Containment Quotes

In a good bookroom you feel in some mysterious way that you are absorbing the wisdom contained in all the books through your skin, without even opening them.

Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.

The worst type of crying wasn't the kind everyone could see--the wailing on street corners, the tearing at clothes. No, the worst kind happened when your soul wept and no matter what you did, there was no way to comfort it. A section withered and became a scar on the part of your soul that survived. For people like me and Echo, our souls contained more scar tissue than life.

Whatever the present moment contains, accept it as if you had chosen it.

We only need to be one person. We only need to feel one existence. We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility.

Number of empty Ben & Jerry's containers: 3 -- two mint chocolate cookie, one plain vanilla. (Who buys plain vanilla ice cream from Ben & Jerry's, anyway? Is there a greater waste?)

Accept - then act. Whatever the present moment contains, accept it as if you had chosen it. Always work with it, not against it.

We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden in as if caves. I wish for all this to be marked on by body when I am dead. I believe in such cartography - to be marked by nature, not just to label ourselves on a map like the names of rich men and women on buildings. We are communal histories, communal books. We are not owned or monogamous in our taste or experience.

I took a wrong turn on the way to the bathroom and found myself in a beautifully proportioned room I had never seen before, containing a really rather magnificent collection of chamberpots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five thirty in the morning. Or it may only appear at the quarter moon - or when the seeker has an exceptionally full bladder.

She's so small, yet she contains so much evil.

The things we see are the same things that are within us. There is no reality except the one contained within us. That is why so many people live such an unreal life. They take the images outside them for reality and never allow the world within to assert itself.

We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit.

The flames sawed in the wind and the embers paled and deepened and paled and deepened like the bloodbeat of some living thing eviscerate upon the ground before them and they watched the fire which does contain within it something of men themselves inasmuch as they are less without it and are divided from their origins and are exiles. For each fire is all fires, and the first fire and the last ever to be.

But I am even more than this. I am all those they remember, the ones they loved, everyone they knew, and everyone they only heard about. How many are contained in me? Count the stars. Go on, number the grains of sand. That's me. I am humanity.

In the early morning hours, Hannah read at the table by the dim light of dawn. She leaned in close to the pages, chin resting on her folded arms, eyes racing over the words, like chasing butterflies over the hills, to catch as many as she could before going to work. She wondered at how such tales of magic could be contained by mere paper and ink for her to read again and again.

We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.

Oh, those are all our very best moments, when we’re wasting our lives. It’s an act of magnificent rebellion to do meaningless things, to waste time, to swim and drink soda and sleep late. To be silly and frivolous, to laugh at stupid little jokes and tell stupid little stories. Or to paint big paintings, the biggest you can manage, and to try to learn to whisper in color. To look for a way to show other people: this was me, these were my humans, these were our farts. These were our bodies, and they were small, far too small, because they couldn’t contain all our love. That’s all of life. All we can hope for. You mustn’t think about the fact that it might end, because then you live like a coward, you never love too much or sing too loudly. You have to take it for granted, the artist thinks, the whole thing: sunrises and slow Sunday mornings and water balloons and another person’s breath against your neck. That’s the only courageous thing a person can do.

Walt Whitman’s “Song of Myself”: “Do I contradict myself? / Very well then, I contradict myself. / (I am large, I contain multitudes.)”)

This is not the sad tale of a failed marriage, or the tragic saga of a helicopter that fell out of the sky and stole precious people away. It’s the story of how I came to be. How I was able to love and forgive and heal from the inside out to create a wild and beautiful life where I am free. The process of revisiting and reconciling has been terrifying and transformative, rage-inducing and revolutionary. Through it all, the truth has been laid bare to honor the moments where I was reborn. Once I ventured into the Elysian Fields of my own truth and power, there was no returning to a world so small that it no longer contained my expansion. This wasn’t just any journey, it was the journey, the most important one I could ever take.

Sandler (1987) sustentou que o estágio 3 no desenvolvimento do conceito de identificação projetiva veio com Wilfred Bion, que, do ponto de vista de Sandler, tem uma vantagem sobre Racker: mais do que ver a analista atuando no papel da identificação, con­cordante ou complementar - sugere que a subjetividade da analista está de alguma forma envolvida -, Bion (1962) descreveu a analista como um objeto de várias espécies (oposto a um sujeito), como um "container" dentro do qual o paciente simplesmente coloca o que quiser, a analista não aceita nem rejeita algumas ou todas as projeções do paciente (Ogden, 1982, p. 161, chamou a analista de "um receptáculo no qual as partes indesejadas podem ser despe­jadas"). O efeito dessa reconceitualização é tirar a analista dessa igualação, de certa forma, sugerindo que a analista não pode, de forma alguma, ser culpada ou, ao contrário, ser responsabilizada pelo que está sentindo e experimentando: seus "sentimentos con­ tratransferenciais" na verdade não são totalmente contratransfe­renciais, uma vez que correspondem diretamente e de uma forma intuitiva à transferência do paciente.

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The next dish arrived: seaweed, scampi, and squid, sautéed in garlic and butter, served with a simple broth, followed by a modest bowl of tortellini topped with minced herbs. Before taking a bite, Cassie photographed the plate and examined it closely. "I've read about this dish," she said, suddenly remembering an entry in James's journal. "It's like Italian xiaolongbao. This is the chef's signature dish." "Well, let's give it a go." Cassie scooped up one of the glistening pieces of pasta in a gilded spoon, so that she could examine it at eye level. The pasta was so thin that it was almost sheer, barely containing the liquid inside. She put it into her mouth and pushed her tongue to the roof of her palate, releasing the warm and unctuous carbonara sauce in a quick explosion of cream and salty pork.

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