Coloured Heritage Quotes

We've searched our database for all the quotes and captions related to Coloured Heritage. Here they are! All 14 of them:

BLUE, THE colour of the sky, of the ocean, of certain stars and planets and the hue of the bluest eyes you have ever seen.
Kev Heritage (Blue Into The Rip (Into The Rip #1))
The different shades of colours present cultural diversity.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
The uniqueness of different colours represents the uniqueness of individuals!
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Father reaches out to touch my scarf. “Your mother’s scarf,” he says softly. “She loved this so very much, you know. I remember her creative streak, how she refused to use the strong dye colours that we usually use for silk design. Instead, she preferred a shade of white, which would not sell as successfully in trade. She loved this scarf, the way it sat humbly around her neck and gave her senses of comfort and peace as she held you tight. You would often beg to wear it, Aisha.” I stroke the scarf subconsciously. A memory flashes in my mind of my mother’s shaking hands as she shaped spun silk into this beautiful scarf. My gentle mother, who coughed violently and shook, plagued she was with an illness that had deteriorated her immensely. I spent every moment I could with her, my heart knowing that each might be my last. “Beautiful Aisha, wear this scarf with your love,” said my mother one morning as she tied it around my neck. I stared at her, my lips wobbling as tears rolled down my cheeks. “I’ll wear it, always loving you, Mother,” I replied. My mother nodded, her eyes also filling with tears as she realised that I understood how little time we had left together.
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
*Africans, Embrace One Another* -------------------------- My fellow African, when you look at another African, what do you see? Do you not see the reflection of yourself? Do you not see someone who was once a victim of the dark past? Someone who has now emerged as a survivor at last; just as your forefathers did before the shadows enslaved your kins! Do you not see the same colour of your skin? Do you not see the same texture of your hair? Yes, you see yourself, it's clear. Now, since you're looking at your reflection, don't you wish to cover yourself with affection? Beloved Africans, you were once the victims of confusion in the past. But you shouldn't remain in that disillusioned class. Today you're free and enriched with resources to maintain yourselves. Let the victim mentality go as a start. Like the three wise men, embrace your survivor status. Be wise and be resourceful. Africans, you have the permission to celebrate your roots, your heritage, and the teachings of your books. Go on and heal your bodies with your traditional herbs. And teach your children the secrets of your ancestors. Tell your children that your ancestors were self-sufficient. Efficient, your ancestors lived well — with little to nothing. Yet, they were the happiest. The merriest. Embrace the secrets of your traditions, just like the seas. You're safe and free.
Mitta Xinindlu
Today, perhaps, the Gate of the Dead would perform its true office for a small boy whose heritage no one knew; who had lived in squalor and perished in fright. A sacrifice to diminish the soul. A sacrifice to colour all the rest of one’s days.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
The words now had meaning. All poetry had meaning, and sorrow she had never envisaged. Behind, veiled in soft rain as the dragon-prowed barge slid across the grey water to Pera, she saw for the last time close at hand the soft, frescoed height of the Seraglio, heart of the Ottoman world, its domes and chimneys and towers, its tall cypresses and gardens picked out in grisaille and gold. Today, perhaps, the Gate of the Dead would perform its true office for a small boy whose heritage no one knew; who had lived in squalor and perished in fright. A sacrifice to diminish the soul. A sacrifice to colour all the rest of one’s days.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
The colour of my hands is a universal heritage.
Petra Hermans (Voor een betere wereld)
My fellow African, when you look at another African, what do you see? Do you not see the reflection of yourself? Do you not see someone who was once a victim of the past but who has emerged as a survivor — as your forefathers did? Do you not see the same colour of your skin? Do you not see the same texture of your hair? Alright. Since you are looking at your reflection, how would you like to treat yourself?
Mitta Xinindlu
The following is a transcript of that part of the interview: He says that he is "inherently gloomy about the prospect of Africa" because "all our social policies are based on the fact that their intelligence is the same as ours – whereas all the testing says not really", and I know that this "hot potato" is going to be difficult to address. His hope is that everyone is equal, but he counters that "people who have to deal with black employees find this not true". He says that you should not discriminate on the basis of colour, because "there are many people of colour who are very talented, but don't promote them when they haven't succeeded at the lower level". He writes that "there is no firm reason to anticipate that the intellectual capacities of peoples geographically separated in their evolution should prove to have evolved identically. Our wanting to reserve equal powers of reason as some universal heritage of humanity will not be enough to make it so".[95]
James Watson
A SIMPLE BEAUTY The Border Collie is the epitome of all we may ever desire in a dog, a friend and a partner. Honesty, integrity and loyalty are second nature to a collie and they will work until they can go no further. Yet for all their willingness to give they are not submissive, they are proud of their heritage and they do not suffer fools gladly. Look beyond the colour of the coat and the cloak they wear labelled ‘dog’, search inside and reach its soul, for once there you will be trapped in a world of unbelievable love and honesty. You will have found true beauty, for the wonderful qualities within this breed are always there waiting to be unlocked and are what make it truly beautiful. Drink in its grace, speed and stamina, for rarely has so much come together so perfectly in so small a package.
Barbara Sykes (Barbara Sykes' Training Border Collies)
• Should we reclaim an Indigenous language in a natural Indigenous setting, to replicate the original ambience of heritage, culture, laws, and lores? • Should we reclaim an Indigenous language in a modern building that has Indigenous characteristics such as Aboriginal colours and shapes? • Should we reclaim an Aboriginal language in a western governmental building—to give an empowering signal that the tribe has full support of contemporary mainstream society?
Ghil'ad Zuckermann (Revivalistics : From the Genesis of Israeli to Language Reclamation in Australia and Beyond)
The children of immigrants have quietly assimilated to demands of colour-blindness, doing away with any evidence of our culture and heritage in an effort to fit in. We've listened to our socially conservative parents, and educated ourselves up to our eyeballs. We've kept our gripes to ourselves, and changed our appearance, names, accents and dress in order to fit in the status quo. We have bitten our tongues, exercised safe judgement, and tiptoed around white feelings in an effort to not rock the boat. We've been tolerant up to the point of not even mentioning race, lest we're accused of playing the race card.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)