Confident Brown Skin Quotes

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I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb.
Sister Souljah (No Disrespect)
She couldn't honestly deny he was extremely appealing physically. His rugged face, his wild dark hair, his warm brown skin. And even though she would never tell him, she loved the way he moved, with total confidence, as though nothing in the world could harm him. It made her less fearful when she was around him. As if boldness and bravery did not always end in defeat.
Stephanie Garber (Caraval (Caraval, #1))
I have no idea what Paloma looks like-what she'll be like. I have no idea what to expect. I should've asked more questions. I should've used the last ten hours to grill Chay until he broke-until he confided every dark and dirty secret Paloma is hiding. Instead,I chose to eat.And read.And dream about some phantom boy with smooth brown skin,icy-blue eyes, and long glossy black hair-a boy I've never even met in real life. Lot of good it did me.
Alyson Noel (Fated (Soul Seekers, #1))
I tell my daughter all the time - I love your beautiful brown skin and your beautiful tightly curled hair. When our daughters know that their fathers view them as beautiful, it cultivates healthy confidence and that stays with them into adulthood.
Hendrith Vanlon Smith Jr.
How I feel about myself is more important than how I look. Feeling confident, being comfortable in your skin - that's what really makes you beautiful.
Bobbi Brown
And it was easy to believe her, standing beside him like that — her hair tied back from her face, her skin shining so, all brisk and sure and confident. And with her thoughts gleaming above her, as bright and effervescent as he'd ever seen them. Showing how she would scale the wall, break in, come down to fetch him... Scarlett's belief in her talents was absolute. It made Albert believe her too.
Jonathan Stroud (The Outlaws Scarlett and Browne (The Outlaws Scarlett and Browne, #1))
I so want to believe him, for this to be true, for what we did to have had no consequences. But there are no actions without consequences, are there? Even without the drink spiking, the way we treated Maria would have had an impact on her, possibly for the rest of her life. It would have affected her relationships, her friendships, her confidence. Maybe it did. Maybe it’s still affecting her now. The thought skims across the surface of my mind, unbidden, and I see her in my mind’s eye, not as smooth-skinned as she was and with a few lines on her face, but still recognisably Maria, with her hazel eyes and long brown hair, sitting in front of a computer, sending out her hatred over the ether to Sophie, to me
Laura Marshall (Friend Request)
So, my true first time with a boy was like this… You can look but you cannot touch Ha- that is what I thought, I was so wrong too and it was not with him either regrettably. It was okay my heart was beating so rapidly; I thought that it was going to explode out of my chest. The silky-smooth skin ran along my body; it was like an enchanted expression of togetherness. At last, I felt as if I was loved. But I was not with the one that I loved. His brown eyes glazed- sweetly and softly into mine. I was so looking forward to this kiss and moment all my life. However, he walked with me in his arms to his bed. Then I was on his bed stripped of all forms of dignity. The lights were off, and the door was locked, and that took me back to when I was a little girl. Loving at night just holds onto me tight. The room is lit by the moonlight. When you are looking down at me is what you are seeing all right? This is maybe my special night. I cannot believe I am with a football player! I was not prepared at all for the performance of lovemaking. I had no idea what I was doing. I was thinking to myself this is not like the movies at all! Yes, all the touching was extremely steamy, like before and then again, the playing around that he did on me was more intriguing, to say the least. I was thinking that he was the sweetest guy on earth. However, all the thoughts in my mind ran fast… thoughts like should we be doing this? Yet, I am so shy and nervous my knees were knocked beforehand. Then again, this is going to be so beautiful; I had fantasized about this moment since I was a young girl. ‘Yet, I have to say to all you girls out there, to lose it when you are ready to. Please do it for you and no one else. It is about your timing, and what you choose to do, you can choose when and whom you let in!’ So, starting I felt like my tearing and breaking-in took forever, and that his pushing forward was never going to stop, love is painful in more than one way, it was so intense. Yet, it was so perfect and feels so amazing with him now sliding in and out of me. It hurt at the start, but it got more enjoyable, that is for sure. Yet also, it was like being run over by a speeding train, and I could not help but feel that he was not meant to be my first. Me being so naïve and only sixteen years of age I was so embarrassed by the fact that I was so under-experienced in sensual activities. I wanted to make the best of the moments of intimacy. I was happy to say that I got my first French kiss as well, but his soft little kiss was sweeter, the first time we kissed as I remember at that time.
Marcel Ray Duriez
Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi’s corduroys. He has worn a tie once in his life, to attend a friend’s bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian.” He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town’s newspaper. At times his name, an entity shapeless and
Anonymous
The brown hair that’s fallen out of her low bun is a little longer, her skin a little paler, but she’s gained weight and looks worlds better than when I last saw her with a wound in her gut. And she seems . . . calmer, I guess. More self-assured, though I never thought she lacked confidence. Perhaps it comes from having Sorrel back in her life.
Linden A. Lewis (The Last Hero (The First Sister Trilogy, #3))
You may have seen the video of the psychological study in which young Black girls are given two Barbie dolls. With the exception of their skin tone—one is white, the other brown—the dolls are identical. The little girls are asked, “Which is pretty? Which is nice?” Over and over they choose the White doll. It is heartbreaking. They have been programmed, and the “real world” impact is this: if you’re a White girl, it gives you confidence. If you’re a Black girl, no confidence. But confidence is imperative. How do you do well on a school test without confidence? How do you handle relationships without confidence? How do you handle job interviews without confidence?
Magatte Wade (The Heart of A Cheetah: How We Have Been Lied to about African Poverty, and What That Means for Human Flourishing)
He came up to where Dasyel stood with the actress, near enough to see the mending in the sky armor and the starry dress, the black actors’ paint round both their eyes, the young and flawless skin of both, smooth as metal and brown from the road. Volk smiled at the actress and she took half a step in retreat. Volk looked harder at Dasyel; Dasyel did nothing, only looked back at him with his water-color eyes, unflinching, confident, open. And Volk felt that same passage of non-sexual yet demanding lust go through him as he had felt when he saw the maiden from Yevdora.
Tanith Lee (Volkhavaar)
Ávila was one of those fortunate Mediterranean men for whom aging seemed to be more an asset than a liability. Over the years, his stiff black stubble had softened to a distinguished salt-and-pepper beard, his fiery dark eyes had relaxed to a serene confidence, and his taut olive skin was now sun-drenched and creased, giving him the aura of a man permanently squinting out to sea.
Dan Brown (Origin (Robert Langdon, #5))
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Chivaka’s eyes narrowed and she spoke confidently. “This is war,” she hissed. “Not murder.” Isis leaned in close and matched her tone. “You don’t know anything about war.” “Tell me about war, then,” Chivaka dared her in a taunting tone. “I will,” Isis said, matter-of-fact, sitting down across from the girl, crossing her legs and folding her hands atop her knee as she began, drawing attention to some of the newer, still-pale scars on her brown skin. “War is murder on the scale of nations. Revolution is murder in self-defense. Imperialist expansion is murder for profit. This is a blood feud between two families, two branches of one great family, and Nash can hold a grudge until the end of the world. Just because he’s rallied an army to his side doesn’t make him anything more than a crazed murderer who will not give up on making the world in his image, who will kill anyone who gets in his way. You don’t think he’s a murderer? Ask his family. Ask his brother. Ask his daughter, who still grieves for her human lover.” Isis leaned in close to hiss at the girl in front of her. “Ask his son. Ask Mahkai.
Irene Wendy Wode (The Red Glade Peacemakers (The Half-Dragon Series))