Comments Romantic Quotes

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It would be shame," Jameson commented, "if we were related.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
There is no such thing as constructive criticism,” says John Gottman. “All criticism is painful.” He is correct. We never like to hear that there is something “wrong” with us, or that something needs changing, especially if this message is coming from the loved one we most depend on. Psychologist Jill Hooley’s work at Harvard measures the impact of critical, hostile comments made by loved ones and shows just how venomous disparagement by those we rely on can be. This censure may even trigger relapse of mental illness, such as depression.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
In a very romantic moment, I want only love, not a comment.
Debasish Mridha
She was different from any other women he'd been with. Something he'd known from the moment he'd met her and she'd made a smart-ass comment about him looking like GI Joe on vacation.
Katie Reus (Chasing Danger (Deadly Ops, #2.5))
It’s kind of romantic with unrequited love. A big, strong, sexy hero. A fight to the death.” She sighed wistfully. Slowly and thoughtfully, she traced his strong jaw with her fingertip. “You’d make a good Orion,” she murmured absentmindedly. Ronin raised an eyebrow, and, realizing that she’d said that out loud, she buried her face in his shoulder. “Umm… shit…” she whispered. “It’s getting pretty late and I have to work tomorrow. I should probably, um… yeah.” Neither of them spoke after that, both lost in their own thoughts. Devin contemplated the need to work on her verbal filter, rather mortified by her offhanded Orion comment. But, honestly, Ronin was exactly how she pictured Orion when she was a little girl. Big and stoic, muscular with a strong jaw, a fierce build. A mighty Greek hero.
Sibylla Matilde (Little Conversations (Conversations, #1))
George Williams, the revered evolutionary biologist, describes the natural world as “grossly immoral.” Having no foresight or compassion, natural selection “can honestly be described as a process for maximizing short-sighted selfishness.” On top of all the miseries inflicted by predators and parasites, the members of a species show no pity to their own kind. Infanticide, siblicide, and rape can be observed in many kinds of animals; infidelity is common even in so-called pair-bonded species; cannibalism can be expected in all species that are not strict vegetarians; death from fighting is more common in most animal species than it is in the most violent American cities. Commenting on how biologists used to describe the killing of starving deer by mountain lions as an act of mercy, Williams wrote: “The simple facts are that both predation and starvation are painful prospects for deer, and that the lion's lot is no more enviable. Perhaps biology would have been able to mature more rapidly in a culture not dominated by Judeo-Christian theology and the Romantic tradition. It might have been well served by the First Holy Truth from [Buddha's] Sermon at Benares: “Birth is painful, old age is painful, sickness is painful, death is painful...”” As soon as we recognize that there is nothing morally commendable about the products of evolution, we can describe human psychology honestly, without the fear that identifying a “natural” trait is the same as condoning it. As Katharine Hepburn says to Humphrey Bogart in The African Queen, “Nature, Mr. Allnut, is what we are put in this world to rise above.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
You promised me a kiss,” she whispered. “A rash comment in the heat of the moment.” His face was so close she could feel electricity snapping between them. “I think I’m still feeling that heat.” She tilted her hips. He groaned. It was enough. His mouth captured hers.
Brynn Kelly (Edge of Truth (The Legionnaires, #2))
Lewes was waiting, always Lewes, making profound and idiotic comments on everything, and wanting to sit up half the night and reason. Reason! He was sick of reason. He wanted some one he could be romantic with, and sentimental with, and poetic, and—yes, religious with, if he felt like it, without having to feel ashamed.
Elizabeth von Arnim (Love)
So it was a matter of love at first sight?. . .How romantic. I am always suspicious of love earned by familiarity—it shows a lack of imagination. Of course, a quick inspection of financial records can only prove true love's value. But who am I to comment? Only an old maid who knows nothing of the joys of being dominated by a man, living self-reliant as I do in my own small home.
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
one moment they may seem calm and serene and deeply in love with their partner, but at the next, they may be triggered by an event that leads them to feel criticized or abandoned, which irrationally provokes an outburst of harmful aggressive rage. The perception of impending separation or rejection can lead to profound changes in the manner in which they think about themselves and others as well as their emotional stability and behavior. Whether real or imagined, a thought or reminder that they could be rejected or abandoned causes them to strike back at their romantic partner with rage and aggressive hostility. A mistaken comment, a benign
Ross Rosenberg (The Human Magnet Syndrome: Why We Love People Who Hurt Us)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
relationship? Both partners doing everything they could to keep the other satisfied? See, that was the problem with many of the married couples she knew. In any marriage, there was a fine balance between doing what you wanted and doing what your partner wanted, and as long as both the husband and the wife were doing what the other wanted, there was never any problem. The problems arose when people started doing what they wanted without regard to the other. A husband suddenly decides he needs more sex and looks for it outside of the marriage; a wife decides she needs more affection, which eventually leads to her doing exactly the same thing. A good marriage, like any partnership, meant subordinating one’s own needs to that of the other’s, in the expectation that the other will do the same. And as long as both partners keep up their end of the bargain, all is well in the world. But if you didn’t feel any passion for your husband, could you really expect that? She wasn’t sure. Doris, of course, had a ready answer. “Trust me, honey, that passes after the first couple of years,” she would say, despite the fact that, to Lexie’s mind, anyway, her grandparents had the kind of relationship that anyone would envy. Her grandfather was one of those naturally romantic men. Until the very end, he would open the car door for Doris and hold her hand when they walked through town. He had been both committed and faithful to her. He clearly adored her and would often comment on how lucky he was to have met a woman like her. After he passed on, part of Doris had begun to die as well. First the heart attack, now worsening
Nicholas Sparks (True Believer)
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
The door opened behind us and several of the cheerleaders shrieked as Darius strode in wearing his Pitball uniform, making a beeline for Tory. She was only in her skirt and sports bra, looking to him with her brows arching. “Flans on a Friday!” Geraldine exclaimed mid-lunge. “This is the ladies room and Jacinta has her Petunia out!” She pointed at Jacinta who was struggling to get her panties up her legs, getting entangled as she stared at Darius’s back in alarm. Darius rolled his eyes, ignoring the chaos around him as he fixed Tory in his sights while I fought a grin at the two of them. I couldn’t believe what Caleb had done for them and I was so happy that there was a way they could be together sometimes. Even if that did involve a threesome with two Heirs, at least she was enjoying herself. Get it, Tor. “Cheerleaders sometimes support a certain player on the field,” Darius said as he pushed his hand into his pocket and took out a navy ribbon with the word Fireshield on it. “Will you cheer for me today, Roxy?” He held it out for her and I swear she actually blushed. “I’m cheering for Darcy and Geraldine too.” “We don’t mind,” I said immediately. “Do we Geraldine?” “By all the rocks in Saturn’s rings, of course we don’t!” Tory shrugged in answer, a smile playing around her mouth and he leaned forward and wrapped the ribbon around her throat and tied it in place. “They’re normally worn on the wrist,” Geraldine whispered to me overly loudly. “This is most romantic.” “Good luck,” Tory said and he nodded before heading out of the room. I bit my lip, looking to her for a comment while Geraldine rested a foot up on the bench, pressing her elbow to her knee and perching her chin on her knuckles as she gazed wistfully at my sister. “What?” Tory asked innocently. “You know what,” I teased and she fought a grin, glancing over her shoulder as if checking to make sure he was really gone. Then she cast a silencing bubble around thethree of us and her expression became anxious. “It’s not that I don’t like the sweet side of Darius, but…” she started. “But what?” Geraldine gasped. “What is it?” I pressed gently when she didn’t elaborate. She sighed, looking a bit guilty. “I just miss our back and forth. This isn’t him. It’s just a nice version of him. I want the real Darius, not some watered down version. And I need to be sure the real Darius isn’t going to hurt me again. Like what happens when one day I piss him off and make him lose his temper again?” Geraldine’s jaw almost hit the floor, but before she could try and convince Tory otherwise, I spoke. Because I knew my sister, and I was starting to get a fairly good read on Darius too. And she had a point. He was on his best behaviour right now, but that couldn’t go on forever. If they were going to find some way to make this work, she needed to know what long-term Darius looked like. And besides that, she lived for being kept on her toes. (Darcy)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Mary T. Quigley: The wedding dress was a challenge. In the story, Sheldon [comments] how she looks like a pile of swans, so for me, that meant a lot of layers and feathers and lightness. Amy’s dress needed to be something that was overdone, but not funny. It needed to stay romantic. So that was a big challenge. I took a bunch of different wedding dresses apart to make that dress.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
Congratulations on your exciting opportunity!” declared the blob in a voice that sounded like a mix between sandpaper and nails on a chalkboard. It appeared to be wholly ignorant of the way its voice sounded, its words infused with a joyful sincerity Paresh found unsettling. “Excuse me?” asked Paresh, who had never encountered an alien before but decided that if the first thing they did when they invaded was congratulate you, they couldn’t be all that bad. “We have identified you as a potential host body. We find your body very desirable.” No one was allowed to find his body desirable but his wife, dammit. “Host body?” “Our analysts have determined that your body’s complexion, specific gravity, and the length of its extremities are optimal for our experience.” Sita had never commented on his specific gravity, but Paresh took it as a compliment. She had commented on the length of his extremity.
Sunil Patel (The Merger: A Romantic Comedy of Intergalactic Business Negotiations, Indecipherable Emotions, and Pizza)
His name is Richard Bingham and he’s an advertising executive at Bingham, Charles & Alexander. And yes, he is the Bingham in the title. He says, “I loved watching you eat your lunch. You really savored the flavors.” I am immediately mortified by his comment as I can only imagine what I must have looked like. I get an image in my head of a phone sex commercial for 1-800 eat-this. I grimace and beg, “Please tell me you were not watching me eat.” But he just smiles, “I couldn’t take my eyes off of you. That’s why I brought the desserts over. I can die a happy man if you’ll just take one bite of each of them for me.
Whitney Dineen
I don’t suppose you’d care to explain the we-don’t-have-a-choice aspect to Naomi?” Javier rejoined sarcastically. “Why bother? She’s bound and determined to fight her beast and in turn, her shifter nature. I say let her.” Incredulity marked Javier’s expression. “Isn’t that counterproductive to your, make that our, goal?” “No, it is simple biology,” Ethan explained. “She will eventually come to us. Keep in mind, the longer she denies the pull to mate, the harder the desire to claim us will ride her.” “That sounds kind of callous,” Javier remarked. “I’m surprised. I expected more of you.” “You didn’t let me explain what my plan was while she fought her nature. I plan to stay glued to her side, apart from practices and games, of course. I will get to know her, and in turn, she will come to know me. Befriend her, in other words, and if I’m lucky, perhaps she’ll even come to love me. I know I’m already half way there.” A romantic like his father, Ethan believed in love at first sight despite his more pragmatic friend’s comments. Javier snorted. “Gods, don’t let the opposing team ever hear you yapping like a woman. For a giant bear, you’re awfully sentimental.” A dark look shot Javier’s way made his feline friend grin. Ethan growled. “You are lucky I am holding her, or I’d make you swallow your words.” “Down Smokey,” Javier joked. “Actually, your plan is a good one. She is most definitely intriguing, and if we’re going to spend the rest of our lives with her, then I guess becoming her friend before her lover is a good start. But I warn you, if she insists on sex, I will sacrifice myself for the greater good to please her.” “Whatever,” Ethan scoffed. “You might be the oral master, but I will still always have the bigger cock.” And with that parting shot, Ethan stood with his precious burden and lumbered upstairs to find her bedroom.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Ellie! No!” He rushed to her. “God, no! You can’t be leaving me! Don’t!” He grabbed her face and covered her mouth in a hard, desperate kiss. Her eyes flew open in stunned disbelief; she stopped breathing. He released her mouth but not her face, which he held in his hands, his fingers threaded into her hair. “You can’t go, Ellie, you can’t. Don’t you know how much I love you? God, I’d be nothing without you. I never thought I’d get to feel like this again, but you brought me back to life. You took the loneliness away and brought laughter back into my life. Ellie, you’re everything to me—I can’t make it without you. If you leave, I don’t know what I’ll—” She just stared at him, a slight smile on her face. “Really? You don’t say.” “Listen, I know I’m not a good romantic, I know that. I realized just a little while ago that I—Oh, hell, I told you how responsible I was, not how much you light up my life. I told you about my vow and how I could stick to it, not how life without you would be all gray and sad and awful. I didn’t tell you everything you mean to me. I promised myself I’d take care of that tonight, for sure. I was almost too late.” “Tell me now,” she said. “Now?” he asked, dropping his hands from her face. “Right now,” she insisted. “But I haven’t prepared!” “I know. That’s the whole idea,” she said. “I’m listening.” He cleared his throat. “Ellie. Dammit, you saved my life. I was a wallowing, pathetic, self-pitying—” He stopped talking at the sound of her soft laughter. “You’re not supposed to laugh at my attempts to be romantic.” “Noah, that wasn’t romantic. That made me wonder what I ever saw in you. Start over.” He grabbed her face in his hands again. “I want to be with you forever. I want to lie beside you every night, holding you close, whispering to you that I love you more than anything in the world, that you turned my whole world upside down just when it needed to be turned upside down. I want to make forever promises to you out loud, in front of God, and I want you to promise to be my woman, my wife, my one and only love, my best friend and my conscience. You’re never easy, Ellie, but you’re sure never boring…” “I don’t know about that last part,” she commented. “God, I love you so much. If I lost you, I don’t know what I’d do. I’d go after you, that’s what I’d do. I’d find a way to get you back. You know we’re perfect together. I know you feel it because I can feel you feel it.” He grinned roguishly. “We sure fit together perfect, don’t you think? You told me you loved me—tell me again.” “I love you, Noah. I tried not to. I usually screw up love situations. But, apparently, we have that in common.” She grinned. “A good start.” “You won’t leave me?” “Why would I leave you? I adore you. And unless I’m completely stupid, you just asked me to marry you.” “I did. We should give the kids some time to get used to the idea. And we should find a house that can hold us, but as soon as we can work out the details, we should get married.” “Okay,” she said. “Am I late for rehearsal?” “We were waiting for you,” he explained. “Then Walt said he saw you struggling with luggage and thought maybe you weren’t coming, that you were leaving.” She laughed a bit. “Noah, these are Vanni’s hand-me-downs. I thought I had time to unpack them before the rehearsal.” He was shocked silent for a moment, absorbing this, then he grabbed her and kissed her hard. And he said, “I have a feeling I bit off more than I can chew with you.” “No question about that, Your Holiness.” *
Robyn Carr (Forbidden Falls)
Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice.               “Tad proposed to me at the Oriental Club,” I declared nonchalantly.               “I know,” came Andy’s reply.               Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.
Young (Turpitude (A Harem Boy's Saga Book 4))
It’s nothing short of astonishing, all that we learn between the time we are born and the time we die. Of course most of the learning takes place not in a classroom or a library, but in the laboratory of our own lives. We can look back and identify moments—the friend’s betrayal, the work advancement or failure, the wrong turn or the romantic misstep, the careless comment. But it’s all a continuum that is clear only in hindsight, frequently when some of its lessons may not even be useful anymore.
Anna Quindlen (Lots of Candles, Plenty of Cake: A Memoir of a Woman's Life)
Fred is not embarrassed by this attention. He is used to it, regards it as normal, doesn’t in fact realize that few other humans are gazed at so often or so intensely. Since babyhood his appearance has attracted admiration, and often comment. It was soon clear that he had inherited his mother’s brunette, lushly romantic good looks: her thick wavy dark hair, her wide-set cilia-fringed brown eyes (“wasted on a boy,” many remarked).
Alison Lurie (Foreign Affairs)
In a study conducted in 2004, researchers found that romantic relationships were higher in commitment, satisfaction, trust, and intimacy—and lower in daily conflict—when partners validated each other’s good fortune.[3] No real surprise there, though, right? That’s what you’d expect. What researchers were surprised to find, however, was that passive–constructive responses (e.g., “That’s nice. Guess what happened to me today!”) had the same correlation with negative relationship outcomes as active destructive responses (e.g., “You got promoted? Say goodbye to sleep!”). In other words, responding to someone’s excitement with an obvious lack of interest, even if your comment is positive, may be just as harmful as responding with a negative, discouraging comment.
Michael S. Sorensen (I Hear You: The Surprisingly Simple Skill Behind Extraordinary Relationships)
archaeology department. Even Sera had been thrilled in the beginning. “I’m totally taking advantage of your fainting spell to take a break myself,” Nora said as she sat in the sparse grass beneath a pine tree. The parasol-shaped trees littered the rolling hills around the site. Sitting next to her best friend, Sera scoffed. “I didn’t faint.” According to Nora, Chad’s debonair looks meant he also happened to be the star of almost every female student’s romantic fantasies. Not yet forty, the man was just beginning to show signs of his age with salt-and-pepper hair. His bachelor status only added fuel to the flame. For the most part, Sera found him to be as charming, witty, and good-looking as anyone did. But when she remembered some of his more suggestive comments and inappropriate touches over the summer, her nose scrunched up. She had a feeling he was single for other, less attractive reasons than just not having found the right woman. Much to her annoyance, trying to be polite and not rock the boat somehow meant he didn’t get the hint she wasn’t interested. Bringing up her boyfriend, Hiro, seemed to register even less. “I wouldn’t have blamed you if you had fainted,” Nora said. “Did you see the size of that ruby? It was a ruby, right?
Stephanie Mirro (Curse of the Vampire (Immortal Relics #1))
Some scholars and commentators who are sympathetic to the plight of the downtrodden do emphasize the agency of the oppressed, but only when the oppressed exhibit attitudes or take actions generally regarded as praiseworthy— for example, when they show resilience under hardship, defy their oppressors, or overcome tremendous obstacles. But not all responses to oppression are justifi ed or virtuous. We must admit that the oppressed sometimes respond in ways that are wrong or blameworthy. There can be no ethics of the oppressed (and thus no point in emphasizing the agency of the oppressed) if those who are unjustly disadvantaged can do no wrong. In explaining the content and contours of the relevant princi ples and values, I therefore seek to avoid not only the tendency to view the ghetto poor as inert but also the tendencies to rush to blame them and to romantically celebrate them.
Tommie Shelby (Dark Ghettos: Injustice, Dissent, and Reform)
There was a silence, and then Tuppence burst out: ‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’ ‘Same here,’ agreed Tommy with feeling. ‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’ There was a pause. ‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply. ‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’ ‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’ ‘What about the general?’ inquired Tommy. ‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’ ‘I’m like you. I don’t know any.’ ‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’ ‘Do you suggest that I should do that to a similarly garbed female?’ ‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’ ‘You overrate my manly charms,’ murmured Tommy. ‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’ ‘We’ve tried that, and failed,’ Tommy reminded her. ‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’ ‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’ ‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’ ‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’ ‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’ ‘There wouldn’t be the least difference if you were caught!’ ‘Perhaps not. But I shouldn’t be caught. I’m so clever.’ ‘Modesty always was your besetting sin,’ remarked Tommy. ‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’ ‘Form a company for the stealing of diamond necklaces?’ ‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’ ‘Don’t know. Never did any.’ ‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’ ‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’ ‘It’s all very well to laugh, but I feel there might be something in it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
No one,” he said, pausing for emphasis, “will ever love you as much as I do.” He enunciated the sentence slowly, as if he were making a grand speech. I had no words. Instead, I gave him a friendly hug in order to avoid actually speaking to him. I know he was trying to sound romantic, as if he were pledging his undying love, but to me his comment sounded like a slight. I knew I deserved better—and there’s no way his kind of love was the best the world had to offer.
Holly Madison (Down the Rabbit Hole: Curious Adventures and Cautionary Tales of a Former Playboy Bunny)
I hate my body. I hate my weakness at being unable to control my body. I hate how I feel in my body. I hate how people see my body. I hate how people stare at my body, treat my body, comment on my body. I hate equating my self-worth with the state of my body and how difficult it is to overcome this equation. I hate how hard it is to accept my human frailties. I hate that I am letting down so many women when I cannot embrace my body at any size. But I also like myself, my personality, my weirdness, my sense of humor, my wild and deep romantic streak, how I love, how I write, my kindness and my mean streak. It is only now, in my forties, that I am able to admit that I like myself, even though I am nagged by this suspicion that I shouldn’t.
Roxane Gay (Hunger: A Memoir of (My) Body)
I just saw Sarah Dessen's comment re her books that I grew up reading, "Maybe it's because I'm a romantic, but in my mind, all my couples are still together. I want to believe that love lasts and that where I left them is a good place. I mean, I ended up married to my high school boyfriend. So it is possible! (He's actually sitting across from me right now, as I type this!)" Ahh this makes my heart feel complete! One thing that haunted me even today I was thinking about was my favorite couple from book This Lullaby. This confirms it. They are still together <3
Sarah Dessen
A QUESTIONNAIRE Here are a few questions for a self-examination which may suggest others to you. It is by no means an exhaustive questionnaire, but by following down the other inquiries which occur to you as you consider these, you can come by a very fair idea of your working philosophy: Do you believe in a God? Under what aspect? (Hardy’s “President of the Immortals,” Wells’ “emerging God”?) Do you believe in free will or are you a determinist? (Although an artist-determinist is such a walking paradox that imagination staggers at the notion.) Do you like men? Women? Children? Do you consider romantic love a delusion and a snare? Do you think the comment “It will all be the same in a hundred years” is profound, shallow, true or false? What is the greatest happiness you can imagine? The greatest disaster? And so on. If you find that you are balking at definite answers to the great questions, then you are not yet ready to write fiction which involves major issues. You must find subjects in which you are capable of making up your mind, to serve as the groundwork of your writing. The best books emerge from the strongest convictions—and for confirmation see any bookshelf.
Dorothea Brande (Becoming a Writer)
After changing into a yellow day dress with airy pagoda sleeves that ended at the elbow, she went to the family's private upstairs parlor. The family dogs, a pair of small black spaniels named Napoleon and Josephine, saw her in the hallway and trotted after her. The parlor was comfortably cluttered with heaps of colorful cushions on the furniture, a battered piano in the corner, and piles of books everywhere. She sat cross-legged on the carpet with the dogs, smiling as they bounded in and out of her lap excitedly. "We don't need Prince Charming, do we?" she asked them aloud. "No, we do not. There's a patch of sun on the carpet and books nearby- that's all we need to be happy." The spaniels stretched out in a bright yellow rectangle, wriggling and sighing in contentment. After petting and scratching the dogs for a while, Cassandra reached out to a stack of books on a low table, and sorted through them idly. Double Wedding... The Secret Duke... My Dashing Suitor, and other romantic novels she had read and reread. Much lower in the pile, there were books such as History of the Thirty Years' Peace and Life of Nelson, the kind one read in case one was called upon to make insightful comments at dinner.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
We cannot sanitize every comment, every come-on, every gesture in our efforts to stamp out harassment and assault. We cannot sanitize all of our spaces, we cannot make them irrefutably safe from words and acts and behaviors. We are humans, and our emotions and desires make us into complicated creatures. Sometimes we are nervous and awkward. We misjudge and we make mistakes and we dream of things that will not happen, of people we want to be with who will not want to be with us. We muster our courage and go for someone who seems unattainable to see if, by some miracle, it turns out they like us back, and this is not a crime. But we can certainly do a better job of teaching people how to understand romantic feelings, how to read signals, how to back off when someone says no, how not to keep pursuing someone when they have rejected us, about what is appropriate and what is inappropriate in certain contexts, in professional and educational circumstances. We must become better thinkers—critical thinkers—about this aspect of our lives, better communicators on every level with respect to consent and non-consent. We may not want consent to be present-at-hand forever, but we should not want consent to go back to being invisible, so invisible that we don’t notice its function, that we don’t care or refuse to care or even see when it has been ignored, disregarded, when this disregard has caused someone else to suffer, to become traumatized, when it has changed her life forever.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
The unblushingly romantic has far less power to deceive than the apparently realistic. Admitted fantasy is precisely the kind of literature which never deceives at all. Children are not deceived by fairy-tales; they are often and gravely deceived by school-stories...The real danger lurks in sober-faced novels where all appears to be very probable but all is in fact contrived to put across some social or ethical or religious or anti-religious ‘comment on life’.
C.S. Lewis
I intend to resign my post without permission, illegally requisition numerous Company ships and men, and take them on a half-baked voyage to the other ends of the earth for a futile romantic cause. Do any of you wish to arrest me now?” The film, missing out several other historically recorded exchanges of dialogue for drama’s sake, cuts to Ulrich Münchhausen commenting “The only reason we might arrest you is if you said we could not come with you.
Tom Anderson (Cometh the Hour... (Look to the West Book 4))
That the novel comments on society is on the whole true. It is also easy to see why prose literature in general and the novel in particular are most suited to ‘commitment’ (engagement), the transforming of the appeal to ‘freedom’ which is made by all art into a more specific kind of social recommendation. What is surprising, particularly after the introduction to Sartre’s thought afforded by L’Etre et
Iris Murdoch (Sartre: Romantic Rationalist)
The illustrious and influential Sigmund Freud dismissed romantic love as merely sex urge blocked. Pioneer sexologist Havelock Ellis provided his famous and entirely incorrect mathematical formula: sex plus friendship. (It seems to be neither.) Contemporary sex researchers seldom discuss love since they view sex and love as quite distinct from each other. Psychoanalytic writers have disagreed with each other as well as with the master, Freud. Theodore Reik asserted that sex and love are quite different, although the usual interpretation of Freudian concepts is that they are fused. Psychoanalyst Robert Seidenberg comments that the only similarity he could think of is that neither makes sense. In books with the word “love” in their titles, two of the most widely read writers on mental and emotional life managed to virtually avoid the subject of romantic love: Erich Fromm, in the Art of Loving, dismisses “falling in love” as a clearly unsatisfactory, as well as “explosive,” way to overcome “separateness”; and Rollo May, in his best-selling book Love and Will, forces the reader to search for romantic love in the interstices between sexual, procreational, friendly, and altruistic loves. The general view seemed to be that romantic love is mysterious, mystical, even sacred, and not capable, apparently, of being subjected to the cool gaze of scientific inquiry.
Dorothy Tennov (Love and Limerence: The Experience of Being in Love)