Watching Cartoons Quotes

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Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.
Kevin Smith (Tough Shit: Life Advice from a Fat, Lazy Slob Who Did Good)
I BET YOU DIDN’T KNOW THIS, but lots of guys have a thing for Ariel. You know, from The Little Mermaid? I’ve never been into her myself, but I can understand the attraction: she fills out her shells nicely, she’s a redhead, and she spends most of the movie unable to speak. In light of this, I’m not too disturbed about the semi I’m sporting while watching Beauty and the Beast—part of the homework Erin gave me. I like Belle. She’s hot. Well…for a cartoon, anyway. She reminds me of Kate. She’s resourceful. Smart. And she doesn’t take any shit from the Beast or that douchebag with the freakishly large arms. I stare at the television as Belle bends over to feed a bird. Then I lean forward, hoping for a nice cleavage shot… I’m going to hell, aren’t I?
Emma Chase (Tangled (Tangled, #1))
So what do you do? Really? (Kat) Nothing. Really. It’s boring as hell. Artemis won’t allow me to bring anything here with me. No guitar. No Cartoon Network. Occasionally, I sneak a book in just to watch her wig out when she finds it. (Acheron)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
Meg Wolitzer (The Interestings)
Saturday morning was their unrestricted television time, and they usually took advantage of it to watch a series of cartoon shows that would certainly have been impossible before the discovery of LSD.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
There’s a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. I’ve got most of Disney’s animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. […] Jimmy Cricket, Pinocchio, Mickey Mouse – these are world-known characters. Some of the greatest political figures have come to the United States to meet them.
Michael Jackson
I have a daughter and she's the greatest thing that ever happened to me. She gives me a good excuse to watch cartoons.
Billie Joe Armstrong
Tayla stole a peek at the report. "What's fucked up? The Smurfette?" "The what?" "Smurfette." Tayla rolled her eyes. "You've never watched cartoons, have you?" Wraith came around the corner, his leather duster flapping around his boots. He shot Tay a look drenched with sympathy. "E's way too starched to watch cartoons. That's so not happening to Stewie. He's already digging The Simpsons." "He's three weeks old!" Tayla gaped at Wraith in outrage. "Almost four." Tayla huffed. "Good God. I can't believe you are raising a child. Isn't there some sort of demon equivalent of Child Protective Services ?" "Hey. I have as much right to screw up a kid as anyone else.
Larissa Ione
What with your phone and the Xbox and the taxi TV and that music player you wear on your arm and the headphones that look like donuts on your ears, doesn’t it make life so much smaller? If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent?
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
In the midst of the vagaries of life, they provide us a trip to the land of goodness and fairies, of imaginations and possibilities. A childhood that wasn't spent watching cartoons or reading comic strips, no wonder, seems too dull to imagine.
Sanhita Baruah
...normally I consider nostalgia to be a toxic impulse. It is the twinned, yearning delusion that (a) the past was better (it wasn´t) and (b) it can be recaptured (it can´t) that leads at best to bad art, movie versions of old TV shows, and sad dads watching Fox news. At worst it leads to revisionist, extremist politics, fundamentalist terrorism, and the victory-in Appalachia in particular-of a narcissist Manhattan cartoon maybe-millionaire and cramped-up city creep who, if he ever did go up to Rocky Top in real life, would never come down again.
John Hodgman (Vacationland: True Stories from Painful Beaches)
This was the kid who used to toddle over to my bed at 6 o’ clock in the morning every weekend morning to pull on my blankets so I’d get up and watch cartoons with him. This was the kid who once made me play Hungry Hungry Hippos for an hour straight, until I thought my hands were going to fall off from slamming down those dumb little levers to make the hippos’ heads move. This was the kid who had spent an entire days at a time begging me to play Chutes and Ladders with him. And now he was feeling too sick to play with me.
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
A pat on the back to an artist now could one day result in your favorite film, or the cartoon you loved to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.
Kevin Smith
Damn it, Quinn, I don't even know what you're talking about." "I am taling about how I learned all your secrets from the Last Airbender last night." Becca looked almost incredulous. "A cartoon? What? You-wait-you-" Quinn watched sudden realization dawn on Becca's face.
Brigid Kemmerer (Secret (Elemental, #4))
In light of this, I’m not too disturbed about the semi I’m sporting while watching Beauty and the Beast—part of the homework Erin gave me. I like Belle. She’s hot. Well…for a cartoon, anyway. She reminds me of Kate. She’s resourceful. Smart. And she doesn’t take any shit from the Beast or that douchebag with the freakishly large arms
Emma Chase (Tangled (Tangled, #1))
If you’re alive, you’re a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers—these are our common ancestors. The guardians of high culture will try to convince you that the arts belong only to a chosen few, but they are wrong and they are also annoying. We are all the chosen few. We are all makers by design. Even if you grew up watching cartoons in a sugar stupor from dawn to dusk, creativity still lurks within you. Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Tana would sit near the door to the basement with fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana's little bed. 'Make her stop' Pearl said, but Tana couldn't.
Holly Black (The Coldest Girl in Coldtown)
Too many years of watching old Warner Bros. cartoons by Chuck Jones can instill in you a silliness gene by proxy.
Dean Koontz (Saint Odd (Odd Thomas, #7))
The woman who ran my last foster home didn't think it was safe,so we had to stay inside and watch some Charlie Brown cartoon three times.I've never liked beagles to this day.
Kiersten White (Supernaturally (Paranormalcy, #2))
We sat together on the couch, watching the cartoon skater fail to land jumps and fall in helpless, and probably unrequited love, with his coach. (They're watching Yuri on Ice!!)
Holly Black (The Wicked King (The Folk of the Air, #2))
Grown ups’ could learn a lesson from watching cartoons.
James Jean-Pierre
Aglets. Plastic thingies.” “Why do you know what those things are called?” “Phineas and Ferb.” “You watch cartoons?” Zane laughed hoarsely. “Kind of judgy for someone who can sing the country song from Animaniacs.” “Damn you, Tyler! Can’t keep a fucking secret!
Abigail Roux (Crash & Burn (Cut & Run, #9))
We get too comfortable with this orphanage universe, though. We sit in our pews, or behind our pulpits, knowing that our children watch "Christian" cartoons instead of slash films. We vote for the right candidates and know all the right "worldview" talking points. And we're content with the world we know, just adjusted a little for our identity as Christians. That's precisely why so many of us are so atrophied in our prayers, why our prayers rarely reach the level of "groanings too deep for words" (Rom 8:26). We are too numbed to be as frustrated as the Spirit is with the way things are.
Russell D. Moore (Adopted for Life: The Priority of Adoption for Christian Families & Churches)
Dressing up is just like watching cartoons, something you enjoyed as a kid, before it passes through the no man’s land of teen angst, the ironic age of early twenties. And then somehow, miraculously, it crosses back into the realm of the genuine, the nostalgic. A place reserved for wonder.
Victoria Schwab
Dressing up, he thinks, is just like watching cartoons, something you enjoyed as a kid, before it passes through the no man’s land of teen angst, the ironic age of early twenties. And then somehow, miraculously, it crosses back into the realm of the genuine, the nostalgic. A place reserved for wonder.
Victoria Schwab (The Invisible Life of Addie LaRue)
Whatever you may have thought about Hillary Clinton, my daughter watched as a highly experienced and qualified woman lost a job to a neophyte dilettante cartoon character of a white man who openly bragged of molesting women. My daughter isn’t dumb. She got the message.
John Hodgman (Medallion Status: True Stories from Secret Rooms)
Even his sister scoffed at them – these days at least - since she developed boobs and stopped watching cartoons.
Kyle M. Scott (Devil's Day)
If you're watching Scooby Doo and think of someone because it's their favorite cartoon. If you're allergic to flour but still eat someone's burnt pancakes. Or if you hate the color green but you wear it because it reminds you of a person's eyes just before you kiss them - well, it might be love.
Julian Winters (Running with Lions)
Earlier in the day, while killing some hours by circling in blue ballpoint ink every uppercase M in the front section of a month-old New York Times, Chip had concluded that he was behaving like a depressed person. Now, as his telephone began to ring, it occurred to him that a depressed person ought to continue staring at the TV and ignore the ringing — ought to light another cigarette and, with no trace of emotional affect, watch another cartoon while his machine took whoever’s message. That his impulse, instead, was to jump to his feet and answer the phone — that he could so casually betray the arduous wasting of a day — cast doubt on the authenticity of his suffering. He felt as if he lacked the ability to lose all volition and connection with reality the way depressed people did in books and movies. It seemed to him, as he silenced the TV and hurried into his kitchen, that he was failing even at the miserable task of falling properly apart.
Jonathan Franzen (The Corrections)
My mind wandered to all those years of school portraits: the licked palms wrestling cowlicks under the pretense of a loving stroke; letting the boys watch a cartoon while sliding them into handsome, uncomfortable clothes; clumsy efforts to subliminally communicate the value of a “natural” smile. The pictures always came out the same: a forced grin with unparted lips, eyes vacantly gazing into the haze—something from the Diane Arbus scrap pile. But I loved them. I loved the truth they conveyed: that kids aren’t yet able to fake it. Or they aren’t yet able to conceal their disingenuousness. They’re wonderful smilers, the best; but they’re the very worst fake smilers. The inability to fake a smile defines childhood. When Sam thanked me for his room in my new house, he became a man.
Jonathan Safran Foer (Here I Am)
Since my earliest memory, I imagined I would be a chef one day. When other kids were watching Saturday morning cartoons or music videos on YouTube, I was watching Iron Chef,The Great British Baking Show, and old Anthony Bourdain shows and taking notes. Like, actual notes in the Notes app on my phone. I have long lists of ideas for recipes that I can modify or make my own. This self-appointed class is the only one I've ever studied well for. I started playing around with the staples of the house: rice, beans, plantains, and chicken. But 'Buela let me expand to the different things I saw on TV. Soufflés, shepherd's pie, gizzards. When other kids were saving up their lunch money to buy the latest Jordans, I was saving up mine so I could buy the best ingredients. Fish we'd never heard of that I had to get from a special market down by Penn's Landing. Sausages that I watched Italian abuelitas in South Philly make by hand. I even saved up a whole month's worth of allowance when I was in seventh grade so I could make 'Buela a special birthday dinner of filet mignon.
Elizabeth Acevedo (With the Fire on High)
I am clanless. I wasted the last weeks of August watching bad cartoons. I didn’t go to the mall, the lake, or the pool, or answer the phone. I have entered high school with the wrong hair, the wrong clothes, the wrong attitude. And I don’t have anyone to sit with. I am Outcast.
Laurie Halse Anderson (Speak)
Now normally I consider nostalgia to be a toxic impulse. It is the twinned, yearning delusion that (a) the past was better (it wasn’t) and (b) it can be recaptured (it can’t) that leads at best to bad art, movie versions of old TV shows, and sad dads watching Fox News. At worst it leads to revisionist, extremist politics, fundamentalist terrorism, and the victory—in Appalachia in particular—of a narcissist Manhattan cartoon maybe-millionaire
John Hodgman (Vacationland: True Stories from Painful Beaches)
To be honest, I love watching some of the old cartoons and new ones that are popular. It's another way to make me happy and reminisce the good old times. Plus, it makes me forget the recreational world around me. If only the economy would let loose and not tire everyone out. I'm just saying. People have an inner child somewhere. I have one, too. So it's cool to have an inner child at times. It can brighten your day and see another view in life.
Simi Sunny
It’s Bambi,” I correct, unable to stifle a laugh. “And chill, dude. Bambi’s a cartoon character from my childhood. You know, the Disney one?” “Never watched them,” he mutters, climbing the stairs. “Too busy having a life.” I pause at the bottom of them and gawk at the back of his head. “Never… watched… a Disney…” I echo.
G. Bailey (Alpha Hell (The Rejected Mate, #1))
We sank into a cozy little vacuum, Mel and I, watching. I don’t know if it was the cartoons themselves, or watching them with Mel, but that night was the closest I had felt to knowing what I wanted from my life. She was the first person to see me as I had always wanted to be seen. It was enough to indebt me to her forever.
Kayla Rae Whitaker (The Animators)
..Octopuses appear to enjoy watching Many home aquarists report that their octopuses appear to enjoy watching television with them. They particularly like sports and cartoons, with lots of movement and color....King and her coauthor, Colin Dunlop, even suggest placing the tank in the same room as the TV, so owner and octopus can enjoy programs together.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
How was your first day of school, Jane?” he asked, voice different than before. “Oh, you know, public school,” she said, not meeting his eyes. “We just watched cartoons all day.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
My husband is a man who watches cartoons with his son; whose favourite show is Nashville; and who cried when Buffy’s mum died.
Iain Rob Wright (M is for Matty-Bob (A-Z of Horror, #13))
When you're watching something on TV that sucks, you change it. So when your life sucks you should be able to change it too. -Butt-Head, of Beavis and Butt-Head; Chicken Soup for the Butt
Butt-Head
When you ask most people to reflect on their very first memory, the recollections usually fall within a range of familiar vignettes—that first game of catch with Mom or Dad, playing with a beloved stuffed animal or favorite toy, or watching Saturday morning cartoons. My first memory is shooting that McDonald’s commercial. I can’t remember anything before the start of my career.
Corey Feldman (Coreyography)
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
Introducing these people to our friends and family is, in a way, more heedlessly exhibitionistic than posting nude photos or sex tapes of ourselves online; it’s like letting everyone watch our uncensored dreams.
Tim Kreider (We Learn Nothing: Essays and Cartoons (A Smart and Funny Essay Collection))
Through these days Bunny made increasingly frequent and protracted visits to the bathroom, beating off with a single-minded savagery intense even by Bunny's standards. Now, sitting on the sofa with a large Scotch, his cock feels and looks like something that has been involved in a terrible accident - a cartoon hotdog, maybe, that has made an unsuccessful attempt to cross a busy road. The boy sits beside him and the two of them are locked in a parenthesis of mutual zonkedness. Bunny Junior stares blankly at the encyclopedia open in his lap. His father watches the television, smokes his fag and drinks his whisky, like an automaton. After a time, Bunny turns his head and looks at his son and clocks the way he stares at his weird encyclopedia. He sees him but he can't really believe he is there. What does this kid want? What is he supposed to do with him? Who is he? Bunny feels like an extinct volcano, lifeless and paralysed. Yeah, he thinks, I feel like an extinct volcano - with a weird little kid to look after and a mangled sausage for a dick.
Nick Cave (The Death of Bunny Munro)
A research team … found that lessons children were likely to learn about gender from watching cartoons include the idea that men are more important than women, the idea that men are aggressive and get into fights, and the idea that women are fearful or nurturing … A study from 2012 found … that watching TV decreased the confidence of all children of colour and female children, while it increased the self-esteem of white, male children.
Emer O'Toole (Girls Will Be Girls: Dressing Up, Playing Parts and Daring to Act Differently)
How we spend our time says a lot about who we are. To a great extent, our habits define us. You might call yourself an artist, but if you spend most of your time on the sofa watching Netflix, you're really a couch potato.
John P. Weiss (The Cartoon Art of John P. Weiss (1))
People give Jon shit and claim he breeds cynicism. He’s the opposite of cynical. He really cares. And people who watch his show care about politics. That’s why you watch it, and that’s why you’re not watching a Yogi Bear cartoon.
Chris Smith (The Daily Show (The Book): An Oral History as Told by Jon Stewart, the Correspondents, Staff and Guests)
During slavery they made us hate ourselves for being black as if it was a “Curse” because of the “Curse of Canaan” story.  So as we got older it was the norm to love our slavemasters children.  We watched our children get sold into slavery and we watched them starve.  We nursed their babies while our babies died.  We took care of the master’s house chores and the master’s family while our family was in turmoil.  We watched their children go off to school while our children died in the streets.  We learned to love the image of a “White Saviour” because we were taught that black skin was “ugly” and a “curse”.   We went from watching cartoons with white princesses and princes to watching T.V. sitcoms where whites dominated the cast.  As a result we wanted our hair to look “straight” like the Princesses we saw on T.V. or the girl that was liked by all the boys.  This mental brainwashing was “key” in the process of erasing our “true identity”.
Ronald Dalton Jr. (Hebrews to Negroes 2 - Volume 1)
I do not know where Viktor and Rudolf were taken. I cannot find the records. I never Elisabeth or Iggie. It is possible that they were taken to the Hotel Metropole, which has been sequestered as the headquarters of the Gestapo. There are many other lock-ups for this flood of Jews. They are beaten, of course; but they are also forbidden to shave or wash so that they look even more degenerate. This because it is important to address the old affront of Jews not looking like Jews. This processing of stripping away your respectability, taking away your watch-chain, or your shoes or your belt, so that you stumble to hold up your trousers with one hand, is a way of returning everyone to the shtetl, stripping you back to your essential character - wandering, unshaven, bowed with your possessions on your back. You are supposed to end up looking like a cartoon from Der Stuermer, Streicher's tabloid that is now sold on the streets of Vienna. They take away your reading glasses.
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
After watching Donald Trump on C-Span the other day, one can see it being easy to be convinced that what the public sees, at least from the press coverage, is just a bit of “reality television” spilling over into real life. His performance at the gathering was reminiscent of what may have happened had Archie Bunker walked out of the cartoon world of the television sitcom and went to speak at posh affair filled with the wax museum of Washington politicos and the buzzard-esque scowls of the press. All eyes fixed on the performer giving yet another exhibition of theatrical prowess.
Robert Montgomerie
It's a cartoon but it's got like the whole meaning of life in it. (road runner) I mean, what doe it tell you? It tells you that your body can be broken but it will mend. It tells you that if you do bad things they will rebound on you. It tells you that death is the end. It tells you that you can walk on air, as long as you don't realize you're doing it.
Nick Lake (Satellite)
Hey, Rocky!” I call out from the lab. “Watch me pull a Taumoeba out of a hat!” Rocky climbs up his tunnel from the control room. “I assume that is Earth idiom.” “Yeah. Earth has entertainment called ‘television’ and—” “Do not explain, please. You have findings, question?” Just as well. It would take a long time to explain cartoons to an alien. “I have some results.
Andy Weir (Project Hail Mary)
And didn’t it always go like that–body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn’t stop watching, because, despite all you knew by now, it was still so interesting.
Meg Wolitzer (The Interestings)
And didn't it always go like that - body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
Meg Wolitzer (The Interestings)
You’re my baby, my sweet baby, my darling, and I need your help. You’re scared, but if you let me out, we’ll be together forever, Tana, you and me and Pearl. We’ll go to the park and eat ice cream and feed the squirrels. We’ll dig for worms in the garden. We’ll be happy again. You’ll get the key, won’t you? Get the key. Please get the key. Please, Tana, please. Get the key. Get the key. Tana would sit near the door to the basement with her fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana’s little bed. Make her stop, Pearl said, but Tana couldn’t.
Holly Black (The Coldest Girl in Coldtown)
Let me first establish—on your behalf—feelings of animosity and disgust at the mendacity inherent in this concept of "cartoon." Whenever someone hits you with a conversational shot that is crude or is intended to hurt, and you bristle, the shooter quickly throws up his/her hands and tries to get you to believe, "I was only kidding. It was all in fun. Boy, are you overreacting. You musn't take it seriously, it was just a joke." Well, we know it wasn't any such thing. It was a snippet of truth slipping past the cultural safeguards that keep us dealing with one another with civility. It was for real. Similarly, when such films as Streets of Fire and Gremlins and Temple of Doom are made, we are expected to take them seriously enough to plonk down five bucks for a ticket. When they fail to deliver what they've promised in all those tv clips, and we express our anger at having been fleeced, the shooters tell us we're overreacting and we should feel a lot better about losing our five or ten or whatever amount they got out of us, because it was all a gag. I wonder how well they'd take the gag if we paid for the tickets with counterfeit bills. Or pried open the firedoor at the theater and sneaked in with the entire Duke University Marching Band. "It was all a joke, fellahs; don't take it so seriously; gawd, are you overreacting!" No, they cannot have that cake and eat it, too.
Harlan Ellison (Harlan Ellison's Watching)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent? “Here lies Ms. Jackson, she took more steps than the other old biddies on her road”—is that the best I can leave behind? Is it all just designed to keep us looking down, or to give us the illusion that we have some sort of control over our chaotic lives? Will you do me a small favor, dears, and look up? Especially you New Yorkers and Londoners and other city dwellers who cross all those busy streets. How else will you take in the majesty of the buildings that have stood there for hundreds of years? How else will you run into an acquaintance on the street who might turn into a friend or a lover or even just recommend a good restaurant that no one has complained about on that app yet? If you never look out the window of the subway car, how will you see the boats gliding by on the East River, or have an idea that only you could have? Just look up for no reason, just for a moment here and there, or maybe for an entire day once in a while. Let the likes go unchecked and the quality of sleep go unnoticed. Que sera sera, my dears—whatever will be will be, whether we’re tracking it on our GPS devices or not.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
Finding Nemo," Gavin mumbled.               We watched the movie in silence for a few minutes and I felt like a kid again as I enjoyed the happenings on the screen. It had been a long while since I watched a cartoon.               "Holy shit, did they just kill off that fish's wife?" I blurted in shock.               "Yep," Gavin replied. "That big, mean fish ated her."               He said it so calmly - like it was no big deal that a sweet, loving cartoon fish just got murdered. What the fuck was wrong with this movie? This couldn't be appropriate for kids. I didn't think it was appropriate for me.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
I water my plants when the soil looks dry, and I haven’t forgotten my nephew’s birthday once ever. In fact, I started to think about my nephew and all the time he uses that phone, always checking for likes on that Instacart. It’s good to be bored in the car, I always tell him. Spend some time with just yourself and your thoughts and nothing to do. How else will you learn who you are? I’m worried about your posture, dear. I’m concerned that it comes from all the looking down. What with your phone and the Xbox and the taxi TV and that music player you wear on your arm and the headphones that look like donuts on your ears, doesn’t it make life so much smaller? If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent?
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls)
There were the signed, spiral-bound Spirit-in-the-Woods yearbooks from three summers in a row and the aerial photograph of everyone at camp the second summer. In it, Ethan's feet were planted on Jule's head, and Jule's feet were planted on Goodman's head, and so on and so on. And didn't it always go like that-body parts not quite lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.
Meg Wolitzer
AT THE VOIR dire the judge asks all the potential jurors to swear that even if they regularly watch CSI, Law & Order, Cold Case Files, or any other television show featuring forensic science and criminal justice, that they have a firm grasp on the difference between television—even reality television—and reality itself, in which we are presumably now mired. One potential juror with several small children says that won’t be a problem for her, because she mostly watches the Cartoon Network; the judge quips that an afternoon spent with the Cartoon Network provides as much or more information about the criminal justice system as a full season of Law & Order.
Maggie Nelson (The Red Parts: Autobiography of a Trial)
we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that. The movie. The damn movie. I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope. And I was an idiot. And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.” He hadn’t fallen asleep. If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully. When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all. And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him. I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence. The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it. All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose. The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit. He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie
Mariana Zapata (The Wall of Winnipeg and Me)
Anyway how are you doing, crybaby? You’re fifteen now right? Crazy huh? How is school going? If you ask someone out, don’t make her kiss you right away. Also, don’t make her keep it a secret. It will make her feel bad. Are you still watching too many cartoons? What do you do in your free time? Jake does karate. I think it’s very manly. Not like someone like me needs protecting, but it’s nice to know he could, you know? My teachers say I’m good at English. My aunt thinks I should be a writer, like her of course. What do they even do? I miss you. I haven’t had a friend as good as you. Remember how scared you were I would lose your address? I showed you. Well I don’t have anything else to say. I love you. Yours, Nicole
Opal Mellon (To Be with You (Sunset, #1))
Sometimes you almost forgot: that you didn't look like everyone else. In homeroom or at the drugstore or at the supermarket, you listened to morning announcements or dropped off a roll of film or picked out a carton of eggs and felt like just another someone in the crowd. Sometimes you didn't think about it at all. And then sometimes you noticed the girl across the aisle watching, the pharmacist watching, the checkout boy watching, and you saw yourself reflected in their stares: incongruous. Catching the eye like a hook. Every time you saw yourself from the outside, the way other people saw you, you remembered all over again. You saw it in the sign at the Peking Express - a cartoon man with a coolie hat, slant eyes, buckteeth, and chopsticks. You saw it in the little boys on the playground, stretching their eyes to slits with their fingers - Chinese - Japanese - look at these - and in the older boys who muttered ching chong ching chong ching as they passed you on the street, just loud enough for you to hear. You saw it when waitresses and policemen and bus drivers spoke slowly to you, in simple words, as if you might not understand. You saw it in photos, yours the only black head of hair in the scene, as if you'd been cut out and pasted in. You thought: Wait, what's she doing there? And then you remembered that she was you. You kept your head down and thought about school, or space, or the future, and tried to forget about it. And you did, until it happened again.
Celeste Ng (Everything I Never Told You)
Brady! You can’t watch that!” He looked up at me, his eyebrows furrowed, from his place on the floor. The remote was far away from him, next to the screen, so he couldn’t have changed the channel. I snatched it up and hit the information button. “What the hell is a YoGabbaGabba?” I looked back over at Brady and frowned. “Uh, never mind. Go ahead.” Walking with purpose back into the kitchen, I whispered into the receiver. “Okay. No joke, there is a talking, dancing, bright red, studded dildo on the screen. There are other ones that look like him, and I swear to God one is wearing a condom on his head. That’s a kids’ show?” I looked back into the living room. “Whatever happened to good old-fashioned cartoons? Don’t they have good shit like Animaniacs anymore?
Amber L. Johnson (Eight Days a Week)
One day I was watching the cartoon She-Ra, and the episode that was on was called ‘She-Ra and the Mighty Rebellions.’ At that time, the gang was already formed and was on the move. We were already getting involved in territory fights. This was when the Syndicates was out [the Syndicates was the first street gang ever to be established in The Bahamas; however, they were put out of business by the Rebellions]. One day we were on the wall, and guys were throwing out different names. I told them that the best name for this gang would be the Rebellions. To this day, I’m sorry I ever came up with that name, because I’m getting tired of seeing that name on the walls throughout Nassau. Anthony ‘Ada’ Allen, one of the former leaders and founders of the Rebellion Raiders street gang.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
After we returned to Italy, I worked as a waitress at this café on La Dogana beach in Maremma. Every day this bald man with one of those cartoon guts came in. Every day he ordered the linguine con vongole. They made it the best there. And every day this man, Carlo, would ask for extra parsley, but he wanted me to sprinkle it on top right there in front of him. Some days he was my only lunch table. He didn’t act untoward with me, unless you can count him wanting the parsley sprinkled tableside, and the way he would watch my hands. I used to apply clear polish every other day because I was conscious of Carlo watching my fingers. Joan, do you understand? There are rapes, and then there are the rapes we allow to happen, the ones we shower and get ready for. But that doesn’t mean the man does nothing.
Lisa Taddeo (Animal)
By the time I learned what a Pit Bull really was, it was too late; I was already in love. Of course I'd heard the stories, but I had never put these almost mythological urban tales together with the dogs in my neighborhood. I was living in Manhattan, just blocks away from a dog park, and dog watching was a spectator sport among those of us who were still dogless. There were dogs of every shape and size, but my eye kept going to the short, stocky, exuberant dogs that seemed like cartoons. You could tell by the gleam in their eyes they felt very lucky to be here, in the city, walking with the person they kept on the other end of the leash. Their heads were blocky and human. Their short coats made it seem like they were wearing costumes made of felt. It wasn't hard to imagine there might be a little person inside. And they were everywhere that there were people: in cafes, outside bodegas, eating at restaurants.
Ken Foster (I'm a Good Dog: Pit Bulls, America's Most Beautiful (and Misunderstood) Pet)
Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative.
Alexandra Kleeman (You Too Can Have a Body Like Mine)
Could I have something to drink?" Jake asked. His voice came out sounding furry and nasal. Both his mouth and the tissues in his abused nose were swelling up. He looked like someone who has gotten the worst of it in a nasty street-fight. "Oh, yes," Tick-Tock replied judiciously. "You could. I'd say you certainly could. We have lots to drink, don't we, Copperhead?" "Ar," said a tall, bespectacled man in a white silk shirt and a pair of black silk trousers. He looked like a college professor in a turn of the century Punch cartoon. "No shortage of po-ter-bulls here." The Tick-Tock Man, once more seated at ease in his throne-like chair, looked humorously at Jake. "We have wine, beer, ale, and, of course, good old water. Sometimes that's all a body wants, isn't it? Cool, clear, sparkling water. How does that sound, cully?" Jake's throat, which was also swollen and as dry as sandpaper, prickled painfully. "Sounds good," he whispered. "It's woke my thirsty up, I know that," Tick-Tock said. His lips spread in a smile. His green eyes sparkled. "Bring me a dipper of water, Tilly--I'll be damned if I know what's happened to my manners." Tilly stepped through the hatchway on the far side of the room--it was opposite the one through which Jake and Gasher had entered. Jake watched her go and licked his swollen lips.
Stephen King (The Waste Lands (The Dark Tower, #3))
I found out Si was taking naps every day on Kay’s couch! I went to Phil and told him it was a problem. “Look, I know he’s your brother and he’s my uncle, but he’s not the kind of worker we need to have,” I told Phil, while trying to make a good first impression. I was trying to instill a new work ethic and culture in Duck Commander, and I couldn’t have Si sleeping on the job! “Don’t touch Si,” Phil told me. “You leave him alone. He’s making reeds and that’s the hardest thing we do. Si is the only guy who wants to do it, and he’s good at it. Si is fine.” Amazingly enough, in the ten years I’ve been running Duck Commander, we’ve never once run out of reeds. Six years ago, Si suffered a heart attack. He smoked cigarettes for almost forty years and then quit after his heart attack, so we were all so proud of him. Even before his heart attack, I wasn’t sure about putting Si on our DVDs because I thought he would just come across too crazy. He cracked us up in the duck blind and we all loved him, but I told Jep and the other camera guys to film around him. Honestly, I didn’t think anyone would understand what he was saying. When we finally tried to put him on the DVDs, he clammed up in front of the camera and looked like a frog in a cartoon just sitting there. He wouldn’t perform. Finally, we put a hidden camera under a shirt on Si’s desk. We were near the end of editing a DVD and showed a shooting scene to Si. He always takes credit for shooting more ducks than he really did. He’s said before that he killed three ducks with one shot! We were watching patterns hitting the water, and Si started claiming the ducks like he always does and going off on one of his long tangents. After we recorded him, we ran the DVD back and showed it to him. I think Si saw that he was actually pretty funny and entertaining if he acted like himself. We started putting Si on the DVDs and he got more and more popular. Now he’s the star of Duck Dynasty!
Willie Robertson (The Duck Commander Family)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
The television exploded. KABOOM! “WAH!” screamed the girl. “NOW I CAN’T WATCH MY CARTOON!” As her parents dashed into the living room, a singed FING plopped out of the television. DUNK! Electricity fizzled all over its fur. “GET THAT FING OUT OF HERE!” ordered Myrtle. To add emphasis to her rage, the girl stamped her feet. * With the creature stunned, Mr and Mrs Meek seized their chance. “NOW!” ordered Mother. The pair pounced on it. They rolled FING into the garden. With all their might, they squished it through the shed door, and locked it.
David Walliams (Fing)
What? It's 9:35am! That's odd, my watch says 8:45am . . . . . . Although come to think of it I did adjust my watch forward by 8 hours to see what time it was in China, then adjust the time back to 7am so I could watch cartoons, then adjust the time forward to 9pm so I could have supper, then adjust the time forward by 3 hours so I could have a midnight snack, then adjust the time back to 3:30pm so I could pretend it was home time. What's the time again?
James Warwood (49 Excuses for Being Really Late: An (extremely silly) guide full of laugh-out-loud excuses and top tips (The Excuse Encyclopedia Series Book 7))
What is Anime Watch Order ? Anime is the Japanese way of animating cartoons. It’s storyline is based upon adult situations. Nowadays, almost 80% of the population is watching anime and manga series. It explains different scenarios, characters, story plots, messy haired cartoon characters, scary eyes and exaggerated stories relying upon physical reality.
Anime Watch
I was a very nervous kid, I was anxious all the time when I was younger, but what's nice is that some of the things I was anxious about don't bother me at all anymore. Like, uh, I always thought that quicksand was going to be a much bigger problem than it turned out to be. Because if you watch cartoons, quicksand is like the third biggest thing you have to worry about in adult life behind real sticks of dynamite and giant anvils falling on you from the sky. I used to sit around and think about what to do about quicksand. I never thought about how to handle real problems in adult life, I was never like "Oh, what's it gonna be like when relatives ask to borrow money?" Now that I've gotten older, not only have I never stepped in quicksand—I've never even heard about it! No one's ever been like, "Hey if you're coming to visit, take I-90 'cause I-95 has a little quicksand in the middle. Looks like regular sand, but then you're gonna start to sink into it.
John Mulvaney
But even at a young age, without understanding what these things were, we sensed them as we kicked our way through the currents of our day. We could feel it looming somewhere, large and dark beneath everything: our parents’ pain. So when the hands came, we offered our cheeks. We offered ourselves as conduits for their anguish because they had suffered so we wouldn’t, so we could watch Saturday morning cartoons and eat sugary cereal and go to college and trust the government and never go hungry. We excused all of it, absorbed the slaps and the burns and the canings and converted them into perfect report cards to wipe away our parents’ brutal pasts. We did the work, as they like to say now. We got into good colleges, got internships and postdocs, and eventually moved on to successful, rewarding careers in big cities that paid us enough money to buy high-end audio gear for our modernist apartments. We achieved the American Dream because we had no other choice.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
The indoor rules were simple: don’t touch anything that wasn’t in your book bag. Did you come home from school, grab a glass, pour yourself some juice, and camp out in front of the TV watching cartoons? Congratulations, Anne of Green Gables, your childhood was fucking rad. We weren’t allowed to touch the glasses anymore after I broke the Hamburglar tumbler from our set of McDonald’s fine china. We didn’t have juice boxes because we were on welfare, and I would rather have chewed tinfoil than recreationally drink powdered milk. We
Danielle Henderson (The Ugly Cry: How I Became a Person (Despite My Grandmother's Horrible Advice))
The indoor rules were simple: don’t touch anything that wasn’t in your book bag. Did you come home from school, grab a glass, pour yourself some juice, and camp out in front of the TV watching cartoons? Congratulations, Anne of Green Gables, your childhood was fucking rad. We weren’t allowed to touch the glasses anymore after I broke the Hamburglar tumbler from our set of McDonald’s fine china. We didn’t have juice boxes because we were on welfare, and I would rather have chewed tinfoil than recreationally drink powdered milk. We tried to watch TV once, turning it off as soon as we heard Mom’s footsteps on the landing, but technology in the eighties was intent on destroying our flimsy excuses. “Were you watching TV?” Cory and I would give each other the knowing glance of liars everywhere and say, “No.” Mom would then go over, touch the TV, and, feeling the warmth emanating from the screen, rip our story apart in three seconds flat. Disobeying her wasn’t the worst offense—we were wasting electricity, and no parent in the country could abide using electricity for the intended purpose if they were not the ones flipping the switch. When Mom was home, you could fire up every light in the house, leave an empty blender running full speed, and overload every outlet until the fuses popped like fireworks. But children alone were unworthy of electricity, so I guess the expectation was we could spend our time weaving brooms out of hay and banging out candle holders on a tin press. We had to make our own fun, so we invented Spiderweb City.
Danielle Henderson (The Ugly Cry: How I Became a Person (Despite My Grandmother's Horrible Advice))
This is what I call fake-resting. I’m wearing pajamas. The kids are watching cartoons, snuggling under blankets, eating waffles. Aaron’s reading or sleeping. It looks like I’m resting, too. But I’m not. I’m ticking down an endless list, sometimes written, always mental, getting things back into their right spots, changing the laundry, wiping down the countertops.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
And then came Jane Rosenthal (De Niro's handpicked CEO to oversee his production company). She had adored Rocky and Bullwinkle as a girl, and her husband, real estate investor Craig Hatkoff, had made a Valentine’s Day present to her of the collected series on DVD. She, like others before her, thought there was a potential film in Ward’s iconic characters and surreal sensibility, and in 1998 she negotiated a deal with Universal Pictures to acquire the rights and produce a $75 million film for the summer moviegoing season.” ...Fearless Leader, a role for which Rosenthal thought De Niro was perfect. When she asked him, she recalled, “he really laughed at me.… He didn’t grow up watching it. It wasn’t his thing.” But she persisted. “I was always joking with him about it. Then I finally said, ‘Okay, you’ve got to get serious here. It’s a three-week role. Do you want it or not?’ ” Amazingly—perhaps because he knew the film was, as he called it, “Jane’s baby”—he did.
Shawn Levy (De Niro: A Life)
As a clairvoyant, who daily perceives ‘visual’ psychic perceptions (since childhood), I can assure you with absolute certainty that I most definitely do not ‘see things on a blank screen in my head.’ In fact, the idea reminds me of one of my favorite psychic cartoons of a fortune-teller watching Netflix in her crystal ball!
Anthon St. Maarten (The Sensible Psychic: A Leading-Edge Guide To True Psychic Perception)
When people ate what Anna O'Brien baked, they smiled wider, laughed louder, and left the bakery she'd inherited with more confidence than when they arrived. Her chocolate chip cookies made Jordan Hillman propose to Julie Farmer on their fourth date. Her OREO brownies caused Roger Jackson to think he could dance the Charleston like he had in the '40's. One sip of her Saturday morning hot chocolate made everyone a good neighbor. People in town swore Anna could make anything better than the original, and they were right. It was a skill she'd been honing since she was big enough to stand on a step stool and help her grandma in the kitchen. While most children spent their after-school time watching cartoons and their summers flying kites and playing pickup games of baseball, Anna spent almost all her free time helping at Bea's Bakery. Anna had a superior sense for knowing how to combine ingredients and flavors into delicious creations. She also had an unusually strong sense of smell, which gave her an incredible advantage for pairing ingredients in a way that enhanced the eating experience. Each treat she made engaged the eyes, the nose, the tongue, and every pleasing nerve in the body.
Jennifer Moorman (The Baker's Man)
Or whatever the fuck it is that young people get up to these days. Maybe just watching Japanese cartoons and Tweeting about their fucking gender, as if anyone gives a flying fuck. I don’t know what they do.
J.D. Kirk (Where the Pieces Lie (DCI Logan #19))
Introduction day was always fun to observe. Sometimes the connection between a dog and a handier was instantaneous.. When that happened, it was almost like watching two cartoon characters fall in love. While nobody’s eyes changed to red hearts and big clouds of love didn’t magically appear around them, the connection was so obvious, they should have. And even when the bond was a little slower to form, you could usually tell if there was something there.
Jane B. Mason (Ember (Rescue Dogs, #1))
He reached across the couch for the remote and switched channels. He couldn’t bear to watch yet another show about the appalling truth he’d uncovered. The subject had been done to death by the television networks, but they wouldn’t let it go. He couldn’t go anywhere without seeing the words viatical and shocking used in the same sentence. It would be on cereal boxes next. He stopped channel-hopping when he came to the cartoons. He couldn’t see Tom and Jerry selling a viatical settlement to Butch.
Simon Wood (Accidents Waiting to Happen)
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
I went through this whole phase where I wanted to watch every gay movie. I didn't realize I was queer till college, so I had a lot of time to make up. But that got old, so now I-" Kieran cringes. "Watch a lot of cartoons? I know, I could stand to get out more.
Austin Chant (Coffee Boy)
Squaring her shoulders, Megan stepped out into the hall and her bare foot was almost flattened by a remote-control car. She jumped out of the way just in time and watched the thing zip down the hall and hop a makeshift ramp. Megan’s eyes widened in horror as she saw what was at the other end of the jump. Oh…my…God! The car slammed into a mountain of wrapped tampons, which exploded all over the hallway at impact. Ian raced past her, laughing maniacally, wielding the controls. Doug came out of his room to check out the commotion, picked up one of the tampons, and smirked. “Super-absorbency?” he said, just as Evan and Finn emerged from their rooms on opposite sides of the hall. “What’s super-absorbency?” Ian asked, his forehead wrinkling. “I don’t even want to know,” Doug replied, chucking the tampon in Megan’s direction. She caught it, feeling like her body temperature could singe a hole in the rug. Doug laughed and took off down the stairs with Ian barreling after him. “Ignore him. We all do,” Evan said with a groggy smile. “Uh…dude,” Finn said, glancing down at Evan’s boxers, which were covered in cartoon frogs and gaping open. Then Finn glanced over at Megan. Then Evan went back into his room and closed the door. No shame whatsoever. “Here, I’ll…help you clean this up,” Finn said, dropping to the floor and picking up a few tampons. “No!” Megan lurched forward and Finn fell back from his knees to his butt. She grabbed the tampons from his hands. “I’d really rather you didn’t.” “But I can--” “No. Just…I’m fine,” Megan said, awkwardly gathering up the slippery wrappers in her arms. “Thanks.” “Okay,” Finn said. He stood and hovered for a second, prolonging Megan’s mortification. Finally Finn walked into the bathroom and shut the door. Left alone, it was all Megan could do to keep from bursting into tears. They had been in her room. They had gone through her stuff. And Evan had seen her tampons. This was definitely the worst morning of her life. Megan stood up, clamped her things to her chest, walked into her room, and dropped everything on her bed. Okay, get a grip, she told herself. It could have been worse. Somehow.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Disney has diversified not through its key skills—after all, running a theme park or a cruise ship has little in common with making a cartoon—but through its audience. The people who go to Disney’s theme parks or buy its branded clothes are the same people who enjoy watching its cartoons and movies. This strategy—launching completely different products, aimed at existing customers—is horizontal diversification in action. How
Tom Wainwright (Narconomics: How To Run a Drug Cartel)
Making love to make a child, the intensity that must bring, the way their eyes would be locked in wonder at this thing they were doing. The surreal swelling of her belly, skin straining like it might tear, the bump of a tiny foot moving beneath. Playgrounds and patched knees. Midnight emergency room visits. Cartoon-themed birthday parties with sheet cake and balloons. The ache of standing over a single bed, watching a child sleep, knowing that someday that child would have a life of their own, that they would leave and never truly return. Dinner
Marcus Sakey (Afterlife)
Omri entered the house by the side door, which opened into the kitchen. His black and white cat, Kitsa, was sitting on the drainboard. She watched him out of her knowing green eyes as he came to get a drink of water. “You’re not supposed to be up there, Kits,” he said, “you know that.” She continued to stare at him. He flicked some water on her but she ignored it. He laughed and stroked her head. He was crazy about her. He loved her independence and disobedience. He helped himself to a hunk of bread, butter and Primula cheese, and walked through into the breakfast room. It was their every-meal room, actually. Omri sat down and opened the paper to the cartoon. Kitsa came in, and jumped, not onto his knee but onto the table, where she lay down on the newspaper right over the bit he was looking at. She was always doing this—she couldn’t bear to see people reading.
Lynne Reid Banks (The Return of the Indian)
Looking down from a fork in the tree, a little girl shivers in the bitter autumn wind. She could be inside in the warmth. Inside; amidst all the smelly pots and pans and piles of dirty clothes. The darkened lounge room flickering out a constant reel of cartoons; the light outside strangled as it tries to valiantly penetrate curtains too hard for a child to open. Michelle had gone into her Auntie’s room, as she had done many times before, to say that she will just be outside. ‘Okay my dearie,’ came the exhausted reply. There Patricia lay, her crumpled hair peeping out from the blankets. The stale, sour, smell of too much hibernation trapped in that tiny room. Her frayed sequin shoes left discarded near the door. The feather cap hanging limply from her dresser door, waiting for life to ride underneath it once again and for the wind to make it shimmer with delight. Michelle had walked outside, hoping that this canyon of loneliness would not follow her down the stairs. Out into the sounds of activity, the fresh waft of sea air, and the theatrical display of birdlife. There, Michelle now sits, watching it all as she reunites with the silent strength of her tree.
Felicity Chapman (Connected)
The cartoons she’d watched as a kid had given the impression life would have a lot more quicksand.
Susannah Nix (Remedial Rocket Science (Chemistry Lessons, #1))
I was too busy watching a derogatory cartoon on the television about a drunk scientist and an idiot child who got into all types of crazy situations
Tobias Wade (Brutal Bedtime Stories)
Sometimes you almost forgot: that you didn't look like everyone else. In homeroom or at the drugstore or at the supermarket, you listened to morning announcements or dropped off a roll of film or picked up a carton of eggs and felt like just another someone in the crowd. Sometimes you didn't think about it at all. And then sometimes you noticed the girl across the aisle watching, the pharmacist watching, the checkout boy watching, and you saw yourself reflected in their stares: incongruous. Catching the eye like a hook. Every time you saw yourself from the outside, the way other people saw you, you remembered all over again. You saw it in the sign at the Peking Express - a cartoon man with a coolie hat, slant eyes, buckteeth, and chopsticks. You saw it in the little boys on the playground, stretching their eyes to slits with their fingers -- Chinese - Japanese - look at these - and in the older boys who muttered ching chong ching chong ching as they passed you on the street, just loud enough for you to hear. You saw it when waitresses and policemen and bus drivers spoke slowly to you, in simple words, as if you might not understand. You saw it in photos, yours the only black head of hair in the scene, as if you'd been cut out and pasted in. You thought: Wait, what's she doing there? And then you remembered that she was you. You kept your head down and thought about school, or space, or the future, and tried to forget about it. And you did, until it happened again.
Celeste Ng (Everything I Never Told You)
Back then, there weren’t channels dedicated to subcategories of the population. There was no Disney channel, no Food Network, no ESPN, no Bravo. There was Sam Donaldson, Peter Jennings, and, my personal crush, Tom Brokaw on the news, and we got cartoons for three hours on Saturday mornings until CBS switched to golf at 11:00 after the Smurfs. Oh sure, MTV hit the scene in 1981, but we couldn’t watch it because of the devil. Apparently we could watch a show starring two outlaw brothers, their half-naked cousin, and a car painted with the Confederate flag but couldn’t watch Madonna sing “Like a Virgin” because we might get secondhand pregnant.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Modern 3D cinema technology works by ensuring your left eye sees one image while your right sees another. But they could, presumably, issue one pair of specs comprising two left-eye lenses (for children to wear), and another with two right-eye lenses (for adults). This would make it possible for parents to take their offspring to the cinema and watch two entirely different films at the same time. So while the kiddywinks are being placated by an animated CGI doodle about rabbits entering the Winter Olympics or something, their parents will be bearing witness to some apocalyptically degrading pornography. The tricky thing would be making the soundtracks match. Those cartoon rabbits would have to spend a lot of time slapping their bellies and moaning.
Charlie Brooker (I Can Make You Hate)
But they could be frightening, too. “Watching Watergate in Archie Bunker Country,” said the cover of the June 18 issue of New York magazine. It began with the author, top-drawer trend journalist Gail Sheehy, recording what happened when the proprietor of Terry’s Bar in Astoria, Queens, asked his patrons if he might tune the bar’s TV to the hearings. Nine men cried “Forget it!” “The majority called for Popeye cartoons. But Terry couldn’t find a channel that wasn’t polluted with the ‘search for unvarnished truth.’ They had no choice. Television was suppressing their freedom not to know.” These ironworkers, sandhogs, elevator operators, and beer truck drivers said things like this: that Ted Kennedy “killed a broad” (“Now there was a mountain, and they made a molehill
Rick Perlstein (The Invisible Bridge: The Fall of Nixon and the Rise of Reagan)
Remember that old Disney movie, the cartoon with the dogs, Lady and the Tramp?" she said with a jerky laugh. "it's Jade's favorite of course. We've watched it a million times. This reminds me of that scene where they're eating spaghetti." He raised his eyebrows. He knew exactly the scene. Both dogs both slurped the same piece and ended up kissing.
Roxanne Snopek (Finding Home)
Deborah answered in person on the first knock. She looked at me with such a hard, stony face that she must have set the expression in place well before now, so it would be properly congealed when I saw it. She said nothing at all, letting her face do all the talking. Behind her, I could see a dim purple glow from her living room, and hear the sounds of a cartoon show. I recognized one of the voices—it was the only show Cody and Astor could agree on watching, and it involved a platypus, as I recalled.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
When I Find Myself in A Depressed State, I Try and Write to Feel Better. However, If Writing Doesn't Work, Then You Can Almost Always Catch Me Watching Cartoons on Television, Like Scooby-Dooby-Do or The Munster’s. Unfortunately, I Am Watching These Programs Nearly Every Day.
Chris Mentillo
True Love… it’s the most wonderful human emotion and one of the most elusive. We search for it, trying to find that one person in the whole world worthy enough to spend our lives with. When you look at the trail of broken hearts, the rivers of tears and the broken dreams, it’s quite obvious that it’s not an easy dream to achieve. Don’t we rightly call it the Quest for Love? That’s why when we think we’ve found the right person, we are giddy with happiness and relief. Finally! The answer to our prayers has come after such a long wait. We are safe. We are loved. A lot of women view marriage this way and I blame that on all the Walt Disney cartoons we watched as little girls. There’s this beautiful helpless princess locked away in a castle and here comes this handsome prince to save her from her miserable life. Classic. Then, after the grand wedding ball, the movie ends with: “And They Lived Happily Ever After.” That’s it? What happened afterwards? Nothing’s mentioned about that. We are made to think that it all ends there, that the couple’s happiness is secured and a given. They love each other, right? They went through all that trouble just to be together. So they’ll be happy. End of story.
Eeva Lancaster (You're Getting Married Soon... Now What?)
By force-marching his exhausted men through the unknown, rain-swept wilderness of the German-infested Teutoburg Forest, this guy had just made a brain-explodingly boneheaded mistake so amazing in its incompetence that it makes the Roman consuls at Cannae look like a conjoined triplet made out of Napoleon Bonaparte, Alexander the Great, and that dude from Total Recall who had the baby coming out of his stomach. In terms of career moves, marching three legions into the Teutoberg was the Classical Age equivalent of coauthoring an academic paper with the Unabomber or asking Charles Manson to write you a letter of recommendation for law school. Unsurprisingly, this came back to bite him in the ass. We don’t know exactly how many Germans were hiding in the woods, watching the column of imperial invaders trudge past. The Germans didn’t bother to write anything down more detailed than “killed sum d00ds 2day lulz,” and the only Romans who managed to run screaming out of this forest alive were the ones who knew better than to sit there and try to count how many GWAR fans were currently trying to brutally dismember them with axes. Let’s just say it was probably a crapload, and that when these long-haired death metal freaks unleashed a bloodcurdling shout and started charging through the forest like a bunch of gigantic mutant Ewok-Wookies ambushing the Imperial Stormtroopers on the Forest Moon of Endor it wasn’t exactly the sort of hilarious laugh riot you might see in an animated GIF involving unicorns, rainbows, and cartoon kitties with Pop-Tarts where their bodies are supposed to be. Bellowing like madmen, these balls-out, frothing-at-the-mouth, beer-swilling sausage fiends went Leeroy Jenkins toward the enemy, blitzkrieging out of the woods from every side seemingly at the same time, their ferociousness magnified not only by their savage blood rage, but by the fact that some of the dudes had taken to painting their entire bodies black with mud to help them hide in the dark forest like how Schwarzenegger hid from the Predator’s infrared vision. It was so damned terrifying that it took every ounce of Roman discipline to not simply spontaneously combust into blood vapor on the spot.
Anonymous
Hope can give you wings, persistence, and energy. If you’re out of work, and want to stay upbeat, then greet the sunrise, go for a walk, count your blessings, listen to beautiful music, drink more water than usual, eat simpler, exercise more, laugh with your family and friends, watch cartoons, take naps in the daytime if you can’t sleep well at night, but for heaven’s sakes, don’t obsess about depressing statistics. Just determine to find alternatives for everything you are doing about your job-hunt and your life. You want to be the exception to whatever the odds are, about anything. Hold on to Hope, and you can beat those odds.
Richard Nelson Bolles (What Color Is Your Parachute? 2012: A Practical Manual for Job-Hunters and Career-Changers)
List your ten favorite comedians and humorists, and search for jokes, tweets, or quotes by each of these individuals. After you amass twenty jokes, identify the subject or target of the joke, and explain why you think the joke is funny. This exercise will help you become aware of the format of successful jokes and provide you with insight into your own comedic preferences. Collect ten to fifteen cartoons or comics. As you did with the jokes, identify the target of the humor and describe why the cartoon is funny to you. You may find it helpful to continue building a file of jokes and cartoons that appeal to you. In addition to building a joke and cartoon file, you’ll need to find new material to use as the building blocks for your humor writing. Most professional humor writers begin each day by reading a newspaper, watching news on TV, and/or surfing the Internet for incidents and situations that might provide joke material. As you read this book and complete the exercises at the end of each chapter, form a daily habit of recording odd and funny news events. Everyday life is the main source for humor, so you need to keep some type of personal humor journal. To facilitate psychoanalysis, Sigmund Freud had patients complete a dream diary, and he encouraged them to associate freely during therapy. To be a successful writer and to tap into the full potential of your comic persona, you should follow an analogous approach. Record everyday events, ideas, or observations that you find funny, and do your journaling without any form of censorship. The items you list are not intended to be funny, but to serve as starting points for writing humor.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
Should I shower?" I ask, because apparently I'm helpless. I need someone to tell me exactly what to do like my mom used to do when I stayed home from middle school watching Cartoon Network all day long, doing nothing for myself until she told me to.
Emily Henry (People We Meet on Vacation)
I love this place already," Max says as he gazes at the flying saucer not op of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
I love this place already," Max says as he gazes at the flying saucer on top of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
She didn’t remember that Enrico hadn’t called back until she woke up in the middle of the night, shooting out of a dream. She squinted in the dark, trying to recall where she’d been--- and then it came back to her. She’d been standing on the cartoon ground in Mexico, rocky and dry and flat, watching a single peach blossom blow across its surface. Birdie chased it, but it was too fast. It blew away from her.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
watch cartoons
Ellery Adams (Murder in the Mystery Suite (Book Retreat Mysteries, #1))
watch all cartoons and videos at 2x speed?
Dr. Shh (Illustrated Would You Rather? (Silly Kids and Family Scenarios 1))
He suffered, or did not suffer, from congenital naughtiness. He was either the favorite child or else the sort of person who would claim to be the favorite child when he wasn’t. In even his earliest pictures, he grinned with the huge, hand-rubbing glee of a cartoon villain, as if he just watched the photographer trip and fall into an open sewer. His hair curled upward, dark and frizzed, like the smoke of an illegal bonfire. He was cherubic, satanic, dressed in scandalously short pants.
Patricia Lockwood (Priestdaddy: A Memoir)
She stepped inside, and I followed her and my mother up the stairs. My mother had carried me up those stairs as a child. She'd taught me how to walk on them when I'd been a child. I'd swept those stairs as soon as I could hold a broom. Now I climbed them feeling as if my life was ending. In the living room, Safia was watching cartoons and rocking back and forth on the sofa with her thumb in her mouth. Safia still hadn't spoken a word. For this, my mother saw her as a dream. She showered affection on Safia in a way she'd never done with me. My mother told me I'd been difficult. I'd cried and cried as a baby and never been happy. I'd never been her favorite, even when it was just me.
Bushra Rehman (Roses, in the Mouth of a Lion)
and I was transfixed by a thing of beauty called the Cartoon Network—another novelty—which meant I could watch cartoons all day long.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
First, I was going to put my bean bag in front of the TV and superglue my big fat bum to it from the moment the sun came up until the moment it went down. I was going to play Star Wars, Dragonball Z, Sky landers, watch movies, catch up on all my fav cartoons and TV shows, overdose on Minecraft and eat chocolate and ice-cream straight from the container. Man it was going to be an insanely cool holiday.
Kate Cullen (GAME ON BOYS : Minecraft Superhero : Christmas Gaming adventure for Middle-grade kids (Game on Boys Series Book 4))
Jakob sends Rakel a text message that contains a link to the xkcd webcomic. The cartoon, titled “Angular Momentum,” shows a girl spinning around and around next to a bed on which her boyfriend is sitting and watching her in amazement. “What are you doing?” his speech bubble says. “Spinning counterclockwise. Each turn robs the planet of angular momentum, slowing its spin the tiniest bit, lengthening the night, pushing back the dawn, giving me a little more time here, with you,” answers the spinning girl. Rakel is amused and sends Jakob a response: “Right now I’m spinning the other way, clockwise with the earth’s rotation. All in the hope of making our planet turn the tiniest bit faster, so that time will pass more quickly and it won’t be so long until I see you again.” “Cunning—you can spin both ways” is his answer.
Klara Hveberg (Lean Your Loneliness Slowly Against Mine)
Star Wars is more likely as "Yup, grown up… I can't watch animations or cartoons… because in front of others I am going to look as screw up… person…"… "That's why I am going to watch Star Wars… it's kinda of animation or cartoon TV Show but for grown ups.
Deyth Banger (Jokes From A (BJ's Life #2))
What are your main inspirations when drawing? The news, nature, other people, day-to-day events, music, sounds, art, everything is potentially inspirational. All you have to do is go outside, read a newspaper or watch contemporary television or movies. The cartoons write themselves! (2014 interview with iamhiphop)
Andy Singer
was going to play Star Wars, Dragonball Z, Sky landers, watch movies, catch up on all my fav cartoons and TV shows, overdose on Minecraft and eat chocolate and ice-cream straight from the container. Man it was going to be an insanely cool holiday.
Kate Cullen (GAME ON BOYS : Minecraft Superhero : Christmas Gaming adventure for Middle-grade kids (Game on Boys Series Book 4))
Also, I don’t really keep up with the news. I watched CNN once, but that was only because I couldn’t get to the remote control without dislodging the catheter.
Matthew Diffee (The Best of the Rejection Collection: 293 Cartoons That Were Too Dumb, Too Dark, or Too Naughty for The New Yorker)
Fat is able to exit your cells primarily through the actions of three enzymes called hormone sensitive lipase (HSL), monoglyceride lipase (MGL), and adipose triglyceride lipase (ATGL). Each of these enzymes are like little ushers that help move fat out of your cellular theater after the show is over. Again, without them, the fat would just stay seated in the cell taking up space. Now, the head usher responsible for the mobilization of free fatty acids from adipose tissue (i.e., lipolysis) is considered to be HSL. It’s more easily acted upon by hormones we can influence (thus the name hormone-sensitive), so, for our enzymatic fat loss communication, that’s where we’re going to put our focus. HSL is an intracellular lipase that has broad substrate specificity (meaning it can break down all kinds of fat). If you watched the cartoon Scooby-Doo when you were younger, you probably remember a time or twenty that someone in the crew had a “skeleton key” that was able to unlock any random door they wanted to get into. While other enzymes are like specialized keys that can break down one type of fat, HSL is like a skeleton key that can open the door to break down many types of fat.
Shawn Stevenson (Eat Smarter: Use the Power of Food to Reboot Your Metabolism, Upgrade Your Brain, and Transform Your Life)
Ziggy is in front of the tube, as if nothing much has been happening in his day, watching Scooby Goes Latin! (1990). Maxine after a quick visit to the bathroom to reformat, knowing better than to start in with the Q&A, comes in and sits down next to him about the time it breaks for a commercial. “Hi, Mom.” She wants to enfold him forever. Instead she lets him recap the plot for her. Shaggy, somehow allowed to drive the van, has become confused and made some navigational errors, landing the adventurous quintet eventually in Medellín, Colombia, home at the time to a notorious cocaine cartel, where they stumble onto a scheme by a rogue DEA agent to gain control of the cartel by pretending to be the ghost—what else—of an assassinated drug kingpin. With the help of a pack of local street urchins, however, Scooby and his pals foil the plan. The cartoon comes back on, the villain is brought to justice. “And I would have got away with it, too, he complains, “if it hadn’t been for those Medellín kids!
Thomas Pynchon (Bleeding Edge)
Angry Gran Toss – Launch, Fly, and Upgrade in This Hilarious Arcade Adventure Get ready for a wild ride with Angry Gran Toss in slope-ball.io , a wildly entertaining arcade game that turns an angry grandma into a flying projectile. This offbeat and hilarious title combines distance-launching mechanics with quirky upgrades, crazy gadgets, and an endless sky to conquer. Whether you're here for the laughs or the challenge, Angry Gran Toss delivers high-flying fun that will keep you coming back for more. What Is Angry Gran Toss? In Angry Gran Toss, you play as a cranky grandmother who’s just broken out of the retirement home. Armed with a giant cannon and an attitude to match, she’s ready to soar through the skies. Your mission is simple: launch Grandma as far as you can, collect coins, dodge obstacles, and upgrade your equipment to achieve greater distances. The game blends elements of timing, strategy, and chaos. Each launch is unpredictable, making every round feel fresh and fun. Whether she’s bouncing off rooftops, flying through billboards, or smashing into helicopters, Grandma's journey is anything but boring. Game Features Addictive Launch Gameplay: Tap to launch at the perfect angle and power, then use gadgets to extend flight. Wacky Power-Ups: From jetpacks to rocket pants, unlock insane equipment to keep Granny airborne. Fun Physics: Hilarious ragdoll physics make every crash and bounce unpredictable and funny. Upgradable Gear: Spend the coins you earn on new launchers, gadgets, and boosts to fly farther. Colorful Visuals: Cartoon-style graphics bring the chaos to life in a lighthearted and vibrant world. Why Angry Gran Toss Is So Fun At its core, Angry Gran Toss is simple but incredibly rewarding. The satisfaction of watching your upgrades pay off as you launch further and further each time is what makes the gameplay loop so addictive. The humorous visuals and unexpected obstacles keep things from ever feeling repetitive. There’s also a level of strategy involved. Do you spend your coins on a stronger cannon, or invest in mid-air boosts? Do you time your launches for maximum efficiency, or rely on luck and chaos? The balance between skill and unpredictability is what keeps players hooked.
Games Workshop
Once, I watched a Soviet cartoon about a lost mitten. That cartoon went on for forty minutes. The mitten did not do ANYTHING.
Oleg Medvedkov (How to Prevent Unicorns from Stealing Your Car and Other Funny Stories (Take a Break & Have a Laugh Series))
I excused myself to the woman I was with and made my way over to these men. I stopped to ask my friend Buller to watch my back. The thing is, people like this can’t be talked to, and so I wasn’t going to mess around with this crazed windmill and his sidekick, Don Quixote. I hit the mouthy crazed windmill with a thumping right, a left, right, smack on the chin; he fell apart and was out for the count before he hit the deck. I turned to Don Quixote and off he shot like the Disney cartoon character of Speedy Gonzales.
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Emily and I are lying out on towels. She is so thin, I can make out every rib, the sternum, the knobby bulges of her shoulders. Her hair is golden and thick, though, which is how I know I’m dreaming. It was so brittle toward the end. I want to lie here even though I’m not sure if beside me Emily is alive or dead. When a coyote is hit on Pacific Coast Highway, the carcass will decay for weeks until all that’s left is bones and fur. I can wait, I’m willing to wait. The sun is warm, and maybe if we lie here long enough the tide will rise and the current will drag us out, maybe the sea will accept us back into it. My phone vibrates and drops onto the floor, waking me. I’ve fallen asleep in my clothes. It’s not yet eleven. I have a voice mail from Guy. It’s startling to hear his voice, casual and familiar, telling me that Mom is doing well, the production too. He doesn’t ask me to call, but I don’t want to be alone, thinking of that hideous death. How could I have known it would be quick? Paul had only called a few weeks earlier to say Emily was coming home from the hospital, that hospice had been arranged. I brought a tuna casserole, without peas, which was how Emily liked it when she was little. But she was already in a drug-induced sleep by then. Paul and the caregivers administering liquid morphine every two hours. So thin, I remember saying to Paul, who looked at me bewildered. She’s been thin for months, he said. They asked if I wanted to rub lotion into her hands, put a warm washcloth on her face. She knows you’re here, someone said. I did not want to see her die. I did not want to touch her body. Downstairs I microwaved the casserole and sat and ate it with Hannah while we watched cartoons. Guy doesn’t answer the first time, so I call again. A third time. “Pricilla, what time is it there?” I can hear car horns; a radio being turned down. I imagine he’s on a freeway stuck in traffic and I feel a twinge of homesickness. “Not that late.” I open the bedroom window.
Liska Jacobs (The Worst Kind of Want)
Like about ten times in each episode, which means that if you were watching it on Cartoon Network, he might say it like fifty times before breakfast.
Frank Cottrell Boyce (Framed: From the UK Children's Laureate 2024–2026)
He looked away, at the patients playing Monopoly or watching cartoons or killing time as time killed them.
Emmbrancsxx0 (Prologue (The Change Trilogy, #0.5))
...Watching the cartoon skater fail to land jumps and fall in helpless, and probably unrequited love, with his coach... (They're watching Yuri on Ice!!)
Holly Black
No one was allowed to make noise when television was on. Children were supposed to watch the news in silence while the adults discussed the atrocities in South Africa every time a picture of Nelson Mandela came up, wondering when those bad white people were going to set that good man free. Children were supposed to watch documentaries in silence; watch fast-talking cartoons, which they called “porkou-porkou,” in silence. They had to be quiet during whatever British or French or American series CRTV was broadcasting, soap operas and sitcoms which they barely understood but nonetheless giggled at whenever kissing scenes came on and groaned whenever someone was punched. The only time children were allowed to talk was when a music video came on. Then, they were encouraged by the adults to stand up and dance to Ndedi Eyango, or Charlotte Mbango, or Tom Yoms. And every time they would stand up and bust out their best makossa moves, twirling tiny buttocks and moving clenched fists from right to left with all their might, smiling to no end. To be able to see their favorite musicians singing in a black box, what a privilege.
Imbolo Mbue (Behold the Dreamers)
Even at such a young age, I knew what joy felt like because life as a child is littered with moments of joy: waking up on Christmas Day, unwrapping birthday presents, returning from the newsagents with a paper bag full of sweets, watching cartoons, scoring a goal in a playground football match. Life had so much joy back then.
Keith A. Pearson (Tuned Out (The '86 Fix, #3))
Yeah well, I’m watching cartoons here, okay? and this Donald Duck one is really been freaking me out?
Thomas Pynchon (Inherent Vice)
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One thought followed another, out of relaxation and into exasperation: the idiocy of animal activists, the bad influence of Disney cartoons, and the gullibility of the Bambi-loving American public. "Walt Disney did us in," he grumbled. "Before all those movies, people looked at animals differently." He snorted with disgust, mulling over that trend of animated movies populated by big-eyed deer and big-bad hunters that terrify defenseless animals. Bambi, Thumper, Flower the Skunk, Gerone sees them all as trouble, part of the reason that we live in a country filled with people who seem only to see animals as cuddly. He put down his wine glass, watching the clear liquid slosh against the edges. Before this century, he points out, most Americans lived on farms. They butchered hogs themselves, took chicken eggs, milked cows, ate the animals that surrounded them. They shot wild animals to protect their herds, to add to their food supplies. Now, the country's population has concentrated in cities. Hunting is largely a recreational sport; farmers are in decline. People are sur- rounded instead by pets, sleepy cats, playful dogs, pet rats and guinea pigs. "There are kids out there who think meat is born cellophane wrapped," complained Gerone. How can they identify with the idea that animals—the ones they play and feed and sleep with-—should be available as tools, for research?
Deborah Blum (The Monkey Wars)
he spoke slowly and gravely. He did not command. He did not talk down. He did not wheedle. He did not cajole or extol. He spoke to the millions of T-shirted, cereal-slurping, cartoon-watching Saturday-morning viewers as though they were real people.
Stephen King (Cujo)
have to wear a bowl of spaghetti tipped over your head every time you watch a cartoon
Dr. Shh (Illustrated Would You Rather? (Silly Kids and Family Scenarios 1))
And there is no reason for me to be longing for this now except for the fact that I am looking up at the sky and thinking, again, of the most cartoon version of heaven—a place overcrowded with people whose names I have brought back to life, whose names I have scrubbed the dirt off of after long winters have weighed their headstones down with the treachery of the season. A place where the dead have nothing else to do but watch the living they loved and still love, watching all of the sweetness lurking around the corners we ourselves cannot see, shaking their heads as we deny ourselves our waiting miracles. This is a self-indulgent way to imagine the life after this life, but I have massaged all other meaning I can out of the sky, out of the shapes of clouds and the oranges and reds that fight their way through those clouds while the sun laughs its way to surrender.
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
Stewardship is built with the smallest of decisions. Will I pray when I wake up, or look at my phone? Will I read the Bible to my children, or let them watch cartoons all morning? Will I spend my leisure time browsing my favorite stores online or working on a handcraft? None of the options I listed is necessarily bad, but some of them might be more intentional and life-giving in the long run—and it is small daily choices that build a life.
Jennifer Pepito (Habits for a Sacred Home: 9 Practices from History to Anchor and Restore Modern Families (Helping Moms Experience Peace & Return to Simple Daily Rhythms from Historic Christians like St. Benedict))
The solution was nonviolent. Unlike the soldiers at the Massacre, the Sons killed no one. Unlike the mob at Hutchinson’s house, the Sons did not come close to killing anyone. The solution was proportionate. The Sons destroyed no more property than necessary. They tossed overboard and thus ruined approximately 340 chests of East India tea, valued at about 9,700 pounds sterling. But no books or papers were disturbed or destroyed, as had happened at Hutchinson’s mansion. The three tea-laden ships involved in the episode were unharmed, and their non-tea cargo was untouched. The Sons made a point of sweeping the decks. The patriots would have preferred simply to scare the ships off, but Governor Hutchinson (no longer merely acting governor as he had been at the Massacre) had forbidden the ships to leave the harbor, and for technical customs-law reasons the clock was ticking down fast.84 The solution was public spirited and non-piratic. The Sons dumped the tea to make a legal and political point. They did not plunder or pilfer for their own private use—again, unlike the mob at Hutchinson’s mansion, where looters disgraced the patriot cause. The Sons and their allies in the press proudly stressed this fact: “A watch… was stationed to prevent embezzlement, and not a single ounce of Tea was suffered to be purloined by the populace.”85 The solution was conversation-starting and attention-grabbing, designed to win publicity across America and also in London, to counter the ministry’s low-tax-now gambit that threatened high taxes later. (What comes down must go up, thought the Sons.) Like Revere’s eye-catching cartoons, Otis’s ear-grabbing slogans, Pitt’s soaring speeches, and Barré’s fetching phraseology, the Sons’ performance art was part of an emerging democratic culture that rewarded those able to capture the attention and woo the hearts of the many. The solution was playful, satiric, and stylish—worthy of Hogarth himself. London snobs had treated their colonial cousins as if they were uncivilized aborigines, rather than proper New World Englishmen entitled to all the rights of proper Old World Englishmen. Well, the Sons replied, winkingly, don’t blame us for the destruction of tea. Blame the Indians, against whom your soldiers are allegedly protecting us! The Sons may also have relished the performance pun that New World “Indians” were thwarting Britain’s East India monopoly. In a note the following day to James Warren (brother-in-law of James Otis Jr.), John Adams gave the Sons’ theatrical performance a rave review: “This is the grandest Event which has ever yet happened Since the Controversy with Britain opened! The Sublimity of it charms me!
Akhil Reed Amar (The Words That Made Us: America's Constitutional Conversation, 1760-1840)
Honestly I could not have explained why I cared so much, but it was like someone had stuck a blunt sword right through my chest and was prying my ribs apart and crushing my heart. Even this, even this I could not have. But of course I couldn’t. I couldn’t believe I’d been so stupid. I couldn’t believe I’d thought I could pass for an actual person. More than anything at that moment I wished my father were here, just sitting there watching cartoons with me. Being with him was the last time I could remember when it took no actual effort for me to believe that I was a real person.
Lev Grossman (Persephone (Into Shadow, #2))
What else do you watch?” “Rick and Morty. That’s what my blog’s about, actually.” I turn fully to him. “Seriously?” “Not to brag, but I’m considered a world expert on Rick Sanchez, the semi-improvised, burping cartoon scientist grandpa.
Leslie McAdam (Undone (Vino & Veritas #18))