Sanctuary Of The Shadow Quotes

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The Darkling smiled, but this time the turn of his lips was cold. He shoved off the table and stalked toward me. “I will enter the Fold, Alina, and I will show West Ravka what I can do, even without the Sun Summoner. And when I have crushed Lantsov’s only ally, I will hunt you like an animal. You will find no sanctuary. You will have no peace.” He loomed over me, his gray eyes glinting. “Fly back home to your otkazat’sya,” he snarled. “Hold him tight. The rules of this game are about to change.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
love can be about more than attraction. I sometimes think it is more a question of sanctuary, a case of unassailable friendship.
James Runcie (Sidney Chambers and the Shadow of Death)
A shadow charmer enjoys brotherhood with the creatures of the night. His emotions cannot be manipulated. Nothing escapes his gaze. He hears and comprehends the secret languages of darkness.
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
When I though I was utterly past feeling, you sparked my interest. I remain sufficiently curiouse to help you. I have no private agenda. You remain free to use your gifts however you choose." Seth furrowed his brow. "I guess I don't feel more evil than before." "Choices determine character. I can't make you evil any more than you can make me good. You made no decision to become a shadow charmer. These new abilities have been thrust upon you be circumstances beyond your control.
Brandon Mull (Secrets of the Dragon Sanctuary (Fablehaven, #4))
The quality it had now, in fresh untempered sunlight, was neither faerie nor austere; the changing shadows of dusk and midnight had vanished with the darkness and the rain, and walls and roof and towers were bathed in the radiance that comes only in the first hours of the day, soft, new-washed, the delicate aftermath of dawn. The people who slept within must surely bear some imprint of this radiance in themselves, must turn instinctively to the light seeping through the shutters, while the ghostly dreams and sorrows of the night slipped away, finding sanctuary in the unwakened forest trees the sun had not yet touched.
Daphne du Maurier (The Scapegoat)
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
To ‘do right’ without any restriction is the slow path to tyranny.
Robert J. Crane (Thy Father's Shadow (Sanctuary, #4.5))
It’s sad how we so often reward bad behavior in our society, while the good ones are left in the shadows, often held to higher standards.
Jonathan Patrick Lamas (Sanctuary of Expression)
You and he were never ...you know. You were our best fighters. You bickered all the time, but you brought out the best in each other as warriors. Going into battle to you turned him on more than any woman could.' I give her a dubious look and she laughs.'Maybe a slight exaggeration, but he really did love it.' Her smiles fades.'And you and Jude were inseparable. That's why it made no sense that you would take the opposite side to either one of them - let alone both...It got worse after you and Jude disappeared last year. We thought he'd gone back to the Sanctuary to be with you. And when we heard you'd both dies...Honestly, I though Rafa was going to harm himself. He wouldn't talk to anyone for weeks. He drifted in and out of our operations, and then a few months ago he lost interest completely and stopped answering calls. We only know he was still alive because he's send Zak an occasional text. We he told Zak about the possibility you'd resurfaced there was no doubt he's come looking for you-' A fist bangs on the door. 'Gabe' Rafa barks. 'Your boyfriend's here. Get your arse into gear.' 'Yeah' I get to my feet. 'I'm the wind beneath his wings.
Paula Weston (Shadows (The Rephaim, #1))
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down it's pages, its spirit grows and strengthens.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Nothing is so rare as a man who gets everything he wants in life,
Robert J. Crane (Thy Father's Shadow (Sanctuary, #4.5))
The past is a shadow, and no matter how much you chase it, you’ll never catch it.
Robert J. Crane (Warlord (Sanctuary, #6))
I do what I have to for money so I can do what I want to in my off hours. It’s called working for a living.
Robert J. Crane (Thy Father's Shadow (Sanctuary, #4.5))
Anytime there are questions you can’t ask, someone is trying to control you.
Susan Trombley (Lilith's Fall (Shadows in Sanctuary, #1))
I was tired of avoiding everything while hanging out in the shadows watching life pass me by-that wasn't living. What was the point of staying safe and whole if I was just going to sit out on the sidelines?
V.M. Marsh (Concealed by Magic (The Magic Sanctuary Trilogy Book 1))
He knew he had to have harmony in his home at all times. He had to have a sanctuary where, no matter the horrors he saw, the things he had to do in order to bring justice to those who would harm others, he could find his peace.
Christine Feehan (Shadow Warrior (Shadow Riders, #4))
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens. This place was already ancient when my father brought me here for the first time, many years ago. Perhaps as old as the city itself. Nobody knows for certain how long it has existed, or who created it. I will tell you what my father told me, though. When a library disappears, or a bookshop closes down, when a book is consigned to oblivion, those of us who know this place, its guardians, make sure that it gets here. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new reader's hands. In the shop we buy and sell them, but in truth books have no owner. Every book you here has been somebody's best friend. Now they only have us, Daniel. Do you think you'll be able to keep such a secret?' My gaze was lost in the immensity of the place and its sorcery of light. I nodded, and my father smiled.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Something had shifted between us, faintly, but the change was almost palpable. Our friendship had sat lightly between us, an ephemeral thing, without weight or gravity. Once, in the Boboli Gardens, under the shadow of a cypress tree on an achingly beautiful October afternoon, he had kissed me, a solemnly sweet and respectful kiss. But weeks had passed and we had not spoken of it. I had attributed it to the sunlight, shimmering gold like Danaë's shower, and had pressed it into the scrapbook of memory, to be taken out and admired now and then, but not to be dwelled upon too seriously. Perhaps I had been mistaken.
Deanna Raybourn (Silent in the Sanctuary (Lady Julia Grey, #2))
When we lose a righteous person who is dear to us, we have the wonderful opportunity to honor that person by incorporating the best principles from his or her life into ours. What were his gifts? What were her talents? A desire to serve, a happy outlook on life, generosity with material possessions, an even greater generosity in having a heart that included everyone? Following the example of a loved one, we can love the Lord, make covenants with the Lord, and keep them faithfully. We too can seek to understand the Savior's great mission of atonement, redemption, and salvation. We too can seek to become worthy followers of the Son of God. And we too can anticipate that when the time comes for us to step through the veil of mortality, leaving our failing and pain-filled bodies behind, we will see the loving smile and feel the welcoming embrace, not only of our Heavenly Parents and of the Savior, but also of our loved ones who will greet us in full vigor, full remembrance, and full love. When we are in the valley of the shadow, it is a time of questions without answers. We ask, "How can I bear this? Why did such a good woman have to die? Why aren't my prayers being answered?" In this life, we will not receive answers to many questions of "why"—partly because the limitations of mortality prevent us from understanding the full plan. But I testify to you that the answer of faith is a powerful one, even in the most difficult of circumstances, because it does not depend on us—on our strength to endure, on our willpower, on the depth of our intellectual understanding, or on the resources we can accumulate. No, it depends on God, whose strength is omnipotence, whose understanding is that of eternity, and who has the will to walk beside us in love, sharing our burden. He could part the Red Sea before us or calm the angry storm that besets us, but these would be small miracles for the God of nature. Instead, he chooses to do something harder: He wants to transform human nature into divine nature. And thus, when our Red Sea blocks our way and when the storm threatens to overwhelm us, he enters the water with us, holding us in the hands of love, supporting us with the arms of mercy. When we emerge from the valley of the shadow, we will see that he was there with us all the time.
Chieko N. Okazaki (Sanctuary)
Now, even though it be neither necessity nor caprice, history, for the authentic reactionary, is not, for all that, an interior dialectic of the immanent will, but rather a temporal adventure between man and that which transcends him. His labors are traces, on the disturbed sand, of the body of a beast and the aura of an angel. History is a tatter, torn from man’s freedom, waving in the breath of destiny. Man cannot be silent because his liberty is not merely a sanctuary where he escapes from deadening routine and takes refuge in order to become his own master. But in the free act the radical does not attain possession of his essence. Liberty is not an abstract possibility of choosing among known goods, but rather the concrete condition in which we are granted the possession of new goods. Freedom is not a momentary judgement between conflicting instincts, but rather the summit from which man contemplates the ascent of new stars among the luminous dust of the starry sky. Liberty places man among prohibitions that are not physical and imperatives that are not vital. The free moment dispels the unreal brightness of the day, in order that the motion of the universe which slides its fleeting lights over the shuddering of our flesh might rise up on the horizon of our soul. If the progressive casts himself into the future, and the conservative into the past, the authentic reactionary does not measure his anxiety with the history of yesterday or with the history of tomorrow. He does not extol what the new dawn might bring, nor is he terrified by the last shadows of the night. His spirit rises up to a space where the essential accosts him with its immortal presence. One escapes the slavery of history by pursuing in the wildness of the world the traces of divine footsteps. Man and his deeds are a vital but servile and mortal flesh that breathes gusts from beyond the mountains. To be reactionary is to champion causes that do not turn up on the notice board of history, causes where losing does not matter. It is to know that we only discover what we think we invent; to admit that our imagination does not create, but only lays bare smooth surfaces. It is not to espouse settled cases, nor to plead for determined conclusions, but rather to submit our will to the necessity that does not constrain, to surrender our freedom to the exigency that does not compel; it is to find sleeping certainties that guide us to the edge of ancient pools. The reactionary is not a nostalgic dreamer of a canceled past, but rather a seeker of sacred shades upon eternal hills.
Nicolás Gómez Dávila
Psalm 63 A psalm of David. When he was in the Desert of Judah. 1 O God, you are my God, earnestly I seek you; my soul thirsts for you, my body longs for you, in a dry and weary land where there is no water. 2 I have seen you in the sanctuary and beheld your power and your glory. 3 Because your love is better than life, my lips will glorify you. 4 I will praise you as long as I live, and in your name I will lift up my hands. 5 My soul will be satisfied as with the richest of foods; with singing lips my mouth will praise you. 6 On my bed I remember you; I think of you through the watches of the night. 7 Because you are my help, I sing in the shadow of your wings.
Beth Moore (A Heart Like His: Intimate Reflections on the Life of David)
My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That summer I had met three children on a road and a volcano had come out of the sea. The American astronauts came to train before flying off to the moon, in this corner of Earth that resembles it. I saw it immediately as a setting for science fiction: the landscape of another planet. Or rather no, let it be the landscape of our own planet for someone who comes from elsewhere, from very far away. I imagine him moving slowly, heavily, about the volcanic soil that sticks to the soles. All of a sudden he stumbles, and the next step it’s a year later. He’s walking on a small path near the Dutch border along a sea bird sanctuary. That’s for a start. Now why this cut in time, this connection of memories? That’s just it, he can’t understand. He hasn’t come from another planet he comes from our future, four thousand and one: the time when the human brain has reached the era of full employment. Everything works to perfection, all that we allow to slumber, including memory. Logical consequence: total recall is memory anesthetized. After so many stories of men who had lost their memory, here is the story of one who has lost forgetting, and who—through some peculiarity of his nature—instead of drawing pride from the fact and scorning mankind of the past and its shadows, turned to it first with curiosity and then with compassion. In the world he comes from, to call forth a vision, to be moved by a portrait, to tremble at the sound of music, can only be signs of a long and painful pre-history. He wants to understand. He feels these infirmities of time like an injustice, and he reacts to that injustice like Ché Guevara, like the youth of the sixties, with indignation. He is a Third Worlder of time. The idea that unhappiness had existed in his planet’s past is as unbearable to him as to them the existence of poverty in their present.
Chris Marker
sparrows" (Luke 12:7). When we lose a righteous person who is dear to us, we have the wonderful opportunity to honor that person by incorporating the best principles from his or her life into ours. What were his gifts? What were her talents? A desire to serve, a happy outlook on life, generosity with material possessions, an even greater generosity in having a heart that included everyone? Following the example of a loved one, we can love the Lord, make covenants with the Lord, and keep them faithfully. We too can seek to understand the Savior's great mission of atonement, redemption, and salvation. We too can seek to become worthy followers of the Son of God. And we too can anticipate that when the time comes for us to step through the veil of mortality, leaving our failing and pain-filled bodies behind, we will see the loving smile and feel the welcoming embrace, not only of our Heavenly Parents and of the Savior, but also of our loved ones who will greet us in full vigor, full remembrance, and full love. When we are in the valley of the shadow, it is a time of questions without answers. We ask, "How can I bear this? Why did such a good woman have to die? Why aren't my prayers being answered?" In this life, we will not receive answers to many questions of "why"—partly because the limitations of mortality prevent us from understanding the full plan. But I testify to you that the answer of faith is a powerful one, even in the most difficult of circumstances, because it does not depend on us—on our strength to endure, on our willpower, on the depth of our intellectual understanding, or on the resources we can accumulate. No, it depends on God, whose strength is omnipotence, whose understanding is that of eternity, and who has the will to walk beside us in love, sharing our burden. He could part the Red Sea before us or calm the angry storm that besets us, but these would be small miracles for the God of nature. Instead, he chooses to do something harder: He wants to transform human nature into divine nature. And thus, when our Red Sea blocks our way and when the storm threatens to overwhelm us, he enters the water with us, holding us in the hands of love, supporting us with the arms of mercy. When we emerge from the valley of the shadow, we will see that he was there with us all the time.
Chieko N. Okazaki (Sanctuary)
The little lies we tell ourselves to explain our own hypocrisies.
Robert J. Crane (Thy Father's Shadow (Sanctuary, #4.5))
He will cover you with his feathers, and under his wings you will find refuge; his faithfulness will be your shield and rampart. You will not fear the terror of night, nor the arrow that flies by day.
Nancy Mehl (Gathering Shadows (Finding Sanctuary, #1))
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Once upon a time, the towering pines and sturdy Carolina hemlock seemed like a protective barrier, the walls of a living sanctuary. But now, draped with morning mist and heaped with snow, my beloved woods appear a menacing maze of secrets and shadows. The perfect hiding place for monsters.
Jacqueline E. Smith (Trashy Suspense Novel)
A word of explanation is in order. The apostle John spoke of the new Jerusalem as though it were yet future (Rev. 21:2). When we look more closely at the text, however, we see that this heavenly city is even now coming down from heaven. The new creation, which will be consummated with the coming of Christ in judgment on the last day, has already been inaugurated and is a present reality for the people of God.[13] But how can the new Jerusalem be said to be both present and future? To understand this, we need to distinguish between the earthly copy and the heavenly reality. The author of Hebrews distinguished between earthly and heavenly things: “It was necessary, then, for the copies of the heavenly things to be purified with these sacrifices, but the heavenly things themselves with better sacrifices than these. For Christ did not enter a man-made sanctuary that was only a copy of the true one; he entered heaven itself, now to appear for us in God’s presence” (9:23–24). When we speak of the premessianic prophetic expectations regarding the city of Jerusalem and the mountain of the Lord as fulfilled in Christ but awaiting a final consummation at the end of the age, we are speaking of the earthly Jerusalem serving as a type or a copy of the heavenly reality, which now is realized in principle. If true, this strikes a serious blow to the root of dispensational and premillennial expectations about Jesus reigning over an earthly kingdom from a new Jerusalem. The earthly Jerusalem was intended to point us to Jesus Christ and to serve as a shadow of the realities to come when God makes all things new.
Kim Riddlebarger (A Case for Amillennialism: Understanding the End Times)
Thank you for the datapad.” “You used it, then? No concerns over the previous owner? No outrage at his fate?” It was his turn to cross his arms over his chest.
Susan Trombley (Lilith's Fall (Shadows in Sanctuary, #1))
When Balfor replied that he was the anti-body that would destroy the doctor if he didn’t shut up and make Stacia well again, the doctor had simply shooed him away impatiently like a healer absorbed with his patient, completely ignoring Balfor’s very real threat.
Susan Trombley (Balfor's Salvation (Shadows in Sanctuary, #2))
I’m not very good at this,” she said, interrupting his tentative plan to abduct her.
Susan Trombley (Jessabelle's Beast (Shadows in Sanctuary, #3))
Humans do not always follow their own rules. If you successfully claim your concubine, you will spend a lot of your time confused and wondering what you did to make her angry or hurt.
Susan Trombley (Jessabelle's Beast (Shadows in Sanctuary, #3))
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Now everything is one shadow, and this shadow takes the shape of a closet. This closet takes the shape of a sanctuary. This sanctuary takes the shape of three girls who are flapping their wings but going nowhere.
Kyrie McCauley (If These Wings Could Fly)
for the mind is powerful and can bring about its worst fears.
Tehlor Kay Mejia (Paola Santiago and the Sanctuary of Shadows)
The tabernacle with its priests was a copy and shadow of the heavenly sanctuary. The real has come to people in the historical life and death of Jesus of Nazareth. History has become the medium of the eternal. There is nothing ephemeral or transitory about Jesus’ life and work. The Christ-event was history with an eternal significance. What Jesus did, he did once for all (ephapax, 7:27; 9:12; 10:10).
George Eldon Ladd (A Theology of the New Testament)
Within the sanctuary of love, life finds its purpose, and every heartbeat becomes a testament to the profound beauty of existence.
Shree Shambav (Death: Light of Life and the Shadow of Death)
no man can flee his weird, so he may as well meet it in a way that’ll leave a good story.
Robert Lynn Asprin (Thieves' World® Volume One: Thieves' World, Tales from the Vulgar Unicorn, and Shadows of Sanctuary)
but be something, anything, and have pride in it. Don’t be a scavenger, drifting from here to yon. Take a path and follow it. You’ve always had a smooth tongue—be a minstrel, or even a storyteller like Hakiem.
Robert Lynn Asprin (Thieves' World® Volume One: Thieves' World, Tales from the Vulgar Unicorn, and Shadows of Sanctuary)
No, no, no!” The Old Man leaped to the sand and started to march away, then returned to loom angrily over the youth. “Said it before—not everyone can be a fisherman. You’re not—
Robert Lynn Asprin (Thieves' World® Volume One: Thieves' World, Tales from the Vulgar Unicorn, and Shadows of Sanctuary)
The soul finds its truest refuge in the limitless expanse of free thought—a sanctuary where ideas bloom like wildflowers, untamed and authentic.
Shree Shambav (Death: Light of Life and the Shadow of Death)
You can’t blame the source of the river if the stream gets contaminated down the way.
Robert J. Crane (Thy Father's Shadow (Sanctuary, #4.5))
The two cousins, Perdina and Voile, emerged from their sanctuary, dressed in white, their black hair loose like curtains around their pale, narrow faces.
Storm Constantine (Burying the Shadow)
Within the pages of a book, you'll find a sanctuary from anxiety. Each word is a stepping stone, leading you away from worry and into worlds of wonder. Reading is not just an escape, it's a journey towards inner peace. So, pick up a book and let it be your shield against anxiety, your beacon in the storm. Remember, every chapter you conquer makes you stronger. In the quiet rustle of pages turning, you'll find solace. Each story is a new perspective, a fresh lens to view the world. They teach us resilience, courage, and the power of imagination. They remind us that we are not alone in our struggles, and that our fears are but shadows in the grand tapestry of life. So, let the words wash over you, let them anchor you in the present, and guide you towards tranquility. Let the characters' journeys inspire your own, and know that just as they overcome their trials, so too can you overcome yours. Reading is not just a pastime, it's a lifeline. It's a testament to the human spirit's ability to rise above, to fight, to heal. In the end, remember this: A book is a friend that never lets you down. It's a light in the darkness, a solace in times of anxiety. So, keep reading, keep exploring, and let the power of words guide you towards a calmer, stronger, and more resilient you.
Alistair McLeod (FROM FEAR TO FREEDOM: A Step-by-Step Guide to Overcoming Social Anxiety and Shyness (STEPS TO SERENITY))
That was how for years, all through that quarter of the continent, they had fought, fled, beckoned, resumed. . . . If you took a map and tried to follow them over it, zigzagging town to town, back and forth, it might not have been that easy to account for, even if you recalled how wild, how much better than "wild" it'd been not all that many years ago, out here, even with the workdays that had you longing for the comforts of territorial prison, yes hard as that, when whatever was going to become yours—your land, your stock, your family, your name, no matter, however much or little you had, you earned it, with never no second thoughts as to just killing somebody, if it even looked like they might want to take it. Maybe a dog catching their scent coming down the wind, or the way some trailhand might be wearing his waterproof, that could be enough—didn't matter, with everything brand new and the soldiering so hard, waking up each day never knowing how you'd end it, cashing 'em in being usually never too distant from your thoughts, when any ailment, or animal wild or broke, or a bullet from any direction might be enough to propel you into the beyond . . . why clearly every lick of work you could get in would have that same mortal fear invested into it—Karl Marx and them, well and good, but that's what folk had for Capital, back in early times out here—not tools on credit, nor seed money courtesy of some banker, just their own common fund of fear that came with no more than a look across the day arising. It put a shade onto things that parlor life would just never touch, so whenever she or Reef pulled up and got out, when it wasn't, mind, simple getting away in a hurry, it was that one of them had heard about a place, some place, one more next-to-last place, that hadn't been taken in yet, where you could go live for a time on the edge of that old day-to-day question, at least till the Saturday nights got quiet enough to hear the bell of the town clock ring you the hours before some Sunday it'd be too dreary to want to sober up for. . . . So in time you had this population of kind of roving ambassadors from places like that that were still free, who wherever they came to rest would be a little sovereign piece of that faraway territory, and they'd have sanctuary about the size of their shadow.
Thomas Pynchon
If you understand someone’s heart, you can believe what they say.
Nancy Mehl (Gathering Shadows (Finding Sanctuary, #1))
Past the woodshed, past the creek that ran behind our inn, deep in the wild heart of the forest, was a circle of alder trees we called the Goblin Grove. The trees grew in such a way as to suggest twisted arms and monstrous limbs frozen in an eternal dance, and Constanze liked to tell us that the trees had once been humans- naughty young women- who displeased Der Erlkönig. As children we had played here, Josef and me, played and sang and danced, offering our music to the Lord of Mischief. The Goblin King was the silhouette around which my music was composed, and the Goblin Grove was the place my shadows came to life. I spied a scarlet shape in the woods ahead of me. Käthe in my cloak, walking to my sacred space. An irrational, petty slash of irritation cut through my dread and unease. The Goblin Grove was my haunt, my refuge, my sanctuary. Why must she take everything that was mine? My sister had a gift for turning the extraordinary into the ordinary. Unlike my brother and me- who lived in the ether of magic and music- Käthe lived in the world of the real, the tangible, the mundane. Unlike us, she never had faith.
S. Jae-Jones (Wintersong (Wintersong, #1))
We have no choice, my love. Mikhail was as gentle as he knew how to be. We must go to ground. Raven closed her eyes, panic welled up. Mikhail, I love you. Her words were wrapped in sorrow, in acceptance. Not of the sanctuary of the earth, but of inevitable death. She wanted to do anything he needed, but this was the one thing beyond her capabilities. The earth could not swallow her alive. Mikhail could not waste time on arguments. Feed my command with your remaining strength. Let it flow from you into me, or I will be unable to open the earth. Raven would do anything to save him. If that meant giving him her last ounce of strength, so be it. Without reservation, with complete love and generosity, Raven fed his command. Beside him, the very earth opened, parted, as if a large cube had been neatly removed from the earth. The grave lay open, fresh and cool, its healing soil beckoning Mikhail, its damp darkness sending horror and sheer terror spiraling through Raven. She tried valiantly to keep her mind calm. You go first. She knew she could not follow him. She also knew it was imperative that he believe she would, otherwise there was no way to save Mikhail. In the space of a heartbeat Mikhail rolled, with Raven locked in his arms, taking both of them over the edge into the waiting arms of the earth. He felt her silent scream echoing in his own mind. He steeled his heart against the violent fear in her and with his last ounce of strength concentrated on closing the earth over them. Being a shadow in her mind made it easy to read her intentions. She would never have gone with him.
Christine Feehan (Dark Prince (Dark, #1))
Crystal blue eyes pin fear to my heart. "Tell me about Sanctuary," he purrs like a mountain lion with a songbird in its claws.
Talis Jones (Solus (Walking Shadows, #2))
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Here we pause. On the threshold of wedding nights stands a smiling angel with his finger on his lips. The soul enters into contemplation before that sanctuary where the celebration of love takes place. There should be flashes of light athwart such houses. The joy which they contain ought to make its escape through the stones of the walls in brilliancy, and vaguely illuminate the gloom. It is impossible that this sacred and fatal festival should not give off a celestial radiance to the infinite. Love is the sublime crucible wherein the fusion of the man and the woman takes place; the being one, the being triple, the being final, the human trinity proceeds from it. This birth of two souls into one, ought to be an emotion for the gloom. The lover is the priest; the ravished virgin is terrified. Something of that joy ascends to God. Where true marriage is, that is to say, where there is love, the ideal enters in. A nuptial bed makes a nook of dawn amid the shadows. If it were given to the eye of the flesh to scan the formidable and charming visions of the upper life, it is probable that we should behold the forms of night, the winged unknowns, the blue passers of the invisible, bend down, a throng of sombre heads, around the luminous house, satisfied, showering benedictions, pointing out to each other the virgin wife gently alarmed, sweetly terrified, and bearing the reflection of human bliss upon their divine countenances. If at that supreme hour, the wedded pair, dazzled with voluptuousness and believing themselves alone, were to listen, they would hear in their chamber a confused rustling of wings. Perfect happiness implies a mutual understanding with the angels. 2318 Les Miserables That dark little chamber has all heaven for its ceiling. When two mouths, rendered sacred by love, approach to create, it is impossible that there should not be, above that ineffable kiss, a quivering throughout the immense mystery of stars. These felicities are the true ones. There is no joy outside of these joys. Love is the only ecstasy. All the rest weeps. To love, or to have loved,—this suffices. Demand nothing more. There is no other pearl to be found in the shadowy folds of life. To love is a fulfilment.
Victor Hugo
In a world where digital shadows loom larger than ever, Bronva emerged as a sanctuary against the encroachment of surveillance. Inspired by the revelations of Edward Snowden, I felt compelled to create a haven where online privacy isn't a luxury but a fundamental right.
James William Steven Parker
I vow to be your sentinel in the moonlight and your companion in the gloom. To stand with you when the banshees howl and the dark spirits loom. Our love will be the light that even shadows dare not consume." Moved by his words, I took a deep breath. "I vow to be your haven amidst hauntings, your sanctuary in the supernatural. I'll stand by you when the phantoms whisper and when the cursed objects stir. Our love will defy both spectral chill and the heat of the liveliest fire.
Sephyrra (Bride of the Haunted Manor)
Light dances in the shadows, Awakening the dormant spark. Liberation whispers softly, In the sanctuary of the heart.
Kjirsten Sigmund
But if it's truly love, you're also willing to make sacrifices, even if those sacrifices aren't what you want. You put their needs before your own. And there's also trust. No matter what, you trust the other person to be on your side, to never betray you, and you offer them the same. It's a beautiful, wonderful feeling.
Aurora Ascher (Sanctuary of the Shadow (Elemental Emergence, #1))
Let there be harmony in your togetherness, And let the winds of connection weave between you. Embrace one another, and forge a bond of love: Let it be a steady river, merging the streams of your souls. Fill each other’s cup and drink from the same source. Give one another of your bread and eat from the same loaf. Sing and dance in harmony, finding joy in each other, Like harmony chords that resonate with the same melody. Entrust your hearts into each other's keeping, For in the grasp of love, your hearts find their sanctuary. And stand together, not too distant nor too near: For the pillars of your shared sanctuary stand united, And let the oak tree and the cypress cast a united shadow.
Me