Comparisons Are Odious Quotes

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Imagine saying to somebody that you have a life-threatening illness, such as cancer, and being told to pull yourself together or get over it. Imagine being terribly ill and too afraid to tell anyone lest it destroys your career. Imagine being admitted to hospital because you are too ill to function and being too ashamed to tell anyone, because it is a psychiatric hospital. Imagine telling someone that you have recently been discharged and watching them turn away, in embarrassment or disgust or fear. Comparisons are odious. Stigmatising an illness is more odious still.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
Comparisons are odious.
Evelyn Waugh (A Handful of Dust)
Comparisons are odious Cervantes, Christopher Marlowe, John Donne, ect...
Talon Rihai
Comparisons are odious, Smith,
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
Eris, the Goddess of Discord and sister of Ares, presides over separatio. It was she who came uninvited to a marriage on Olympus and flung into the midst of the gathering an apple inscribed "to the fairest." Thus she brought about the judgment of Paris. Comparisons are odious and comparison is what the golden apple provoked. To determine what is "more" and what is "most" requires and leads to judgments.
Edward F. Edinger
There's nothing wrong with you Ray, your only trouble is you never learned to get out to spots like this, you've let the world drown you in its horseshit and you've been vexed... though as I say comparisons _are_ odious, but what we're saying now is true.
Jack Kerouac (The Dharma Bums)
We must cease making odious and odorous comparisons and instead embrace our current lot in life—our past, present, and future—welcoming all that God will teach us through it. Only then we will discover the secret Paul knew—that true contentment isn’t merely having what we want; it’s wanting nothing more than what we already have.
Karen Ehman (Let. It. Go.: How to Stop Running the Show and Start Walking in Faith)
Since time immemorial wise people have been saying that all comparisons are odious. When we compare, we set up a winner-loser dynamic. If my crisis is greater than yours, then yours is belittled and insignificant. I say that’s nonsense. Each crisis has its own power, its own unique reality.
Tavis Smiley (My Journey with Maya)
But as the British Empire pulled up its tent pegs and struck camp to head home, I realized that there would be anger and resentment towards my race. The white man has given India many things of great value but he has also taken far more than his share and, in many cases, imposed unjust prejudices and priorities on people who have lived under the yoke of foreign domination for nearly a century and a half. Whatever reprisals occur might not take the extreme forms of violence that erupted in 1857, when my grandfather and other family members were slaughtered during the Mutiny. Nevertheless, if politics spills into the streets it is a scourge that turns friends into adversaries, reducing human behaviour to a brute contest in which all rules are abandoned and there can be no victor, only the vanquished. Some journalists have described it as the ‘law of the jungle’, which is an odious comparison, for in the absence of man, most jungles exist in peaceful harmony, governed by laws of nature and the eternal, equitable balance between life and death.
Stephen Alter (In the Jungles of the Night: A Novel about Jim Corbett)
In tragedy, if I may be allowed to make my meaning plain by a comparison, the monarchical constitution prevails, but a monarchy without despotism, such as it was in the heroic times of the Greeks: everything yields a willing obedience to the dignity of the heroic sceptre. Comedy, on the other hand, is the democracy of poetry, and is more inclined even to the confusion of anarchy than to any circumscription of the general liberty of its mental powers and purposes, and even of its separate thoughts, sallies, and allusions. Whatever is dignified, noble, and grand in human nature, admits only of a serious and earnest representation; for whoever attempts to represent it, feels himself, as it were, in the presence of a superior being, and is consequently awed and restrained by it. The comic poet, therefore, must divest his characters of all such qualities; he must place himself without the sphere of them; nay, even deny altogether their existence, and form an ideal of human nature the direct opposite of that of the tragedians, namely, as the odious and base. But as the tragic ideal is not a collective model of all possible virtues, so neither does this converse ideality consist in an aggregation, nowhere to be found in real life, of all moral enormities and marks of degeneracy, but rather in a dependence on the animal part of human nature, in that want of freedom and independence, that want of coherence, those inconsistencies of the inward man, in which all folly and infatuation originate.
August Wilhelm von Schlegel (Lectures on Dramatic Art and Literature)
Comparisons are odious,' said the blind man.
Charles Dickens (Barnaby Rudge: A Tale of the Riots of 'Eighty [with Biographical Introduction])