Cop Costume Quotes

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Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.
Maureen Johnson (The Name of the Star (Shades of London, #1))
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
Now you’re thinking. I’ll drive.” “No. I’d appreciate the other set of eyes, and the scary brain, but if I’m hung up I need you here to start briefing the team.” Those fabulous eyes stared right through her. “You want me to brief a room of cops? That’s appalling, Eve, on so many levels.” “Nobody knows how to run a meeting as well as you. I’ll try to be back, but I have to follow this out.” “I’m definitely going to want the costumes. I may have them designed for you.” “One of us is worth a dozen of them,” she said, repeating his words. “You’re one of us.” “I realize you see that as a compliment, but ...” He trailed off, sighed. “Thank you.
J.D. Robb (Treachery in Death (In Death, #32))
I stared at Eph, envying the fact that he already had a costume, though whether it was actually qualified as a costume was debatable. He was dressed in all black- black jeans, black knit hat, black boots, long-sleeved, black T-shirt, black thermal on top of it. "I'm the dark night of the soul. Or a black hole. Or something like that," He'd said when I'd asked him earlier. "You're copping out," I said. "How is being in more than one costume copping out? I'm actually so investing in this, I am in an infinite number of costumes. It's meta and crap.
Meg Leder (The Museum of Heartbreak)
Pedro, the Guardia, asked him if he could inspect the inside of his van because hundreds of very expensive ham legs had been stolen recently and the robbery perpetrated by a gang of men dressed as priests ‒ how do you say, monks. Danny felt the beads of sweat trickle down his back as he slid open the door. Along the side was a clothes rack with different costumes hung on hangers. He couldn't actually remember when he'd last cleaned the van out, hadn't the front to admit to such slovenliness. Pedro the cop lifted off a cassock. "I use that for my work." Pedro put his hand on the van and poked his nose in, sniffed and backed his face away and looked at his hand covered in sticky egg yolk and shell. "It's for the wash," continued Danny, fighting a smirk. Pedro pointed at his eyes with his fingers and then at Danny's to indicate, I'm watching you. Danny reluctantly handed the cash over to the cop. They ambled off as he watched his money scrunch into his pocket. Danny slumped at the bar, deflated.
Mark Shearman (Zorro's Last Stand)
A couple is invited to a swanky masked Halloween party but she gets a terrible headache and tells him to go to the party alone. Being a devoted husband, he protests, but she insists that she is going to take some aspirin and go to bed, and there is no reason he shouldn’t go ahead and have a good time. So he takes his costume and off he goes. The wife, after sleeping soundly for one hour, awakens without pain and decides to go to the party after all. Since her husband won’t recognize her in her costume, she thinks she might have some fun watching him in secret. She soon spots her husband cavorting on the dance floor, dancing with every pretty girl he can, copping a little feel here and a little kiss there. Being a rather seductive babe herself, the wife ventures onto the dance floor to entice her own husband away from his current partner. She lets him go as far as he wishes, naturally, since he is, after all, her husband. Finally he whispers a little proposition in her ear and she agrees. Off they go to his parked car for a little bang. Just before midnight, when the party guests are planning to unmask and reveal their identities, she slips away, goes home, stashes her costume, and gets into bed, wondering what his husband will report about the evening. She is sitting up reading when he comes in. “How was it?” she asks, nonchalantly. “Oh, the same old thing. You know I never have a good time when you’re not there.” “Did you dance much?” “I never even danced one dance. When I got there I met Pete, Bill Brown, and some other guys, so we went into the den and played poker all evening. But I’ll tell you... the guy I loaned my costume to sure had a real good time!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
Nine-year-old me dressed as a homeless person, but I had a badge, fake mustache, and aviators. I was HoboCop, naturally.
GLEN NESBITT (BREAK OUT OF HEAVEN)
Layla sat on the floor in costume and makeup, waiting for the others for the pre-performance activities that Miss Ginger insisted on. First practice. Then pep talk and prayer. Mercedes slipped into the tiny room and sat beside her, stretching a little. “You okay?” Layla asked. “Talking to the cops freaked me out,” Mercedes confessed. “How am I supposed to dance after that?” Layla met her eyes. “I don't know if Diamond is kidnapped or at a party with movie stars. But somehow I'm not feeling a party.” She spritzed more hair spray on her wayward curls. “Yeah, me neither,” Mercedes admitted. “I got this bad feeling. Damn it! I never should have let her go to the food court alone.” “Hey, you can't swallow this blame,” Layla told her. “That mall is like our second home. There was no way you could have guessed something bad would happen.” “Yeah, I know, but I still feel responsible. I didn't need that new leotard! We shoulda stayed together. If I had just....
Sharon M. Draper (Panic)
They seemed more like machines than humans, and, let’s face it, they are a civilian’s army. An army whose soldiers dressed in costumes and walked and talked like robots, with guns strapped to their waist belts, always looking for an enemy.
Kenneth Eade
Every Halloween, at Gene’s Costumes in Kensington, Maryland, both Mom and Dad would point to a policeman costume and whisper in my ear: “Don’t trust police officers, because they are probably just evil men in disguise. You can buy a cop’s outfit and ID right here. Anyone can. Always remember that.
Andrew Gifford (We All Scream: The Fall of the Gifford's Ice Cream Empire)
Ultimately, I was placed in a full-body bear costume and left to rampage through the house, screaming obscenities while onlookers took shelter behind furniture so as not to get swiped in the face by a paw. When this wild animal wandered into the backyard to forage in the grass, one poor bystander was hit by a running dropkick that was described to me as an assault by a cross between Doug Furnas and a 6'2" Teletubby on Meth. Many just enjoyed the show and took Polaroids. Luckily, only the cops showed up and nobody called animal control.
Jon Moxley (MOX)
not yet allowing himself to wallow in the wave of relief coursing through his body, and pushed through it, ignoring questions barked at him in a foreign language. He galloped down a set of steps, past another pair of cops rushing in the opposite direction, barely meriting a second glance on this occasion. As he left the park, crossing a road that was cordoned off to traffic at either end, he breathed out a long, deep, endless sigh of relief that flooded out of him with the relentless power of the Nile emptying into the Mediterranean Sea. It was only now that he recognized how fast his heart was beating, or felt the beads of sweat dripping off his forehead – both more a result of tension than exertion. “That was close,” he groaned, cursing himself for breaking the cardinal rule of espionage and thrusting himself into the center of attention. “Too damn close.” And it was far from over. He might have escaped the first cordon of cops, but before long the whole of central Moscow would be on lockdown. He needed to get out before it was too late. Trapp fought against his instincts and slowed his pace, walking casually down a side street, past a government building with a small brass plaque outside which read, ‘Federal Agency for State Property Management’ in English letters under the Cyrillic. He kept his head low, pointed at the ground, hoping that it would obscure him from the surveillance cameras that dotted the area, but knowing that it probably wouldn’t. That’s a problem for another day. He cast a quick look around to make sure no one was paying him any attention, and when he was certain that they were not, he ducked into a space between two parked cars, crouched down, and pulled on the neon vest he had previously stowed by his breast. Again, the disguise was skin deep, but if one of the cops he’d just passed managed to radio in a description, then perhaps this costume change might add a layer of distance. It was better than nothing. He started walking again, slowly enough not to draw the eye, fast enough to put as much distance between himself and what was about to turn into a very hot crime scene as possible. As he walked, his fingers played with the rock he had carried all this time, searching for a seam or a catch. He knew that it would not be locked, or contain the kind of self-destruct device so beloved of Hollywood movies. There wasn’t the space, and besides, any competent intelligence agency would be able to defeat such protections quickly enough. Trapp found it, worked the bottom of the rock open, and saw a memory stick sitting in a foam indentation. He pulled it free, put it into the coin pocket of his denim jeans, and dumped the two halves of the rock into an overflowing trash can. It was only then that the question came to him. What the hell do I do now? 35 The village of Soloslovo was 20 miles from Central Moscow, about thirty minutes by car in light traffic, or twenty on a high-powered motorcycle the likes of which Eliza Ikeda rode as she zipped past, around
Jack Slater (Flash Point (Jason Trapp, #3))
Even a buffoon has own his costume but his costume doesn't make the people happy rather his act, the lesson a cop should learn from a buffoon
P.S. Jagadeesh Kumar