Confidential Girl Quotes

We've searched our database for all the quotes and captions related to Confidential Girl. Here they are! All 29 of them:

William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.” She stuck her tongue out. “Maybe after you’re clean,” he said. Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead. Now what? The girl showed him her stained finger and reached toward him slowly, aiming for his face. “No,” William said. “Bad hobo.
Ilona Andrews (Bayou Moon (The Edge, #2))
So who the hell, exactly, are these guys, the boys and girls in the trenches? You might get the impression from the specifics of my less than stellar career that all line cooks are wacked-out moral degenerates, dope fiends, refugees, a thuggish assortment of drunks, sneak thieves, sluts and psychopaths. You wouldn't be too far off base. The business, as respected three-star chef Scott Bryan explains it, attracts 'fringe elements', people for whom something in their lives has gone terribly wrong. Maybe they didn't make it through high school, maybe they're running away from something-be it an ex-wife, a rotten family history, trouble with the law, a squalid Third World backwater with no opportunity for advancement. Or maybe, like me, they just like it here.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
He’d spent the night in the boat. Next to the spaghetti queen. William glanced at the hobo girl. She sat across from him, huddled in a clump. Her stench had gotten worse overnight, probably from the dampness. Another night like the last one, and he might snap and dunk her into that river just to clear the air. She saw him looking. Dark eyes regarded him with slight scorn. William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.” She stuck her tongue out. “Maybe after you’re clean,” he said. Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead. Now what? The girl showed him her stained finger and reached toward him slowly, aiming for his face. “No,” William said. “Bad hobo.” The finger kept coming closer.
Ilona Andrews (Bayou Moon (The Edge, #2))
The girls were tested confidentially—but the reports were shared with the firm. “The individuals concerned,” Viedt wrote Roeder, “do not know that we have these copies…information given in them is very confidential and they might object to our having them.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
The discussion was escalating into an argument when the Demeter head counselor offered one last suggestion. "What about this?" He held out a small red object. "Miniature explosive!" the Ares boy bellowed. "Duck!" "It's not an explosive or a duck," the Demeter boy said. "It's a berry native to this land. Grows all over the place here." The Aphrodite girl wrinkled her nose. "Excuse me, but ew! There are seeds all over the outside! So unattractive. And red? That colour is so overdone, fruit-wise." "Yes, but it's tasty," the Demeter counselor said. "I call it a strawberry. "Why?" the Athena girl wanted to know. "Because blueberry, raspberry, blackberry, and cranberry were taken.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Never try to explain a 5-by-7 vision to someone with a 3-by-5 experience. It rarely works out the way you’d like it to.
LC Johnson (Colored Girl Confidential: A Colored Girl's Guide To Kicking Ass In Work, Love, And Life)
your bartender is giving away the bar to under-age girls from Wantagh,
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Cassiopeia, queen of Ethiopia, bragged that she and her daughter, Andromeda, were more beautiful than Poseidon's girls, the Nereids. 'Gods, mother, embarrass me much?' groaned Andromeda.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
We need a way to supply the camp," Chiron said. "Any ideas?" "Yes! We take what we need by force!" bellowed the leader of the Ares cabin. "Or we could just, you know, steal it," suggested the Hermes representative. "No, no!" The son of Apollo whipped out his lyre. "We should sing for our supper, as did the minstrels of yore!" "Of your what?" asked the Dionysus counselor." "What?" "'The minstrels of your'", the Dionysus girl said impatiently. "Of your what?" A representative of the visiting Hunters intervened. "Not your. Yore." The Dionysus girl gave up.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
The soap-box orators talked in the bitter cold at Marble Arch with their mackintoshes turned up around their Adam's apples, and all down the road the cad cars waited for the right easy girls, and the cheap prostitutes sat hopelessly in the shadows, and the blackmailers kept an eye open on the grass where the deeds of darkness were quietly and unsatisfactorily accomplished.
Graham Greene (The Confidential Agent)
Laurel: Hello, ever hear of the Olympics? Holly: Or the Panathenaia? Laurel: Sand courts were everywhere back then. Ancient Greeks wrestled and boxed in them. Holly: Called them palaestrae. Singular: palaestra Laurel: After Palaestra, the goddess who invented wrestling. Holly: Hear that, boys? The goddess of wrestling. Laurel: Girl power! Holly: They wrestled naked. Laurel: So no place to hide weapons. Holly: Palaestra ruled the ring Laurel: Like we ruled the court.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
There comes a time when you walk downstairs to pick up a letter you forgot, and the low confidential voices of the little group of girls in the living room suddenly ravels into an incoherent mumble and their eyes slide slimily through you, around you, away from you in a snaky effort not to meet the tentative half-fear quivering in your own eyes. And you remember a lot of nasty little tag ends of conversation directed at you and around you, meant for you, to strangle you on the invisible noose of insinuation. You know it was meant for you; so do they who stab you. But the game is for both of you to pretend you don't know, you don't really mean, you don't understand. Sometimes you can get a shot back in the same way, and you and your antagonist rival each other with brave smiles while the poison darts quiver, maliciously, in your mutual wounds. More often you are too sickened to fight back, because you know the fear and the inadequacy will crawl out in your words as they crackle falsely on the air. So you hear her say to you "We'd rather flunk school and be sociable than stick in our rooms all the time," and very sweetly "I never see you. You're always studying in your rooom!" And you keep your mouth shut. And oh, how you smile!
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I want to decorate the castle with shells and seaweed,” Seraphina said. “You’ll make it look like a girl’s castle,” Justin protested. “Your hermit crab might be a girl,” Seraphina pointed out. Justin was clearly appalled by the suggestion. “He’s not! He’s not a girl!” Seeing his little cousin’s gathering outrage, Ivo intervened quickly. “That crab is definitely male, sis.” “How do you know?” Seraphina asked. “Because . . . well, he . . .” Ivo paused, fumbling for an explanation. “Because,” Pandora intervened, lowering her voice confidentially, “as we were planning the layout of the castle, the hermit crab discreetly asked me if we would include a smoking room. I was a bit shocked, as I thought he was rather young for such a vice, but it certainly leaves no doubt as to his masculinity.” Justin stared at her raptly. “What else did he say?” he demanded. “What is his name? Does he like his castle? And the moat?” Pandora launched into a detailed account of her conversation with the hermit crab, reporting that his name was Shelley, after the poet, whose works he admired. He was a well-traveled crustacean, having flown to distant lands while clinging to the pink leg of a herring gull who had no taste for shellfish, preferring hazelnuts and bread crumbs. One day, the herring gull, who possessed the transmigrated soul of an Elizabethan stage actor, had taken Shelley to see Hamlet at the Drury Lane theater. During the performance, they had alighted on the scenery and played the part of a castle gargoyle for the entire second act. Shelley had enjoyed the experience but had no wish to pursue a theatrical career, as the hot stage lights had nearly fricasseed him.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
There is a porter at the door and at the reception-desk a grey-haired woman and a sleek young man. 'I want a room for tonight.' 'A room? A room with bath?' I am still feeling ill and giddy. I say confidentially, leaning forward: 'I want a light room.' The young man lifts his eyebrows and stares at me. I try again. 'I don't want a room looking on the courtyard. I want a light room.' 'A light room?' the lady says pensively. She turns over the pages of her books, looking for a light room. 'We have number 219,' she says. 'A beautiful room with bath. Seventy-five francs a night.' (God, I can't afford that.) 'It's a very beautiful room with bath. Two windows. Very light,' she says persuasively. A girl is called to show me the room. As we are about to start for the lift, the young man says, speaking out of the side of his mouth: 'Of course you know that number 219 is occupied.' 'Oh no. Number 219 had his bill before yesterday.' the receptionist says. 'I remember. I gave it to him myself.' I listen anxiously to this conversation. Suddenly I feel that I must have number 219, with bath - number 219, with rose-coloured curtains, carpet and bath. I shall exist on a different planet at once if I can get this room, if only for a couple of nights. It will be an omen. Who says you can't escape from your faith? I'll escape from mine, into room number 219. Just try me, just give me a chance. 'He asked for his bill,' the young man says, in a voice which is a triumph of scorn and cynicism. 'He asked for his bill but that doesn't mean that he has gone.' The receptionist starts arguing. 'When people ask for their bills, it's because they are going, isn't it?' 'Yes,' he says, 'French' people. The others ask for their bills to see if we're going to cheat them.' 'My God,' says the receptionist, 'foreigners, foreigners, my God. ...' The young man turns his back, entirely dissociating himself from what is going on. Number 219 - well, now I know all about him. All the time they are talking I am seeing him - his trousers, his shoes, the way he brushes his hair, the sort of girls he likes. His hand-luggage is light yellow and he has a paunch. But I can't see his face. He wears a mask, number 219. ... 'Show the lady number 334.
Jean Rhys (Good Morning, Midnight)
a fuss he made over them. “Why, I bet you’re the prettiest little girl I’ve seen all day!” he’d whisper confidentially,
Fern Michaels (Secret Santa)
Retired missionaries taught us Arts & Crafts each July at Bible Camp: how to glue the kidney, navy, and pinto bean into mosaics, and how to tool the stenciled butterfly on copper sheets they'd cut for us. At night, after hymns, they'd cut the lights and show us slides: wide-spread trees, studded with corsage; saved women tucking T-shirts into wrap-around batiks; a thatched church whitewashed in the equator's light. Above the hum of the projector I could hear the insects flick their heads against the wind screens, aiming for the brightness of that Africa. If Jesus knocks on your heart, be ready to say, "Send me, O Lord, send me," a teacher told us confidentially, doling out her baggies of dried corn. I bent my head, concentrating hard on my tweezers as I glued each colored kernel into a rooster for Mother's kitchen wall. But Jesus noticed me and started to knock. Already saved, I looked for signs to show me what else He would require. At rest hour, I closed my eyes and flipped my Bible open, slid my finger, ouija-like, down the page, and there was His command: Go and do ye likewise— Let the earth and all it contains hear— Every tree that does not bear good fruit is cut down and thrown into the fire—. Thursday night, at revival service, I held out through Trust and Obey, Standing on the Promises, Nothing But the Blood, but crumpled on Softly and Tenderly Jesus is Calling, promising God, cross my heart, I'd witness to Rhodesia. Down the makeshift aisle I walked with the other weeping girls and stood before the little bit of congregation left singing in their metal chairs. The bathhouse that night was silent, young Baptists moving from shower to sink with the stricken look of nuns. Inside a stall, I stripped, slipped my clothes outside the curtain, and turned for the faucet— but there, splayed on the shower's wall, was a luna moth, the eye of its wings fixed on me. It shimmered against the cement block: sherbet-green, plumed, a flamboyant verse lodged in a page of drab ink. I waved my hands to scare it out, but, blinkless, it stayed latched on. It let me move so close my breath stroked the fur on its animal back. One by one the showers cranked dry. The bathhouse door slammed a final time. I pulled my clothes back over my sweat, drew the curtain shut, and walked into a dark pricked by the lightening bugs' inscrutable morse.
Lynn Powell (Old and New Testaments)
I know how I’d feel if I had children. I’d never want them to feel I didn’t love them more than anything else in the world. If I ever have a little girl, I think I’ll be a wonderful mother to her, and if I can help it, I’ll never be away from her for a minute.
Michelle Morgan Spady (Marilyn Monroe: Private and Confidential)
Romeo appeared in front of us, crossed his arms over his wide chest, and stared at me and Braeden. Braeden didn’t seem to mind the death glare he was receiving. “You’re looking awful cozy over here with my girl.” “I was just schooling our girl here on the ways of the world,” Braeden replied smoothly. “Our girl?” Romeo repeated. “Don’t get your panties in a twist.” Braeden grinned. I interrupted their macho talk with some talk of my own. “He was asking about Missy.” Romeo grinned. Braeden dropped his arm from around me and gave me a look of betrayal. “What happened to brother-sister confidentiality?” I laughed. “Dude, there’s a hot girl in line over there,” Romeo said, motioning with his chin. “Go get in line behind her.” Braeden turned and a slow smile spread across his stubbled jaw. “Day-um,” he said. “Good looking out, Rome.” He held up his fist and Romeo pounded his against it. “Tutor girl,” Braeden said, and then he was gone.
Cambria Hebert (#Hater (Hashtag, #2))
[M]any whites flee from diversity, but a few welcome it. Joe and Jessica Sweeney of Peoria, Illinois, had been sending their children to private school but decided the multi-racial experience of public school would be valuable. After the switch, their eight-year-old son and nine-year-old daughter were taunted with racial slurs, and became withdrawn. One day, a black student threatened to kill the girl with a box cutter. The same day, the boy showed his parents a large bruise he got when he was knocked down and called “stupid white boy.” The school reacted with indifference. The Sweeneys sent their children back to private school.” Fourteen-year-old James Tokarski was one of a handful of whites attending Bailly Middle School in Gary, Indiana, in 2006. Black students called him “whitey” and “white trash” and repeatedly beat him up. They knocked him unconscious twice. The school offered James a “lunch buddy,” to be with him whenever he was not in class, but his parents took him out of Bailly. The mother of another white student said it was typical for whites to be called “whitey” or “white boy,” and to get passes to eat lunch in the library rather than face hostile blacks in the lunch room. On Cleveland’s West Side, ever since court-ordered busing began in the 1970s, blacks and Hispanics have celebrated May Day by attacking whites. In 2003, Elsie Morales, a Puerto Rican mother of two, told reporters that when she took part in May Day violence as a student in the 1970s she justified it as payback for white oppression. Her daughter Jasmine said it was still common to attack whites: “It’s like if you don’t jump this person with us, you’re a wimp and we’ll get you next.” In the late 1990s, whites were 41 percent of students in Seattle public schools, blacks were 23, and the rest were Hispanic and Asian. In 1995 and 1999, schools conducted confidential surveys about racial harassment. In both years, a considerably larger percentage of white than black students complained of racial taunts or violence. Only an “alternative” newspaper reported the findings, and school representatives refused to discuss them.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Should the parents know what’s going on? In England the court has said that it should be assumed that parental involvement will be helpful (which means that it is in the girl’s best interests) (R (Axon) v Secretary of State for Health (2006)), but that this assumption can be displaced. The American Medical Association has given more or less identical advice: see Opinion 5.055: Confidential Care for Minors: 1996. It’s easy to understand why the assumption of disclosure is readily displaced: girls would often be discouraged from seeking medical help if they thought that their parents would be told.
Charles Foster (Medical Law: A Very Short Introduction)
Oh sorry, I didn’t realize they didn’t give you the whole script. They try to keep these big horror movies confidential. Anyway, we’re faxing the pages to you now. It’s only two scenes, but she’s a very memorable character, like I said. Congratulations. The director found you very wholesome, exactly the sort of all-American girl next door whose death would inspire a man to kill. His words.
Lauren Graham (Someday, Someday, Maybe)
Christie did not know before that so many things could be crowded into a basket. Bread and butter, piles of it; a soup-plate piled high with slices of ham, thin, and done to a crisp, and smelling, oh, so appetizing! Sheets of gingerbread, great squares of cheese, a bowl of doughnuts, another bowl of quince sauce, and a pail full of milk. “Mother said you could give some to anybody you pleased,” explained Sarah Ann, who seemed to have recovered her spirits. “She said father wouldn’t grudge anything to the girl who saved Jimmy from getting hurt. My, but I was scared!” she added confidentially. “Whose baby is that? Isn’t he your little brother? What makes him so good with you if he don’t belong? Jimmy would yell awful if a strange girl took him. My sakes! I hope his mother will find him. Do you mean to keep him always if she doesn’t, and bring him up for yours? Wouldn’t that be funny, for a little girl like you to adopt a baby! Oh, wouldn’t it?” What a tongue Sarah Ann had!
Pansy (Christie's Christmas)
Tim expands confidentially. ‘You know, Hester, I’m certain those young devils in the Mess were up to some mischief this afternoon. Shouldn’t be surprised if they had a girl hidden behind the curtain.’ ‘Whatever made you think that?’ I wonder, in a voice trembling with suppressed mirth. Having decided to make a clean breast of the whole adventure to Tim, I find these suspicions of his somewhat amusing. Tim laughs – ‘You should have been there – they were tumbling over each other to be nice to Uncle Frankie and to get him out of the place. Jack went white as a ghost when the old man made a move towards the window. Wonder what Grace would say if she knew – I’ll get on to them tomorrow about it, see if I don’t.
D.E. Stevenson (Mrs Tim of the Regiment (Mrs. Tim #1))
Meanwhile, I want your personal assurance that this information will be kept completely confidential.” “Don’t worry,” Dr. Tyson said evenly, “I don’t have a Facebook account.
Stephanie Bond (Coma Girl: part 3)
Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek. “Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other. Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that. In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him. “Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.” He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other. “Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up. But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym. And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect: “Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.” “Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!” Evan’s grin deepens as he looks down at me; he winks. “It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.” She stuck her tongue out. “Maybe after you’re clean,” he said. Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises. She raised her finger, licked it, and rubbed some dirt off her forehead. Now what? The girl showed him her stained finger and reached toward him slowly, aiming for his face. “No,” William said. “Bad hobo.” The finger kept coming closer. “You touch me, I’ll break it off.
Ilona Andrews (Bayou Moon (The Edge, #2))