Console Myself Quotes

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The idea of being strong for someone else having never entered their heads, I find myself in the position of having to console them. Since I'm the person going in to be slaughtered, this is somewhat annoying.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I could not become anything; neither good nor bad; neither a scoundrel nor an honest man; neither a hero nor an insect. And now I am eking out my days in my corner, taunting myself with the bitter and entirely useless consolation that an intelligent man cannot seriously become anything, that only a fool can become something.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Now I'm living out my life in a corner, trying to console myself with the stupid, useless excuse that an intelligent man cannot turn himself into anything, that only a fool can make anything he wants out of himself.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
How could I choose someone who would force me to give up my own small reach for meaning? I chose myself, and without consolation.
Sue Monk Kidd (The Invention of Wings)
I have to console myself with the hope that I'd seen Isabeau soften, even hesitate, as if she might actually have taken my arm. It was suddenly very easy to picture her in a gown with petticoats and ringlets in her hair and diamonds at her throat. It was just as easy to picture Magda with horns and pitchfork." - Logan, page 95
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
We are all born and someday we’ll all die. Most likely to some degree alone.What if our aloneness isn’t a tragedy? What if our aloneness is what allows us to speak the truth without being afraid? What if our aloneness is what allows us to adventure – to experience the world as a dynamic presence – as a changeable, interactive thing? If I lived in Bosnia or Rwanda or who knows where else, needless death wouldn’t be a distant symbol to me, it wouldn’t be a metaphor, it would be a reality. And I have no right to this metaphor. But I use it to console myself. To give a fraction of meaning to something enormous and needless. This realization. This realization that I will live my life in this world where I have privileges. I can’t cool boiling waters in Russia. I can’t be Picasso. I can’t be Jesus. I can’t save the planet single-handedly. I can wash dishes.
Rachel Corrie
The purpose of art is to console and amuse—myself, and, I hope, others.
Ludwig Bemelmans
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
I came to the realization that every moment exists in perpetuity regardless of whether it’s remembered. What has happened has happened; it occupies that moment in time forever. I was an eleven-year-old girl lying in the grass one summer. I knew in that moment that was true and recognized that I would blaze through moments for the rest of my life, forgetting things, and becoming ages older, until I forgot everything—so I consoled myself by committing to remember that one moment.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
William Shakespeare (The Taming of the Shrew)
I don't try to make sense of suffering. I try to make sense of life...I try each day to see God's will...I console myself with the old Negro spiritual, 'Sooner will be done the troubles of this world. I'm going home to live with God.
Thea Bowman
I tried to console myself with the fact that even if he did choose me, he’d leave me eventually, like every other man in my life.
Carey Corp (Doon (Doon, #1))
After I left here on Saturday, I decided never to see you again.” He was sliding the frittata under the broiler, so she could only see his profile, but damn if he didn’t appear to be smirking. “I know that, darling. It wounds my pride you won’t go out with me, but I can console myself with the knowledge that when you do see me, you can’t keep your knickers on for ten minutes running.” She threw her cookie at him, feigning indignation. “You bastard! Are you calling me easy?” “I like you easy. Besides, you’re not to blame. Who’d want to wear wet knickers?
Ruthie Knox (About Last Night)
Is this how he sees her? As an exotic beauty? I console myself with the knowledge that even the most beautiful flowers wither and die.
Oyinkan Braithwaite (My Sister, the Serial Killer)
I will be your friend,' I said. 'I will go home to my mother's house the way I did when I skinned my knees as a little girl. I'll go and let myself be consoled by my roses, my palm trees, my enormous volcanoes in San Salvador. When you are old, maybe you'll come and see me someday.
Consuelo de Saint-Exupéry (The Tale of the Rose: The Love Story Behind The Little Prince)
I have an unfortunate character; whether it is my upbringing that made me like that or God who created me so, I do not know. I know only that if I cause unhappiness to others, I myself am no less happy. I realize this is poor consolation for them - but the fact remains that it is so. In my early youth, after leaving the guardianship of my parents, I plunged into all the pleasures money could buy, and naturally these pleasures grew distasteful to me. Then I went into high society, but soon enough grew tired of it; I fell in love with beautiful society women and was loved by them, but their love only aggravated my imagination and vanity while my heart remained desolate... I began to read and to study, but wearied of learning, too; I saw that neither fame nor happiness depended on it in the slightest, for the happiest people were the ignorant, and fame was a matter of luck, to achieve which you only had to be shrewd...
Mikhail Lermontov (A Hero of Our Time)
I had ways of consoling myself. Yes, there was food but there was beyond food, this idea I had of an oversoul of loneliness. A connectedness among the world's lonely that I could turn to when I was very low. There was a delicious romance in being utterly alone, & I told myself I was nobler for it, & that there was a purpose to my solitude, O there must be.
Liz Moore
I grieved three thousand times. Then I grieved for myself, a lonely woman without the honor given to the wives of the fallen. The reverence for their loss, for their children's loss. It was eloquent and grand. So moving and charged with solidarity...On September eleventh, I faced the last moments of your father's life. I saw him in every person who tried to jump and every body they pulled from the rubble. And I saw myself as I was never allowed to be, consoled, understood, and loved.
Susan Abulhawa (Mornings in Jenin)
With a beautiful girl I could have consoled myself that she was out of my league; that I was so haunted and stirred even by her plainness suggested—ominously—a love more binding than physical affection, some tar-pit of the soul where I might flop around and malinger for years.
Donna Tartt (The Goldfinch)
I endeavoured to crush these fears and to fortify myself for the trial which in a few months I resolved to undergo; and sometimes I allowed my thoughts, unchecked by reason, to ramble in the fields of Paradise, and dared to fancy amiable and lovely creatures sympathizing with my feelings and cheering my gloom; their angelic countenances breathed smiles of consolation. But it was all a dream; no Eve soothed my sorrows nor shared my thoughts ; I was alone. I remembered Adam's supplication to his Creator. But where was mine? He had abondoned me, and in the bitterness of my heart I cursed him."---Frankenstein's monster, Frankenstein
Mary Wollstonecraft Shelley (Frankenstein (Illustrated Classic Editions))
I received in inheritance neither god nor a given spot on earth from where I can draw the attention of a god: no one either legated me the well disguised fury of the skeptic, the Sioux guiles of the rationalist or the burning innocence of the atheist. So I dare not throw the stone neither at the one who believes in things which inspire me only doubt, nor at the one who cultivates his doubt as if it was not, just as well, surrounded with darkness. This stone would hit me myself because I am well certain about one thing: the need of consolation that dwells within the human being is impossible to satisfy.
Stig Dagerman (Notre besoin de consolation est impossible à rassasier)
Asking me not to break the rules of society is like telling your kid not to eat candy because it’s bad for him. The kid will continue to eat candy until you take it away, or until you prove why he shouldn’t. You also need to provide substitutes for the candy you have denied that child. I was told often enough what was bad, but I was never given a substitute or the opportunity to try another world until I had already become so defiant and twisted, I no longer cared about someone else’s right or wrong. By then I could not see enough honest faces in the world to pattern myself after. Your Bibles didn’t mean anything to me. A Bible had driven my mother from her home. The people you chose to raise me beat and raped me and taught me to hate and fear. From what I have seen throughout my life, the laws of the land are practiced only by the little guy. Those who have money and success abuse every law written and get away with it. I admit my reasoning comes from the wrong side of the tracks, but once these opinions are formed and reinforced a few times, it is hard to believe otherwise. So even if I don’t shed a tear, I console myself: I had some help in becoming the person I am.
Charles Manson (Manson in His Own Words)
books. I would scorn the pointless, haughty posturing, scorn its abstracted way of living. There I go again—pondering the purposelessness of my day-to-day life, wishing I had more ambition, and lamenting all the contradictions in myself—when I know it's just sentimental nonsense. All I'm doing is indulging myself, trying to console myself.
Osamu Dazai (Schoolgirl)
I had written a book of short stories which was published under the title of "Uncle Tom's Children". When the review of that book began to appear, I realized that I had made an awful naive mistake. I found that I had written a book which even bankers' daughters could read and weep over and feel good about. I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears.
Richard Wright (Bigger Thomas (Major Literary Characters))
But I consoled myself with the reflexion that in spite of everything she was for me the real point of intersection between reality and dream.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
Like a tide-race, the waves of human mediocrity are rising to the heavens and will engulf this refuge, for I am opening the flood-gates myself, against my will. Ah! but my courage fails me and my heart is sick within me! -- Lord, take pity on the Christian who doubts, on the unbeliever who would fain believe, on the galley-slave of life who puts out to sea alone, in the night, beneath a firmament no longer lit by the consoling beacon-fires of the ancient hope!" (A Rebours, final words)
Joris-Karl Huysmans
THE FOUR NOBLE TRUTHS I. Suffering does exist. II. Suffering arises from "attachment" to desires. III. Suffering ceases when "attachment" to desire ceases. IV. Freedom from suffering is possible by practicing the eightfold path: 1. Right understanding (view). 2. Right intention (thought). 3. Right speach. 4. Right action. 5. Right livelihood. 6. Right effort. 7. Right mindfulness. 8. Rght meditation (concentration). Buddha's fourfold consolation: With a mind free from greed and unfriendliness, incorruptible, and purified, the noble disciple is already during this lifetime assure of a fourfold consolation: “If there is another world (heaven), and a cause and effect (Karma) of good and bad actions, then it may be that, at the dissolution of the body, after death, I shall be reborn in a happy realm, a heavenly world.” Of this first consolation (s)he is assured. “And if there is no other world, no reward and no punishment of good and bad actions, then I live at least here, in this world, an untroubled and happy life, free from hate and unfriendliness.” Of this second consolation (s)he is assured. “And if bad things happen to bad people, but I do not do anything bad (or have unfriendliness against anyone), how can I, who am doing no bad things, meet with bad things?” Of this third consolation (s)he is assured. “And if no bad things happen to bad people, then I know myself in both ways pure.” Of this fourth consolation (s)he is assured.
Gautama Buddha
I would be quite content to go to their children's bar mitzvahs, to marvel at their Gothic cathedrals, to 'respect' their belief that the Koran was dictated, though exclusively in Arabic, to an illiterate merchant, or to interest myself in Wicca and Hindu and Jain consolations. And as it happens, I will continue to do this without insisting on the polite reciprocal condition - which is that they in turn leave me alone. But this, religion is ultimately incapable of doing.
Christopher Hitchens
I forgot for a second that he was my ancestral enemy, and felt bad for him; then i consoled myself that bird poop brings good luck
Rob Reger (The Lost Days (Emily the Strange, #1))
The attentions of Pasquale Peluso consoled me greatly, I liked that he made me laugh. Maybe I’m not so ugly, I thought, maybe I can’t see myself.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
As a father now myself, it's sobering to think about how the smallest comments will ripple through your children's lives, with some leaving permanent warps. I must console myself in the certainty that I am helping them and damaging them in other ways I cannot see.
John Hodgman (Vacationland: True Stories from Painful Beaches)
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art. The artist is the only one who knows the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it, he hopes to impose this particular vision and share it with others. When the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others. We also write to heighten our own awareness of life, we write to lure and enchant and console others, we write to serenade our lovers. We write to taste life twice, in the moment and in retrospection.. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth, we write to expand our world, when we feel strangled, constricted, lonely. We write as the birds sing. As the primitive dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write. Because our culture has no use for any of that. When I don't write I feel my world shrinking. I feel I am in prison. I feel I lose my fire, my color. It should be a necessity, as the sea needs to heave. I call it breathing.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 5: 1947-1955)
I sense a hint of bitterness in this letter of yours and in a previous one. Excellent: we are living in a dark period, there is absolutely nothing going right, and the only consolation we have is to think about the brevity of life. I have to say that in this situation I am absolutely fine, and I am giving myself up finally to total misanthropy, which I now discover corresponds fully to my true nature. But you seem to be still anxious about something or other. Ha, ha! Don’t worry, it will just get worse and worse.
Italo Calvino (Italo Calvino: Letters, 1941-1985 - Updated Edition)
I have no philosophy in which I can move like a fish in water or a bird on the wing. All I have is an endless struggle, every second of my life, between false consolations that only add to my feeling of powerlessness and deepen my despair, and true consolations that bring me momentary freedom. I should probably say the true consolation, because for me only one exists: the one that allows me to know myself as a free human being, within my own boundaries, untouchable.
Stig Dagerman (Notre besoin de consolation est impossible à rassasier)
If I stay in an unhealthy relationship with you, perhaps it’s because I’m too weak-willed and indecisive to leave, but I don’t want to know it. Thus, I continue helping you, and console myself with my pointless martyrdom. Maybe I can then conclude, about myself, “Someone that self-sacrificing, that willing to help someone—that has to be a good person.” Not so. It might be just a person trying to look good pretending to solve what appears to be a difficult problem instead of actually being good and addressing something real. Maybe instead of continuing our friendship I should just go off somewhere, get my act together, and lead by example.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
Leo Tolstoy (A Confession)
No matter how much I learned about death, I wanted to be able to blindly believe in something that might make me feel better, but I couldn't bring myself to do it because I feel much the same about the Church as I do about dead bodies – that they can both provide consolation, but only if you're willing to ignore some harsh truths. I find no more comfort from whispering in a dead person's ear than I do from whispering to a made-up God in the dark. Though sometimes I envy the fools who can.
Hazel Hayes (Out of Love)
Prayer seems to me a cry of weakness, and an attempt to avoid, by trickery, the rules of the game as laid down. I do not choose to admit weakness. I accept the challenge of responsibility. Life, as it is, does not frighten me, since I have made my peace with the universe as I find it, and bow to its laws. The ever-sleepless sea in its bed, crying out “how long?” to Time; million-formed and never motionless flame; the contemplation of these two aspects alone, affords me sufficient food for ten spans of my expected lifetime. It seems to me that organized creeds are collections of words around a wish. I feel no need for such. However, I would not, by word or deed, attempt to deprive another of the consolation it affords. It is simply not for me. Somebody else may have my rapturous glance at the archangels. The springing of the yellow line of morning out of the misty deep of dawn, is glory enough for me. I know that nothing is destructible; things merely change forms. When the consciousness we know as life ceases, I know that I shall still be part and parcel of the world. I was a part before the sun rolled into shape and burst forth in the glory of change. I was, when the earth was hurled out from its fiery rim. I shall return with the earth to Father Sun, and still exist in substance when the sun has lost its fire, and disintegrated into infinity to perhaps become a part of the whirling rubble of space. Why fear? The stuff of my being is matter, ever changing, ever moving, but never lost; so what need of denominations and creeds to deny myself the comfort of all my fellow men? The wide belt of the universe has no need for finger-rings. I am one with the infinite and need no other assurance.
Zora Neale Hurston (Dust Tracks on a Road)
Much later, when I could think about it clearly, I consoled myself that there were many worse ways in which I might have been raped.
Geraldine Brooks (People of the Book)
I told myself that once I was done ripping the seagull's head off, I would turn around and give a speech so saccharine that even Eddie wouldn't be able to console them when I was finished. I would destroy them, and they would drown in an ocean of their tears. But first the seagull.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
I remember that on the day before you left, I told you that I wanted to change my way of life, and you asked me why I didn’t resign from my company right away. This is no place for me to go into details, but I really do want another kind of life. But here, too, I seem incapable of doing anything. That I myself at times become tired of my own weakness is, I’m afraid, no consolation to you.
Naoya Shiga (A Dark Night's Passing)
I had gained an insight. At great expense, but it was real and important: I was not a writer. What writers had, I did not have. I fought against this insight, I told myself I might be able to have what writers had, it might be attainable provided I persisted for long enough, while knowing in fact this was only a consolation. - Karl Ove Knausgaard, after his year at the Bergen Writing Academy
Karl Ove Knausgård (Min kamp 5 (Min kamp, #5))
The doors to the convenience store slammed open, and I heard frantic footsteps run toward me. I looked up just as Cole rounded the corner of the last aisle. When he saw me,he let out an audible sigh of relief. "Don't scare me like that,Nik." I couldn't answer.I lowered my head and let the tears flow. Cole sat beside me and put his arm around me,and I let him. I cried into the front of his black leather jacket, my tears pooling on the chest pocket. "Careful.I didn't bring a life jacket," Cole said. I sniffled. "Shh.It's okay." I guess that was how low I'd sunk, that Cole was the one person who could console me. We sat like that for a few long minutes,and when I finally had composed myself enough to speak,I said into his jacket, "Why don't you help me?You could be a hero for once." He put his lips against my head. "Heroes don't exist. And if they did,I wouldn't be one of them.
Brodi Ashton (Everneath (Everneath, #1))
Lord, break the chains that hold me to myself; free me to be Your happy slave—that is, to be the happy foot washer of anyone today who needs his feet washed, his supper cooked, his faults overlooked, his work commended, his failure forgiven, his griefs consoled or his button sewed on. Let me not imagine that my love for You is very great if I am unwilling to do for a human being something very small.
Elisabeth Elliot (A Lamp Unto My Feet: The Bible's Light For Your Daily Walk)
Now, I am living out my life in my corner, taunting myself with the spiteful and useless consolation that an intelligent man cannot become anything seriously, and it is only the fool who becomes anything.
Fyodor Dostoevsky
I am therefore Italian, completely and with pride. But if I could, I would descend into all languages and let myself be permeated by them all. Even the terrible Google Translate consoles me. We can be much more than what we happen to be.
Elena Ferrante (Incidental Inventions)
You go on falling in the same ditch every day, deciding every day never to fall again in the same ditch. But when you come near the ditch, the attraction, the fascination with falling in the ditch is so great that you forget all your decisions. You console yourself “Just once more. From tomorrow, I’m going to keep the promise I’ve given to myself.” But this has happened so many times. And you will do it your whole life, unless you allow the watcher to see the ridiculous acts that you are doing. And
Osho (Emotional Wellness: Transforming Fear, Anger, and Jealousy into Creative Energy)
If you only knew how far short I fall of my own hopes you would know I could never boast. Why, it keeps me busy making over mistakes just like some one using old clothes. I get myself all ready to enjoy a success and find that I have to fit a failure. But one consolation is that I generally have plenty of material to cut generously, and many of my failures have proved to be real blessings.
Elinore Pruitt Stewart (Letters of a Woman Homesteader)
With such reflections as these, I was endeavouring to console myself, as I plodded home from the fields, one cold, damp, cloudy evening towards the close of October. But the gleam of a bright red fire through the parlour window, had more effect in cheering my spirits, and rebuking my thankless repinings, than all the sage reflections and good resolutions I had forced my mind to frame; for I was young then, remember — only four and twenty — and had not acquired half the rule over my own spirit, that I now possess — trifling as that may be.
Anne Brontë (The Tenant of Wildfell Hall)
To be human means you can mold situations you are living in the way you want them. But today most people in the world are molded by the situations in which they exist. This is simply because they live in reaction to situations they are placed in. The inevitable question is, “Why was I placed in such a situation? Isn’t it my destiny?” Whatever we do not want to take responsibility for, whatever we cannot make sense of logically, we label “destiny.” It is a consoling word, but disempowering. To mold situations the way you want them you must first know who you are. The crux of the matter is that you don’t yet know who you are. Who you are is not the sum total of accumulations you have made. Everything that you currently know as “myself” is just an accumulation. Your body is just an accumulation of food. Your mind is just an accumulation of impressions gathered through the five senses. What you accumulate can be yours, but it can never be you.
Sadhguru (Inner Engineering: A Yogi’s Guide to Joy)
Would I fortify myself against the fear of death, it must be at the expense of Seneca: would I extract consolation for myself or my friend, I must borrow it from Cicero.  I might have found it in myself, had I been trained to make use of my own reason.  I do not like this relative and mendicant understanding; for though we could become learned by other men's learning, a man can never be wise but by his own wisdom.
Michel de Montaigne
Now, I am living out my life in my corner, taunting myself with the spiteful and useless consolation that an intelligent man cannot become anything seriously, and it is only the fool who becomes anything. Yes, a man in the nineteenth century must and morally ought to be pre-eminently a characterless creature; a man of character, an active man is pre-eminently a limited creature. That is my conviction of forty years.
Fyodor Dostoevsky (Notes from Underground)
A feeling struck me one fine day that people call ‘love’, Before that my life was empty, all I had was loneliness and sorrow… I loved the way it felt being with him, for I felt up above, Now everything was complete and nothing remained hollow… That person who cupid made me fall for, was a God descended from heavens, I loved him with all I had, a true heart and a pure soul… I thought I achieved the meaning of life, never did I felt so glad, But when he left me amidst a chaos, I had no one with me to console… I cried, it hurt, I wept and screamed, everyone called me ‘mad’, And still I wonder if in my life, that actually was his role… But a string still binds me to my past of untold vow, Some unsaid promises that linger between us even now, Although I don’t know where he went after that fateful day… I still try to convince myself every day, I know how, Each moment has been tough, each day a new challenge… Each hour passed as if it was my heart that always allowed, One more day to live without him, one more day to cherish… One more day to spend without the love of my life somehow, But he doesn’t know that one day, the girl herself would perish… Who loved him and lived each day of her life in his wait, For the man who never returned, for the man who wasn’t in her fate…
Mehek Bassi (Chained: Can you escape fate?)
Whilst writing all this, I have had in my mind a woman, whose strong and serious mind would not have failed to support me in these contentions. I lost her thirty years ago [I was a child then]--nevertheless, ever living in my memory, she follows me from age to age. She suffered with me in my poverty, and was not allowed to share my better fortune. When young, I made her sad, and now I cannot console her. I know not even where her bones are: I was too poor then to buy earth to bury her! And yet I owe her much. I feel deeply that I am the son of woman. Every instant, in my ideas and words [not to mention my features and gestures], I find again my mother in myself. It is my mother's blood which gives me the sympathy I feel for bygone ages, and the tender remembrance of all those who are now no more. What return then could I, who am myself advancing towards old age, make her for the many things I owe her? One, for which she would have thanked me--this protest in favour of women and mothers.
Samuel Smiles (Character)
I know whether or not I am confused most readily by noticing--being mindful of--my capacity for feeling caring concern. ... when I feel myself in caring connection--encouraging, consoling, or appreciating--I feel the twin pleasures of clarity and goodness. It doesn't matter if the connection I feel is to myself or a person I know or people I don't know or even the whole world. The lively impulse of caring is what counts. [p. 20]
Sylvia Boorstein (Happiness Is an Inside Job: Practicing for a Joyful Life)
I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find his path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea the story as it comes. And, when one discusses an affair - a long, sad affair - one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
Ford Madox Ford (The Good Soldier)
I flip up my collar and turn my back to him as I pick my way back up toward the cliff base. I don’t think I can watch him disappear into the water. It will break my heart. Puck’s scrubbing her eyes busily as if she has something in them. George Holly bites his lip. The cliffs tower above me and I try to console myself, I will find another capall uisce, I will ride again, I will move to my father’s home and be free. But there’s no comfort in my thoughts. Behind me, the ocean says shhhhhhhh, shhhhhhhhh. There’s a thin, long wail. I keep walking, my bare feet slow on the uneven stones. The wail comes again, low and keening. Puck and Holly are looking past me, so I turn around. Still at the shoreline, Corr has noticed my going, and he stands where I left him, looking back at me. He lifts his head again and keens to me. The irresistible ocean sucks around his hooves. But still he looks over his withers at me and he wails, again and again. The hair on my arms stands with his call. I know he wants me to go to him, but I can’t go with him where he needs to go. Corr falls silent when I do not come to him. He looks back out to the endless horizon. I see him lift a hoof and put it back down. He tests his weight again. Then Corr turns, stepping out of the ocean. His head jerks up when his injured leg touches the ground, but he takes another labored step before keening to me again. Corr takes another step away from the November sea. And another. He is slow, and the sea sings to us both, but he returns to me.
Maggie Stiefvater (The Scorpio Races)
Not just wicked, no, I never even managed to become anything: neither wicked nor good, neither a scoundrel nor an honest man, neither a hero nor an insect. And now I am living out my life in my corner, taunting myself with the spiteful and utterly futile consolation that it is even impossible for an intelligent man seriously to become anything, and only fools become something. Yes, sir, an intelligent man of the nineteenth century must be and is morally obliged to be primarily a characterless being; and a man of character, an active figure – primarily a limited being. This is my forty-year-old conviction. I am now
Fyodor Dostoevsky (Notes from Underground)
You are the greatest comfort for exhausted spirits. By the weight of your tenets and the delightfulness of your singing you have so refreshed me that I now think myself capable of facing the blows of Fortune. You were talking of cures that were rather sharp. The thought of them no longer makes me shudder; in fact I'm so eager to hear more, I fervently beg you for them.' 'I knew it,' She replied. 'Once you began to hang onto my words in silent attention, I was expecting you to adopt this attitude, or rather, to be more exact, I myself created it in you. The remedies still to come are, in fact, of such a kind that they taste bitter to the tongue, but grow sweet once they are absorbed. But you say you are eager to hear more. You would be more than eager to hear if you knew the destination I am trying to bring you to.' I asked what it was and she told me that it was true happiness. 'Your mind dreams of it,' she said, 'but your sight is clouded by shadows of happiness and cannot see reality.' I begged her to lead on and show me the nature of true happiness without delay. 'For you,' she said, 'I will do so gladly.
Boethius (The Consolation of Philosophy)
Now, I am living out my life in my corner, taunting myself with the spiteful and useless consolation that an intelligent man cannot become anything seriously, and it is only the fool who becomes anything. Yes, a man in the nineteenth century must and morally ought to be pre-eminently a characterless creature; a man of character, an active man is pre-eminently a limited creature. That is my conviction of forty years. I am forty years old now, and you know forty years is a whole lifetime; you know it is extreme old age. To live longer than forty years is bad manners, is vulgar, immoral. Who does live beyond forty? Answer that, sincerely and honestly. I will tell you who do: fools and worthless fellows. I tell all old men that to their face, all these venerable old men, all these silver-haired and reverend seniors! I tell the whole world that to its face! I have a right to say so, for I shall go on living to sixty myself. To seventy! To eighty!... Stay, let me take breath...
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.
Machado de Assis (Memórias póstumas de Brás Cubas)
It ended by my almost believing (perhaps actually believing) that this was perhaps my normal condition. But at first, in the beginning, what agonies I endured in that struggle! I did not believe it was the same with other people, and all my life I hid this fact about myself as a secret. I was ashamed (even now, perhaps, I am ashamed): I got to the point of feeling a sort of secret abnormal, despicable enjoyment in returning home to my corner on some disgusting Petersburg night, acutely conscious that that day I had committed a loathsome action again, that what was done could never be undone, and secretly, inwardly gnawing, gnawing at myself for it, tearing and consuming myself till at last the bitterness turned into a sort of shameful accursed sweetness, and at last—into positive real enjoyment! Yes, into enjoyment, into enjoyment! I insist upon that. I have spoken of this because I keep wanting to know for a fact whether other people feel such enjoyment? I will explain; the enjoyment was just from the too intense consciousness of one’s own degradation; it was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into. And the worst of it was, and the root of it all, that it was all in accord with the normal fundamental laws of over-acute consciousness, and with the inertia that was the direct result of those laws, and that consequently one was not only unable to change but could do absolutely nothing. Thus it would follow, as the result of acute consciousness, that one is not to blame in being a scoundrel; as though that were any consolation to the scoundrel once he has come to realise that he actually is a scoundrel.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
What’s more, the awareness I have that no matter how ridiculous and humiliated I may seem, there lies within me that treasure of strength which will someday make them all change their opinion of me, this awareness – almost since the humiliated years of my childhood – then constituted the only source of my life, my light and my dignity, my weapon and my consolation, otherwise I might have killed myself while still a child.
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept. Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos. First, I screamed. I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents. When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions. Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far off—like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said, “Don’t worry, son, we’re gonna take good care of her.” Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
Katie Ashley (Nets and Lies)
Now my evenings have the consolation of mugs of emerald-green tea made with fresh mint. It’s not so bad, but the time seems to stretch, and I’m finding myself in bed by nine, perhaps earlier if I can get away with it. It’s a profoundly unsociable way of living, but it gives me those clearheaded early mornings in the inky dark, when I light candles around the house and relish two straight hours when nobody can make any demands on me.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Granted, I should love my neighbor as myself, the questions which, under modern conditions of large-scale organization, remain for solution are, ''Who precisely is my neighbor?'' and ''How exactly am I to make my love for them effective in practice?''... It had insisted that all men were brethren. But it did not occur to it to point out that, as a result of the new economic imperialism, which was begging to develop in the 17th century, the brethren of the English merchant were the Africans whom he kidnapped for slavery in America, or the American Indians from whom he stripped of their lands, or the Indian craftsmen whom he bought muslin's and silks at starvation prices. Religion had not yet learned to console itself for the practical difficulty of applying its moral principles by clasping the comfortable formula that for the transaction of economic life no moral principles exist.
R.H. Tawney (Religion and the Rise of Capitalism)
Worse were the disaster tourists: those whom I didn’t know well but who came out of the woodwork, showing up unannounced at my hospital room door with an overzealous desire to help or to bear witness to the medical carnival that my life had become. They would gape at my bald head, all misty-eyed, and I’d find myself having to console them. Or they’d bombard me with unsolicited medical advice, telling me about a great doctor they knew or a friend of a friend who’d cured their own cancer with things like essential oils, apricot kernels, coffee enemas, or a juice cleanse. I knew that most meant well and were doing the best they knew how, so I smiled and nodded, but I was silently fuming. As I got sicker, fewer and fewer came—and when they did, I began pretending to be asleep.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
From the essay on Love, in which he describes as a wilderness experience his daily visits with his wife to a hospital 3,000 miles from home in a strange city, where someone he loves is in danger of dying. “When the worst finally happens, or almost happens, a kind of peace comes. I had passed beyond grief, beyond terror, all but beyond hope, and it was thee, in that wilderness, that for the first time in my life I caught sight of something of what it must be like to love God truly. It was only a glimpse, but it was like stumbling on fresh water in the desert, like remembering something so huge and extraordinary that my memory had been unable to contain it. Though God was nowhere to be clearly seen, nowhere to be clearly heard, I had to be near him—even in the elevator riding up to her floor, even walking down the corridor to the one door among all those doors that had her name taped on it. I loved him because there was nothing else left. I loved him because he seemed to have made himself as helpless in his might as I was in my helplessness. I loved him not so much in spite of there being nothing in it for me but almost because there was nothing in it for me. For the first time in my life, there in that wilderness, I caught a glimpse of what it must be like to love God truly, for his own sake, to love him no matter what. If I loved him with less than all my heart, soul, and will, I loved him with at least as much of them as I had left for loving anything… I did not love God, God knows, because I was some sort of saint or hero. I did not love him because I suddenly saw the light (there was almost no light at all) or because I hoped by loving him to persuade him to heal the young woman I loved. I loved him because I couldn’t help myself. I loved him because the one who commands us to love is the one who also empowers us to love, as there in the wilderness of that dark and terrible time I was, through no doing of my own, empowered to love him at least a little, at least enough to survive. And in the midst of it, these small things happened that were as big as heaven and earth because through them a hope beyond hopelessness happened. “O Israel, hope in the Lord from this time forth and for evermore.”… The final secret, I think, is this: that the words “You shall love the Lord your God” become in the end less a command than a promise.
Frederick Buechner (A Room Called Remember: Uncollected Pieces)
For Albertine’s death to have suppressed my suffering, the mortal blow would have had to kill her not only in Touraine, but within me. There, she had never been more alive. To enter inside us, people have been obliged to take on the form and to fit into the framework of time; appearing to us only in successive instants, they have never managed to reveal to us more than one aspect, print more than a single photograph of themselves at a time. This is no doubt a great weakness in human beings, to consist in a simple collection of moments; yet a great strength too; they depend on memory, and our memory of a moment is not informed of everything that has happened since, the moment which it registered still lives on and, with it, the person whose form was sketched within it. And then this fragmentation not only makes the dead person live on, it multiplies her forms. In order to console myself, I would have had to forget not one but innumerable Albertines. When I had succeeded in accepting the grief of having lost one of them, I would have to begin again with another, with a hundred others.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
I could not even imagine any place of secondary importance for myself, and for that very reason I quite contentedly occupied the most insignificant one in real life. Either a hero or dirt - there was no middle way. That turned out to be my undoing, for while wallowing in dirt I consoled myself with the thought that at other times I was a hero, and the hero overlaid the dirt: an ordinary mortal, as it were, was ashamed to wallow in dirt, but a hero was too exalted a person to be entirely covered in dirt, and hence I could wallow in dirt with an easy conscience.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
I was thinking that it was regrettable that your tastes have grown canalized so young. There it was, raining soup-and you were caught without a spoon. Even three days of what you were offered-urged on you!-would have been something to treasure when you reach my age. And you, you young idiot, let jealousy chase you away! Believe me, at your age I would have gone Eskimo in a big way, thankful that I had been given a free pass instead of having to attend church and study Martian to qualify. I'm so vicariously vexed that my only consolation is the sour one that I know you will live to regret it. Age does not bring wisdom, Ben, but it does give perspective . . . and the saddest perspective of all is to see far, far behind you, the temptations you've passed up. I have such regrets myself but all of them are as nothing to the whopper of a regret I am happily certain you will suffer.
Robert A. Heinlein
Bring thy lust to the gospel, not for relief, but for further conviction of its guilt; look on Him whom thou hast pierced, and be in bitterness. Say to thy soul, “What have I done? What love, what mercy what blood, what grace have I despised and trampled on! Is this the return I make to the Father for his love, to the Son for his blood, to the Holy Ghost for his grace? Do I thus requite the Lord? Have I defiled the heart that Christ died to wash, that the blessed Spirit has chosen to dwell in? And can I keep myself out of the dust? What can I say to the dear Lord Jesus? How shall I hold up my head with any boldness before him? Do I account communion with him of so little value, that for this vile lust’s sake I have scarce left him any room in my heart? How shall I escape if I neglect so great a salvation? In the meantime, what shall I say to the Lord? Love, mercy, grace, goodness, peace, joy, consolation… I have despised them all and esteemed them as a thing of nought, that I might harbor a lust in my heart. Have I obtained a view of God’s fatherly countenance, that I might behold his face and provoke him to his face? Was my soul washed, that room might be made for new defilements? Shall I endeavor to disappoint the end of the death of Christ? Shall I daily grieve that Spirit whereby I am sealed to the day of redemption?” Entertain thy conscience daily with this treaty. See if it can stand before this aggravation of its guilt. If this make it not sink in some measure and melt, I fear thy case is dangerous.
John Owen
When you wake raise your soul to God, realising His divine presence; adore the Blessed Trinity, imitating the great St. Francis Xavier, "I adore You, God the Father, who created me, I adore You, God the Son, who redeemed me, I adore You, God the Holy Ghost who have sanctified me, and continue to carry on the work of my sanctification. I consecrate this day entirely to Your love and to Your greater glory. I know not what this day will bring me either pleasant or troublesome, whether I shall be happy or sorrowful, shall enjoy consolation or undergo pain and grief, it shall be as You please; I give myself into Your hands and submit myself to whatever You will.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
I hit my chest with my fist, accusing my body of failing. I’ve had eighty years to adjust and never have. Am I broken? We’ll start there. No. You’re not broken. You are possibly the most loyal and faithful siren I’ve ever had. So, one of the best? Is it bad to tell You that I don’t really want to be good at this job? She swirled around my face and hair, trying to console me. No one with a beating heart could enjoy killing their own. I’m not human, I argued. I’m less than that. Kahlen, my sweet girl, you are still human. Your body may be unchanging, but your soul still bends and sways. I assure you, in the deepest part of yourself, you are still connected to humanity. I kept crying, my tears joining Her waves. Then why can’t I cope with any human contact? Elizabeth has had her lovers. As have many a siren before her. It’s not surprising, considering how beautiful you are. If it’s so typical, then why can’t I do that? She laughed, a motherly sound in my head, as if She knew me better than I knew myself. Because you and Elizabeth are very different people. She’s looking for passion and excitement. In her dark world, those interludes are like fireworks. You long for relationships, for love. It’s why you protect your sisters so fiercely, why you always return to Me even when I don’t call, and why you mourn so heavily at taking lives.
Kiera Cass (The Siren)
I came there again another time. And I looked many times again. I was filled with consolation, with my consolation. The thirty-three abominations were truthful. They were the truth. They were life. The sharp fragments of life, sharp, complete moments. Such are women. They have lovers. Each of these thirty-three (or how many of them were there?) had painted his mistress. Excellent! I grew used to myself being in their presence. Thirty-three mistresses! Thirty-three mistresses! And I was all of them and yet all were not me. I studied the abomination for a long while: before I modeled for them, as well as afterwards. I modelled in order to study. This I felt so keenly. It seemed to me that I was learning about life by pieces, by separate pieces, fragments, but every fragment possessed all its own complexity and power. The abominations began to divide in half. With every day this became clearer. One half became mistresses and the other half queens. Each of the thirty-three created his mistress or his queen. ("Thirty Three Abominations")
Lydia Zinovieva-Annibal (Silver Age of Russian Culture (An Anthology))
The Heiligenstadt Testament" Oh! ye who think or declare me to be hostile, morose, and misanthropical, how unjust you are, and how little you know the secret cause of what appears thus to you! My heart and mind were ever from childhood prone to the most tender feelings of affection, and I was always disposed to accomplish something great. But you must remember that six years ago I was attacked by an incurable malady, aggravated by unskillful physicians, deluded from year to year, too, by the hope of relief, and at length forced to the conviction of a lasting affliction (the cure of which may go on for years, and perhaps after all prove impracticable). Born with a passionate and excitable temperament, keenly susceptible to the pleasures of society, I was yet obliged early in life to isolate myself, and to pass my existence in solitude. If I at any time resolved to surmount all this, oh! how cruelly was I again repelled by the experience, sadder than ever, of my defective hearing! — and yet I found it impossible to say to others: Speak louder; shout! for I am deaf! Alas! how could I proclaim the deficiency of a sense which ought to have been more perfect with me than with other men, — a sense which I once possessed in the highest perfection, to an extent, indeed, that few of my profession ever enjoyed! Alas, I cannot do this! Forgive me therefore when you see me withdraw from you with whom I would so gladly mingle. My misfortune is doubly severe from causing me to be misunderstood. No longer can I enjoy recreation in social intercourse, refined conversation, or mutual outpourings of thought. Completely isolated, I only enter society when compelled to do so. I must live like art exile. In company I am assailed by the most painful apprehensions, from the dread of being exposed to the risk of my condition being observed. It was the same during the last six months I spent in the country. My intelligent physician recommended me to spare my hearing as much as possible, which was quite in accordance with my present disposition, though sometimes, tempted by my natural inclination for society, I allowed myself to be beguiled into it. But what humiliation when any one beside me heard a flute in the far distance, while I heard nothing, or when others heard a shepherd singing, and I still heard nothing! Such things brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! This I have done. I hope the resolve will not fail me, steadfastly to persevere till it may please the inexorable Fates to cut the thread of my life. Perhaps I may get better, perhaps not. I am prepared for either. Constrained to become a philosopher in my twenty-eighth year! This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, think that you have done me injustice, and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. My brothers Carl and [Johann], as soon as I am no more, if Professor Schmidt be still alive, beg him in my name to describe my malady, and to add these pages to the analysis of my disease, that at least, so far as possible, the world may be reconciled to me after my death. I also hereby declare you both heirs of my small fortune (if so it may be called). Share it fairly, agree together and assist each other. You know that any
Ludwig van Beethoven
From any point of view, I had rather be what I am, a member of the Negro race, than be able to claim membership with the most favoured of any other race. I have always been made sad when I have heard members of any race claiming rights and privileges, or certain badges of distinction, on the ground simply that they were members of this or that race, regardless of their own individual worth or attainments. I have been made to feel sad for such persons because I am conscious of the fact that mere connection with what is known as a superior race will not permanently carry an individual forward unless he has individual worth, and mere connection with what is regarded as an inferior race will not finally hold an individual back if he possesses intrinsic, individual merit. Every persecuted individual and race should get much consolation out of the great human law, which is universal and eternal, that merit, no matter under what skin found, is, in the long run, recognized and rewarded. This I have said here, not to call attention to myself as an individual, but to the race to which I am proud to belong.
Booker T. Washington (Up from Slavery)
Ah sir," replied Caderousse, "we cannot console those who will not be consoled, and he was one of these; besides, I know not why, but he seemed to dislike seeing me. One night, however, I heard his sobs, and I could not resist my desire to go up to him, but when I reached his door he was no longer weeping but praying. I cannot now repeat to you, sir, all the eloquent words and imploring language he made use of; it was more than piety, it was more than grief, and I, who am no canter, and hate the Jesuits, said then to myself, 'It is really well, and I am very glad that I have not any children; for if I were a father and felt such excessive grief as the old man does, and did not find in my memory or heart all he is now saying, I should throw myself into the sea at once, for I could not bear it.
Alexandre Dumas
As to answering, though,” said Sara, trying to console herself, “I don’t answer very often. I never answer when I can help it. When people are insulting you, there is nothing so good for them as not to say a word--just to look at them and think. Miss Minchin turns pale with rage when I do it, Miss Amelia looks frightened, and so do the girls. When you will not fly into a passion people know you are stronger than they are, because you are strong enough to hold in your rage, and they are not, and they say stupid things they wish they hadn’t said afterward. There’s nothing so strong as rage, except what makes you hold it in--that’s stronger. It’s a good thing not to answer your enemies. I scarcely ever do. Perhaps Emily is more like me than I am like myself. Perhaps she would rather not answer her friends, even. She keeps it all in her heart.
Frances Hodgson Burnett (A Little Princess)
The Work of Art. When I watch the audience at a concert or the crowd in the picture gallery I ask myself sometimes what exactly is their reaction towards the work of art. It is plain that often they feel deeply, but I do not see that their feeling has any effect, and if it has no effect its value is slender. Art to them is only a recreation or a refuge. It rests them from the work which they consider the justification of their existence or consoles them in their disappointment with reality. It is the glass of beer which the labourer drinks when he pauses in his toil or the peg of gin which the harlot takes to snatch a moment's oblivion from the pain of life. Art for art's sake means no more than gin for gin's sake. The dilettante who cherishes the sterile emotions which he receives from the contemplation of works of art has little reason to rate himself higher than the toper. His is the attitude of the pessimist. Life is a struggle or a weariness and in art he seeks repose or forgetfulness. The pessimist refuses reality, but the artist accepts it. The emotion caused by a work of art has value only if it has an effect on character and so results in action. Whoever is so affected is himself an artist. The artist's response to the work of art is direct and reasonable, for in him the emotion is translated into ideas which are pertinent to his own purposes, and to him ideas are but another form of action. But I do not mean that it is only painters, poets and musicians who can respond profitably to the work of art; the value of art would be much diminished; among artists I include the practitioners of the most subtle, the most neglected and the most significant of all the arts, the art of life.
W. Somerset Maugham (A Writer's Notebook)
I longed for nothing more than to behold a stormy sea, less as a mighty spectacle than as a momentary revelation of the true life of nature; or rather there were for me no mighty spectacles save those which I knew to be not artificially composed for my entertainment, but necessary and unalterable— the beauty of landscapes or of great works of art. I was curious and eager to know only what I believed to be more real than myself, what had for me the supreme merit of showing me a fragment of the mind of a great genius, or of the force or the grace of nature as it appeared when left entirely to itself, without human interference. Just as the beautiful sound of her voice, reproduced by itself on the gramophone, would never console one for the loss of one's mother, so a mechanical imitation of a storm would have left me as cold as did the illuminated fountains at the Exhibition.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Well?” Amelia demanded, clearly unaware of the turn of his thoughts. Which was a good thing, as they likely would have sent her screaming from the room. “Have you discovered anything about my brother’s whereabouts?” “I have.” “And?” “Lord Ramsay visited earlier this evening, lost some money at the hazard table—” “Thank God he’s alive,” Amelia exclaimed. “—and apparently decided to console himself by visiting a nearby brothel.” “Brothel?” She shot Merripen an exasperated glance. “I swear it, Merripen, he’ll die at my hands tonight.” She looked back at Cam. “How much did he lose at the hazard table?” “Approximately five hundred pounds.” The pretty blue eyes widened in outrage. “He’ll die slowly at my hands. Which brothel?” “Bradshaw’s.” Amelia reached for her bonnet. “Come, Merripen. We’re going there to collect him.” Both Merripen and Cam replied at the same time. “No.” “I want to see for myself if he’s all right,” she said calmly. “I very much doubt he is.” She gave Merripen a frosty stare. “I’m not returning home without Leo.” Half amused, half alarmed by her force of will, Cam asked Merripen, “Am I dealing with stubbornness, idiocy, or some combination of the two?” Amelia replied before Merripen had the opportunity. “Stubbornness, on my part. The idiocy may be attributed entirely to my brother.” She settled the bonnet on her head and tied its ribbons beneath her chin.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I leave it in writing for those who will come after me that I do not believe in anything and that forgetfulness is the only salvation. I would like to forget everything, to forget myself and to forget the world. True confessions are written with tears only. But my tears would drown the world, as my inner fire would reduce it to ashes. I don't need any support, encouragement, or consolation because, although I am the lowest of men, I feel nonetheless so strong, so hard, so savage! For I am the only man who lives without hope, the apex of heroism and paradox. The ultimate madness! I should channel my chaotic and unbridled passion into forgetfulness, escaping spirit and consciousness. I too have a hope: a hope for absolute forgetfulness. But is it hope or despair? Is it not the negation of all future hopes? I want not to know, not to know even that I do not know. Why so many problems, arguments, vexations? Why the consciousness of death? How much longer all this thinking and philosophizing?
Emil M. Cioran
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Speaking of full of dirt, I am hardly fit company but in the spirit of wifely tolerance I wonder if you will accompany me to a pool a little ways from here." He meant to bathe. The memory of him emerging from the sauna at the lodge flashed through her mind. Her mouth was suddenly dry. "I thought Vikings liked to boil themselves first." "Ordinarily I would agree with you, but if I get into a sauna now, I will fall asleep." "You are tired from your exertions on the trailing field?" The look he trailed over her was purely male and so evocative as to warm her clear through. "I am tried from my exertions in our bed,lady,as I suspect you well know." "That is a relief!" He looked at her in surprise, prompting a red face and a quick explanation. "I meant that I could not help but think of you toiling as usual while I slept half the day away and felt myself shamed for such sloth." "Oh,well, if it's any consolation to you, I fell asleep under a tree, to the great hilarity of my men, who are not likely to let me forget it anytime soon." She laughed,tension coiling, and without hesitation she held out her hand to him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Brisbane continued. “I have led a selfish life, and I have enjoyed it. I cannot imagine a life without my work, and I cannot imagine a life without you, and yet I cannot reconcile the two.” My heart, which had given a joyous leap in the middle of his speech, faltered now as I realised what he was trying to say. “I never thought to ask you to give up your work,” I began. “But how can I ask you to sit idly by and wait for me to return when every time I kiss you goodbye might be the last?” “Oh, don’t!” I told him, fully enraged. “How dare you blame your cowardice upon me?” His lips went white, as did the tiny crescent moon scar high upon his cheekbone. “I beg your pardon?” “Cowardice,” I said distinctly. “You hide behind this pretence of fine feeling because you will not declare yourself directly and this gives you a perfect excuse, does it not? Spare poor Julia the horror of being widowed a second time. Put her up on the shelf and keep her out of harm’s way whilst you amuse yourself with your dashing adventures.” He opened his mouth to speak, but I stepped forward, tipping my head up to rail at him. “I am quite disappointed that you have revealed yourself to be so thoroughly conventional in your philosophy. Have I not proven myself a capable partner?” I demanded. “Have I not stood, side by side, with you, facing peril with equal courage? If you thought for a moment that I would be the meek, quiet, obedient sort of woman who would sit quietly at home mending your socks while you get to venture out into the world on your daring escapades, you have sorely mistaken me.” I turned on my heel and left him then, gaping after me like a landed carp. It was a very small consolation.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
My ideal man," Malak said ponderingly. "I'm not sure what that means. I don't want the ideal. I want complexity. I want passion. I want imperfection. "My ideal man is not ideal. But," she said, leaning forward, "I'll tell you about him." "I want him to have lunch at home. I want him to help me with my own mind. I want him to be bookish, wise, cunning, and exemplary. I want him to be a good storyteller, and always on my side." "Yes, I want him to be near me. A good conversationalist, proud, not afraid of the lofty heights." "I want him to be a singer, one who knows and loves a good song, can play an instrument, the oud or the ney, and preferably both. I want him to be a good mourner, know how to attend to the pain of others, a consoler who could assuage the grief I have for all those I loved and befriended and who are no longer here. I want him to be a healer, an expert in all that troubles me. I want him to be a fire that annihilates all danger that lies ahead and behind me and that which I have, somehow, without his help, found a way to avoid. I want him to be faithful---" "Incapable of deception. I want him to be constant__" "Constant in his love and in his prayers and, when those prayers are not answered, I want him to change reality with his own hands. I want him to be my lord-" "For all the world to see. I want him to make me proud, to make vanish old and fresh longings, new and unremembered regrets. I want him to be vigilant-" "To protect me from sorrows even once their great heights have passed. I want him to know how to deal with the past. I want him to be occasionally gripped by fear-" "The fear of losing me. I want him to be patient, to help me to endure the injustices visited upon the houses of those I love. But I also want him to be impatient-" "To lose all reason and hurry off, forgetting his shoes and hat, and ride-" "His horse flanked by wings of angry dust, galloping, if need be, all night to find the traitorous, to change my fortunes and avenge me." "And then I want him to return to me, to prosper by my side. I want to take him to the clearest stream, one only I know the way to, and there quench his thirst. I want him to look at me sometimes as if he does not know who I am. But I want to be forever recognized by him, come what may, to point me out in a crowd when, after the passage, we are reunited." "I want him to see me when I cannot see myself.
Hisham Matar (My Friends)
All those beings who revealed truths to me and who were no longer there, seemed to me to have lived a life from which I alone profited and as though they had died for me. It was sad for me to think that in my book, my love which was once everything to me, would be so detached from a being that various readers would apply it textually to the love they experienced for other women. But why should I be horrified by this posthumous infidelity, that this man or that should offer unknown women as the object of my sentiment, when that infidelity, that division of love between several beings began with my life and long before I began writing? I had indeed suffered successively through Gilberte, through Mme de Guermantes, through Albertine. Successively also I had forgotten them and only my love, dedicated at different times to different beings, had lasted. I had anticipated the profanation of my memories by unknown readers. I was not far from being horrified with myself as, perhaps, some nationalist party might be in whose name hostilities had been provoked and who alone had benefited from a war in which many noble victims had suffered and died without even knowing the issue of the struggle which, for my grandmother, would have been such a complete reward. And the single consolation she never knew, that at last I had set to work, was, such being the fate of the dead, that though she could not rejoice in my progress she had at least been spared consciousness of my long inactivity, of the frustrated life which had been such a pain to her. And certainly there were many others besides my grandmother and Albertine from whom I had assimilated a word, a glance, but of whom as individual beings I remembered nothing; a book is a great cemetery in which, for the most part, the names upon the tombs are effaced.
Marcel Proust (Time Regained)
[...] After this compromising confession of "forgery" I should be obliged to consider myself condemned and annihilated if I had not the consolation of seeing side by side with me in the prisoner's dock hundreds of fellow-culprits, among them many of the most trusted observers and most esteemed biologists. The great majority of all the diagrams in the best biological textbooks, treatises and journals would incur in the same degree the charge of "forgery," for all of them are inexact, and are more or less doctored, schematised and constructed. [Berliner Volks-Zeitung - Haeckel's Frauds and Forgeries - Assmuth and Hull:1915]
Ernst Haeckel
And a saint put it a saintly way: [The arranging of funerals, the choosing of tombs and the pomp of obsequies are consolations for the living rather than supports for the dead.] That is why Socrates (when Crito asked him in his final moments how he wanted to be buried) replied, ‘Just as you wish.’ If I had to trouble myself further, I would find it more worthy to imitate those who set about enjoying the disposition and honour of their tombs while they are still alive and breathing, and who take pleasure in seeing their dead faces carved in marble. Happy are they who can please and delight their senses with things insensate – and who can live off their death.
Michel de Montaigne (Essays of Michel de Montaigne — Complete)
Christianity . . . does not [simply] stand in the history that we only know and which knowledge we take to ourselves so that we say “Christ died for us and has broken death in us and made it into life. He has paid the debt for us. We need only to comfort ourselves with this and firmly believe that it has happened.” Since we in ourselves find that sin in the flesh is living, desirous and active, that it might work, the new birth out of Christ must be something else that does not work along with the sinful flesh and that does not will sin. . . . Here a Christian is to consider why he calls himself a Christian and is truly to consider whether he is one. Because I may learn to know and understand that I am a sinner, and that Christ has killed my sins on the cross and shed His blood for me, this in no way makes a Christian out of me. The inheritance is only for the children. A maid in the house knows well what the wife would eagerly have. This does not therefore make her an inheritor of the wife’s goods. The devil also knows that there is a God [James 2:19]. That does not therefore make him an angel again. However, if the maid in the household marries the wife’s son, then she can truly come to the inheritance of the wife’s goods. . . . The scorner and the titular Christian is the whore’s son, who must be cast out for he is not to inherit Christ’s inheritance in the kingdom of God (Galatians 4:30). He is no use, and only Babel, a confusion of the one language into many languages. He is only a talker and arguer about the inheritance and wishes to talk and argue to it with his mouth-hypocrisy and appearance of holiness, but he is only a blood-thirsty murderer of Abel his brother who is the true heir. . . . If one says, “I have the will and wish eagerly to do good, but I have earthly flesh that holds me [back] so that I cannot [act]; nevertheless, I shall be blessed by grace because of the merit of Christ. Since I console myself indeed with His suffering and merit, He will take me out of grace, without any merit of mine, and forgive me my sins,” he acts like one who knows of good food for his health and does not eat it, but who eats instead the poison from which he becomes ill and dies. What does it help the soul if it knows the way to God and does not wish to take it, but goes instead on a way of error, and does not reach God? What does it help the soul if it consoles itself with the sonship of Christ, [with] His suffering and death, and is itself hypocritical, but cannot enter into the childlike birth so that it is born a true child out of Christ’s Spirit, out of His suffering, death and resurrection? Certainly and truly, this tickling and hypocrisy about Christ’s merits aside from the true inherited sonship is false and a lie, [regardless of] who teaches. This consolation belongs to the repentant sinner who is in strife with sin and God’s wrath when the temptations come that the devil sets on the soul. Then the soul is to wrap itself completely in the suffering and death of Christ in His merit. [The Way to Christ, trans. Peter Erb, 138-139, 156-158]
Jakob Böhme
Minutes later, as they lay tangled together, dazed in the aftermath of their loving, Callie began to chuckle silently against Gabriel's side. Lifting his head to find her grinning a wide, silly grin, he drawled, "What is it that has you so amused, lovely?" "I was simply thinking"- she stopped to catch her breath from the laughter and started again- "I was merely thinking that if that is what riding astride is like, the female population is missing out on one of life's finer experiences." The last word was lost as she dissolved once more onto giggles. He caught her against him in a fierce hug and sighed, unable to keep himself from smiling up at the ceiling as he said, "You know, Empress, men do not appreciate laughter at this particular moment. It's devastating to the self-confidence." Her head snapped up and she took in his amused countenance. "Oh, my apologies, good sir," she teased. "I would hate to damage such a fragile ego as that of the Marquess of Ralston." With a playful growl, he pinned her to the mattress. "Minx. You shall pay for that." And he began to kiss down the side of her neck, nibbling across her collarbone until she sighed with pleasure. "If this is how I must pay for it, my lord, you may guarantee I shall tease you a great deal in the coming months." "More than months, I hope," he drawled, distracted by her lovely white breasts. "Years. Decades even." "Decades," she repeated, awestruck. My God. He's going to be my husband. "Mmm-hmm," he murmured against her skin before pulling away from her. "Which is why, despite how very difficult it shall be for me to leave you warm and lush in your bed, I shall console myself with the fact that, very soon, I shan't have to do so ever again.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
It's a truth universally accepted that a single woman without romantic or professional prospects must be in want of a husband." Stella sneered, paraphrasing an ironic Jane Austen quote. "Come one, Stells." David tried to console her. They sat across from each other in Riley's kitchen, each with a cup of coffee that was quickly going from lukewarm to cold. "You don't honestly believe you don't have prospects." She just shrugged. "I guess part of me thought it was always going to be me with you. But as I see, fairy tale's over." David reached a hand between them and held tight to hers. "I'm sorry." She pulled her hand away, praying she could keep boundaries. "You did everything right. I'm a moronic tool." "No, you're not. You're an amazing person-" "Blah blah blah." Stella interrupted. "You don't have to try to sell me on myself. I might be broken, but I know what I am.
Rebekah Martin (The Truth and the Spy (Spy Sisters #2))
I understand you.—You do not suppose that I have ever felt much.—For four months, Marianne, I have had all this hanging on my mind, without being at liberty to speak of it to a single creature; knowing that it would make you and my mother most unhappy whenever it were explained to you, yet unable to prepare you for it in the least.— It was told me,—it was in a manner forced on me by the very person herself, whose prior engagement ruined all my prospects; and told me, as I thought, with triumph.— This person's suspicions, therefore, I have had to oppose, by endeavouring to appear indifferent where I have been most deeply interested;—and it has not been only once;—I have had her hopes and exultation to listen to again and again.— I have known myself to be divided from Edward for ever, without hearing one circumstance that could make me less desire the connection.—Nothing has proved him unworthy; nor has anything declared him indifferent to me.— I have had to contend against the unkindness of his sister, and the insolence of his mother; and have suffered the punishment of an attachment, without enjoying its advantages.— And all this has been going on at a time, when, as you know too well, it has not been my only unhappiness.— If you can think me capable of ever feeling—surely you may suppose that I have suffered NOW. The composure of mind with which I have brought myself at present to consider the matter, the consolation that I have been willing to admit, have been the effect of constant and painful exertion;—they did not spring up of themselves;—they did not occur to relieve my spirits at first.— No, Marianne.—THEN, if I had not been bound to silence, perhaps nothing could have kept me entirely—not even what I owed to my dearest friends—from openly shewing that I was VERY unhappy.
Jane Austen (Sense and Sensibility)
What do you see when you look at me?” “I see you,” he answered as if it was obvious. “It’s not like I see a place, or a time, or a name: just you. Your essence. Your soul. That’s how I find you every time you come back. I know it’s hard to understand, but your soul calls me…and I’m drawn to it. I couldn’t keep away if I tried.” Sage raised his hand to my cheek, cupping it gently. I closed my eyes, resting against the warmth of his palm. When I opened them he had moved closer. I closed the distance between us and kissed him. I felt dizzy and hot and floaty, like every cliché…but it was true. I couldn’t feel my feet. I finally felt like I was where my soul belonged. There was only one problem. The gearshift was digging into my side. “Ow!” I winced. “You okay?” “Yeah…it’s just…” I gestured down, feeling like an idiot for ruining the moment. Sage didn’t seem to mind. He reached down and moved his seat back to its maximum leg room, then held out his hand. I grabbed it and clambered over the center console, clumsily ducking and folding myself until I finally settled onto his lap, straddling his legs. It was the least coordinated act of seduction ever. “Better?” he asked. “Better.” He kissed me, sliding his hands up the back of my shirt. It felt incredible. Without breaking away from his lips, I reached underneath his tee and felt his bare, sleek chest. My breath came faster, caught up in the frenzy of finally letting go and doing what I’d been dying to do from the second I’d seen Sage on the beach. “Wait,” he said. He reached down and pulled a lever. I let out a little scream as his seat back dropped all the way and I fell on top of him. I loved the feel of his body under mine. I didn’t want a single part of us not touching. “Better now?” Sage murmured into my ear. It wasn’t fair of him to ask me a question when he was doing that. I could barely function, never mind put together an answer. “Much better,” I said. “It’s practically a bed.” “Is it?” Sage agreed, and in his eyes I saw exactly what that could mean. “Oh,” I said, suddenly nervous. “But…we can’t. I mean, we don’t have…” “I do,” he said, leaning down to kiss the hollow where my neck met my shoulder. “You do?” I tensed up. Why did he have one? For who? The corner of Sage’s mouth turned up. “For us, Clea. The drugstore in Rio? I kind of had a feeling…” He moved his lips back to my neck. He nibbled on my earlobe, and I whimpered. “Oh,” I managed. “Well…then…” “I love you, Clea.” Everything tunneled in, and I heard the words echo in my head. Sage loved me. Me. I didn’t even realize I’d stopped breathing until he said my name, concerned. “Clea?” I looked at him and immediately relaxed. “I love you, too.” We kissed, and I actually felt myself melting into him as my last coherent thoughts gave way to pure sensation.
Hilary Duff (Elixir (Elixir, #1))
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian.( Wise midnight hags! It is no honest and blunt tu-whit tu-who of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. Oh-o-o-o-o that I never had been bor-r-r-r-n! sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then — that I never had been bor-r-r-r-n! echoes another on the farther side with tremulous sincerity, and — bor-r-r-r-n! comes faintly from far in the Lincoln woods. I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness — I find myself beginning with the letters gl when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — Hoo hoo hoo, hoorer hoo; and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter. I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the double spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.
Henry David Thoreau (Walden)
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good. Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel. Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind. And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones. Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm. Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi. I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.” I didn’t want to talk about it. I didn’t want to hear it. I wanted him to let go of me and I wanted to keep on walking. I wanted to walk back down the hillside, start my car, and get out of there. I didn’t know where I’d go, I just knew I wanted to go. I wanted away from all of it--riding horses, saddles, reins, bridles--I didn’t want it anymore. I hated everything on that ranch. It was all stupid, dumb…and stupid. Wriggling loose of his consoling embrace, I squealed, “I seriously can’t do this!” My hands trembled wildly and my voice quivered. The tip of my nose began to sting, and tears welled up in my eyes. It wasn’t like me to display such hysteria in the presence of a man. But being driven to the brink of death had brought me to this place. I felt like a wild animal. I was powerless to restrain myself. “I don’t want to do this for the rest of my life!” I cried. I turned to leave again but decided instead to give up, choosing to sit down on the ground and slump over in defeat. It was all so humiliating--not just my rigid, freakish riding style or my near collision with the ground, but also my crazy, emotional reaction after the fact. This wasn’t me. I was a strong, confident woman, for Lord’s sake; I don’t slump on the ground in the middle of a pasture and cry. What was I doing in a pasture, anyway? Knowing my luck, I was probably sitting on a pile of manure. But I couldn’t even walk anymore; my knees were even trembling by now, and I’d lost all feeling in my fingertips. My heart pounded in my cheeks. If Marlboro Man had any sense, he would have taken the horses and gotten the hell out of there, leaving me, the hysterical female, sobbing on the ground by myself. She’s obviously in the throes of some hormonal fit, he probably thought. There’s nothing you can say to her when she gets like this. I don’t have time for this crap. She’s just gonna have to learn to deal with it if she’s going to marry me. But he didn’t get the hell out of there. He didn’t leave me sobbing on the ground by myself. Instead he joined me on the grass, sitting beside me and putting his hand on my leg, reassuring me that this kind of thing happens, and there wasn’t anything I did wrong, even though he was probably lying. “Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)