most anything But this is what he hollered at me as I walked in his shop: Oh, get out of here with that   *     *   before I call a cop… I turned around and got right out, a-runnin’ for my life, And then I took it home with me to give it to my wife, But this is what she hollered at me as I walked in the door: Oh, get out of here with that   *     *   and don’t come back no more… I wandered all around the town until I chanced to meet A hobo who was looking for a handout on the street.

In my day as a beat cop, we didn’t know the meaning of the word fear! We were men. We didn’t mind getting shot every now and then. Hell, I used to get shot at nearly once a week, and that was just my wife.

My wife is for making babies. You’re for fucking.” The sting was unexpected. “That’s an awful thing to say.” “Trust me, one is a lot more fun than the other.

It's been a long day, this is the end of my shift and it's Friday the 13th. I don't feel like more paperwork, so if you can give me an excuse for your driving that I haven't heard before, you can go." The guy thinks for a second and says, "Last week my wife ran off with a cop. I was afraid you were trying to give her back." "Have a nice weekend," said the officer.

Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use." Rachel Cole-Alves: "You know what give me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us." Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. IT's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!

She could not let them find Vivian’s flirty conversations. Her sister would be deemed a cheating wife who’d run off. They wouldn’t believe she was in trouble, and they wouldn’t move mountains to find her. Without thinking twice, she hurried back to the computer, quickly unchecked the “Save Password” button, and logged out of Vivian’s Gmail account so strangers, including the cops, couldn’t access her account from the library.

In the middle of May an L.A. cop stopped a black man named Leonard Deadwyler for speeding through Watts. He stuck his gun in the driver's-side window — 'to attrack the driver's attention,' he later testified. He also claimed the car suddenly lurched forward, causing his gun to discharge. Leonard Deadwyler slumped into the lap of his wife and muttered his last words — 'But she's having a baby' — as his two-year-old son looked on from the backseat. He had been speeding her to the nearest hospital, miles away; there was no hospital in Watts — an area twice the size of Manhattan.

Everything about his life that wasn’t about being an elite badass was imploding. There seemed to be only one sane option: get the hell away from other human beings. Amundson took a leave of absence from work, bought an Airstream trailer, and leased a parcel of land in the mountains near Santa Cruz. For two months, he lived in the woods and rolled back the tape on the last fourteen years of his life as a SWAT team cop, Army reservist, DEA gunslinger, and husband. He wrote an after-action review of his marriage, Your Wife Is Not Your Sister, a self-critique so detailed and unstinting that it could have been subtitled Confessions of a Knuckle-Dragger. The book, lovingly dedicated to his ex-wife, is filled with recollections of moments when he thought he was justified but later realized his behavior was thoughtless, myopic, toxic. At the end of each chapter are concrete “Action Steps” to prevent fellow knuckle-draggers from repeating his mistakes. It’s been well received in the law enforcement community.

Everything about his life that wasn’t about being an elite badass was imploding. There seemed to be only one sane option: get the hell away from other human beings. Amundson took a leave of absence from work, bought an Airstream trailer, and leased a parcel of land in the mountains near Santa Cruz. For two months, he lived in the woods and rolled back the tape on the last fourteen years of his life as a SWAT team cop, Army reservist, DEA gunslinger, and husband. He wrote an after-action review of his marriage, Your Wife Is Not Your Sister, a self-critique so detailed and unstinting that it could have been subtitled Confessions of a Knuckle-Dragger. The book, lovingly dedicated to his ex-wife, is filled with recollections of moments when he thought he was justified but later realized his behavior was thoughtless, myopic, toxic. At the end of each chapter are concrete “Action Steps” to prevent fellow knuckle-draggers from repeating his mistakes. It’s been well received in the law enforcement community. At the end of his two-month woodland retreat, Amundson realized two things. The first was that it doesn’t matter how much of a firebreather you are if you can’t cut any slack to the important people in your life. The second was that all his macho law-and-order jobs had defined him, and if he wanted to stop being That Guy, he couldn’t work that kind of job.

Recently my wife and I visited the Mall of America. I noticed that there were Bloomington police officers everywhere, in ones or twos, watching the crowds, patrolling the hallways, doing what cops do. Everyone looks young to me these days, but I doubt that any of the ones I saw were even alive when I and my compatriots directed traffic, or fought with drunks, or watched Harmon Killebrew hit one of his monster homeruns. I wonder if they’d like to hear about what used to go on here? I asked myself. Probably not, I answered, after a moment’s thought. So, I just sat on a bench and waited for my wife.

Keep reading.” “Services, donations. Detective Kirkhalter leaves a wife, the former Sandra Wyzeck, and a son—” “There you go,” Banning interrupted. Lily stopped. Stared at the screen. “Walter Banning Kirkhalter Jr.” She read the name, then looked at Banning. Then back at the screen. “You’re kidding me.” “Nope. Yup.” Banning looked almost sheepish. “You can still call me Banning. My mother did, though it’s really my middle name. To her, the only Walt was my dad. I was still a part-time student at the time he was a Berwick town cop.” Lily pursed her lips, trying to calculate. “Are you saying—you were at Berwick College?” Lily waved his statement out the car window. “Come on.

Weaver was a pompous little guy with a pot belly and pig eyes. I’d run into him a year before when Singer figured out for him who killed the man and wife in Montpelier. I hadn’t liked Weaver then and I didn’t like him now. Of course, I’ve got an ingrown prejudice against cops. Years of hoboing made me pretty sour.

The number one thing a good logline must have, the single most important element, is: irony. My good friend and former writing partner, the funny and fast-typing Colby Carr, pointed this out to me one time and he’s 100% correct. And that goes for whether it’s a comedy or a drama. A cop comes to L.A. to visit his estranged wife and her office building is taken over by terrorists – Die Hard A businessman falls in love with a hooker he hires to be his date for the weekend – Pretty Woman I don’t know about you, but I think both of these loglines, one from a drama, one from a romantic comedy, fairly reek of irony. And irony gets my attention. It’s what we who struggle with loglines like to call the hook, because that’s what it does. It hooks your interest. What is intriguing about each of the spec sales I’ve cited above is that they, too, have that same ironic touch. A holiday season of supposed family joy is turned on its cynical head in the 4 Christmases example. What could be more unexpected (another way to say “ironic”) for a new employee, instead of being welcomed to a company, to be faced with a threat on his life during The Retreat? What Colby identified is the fact that a good logline must be emotionally intriguing, like an itch you have to scratch. A logline is like the cover of a book; a good one makes you want to open it, right now, to find out what’s inside. In identifying the ironic elements of your story and putting them into a logline, you may discover that you don’t have that. Well, if you don’t, then there may not only be something wrong with your logline — maybe your story’s off, too. And maybe it’s time to go back and rethink it. Insisting on irony in your logline is a good place to find out what’s missing. Maybe you don’t have a good movie yet.

Then I stood and dropped the phone. I may have screamed—I can’t remember. Vincent lived in a gated mansion on the outskirts of Tampa, maybe an hour away. He would have sent help of his own. Mobsters who’d be pulling up the drive any minute. And they’d find me, the wife of a cop, alone in the house, dripping with Anthony’s blood. Anthony, who’d been killed with a kitchen knife. Me, his personal chef.

a” and he air quoted ‘multi-tool’ “that you use when your husband’s not home.” and