Inglewood Quotes

We've searched our database for all the quotes and captions related to Inglewood. Here they are! All 26 of them:

If they’d been at an out-of-control party in Compton, they would not have knocked. Leimert Park, Inglewood, Downtown, Koreatown, East L.A., Van Nuys, they would have walked right in. But this was Malibu, where the rich white people live. And rich white people get the benefit of the doubt and all of its many benefits.
Taylor Jenkins Reid (Malibu Rising)
What matters is living without regrets, and loving without fear. I wish to make every moment we have together count. I love you. With my whole heart.
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
If you have heard that I am wild, you can contradict the rumour,(...) I am tame. I am quite tame; I am about the tamest beast that crawls. I drink too much of the same kind of whisky at the same time every night. I even drink about the same amount too much. I go to the same number of public-houses. I meet the same damned women with mauve faces. I hear the same number of dirty stories— generally the same dirty stories. You may assure my friends, Inglewood, that you see before you a person whom civilization has thoroughly tamed.
G.K. Chesterton (Manalive (Hilarious Stories))
What was it about children, the tiniest in particular, that made one view life differently?
Sally Britton (Engaging Sir Isaac (Inglewood #4))
Loss is like walking through the dark, hoping for the sunrise. There are times you doubt it will ever come, but eventually the sun must rise. For now, we must count ourselves blessed we do not walk alone. We have each other.
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
Nothing, again, could be more prosaic and impenetrable than the domestic energies of Miss Diana Duke. But Innocent had somehow blundered on the discovery that her thrifty dressmaking went with a considerable feminine care for dress--the one feminine thing that had never failed her solitary self-respect. In consequence Smith pestered her with a theory (which he really seemed to take seriously) that ladies might combine economy with magnificence if they would draw light chalk patterns on a plain dress and then dust them off again. He set up "Smith's Lightning Dressmaking Company," with two screens, a cardboard placard, and box of bright soft crayons; and Miss Diana actually threw him an abandoned black overall or working dress on which to exercise the talents of a modiste. He promptly produced for her a garment aflame with red and gold sunflowers; she held it up an instant to her shoulders, and looked like an empress. And Arthur Inglewood, some hours afterwards cleaning his bicycle (with his usual air of being inextricably hidden in it), glanced up; and his hot face grew hotter, for Diana stood laughing for one flash in the doorway, and her dark robe was rich with the green and purple of great decorative peacocks, like a secret garden in the "Arabian Nights." A pang too swift to be named pain or pleasure went through his heart like an old-world rapier. He remembered how pretty he thought her years ago, when he was ready to fall in love with anybody; but it was like remembering a worship of some Babylonian princess in some previous existence. At his next glimpse of her (and he caught himself awaiting it) the purple and green chalk was dusted off, and she went by quickly in her working clothes.
G.K. Chesterton (Manalive (Hilarious Stories))
The principal of Bennett-Kew Elementary School in Inglewood, California, whose student body is 52 percent Hispanic and 45 percent black, raised these children’s reading levels from the third percentile to the fiftieth percentile in just four years. But she was threatened with loss of money because she used phonics instead of the mandated “whole-language” teaching methods and taught exclusively in English, instead of using the “bilingual” approach required by education authorities. The fact that she was succeeding where others were failing carried no weight with state education officials.
Thomas Sowell (Black Rednecks & White Liberals)
People can’t accept that they’re the only ones unhappy. They’re jealous, and waste their time trying to make others feel the same, when really they ought to put their energy into fixing their own problems.
Sally Britton (Engaging Sir Isaac (Inglewood #4))
Jacob often went from lighthearted laughter to the most solemn sorts of contemplation.
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
It is natural to experience sorrow. We do not think less of you for having a heart.
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
He makes me feel as though I have found shelter in a storm.
Sally Britton (Engaging Sir Isaac (Inglewood #4))
It is my opinion that a man is never so handsome as when he proves himself kind to women, children, and animals.
Sally Britton (Engaging Sir Isaac (Inglewood #4))
While she had begun as the villain in her own love story, Millie had ended the happiest of heroines.
Sally Britton (Engaging Sir Isaac (Inglewood #4))
I can offer you nothing. Not a title, not a fortune. Only my heart. Please. Tell me it is enough.
Sally Britton (Reforming Lord Neil (Inglewood #5))
Inglewood looked up, to find, to his astonishment (as many another denizen of the eastern hemisphere has found), that the American was not only perfectly serious, but was really eloquent and affecting—when the difference of the hemispheres was adjusted. "Manalive
G.K. Chesterton
You're one tough son of a bitch kid, I'll give you that.
Jeremy Croston (The Wrath of Pan (The Inglewood Chronicles, #2))
Tutti gli sport sono a loro modo metafore di vita. Il basket ha la sua specificità nello scorrere del tempo. Quando l’arbitro scocca per aria la prima palla a due sai quale sarà la durata della partita. Quarantotto minuti effettivi durano esattamente quarantotto minuti. Così come durante la veglia del 31 dicembre sappiamo quanto è durato l’anno solare appena trascorso: un anno solare. Però i secondi e gli attimi che compongono una partita o un anno solare sono diversissimi tra loro. Il tempo non scorre lineare, non è un mucchietto di sabbia crescente sotto la fessura della clessidra. Ci sono molti secondi insignificanti, che ci scivolano tra le dita e dimentichiamo presto. E ci sono attimi dilatati, in cui il senso delle cose si blocca e continua a lavorarci dentro negli anni. Questi dodici secondi, segnalati dal maxischermo cubico pendente dal soffitto del Forum di Inglewood, sono uno di questi istanti di purezza. I quarantasette minuti e quarantotto secondi precedenti sono già scomparsi, così come il resto dei playoff e tutta la regular season.
Simone Marcuzzi (Ventiquattro secondi)
himself, entertaining the
Sally Britton (Discovering Grace (Inglewood, #2))
As a legal professional, Ashley Butts maintains a strong attention to detail. Her keen eye and ability to highlight important information have proved useful when reviewing legal drafts and documents, writing memos and preparing for summations and hearings. In addition to exercising her mind, Ashley Butts likes to stay physically fit through regular exercise. This includes going on runs, playing softball and visiting the gym. When she's not working on her personal health, you can find Ashley Butts relaxing.
Ashley Butts Inglewood
Thou art slave to fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppy or charms can make us sleep as well And better than thy stroke; why swell’st thou then? One short sleep past, we wake eternally
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
death shall be no more; Death, thou shalt die.
Sally Britton (Rescuing Lord Inglewood (Inglewood, #1))
This is my life. What would complaining do, except place more weight and drudgery upon my shoulders?
Sally Britton (Reforming Lord Neil (Inglewood #5))
But I believe that people cannot change other people, only present them the opportunities and forgiveness needed to allow them to change.
Sally Britton (Reforming Lord Neil (Inglewood #5))
Vincent Van Gogh is attributed with the quote, “What is done in love is done well.
Sally Britton (Reforming Lord Neil (Inglewood #5))
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