Confess My Love To Her Quotes

I blush to think of her beholding my work," Verl confessed. So do we," Newel assured him.

One day she marched around the side of the house and confronted me. "I've seen you out there every day for the past week, and everyone knows you stare at me all day in school, if you have something you want to say to me why don't you just say it to my face instead of sneaking around like a crook?" I considered my options. Either I could run away and never go back to school again, maybe even leave the country as a stowaway on a ship bound for Australia. Or I could risk everything and confess to her. The answer was obvious: I was going to Australia. I opened my mouth to say goodbye forever. And yet. What I said was: I want to know if you'll marry me.

I would appreciate it if you would stop… stop… ogling me like that," she hissed, tugging her very modest neckline higher. "It is very embarrassing." She folded her arms across her breasts defensively. He tried to look contrite. "It wasn't me," he confessed. "It was my eyes. They are bold and easily led and have no sense of propriety.

My heart aches to love hers.

I need to capture my sprite with trembling hands. Except I could crush her. Wonder how many small things of beauty - flowers, seashells, dragonflies - have met such a demise. Wonder how much fragile love has collapsed beneath the weight of confession.

Love doesn't keep a score of wrongs. Love doesn't bring up past failures. None of us is perfect. In marriage we do not always do the right thing. We have sometimes done and said hurtful things to our spouses. We cannot erase the past. We can only confess it and agree that it was wrong. We can ask for forgiveness and try to act differently in the future. Having confessed my failure and asked forgiveness, I can do nothing more to mitigate the hurt it may have caused my spouse. When I have been wronged by my spouse and she has painfully confessed it and requested forgiveness, I have the option of justice or forgiveness. If I choose justice and seek to pay her back or make her pay for her wrongdoing, I am making myself the judge and her the felon. Intimacy becomes impossible. If, however, I choose to forgive, intimacy can be restored. Forgiveness is the way of love.

I watch as my mum approaches and throws her arms around Jesse. "Jesse Ward, I love you," she says in his ear, as he holds her with one arm, "But please remove those handcuffs from my daughter.

Get close enough to someone and his or her halo slips--not because they're bad, but because they're mortal.

The explanation has been written already in the three words that were many enough, and plain enough, for my confession. I loved her.

I need to fall in love with a hopeless romantic. Someone who would tell me that my eyes are like the stars at night and how my morning bed hair looks like a windswept forest that dances whenever the sky cries every time the ocean quenches her thirst for love. Someone who believes in fate, destiny, and magic. Someone who believes that finding true love is a necessity to cope up with the sadness and agony that life brings. Someone who believes that I exist.

Her receding laughter sounded so comforting, so alluring to my senses that I could hardly control myself from reaching out to her and telling her what I felt there and then!

i could not contain myself any longer i ran to the ocean in the middle of the night and confessed my love for you to the water as i finished telling her the salt in her body became sugar

I think I fell in love with you that amazing night on the kitchen floor. Or maybe it was the evening you stepped up and set my arm." Testing things, he reached for her hand, and, to his joy, she glared, but she let him take it. "Or maybe the night I knew I loved you was when I kissed you under the mistletoe on Christmas Eve. It's hard to say because I look at you now and it seems to me there's never been a time when I didn't love you.

I," she [the Holy Spirit] opened her hands to include Jesus and Papa, "I am a verb. I am that I am. I will be who I will be. I am a verb! I am alive, dynamic, ever active and moving. I am a being verb. And as my very essence is a verb, I am more attuned to verbs than nouns. Verbs such as confessing, repenting, living, loving, responding, growing, reaping, changing, sowing, running, dancing, singing, and on and on. Humans, on the other hand, have a knack for taking a verb that is alive and full of grace and turning it into a dead noun or principle that reeks of rules. Nouns exist because there is a created universe and physical reality, but the universe is only a mass of nouns, it is dead. Unless 'I am' there are no verbs and verbs are what makes the universe alive.

Oh my God, she’d kissed him! She’d stuck her tongue inside a creature from hell. Oh jeez, this would sound great in confession. Say two Hail Marys and avoid further contact with the spawn of the devil.

THE BAGPIPE WHO DIDN'T SAY NO It was nine o'clock at midnight at a quarter after three When a turtle met a bagpipe on the shoreside by the sea, And the turtle said, "My dearie, May I sit with you? I'm weary." And the bagpipe didn't say no. Said the turtle to the bagpipe, "I have walked this lonely shore, I have talked to waves and pebbles--but I've never loved before. Will you marry me today, dear? Is it 'No' you're going to say dear?" But the bagpipe didn't say no. Said the turtle to his darling, "Please excuse me if I stare, But you have the plaidest skin, dear, And you have the strangest hair. If I begged you pretty please, love, Could I give you just one squeeze, love?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Ah, you love me. Then confess! Let me whisper in your dainty ear and hold you to my chest." And he cuddled her and teased her And so lovingly he squeezed her. And the bagpipe said, "Aaooga." Said the turtle to the bagpipe, "Did you honk or bray or neigh? For 'Aaooga' when your kissed is such a heartless thing to say. Is it that I have offended? Is it that our love is ended?" And the bagpipe didn't say no. Said the turtle to the bagpipe, "Shall i leave you, darling wife? Shall i waddle off to Woedom? Shall i crawl out of your life? Shall I move, depart and go, dear-- Oh, I beg you tell me 'No' dear!" But the bagpipe didn't say no. So the turtle crept off crying and he ne'er came back no more, And he left the bagpipe lying on that smooth and sandy shore. And some night when tide is low there, Just walk up and say, "Hello, there," And politely ask the bagpipe if this story's really so. I assure you, darling children, the bagpipe won't say "No.

In October I confessed my love for her, and she allowed me to kiss her.

Sorry," I said to the Duke. "Eh, it's not your fault. It's Carla's fault. You were turning the wheel. Carla just wasn't listening. I knew I shouldn't have loved her. She's like all the others, Tobin; as soon as I confess my love, she abandons me." I laughed. "I never abandoned you," I said patting on her back. "Yeah, well, (a.) I never confessed my love to you, and (b.) I'm not even female to you.

I turn and face her and she does the same, but not before looking down at her feet first, because she’s still embarrassed that I saw her connect with my art. I love that she looked at her feet first, because I love that she’s embarrassed. In order to be embarrassed, a person has to care about the opinions of others first.

Elizabeth’s tears had wrung my heart: I longed to enfold her in my arms, to comfort her, but I knew it would be infamous indeed to take such advantage of her distress.

I have a confession." "Oh?" "I can't get you off my mind." His statement robbed her of words. Heat spread down the nape of her neck. He was saying too much. ~Thomas to Chelise

Roman?” “Yes?” “I have a confession to make.” I kiss her shoulder. “Something bad?” “Yeah. It’s . . . well, it’s a kind of a problem. A big one.” “Spill it, Nina.” She’s silent for a few moments, and then makes my world tilt on its axis with six short words. “I’m in love with you, Roman.” I close my eyes for a second and squeeze her tightly. It’s like everything around me stopped. “Then we share the same problem, malysh.

Gripping her finger, I brought it to my lips and kissed it, my chest almost exploding as I confessed, "Because I fuckin' love you, Li...I'm fuckin' insane over you. You ain't no burden." Lilah sucked in a deep breath and her eyes widened. "Ky...why?" I huffed out a laugh. "Stupid fuckin' question, sweet cheeks," I replied. "Like asking me the impossible. I just do. I fuckin' love your crazy pilgrim ass.

A minister friend of mine once said that as he carries his little girl around, she never has to say, “I confess with my mouth and believe in my heart that my dad will not drop me. And I confess with my mouth and believe in my heart that my dad’s going to feed me.” For that daughter, there is no striving to believe her father is going to be good to her. She just rests and relaxes in her loving relationship with him. She knows he is going to take care of her, because she knows him and his character.

When our eyes met in the compartment our spiritual fortitude deserted us both; I took her in my arms, she pressed her face to my breast, and tears flowed from her eyes. Kissing her face, her shoulders, her hands wet with tears--oh, how unhappy we were!--I confessed my love for her, and with a burning pain in my heart I realized how unnecessary, how petty, and how deceptive all that had hindered us from loving was. I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.

My God, are you even real?” she whispered. Holding her gaze, a sad smile lifted his mouth. “I think I am.” “You make me feel like I’m in a dream,” Emily confessed, wrapping her arms around his neck. “Like I’m sleepwalking and I don’t even know it.” ... “I’m able to close my eyes and just… trust you. You’re the color on my blank canvas, the light in my dark, the air in my lungs, and I almost let you go. I almost erased us from ever happening. I can’t imagine not having you here with me. Please tell me you know how much I love you, Gavin. I need to hear it right now. Please.

I'm not a wife, or a mother, or a pillar of the ton," she waved her unharmed arm as though the life she was describing was just beyond the room. "I'm invisible. So, why not stop being such a craven wallflower and start trying all the things that I've always dreamed of doing? Why not go to taverns adn drink scotch and fence? I confess, those things have been much more interesting than all the loathsome teas and balls and needlepoint with which I have traditionally occupied my time." She met his gaze again. "Does this make sense?" He nodded seriously. "It does. You're trying to find Callie.

[H]is first purpose was to explain himself, and before they reached Mr. Allen's grounds he had done it so well that Catherine did not think it could ever be repeated too often. She was assured of his affection; and that heart in return was solicited, which, perhaps, they pretty equally knew was already entirely his own; for, though Henry was now sincerely attached to her, though he felt and delighted in all the excellencies of her character and truly loved her society, I must confess that his affection originated in nothing better than gratitude, or, in other words, that a persuasion of her partiality for him had been the only cause of giving her a serious thought. It is a new circumstance in romance, I acknowledge, and dreadfully derogatory of an heroine's dignity; but if it be as new in common life, the credit of a wild imagination will at least be all my own.

It was no whispered confession. It was no gentle murmur in the dark. It was the truth, plain and bare, and she wasn’t vulnerable for having said it. Instead, she wore her love like a shield,

No!" he cried and his face pinched with frustration and pain. "I don't want to hear more reasons why we shouldn't be together. No more confessions to explain why you want to run away from what we share." "Julian," she attempted to interrupt again, but he held up a trembling hand. His dark gaze held hers. "I have moved heaven and earth to bring you back to me. I refuse to let you leave again. You are mine and you shall be mine for the rest of my life. Not as my mistress, but as my wife. And if you don't say yes, I shall be forced to drag you into Hyde Park and make love to you in plain view of everyone. Then you will have to accept my proposal in order to save your reputation." His face softened. "I love you, Cecilia.

I don’t think I love you, I know I do,” she confessed, and I stared at her completely shocked, fighting the grin on my face. “Say it again.” Reaching up, I cupped her cheek. “You couldn’t just let me slip it in there?” Shaking my head, I grinned. “Sorry. I’m going to make a big deal out of it.

Because I’ve also realized very clearly that I love you. I have loved you for a long time and I am very sure that I will always love you. You are a wonderful, vibrant, incredibly lovable person, you have enriched my life and shown me who I really am, and I will be eternally grateful to you for that.

She is in my heart and in my bones; she is in the very depths of my being. She is my overdose, my addiction so deep that it cannot be destroyed without killing the addict too. Her face was my sun and her eyes were my stars and she is in my thoughts every minute of every day. There are a million guys out there who would have given anything for a shot at bringing her happiness, so I hope that for the short time that we had together, I at least made her as happy as she made me. I loved her so much and I'll always love her. Till the end of the world and beyond.

I feel like, I was going somehow with my life, holding myself together and then these blasts happened, and then suddenly I was paralyzed. I was not able to move, or to even hold myself intact. As if like I was fallen into this unconscious state, of eternal sleep. When I was asleep, somebody came and disassembled me into thousands of pieces and then hurriedly put me back together in a second, losing some of my pieces on the ground, or placing some of them incorrectly – you know, that kind of feeling” “How do you feel?” She added. Apparently, she was asking me back everything. “I’m still not able to sleep on her side of the bed” I faked a smile.

Suddenly I remembered something Daddy told me once when I was angry at my mother. “You know how Mom arranges orange slices on a plate for your soccer team and has activities planned for your birthday parties two months in advance?” he’d asked me. “That’s the way she shows her love, Gracie.” Why was I thinking about that now? I could hear his voice so clearly, like he was talking to me from the backseat of the car. That’s the way she shows her love, Gracie.

Do you love me?" James asked suddenly "Yes. I do." I didn't even have to think about it. It was so freeing "I love you, too," he replied. "I've never said that to anyone before." It was so hard to believe. "Really?" He grinned and gazed out the window. "Well, except my first motorcycle, Ramona. But she was a Ducati, so you can blame me. In fact, I think I might have loved her more than I love you." I punched James in the spot between his chest and shoulder.

I’ve seen her in the middle of the night and the middle of the day, with makeup and without, with her hair done up and when it’s been unwashed for days. I’ve seen her in jeans and in silk and in nothing. I would gladly spend the rest of my life just looking at her.

While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I 'never told my love' vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return - the sweetest of all imaginable looks. And what did I do? I confess it with shame - shrunk icily into myself, like a snail; at every glance retired colder and farther; till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp. By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved, I alone can appreciate.

Alexa sniffled. “Oh my God, he gave her an airport scene! Just like in the books I read and all those movies. He followed her to an airport and confessed his love before she could board the plane!” Nick laughed. “Sweetheart, she wasn’t boarding the plane.” “Close enough.

The first time I fell in love with Zoe, she was scream singing a Taylor Swift song in my parents' living room while my sister Luna laughed at her. At least, I think that's the first time. It's happened so many times now.

A thousand lips, a thousand eyes, a thousand hearts will read these words, as you read them, graze them, this moment. Thousands will utter them into the abyss, someday, perhaps for years to come; loudly, softly, repeatedly, again and again and again. Some will mock, some will laugh. Some will shed a tear. But it is written only for your lips, your eyes, your heart, beloved. Do as you please. It is written by an ideal heart, intense, yet free, when in thought of you. Written from a dehydrated pen, that shed the last drops of her blood, onto you. And still, you do not know me. No, you will never know of this desire. It is a shame, when love cannot love, who she loves, amidst these mortal games. And No. It is for me to know, and for you to close the last pages of my confessions, making nothing of it. As always, like always, I write for you and for the madness that stirs in every soul that has once burned, and for the tender parts of your soul, too. Nothing is hidden, nothing is revealed. The separation between the soul and mate, between lover and the beloved, is through spirit, is it not, my love? Or is it flesh? There, there is the clue. And this, this is the nature of our love. Forbidden,closed, then left ajar in oblivion. My eyes touch your lips, your eyes touch my lips, yet, no one makes a sound. No one moves on. What madness is this? And here you go, turning the pages now, there you go.

You can’t keep a secret from the person you love and expect it not to change him, too. She doesn’t trust me with something, which makes me distrust her, and that makes our hands miss each other when we pass something over the table. It makes my mouth just miss hers when I lean to kiss her lips and end up with cheek instead.

I love you,” she said, speaking clearly so that there might be no confusion. “I love you utterly and completely. I love your elegant hands and the way you smile with only one side of your mouth — when you smile at all — and I love how grave your eyes are. I love that you let me invade your house with nearly my entire family and yours, and never even turned a hair. I love that you made love to me when I asked you, purely for politeness’ sake, and I love that you got mad at me later and made me make love to you. I love that you let Her Grace and her puppies construct a nest out of your shirts in your dressing room. I love that you’ve spent years selflessly saving people in St. Giles — although I want you to stop right now. I love that you killed a man for me, even if I’m still mad at you about it. I love that you saved my letters before we even knew each other well, and I love the curt, overly serious letters you wrote to me in return.” She looked at him very seriously. “I love you, Godric St. John, and now I’m breaking my word. I will not leave you. You may either come with me to Laurelwood or I’ll stay here with you in your musty old house in London and drive you mad with all my talking and relatives and… and exotic sexual positions until you break down and love me back, for I’m warning you that I’m not giving up until you love me and we’re a happy family with dozens of children.” She paused at that point because she’d run out of breath and looked at him. His face had gone still and for a moment her heart sank and she had to fortify herself for a battle. But then his mouth quirked like that and he said, “Exotic sexual positions?” And she knew even before he said anything else that it was all going to be fine—more than fine. It was going to be wonderful.

I don’t know how,” I confessed, and I pulled my hand away so I wouldn’t hurt her in my frustration. She grabbed my hand and brought it back, this time pressing it to her heart. “I’m telling you how. You hold onto me. You trust me. You use me. You lean on me. You rely on me. You let me shelter you. You let me love you. All of you. Cancer. Fear. Sickness. Health. Better. Worse. All of you. And you’ll have all of me.

I confessed my love for her, and with a burning pain in my heart I realized how unnecessary, petty, and deceptive everything which had got in the way of our love had been. I realized that when you love someone, your reasoning about that love should be based on what is supreme, on what is more important than happiness or unhappiness, sin or virtue, in the way that they are usually understood, otherwise it is not worth reasoning at all.

He asks me which of them two I liked best. Perhaps I liked Mr. Harry Carson once--I don't know--I've forgotten; but I loved James Wilson, that's now on trial, above what tongue can tell--above all else on earth put together; and I love him now better than ever, though he has never known a word of it till this minute... I never found out how dearly I loved another till one day, when James Wilson asked me to marry him, and I was very hard and sharp in my answer (for indeed, sir, I'd a deal to bear just then), and he took me at my word and left me; and from that day to this I've never spoken a word to him, or set eyes on him; though I'd fain have done so, to try and show him we had both been too hasty; for he'd not been gone out of my sight above a minute before I knew I loved--far above my life," said she, dropping her voice as she came to this second confession of the strength of her attachment. "But, if the gentleman asks me which I loved the best, I make answer, I was flattered by Mr. Carson, and pleased with his flattery; but James Wilson, I"-- She covered her face with her hands, to hide the burning scarlet blushes, which even dyed her fingers.

Would you like me to court you?” the earl finally asked. YES. She smoothed her hands over her skirts to keep from confessing it aloud. “I would like to know if you are,” she replied. “Or what your intentions are, if you aren’t.” “My intentions . . .” His slow smile acted like a torch held to her skin. She felt prickly with heat and yet transfixed by the glowing allure of it. “I intend to have you, Maggie, in every way a man can have a woman. I want your hand in mine while we dance. I want you laughing beside me in the theater. I want you lying naked in my arms at night. And I want you standing beside me in church, saying ‘I will.’

You speak as if you envied him." "And I do envy him, Emma. In one respect he is the object of my envy." Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying, "You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment." "Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself." "Thank you," said he, in an accent of deep mortification, and not another syllable followed. Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house. "You are going in, I suppose?" said he. "No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think." "As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?" He stopped in his earnestness to look the question, and the expression of his eyes overpowered her. "My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.

It was here in the darkness of night and warmth of my bed that I made my confession, inside myself and silently to her.  I loved her.  It was too fast, too rushed, too new, but I didn’t care.  I loved her.

It scares me a little,” she confessed. “Whatever’s happening in my heart when I’m around you…it scares me.” “It scares me too, but I know one thing for certain,” I said, placing my fingers beneath her chin and raising it so we were looking into each other’s eyes. “What’s that?” “I’m going to love loving you as much as I loved hating you

I considered my options. Either I could run away and never go back to school again, maybe even leave the country as a stowaway on a ship bound for Australia. Or I could risk everything and confess to her. The answer was obvious: I was going to Australia. I opened my mouth to say goodbye forever. And yet. What I said was: I want to know if you’ll marry me.

America Although she feeds me bread of bitterness, And sinks into my throat her tiger’s tooth, Stealing my breath of life, I will confess I love this cultured hell that tests my youth. Her vigor flows like tides into my blood, Giving me strength erect against her hate, Her bigness sweeps my being like a flood. Yet, as a rebel fronts a king in state, I stand within her walls with not a shred Of terror, malice, not a word of jeer. Darkly I gaze into the days ahead, And see her might and granite wonders there, Beneath the touch of Time’s unerring hand, Like priceless treasures sinking in the sand.

I wanted her and I couldn’t have her, so I fed the temptation, I flooded the craving, I would’ve fucking nursed the obsession from my own tits if I could’ve. I made sure I got little doses of her here and there. Except something incredibly enlightening happens when you spend enough time in one woman’s company. You start noticing shit about her, little useless crap that actually begins to mean everything, like how she brushes the hair out her face—even if there isn’t any in her eyes—whenever she’s unsettled, or how she chews on the end of a pen during class whenever she’s listening to something that captures her attention. You learn all her different laughs and know what each one means. You learn what pisses her off the most, or what makes her the happiest. You discover how smart and witty and sarcastic she is, and that her mind is almost as dirty as yours. You see how passionate she becomes when she defends those she loves, and you start to fall. Hard. So, this is my Pathetic Loser’s confession: I am Oren Tenning, and I have fallen. Hard.

Dearest," she murmured, "as you know, there was a time when it didn't matter to me whether I married a man I loved or not... it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband... to spend the rest of my life with him... I knew Simon was the only choice." She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. "When I'm ill," she continued in a husky voice, "when I'm afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her... my God, how grateful I am that I married Simon.

My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.

I love you," he said. "Oh, dear God, Skye, you have to know it. And if you'd gone..." He saw Eriko lying dead. He felt the roughness of the rocks he had piled to make her grave. And he said good-bye to her. "Jamie," Skye said, shushing him as she put her hands on his head. "I—I...you're my brother in all things. And that how I love you, too." He froze as the meaning of her words penetrated the tidal wave of his emotions. "I'm not too late. I didn't tell you too late," he said desperately. She hesitated. And then she said, "Holgar." No. Jamie's world stopped.

It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.

I don't know what you want from me then,' she cried, casting out her arms. 'For I cannot make my situation any different. I must marry. And so far, I have no promises.' He would not look at her. 'Ask me then,' she said, voice raw, 'ask me if I should like, if I should want to marry Pemberton, were the choice only about me?' He looked up. 'Would you?' 'No,' she said, voice cracking. 'Now ask me, whether I should still love you, were the choice only mine to make?' He took a step forward. 'Would you?' he said again. 'Yes,' she confessed. 'I will always choose my sisters. I will choose their need more than my want every day. But I want you just as much as I need money. You see me, in my entirety - the worst and the best of me - as no one else ever has.

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

After I got back to Texas, Anna sent me another letter. Her voice did not have the hop-skip this time. I read it with a thunderstorm rolling in my belly, the words of rejection leaping out as if a yellow highlighter had been dragged across them: "worried about you" "can no longer watch" "please understand" She did not demand that I quit drinking, but she told me she couldn't be the safe place for my confessions anymore. It was a love letter, the hardest kind to write, but I did not see it that way. It felt like a door slammed in my face.

She informed me that people’s real selves always reveal themselves eventually; that those who are selfish, spoiled, and mean will age sooner and wrinkle earlier than those who are not. She said that if I was good and kind and patient, it would also show in my face; that I would age gracefully, and when I did get old, I would have laugh lines instead of deep furrows from frowning. I would have dismissed this as just a silly story to get young girls to be nice to each other, except that my aunt was in her seventies and looked years younger than all the other stage mothers on the set.

It is merely a lust of the blood and a permission of the will. Come, be a man: drown thyself! drown cats and blind puppies. I have professed me thy friend, and I confess me knit to thy deserving with cables of perdurable toughness; I could never better stead thee than now. Put money in thy purse; follow thou the wars; defeat thy favour with an usurped beard; I say, put money in thy purse. It cannot be that Desdemona should long continue her love to the Moor,—put money in thy purse,—nor he his to her: it was a violent commencement, and thou shalt see an answerable sequestration;—put but money in thy purse.—These Moors are changeable in their wills:—fill thy purse with money: the food that to him now is as luscious as locusts shall be to him shortly as acerb as the coloquintida. She must change for youth: when she is sated with his body, she will find the error of her choice: she must have change, she must: therefore put money in thy purse.—If thou wilt needs damn thyself, do it a more delicate way than drowning. Make all the money thou canst; if sanctimony and a frail vow betwixt an erring barbarian and a supersubtle Venetian be not too hard for my wits and all the tribe of hell, thou shalt enjoy her; therefore make money. A pox of drowning thyself! it is clean out of the way: seek thou rather to be hanged in compassing thy joy than to be drowned and go without her.

You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.

As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. "You probably already know this," she said bluntly, "but I love you. In fact, I love you so much that I don't mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I'm never going to obey you. But I'm always going to love you." The declaration wasn't exactly poetic, but it seemed to be what he'd needed to hear. The spoons clattered on the table. In the next moment, he sat on the bed and gathered her against his chest. "Pandora," he said huskily, holding her against his violently thumping heart. "I love you more than I can bear. You're everything to me. You're the reason the earth turns and morning follows night. You're the meaning of primroses and why kissing was invented. You're the reason my heart beats. God help me, I'm not strong enough to survive without you. I need you too much... I need you...

--And yet this great wink of eternity, Of rimless floods, unfettered leewardings, Samite sheeted and processioned where Her undinal vast belly moonward bends, Laughing the wrapt inflections of our love; Take this Sea, whose diapason knells On scrolls of silver snowy sentences, The sceptred terror of whose sessions rends As her demeanors motion well or ill, All but the pieties of lovers’ hands. And onward, as bells off San Salvador Salute the crocus lustres of the stars, In these poinsettia meadows of her tides,-- Adagios of islands, O my Prodigal, Complete the dark confessions her veins spell. Mark how her turning shoulders wind the hours, And hasten while her penniless rich palms Pass superscription of bent foam and wave,-- Hasten, while they are true,--sleep, death, desire, Close round one instant in one floating flower. Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise.

The day you were born was the happiest day of my life, but I was so nervous that I don’t know if happiness is really the best word to describe what I felt. I think it is my obligation to tell you, in spite of the absolute love I have always felt for you, in spite of how much you have brightened my life, and I assume your mother’s as well—I haven’t seen her in around ten years now, but I’m sure that for her as well you have been a constant source of happiness—in spite of all that, I have to tell you that during the eighteen years you’ve now been alive, I’ve never stopped wondering what my life would have been like if you had never been born. It’s an overwhelming thought, an exit that leads to the darkest of nights, to the most complete blackness, but also to shadow and sometimes, slowly, toward something like a clearing in the woods. These fantasies are normal, but it’s not so common for parents to confess them. For example, over the years I have thought thousands of times that if you hadn’t been born I would have needed less money, or could have disappeared for weeks on end without worrying about anyone. I could have prolonged my youth for several more years. I could have even killed myself. I mean, the first consequence of your birth was that from then on, I could never kill myself.

I've always been his favorite." "Is that so?" Lazily Shelby folded her arms behind her head. She could picture him as a boy,seeing beyond what other boys saw and storing it. "Why?" "If I weren't modest,I'd confess that I was always a well-mannered, even-tempered child who never gave my parents a moment's trouble." "Liar," she said easily. "How'd you get the broken nose?" The grin became rueful. "Rena punched me." "Your sister broke your nose?" Shelby burst out with delighted and unsympathetic laughter. "The blackjack dealer, right? Oh,I love it!" Alan caught Shelby's nose between two fingers and gave it a quick twist. "It was rather painful at the time." "I imagine." She kept right on laughing as he shifted to her side. "Did she make a habit of beating you up?" "She didn't beat me up," he corrected with some dignity. "She was trying to beat Caine up because he'd teased her about making calf's eyes at one of his friends." "Typical brotherly intimidation." "In any event," Alan put in mildly, "I went to drag her off him,she took another swing,missed him, and hit me. A full-power roundhouse,as I remember. That's when," he continued as Shelby gave another peal of laughter, "I decided against being a diplomat. It's always the neutral party that gets punched in the face." "I'm sure..." Shelby dropped her head on his shoulder. "I'm sure she was sorry." "Initially.But as I recall, after I'd stopped bleeding and threatening to kill both her and Caine, her reaction as a great deal like yours." "Insensitive." Shelby ran apologetic kisses over his face. "Poor baby. Tell you what, I'll do penance and see about fixing you breakfast.

I rolled my eyes in aggravation and glared at the ceiling, hating what I had to confess. Lend knew how much it affected me, taking souls, and I always felt guilty and dirty, like he was judging me even though he tried not to. “The faerie came after me when Reth was down and I sucked out some of her soul.” “Good.” “I—Good?” “Yes. Good.” I shuddered. “You don’t have the creepy, ice thing in you. It’s not good.” “You here, safe and alive? Good.” I smiled sadly and knocked on the wall three times. “I”—knock—“love”—knock—“you”—knock. He knocked three times back.

What if it was Jamie?" Dorea looked very briefly caught off guard, but her expression was shielded away almost instantly. She drew in a slow and calculated breath before firmly insisting, "My answer remains the same. I have faith that however long your brother's life is, it will be filled with meaning and love." "How can you know that?" Mia broke down again, wishing, pleading for Dorea to change her mind and let her confess everything. The burden was too much. "Because you wear our words," Dorea whispered, touching the golden bracelet on Mia's wrist. "James is currently the last of the Potters. Which means that in the future, he is either alive to give you this bracelet himself, or he has had children or grandchildren and they have placed this in your care. Therefore the Potter name continues, and James lived with meaning and love in his life.

No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes. “Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.” A few gasps erupted. His voice rang out, bold, clear. “It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.” It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them. “Evie Duggan …” And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him. Then back to Eve. Whose heart was in her eyes. “ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.” A pin would have echoed like a dropped kettle in the church then. Eve was absolutely riveted. Frozen, her eyes burning into his. “And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.” The last word fell like a gavel. Not a single person moved or breathed. “There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.

There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.

A prison chaplain in the West of England confessed he had given up one prisoner as hopeless, so stubborn was he against any approach by him, and known throughout the jail as the most truculent and obstinate troublemaker. But one day the governor was told of a visitor who insisted on seeing him. To his surprise, it was a little girl. "He's my daddy," she explained, "It's his birthday." The governor allowed the prisoner to be sent for. "Daddy," said the child as he was brought in, "this was your birthday, so I wanted to come and see you." Then taking a lock of hair out of her pocket, she offered it to him. "I had no money to buy a present for you. But I brought this, a lock of my own hair." The prisoner broke down and clasped her in his arms, sobbing. He became a changed man after that and guarded, as his most precious possession, the lock of hair that reminded him that somebody still loved him.

Mother-daughter relationships can be complicated and fraught with the effects of moments from the past. My mom knew this and wanted me to know it too. On one visit home, I found an essay from the Washington Post by the linguistics professor Deborah Tannen that had been cut out and left on my desk. My mom, and her mom before her, loved clipping newspaper articles and cartoons from the paper to send to Barbara and me. This article was different. Above it, my mom had written a note: “Dear Benny”—I was “Benny” from the time I was a toddler; the family folklore was that when we were babies, a man approached my parents, commenting on their cute baby boys, and my parents played along, pretending our names were Benjamin and Beauregard, later shorted to Benny and Bo. In her note, my mom confessed to doing many things that the writer of this piece had done: checking my hair, my appearance. As a teenager, I was continually annoyed by some of her requests: comb your hair; pull up your jeans (remember when low-rise jeans were a thing? It was not a good look, I can assure you!). “Your mother may assume it goes without saying that she is proud of you,” Deborah Tannen wrote. “Everyone knows that. And everyone probably also notices that your bangs are obscuring your vision—and their view of your eyes. Because others won’t say anything, your mother may feel it’s her obligation to tell you.” In leaving her note and the clipping, my mom was reminding me that she accepted and loved me—and that there is no perfect way to be a mother. While we might have questioned some of the things our mother said, we never questioned her love.

Receiving forgiveness when we know we’ve truly blown it is a humbling and growth-producing experience. It’s the only thing better than forgiving someone else. On the other hand, an unsafe person who is unable to forgive can be very destructive. Instead of forgiving, she condemns: She centers on my failings. She won’t let go of the past, even when I’ve confessed, repented, and made restitution. She uses my weaknesses to avoid looking at hers. She sees me as morally inferior to her. She desires justice more than intimacy. Unsafe people are often good at identifying your weaknesses. They can quote the minute and hour you hurt them, and recall the scene in intimate detail and living color. Like a good attorney, they have the entire case mapped out. And you are judged “guilty.” Yes, we need to be confronted with our weaknesses. Unsafe people, however, confront us not to forgive us, but to condemn and punish us. They remove their love until we are appropriately chastened. This, obviously, destroys any chance for connection or safety.

I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.

I never knew what Mother knowed, Like how a thread and needle sewed, And how a kiss healed boo-boos fast. Why family knots were made to last. I never knew how Mother saw A caring man in angry pa, A smile beneath the teary gloom, A game inside a messy room. I never knowed what Mother knew, Like how to smile when days were blue, And how to laugh for laughter’s sake, While giving up her slice of cake. I never saw what Mother see’d Like honor pulling garden weeds, Or deep confessions in a look, And hope alive in storybooks. I never knew how Mother knowed To hand out carrots when it snowed, And why hot cocoa liked the rain, While naptime kept a person sane. For mother knowed and see’d it all. A winner in a strike-out ball. A 'yes, please' in a shoulder shrug. A 'love you mostest' in a hug. Perhaps, someday, I’ll come to know What Mother saw and knowed as so. Like how 'I’m right' can be all wrong, And why the night requires a song. But of the things I learned and knew I never doubted one thing true. My mother made it crystal clear, she knowed and loved me ever dear.

I know my heart, Matthew. I know what I feel won't change." She took a shuddering breath and extended one unsteady hand in his direction. Her voice shook with intensity. "When I tell you I love you, that means I'll love you forever." What does a man do when his dearest dreams come true? Matthew stared at her outstretched hand. He'd never imagined this time would come. He wasn't prepared. Her words soaked into his soul, slowly turning the parched desert there into a verdant garden. "You love me," he said slowly, wonderingly. Then with greater certainty, "By God, you love me." His astonished laugh ended on a choked note as he snatched her hand. "So much," she said huskily. Her fingers curled hard around his. "So very, very much." He dragged her back into his arms. "I can't believe it." "Believe it," she whispered. She raised her hands to frame his face so she could look into his eyes. The blue was so pure that he saw right to her gallant, steadfast soul. "I love you, Matthew. I will always love you." "And I love you, Grace." Such simple words to change his life. Yet after tonight, he'd never be the same man again.

Love is everything. So, for one who loves, everything has ceased to have meaning in itself and only means something through the interpretation love gives it. Thus if another betrothed became convinced there was some other girl he cared for, he would presumably stand there like a criminal and his fiancée be outraged. You, however, I know would see a tribute in such a confession; for me to be able to love another you know is an impossibility; it is my love for you casting its reflections over the whole of life. So when I care about someone else, it is not to convince myself that I do not love her but only you—that would be presumptuous; but since my whole soul is filled with you, life takes on another meaning for me: it becomes a myth about you." —Johannes the Seducer, from_Either/Or_

A Little Love from Karena I have a confession: I have cellulite. Yup. Dimples on the derriere, lumps and bumps on the back of my thighs. A lot of women have this, whether they’re in killer shape or not. Ever since I met Kat, who has the best booty EVER, I’ve worked hard to get it to look like hers. But no matter how many deadlifts or lunges I do, it still doesn’t. Does it look better? Absolutely. Is it perfect? No way (who’s defining “perfect,” anyway?). But I’ve learned to work with what I have. I dry brush and use self-tanner to make my rear view look the best it possibly can, and then I just go with what I’ve got. Up until 7 years ago, I would never wear short shorts because I was afraid of what people would think. Now I rock them because I have the confidence that comes from taking care of myself . . . plus a healthy dose of fierce self-acceptance. Sometimes you’ve just gotta say, “So what?” So take it from me: Flaunt it, no matter what. If someone is judging you, that’s their problem, not yours! You’re healthy, you’re in shape, and you’re taking fantastic care of yourself, inside and out. You’re Fit, Fierce, and Fabulous, and anyone who has a thing to say about a dimple on the back of your thigh clearly just doesn’t get it!

And then he saw her burning eyes. They gazed at him calmly and he saw in them benediction. He fell to his knees before her, pressing his face to her purple-velvet-clad-belly. "Séraphine, Séraphine, Séraphine. O most beloved of women, most fiery of saints, never leave me, please. I'll erect columns of white marble to you, build gardens of delight for you, cause ships to sail and warriors to rise for you, if you'll only remain by my side." She smiled down at him and cupped his cheeks. "Valentine, do you love me?" Ah, God, it was like a shot to the gut. He squeezed tight his eyes. To come so close and lose her because of this. "If I were able I would love you as no man has ever loved a woman since the beginning of time." She knelt then to face him and whispered, "But you are able." He clutched her. He wouldn't let her go, no, not even when she realized... "Séraphine, my darling, burning one, do you not remember? I told you, so long ago now, that I lacked that part. I cannot-" "But you can, Valentine." She touched a finger to his cheek and then showed it to him. He blinked. Her finger was wet. His eyes were wet. She smiled at him, his burning Séraphine, and it was as if the night sky were ablaze. "You love me." "I love you," he said in wonder, and felt his chest fill with warmth. "I love you." "And I love you," she whispered, her hands cupping his face. So he kissed her until she was limp and pliable and so very hot against him, and then he purred into her ear, "Does that mean you'll become my duchess, darling Bridget Crumb?" And when she sighed back, "Oh, yes, Val," he picked her up and carried her off to have his wicked, wicked way with her. Because he might have a heart now but some things weren't ever going to change.

There is no set of rules that dictates what you owe someone you love. What parts of your past should be disclosed? Should you confess you are trans? Alcoholic? That you had a same-sex relationship? An abortion? That you were abused by the person you trusted most in the world? When, if ever, is the right time for that conversation: before your first date, before your first kiss, before you sleep together? Where is the line between keeping something private, and being dishonest? What if the worst happens? What if honesty is the thing that breaks you apart? “What’s her name?” Asher asks, drawing me out of my reverie. I cover the new hive. I’ve been thinking of Billie Eilish, but maybe not every queen needs to be a pop diva. “Lily?” I suggest. I sit down next to him in the field, as stragglers from the crate fly to the entrance of the hive. We watch the sun go down,

He tossed his crown aside and plucked a basket out of the sack. He took a deep breath, held the basket behind his back and turned to face Cinderella. “Duchess Cinderella Lacreux, I must confess I have fallen deeply in love with you. If you would marry me, I would be the happiest of men—but there are some things that must be stated. I am in the army, and while you will always have my love, I cannot guarantee I will always return to you whole, or alive,” Friedrich said, briefly shutting his eye. “Also, I am the prince of a troubled country. If you marry me, I fear you will be called to show love, kindness, and compassion beyond what a normal human could extend. I am confident my countrymen will learn to love you and cherish you as deeply as I do, but I am aware you have already made great sacrifices…and I do not want to force more on you.” Friedrich knelt at her feet. For

Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’” Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty. “‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’” Astrid took a dramatic pause. “‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’” Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this. Redemption. Not a bad concept. Well, partial redemption. “It’s signed Caine Soren. And below that, ‘King of the FAYZ.’” It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted. Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.

I have just reread The Age of Innocence. Poor Countess Olenska, so much more alive than everyone in New York. She was better than Newland Archer, to whom she couldn’t give herself because she was married. It didn’t matter to society that she had been wronged by her husband. They felt her life was over. Thanks to the modern age of divorce, my life is not. I am coming to see that as a blessing and not something to be ashamed of. I am starting to think that my life is a good thing to have. I do not believe that there were more happy marriages before divorce became socially acceptable, that people tried harder, got through their rough times, and were better off. I believe that more people suffered. Divorce is in the machine now, like love and birth and death. Its possibility informs us, even when it goes untouched. And if we fail at marriage, we are lucky we don’t have to fail with the force of our whole life. I would like there to be an eighth sacrament: the sacrament of divorce. Like Communion, it is a slim white wafer on the tongue. Like confession, it is forgiveness. Forgiveness is important not so much because we’ve done wrong as because we feel we need to be forgiven. Family, friends, God, whoever loves us forgives us, takes us in again. They are thrilled by our life, our possibilities, our second chances. They weep with gladness that we did not have to die.

G took her hand in his and traced his finger over the delicate skin of her arm. What she didn't realize was that he was scrawling the words of a poem he had recently written. It was inspired by his lady and he had spent many long hours trying to find the words that adequately conveyed the feelings of his heart. There were many false starts, because at first he tried to capture the moment a horse fell in love with a ferret. Shall I compare thee to a barrel to apples? Thou art more hairy, but sweeter inside. Rough winds couldn't keep me from taking you to chapel, When finally a horse would take a bride... And then he tried to wax poetic about the ferret alone ... Shall I compare thee to a really large rat? Thou art more longer, with less disease. One would never mistake you for a listless cat ... Nor a filthy dog, because my dog has fleas. He could never confess his passion for poetry with those poetry examples.

Near the end of the session, a slight, middle-aged man in a dress shirt approached the microphone. “I’m here to ask your forgiveness,” he said quietly. “I’ve been a pastor with a conservative denomination for more than thirty years, and I used to be an antigay apologist. I knew every argument, every Bible verse, every angle, and every position. I could win a debate with just about anyone, and I confess I yelled down more than a few ‘heretics’ in my time. I was absolutely certain that what I was saying was true and I assumed I’d defend that truth to death. But then I met a young lesbian woman who, over a period of many years, slowly changed my mind. She is a person of great faith and grace, and her life was her greatest apologetic.” The man began to sob into his hands. “I’m so sorry for what I did to you,” he finally continued. “I might not have hurt any of you directly, but I know my misguided apologetics, and then my silent complicity, probably did more damage than I can ever know. I am truly sorry and I humbly repent of my actions. Please forgive me.” “We forgive you!” someone shouted from up front. But the pastor held up his hand and then continued to speak. “And if things couldn’t get any weirder,” he said with a nervous laugh, “I was dropping my son off at school the other day—he’s a senior in high school—and we started talking about this very issue. When I told him that I’d recently changed my mind about homosexuality, he got really quiet for a minute and then he said, ‘Dad, I’m gay.’ ” Nearly everyone in the room gasped. “Sometimes I wonder if these last few years of studying, praying, and rethinking things were all to prepare me for that very moment,” the pastor said, his voice quivering. “It was one of the most important moments of my life. I’m so glad I was ready. I’m so glad I was ready to love my son for who he is.

What about Sandridge?" McKenna asked. "Do you love him?" "Yes," Aline whispered. She loved Adam dearly- just not in the way he meant. "And yet you're here with me," he murmured. "Adam-" She stopped and cleared her throat. "Whatever I choose to do... he doesn't mind. This has nothing to do with him... you and I..." "No, it doesn't," he said with sudden anger. "My God, he should be trying to tear my throat out, instead of letting you go somewhere alone with me. He should be willing to do anything short of murder- hell, I wouldn't even stop at that- to keep other men away from you." Disgust thickened his voice. "You're lying to yourself, if you think that you'll ever be satisfied with the kind of bloodless arrangement your parents had. You need a man who will match your will, own you, occupy every part of your body, and every corner of your soul. In the eyes of the world, Sandridge is your equal- but you and I know better. He's as different from you as ice from fire." He leaned over her, his body forming a hard, living cage around her. "I'm your equal," he said harshly, "though my blood is red instead of blue, though I was condemned by my very birth never to have you... inside, we're the same. And I would break every law of God and man if-" McKenna stopped suddenly, biting back the words as he realized that he was revealing too much, allowing his rampaging emotions to get the better of him.

Along the way, I learned the Jewish concept of tikkun olam, which means 'the healing of the world' and is accomplished through presence in the midst of pain. It can be summarized in the phrase "I'm here with you and I love you" and is accomplished through simple acts of presence. It became a rallying cry for me in my work as a funeral director. Rachel Naomi Remen, in an interview with Krista Tippett, describes it as 'a collective task. It involves all people who have ever been born, all people presently alive, all people yet to be born. We are all healers of the world...It's not about healing the world by making a huge difference. It's about the world that touches you.' Presence and proximity before performance. As I took that to heart, I started to see small, everyday examples of tikkun olam everywhere. When a mother comforts a child, she's healing the world. Every time someone listens to another - deeply listens - she's healing the world. A nurse who bathes the weakened body of an elderly patient is healing the world. The teacher who invests herself in her students is healing the world. The plumber who makes the inner workings of a house run smoothly is healing the world. A funeral director who finds that he can heal the world even at his family's business. When we practice presence and proximity, we may not change anyone, we may not shift culture or move mountains, but it's a healing act, if for none other than ourselves. When we do our work with kindness - no matter what kind of work - if we're doing it with presence, we're practicing tikkun olam.

She'd barely sat down when he reminded her of that kiss: "Couldn't find any mud?" He said it so casually, she couldn't tell if he was teasing. "Behave," she hissed at him. "Never." He grinned at her. That brought on a slight blush, which in turn brought back her earlier frustration. "If trying to punish me by making me want you,I won't fall for that again," she warned him. "Do you want me?" What a ridiculous question. How could she not want him? But she wasn't telling him that. For him to even ask proved his intent was wicked in some form. "Be at ease,Becca." Then he completely ruined that by adding, "I'm not going to ravish you here at the table, though I confess,I'll probably be thinking about nothing else." She could have melted off the chair right to the floor, and not just from the scalding blush that flew up her cheeks. She was seeing him in her mind making love to her on the table! She couldn't look down at the table without seeing it now! Oh,God... She had no iea how she got through that meal. She barely heard a word around her.

And they had no idea what lives inside me, what I can do.” “I know what you do to me,” Kyle said, finding his eyes. “It’s everything right, honest, and good.” She stood on her tiptoes and kissed his lips. “Kyle, I’m intense and devoted, and I need a lot of direction just to get through my day.” “Cole, I’m impulsive and devoted and hopeless. I have a filthy mouth, and I don’t see it cleaning up anytime soon.” “I would like to make love to you. Here. Right now,” Cole said, continuing his confession. “But I’m afraid I’ll lose you, that you’ll leave your body and go somewhere else. Will you stay with me?” “I’m your shadow now, Cole. I’ll be where you are.” Kyle set her jaw, determined. “Okay,” he said. “This is how it’ll go. I’m going to give you pleasure. And you’re going to take it. No reciprocating.” He instantly saw doubt in her face. “Please, this time—which will be the first of so many—let me make you happy. Let my touch cleanse you. When I’m done, I want your body to belong just to us.” He could feel himself smiling, just thinking about it.

I MEAN not to defend the scapes of any, Or justify my vices being many; For I confess, if that might merit favour, Here I display my lewd and loose behaviour. I loathe, yet after that I loathe, I run: 5 Oh, how the burthen irks, that we should shun. I cannot rule myself but where Love please; Am driven like a ship upon rough seas. No one face likes me best, all faces move, A hundred reasons make me ever love. 10 If any eye me with a modest look, I blush, and by that blushful glance am took; And she that’s coy I like, for being no clown, Methinks she would be nimble when she’s down. Though her sour looks a Sabine’s brow resemble, 15 I think she’ll do, but deeply can dissemble. If she be learned, then for her skill I crave her; If not, because she’s simple I would have her. Before Callimachus one prefers me far; Seeing she likes my books, why should we jar? 20 Another rails at me, and that I write, Yet would I lie with her, if that I might: Trips she, it likes me well; plods she, what then? She would be nimbler lying with a man. And when one sweetly sings, then straight I long, 25 To quaver on her lips even in her song; Or if one touch the lute with art and cunning, Who would not love those hands for their swift running? And her I like that with a majesty, Folds up her arms, and makes low courtesy. 30 To leave myself, that am in love with all, Some one of these might make the chastest fall. If she be tall, she’s like an Amazon, And therefore fills the bed she lies upon: If short, she lies the rounder: to speak troth, 35 Both short and long please me, for I love both. I think what one undecked would be, being drest; Is she attired? then show her graces best. A white wench thralls me, so doth golden yellow: And nut-brown girls in doing have no fellow. 40 If her white neck be shadowed with brown hair, Why so was Leda’s, yet was Leda fair. Amber-tress’d is she? Then on the morn think I: My love alludes to every history: A young wench pleaseth, and an old is good, 45 This for her looks, that for her womanhood: Nay what is she, that any Roman loves, But my ambitious ranging mind approves?

Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.

In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.

America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest. "Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message. I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke. "I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died." Her lips pursed and unpursed as she dreamed. "Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for. " I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you." I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been. " I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for." There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round. He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her. I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter. I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him. All I could do was wait and give America the time she seem to need. Really, we all needed it. Time was the only thing that would settle this.

He's not here. The Black Earl." "I know." "So, for the moment, we are safe from that madness." "I am always safe with you. No matter what happens, no matter what, I am safe with you and not with anyone else." He inhaled. "How long have you been seeing the Black Earl?" "A few days now." She bit her lower lip. "You?" "Since I came to Pennhyll." He walked to the fireplace. She turned sideways on her chair, but all he did was stare at the fire, hands clasped and pressed against the small of his back. The fingers of one hand clenched and unclenched. He turned. "What of me? How long have I been in your head?" "Before the Black Earl, I think. Only I didn't know they weren't just dreams." "More and more intimate." His mouth thinned. "I confess to once or twice in my life imagining making love to a woman I admire. God knows you're a pretty woman, but I don't just imagine being with you. When I make love to you, you're not thoughts and images in my head, you're in my arms, real and warm. I can taste you and breathe in the scent of you, feel your skin against mine. We've never made love, but I've been inside you. Jesus, Olivia, you know I have." She nodded. "Hell, for all we know it's possible I've made a child in you." His eyes pinned her. "Did anything like that happen between you and Andrew?" "No." "You sound certain." "I am." "You never saw the Black Earl until I was at Pennhyll?" "Never." "Andrew never came to you in—as I have. As we have together?" "No. I never thought of him that way." "You do me, though." She nodded.

I notice that you’re wearing your wedding ring,” he said after I sat down. “Do you think you might be in denial?” I guess it was a fair question, but it caught me off guard. “I know Chris is gone,” I said. “But I do feel as if I’m still married to him.” I looked at my ring. It didn’t mean I was in denial; it meant I loved Chris. Yet the question bothered me. My husband is dead, and of course I acknowledge it. But that’s different than shouting about it. The ring is a symbol of our love as well as our marriage. How should I treat that symbol? Do I have a problem? I left the office in a quandary. The Bible says “until death do you part.” I know that means that marriage lasts only until one death, and that it’s okay for me to marry again. I know good friends wo are widows, and I’ve encouraged them to marry, feeling it was right for them. One of my dearest friends decided to do just that this past summer. It hadn’t been that long since her husband had died, but things had just come together, and her new love deserved to be acknowledged. It was another case, to me, of finding beauty through the ashes. “I kept asking God, why now? Why so soon?” she confessed. “The answer that came back was, timing doesn’t matter. Accept the gift.” She’s right. People may judge her, but she had the courage and strength to admit that she had something beautiful, and that the right thing to do was act on it. I know with certainty that not only was the man right but the timing was as well. They have strengthened each other, and I’m sure will have a life together many can only dream of.

Neliss, why is this rug wet?” Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before. “We have a rug there?” “Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?” “Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.” “You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.” “Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?” “I swear, Magdelegna, I am never letting you visit that Druid ever again.” “Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.” “I would be a hell of a lot less moody if I could figure out what that damn noise is.” Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them. “What is that?” “Remember when you asked me why I cut my hair?” “Ah yes, the surprise. Took you long enough to get to it.” “If you do not stop, I am not going to give it to you.” “Okay. I am stopping. What is it?” She held out the box tied with a ribbon to him and he accepted it with a lopsided smile. “I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away. “Open it.” He reached for the ribbon and soon was pulling the top off the box. “What is this?” “Gideon, what does it look like?” He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom. “What does it say?” “It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.” “I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?” “Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.” “I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.” “See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him. “Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.

That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance