Constantly Torn Between Quotes

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I am constantly torn between killing myself and killing everyone around me.
David Levithan (Will Grayson, Will Grayson)
I am constantly torn between killing myself and killing everyone around me. Those seem to be the two choices. Everything else is just killing time.
David Levithan (Will Grayson, Will Grayson)
I am constantly torn between killing myself and killing everyone around me. Those seem to be the two choices. Everything else is just killing time.
John Green
I am constantly torn between the will to be seen and still hidden so god damn well, a contradiction I never figured out.
Charlotte Eriksson
i am constantly torn between killing myself and killing everyone around me. those seem to be the two choices. everything else is just killing time.
David Levithan (Will Grayson, Will Grayson)
In my world, I am constantly torn between killing myself or everyone around me.
Ragnar Lothbrok
i am constantly torn between killing myself and killing everyone around me.
John Green (Will Grayson, Will Grayson)
It took me a long time to understand that she wasn't being incoherent or contradictory, but rather that it was I myself, arrogant class renegade that I was, who tried to force her discourse into a foreign kind of coherence, one more compatible with my values—that incoherence appears to exist only when you fail to reconstruct the logic that lies behind any given discourse or practice. I came to understand that many different forms of discourse intersected in my mother and spoke through her, that she was constantly torn between her shame at not having finished school and her pride that even so, as she would say, she'd 'made it through and had a bunch of beautiful kids,' and that these two modes of discourse existed only in relation to each other.
Édouard Louis (En finir avec Eddy Bellegueule)
The conversation, as usual, switched back to sex. “It’s difficult with you sometimes though, babe,” Dominic said to Bronagh. “I’m constantly torn between wanting to fucking destroy you, but I also want to bring you flowers and chocolates and treat you like a princess.” Bro, TMI! Bronagh didn’t bat an eyelid. “Why not do both?” Sis, TMI! “That right there,” Dominic snapped his fingers, “that’s why I love you
L.A. Casey (Ryder (Slater Brothers, #4))
You know what’s so funny and sad about us human beings? . . . We are constantly torn between the all-consuming desire to be loved and the terrifying fear of being known. Deep inside we don’t believe the two things can exist together, that if anyone really knew us, they would surely never love us, so we spend our whole lives concocting this wonderful, plastic shell that we fight like madmen to keep pristine. But eventually the plastic cracks and what is inside is a raw, quivering mass of imperfect humanity that has always been lovely and precious enough for God Himself to love.
Earlene Fowler (Steps to the Altar (Benni Harper, #9))
Abraham’s actions are explained not only by what is happening to him at the moment, nor yet only by his character (as Achilles’ actions by his courage and his pride, and Odysseus’ by his versatility and foresightedness), but by his previous history; he remembers, he is constantly conscious of, what God has promised him and what God has already accomplished for him—his soul is torn between desperate rebellion and hopeful expectation; his silent obedience is multilayered, has background. Such a problematic psychological situation as this is impossible for any of the Homeric heroes, whose destiny is clearly defined and who wake every morning as if it were the first day of their lives: their emotions, though strong, are simple and find expression instantly.
Erich Auerbach (Mimesis: The Representation of Reality in Western Literature)
Rahel’s “list” was an attempt to order chaos. She revised it constantly, torn forever between love and duty. It was by no means a true gauge of her feelings.
Arundhati Roy (The God of Small Things)
i am constantly torn between killing myself and killing everyone around me. those seem to be the two choices. everything else is just killing time.
John Green (Will Grayson, Will Grayson)
i am constantly torn between killing myself and killing everyone around me. those seem to be the two choices. everything else is just killing time.
David Levithan (Will Grayson, Will Grayson)
i am constantly torn between killing myself and killing everyone around me. those seem to be the two choices. everything else is just killing time
David Levithan (Will Grayson, Will Grayson)
They are constantly colonists and emigrants ; they have the name of being at home in every country. But they are in exile in their own country. They are torn between love of home and love of something else; of which the sea may be the explanation or may be only the symbol. It is also found in a nameless nursery rhyme which is the finest line in English literature and the dumb refrain of all English poems, 'Over the hills and far away.
G.K. Chesterton (A Short History of England)
I was torn between wanting to rush out of this moment, toward that more, and wanting to stay in it, living in a state of constant anticipation and constant safety.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Perhaps this explains why our culture uses cartographic and geographic language to express notions of sin and virtue. We speak of a moral compass. We describe good people as following the straight and narrow. We say sinners lost their way, lost their bearings. And in our fables of maps and money, characters are constantly torn between sticking to the path of righteousness and wandering into the wilderness of the soul, populated by all those wild animals.
Miles Harvey (The Island of Lost Maps: A True Story of Cartographic Crime)
She was a young thing, a child really, full of hope and light, who’s only friends were the shadows on the walls. Others would have found the darkness that she traversed lacking in shadows, but she exuded an unearthly radiance, lighting the world with every step and bringing life to the shadows that lived only in the twilight between worlds. It was here that her friends came out to play and fed her soul with their love of her joy and the light she bore. For without light, there could be no shadows. He, a man living in the light, found nothing in the darkness, though his eyes scoured it constantly for a kindred spirit. Always, he searched the void for someone to cling to, some kind of anchor for his soul. For he walked in the light only with help of a mask to hide behind. Under it hid an ethereal animal, primal in its needs and desires, which could not stand the light of day. If only there was one who could give him light without destroying the darkness that filled him so that he could finally be free.
Lexie Syrah (Torn: A Dark BDSM Romance Novel (Shattered Lives, #1))
found myself constantly drawn to the subject of narcissistic personality disorder (NPD), which I have concluded is inextricably linked to psychopathy, although this link is rarely mentioned in medical papers or among the psychiatric profession generally. As with psychopathy, people with NPD make up approximately 1 per cent of the population with rates greater in men. Another direct comparison between those suffering with NPD and psychopathy/sociopathy is that both types are characterised by exaggerated feelings of self-importance. In its moderate to extreme forms these people are excessively preoccupied with personal adequacy, power, prestige and vanity; mentally unable to see the destructive damage they are causing themselves and others. Symptoms of the NPD disorder include seeking constant approval from others who are successful in positions of power in whatever form it may be. Many are selfish, grandiose pathological liars; their egos and sense of self-esteem over-inflated, while at once they are torn between exaggerated self-appraisal and the reality that they might never amount to much.
Christopher Berry-Dee (Talking With Psychopaths - A journey into the evil mind: From the No.1 bestselling true crime author)
Don’t be upset that you can’t attain constant happiness. It’s the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it’s brief—showing up when it’s needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we’re away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don’t see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.
Tarryn Fisher (F*ck Love)
Rosie and Johnny's relationship was being ripped to shreds, with the press and public pawing over the pieces like wild dogs. The emotional chasm between Dominic and Pet had been torn even wider. Apparently, Sylvie had been wasting time, money, and ingredients for months, constantly defending this woman to Jay. And someone intimately connected to the Starlight Circus had just called her décor "kitsch." "Penny," she said very calmly, with a smile just as vague, just as airy, and just as malicious, "get the fuck out of my home." Penny tossed her head---and froze as Mabel walked toward her, hips swinging, also smiling. That smile had more eerie impact than every lighting effect in the Dark Forest combined. The intern took a step back, but halted in momentary confusion when Mabel offered her the lollipop. She took the candy skull automatically, and then shrieked as Mabel---tiny, deceptively delicate Mabel---made a blur of a movement with her foot and Penny tumbled across her shoulders. Whistling, Mabel walked toward the back door and out into the alley, wearing Penny around her neck like a scarf. Through the window, Sylvie watched as her assistant calmly threw the intern into the dumpster. As a stream of profanity drifted from the piles of rubbish--most of which, incidentally, was all the ingredients Penny had purposely wasted--Mabel returned to the kitchen. "I'll be off, then," she said, collecting her bag and coat from their hook. "Have a good night," Sylvie returned serenely. As Mabel passed her, without turning her head or altering her expression, their hands fleetingly clasped. The door swung closed, leaving Sylvie alone with Dominic in a lovely, clean kitchen, while her former intern made a third cross attempt to clamber from the trash.
Lucy Parker (Battle Royal (Palace Insiders, #1))
APRIL 6 Don’t be discouraged at the spiritual war you’re called to fight every day. The Lord almighty is with you and wars on your behalf. Between the “already” and the “not yet,” life is war. It can be exhausting, frustrating, and discouraging. We all go through moments when we wish life could just be easier. We wonder why parenting has to be such a continual spiritual battle. We all wish our marriages could be free of war. We all would love it if there were no conflicts at our jobs or in our churches. But we all wake up to a war-torn world every day. It is the sad legacy of a world that has been broken by sin and is constantly under the attack of the enemy. The way the apostle Paul ends his letter to the Ephesian church is interesting and instructive. Having laid out the truths of the gospel of Jesus Christ and having detailed their implications for our street-level living, he ends by talking about spiritual warfare: Finally, be strong in the Lord and in the strength of his might. Put on the whole armor of God, that you may be able to stand against the schemes of the devil. For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places. Therefore take up the whole armor of God, that you may be able to withstand in the evil day, and having done all, to stand firm. Stand therefore, having fastened on the belt of truth, and having put on the breastplate of righteousness, and, as shoes for your feet, having put on the readiness given by the gospel of peace. In all circumstances take up the shield of faith, with which you can extinguish all the flaming darts of the evil one; and take the helmet of salvation, and the sword of the Spirit, which is the word of God, praying at all times in the Spirit, with all prayer and supplication. To that end keep alert with all perseverance, making supplication for all the saints, and also for me, that words may be given to me in opening my mouth boldly to proclaim the mystery of the gospel, for which I am an ambassador in chains, that I may declare it boldly, as I ought to speak. (Eph. 6:10–20) When you get to this final part of Paul’s letter, it’s tempting to think that he has entirely changed the subject. No longer, it seems, is he talking about everyday Christianity. But that’s exactly what he’s talking about. He is saying to the Ephesian believers, “You know all that I’ve said about marriage, parenting, communication, anger, the church, and so on—it’s all one big spiritual war.” Paul is reminding you that at street level, practical, daily Christianity is war. There really is moral right and wrong. There really is an enemy. There really is seductive and deceptive temptation. You really are spiritually vulnerable. But he says more. He reminds you that by grace you have been properly armed for the battle. The question is, will you use the implements of battle that the cross of Jesus Christ has provided for you?
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Seeking happiness selfishly is the best way there is to make yourself, or anyone else, unhappy. Some people might think that the smartest way to guarantee their own well-being is to isolate themselves from others and to work hard at their own happiness, without consideration for other people. They probably assume that if everybody does that, we’ll all be happy. But the result would be exactly the opposite: instead of being happy, they would be torn between hope and fear, make their own lives miserable and ruin the lives of the people around them as well. In the end, just ‘looking out for number one’ is a losing proposition for everybody. One of the fundamental reasons such an approach is doomed is that the world is not made up of independent entities endowed with intrinsic properties that make them by nature beautiful or ugly, friends or enemies. Things and beings are essentially interdependent and in a constant state of transformation. The very elements that
Matthieu Ricard (The Art of Meditation)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. “What’s been the most upsetting thing you’ve had to read about yourself?” “Well, those pictures the other day of my supposed cellulite upset me a lot actually. It really hurt me. It was too painful, too personal. It’s my body everyone was talking about, not just my face. I felt invaded because they put the cameras deliberately onto my legs.” Diana’s relationship with the paparazzi was obviously complex. She professed to hate them: “I know most of the paparazzi and their number plates. They think I am stupid but I know where they are. I’ve had ten years practice. I would support an antistalking bill tomorrow.” Then she took me to the window and started showing me the various media cars, vans, and motorbikes lurking outside. But when I asked why she doesn’t go out of one of the ten other more discreet exits, she exposed her contrary side: “I want to go out the front like anyone else. Why should I change my life for them?” “Because it would make your life easier?” I said. William was equally upset by the constant prying lenses: “Why do they have to chase my mother around so much? It’s unfair on her.” I was torn between genuine concern for the young man protecting his mum so gallantly, and a sense of foreboding for him that one day it would be him, not his mother, who would be chased just as aggressively. How do you explain to a thirteen-year-old boy that he sells papers and therefor he’s a valuable commodity to photographers and editors like me?
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
is it i, who have dragged the latter of linger from the shadows the smell of death from the pits; the footprints where no one steps the pitiful thoughts of nostalgia, hate? the love for another, hate for myself, of human feeling? is it i? falling from the skies was the son of God, or his enemy? constantly torn between sun and shade, the good and not weighing scales of justice, the path to good grace living a lie for a heaven only dreamed; the preacher man's belly sweet wine and sour, deceit before the holy bible, of the preacher man's tongue testaments of old and new, what to follow for truth, what is new to old laws laws of the land, of the people, laws broken, held against ourselves is it i? to think of Christ Jesus, or His Father in Heaven, or the holy spirit solemn: my thoughts running wild, the second coming of who we love who we do not; who we believe in; who we want to follow; or not is it i? who is afraid, or the voices in my head? of Jacob's ladder? buried in myself; afraid of the light, afraid of change. is it i? in low, bottomless pits,holds the crucifix in high esteem; soar lips preaching testaments in disbelief? of what we have become, what we are, what we live to not see is it i? who have dragged myself to this? or this bottomless thoughts?
Nii Yeboah Norton Nortey
I thought how the lives of exiled people are like being on a flight. They are up in the air, between land and sky, not knowing when and whether they will ever land somewhere…I thought how transits are like the lives of many dislocated people like myself. The storyline from my experience often goes like this: a disaster befalls the place you call ‘home.’ You leave for another place hoping it will be just a temporary wait. Sometimes, the second destination is so harsh and unforgiving that you think of it as a ‘temporary transit’ and keep looking for a ‘final’ station that can grant you at least the basic human rights with some dignity. Over time, the temporary becomes permanent. But, deep inside, your feelings, senses, and existence may not cooperate with your new permanent reality. And so, you may find yourself in a state that can be best described as ‘permanently temporary.’ You become divided and torn deep inside constantly hearing two voices: one voice tells you that it is all temporary no matter how long it takes; and a second voice tells you not to believe the first one as this is your permanent destiny.
Louis Yako (Bullets in Envelopes: Iraqi Academics in Exile)
Don't be upset that you can't attain constant happiness. It's the quickest way to feel like a failure in life. If each of our lives represented a page in a book, happiness would be the punctuation. It breaks up the parts that are too long. It closes off some things, divides others. But it's brief-showing up when it's needed and filling tired paragraphs with breaks. Being content is a more attainable constant state. To love your fate without being drunk on euphoria. Brave, determined acceptance removed of bitterness. Be gentle with yourself. Embrace the lows so that you can more effectively enjoy the highs. Love the fight. Love it so much, and let it save you when your emotional muscles have become soft. Kit and I have that. Sometimes, so much joy our hearts ache from it. Sometimes, we have sadness when we're away from Annie or Port Townsend. We feel torn between all the things we love. We fight; we make love. I don't see Muslim again. And after one phone call, I never speak to him again. I hear plenty about him, and I remember our time. And I wonder if you have space in your heart for more than one person. I think you do.
Tarryn Fisher (F*ck Love)
I found myself constantly drawn to the subject of narcissistic personality disorder (NPD), which I have concluded is inextricably linked to psychopathy, although this link is rarely mentioned in medical papers or among the psychiatric profession generally. As with psychopathy, people with NPD make up approximately 1 per cent of the population with rates greater in men. Another direct comparison between those suffering with NPD and psychopathy/sociopathy is that both types are characterised by exaggerated feelings of self-importance. In its moderate to extreme forms these people are excessively preoccupied with personal adequacy, power, prestige and vanity; mentally unable to see the destructive damage they are causing themselves and others. Symptoms of the NPD disorder include seeking constant approval from others who are successful in positions of power in whatever form it may be. Many are selfish, grandiose pathological liars; their egos and sense of self-esteem over-inflated, while at once they are torn between exaggerated self-appraisal and the reality that they might never amount to much.
Christopher Berry-Dee (Talking With Psychopaths - A journey into the evil mind: From the No.1 bestselling true crime author)
I was sleeping while keeping my eyes open, and soon I started to like it. I then came to the realization that I didn't want to wake up once again. That's really sad since I was actually sleeping much better because it felt so lovely. It was essentially a redundant suffering, similar to when you wake up from a nightmare and are ecstatic. I am constantly torn between turning myself off and shutting everyone else off. I'm not doing so great at being a useful human, you know? Every day, I lie in bed for at least an hour. Then, since I'm afraid to offend, I spend time contemplating and remaining silent.
Rifa Coolheart
a shrewd and tawdry city, shining like toyland between the swamps and the sea. The night was weighted with derelicts and dancers, terminal breathing in wards, clenched fists of women as they pushed each time the pains came, chips in perfect alignment on green felt as men thumbed up the corners of the hole cards just enough to read the news, giggling young men in a chickenwire apartment painting the body of one of their chums a lovely gold, ambulances and tow trucks moving away in separate directions with a load of torn flesh or a load of ripped metal, thousands and thousands of picture tubes all telling the same jokes at the same instant to a hundred thousand living rooms, frantic rumps ram-packing the beach sand under the spread towelling, the simultaneous squirts of red tomato and yellow mustard in a hundred different places to disguise the flannelly taste of fried meat, a thousand simultaneous sobbings, thrashings, swallowings, vomitings, ejaculations, coughings, scratchings, cursings, shy touchings, whisperings, kickings. . . . He had never considered himself particularly imaginative. Never before had he felt this way about a city, and he knew that it could only be possible in a strange city, and at a time when grief and uncertainty and introspection had sharpened and heightened awareness. This great Gold Coast became a gigantic cruise ship moving through time rather than space, constantly assimilating the foods, the newborn, the gadgetry, spewing aft the unending tonnage of garbage and waste and dead bodies and broken toys, rolling imperceptibly in the slow tides of history, the passengers unaware that no city is forever, that it will end one day and the eternality of time will cover it in a silence of dust, sand and vines.
John D. MacDonald (The Last One Left (Murder Room Book 672))
Ambivalence exists in all human relationships, including parent-child. Anna Freud maintained that a mother could never satisfy her infant's needs because those are infinite, but that eventually child and mother outgrow that dependence...In Torn in Tow, the British psycho analyst Rozsika Parker complains that in our open, modern society, the extent of maternal ambivalence is a dark secret. Most mothers treat their occasional wish to be rid of their children as if it were the equivalent of murder itself. Parker proposes that mothering requires two impulses - the impulse to hold on, and the impulse to push away. To be a successful mother you must nurture and love your child, but cannot smother and cling to your child. Mothering involves sailing between what Parker calls 'the Scylla of intrusiveness and the Charybdis of neglect.' She proposes that the sentimental idea of perfect synchrony between mother and child 'can cast a sort of sadness over motherhood - a constant state of mild regret that a delightful oneness seems always out of reach.' Perfection is a horizon virtue, and our very approach to it reveals its immutable distance. The dark portion of maternal ambivalence toward typical children is posited as crucial to the child's individuation. But severely disabled children who will never become independent will not benefit from their parents' negative feelings, and so their situation demands an impossible state of emotional purity. Asking the parents of severely disabled children to feel less negative emotion than parents of healthy children is ludicrous. My experience of these parents was that they all felt both love and despair. You cannot decide whether to be ambivalent/ All you can decide is what to do with your ambivalence. Most of these parents have chosen to act on one side of the ambivalence they feel, and Julia Hollander chose to act on another side, but I am not persuaded that the ambivalence itself was so different from one of these families to the next. I am enough of a creature of my times to admire most the parents who kept their children and made brave sacrifices for them. I nonetheless esteem Julia Hollander for being honest with herself, and for making what all those other families did look like a choice.
Andrew Solomon (Far from the Tree: How Children and Their Parents Learn to Accept One Another . . . Our Differences Unite Us)
I am constantly torn between happiness and sadness, that is a fault I long for, to try in-between If I could fit.
Nii Yeboah Norton Nortey