Cool And Collected Quotes

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You, have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit. And you, have that whole blonde cool and collected perfect smart thing going on. You're the boy all the girls want to rebel with. You, are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
She led the way. Eyeless sockets of the dead seemed to stare at them as they passed. "These are cool," Dan decided. "Maybe I could-" "No, Dan," Amy said. "You can't collect human bones." "Awww.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
If he were insane, however, his was a very cool and collected insanity.
Charlotte Brontë (Jane Eyre)
I wish I could say when Michael's dark eyes met mind, I was completely cool and collected about seeing him again after all this time, and that I laughed airily and said all the right things. I wish I could say after having pretty much single-handedly brought democracy to a country I happen to be a princess of, and written a four-hundred-page romance novel, and gotten into every college to which I applied (even if it's just because I'm a princess), that I handled meeting Michael for the first time again after throwing my snowflake necklace in his face almost two years ago with total grace and aplomb. But I totally didn't.
Meg Cabot (Forever Princess (The Princess Diaries, #10))
I just shook my head, knowing this was him evading the question. You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." Bit?" You know what I mean." He shook his head, clearly discounting this description. And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." You're the boy all the girls want to rebel with," I said. You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
This is calm, cool, and collected, you little bitch. You don’t want to see me pissed off.
J.R. Ward (The Shadows (Black Dagger Brotherhood, #13))
The orderly brandished a hunting knife from a sheath at his waist and sliced open the prisoner’s throat with it.  Warm blood cascaded out of the prisoner’s throat, some of it spraying the captain’s uniform.  The orderly waited for the prisoner to bleed to death before cutting the head clean off.  Within a few minutes, the muscle that the prisoner built on his body was carved out and thrown on the grill.  After the meat cooled, the orderly put the human steaks in front of the captain for dinner.  As the captain ate each buttery piece, he couldn’t help but compliment the orderly for a job well-done.
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
I held the dubious honor of being the one person who could make cool, collected Nick lose his temper.
Jennifer Echols (The Ex Games)
O gentle vision in the dawn: My spirit over faint cool water glides, Child of the day, To thee; And thou art drawn By kindred impulse over silver tides The dreamy way To me.
Harold Monro (Collected poems;)
Now then, thought I, unconsciously rolling up the sleeve of my frock, here goes for a cool, collected dive at death and destruction, and the devil fetch the hindmost.
Herman Melville (Moby-Dick or, The Whale)
You? You can’t believe this? I’m the one who has to go to Artemis to save your ass. She was freaking out over Zarek, now how the hell do I explain to her that Mr. Cool-Calm-and-Collected was doing his impression of Spider Man in a bar loaded with tourists and ended up as the main feature on Tokyo news as what’s wrong with American culture? Question. How many rules did you break in less than a minute? (Acheron)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Howell was a calm, collected leader, able to cope with losing men to death and wounds far more steadily than his battalion commander could and better able to keep his cool with the Korengali elders
Wesley Morgan (The Hardest Place: The American Military Adrift in Afghanistan's Pech Valley)
I’m not cool and collected, and I’m not always doing things at my own pace. It’s just a question of balance. I’m just good at habitually shifting the weight I carry around from one side of the fulcrum to the other, distributing it. Maybe this strikes others as cool. But it isn’t an easy operation. It takes more time than it seems. And even if I do find the right balance, that doesn’t lessen the total weight one bit.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care. I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
I need to be startlingly clear. This thing of finding your authentic voice, expressing your blessed weirdness and revealing your soul isn't an elegant process. You don't do it to be cool. You don't do it to get laid or get rich. It's only real when it is ruthless, relentless and inevitable. But it is also a matter of personal and collective survival. Yes, it's that important. You are that critical.
Jacob Nordby
The perfect Librarian is calm, cool, collected, intelligent, multilingual, a crack shot, a martial artist, an Olympic-level runner (at both the sprint and marathon), a good swimmer, an expert thief, and a genius con artist. They can steal a dozen books from a top-security strongbox in the morning, discuss literature all afternoon, have dinner with the cream of society in the evening, and then stay up until midnight dancing, before stealing some more interesting tomes at three a.m. That's what a perfect Librarian would do. In practice, most Librarians would rather spend their time reading a good book.
Genevieve Cogman (The Masked City (The Invisible Library, #2))
Now we’re guests in a faraway land nearly 40 years on. No trees, no cool breeze, no best friends. Only endless days spent in sending SMSs...
Nabeel Philip Mohan (No Return Address: A collection of poems)
Donneven," I said, in my best Monica imitation, and he laughed. "We're not talking about me." "We could be," he said, as I watched Bert take note of a group of what looked like ninth graders who had just come into the living room. "I'm not gorgeous," I said. "Sure you are." I just shook my head, knowing this was him evading the question. "You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." "Bit?" "You know what I mean." He shook his head, clearly discounting this description. "And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." "You're the boy all the girls want to rebel with," I said. "You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
What does a river know about this and what does a tree know? And I, who am no more than those, what do I know? Every time I look at things and think about what men think about them, I laugh like how a brook sounds cool on a stone.
Fernando Pessoa (The Collected Poems of Alberto Caeiro)
Poem for My Love How do we come to be here next to each other in the night Where are the stars that show us to our love inevitable Outside the leaves flame usual in darkness and the rain falls cool and blessed on the holy flesh the black men waiting on the corner for a womanly mirage I am amazed by peace It is this possibility of you asleep and breathing in the quiet air
June Jordan (Directed by Desire: The Collected Poems)
Be calm, cool, and collected. Don't let that handsome bastard have power over you.
M.M. Kin (Seeds Volume One (Seeds, #1))
Pops gave him a cool stare that settled Tom down - a thing not always easy to do. "Son, do you know what history is?" "Uh...stuff that happened in the past?" "Nope," he said, trying on his canvas change-belt. "History is the collective and ancestral shit of the human race, a great big and ever growing pile of crap. Right now, we're standin at the top of it, but pretty soon we'll be buried under the doodoo of generations yet to come. That's why your folks' clothes look so funny in old photographs, to name but a single example. And, as someone who's destined to buried beneath the shit of your children and grandchildren, I think you should be just a leetle more forgiving.
Stephen King (Joyland)
When getting my nose in a book Cured most things short of school, It was worth ruining my eyes To know I could still keep cool, And deal out the old right hook To dirty dogs twice my size. Later, with inch-thick specs, Evil was just my lark: Me and my coat and fangs Had ripping times in the dark. The women I clubbed with sex! I broke them up like meringues. Don't read much now: the dude Who lets the girl down before The hero arrives, the chap Who's yellow and keeps the store Seem far too familiar. Get stewed: Books are a load of crap. (A Study Of Reading Habits)
Philip Larkin (Collected Poems)
i was really into communal living and we were all / such free spirits, crossing the country we were / nomads and artists and no one ever stopped / to think about how the one working class housemate / was whoring to support a gang of upper middle class / deadheads with trust fund safety nets and connecticut / childhoods, everyone was too busy processing their isms / to deal with non-issues like class....and it’s just so cool / how none of them have hang-ups about / sex work they’re all real / open-minded real / revolutionary you know / the legal definition of pimp is / one who lives off the earnings of / a prostitute, one or five or / eight and i’d love to stay and / eat some of the stir fry i’ve been cooking / for y’all but i’ve got to go fuck / this guy so we can all get stoned and / go for smoothies tomorrow, save me / some rice, ok?
Michelle Tea (The Beautiful: Collected Poems)
You know what's so cool about gaming? The whole collective consciousness thing! Like when you tap into your own knight in shinning armor, you're tapping into all knights in shinning armor. All these archetypes, you know, are we're all of them, and you have to learn to honour and acknowledge them inside you." "Plus, you get to be people you're not." "Um. True. And people you are.
Devin Grayson (User, Book 3)
Er, no-no, something cool happened on the way back here.” “Really? What?” “I… I, uh… I walked into a tree.
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
I think he’s mad at me…” “Aw, it’s okay. He’s still hot, just let him cool down a little.” “Unfortunately, I don’t think it’s possible to cool down in this giant oven.
Steve the Noob (Diary of Steve the Noob 30 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
he had not been in Coralio long enough for his enthusiasm to cool in the heat of the tropics—a paradox that may be allowed between Cancer and Capricorn.
O. Henry (O. Henry: Collected Works (+200 Stories))
The basic message is this: If you’re losing your cool, you are losing. If you are triggered, it is because you allowed someone else to dictate your emotional state. If you are outraged, it is because you lack discipline and self-control. These are personal defeats, not the fault of anyone else. And each defeat shapes who you are as a person, and in the collective sense, who we are as a people. This book is about actively hardening your mind so that you can be the person you think you should be. It is about identifying who that person is in the first place, and taking responsibility for the self-improvement required to become them. It is about learning what it means to never quit. It is about learning to take a joke and giving others some charity when they make a bad one. It is about the importance of building a society of iron-tough individuals who can think for themselves, take care of themselves, and recognize that a culture characterized by grit, discipline, and self-reliance is a culture that survives.
Dan Crenshaw (Fortitude: Resilience in the Age of Outrage)
My slogan? PUT A BLACK FINGER ON THE NUCLEAR TRIGGER. 400 years of docility, of being calm, cool and collected under stress and strain would go to prove that I was the man for the job, that I would not panic in a crisis and push the button.
Eldridge Cleaver (Soul on Ice)
If you’re losing your cool, you are losing. If you are triggered, it is because you allowed someone else to dictate your emotional state. If you are outraged, it is because you lack discipline and self-control. These are personal defeats, not the fault of anyone else. And each defeat shapes who you are as a person, and in the collective sense, who we are as a people.
Dan Crenshaw (Fortitude: Resilience in the Age of Outrage)
One of life's primal situations; the game of hide and seek. Oh, the delicious thrill of hiding while the others come looking for you, the delicious terror of being discovered, but what panic when, after a long search, the others abandon you! You mustn't hide too well. You mustn't be too good at the game. The player must never be bigger than the game itself. It's like making a joke which is so subtle that it goes unnoticed and you are reduced to explaining it. Can we draw some other lesson from this? There exists, between people in love, a kind of capital held by each. This is not just a stock of affects or pleasure, but also the possibility of playing double or quits with the share you hold in the other's heart. One of the strategies can be to sacrifice it at just the right moment and be the first to say: 'I'm not playing any more', since you then collect all the stakes.
Jean Baudrillard (Cool Memories)
It is time,' he said, 'to collect on my wager.' He moved slowly. First, his hands sliding round me and cool light-colored hair drifting against my cheek, and then softly, so softly, the brush of lips against my brow, my eyes, and then my lips. Once, twice, thrice, but not closer. The sensations - like starfire - that glowed through me chased away from my head all thoughts save one, to close that last distance between us. I locked my fingers round his neck and pulled his face again down to mine.
Sherwood Smith (Court Duel (Crown & Court, #2))
We are indeed a house divided. But the division between race and race, class and class, will not be dissolved by massive infusions of brotherly sentiment. The division is not the result of bad sentiment, and therefore will not be healed by rhetoric. Rather the division and the bad sentiments are both reflections of vast and growing inequalities in our socioeconomic system--inequalities of wealth, of status, of education, of access to political power. Talk of brotherhood and "tolerance" (are we merely to "tolerate" one another?) might once have had a cooling effect, but increasingly it grates on the nerves. It evokes contempt not because the values of brotherhood are wrong--they are more important than ever--but because it just does not correspond to the reality we see around us. And such talk does nothing to eliminate the inequalities that breed resentment and deep discontent.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
We are good Black people. Good Black folks who don’t bring up race. We don’t make a fuss; we don’t make things uncomfortable; we are calm and cool and collected at all times. Even in the face of death. I think of how I couldn’t fight back. I think of how Garrett tolerated the slaughter of the deer.
Erin E. Adams (Jackal)
She sat there reading; cool, calm and collected. "You could ruin his life with that information," her friend reported triumphantly. The woman sighed, clearly annoyed at being interrupted. "If I did he would never forget me," she replied. "Besides...I don't care enough about his life to concern myself with what he does with it as long as he doesn't concern himself with thoughts of me." Her friend furrowed her brows. "Why?" she asked. The woman set her book down, leaned forward provocatively and said, "Because then I'd have to think of him too.
Donna Lynn Hope
There are two social classes in Pakistan," Professor Superb said to his unsuspecting audience, gripping the podium with both hands as he spoke. "The first group, large and sweaty, contains those referred to as the masses. The second group is much smaller, but its members exercise vastly greater control over their immediate environment and are collectively termed the elite. The distinction between members of these two groups is made on the basis of control of an important resource:air-conditioning. You see, the elite have managed to re-create for themselves the living standards of say, Sweden without leaving the dusty plains of the subcontinent. They're a mixed lot - Punjabi and Pathans, Sindhis and Baluchis, smugglers , mullahs, soldiers, industrialists - united by their residence in an artificially cooled world. They wake up in air-conditioned houses, drive air-conditioned cars to air-conditioned offices, grab lunch in air-conditioned restaurants (rights of admission reserved), and at the end of the day go home to an air-conditioned lounges to relax in front of their wide-screen TVs. And if they should think about the rest of the people, the great uncooled, and become uneasy as they lie under their blankets in the middle of the summer, there is always prayer, five times a day, which they hope will gain them admittance to an air-conditioned heaven, or at the very least, a long, cool drink during a fiery day in hell.
Mohsin Hamid (Moth Smoke)
Vladimir stood next to one of the beams on the back porch of our new home, leaning on his back. He reached in his pocket and grabbed a pack of cigarettes, Marlboro Reds which were his favorites, and he lit one up. He was dressed all in black; black skinny jeans, black studded belt, black tennis shoes, black v neck shirt and he had the hood of his black jacket up over his head. He looked cool and collected, and somewhat villainous.” -Nina Jean Slack, Once Lost, Forever Found (Vol. #1)
Nina Jean Slack (Once Lost, Forever Found (Volume #1))
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war, who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,
Allen Ginsberg (Collected Poems, 1947-1997)
Believe me. I look cool, calm, and collected on the outside—but on the inside, there’s a tsunami going on.
Danielle Jamie (Mine Would Be You (Sweet Home Alabama #1))
2. A sea cucumber will vomit its intestines when threatened.
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
Now then, thought I, unconsciously rolling up the sleeves of my frock, here goes for a cool, collected dive at death and destruction, and the devil fetch the hindmost.
Herman Melville (Moby-Dick or, The Whale)
When besieged, I’m calm as a baby. When all hell breaks loose, I’m collected and cool.
Eugene H. Peterson (Holy Bible - Message version (Numbered Edition))
Every time I collect my mail from the paint-spattered box in the lobby and see my name printed over and over in bold black ink, I’m reminded that I’m named after a rock star. Not an endlessly cool rocker like Stevie Nicks, Joan Jett, or Madonna. No, my name is Henley Rose Evans, and my parents consciously named me after the lead singer and drummer of every boomer’s favorite easy listening band, the Eagles.
Angie Hockman (Shipped)
I look at her and I feel a collection of curious things, none of which feel quite correct for the circumstances. I feel the coolness I alwavs feel toward strangers, the gentle yawn of distance I still can't help but preserve, even despite her sharing all of this with me. I feel, too, the blank exhaustion of everything
Julia Armfield (Our Wives Under the Sea)
Theo. Galen.” She waited for them to look at her and dropped the robe. Meg crooked her finger at them and tried to act like she was cool and collected and not about to bolt at the sheer hunger that flashed through their expressions. “Come and get me.
Katee Robert (Theirs for the Night (Twisted Hearts, #1))
I breathed enough to learn the trick, And now, removed from air, I simulate the breath so well, That one, to be quite sure The lungs are stirless, must descend Among the cunning cells, And touch the pantomime himself. How cool the bellows feels!
Emily Dickinson (The Collected Poems of Emily Dickinson)
Beneath her calm exterior she wished fiercely that she could pound the meanness out of Joren. Even as she thought it, she knew she would do better to ignore him. Water, she thought, collecting her staff from the shed where it was kept. I am a summer lake on a windless day, clear, cool, and still. Joren is a cloud. All he can do is cast a shadow on my surface. I’ll be here long after he’s gone.
Tamora Pierce
When is Colton coming over again?" I straightened magazines on the coffee table and pretended the subject didn't bother me. "When he realizes the truth about either me or Bryant." Julianne's head popped up from behind the couch, where Ken and a collection of tiny plastic picnic food had fallen. "When will that be?" "Oh probably around the same time hell freezes over." "I thought Colton was your friend," Evelynn said. "I thought you liked him." "I do-well, I used to." It made me feel sad just to say the words. Rebecca gave me a long look. "But you're not going to talk to him until hell freezes over?" I straightened another magazine. "Well, anything is possible. After all, Colton is in the same business as the devil, so he probably has some pull down there. Hell might be cooling as we speak.
Janette Rallison (It's a Mall World After All)
She decides against doing anything that might disrupt the amazing inner calm he’s conveying right now. Cool and collected as ever, he appears to be applying that clever mental preparation technique he developed for himself – the one that involves a lot of shallow fast-paced breathing, staring unblinkingly into space and quivering intensely.
S.R. Thomas (Geeks Beyond Time)
Imagine living a completely different life where you remain calm, cool, and collected
Omar Johnson (Managing Your Emotions: Critical Steps to Maintaining Control In Life)
Sir,” I finally sighed, “I’m a lesbian.” He nodded and said, “Cool, cool.  I think I’m, like, half Jewish or something.
Kerry Hamm (What's the Worst That Could Happen?: A Collection of Reader-Submitted Medical Stories)
When you saw the TV news correspondents in trouble spots like Lebanon and Tehran, they only looked cool, calm, and collected. Viewers never had a chance to inspect their shorts.
Stephen King (The Tommyknockers)
Most hackers are good guys.
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
If you worry about your future and its uncertainty, you may feel better if you work hard now and feel better prepared. Preparation creates a feeling of certainty that may calm you.
Noah William Smith (How to Feel Calm, Cool and Collected)
The Fish She stands over a fish, thinking about certain irrevocable mistakes she has made today. Now the fish has been cooked, and she is alone with it. The fish is for her—there is no one else in the house. But she has had a troubling day. How can she eat this fish, cooling on a slab of marble? And yet the fish, too, motionless as it is, and dismantled from its bones, and fleeced of its silver skin, has never been so completely alone as it is now: violated in a final manner and regarded with a weary eye by this woman who has made the latest mistake of her day and done this to it.
Lydia Davis (The Collected Stories of Lydia Davis)
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Phoenix Queen: You blaze so brightly You set fire to the heart of this world. You conjure up enormous love in all you give, And keep rising from the ashes as a Phoenix queen. Some will be burned by your flame, Try to cool you, put you out, Make you think that your passion is something to doubt, But the ones that truly matter will dance with your flame, Stoke you, stroke you, And stay lit right beside you.
Christine Evangelou (The Stars In Our Scars: A Collection of Unique, Healing and Inspirational Poetry)
MOMMY WANTS A GLASS OF CHARDONNAY If you collected all the drops of days I’ve spent singing “Row, row, row your boat” to children fighting sleep, you’d have an ocean deep enough to drown them many times over.
Beth Ann Fennelly (Heating & Cooling: 52 Micro-Memoirs)
He was still a boy, but there was steel in him. The eyes into which she looked now were cool, but they were eyes strangely mature. “I reckon I’ll stay, ma’am. Down where I come from, we don’t back water for no man.
Louis L'Amour (The Collected Short Stories of Louis L'Amour, Volume 1: Frontier Stories)
No, he thought, I’m not cool and collected, and I’m not always doing things at my own pace. It’s just a question of balance. I’m just good at habitually shifting the weight I carry around from one side of the fulcrum to the other, distributing it. Maybe this strikes others as cool. But it isn’t an easy operation. It takes more time than it seems. And even if I do find the right balance, that doesn’t lessen the total weight one bit.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits. They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight. 'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.' They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.' ("The Wide Net")
Eudora Welty (The Collected Stories)
New York, New York. The Big Apple. The City That Never Sleeps. Spider-Man's hometown. I assume it's a pretty cool place to visit, when you're not stuck in a fleabag motel for three days cramming for finals week in the psychopath exams.
Jeff Strand (The Andrew Mayhem Collection 4-Book Bundle)
And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous attachment to words) and two brain aneurysms in middle age.
Barack Obama (A Promised Land)
And it was so still. The silence of the fields seemed to enter and move familiarly through the house. The wind used the open hall. He felt that he was in a mysterious, quiet, cool danger. It was necessary to do what?...to talk. ("Death Of A Traveling Salesman")
Eudora Welty (The Collected Stories)
I know not how such things can be; I only know there came to me A fragrance such as never clings To aught save happy living things; A sound as of some joyous elf Singing sweet songs to please himself, And, through and over everything, A sense of glad awakening. The grass, a-tiptoe at my ear, Whispering to me I could hear; I felt the rain’s cool finger-tips Brushed tenderly across my lips, Laid gently on my sealed sight, And all at once the heavy night Fell from my eyes and I could see!— A drenched and dripping apple-tree, A last long line of silver rain, A sky grown clear and blue again. And as I looked a quickening gust Of wind blew up to me and thrust Into my face a miracle Of orchard-breath, and with the smell,— I know not how such things can be!— I breathed my soul back into me.
Edna St. Vincent Millay (Collected Poems)
I avoid the looming visitor, Flee him adroitly around corners, Hating him, wishing him well; Lest if he confront me I be forced to say what is in no wise true: That he is welcome; that I am unoccupied; And forced to sit while the potted roses wilt in the crate or the sonnet cools Bending a respectful nose above such dried philosophies As have hung in wreaths from the rafters of my house since I was a child. Some trace of kindliness in this, no doubt, There may be. But not enough to keep a bird alive. There is a flaw amounting to a fissure In such behaviour.
Edna St. Vincent Millay (Collected Poems)
I do not pry where I am not willingly invited. Bryce lurched back in the chair, nearly knocking it over at the smooth male voice in her mind. Rhysand’s voice. But she answered, thanking Luna for keeping her own voice cool and collected, Code of mind-speaking ethics? She felt him pause—as if almost amused. You’ve encountered this method of communication before. Yes. It was all she’d say about Ruhn. May I look in your memories? To see for myself? No. You may not. Rhysand blinked slowly. Then he said aloud, “Then we’ll have to rely on your words.” The petite female gaped at him. “But—
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The essence of cool, after all, is not giving a fuck. And let’s face it: I most definitely give a fuck now. I give a huge fuck. The hugest. Everything else—everything—pales. To pretend otherwise, by word or deed, would be a monstrous lie. There will be no more Dead Boys T-shirts. Whom would I be kidding? Their charmingly nihilistic worldview in no way mirrors my own. If Stiv Bators were still alive and put his filthy hands anywhere near my baby, I’d snap his neck—then thoroughly cleanse the area with baby wipes. There is no hope of hipness. As my friend A. A. Gill points out, after your daughter reaches a certain age—like five—the most excruciating and embarrassing thing she could possibly imagine is seeing her dad in any way threatening to rock. Your record collection may indeed be cooler than your daughter’s will ever be, but this is a meaningless distinction now. She doesn’t care. And nobody else will. If you’re lucky, long after you’re gone, a grandchild will rediscover your old copy of Fun House. But it will be way too late for you to bask in the glory of past coolness. There is nothing cool about “used to be cool.” All of this, I think, is only right and appropriate.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
She was in love with Justin Bieber, let me tell you,” Grandma says, tapping the picture of me wearing a Bieber T-shirt and a collection of Bieber stickers decorating my arms and face. “That girl was crazy about him. Of course now she acts like she's too cool for that kind of music, but you know how kids are.
Amy Sparling (Summer Unplugged (Summer Unplugged #1))
Merciless song, you leave me with my lone, nonconvertible, unmetamorphic body: I’m one-time-only to the marrow of my bones. Four A.M. The hour between night and day. The hour between toss and turn. The hour of thirty-year-olds. The hour swept clean for roosters’ crowing. The hour when the earth takes back its warm embrace. The hour of cool drafts from extinguished stars. The hour of do-we-vanish-too-without-a-trace. Empty hour. Hollow. Vain. Rock bottom of all the other hours. No one feels fine at four a.m. If ants feel fine at four a.m., we’re happy for the ants. And let five a.m. come if we’ve got to go on living.
Wisława Szymborska (Poems New and Collected)
Okay, obviously I didn't die or I wouldn't be able to relate this tender little narrative. Unless, of course, I'm a ghost, writing these words through an Ouija board. That would be pretty cool, but also incredibly time consuming, and the human I was channeling through would probably try to steal all the credit.
Jeff Strand (The Andrew Mayhem Collection 4-Book Bundle)
Landscape II Sun in the knifed horizon bleeds the sky, Spilling a peacock stain upon the sands, Across some murdered rocks refused to die. It is your absence touches my sad hands Blinded like flags in the wreck of air. And catacombs of cloud enshroud the cool And calm involvement of the darkened plains, The stunted mourners here: and here, a full And universal tenderness which drains The sucked and golden breath of sky comes bare. Now, while the dark basins the void of space, Some sudden crickets, ambushing me near, Discover vowels of your whispered face And subtly cry. I touch your absence here Remembering the speeches of your hair.
Carlos A. Angeles (A Bruise Of Ashes: Collected Poems (1940-1992))
When I’m old and dying, wheezing my guts out, my organs failing, I want to walk out the front door of some old farmhouse on my own land, maybe forty, fifty hectares of it. I want to find a cool place in the woods under some old oak tree and settle down there and die as the sun comes up. I want a death rattle, a final breath, a body intact that can then be torn apart by scavengers, riddled with worms, my limbs dragged off to feed some family of little foxes, my guts teeming with maggots, until I am nothing but a gooey collection of juices that feeds the fungi and the oak seedlings and the wild grasses. I want my bleached bones scatted across my own land, broken and sucked clean of marrow, half buried in snow and finally, finally, covered over in loam and ground to dust by the passage of time, until I am broken into fragments, the pieces of my body returned to where they came. I could give back something to this world instead of taking, taking, taking. That’s the death I want.
Kameron Hurley (The Light Brigade)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
My lady and I were out getting hammered at the local watering hole on a weeknight and feeling like cool olds, when the waiter asked if it was “moms’ night out,” while offering to explain to us what whiskey is. And now I’m a corpse—please bury me in my L.L.Bean comfort fleece. ME: “Excuse me, I have tattoos, Jeff.” “Oh my goodness, ma’am, I’m so sorry, I just saw the fluid collecting at your ankles and assumed—” HIM: What the fuck is happening to my life? What vibe am I giving off ? Yes, I am wearing soft, pull-on, straight-leg Gloria Vanderbilts, but I also have cool glasses and a motherfucking hand tattoo. Couldn’t it just be middle school art teachers’ happy hour, Jeff ?!
Samantha Irby (Wow, No Thank You.: Essays)
5. A polar bear's liver is poisonous – by vitamins. In various cultures, pork or chicken liver is considered a delicacy, due to its taste and nutritious value. The same is true for liver of some wild animals, such as boars or deer. However, eating a polar bear's liver will most likely kill an average human – but not due to its poison. Polar bears have liver that is rich in vitamin A, containing 24,000 – 35,0000 IU (international units) per gram. For humans, a tolerable upper limit is 10,000 IU, while doubling this amount will result in first symptoms of hypervitaminosis (vitamin toxicity). Tripling the amount, which is normal for polar bears (who are immune to such hypervitaminosis), would result in death.
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
The pharaonic era of the country-house technocrats. The dream of an electronic control of things runs up against the traditional stupidity of the masses. Collective demand has never been so elicited, forced or violated as it has in the field of computing. The clash between a philosophical and metaphysical exigency and a present which is no longer in the least philosophical and metaphysical. The clash between a system of representation and a system of simulation. The clash between a thinking of difference and a thinking of indifference. What is the power of indifference? What would an analytics of indifference be like? Torn between a radical indifference and a radical seduction. Postmodemity is the simultaneity of the destruction of earlier values and their reconstruction. It is renovation within ruination. In terms of periods, it is the end of final evaluations and the movement of transcendence, which are replaced by 'teleonomic' evaluation, in terms of retroaction. Everything is always retroactive, including - and, indeed, particularly including - information. The rest is left to the acceleration of values by technology (sex, body, freedom, knowledge).
Jean Baudrillard (Cool Memories)
He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell down at the sudden movement and shuffled backward on his hands and feet, drops of sweat beading on his forehead despite the cool air. His back struck a hard metal wall; he slid along it until he hit the corner of the room. Sinking to the floor, he pulled his legs up tight against his body, hoping his eyes would soon adjust to the darkness. With another jolt, the room jerked upward like an old lift in a mine shaft. Harsh sounds of chains and pulleys, like the workings of an ancient steel factory, echoed through the room, bouncing off the walls with a hollow, tinny whine. The lightless elevator swayed back and forth as it ascended, turning the boy’s stomach sour with nausea; a smell like burnt oil invaded his senses,
James Dashner (The Maze Runner Series Complete Collection)
Five years ago, when your absence stitched her mouth shut for weeks, I hid your collection of feathers, hid the preserved shells of robin’s eggs, hid the specimens of bone. Each egg was its own shade of blue; I slipped them into a shoebox under my bed. When you were alive, the warmth of each shell held the thrill of possibility. I first learned to mix paint by matching the smooth turquoise of a heron’s egg: first aqua, then celadon, then cooling the warmth of cadmium yellow with phthalo blue. When you died, Teta quoted Attar: The self has passed away in the beloved. Tonight, the sparrows’ feathers are brushstrokes on the dark. This evening is its own witness, the birds’ throats stars on the canvas of the night. They clap into cars and crash through skylights, thunk into steel trash cans with the lids off, slice through the branches of boxed-in gingkoes. Gravity snaps shut their wings. The evening’s fog smears the city to blinding. Migrating birds, you used to say, the city’s light can kill.
Zeyn Joukhadar (The Thirty Names of Night)
A climate's changes are tough to quantify. Butterflies can help. Entomologists prefer "junk species--" the kind of butterflies too common for most collections-- to keep up with what's going on in the insect's world. They're easy to find and observe. When do something unusual, something's changed in the area. Art Shapiro's team at UC Davis monitors ten local study sites, some since the 1970s. The ubiquitous species are the study's go-tos, helping distinguish between lasting changes (climate warming, habitat loss) and ones that will right themselves (one cold winter, droughts like last year's). Consistency is key; they collect details year after year, no empty data sets between. A few species have disappeared from parts of the study area altogether, probably a lasting change. On the other hand, seemingly big news in 2012 might be just a year's aberration. Two butterflies came back to the city of Davis last year, the umber skipper after 30 years, the woodland skipper after 20-- both likely a result of a dry winter with near-perfect breeding conditions of sunny afternoons and cool nights.
Johnson Rizzo
The Pretender" I'm going to rent myself a house In the shade of the freeway I'm going to pack my lunch in the morning And go to work each day And when the evening rolls around I'll go on home and lay my body down And when the morning light comes streaming in I'll get up and do it again Amen Say it again Amen I want to know what became of the changes We waited for love to bring Were they only the fitful dreams Of some greater awakening I've been aware of the time going by They say in the end it's the wink of an eye And when the morning light comes streaming in You'll get up and do it again Amen Caught between the longing for love And the struggle for the legal tender Where the sirens sing and the church bells ring And the junk man pounds his fender Where the veterans dream of the fight Fast asleep at the traffic light And the children solemnly wait For the ice cream vendor Out into the cool of the evening Strolls the Pretender He knows that all his hopes and dreams Begin and end there Ah the laughter of the lovers As they run through the night Leaving nothing for the others But to choose off and fight And tear at the world with all their might While the ships bearing their dreams Sail out of sight I'm going to find myself a girl Who can show me what laughter means And we'll fill in the missing colors In each other's paint-by-number dreams And then we'll put our dark glasses on And we'll make love until our strength is gone And when the morning light comes streaming in We'll get up and do it again Get it up again I'm going to be a happy idiot And struggle for the legal tender Where the ads take aim and lay their claim To the heart and the soul of the spender And believe in whatever may lie In those things that money can buy Though true love could have been a contender Are you there? Say a prayer for the Pretender Who started out so young and strong Only to surrender Jackson Browne, The Pretender (1976)
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords (Jackson Browne Classic Songbook Collection))
I’ve never tried olives,” I say as I toss a Cheeto into my mouth and chew, swallowing it before I add, “some guy I once worked with told me they taste like pussy.” Shane was in the unfortunate position of having just taken a mouthful of his whiskey and the sound that he makes as he almostchokes on his drink, while simultaneously laughing and coughing, makes me giggle. I look over at Erin, who simply rolls her eyes in disgust as Shane tries to stop whiskey from running out of his nose. It is a beautiful sight to see the usually cool, calm and collected alpha I have come to love, so completely undone, and I don’t think he has ever looked sexier.
Sadie Kincaid (Ryan Reign (New York Ruthless, #4))
The sun was gone, and the moon was coming Over the blue Connecticut hills; The west was rosy, the east was flushed, And over my head the swallows rushed This way and that, with changeful wills. I heard them twitter and watched them dart Now together now apart Like dark petals blown from a tree; The maples stamped against the west Were black and stately and full of rest, And the hazy orange moon grew up And slowly changed to yellow gold While the hills were darkened, fold on fold To a deeper blue than a flower could hold. Down the hill I went, and then I forgot the ways of men, For night-scents, heady, and damp and cool Wakened ecstasy in me On the brink of a shining pool. O Beauty, out of many a cup You have made me drunk and wild Ever since I was a child, But when have I been sure as now That no bitterness can bend And no sorrow wholly bow One who loves you to the end? And though I must give my breath And my laughter all to death, And my eyes through which joy came, And my heart, a wavering flame; If all must leave me and go back Along a blind and fearful track So that you can make anew, Fusing with intenser fire, Something nearer you desire; If my soul must go alone Through a cold infinity, Or even if it vanish, too, Beauty, I have worshipped you. Let this single hour atone For the theft of all of me
Sara Teasdale (The Collected Poems)
He lifted one bottle into the light. " 'GREEN DUSK FOR DREAMING BRAND PUREE NORTHERN AIR,' " he read. " 'Derived from the atmosphere of the white Arctic in the spring of 1900, and mixed with the wind from the upper Hudson Valley in the month of April, 1910, and containing particles of dust seen shining in the sunset of one day in the meadows around Grinnell, Iowa, when a cool air rose to be captured from a lake and a little creek and a natural spring.' "Now the small print," he said. He squinted. " 'Also containing molecules of vapor from menthol, lime, papaya, and watermelon and all other water-smelling, cool-savored fruits and trees like camphor and herbs like wintergreen and the breath of a rising wind from the Des Plaines River itself. Guaranteed most refreshing and cool. To be taken on summer nights when the heat passes ninety.' " He picked up the other bottle. "This one the same, save I've collected a wind from the Aran Isles and one from off Dublin Bay with salt on it and a strip of flannel fog from the coast of Iceland." He put the two bottles on the bed. "One last direction." He stood by the cot and leaned over and spoke quietly. "When you're drinking these, remember: It was bottled by a friend. The S.J. Jonas Bottling Company, Green Town, Illinois- August, 1928. A vintage year, boy... a vintage year.
Ray Bradbury (Dandelion Wine)
They don’t know about the lonely nights in a strange, often dirty, bed in some fleabag hotel on the other side of the world. Lying there for hours on end staring at the rusty ceiling fan that barely moves the air, doing little more than collecting dust. The heat and humidity clog up my head and the sweat streams down my chest despite feeble attempts to cool off. Nights when I struggle to get the aging computer called my mind, a late ‘70s model, to process all the new events and information collected in its memory during the day. Appalling images are engraved on my soul, leaving permanent scars. The nights are spent fixated on the memories that never die, like maggots eating at my brain. I was striving hard for routine.
Yigal Zur (Child of Dust: A Dotan Naor Thriller)
7. The monstrous rats of Tehran In Tehran, Iran, a squad of snipers is employed to protect citizens from – rats! Do not think for a single moment that such rats could be easily dealt with by a domestic cat, because the poor cat may this time end up having its rear side kicked big time. The official statement is that the rats were exposed to radiation, which resulted in a severe genetic mutation. They now grow up to over 5 kilograms (10 pounds), and are just as cunning, aggressive and always hungry as the small sewer rats we have all seen. Although there is a disagreement to their origins within the scientific community, there is really no evidence that would point to an explanation where the ravenous, overgrown rodents came from. Good thing they are not skilled in the far-eastern martial arts… we hope.
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
Be someone who is cool under pressure. Value serenity instead of outrage. It seems that our culture is moving in the wrong direction here. If you are blessed enough to not be on social media, you might be surprised to learn that the angriest, most passionate public figures are rewarded with the most clicks and biggest audiences. Our culture has begun to confuse passion with substance, reward the loudest and angriest voices, and thus incentivize behavior wholly at odds with Stoic wisdom. The number of decibels your voice hits as you scream about how right you are is not necessarily an indicator of how much sense you are making. As a society founded on reason and Western Enlightenment ideals, we must hold ourselves to a higher standard. We have to collectively stop allowing emotion and passion to pass for reason and factual debate.
Dan Crenshaw (Fortitude: American Resilience in the Era of Outrage)
76. Two men, one heart – one widow?! It was over the news around the end of 2010s – a man called Sonny Graham, 57 at the time, had received a heart transplantation which saved his life. The heart had belonged to Terry Cottle, an adopted father of two, and a husband of a woman named Cheryl, who had taken his life at the age of 33. Here is where things got creepy. Mr. Graham suddenly changed some of his life habits, including his food and drink preferences, which now strangely matched Mr. Cottle's. On top of that – he fell in love with Cheryl, Mr. Cottle's widow. Soon after, they married. However, there was no happy ending to this story. 13 years later, Sonny Graham, who had previously never displayed any signs of mental or emotional instability, took his life as well – in much the same way as late mr. Cottle did. So who says our brain is our only thing responsible for our thoughts and emotions?
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
I was one among many women busy with the obscure daily tasks of the household. Why did you single me out and bring me away from the cool shelter of our common life? Love unexpressed is sacred. It shines like gems in the gloom of the hidden heart. In the light of the curious day it looks pitifully dark. Ah, you broke through the cover of my heart and dragged by trembling love into the open place, destroying for ever the shady corner where it hid its nest. The other women are the same as ever. No one has peeped into their inmost being, and they themselves know not their own secret. Lightly they smile, and weep, chatter, and work. Daily they go to the temple, light their lamps, and fetch water from the river. I hoped my love would be saved from the shivering shame of the shelterless, but you turn your face away. Yes, your path lies open before you, but you have cut off my return, and left me stripped naked before the world with its lidless eyes staring night and day.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
Nah, you’re realizing I’m the total package. Beauty and brains—” “And super modest,” she noted. “Exactly! And, because my amazingness knows no bounds, I even come bearing presents!” He pulled a box of Prattles from his cape pocket with a dramatic flourish. “Today you’re getting my brilliant lesson and candy!” He tore open the box and fished out the tiny satchel, dumping the collectible pin into his hand. “Cool—the Prattles kraken! I’ve always wanted one of those!” He held up the tiny replica of the giant sea monster. “Remember when the Black Swan had us leap under the ocean and that kraken wanted to eat us?” “Kinda hard to forget,” Sophie told him. “And you can keep the pin.” “Uh-uh, it’s yours.” “But you want it.” “And I want you to have it! So how about we call him ours? We’ll name him Krakie, and he can live right here.” He pointed to the bandage covering her right hand. “That way Krakie can protect you from the echo—not that you need protection. He’ll just be your backup.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
So, these competitors . . . What do they hope to gain by interfering with your journey?” The instant the question left his mouth, he knew it was too direct. Nicole dropped her gaze and removed her hand from his arm. “With all due respect, Mr. Thornton . . .” Drat. They were back to Mr. Thornton again. “ . . . the details of the business I’m conducting for my father are not your concern.” “They are if they put you in danger. And what of the rest of my staff?” Darius snatched the napkin from his lap and threw it onto the table before lurching to his feet and pacing behind his chair. “I have a right to know if having you here is putting them at risk.” “No greater risk than they face from your exploding boilers!” Nicole shot from her seat, color running high in her cheeks. The audacity of the chit. “I take every precaution—” “As do I.” She glared at him. “The Wellborns are in no peril, especially if they keep my presence here a secret. It’s doubtful that Jenkins’s sons will find me, anyway. Heaven knows they aren’t the sharpest knives in the drawer.” “As master of this house, it’s my duty to know the business of those under my roof.” He didn’t know what nonsense he was spouting now. He didn’t care. Nicole had let a vital piece of information slip in her anger, and he wasn’t about to let the argument cool long enough for her to notice her lapse. “Well, perhaps it’s time I collect the pay I’ve earned and leave you and your roof to your own devices.” Not on her life. The woman would be unprotected. Vulnerable. Easy prey for that Jenkins scum. But he couldn’t let her know his refusal was out of concern for her. She’d simply assure him she’d be fine and walk out the door. Darius crossed his arms over his chest and looked down his nose at her. “You agreed to accept payment after a term of two weeks. I’ll not pay a cent before then. You owe me ten more days, Miss Greyson. Or do you plan to renege on our agreement?” Her hands fisted at her sides. “I never go back on my word.
Karen Witemeyer (Full Steam Ahead)
Romance of the sleepwalker" Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea and the horse on the mountain. With her waist that’s made of shadow dreaming on the high veranda, green the flesh, and green the tresses, with eyes of frozen silver. Green, as I love you, greenly. Beneath the moon of the gypsies silent things are looking at her things she cannot see. Green, as I love you, greenly. Great stars of white hoarfrost come with the fish of shadow opening the road of morning. The fig tree’s rubbing on the dawn wind with the rasping of its branches, and the mountain cunning cat, bristles with its sour agaves. Who is coming? And from where...? She waits on the high veranda, green the flesh and green the tresses, dreaming of the bitter ocean. - 'Brother, friend, I want to barter your house for my stallion, sell my saddle for your mirror, change my dagger for your blanket. Brother mine, I come here bleeding from the mountain pass of Cabra.’ - ‘If I could, my young friend, then maybe we’d strike a bargain, but I am no longer I, nor is this house, of mine, mine.’ - ‘Brother, friend, I want to die now, in the fitness of my own bed, made of iron, if it can be, with its sheets of finest cambric. Can you see the wound I carry from my throat to my heart?’ - ‘Three hundred red roses your white shirt now carries. Your blood stinks and oozes, all around your scarlet sashes. But I am no longer I, nor is this house of mine, mine.’ - ‘Let me then, at least, climb up there, up towards the high verandas. Let me climb, let me climb there, up towards the green verandas. High verandas of the moonlight, where I hear the sound of waters.’ Now they climb, the two companions, up there to the high veranda, letting fall a trail of blood drops, letting fall a trail of tears. On the morning rooftops, trembled, the small tin lanterns. A thousand tambourines of crystal wounded the light of daybreak. Green, as I love you, greenly. Green the wind, and green the branches. They climbed up, the two companions. In the mouth, the dark breezes left there a strange flavour, of gall, and mint, and sweet basil. - ‘Brother, friend! Where is she, tell me, where is she, your bitter beauty? How often, she waited for you! How often, she would have waited, cool the face, and dark the tresses, on this green veranda!’ Over the cistern’s surface the gypsy girl was rocking. Green the bed is, green the tresses, with eyes of frozen silver. An ice-ray made of moonlight holding her above the water. How intimate the night became, like a little, hidden plaza. Drunken Civil Guards were beating, beating, beating on the door frame. Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea, and the horse on the mountain.
Federico García Lorca (Collected Poems)
For almost all astronomical objects, gravitation dominates, and they have the same unexpected behavior. Gravitation reverses the usual relation between energy and temperature. In the domain of astronomy, when heat flows from hotter to cooler objects, the hot objects get hotter and the cool objects get cooler. As a result, temperature differences in the astronomical universe tend to increase rather than decrease as time goes on. There is no final state of uniform temperature, and there is no heat death. Gravitation gives us a universe hospitable to life. Information and order can continue to grow for billions of years in the future, as they have evidently grown in the past. The vision of the future as an infinite playground, with an unending sequence of mysteries to be understood by an unending sequence of players exploring an unending supply of information, is a glorious vision for scientists. Scientists find the vision attractive, since it gives them a purpose for their existence and an unending supply of jobs. The vision is less attractive to artists and writers and ordinary people. Ordinary people are more interested in friends and family than in science. Ordinary people may not welcome a future spent swimming in an unending flood of information. A darker view of the information-dominated universe was described in the famous story “The Library of Babel,” written by Jorge Luis Borges in 1941.§ Borges imagined his library, with an infinite array of books and shelves and mirrors, as a metaphor for the universe. Gleick’s book has an epilogue entitled “The Return of Meaning,” expressing the concerns of people who feel alienated from the prevailing scientific culture. The enormous success of information theory came from Shannon’s decision to separate information from meaning. His central dogma, “Meaning is irrelevant,” declared that information could be handled with greater freedom if it was treated as a mathematical abstraction independent of meaning. The consequence of this freedom is the flood of information in which we are drowning. The immense size of modern databases gives us a feeling of meaninglessness. Information in such quantities reminds us of Borges’s library extending infinitely in all directions. It is our task as humans to bring meaning back into this wasteland. As finite creatures who think and feel, we can create islands of meaning in the sea of information. Gleick ends his book with Borges’s image of the human condition: We walk the corridors, searching the shelves and rearranging them, looking for lines of meaning amid leagues of cacophony and incoherence, reading the history of the past and of the future, collecting our thoughts and collecting the thoughts of others, and every so often glimpsing mirrors, in which we may recognize creatures of the information.
Freeman Dyson (Dreams of Earth and Sky)
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
Maybe they’d give her everything she wanted. All it would cost was her secrets. Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.” “Confess?” Vicereine echoed, puzzled. “Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something. “You cut out pages from Eshe’s book?” Vicereine sounded pissed. “I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.” “You are making some very dangerous enemies,” Vicereine told her. “What’s this all about?” Malik was tight-jawed. “What are you doing?” “Punish me,” Charlie said. “I’m loads worse than Adeline.” “You want it tied to you?” Bellamy asked. The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
Holly Black (Book of Night (Book of Night, #1))
Lucy,” came the call again, neither her father’s voice nor Peter’s. She sat up, trembling with excitement but not with fear. The moon was so bright that the whole forest landscape around her was almost as clear as day, though it looked wilder. Behind her was the fir wood; away to her right the jagged cliff-tops on the far side of the gorge; straight ahead, open grass to where a glade of trees began about a bow-shot away. Lucy looked very hard at the trees of that glade. “Why, I do believe they’re moving,” she said to herself. “They’re walking about.” She got up, her heart beating wildly, and walked toward them. There was certainly a noise in the glade, a noise such as trees make in a high wind, though there was no wind tonight. Yet it was not exactly an ordinary tree-noise either. Lucy felt there was a tune in it, but she could not catch the tune any more than she had been able to catch the words when the trees had so nearly talked to her the night before. But there was, at least, a lilt; she felt her own feet wanting to dance as she got nearer. And now there was no doubt that the trees were really moving—moving in and out through one another as if in a complicated country dance. (“And I suppose,” thought Lucy, “when trees dance, it must be a very, very country dance indeed.”) She was almost among them now. The first tree she looked at seemed at first glance to be not a tree at all but a huge man with a shaggy beard and great bushes of hair. She was not frightened: she had seen such things before. But when she looked again he was only a tree, though he was still moving. You couldn’t see whether he had feet or roots, of course, because when trees move they don’t walk on the surface of the earth; they wade in it as we do in water. The same thing happened with every tree she looked at. At one moment they seemed to be the friendly, lovely giant and giantess forms which the tree-people put on when some good magic has called them into full life: next moment they all looked like trees again. But when they looked like trees, it was like strangely human trees, and when they looked like people, it was like strangely branchy and leafy people—and all the time that strange lilting, rustling, cool, merry noise. “They are almost awake, not quite,” said Lucy. She knew she herself was wide awake, wider than anyone usually is.
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
Here is a summary based on the speculations of the well-known scholar of religion, Mircea Eliade:2 Once upon a time, when the economic level of human beings could only be described in terms of mere subsistence, people were highly aware of their natural environment. Among the many things that intrigued them was the splendor of the sky. They realized the sky with its brilliant light, which illuminated every part of the world, was different from anything else they encountered. They were aware of the many items that populated the universe such as trees, mountains, and rivers, as well as people and their implements. But those were all different from the sky. When the people saw a rock, they simply saw a rock; when they beheld the sky, they saw something so vast and so beyond anything that they could touch or understand that they were simultaneously fascinated and intimidated by it. In many ways they feared the sky, but they also saw the sky as friendly to them, at least most of the time. The sky brought sunshine, it brought rain, and it was their constant companion, whether they were hunting or fishing or collecting edible vegetation. The sky was always present. Sometimes the sky would be angry, and it might send thunder and lightning and possibly even downpours so harsh they resulted in harmful floods. But after the sky had worked off its temper, the rain and the cool its tantrum had produced contributed to making further life possible and bearable. The sky, people said, is great. We cannot conceive of anything greater than the sky; and, what’s more, if we pray to it, it often fulfills our desires. It knows and understands us. Because it is so great, nothing is beyond its capability. Understanding these amazing qualities of the sky, it seemed that it was more than just an object: it was a great being, who was not just a thing up there, but who in some ways resembled a human person, except that its powers exceeded anything we humans are capable of. The people began to think of the sky as the home of a super person and considered him to be “god.” They thought they could call him by his name and approach him if they were careful. Having come to think of him as a supreme god now, they recognized that he was still the Great Shining One, who is beyond our understanding, and they continued to be in total awe of him. Thus, according to Eliade, the sky had become one of the important manifestations of what is sacred in the world. He called such disclosures “hierophanies,” which means literally, “manifestations of the Holy.” The little narration above is based on his exposition of the sacredness of the sky, which he says “symbolizes transcendence, power and changelessness simply by being there. It exists because it is high, infinite, immovable, powerful.”3
Winfried Corduan (In the Beginning God: A Fresh Look at the Case for Original Monotheism)
THE ORIGIN OF INTELLIGENCE Many theories have been proposed as to why humans developed greater intelligence, going all the way back to Charles Darwin. According to one theory, the evolution of the human brain probably took place in stages, with the earliest phase initiated by climate change in Africa. As the weather cooled, the forests began to recede, forcing our ancestors onto the open plains and savannahs, where they were exposed to predators and the elements. To survive in this new, hostile environment, they were forced to hunt and walk upright, which freed up their hands and opposable thumbs to use tools. This in turn put a premium on a larger brain to coordinate tool making. According to this theory, ancient man did not simply make tools—“tools made man.” Our ancestors did not suddenly pick up tools and become intelligent. It was the other way around. Those humans who picked up tools could survive in the grasslands, while those who did not gradually died off. The humans who then survived and thrived in the grasslands were those who, through mutations, became increasingly adept at tool making, which required an increasingly larger brain. Another theory places a premium on our social, collective nature. Humans can easily coordinate the behavior of over a hundred other individuals involved in hunting, farming, warring, and building, groups that are much larger than those found in other primates, which gave humans an advantage over other animals. It takes a larger brain, according to this theory, to be able to assess and control the behavior of so many individuals. (The flip side of this theory is that it took a larger brain to scheme, plot, deceive, and manipulate other intelligent beings in your tribe. Individuals who could understand the motives of others and then exploit them would have an advantage over those who could not. This is the Machiavellian theory of intelligence.) Another theory maintains that the development of language, which came later, helped accelerate the rise of intelligence. With language comes abstract thought and the ability to plan, organize society, create maps, etc. Humans have an extensive vocabulary unmatched by any other animal, with words numbering in the tens of thousands for an average person. With language, humans could coordinate and focus the activities of scores of individuals, as well as manipulate abstract concepts and ideas. Language meant you could manage teams of people on a hunt, which is a great advantage when pursuing the woolly mammoth. It meant you could tell others where game was plentiful or where danger lurked. Yet another theory is “sexual selection,” the idea that females prefer to mate with intelligent males. In the animal kingdom, such as in a wolf pack, the alpha male holds the pack together by brute force. Any challenger to the alpha male has to be soundly beaten back by tooth and claw. But millions of years ago, as humans became gradually more intelligent, strength alone could not keep the tribe together.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Yoel Goldenberg makes exhibitions, photographs, models and media craftsmanship. His works are an examination of ideas, for example, validness and objectivity by utilizing an exhaustive methodology and semi exploratory exactness and by referencing documentaries, 'actuality fiction' and prominent experimental reciprocals. Yoel Goldenberg as of now lives and works in Brooklyn. By challenging the division between the domain of memory and the domain of experience, Goldenberg formalizes the circumstantial and underlines the procedure of synthesis that is behind the apparently arbitrary works. The manners of thinking, which are probably private, profoundly subjective and unfiltered in their references to dream universes, are much of the time uncovered as collections. His practice gives a valuable arrangement of metaphorical instruments for moving with a pseudo-moderate approach in the realm of execution: these fastidiously arranged works reverberate and resound with pictures winnowed from the fantastical domain of creative energy. By trying different things with aleatoric procedures, Yoel Goldenberg makes work in which an interest with the clarity of substance and an uncompromising demeanor towards calculated and insignificant workmanship can be found. The work is detached and deliberate and a cool and unbiased symbolism is utilized. His works are highlighting unplanned, unintentional and sudden associations which make it conceivable to overhaul craftsmanship history and, far and away superior, to supplement it. Consolidating random viewpoints lead to astounding analogies. With a theoretical methodology, he ponders the firmly related subjects of file and memory. This regularly brings about an examination of both the human requirement for "definitive" stories and the inquiry whether tales "fictionalize" history. His gathered, changed and own exhibitions are being faced as stylishly versatile, specifically interrelated material for memory and projection. The conceivable appears to be genuine and reality exists, yet it has numerous countenances, as Hanna Arendt refers to from Franz Kafka. By exploring dialect on a meta-level, he tries to approach a wide size of subjects in a multi-layered route, likes to include the viewer in a way that is here and there physical and has faith in the thought of capacity taking after structure in a work. Goldenberg’s works are straightforwardly a reaction to the encompassing environment and uses regular encounters from the craftsman as a beginning stage. Regularly these are confined occasions that would go unnoticed in their unique connection. By utilizing a regularly developing file of discovered archives to make self-ruling works of art, he retains the convention of recognition workmanship into every day hone. This individual subsequent and recovery of a past custom is vital as a demonstration of reflection. Yoel’s works concentrate on the powerlessness of correspondence which is utilized to picture reality, the endeavor of dialog, the disharmony in the middle of structure and content and the dysfunctions of dialect. To put it plainly, the absence of clear references is key components in the work. With an unobtrusive moderate methodology, he tries to handle dialect. Changed into craftsmanship, dialect turns into an adornment. Right then and there, loads of ambiguities and indistinctnesses, which are intrinsic to the sensation, rise up to the top
Herbert Goldenberg