Collar Bone Quotes

What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck. When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.” My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body. His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck. My blood was on fire and I was shaking. Is this really happening? I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine. But this is where I belong. I tried to push the memories back. Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress. I grabbed his wrist. “Wait.” He didn’t free his arm from my grasp but continued kissing my collar bone. “Let’s skip the waiting part,” he murmured into my skin.

You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?

Again, the Darkling shook his head. “You two make it so easy. I prick him, you bleed.” “And you can’t begin to understand that, can you?” He reached out and tapped Morozova’s collar, letting his fingers graze the skin of my throat. Even that faint touch opened the connection between us, and a rush of power vibrated through me like a bell being struck. “I understand enough,” he said softly.

Collar,” Nikolai said. ”Fetters. I won't have to spend much on jewelry.” ”I have expensive taste in tiaras.” ”But only one head.” ”Thus far.

You have a dress with a décolletage to emphasise your breasts. I suppose the cleavage is the proper focus but what I wanted to do was to fasten my index finger and thumb at the bolts of your collar bone, push out, spreading the web of my hand until it caught against your throat. You asked me if I wanted to strangle you. No, I wanted to fit you, not just in the obvious ways but in so many indentations.

MY PAJAMAS ARE soaked with sweat when I jolt awake and there is a third person in my bedroom. A man I’ve never seen before. I begin screaming like an injured monkey. “Calm down,” Josh says into my ear. I scramble into his lap and press my face into his collar bone, huffing his cedar scent so hard I probably suck out his ghost. I’m about to be taken to a scary medical facility, away from the safety of my bed and these arms. “Don’t let them, Josh! I’ll get better!” “I’m a doctor, Lucy. How long and what symptoms?” The man puts on some gloves.

I shudder to think. I might wear lace collars and laugh flower petals and pearls. People might try to pat me. I see them think it. My height triggers the puppy-kitten reflex- Must touch-and I've found that since you can't electrify yourself like a fence, the next best thing is to have murderer's eyes.

He bent his face into the curve of my neck. “We don’t deserve anything Rowen. We don’t deserve punishment, we don’t deserve happiness, life owes us nothing. Realize that.” His voice wasn’t gentle anymore; it was as strong as I’d ever heard it. “So we have to take what we want because life sure as shit isn’t going to freely hand it over.” He kissed the skin just above my collar bone. “And I want you.

How do I look in the dark?” Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.” Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.

He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh. “Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes. “Let me,” he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. “It isn’t real,” he said. “Let me.” I felt that rush of hunger, the steady, longing beat of desire that neither of us wanted, but that gripped us anyway. We were alone in the world, unique. We were bound together and always would be. And it didn’t matter. I couldn’t forget what he’d done, and I wouldn’t forgive what he was: a murderer. A monster. A man who had tortured my friends and slaughtered the people I’d tried to protect. I shoved away from him. “It’s real enough.

Put on your pretty clothes and wait for the next kiss, the next kind word. Wait for the stag. Wait for the collar. Wait to be made into a murderer and a slave.

I stood there, staring at the closed doors. I reached out and touched the bone handle. You can fix this, I told myself. You can make this right. But I just stood there, frozen, Mal's words ringing in my ears. I bit down hard on my lip to silence the sob that shook my chest. That's good, I thought as the tears spilled over. That way the servants won't hear. An ache had started between my ribs, a hard, bright shard of pain that lodged beneath my sternum, pressing tight against my heart. I didn't hear the Darkling move; I only knew when he was beside me. His long fingers brushed the hair back from my neck and rested on the collar. When he kissed my cheek, his lips were cold.

At night your thoughts have an unpleasant way of slipping their collars and running free.

MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.

But worse were the dreams of the pale prince who pressed his lips to her neck, who placed his hands on the collar that circled her throat and called forth her power in a blaze of bright sunlight

We all have skeletons in our closets. Some of us are just better at hiding them behind the hangers filled with clothes." "Yeah, right, you don't seem like the type of guy who has a pile of femur bones stuffed behind your collared shirts and navy blue blazers." Nick and Wilson

The gown rustles and slides around her, speaking a glossolalia all of its own, the silk moving against the rougher nap of the underskirts, the bone supports of the bodice straining and squealing against their coverings, the cuffs scuffing and chafing the skin of her wrists, the stiffened collar hooking and nibbling at her nape, the hip supports creaking like the rigging of a ship. It is a symphony, an orchestra of fabrics, and Lucrezia would like to cover her ears, but she cannot.

The man he’d pretended to be for the past nine years was a lie. He was danger. Sin encaged in muscle and bone. A demon wearing the face of a god, the collar of a priest, and the belt of Adonis.

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the full claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.

A rich man’s body is like a premium cotton pillow, white and soft and blank. Ours are different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and knicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.

i am no longer soft i built this city on broken spines and cracked open rib cages my collar bones prop up street lamps femurs line railroads tibias stacked to build straw homes my smashed skull is why no one lives here anymore i am sorry you expected petals when all i’ll ever have are bones

We are only the most visible casualties of a silent war, and as they lock collars on our necks and tell us it is for our protection, we know that worse will come.

Bonedog came and sat on her foot. She closed her fingers around his collar and thought, My dog trusts me, and then, My dog is witless and also dead, but things loosened a little in her chest nevertheless.

He reached out and brushed the hair back from my face. I froze. He rested his hand in the space where the collar met the curve of my neck, and when I didn’t bolt, he slid his palm up to cup my cheek. I wasn’t sure I wanted this. “You said … you said you wouldn’t kiss me until—” “Until you were thinking of me instead of trying to forget him?” He moved closer, the light from the meteor shower playing over his features. He leaned in, giving me time to pull away. I could feel his breath when he said, “I love it when you quote me.” He brushed his lips over mine once, briefly, then again. It was less a kiss than the promise of one. “When you’re ready,” he said. Then he tucked my hand in his and we stood together, watching the spill of stars streaking the sky.

I wanted an impressionistic effect, so I highlighted down her arms and the back of one hand. The other I left curled on one side and picked out her shoulders and collar bone. Then down to her navel, which I also highlighted in gold. Then I took a small paintbrush and hovered above her nipples. 'Gold, or pink?' 'Oh, definitely gold,' she said. I painted her nipples and areola, and she giggled. 'Interesting,' she said, lifting her head and looking down.

1 I don't believe in omens or fear Forebodings. I flee from neither slander Nor from poison. Death does not exist. Everyone's immortal. Everything is too. No point in fearing death at seventeen, Or seventy. There's only here and now, and light; Neither death, nor darkness, exists. We're all already on the seashore; I'm one of those who'll be hauling in the nets When a shoal of immortality swims by. 2 If you live in a house - the house will not fall. I'll summon any of the centuries, Then enter one and build a house in it. That's why your children and your wives Sit with me at one table, - The same for ancestor and grandson: The future is being accomplished now, If I raise my hand a little, All five beams of light will stay with you. Each day I used my collar bones For shoring up the past, as though with timber, I measured time with geodetic chains And marched across it, as though it were the Urals. 3 I tailored the age to fit me. We walked to the south, raising dust above the steppe; The tall weeds fumed; the grasshopper danced, Touching its antenna to the horse-shoes - and it prophesied, Threatening me with destruction, like a monk. I strapped my fate to the saddle; And even now, in these coming times, I stand up in the stirrups like a child. I'm satisfied with deathlessness, For my blood to flow from age to age. Yet for a corner whose warmth I could rely on I'd willingly have given all my life, Whenever her flying needle Tugged me, like a thread, around the globe.

His smile deepened and he cocked his head to the side. It almost hurt to see him this way. “Will you say it?” he asked. I hesitated, feeling danger crowd in on me. “Aleksander,” I whispered. His grin faded, and his gray eyes seemed to flicker. “Again,” he said. “Aleksander.” He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh.

Darn! what a beautiful night! Heading towards Pandara Road-Gulati Restaurant, with open windows of my baby sedan and this broad chest guy with big brown eyes. He hums the oldies well and his Issey Miyake is making me lose the grip over my senses. One more thing is distracting me, he ain't wearing anything inside but a transparent white, V necked, cotton short Kurta. I can see the hair winking out and his collar bones!! Not only men get excited by transparent dresses but women as well. His broad shoulders and chest is my weakness and he knows it. This man is not doing good to me! It's a crime to seduce in this way, when you are not touched, when you are distracted by the aroma of his skin, when you know, he is well aware of the intentions.. when you can't do anything except getting seduced by the corner stretching smile of a man with animal instinct.. I certainly am missing myself to be tied up to the bedpost,choked and groaning his name!

It was the truth—just not all of it. We did need the collar. It was insurance against the Darkling’s strength and a promise that someday we’d return to Ravka and find a way to set things right. But what I couldn’t tell Mal was that the collar belonged to me, that the stag’s power felt like a part of me now, and I wasn’t sure I wanted to let it go.

I wish I could say it was just the skirts, that I chafed only at the expectations of manners, but it wasn't that Puck, it was language, the words, the feel of them. I never knew words could be so sharp, until the wrong ones cut me. But they weren't always wrong, that's the worst of it; some days I revelled in being called lady, but then that day would pass, the sun would rise and fall again, and the same name felt like a collar, bringing me to heel; or else a corset, squeezing me into wrongish shapes for the adoration of strangers.

He was the one who wanted to put a collar around my neck and make me a slave, and I was fretting over his forgiveness?

She climbed out of the car and walked across the farmyard with her raincoat collar turned up. Liam was standing by the open grave with his hands in the pockets of his long brown

A bemused smile crossed Cassandra's face as she saw Tom Severin kneeling on the floor with his thighs spread for balance, a steel pipe cutter in one hand. In contrast to his earlier polished elegance, he was in shirtsleeves with the cuffs rolled up over his forearms and the collar unfastened. A well-formed man, wide-shouldered and long in the bone. He was steaming in the residual heat from the range, the cropped hair at the back of his neck damp with sweat, the fine linen of his shirt clinging to a hard-muscled back. Well. This was an eye-opener, in more ways than one.

I suspect if we were as familiar with our bones as with our skin, we'd never bury dead but shrine them in their rooms, arranged as we might like to find them on a visit; and our enemies, if we could steal their bodies from the battle sites, would be museumed as they died, the steel still eloquent in their sides, their metal hats askew, the protective toes of their shoes unworn, and friend and enemy would be so wondrously historical that in a hundred years we'd find the jaws still hung for the same speech and all the parts we spent our life with titled as they always were - rib cage, collar, skull - still repetitious, still defiant, angel light, still worthy of memorial and affection. After all, what does it mean to say that when our cat has bitten through the shell and put confusion in the pulp, the life goes out of them? Alas for us, I want to cry, our bones are secret, showing last, so we must love what perishes: the muscles and the waters and the fats.

I felt the weight of the collar around my neck, the steady rhythm of the stag's ancient heart beating in time with mine. My power rose up in me, solid and without hesitation, a sword in my hand.

You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?

He grasped me by the collar, wrestling and caressing at once, fluid and iron at once, saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck.

Heartache is so physically real that it needs to be recognized as a sickness, an ailment, a cancer of love. A broken heart is a sad, angry, powerful thing that shakes you by the collar and demands your respect, and it's pummeling me into the mattress, shattering me to pieces. It's as real as the actual heart in my chest. In some ways, it's more real because it flows throughout your whole body, wrapping around your bones and your organs and your blood. It's in everything you do, every breath you take.

One of the Maenads Speaks to the Singing Head of Orpheus as It Floats Downriver” How can I explain what we have done to you? We heard in your voice the mad longing to be broken from the body’s reins, to return to your beloved and put your lips to the bite marks on her ankle. For too long you held to the blue-dark loss that laid beside you. Didn’t you know we were always meant to lose everything? Don’t mourn. After love, there is more love. I have seen it. One sigh held by another, held by another. I kept your head in my lap while the others took your body from you, their teeth on your collar bones, fingernails plucking chords from your throat. Death and madness can be the same kind of deliverance. Flies are laying eggs in the wreckage of your neck, but you keep singing. The rain lilies you pass gather your melodies, so I uproot them. Nightingales open their beaks to swallow your notes, and I stone them. Love is a song you sing in search of deeper water. The body, you leave behind. The music travels with you.

Tell us your secret,' the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the library aide who hides in Fantasy. I am the circus freak encased in beeswax. I am the bones they want, wired on a porcelain frame. When I get close, the step back. The cameras in their eyeholes record the zit on my chin, the rain in my eyes, the blue water under my skin. They pick up every sound on their collar microphones. They want to pull me inside of them but they're afraid. I am contagious.

A Word Before All Is Grace was written in a certain frame of mind—that of a ragamuffin. Therefore, This book is by the one who thought he’d be farther along by now, but he’s not. It is by the inmate who promised the parole board he’d be good, but he wasn’t. It is by the dim-eyed who showed the path to others but kept losing his way. It is by the wet-brained who believed if a little wine is good for the stomach, then a lot is great. It is by the liar, tramp, and thief; otherwise known as the priest, speaker, and author. It is by the disciple whose cheese slid off his cracker so many times he said “to hell with cheese ’n’ crackers.” It is by the young at heart but old of bone who is led these days in a way he’d rather not go. But, This book is also for the gentle ones who’ve lived among wolves. It is for those who’ve broken free of collar to romp in fields of love and marriage and divorce. It is for those who mourn, who’ve been mourning most of their lives, yet they hang on to shall be comforted. It is for those who’ve dreamed of entertaining angels but found instead a few friends of great price. It is for the younger and elder prodigals who’ve come to their senses again, and again, and again, and again. It is for those who strain at pious piffle because they’ve been swallowed by Mercy itself. This book is for myself and those who have been around the block enough times that we dare to whisper the ragamuffin’s rumor— all is grace.

he wins success, And dying foes his power confess. Tall and broad-shouldered, strong of limb, Fortune has set her mark on him. Graced with a conch-shell's triple line, His throat displays the auspicious sign.16 [pg 003] High destiny is clear impressed On massive jaw and ample chest, His mighty shafts he truly aims, And foemen in the battle tames. Deep in the muscle, scarcely shown, Embedded lies his collar-bone. His lordly steps are firm and free, His strong arms reach below his knee;17 All fairest graces join to deck His head, his brow, his stately neck, And limbs in fair proportion set: The manliest form e'er fashioned yet.

Your voice is between the lines, my Queen Echoed in the white before the black It is the swell of words that rest Behind the apex of my throat Your scent is caught between my teeth Sinks among the groves there and gives them taste Of clouds, dew upon my palate, I hide you under my tongue Your body walks my lines at night It warms the skin beneath my arms, settles Against my chest, a thumb in the hollow of the collar bone It whispers your breath into mine Your heart rests in the gaps Between my ribs it sits and breathes my breath It webs the links between my toes And when I swim, my Queen, it is on you I float

In the dungeon, I used to like making you angry,” Parvaneh said. She reached down to scoop up one of the moths and held it up to her face, brushing its wing against her cheek with a tenderness that only worsened the fluttering in Soraya’s stomach. Parvaneh let the moth fly away and looked Soraya in the eye. “But I think I like making you laugh even more.” “Why did you like making me angry?” Soraya asked in mock offense. Parvaneh grinned and swept aside Soraya’s hair, her fingers brushing Soraya’s cheekbone. “To see your veins, of course,” she said. Her hand moved down to trace the dull claw mark on Soraya’s collar bone with her fingertips. “I always thought you . . . I thought they were beautiful.

I see him in every shadow of every tree, a ghost standing tall against the rainstorm in the Bowl of Bones. Water streams between the points of his iron crown, into his eyes and mouth, into his collar, into the icy abyss that is his wasted heart. It goes red in color, turning from water to my blood. He opens his mouth to taste it, and the teeth within are sharp, gleaming razors of white bone.

Western clothes were intended for healthy, robust men: to anyone in a weakened condition they were quite insupportable. Around the waist, over the shoulders, under the arms, around the neck - every part of the body was pressed and squeezed by clasps and buttons and rubber and leather, layer over layer, as if you were strapped to a cross. And of course you had to put on stockings before the shoes, stretching them carefully up on your legs by garters. Then you put on a shirt, and then trousers, cinching them in with a buckle and the back till they cut your waist and hanging them from your shoulders with suspenders. Your neck was choked in a close-fitting collar, over which you fastened a noose-like necktie, and stuck a pin in it. If a man is well filled out, the tighter you squeeze him, the more vigorous and bursting with vitality he seems; but a man who is only skin and bones can't stand that. [...] It was only because these Western clothes held him together that he was able to keep on walking at all - but to think of stiffening a limp, helpless body, shackling it hand and foot, and driving it ahead with shouts of "Keep going! Don't you dare collapse!" It was enough to make a man want to cry...

So, what's the story?" "No story. Just a nightmare.” “Meaning?” “Meaning, heavy compression lines in his cartilage, severe bruising on his kidneys, liver and lower intestines. Fracture marks on his collar bone, tibia, radius, humerus, scapular, femur and every single one of his ribs have been broken. Don't even get me started on the concussive damage to his skull and brain tissue. Twenty-three percent of this boys body is scared for life. And yet, every organ is functioning normally and his neurological activity is above average. He's eighteen years old and he weights about two bills but remove the scar tissue and he'd weigh about a buck-ten. All in all, I say he lived inside a hydraulic car press, went through the Napoleonic wars and was on board the Hindenburg when it went down in flame and yet he's okay...this boy just refuses to die.

The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.

Lui si accasciò di nuovo sulla sedia. «Bene» disse con una stanca stretta di spalle. «Decidi pure che io sono il cattivo.» Posò il bicchiere vuoto e si alzò. «Vieni qui.» Rabbrividii di paura, ma mi costrinsi ad alzarmi e a coprire la distanza tra noi. Lui mi studiò alla luce del fuoco. Allungò una mano e toccò il collare di Morozova, allargò le lunghe dita sopra l’osso ruvido, poi le fece scivolare sul mio collo e mi prese il viso nel palmo. Io provai un senso di repulsione, ma sentii anche la sua forza sicura, inebriante. Odiavo che avesse ancora effetto su di me. «Mi hai tradito» disse piano.

One day Wallace was fishing in the Irvine when Earl Percy, the governor of Ayr, rode past with a numerous train. Five of them remained behind and asked Wallace for the fish he had taken. He replied that they were welcome to half of them. Not satisfied with this, they seized the basket and prepared to carry it off. Wallace resisted, and one of them drew his sword. Wallace seized the staff of his net and struck his opponent's sword from his hand; this he snatched up and stood on guard, while the other four rushed upon him. Wallace smote the first so terrible a blow that his head was cloven from skull to collar-bone; with the next blow he severed the right arm of another, and then disabled a third. The other two fled, and overtaking the earl, called on him for help; "for," they said, "three of our number who stayed behind with us to take some fish from the Scot who was fishing are killed or disabled." How many were your assailants?" asked the earl. But the man himself," they answered; "a desperate fellow whom we could not withstand." I have a brave company of followers!" the earl said with scorn. "You allow one Scot to overmatch five of you! I shall not return to seek for your adversary; for were I to find him I should respect him too much to do him harm.

It's a guy thing. We like euphemisms. He could just as easily have said doing the nasty, shagging, banging, screwing, humping, baking the potato, boning, boom-boom, four-legged foxtrot, glazing the donut, hitting a home run, launching the meat missile, makin' bacon, opening the gates of Mordor, pelvic pinochle, planting the parsnip, releasing the kraken, rolling in the hay, stuffin' the muffin, or two-ball in the middle pocket..." He trailed off when he noticed their shocked expressions. "Or sex," he added. "He could have just said that." "No wonder you don't have a girlfriend." Layla gave him a withering look. "I can't imagine a woman who would stick around after you took her for a nice dinner and then said, Hey babe, let's go launch the meat missile , or my personal favorite, release the kraken." "I didn't say I used them." Sam loosened his collar. Why was the restaurant so damn hot? "You know them. That's bad enough." Dilip tipped his head to the side. "What's a kraken?" "That's what I'm going to do to Sam's head in about three seconds," Layla said. Sam smirked. "A kraken is an enormous mythical sea monster." "Are we in middle school?" Layla looked around the bare room in mock confusion. "Because I could swear you were just talking about the size of your-

He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying moralities. And you--you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?

He reached out and brushed the hair back from my face. I froze. He rested his hand in the space where the collar met the curve of my neck, and when I didn't bolt, he slid his palm up to cup my cheek. I wasn't sure I wanted this. "You said... you said you wouldn't kiss me until-" "Until you were thinking of me instead of trying to forget him?' He moved closer, the light from the meteor shower playing over his features. He leaned in, giving me time to pull away. I could feel his breath when he said, "I love it when you quote me." He brushed his lips over mine once, briefly, then again. It was less a kiss than the promise of one. "When you're ready," he said. Then he tucked my hand into his and we stood together, watching the spill of stars streaking the sky.

Imagine a man between thirty-eight and forty, tall, slim, and pale. His clothes, except for their style, looked as if they'd escaped from the Babylonian captivity. The hat was a contemporary of one of Gessler's. Imagine now a frock coat broader than the needs of his frame--or, literally, that person's bones. The fringe had disappeared some time ago, of the eight original buttons, three were left. The brown drill trousers had two strong knee patches, while the cuffs had been chewed by the heels of boots that bore no pity or polish. About his neck the ends of a tie of two faded colors floated, gripping a week-old collar. I think he was also wearing a dark silk vest, torn in places and unbuttoned. "I'll bet you don't know me, my good Dr. Cubas," he said. "I can't recall..." "I'm Borba, Quincas Borba.

I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.

The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!

He’d reached out to grab her by the collar of her shirt, but she’d dodged him easily. He fumbled for her again. Out of the corner of her eye, Inej saw Jesper rise from his seat, but she waved him off and slipped her fingers into the brass knuckles she kept in her right hip pocket. She gave Rojakke a swift crack across the left cheek. His hand flew up to his face. “Hey,” he said. “I didn’t hurt you none. It was just words.” People were watching now, so she hit him again. Regardless of the Crow Club rules, this took precedence. When Kaz had brought her to the Slat, he’d warned her that he wouldn’t be able to watch out for her, that she’d have to fend for herself, and she had. It would have been easy enough to turn away when they called her names or sidled up to ask for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall. So she’d let no insult or innuendo slide. She’d always struck first and struck hard. Sometimes she even cut them up a bit. It was fatiguing, but nothing was sacred to the Kerch except trade, so she’d gone out of her way to make the risk much higher than the reward when it came to disrespecting her.

You do not", cried Giovanni, sitting up, "love anyone ! You never loved anyone, I am sure you never will! You love your purity you love your mirror - you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it- man or woman. You want to be clean. You think you came here covered with soap and you think you go out covered with soap- and you do not want to stink, not even for five minutes, in the meantime." He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. "You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink love . You want to kill in the name of all your lying little moralities. And you - you are immoral. You are, by far, the most immoral man I have met in all my life . Do you think you could have done this if I did not love you? Is this what you should do to love ?

Triggers include: Abortion (backstory) Anal sex Autassassinophilia Attempted sexual assault Bullying Cannabis growing (and dealing) Car accident Castration Child assassins (backstory) Child porn (secondary character backstory) Child sexual abuse (backstory) Choking Collaring Coprophilia (brief mention) Cults Date rape drugs (by minor antagonist) Desecration of a corpse Desecration of a grave Dismemberment Doxxing Erotophonophilia Execution Fear play Financial abuse (by minor antagonist) Forced abortion (backstory) Gang rape (to side character) Gaslighting Grooming (backstory) Hallucinations Human centipede (on minor villains) Humiliation Imprisonment Improper use of a thigh bone Improper use of extension cables Improper use of holy water Knife play Mask play Medical misconduct Medication tampering Memory loss Mental illness Miscarriage (backstory) Murder Online harassment Osteophilia Phrogging Pornography Primal kink Rape (of rapists) Sadism Sexual harassment Snuff movies Somnophilia Spanking Stalking Suicide Suspension bondage Teacher-student relationship (backstory) Torture Trauma Victim blaming (by minor antagonist) Vigilante justice Reader discretion is advised. If you find any of these topics distressing, please choose a different book. Your mental health matters.

I was too stunned to think or move. I knew he desired my blood. And yet I did not want to hinder him. With a flick of his fingers, he untied the ribbon at my collar and pulled open my nightdress at my neck, exposing my collar-bone and upper chest. His mouth instantly found the supersensitive skin at the side of my throat, and at first, butterfly touch, I quivered and moaned in ecstasy. Suddenly, I felt two sharp pricks against my flesh, and I gasped again. The pain was trivial, quickly replaced by a feeling of languid pleasure such as I had never before imagined. It was as if I could feel my blood seeping out of me, and at the same time, something new, magical, and effervescent seemed to be mingling with my own life essence. Soon, it felt as if the tingling, liquid glow that had been throbbing in my very centre was pulsating throughout all the veins in my body, as if every one of my senses was alive and heightened to a fever-pitch- and with it came a sense of impending danger. Deep down inside of me, I knew that this was bad for me- very bad- that if he took too much blood it would kill me- that I must put a stop to it before it was too late. But I had no will to stop it. I heard a strange vibration, like singing through deep water. My head fell back; I heard myself sigh with intense pleasure; my knees began to buckle beneath me. If nirvana existed, I thought, in the remote corner of my mind which could still think, this must be it. I never wanted it to end.

At first it seemed to be no more than a chance ray of light beamed into the vestibule by the shifting of a tree-bough between house and street lamp, but as we kept our eyes glued to it we saw that it was a form - a tall, attenuated, skeletally-thin form moving stealthily in the shadow. Slowly the thing emerged from the gloom of the doorway, and despite the warning I had had, I felt a prickling sensation at the back of my neck just above my collar, and a feeling as of sudden chill ran through my forearms. It was tall, as we had been told, fully six feet from its bare-boned feet to hairless, parchment-covered skull; and the articulation of its skeleton could be seen plainly through the leathery skin that clung to the gaunt, staring bones. The nose was large, high-bridged and haughty, like the beak of a falcon or eagle, and the chin was prominent beneath the brownish sheath of skin that stretched drum-tight across it. The eyes were closed and showed only as twin depressions in the skull-like countenance, but the mummified lips had retracted to show a double line of teeth in a mirthless grin. Its movements were irregular and stiff, like the movements of some monstrous mechanical doll or, as Edina Laurace had expressed it, like a marionette worked by unseen wires. But once it had emerged from the doorway it moved with shocking quickness. Jerkily, and with exaggeratedly high knee-action, it crossed the lawn, came to the sidewalk, turned on its parchment-soled feet as if on a pivot, and started after de Grandin. ("The Man In Crescent Terrace")

The following simple exercise will give you a clear idea of what the Complete Breath is: (1) Stand or sit erect. Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which decending exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs breastbone and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or seven pairs of ribs. In the final movement, the lower part of the abdomen will be slightly drawn in, which movement gives the lungs a support and also helps to fill the highest part of the lungs. At first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lowered diaphragm to the highest point of the chest in the region of the collar-bone, being expanded with a uniform movement. Avoid a jerky series of inhalations, and strive to attain a steady continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a couple of seconds after a little practice. (2) Retain the breath a few seconds. (3) Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward slowly as the air leaves the lungs. Where the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of the exercise easy, and the movement once acquired will be afterward performed almost automatically.

We stepped in, and, as we paid the cover charge, the music hit us. The double doors buzzed open and we walked in. A handsome man and his lover in an orange top snuggled as they walked to the exit. Veronica turned to me and smiled, taking my hand. I unbuttoned my shirt at the neck and exposed my collar. It was a thin metal collar with a padlock on the front. If the padlock wasn’t attached it would have looked like any other interesting necklace that was tight against my neck, but it got more interesting with the padlock. On Veronica’s left hand there was a thick bracelet, and that had a key on it. Her right wrist had a glow bracelet. We walked past the tables of people as they drank and screamed over the music to talk. We decided to go right to the dance floor. She took me by the hand, led me. We were on the dance floor and I couldn’t dance. I ended up just throwing myself around, getting lost in the people surrounding us. The bodies pressed against us, the industrial music loud and crisp. The bass shook your bones, and my ribcage felt like it was rattled to pieces. I closed my eyes and just moved. Veronica moved with a grace I hadn’t seen in awhile when I opened my eyes. She pressed herself against a couple that surrounded her. I felt my breath catch in my throat, my heart pounded from excitement. She squeezed past them and moved to me, her hands ran down my face, and then she gripped the padlock with her left hand. She pulled me down to her, which wasn’t very far, but it was the intensity of the moment that made all the difference. What she did next made me jump, my body tensed and relaxed in milliseconds. She gave me a deep kiss, and, while she kissed me, distracted me, her other hand undid my padlock. I pulled back as I jumped in shock. Our eyes were locked on each others’ in the flashing neon stage lights. She had a twinkle in her eye as she pulled me close to her. “Find a man, for you.” I pulled back, looked at her in surprise. She smiled wickedly, an erotic edge to her features suddenly. She was hot when she was getting dressed and she was even hotter now. I didn’t know what the hell was going on, but I leaned into her ear. “Are you looking for a woman?

She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.

Scholars are the barrier that stands between the people and the manipulation of their minds by various impostors. When they become scarce, those who wish to destroy Islam from within, pretending to speak in its name and to represent it, will spread their errors unopposed, and so will those who advocate the indiscriminate adoption of western immorality and materialism. The Prophet ﷺ warned us that true scholars will eventually become scarce and matters will be taken over by ignorant pretenders who will cause much harm. He ﷺ said, 'There shall come a time for my community when those who have learned will be plenty, but those who have understood few, when knowledge will be seized, and chaos rife.' 'What is chaos?' They (the Companions) asked, to which he replied, 'Killing each other.' Then he ﷺ continued, 'Then there will come a time when certain men will recite the Qur'an, but it will go no deeper than their collar bones, then there will come a time when hypocritical idolater will use against the believer the latter's own arguments.' [Al-Hakim, Mustadrak, 8544; Tabarani, Kabir, 631; Awsat, 3405] * Those who acquire religious knowledge without understanding, the literalists, those who are incapable of penetrating to the wisdom within, and those who do not practice what they know and teach are but pseudo-scholars whose harm is much greater than their benefit. It seems that the mentality of the End of Time become gradually more superficial and material, those scholars who are affected by it lose both the will to practice what they know and the knowledge of the principles that constitute wisdom. Another kind of misguided people will be those who will abandon their Islam, whether for communism, modernism, or any other ideology that happens to be in vogue at that time; who will then argue with the Muslims, across both the satellite channels and internet, and being insiders will be able to use arguments derived from Islamic texts, but used in bad faith in a deceitful manner. There will also be the extremist literalists whose understanding of the wisdom of the faith goes no further than their vocal chords, but who nevertheless, because of the conceit and arrogance in their hearts, think and act as if they were leaders of the nation. As for real scholars, their numbers will diminish gradually. They will be repressed and prevented from playing their role and many will withdraw from interaction with society at large and isolate themselves in the privacy of their homes. (p.60-62)

Diffuse light holding your curves in a delicate chiaroscuro. The tender valley just below your hip bone, my fingers just tucked below lace. Your neck as it dovetails into the shoulder, the pool between it and your collar bone. Above your heart, my heart, gleaming bright in the glow of morning. The slope rising from your lower back down to where it disappears into your leg, beckoning me with your smooth warm silk skin. A smile breaking across your cheeks, eyes, glorious mouth. Dark spun satin smoke framing deep soulful eyes that crackle with mischief, promise. But, if I had to pick a favorite thing on you... It would be my hands.

THERE ARE ALSO bodiless mummies, shaped mostly like cats. Empty spaces, preserved forever. They wish to thank their mothers, though they have none. Instead, the nothing mummies would like to thank the priests who made them, carefully as they did, as if what was inside was sacred. As if to wish for a cat is to create one. Before these priests, they were just cat-shaped gusts of air, invisible. Now, they can almost remember what it might have been like to be alive as such a beast. The voles they would have caught. The golden collars they would have worn. The real cat mummies are filled with bones and a heart. The nothing mummies are filled with prayers written on slips of papyrus, organs of faith. If scientists came and cut them open, the nothing mummies wonder: Would the little piece of hieroglyphed papyrus rolling out be any less beautiful than the dried raisin of a heart? Aren’t they not only the container but the prayer itself?

Cass couldn’t move. She stood there, transfixed, speechless, letting her eyes wander over his whole body. The moonlight outlined his broad shoulders and the dark brown hair that had grown even longer since she’d last seen him, the ends of it brushing against his cheekbones and dangling below his square jaw. He broke away from his friends with a wave and began to cross the piazza toward her, the collar of his shirt flopping open to expose a triangle of muscular chest. Warmth bloomed in Cass’s cheeks. Her hands had been all over those muscles just a few weeks earlier. Falco’s jaw dropped slightly as he approached, his lips curving into the lopsided smile she had missed so much. “Starling,” he said. “I cannot believe it. Are you the product of too much wine or too many wishes?” He reached out, taking one of her hands in his own. “You feel real enough.” “Hello, Falco,” she managed to say. She felt as if she might explode. Only now did she let herself realize how she had missed every tiny detail of him. More than anything, she wanted to pull him into her arms, to press her lips to the tiny scar beneath his right eye, to bury her face in the warmth of his hair. Falco lifted her hand to his mouth, brushing his lips gently across her soft skin. It was an innocent gesture, but Cass could sense the urgency beneath it. He felt exactly the same way she did. She knew it. Pulling her close and cradling her face in his hands, he said, “I have visited Florence’s breathtaking cathedrals and reviewed the works of the masters, but you are the most beautiful thing I’ve seen since I left Venice.” Heat coursed from his fingers into her skin and the blood and bones beneath it. Falco’s hands smelled faintly of paint. Cass smiled. She couldn’t help herself. For a second the two of them were back on San Domenico, kissing on a bench in her aunt’s garden. For a second, desire budded and bloomed inside of her, as scarlet and fragrant as Agnese’s roses. Intoxicating.

So I smile as best I can, saunter over to the Vespa, take the helmet, and say casually as I put it on: “Grazie! I’ve never been on one of these before.” Luca promptly paralyzes me by leaning down, pulling the helmet strap tight, and fastening the buckle under my chin. His aftershave smells like seawater, cool aquamarine, fresh and light; his breath on my face is warm and touched lightly with wine. “Ecco,” he says softly. His fingertips touch my skin. “It must be tight.” He wheels away from me and swings one long leg over the seat, putting the key in the ignition. Over his shoulder he says: “You must hold on to my waist. And when I lean, you must lean with me. Okay?” He’s waiting for me to get on. I mustn’t hesitate, or I’ll look as if I’m scared; I hike my skirt up and climb onto the back. The little scooter’s revving up, rattling noisily and cheerfully, like the cat purring on the wall; Luca looks back and says, “Aspetta.” Quickly, he shrugs off his jacket and hands it to me. It’s leather, butter-soft, like fabric in my hands. “Put it on. It is not cold, but there is wind when we drive,” he says. I slip it on, my head spinning. The collar smells of him, as if he’s wrapped around me. And then, in turn, I wrap my arms around his narrow waist, I feel his warm skin beneath the light cotton of his shirt. He’s just lean muscle over bone, almost skinny, but as the scooter kicks into motion, I can instantly tell how strong he is, because he controls it with small, seemingly effortless flexes of his muscles. His shoulders bunch lightly, taking the strain of bouncing an old Vespa with two people on it over a road that suddenly feels much more rutted and potholed when you’re not traveling in a jeep with good suspension.

6. The Breathing Exercise of the Yogi. Breathing exercise is one of the practices of Yoga, and somewhat similar in its method and end to those of Zen. We quote here[FN#247] Yogi Ramacharaka to show how modern Yogis practise it: "(1) Stand or sit erect. Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which, descending, exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs, breastbone, and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or seven pairs of ribs. In the final movement the lower part of the abdomen will be slightly drawn in, which movement gives the lungs a support, and also helps to fill the highest part of the lungs. At the first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lower diaphragm to the highest point of the chest in the region of the collar-bone being expanded with a uniform movement. Avoid a jerking series of inhalations, and strive to attain a steady, continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a couple of seconds after a little practice. (2) Retain the breath a few seconds. (3) Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward slowly as the air leaves the lungs. When the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of exercise easy, and the movement once acquired will be afterwards performed almost automatically." [FN#247]

To make a positive first impression, where is the best place to wear a nametag? Since we shake hands with our right hand, placing your nametag on the right side of your body will make it quickly visible for the best eye contact. Within a few inches of your collar bone and right shoulder will provide greater visibility even when you are sitting down.

A spade. “Gio.” I touch the raw skin on my collar bone. “What did you just do?” “Sei mio.

I caught his mouth with mine and shifted my hands to start unhooking his shirt buttons. I could feel him grinning as he kissed me harder, driving me back against the bookshelf and shoving his knee between my thighs. I pushed his shirt off of his broad shoulders and looked at the perfection of his muscular torso for a moment, running my hands down his chest. He drove me back against the shelf more firmly, kissing me again. I devoured the taste of him, his hands sliding over my breasts through the thin material of my dress and making my nipples harden in response. I placed my palms on his chest and pushed him back, propelling him around so that he was pressed against the shelf instead of me and a dark laugh left him. “Do you wanna be in charge, sweetheart?” “Well, I am more powerful than you,” I teased. His eyes lit with the challenge in my tone as I took a few steps back and pulled on the knot at the back of my neck. My dress fell from my body like a spill of oil and pooled at my feet, leaving me in nothing but my black panties. “Holy shit, Tory.” He gazed at me hungrily and I stepped back again biting on my bottom lip as I looked at him. “Take your pants off,” I commanded. Caleb’s smile deepened and he held my eye as he kicked his shoes off and unhooked his belt. I twisted my fingers through my hair as I watched him, my pulse rising as he revealed more of his muscular body to me. When he was down to his navy boxers, he advanced on me again. I smiled, backing up as he stalked towards me until the backs on my thighs met with the games table. He was upon me in a heartbeat, his hands gripping my thighs as he lifted me up and sat me on the table. His mouth pressed to my throat, stubble grazing across my skin in the most delicious way. His kisses moved lower, passing over my collar bone before making it to the swell of my breast. His mouth landed on my nipple, his tongue flicking against it and making me moan in pleasure. His hand found my other breast while he spread his other palm across my lower back to hold me in place. I locked my ankles around him, pulling him closer so that I could feel the full length of his arousal grinding against me through the lacy fabric of my panties. His mouth found mine again and I pushed my fingers into his golden curls as my breasts skimmed against the firm lines of his muscular chest. My muscles were tightening, my heart pounding and my body aching for more of him. I grazed my fingertips down his chest, feeling every ridge of his abdomen before reaching the waistband of his boxers. I pushed my hand beneath the soft material and wrapped my fingers around the hard length of him. Caleb groaned against my lips as I began to move my hand up and down, a tingle running along my spine as I felt just how much my touch affected him. His hands made it to the sides of my panties and he peeled them down as his heavy breathing broke our kiss. I lifted my ass to let him remove them and he stepped back, forcing my hand off of him as he tossed my underwear aside. I watched as he pushed his boxers off revealing every inch of him and my mouth dried up with desire. He shot forward with his Vampire speed, scooping me up and moving me backwards as he lay me beneath him on the games table. Poker chips and cards scattered all around us and a surprised laugh left my lips. He grinned as he kissed me again, hard enough to bruise my lips but still not enough to tame my desire. My hands explored the curve of his shoulders and I arched my back off of the table so that my nipples skimmed his flesh. Caleb shifted, moving between my legs, our kiss breaking for the briefest moment as he looked into my eyes and pushed himself inside me. A moan of pleasure escaped me as he filled me and I tipped my head back, my eyes falling closed as I absorbed the feeling of his body merging with mine. “Fuck,” Caleb breathed as he started to move, slowly at first but building in speed as I urged him on. (tory)

Pearl earrings stood in stark contrast to the twisted iron torc that rode her throat, matte black roundelles flanking the notch of her collar bone.

This one is skewered guts. It's all the guts except the liver." "It's got that unique texture of a gut, with a slightly bitter taste!" "The flavor of the guts tends to seep out when you make soup with it, but this retains all its refreshing original flavor!" "This is a fin skewer. As you can guess from its name, it's the dorsal fin of the eel... ... wrapped around a skewer with ribs and garlic chives." "This is my favorite one!" "They throw these parts away when they make kabayaki." "Ah! I understand why this is your favorite, Yamaoka-san! The eel and the garlic chives create a rich, savory flavor!" "I never thought eel and garlic chives would go so well together!" "The dorsal fin of a left-eyed flounder is called an engawa, and it's considered a delicacy. It's the most active part of the fish's body, so it's fatty and good to eat." "The same goes for the eel." "This one is the collar. It's the meat around the neck, below the eyes... ... which I cut open and skewered after taking the head off. The head bone is very tough, so this is the only part of the eel I throw away." "Hmm, so it's called the "collar" because it's the area around the neck." "It has a complex flavor to it too. It's totally different from the stomach meat, the guts or the dorsal fin!" "It kind of tastes like a mixture of fish and lamb meat! There are so many other skewers, right?!" "Yahata-maki, which is eel meat wrapped around burdock. Tanzaku, where the meat has been cut like strips of paper. Smoked eel. And of course, we can't forget the famous kabayaki.

She’s halfway across the linoleum, menu in hand, when she notes the man sitting at her table. He sits with his head bowed, focused on his hands clasped in front of him. Golden afternoon sunlight kisses his skin, the line of a tattoo barely visible above his collarbones. His profile is all sharp lines, bladed from the bridge of his nose all the way through to his jaw—the bone structure of a Grecian statue. His dark curly hair is pulled into a bun at the nape of his neck. Unfairly pretty, she thinks. Suddenly, she’s conscious that she’s been working all day, sweat wicking through her shirt, that she smells like stale coffee, and that there’s an unidentifiable stain—probably jam—just underneath her collar. The world is desperately cruel sometimes.

The Lands of the Gods, that realm,” Casteel answered as his hand wandered to my upper back and slid under my braid. “It’s called Iliseeum.” “Iliseeum?” My breath caught as what Jansen had said finally came back to me. “Jansen mentioned a place called Iliseeum—and a place called the Shadowlands. I thought he was making stuff up.” I glanced around the room. “Both are real?” “They are.” Casteel reached over, straightening the collar on the robe. “Iliseeum is the Lands of the Gods. The Shadowlands are where the Abyss is located and how the Vale is accessed.

finally said, “In my experience—and I’ve broken my collar bone twice and my arm twice—bone doctors tend to be a little lacking in empathy. You know, just set that bone and out the door. Writers are the opposite. They want to know everything, every why, how, and when, then they use it in their next piece. I tell Papa nothing

Trellis arose and made a hypotenuse of his back, his weight being supported on his elbows. His head was sunken in the cup of his collar-bones and his eyes stared forth like startled sentries from their red watch-towers.

Clara’s nails scraped down my throat and over my collar bone. She was so close to the Imperial Star, but she had no idea.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

Today, Mihir stopped a bomb from killing the Tahitian President but not from shattering his own collar bone. So, he is now in the operating chamber, undergoing his 250th reconstruction. The nurses have tied a balloon to his bed that says, “Don’t make it to 251!

Samuel looked at his torn hem, then back to Saul. “Yahweh has torn your kingdom from you and has given it to another.” Saul broke down weeping in pathetic tears. “I am sorry. Please restore me before the elders!” Samuel knelt down by Saul. “You have not obeyed the voice of Yahweh. He will not change his mind. But I will do what you should have done.” He grabbed Saul’s sword from his scabbard and walked over to Agag. Agag became uneasy. His mouth dried up. He angled for mercy. “Surely, glorious Seer, the bitterness of death is passed. I will gladly bow before this Yahweh and serve him as subject.” Samuel said, “Your sword has made women childless. So your mother shall be childless forever.” He raised the sword and brought it down upon Agag’s collar bone. It cut deep, severing his shoulder. Agag screamed in pain as blood spurted everywhere. Agag managed to get out one last sentence, “Damn your god and king, Seer!” “No,” replied Samuel with a hushed tone. “Damn your gods and seed.” And he swung again. The blade severed the giant’s head from his body. It fell to the floor and rolled near the feet of Saul who gasped in horror at the ghastly eyes staring into his soul. Samuel hacked and hacked at Agag’s body until it was cut to pieces and he was drenched in the blood of the dead giant.

Islam campaigned against these superstitions in various ways. There were some nomadic Arabs who used to treat their sick with magical appendages and collars studded with stones and bones. When they appeared before the Holy Prophet and enquired about the treatment of the sick with herbs and medicines, the Holy Prophet said: “It is necessary for every sick person to find out the medicine, because Allah who has created an ailment has also created a medicine for it.

Tom, had a short beard of brown hair that matched the hair on his head and side burns. His white linen shirt was ironed smooth with a collar that was flat rather than folded over. The buttons had an antique look, as though they were carved perfectly from bone. He held himself in a relaxed, but composed position of a leader.

There was this guy on TV Who said he was a man of faith He wore a funky collar But not like mine, or even a dog’s And he said that pets The four legged furballs That make a person’s life have meaning Don’t go to heaven Because they don’t have souls And I sat there and listened to him Wondering from where he was getting All of his information Because he got the facts all wrong Or perhaps he just didn’t understand That heaven is not heaven without everyone And the bits and pieces of bone and fur And the skin and the lips and the tongue and the heart Are just the container and not the self I do not have a soul I am the soul.

Reacher and Neagley carried their copy to the door, where the wired-glass window let in some natural light. The American looked exactly like Klopp had described. The artist had done a fine job capturing his words. The wave of blond hair. The skin stretched tight over the skull beneath. The brow and the cheek bones, horizontal and parallel and close together, like two bars on an old-style football helmet, with the eyes flashing out from way behind. The mouth, like a gash. Plus two vertical lines, the nose like a blade, and a crease down the right cheek, as if the most the mouth ever moved was in a lopsided and sardonic smile. The guy was shown in a jacket like Reacher’s. Pale tan denim, authentic in every respect. Under it was a white T-shirt. His collar bones stood out, like his cheek bones. His neck was shown corded with sinew. A hardscrabble guy, no longer young. Neagley

Did you know it was from up here they got the word sitting duck? It comes because commercial hunters used to take a live wild duck and put a collar on it and fasten it to a stool—this is also where they got the expression stool pigeon, because they did the same thing with a wild dove—lots of folks couldn’t tell the difference between a pigeon and a dove. They’d put the duck out at the edge of a marsh an’ when the big flocks go over, the fastened-down duck would call and the others would come in for a landing and get shot. Or a dove stuck out in a field would call its friends to help. They used to send barrels full of ducks and pigeons and geese to Chicago restaurants.

Tipped, their legs have fallen shut, and the more I look at them the less I believe my eyes. Corruption, in these bugs, is splendid. I've a collection now I keep in typewriter-ribbon tins, and though, in time, their bodies dry and the interior flesh decays, their features hold, as I suppose they held in life, an Egyptian determination, for their protective plates are strong and death must break bones to get in. Now that the heavy soul is gone, the case is light. I suspect if we were as familiar with our bones as with our skin, we'd never bury dead but shrine them in their rooms, arranged as we might like to find them on a visit; and our enemies, if we could steal their bodies from the battle sites, would be museumed as they died, the steel still eloquent in their sides, their metal hats askew, the protective toes of their shoes unworn, and friend and enemy would be so wondrously historical that in a hundred years we'd find the jaws still hung for the same speech and all the parts we spent our life with tilted as they always were—rib cage collar skull—still repetitious, still defiant, angel light, still worthy of memorial and affection. After all, what does it mean to say that when our cat has bitten through the shell and put confusion in the pulp, the life goes out of them? Alas for us, I want to cry, our bones are secret, so we must love what perishes: the muscles and the waters and the fats.

Don’t trouble yourself with me.” The thought of a heavy meal for breakfast made Lily’s stomach churn. “I’ll be happy enough with a cup of coffee—if you have any to spare.” Vera stopped in midswirl and took in Lily’s appearance. “Coffee? My, my, my. You need more meat on your bones, girl. You’ll blow away with the slightest breeze. Don’t you agree, Connell?” Lily glanced to the corner spot, only to find the young man she’d met the previous evening staring at her above spectacles perched on the end of his nose. He quickly looked back at the open book in front of him, but the slight reddish tint creeping up his neck above his collar was evidence that he’d been paying more attention to her than to his books. “I’m sure Miss Young would appreciate whatever you’re willing to provide.” The young man pulled out his pocket watch and peered at it. “Especially considering the fact that breakfast has been over for exactly one hour and twelve minutes.” His hair was neatly combed, except for one sun-bleached streak that fell across his forehead. He’d shaven the scruff from his face, revealing skin that was rough and bronzed from long days outdoors. “Connell McCormick.” Vera thumped her hands onto her hips. “You sure don’t seem to mind when I sneak you an extra doughnut or two. I think half the reason you loiter here in the mornings is because you hope I’ll feed you more.” The faint red streaks climbed up to the base of his cheeks. He didn’t say anything and instead dipped his head and scribbled something into one of his books, as if there were nothing more important at that moment than the page in front of him.

What do his ambitions matter, if those are her collar-bones?

This deterioration opens up cavities, but the bone collar stabilizes the hyaline cartilage model.

Diaphysis A tubular diaphysis (di-af9ĭ-sis; dia 5 through, physis 5 growth), or shaft, forms the long axis of the bone. It is constructed of a relatively thick collar of compact bone that surrounds a central medullary cavity (med9u-lar-e; “middle”), or marrow cavity. In adults, the medullary cavity contains fat (yellow marrow) and is called the yellow marrow cavity.

biting my lip against a grin as I touched my fingers to the Scorpio mark which sat just beneath his collar bone, slowly tracing the lines of his star sign.

Darcy scrambled to my side, wrapping her arms around me and I knelt there in shock, unsure what to think, what to do. My heart hurt in a way I would never have expected from witnessing my mother’s demise, and I didn’t know if it was the coven bond she’d forced on me or some long lost love for her stirring in my bones. Deep down, I knew coven bonds couldn’t forge feelings as powerful as these, and I hated the way my emotions fragmented and confusion rattled my mind. I felt the collar of shadow dissolve around my throat, liberating me from the Shadow Princess’s control once and for all. My mother’s sacrifice had freed me.

Her collar bones jut out painfully, and when she tugs at her nightgown, I can make out every single bone in her blue-veined hand. Her eyes look enormous on her thin face. “What do you want?

I looked up sharply, displeased to find Donald’s attention on Catherine, who’d been silent at my side throughout the entire confrontation. She offered him a soft smile. “Can I call a car for you, Mr. Rockford?” His mouth fell open then slammed shut. She’d stumped him with her politeness, and I was quietly amused. Catherine had a way of handling the men I met with on a daily basis. Her manners never failed her, but she had a cutting edge beneath her soft outer layer. “No, you can’t call a car for me, young lady.” “Oh, that’s too bad.” She gestured politely to the door. “If there’s anything else I can do to make your exit easier…” His nostrils flared, and his eyes fell on her belly. “You really want to bring a kid into the world working for a man like this? What kind of mother are you—?” That was enough. I jerked him back by the collar of his sports jacket before he could complete his filthy question and marched him toward the door. He resisted, but the old guy wasn’t much more than bones and paunch beneath his tailored suit, so the little fight he put up was laughable. Once he was on the street and my security team was alerted to keep him there, I rejoined Catherine in the lobby. Her lips were rolled over her teeth, eyes on her feet. “Do you have anything to say, Catherine?” She shook her head. “No. Nothing at all, Elliot.” She held her notebook against her chest, her gaze averted. On anyone else, I might have taken her response at face value and believed she was interested in the uninspired architecture of our new building. But not Catherine. She’d been holding herself back from day one. If I hadn’t been so impressed by the ingenuity she’d shown in making an entirely new outfit from the lost and found box—a discarded cardigan, athletic leggings, an oversized blazer, and a tie as a belt—I wouldn’t have hired her. Not because her résumé wasn’t up to snuff. It had been fine. And it wasn’t because her answers to my questions had been anything less than passable.

I am all want with you, Isolde. You think that I don’t think about you all the time? That I don’t want your scent all over my bed? You think that I don’t wish I had you under my desk with that serious little mouth available for my relief every morning? That I don’t want your snug cunt whenever I goddamn feel like it? Yes, I want you, and I want you collared, and I want you mine. That should be enough to terrify you, because I would hold nothing back until I’d eaten your very soul. I would hold nothing back until it was written on your skin and scratched into your bones how much I crave you.

She is dressed entirely in black—black coat, black turtleneck visible beneath her collar, which makes her skin look white as bone and her hair bright as fire. A perfume of anger and desperate sadness follows in her wake as she crosses in front of Fisher to appraise his bike from all angles. He couldn’t fix her if he wanted to. He only wants to know what made her the way she is, what he can do to help her forget. He suspects it has everything to do with music, like everything else in his life. In her life. Their lives.