Armani Suits Quotes

I let out a gasp at the surprise with him getting to me so fast. It was kind of dating superman in that way, and instead of the cape and spandex, I got wings and a Armani suit!

Angelo Visconti isn’t a knight in shining armor, he’s a monster in an Armani suit.

He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. 'Such a shame, he was so young,' people might say. Or they might not.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

We reminded them once, then a second time, and then we sent my sister in an Armani suit, armed with her laptop. None of us had any idea what she said, but the payment usually arrived within twenty-four hours.

If you do it in the bookies, it's a bet. . . . If you pay some 23-year-old in an Armani suit two hundred grand to go to the window for you, it's a derivative.

Everyone! Can I have your attention please,” Will calls out so that everyone is staring at him. Which was totally unnecessary because everyone already was staring at him. It’s hard not to notice when a six foot two linebacker of a man in an Armani suit stands up on a table in your office. Good thing we have very high ceilings. “This is your doing, Jackie-O,” my father whispers to me. “He was normal before he ever met you.

Wednesday walked out into the firelight, a big old man with a glass eye in a brown suit and an old Armani coat.

Like putting an Armani suit on Attila the Hun, interface design only tells how to dress up an existing behavior.

You have my jacket, which I bet you sleep in. That’s what girls do, right? Sleep in their boyfriend’s T-shirts?” “Yeah, T-shirt. Not an expensive silk Armani suit jacket.” “Aw, look, you noticed all of that. You were sniffing it, weren’t you? Just admit it.

This man was a high-powered operator, but also prone to overwork. He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning.

He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. “Such a shame, he was so young,” people might say. Or they might not.

This man was a high-powered operator, but also prone to overwork. He earned a high salary, but he couldn’t use it now that he was dead. He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. “Such a shame, he was so young,” people might say. Or they might not.

In the wake of the Empire Media scandal, the CEO of Townsend’s received a threatening note, which the police deemed to be credible. The note, signed Jennifer, demanded that the lads’ magazines be removed from every branch of Townsend’s and replaced with soft-core gay male porn. The CEO took immediate action. The lads’ magazines were exchanged for those that featured images of buff young men, hairless and muscled and bronzed, with bulging underpants (if they were wearing underpants). The men played with their nipples and flashed their man patches. After the renovation, Townsend’s was filled with women and girls. It was funny to see images of semi-naked, sexed-up men. For women it was like being in a carnival funhouse, where nothing was as it was supposed to be. News reports claimed that men felt uncomfortable going into the shops, since the women were leering and laughing. Businessmen in Armani suits tried to conduct themselves with dignity, but it was difficult to do with all those perfect male butts in their faces, with those men staring at them with a look that said fuck me.

She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.

In this office right now I am thinking about how long it would take a corpse to disintegrate right in this office. In this office these are the things I fantasize about while dreaming: Eating ribs at Red, Hot and Blue in Washington, D.C. If I should switch shampoos. What really is the best dry beer? Is Bill Robinson an overrated designer? What’s wrong with IBM? Ultimate luxury. Is the term “playing hardball” an adverb? The fragile peace of Assisi. Electric light. The epitome of luxury. Of ultimate luxury. The bastard’s wearing the same damn Armani linen suit I’ve got on.

It’s finger time!” Steve simply grunted. Li responded like she always had to the request over the past years, by walking over to the tall oak cabinet in his office and pulling out a pack of Vienna Fingers. She then closed the door and walked around the desk and dropped to her knees, crawling the few extra feet under his desk. Li handed the red and white plastic package of cookies to Steve, who slid the tray open while his virtual slave unzipped the trousers of his blue Armani pinstripe suit and then dug deep to find his pleasure source. Twenty seconds later, when both of them had consumed their mid-afternoon snacks, Steve transitioned back into his unrelenting work persona.

WE’RE GOOD AT WRONG SPOTTING If you’ve ever received feedback at work—or had an in-law—you are familiar with the many shapes and sizes of wrong: It’s 2 + 2 = 5 wrong: It is literally incorrect. I could not have been rude at that meeting because I was not at that meeting. And my name is not Mike. It’s different-planet wrong: Somewhere in the universe there may exist a carbon-based life form that would have taken offense at my e-mail, but here on Earth everyone knows it was a joke. It used to be right: Your critique of my marketing plan is based on how marketing worked when you were coming up. Before the Internet. And electricity. It’s right according to the wrong people: Some see me that way, but next time, talk to at least one person who is not on my Personal Enemies List. Your context is wrong: I do yell at my assistant. And he yells at me. That’s how our relationship works—key word being “works.” It’s right for you, but wrong for me: We have different body types. Armani suits flatter you. Hoodies flatter me. The feedback is right, but not right now: It’s true that I could lose a few pounds—which I will do as soon as the quintuplets are out of the house. Anyway, it’s unhelpful: Telling me to be a better mentor isn’t helping me to be a better mentor. What kind of mentor are you anyway? Why is wrong spotting so easy? Because there’s almost always something wrong—something the feedback giver is overlooking, shortchanging, or misunderstanding. About you, about the situation, about the constraints you’re under. And givers compound the problem by delivering feedback that is vague, making it easy for us to overlook, shortchange, and misunderstand what they are saying. But in the end, wrong spotting not only defeats wrong feedback, it defeats learning.

They turned their attention to the wardrobe that held several Armani suits, all of them individually tailored to fit Humpty’s unique stature and held up on hangers shaped like hula hoops.

Oh, maybe Leonard Cohen. Leonard Cohen is my hero. He’s like Zorba the Buddha. Bhagwan Shree Rajneesh, the Indian guru who I think was murdered by American government and who later changed his name to Osho, he had this notion of a character called Zorba the Buddha who — we’ll say a man, but it could be a woman too — who was contemplative, led a serene spiritual life, meditated a lot, was a nonviolent, placid person who lived in the spirit but who also knew how to work and make money, knew how to utilize the Internet, knew how much to tip a maître d’ in a Paris nightclub, who was of the world and enjoyed the world and all of its sensual pleasures in terms of food, sex, drink, color, art, but also at the same time was deeply spiritual. And I’ve kind of superimposed that Zorba the Buddha figure onto Leonard Cohen, perhaps unfairly, but he strikes me as someone who is close to that figure. I like the fact that he meditates, that he has spent time alone — a lot of it in anguish in a Buddhist monastery — that he is so adept with language and loves women and wears beautiful Armani suits and will sit and sip wine at a sidewalk café with beautiful girls and yet be able to have this rich inner life, not just creatively but also spiritually.

Segundo’s best friend Silvio traded appliances for clothes, designer clothes—well, not really, but he thought they were—Chinese-made Armani suits and Italian silk shirts from Vietnam, all with designer labels occasionally misspelled. As in the “Versache” pants.

Jonathan Green had a firm handshake, clear eyes, and a jawline not dissimilar to Dudley Do-Right’s. He was in his early sixties, with graying hair, a beach-club tan, and a voice that was rich and comforting. A minister’s voice. He wasn’t a handsome man, but there was a sincerity in his eyes that put you at ease. Jonathan Green was reputed to be one of the top five criminal defense attorneys in America, with a success rate in high-profile criminal defense cases of one hundred percent. Like Elliot Truly, Jonathan Green was wearing an impeccably tailored blue Armani suit. So were the lesser attorneys. Maybe they got a bulk discount. I was wearing impeccably tailored black Gap jeans, a linen aloha shirt, and white Reebok sneakers. Green said, “Did Elliot explain why we wanted to see you?

Julius Epstein wore mendacity like an Armani suit. The fit was impeccable.

A line from the Joe Walsh song reverberated in my head. ‘ “Nature loves her little surprises,” ’ I said. Piper snorted. ‘She sure does.’ I stared at the rows of Caligula’s outfits – everything from wedding gowns to Armani suits to gladiator armour. ‘It’s been my observation,’ I said, ‘that you humans are more than the sum of your history. You can choose how much of your ancestry to embrace. You can overcome the expectations of your family and your society . What you cannot do, and should never do, is try to be someone other than yourself – Piper McLean.’ She gave me a wry smile. ‘That’s nice. I like that. You’re sure you’re not the god of wisdom?’ ‘I applied for the job,’ I said, ‘but they gave it to someone else. Something about inventing olives.’ I rolled my eyes.

Talk about fucking awkward.” I unbuttoned my Armani suit jacket, flapping it back to take a seat on the first pew overlooking my wife’s open casket. For the first second, I waited for her to scold me for dropping the F-bomb, and then reality came crashing in.

This may be the fundamental problem with caring a lot about what others think: It can put you on the established path—the my-isn’t-that-impressive path—and keep you there for a long time. Maybe it stops you from swerving, from ever even considering a swerve, because what you risk losing in terms of other people’s high regard can feel too costly. Maybe you spend three years in Massachusetts, studying constitutional law and discussing the relative merits of exclusionary vertical agreements in antitrust cases. For some, this might be truly interesting, but for you it is not. Maybe during those three years you make friends you’ll love and respect forever, people who seem genuinely called to the bloodless intricacies of the law, but you yourself are not called. Your passion stays low, yet under no circumstance will you underperform. You live, as you always have, by the code of effort/result, and with it you keep achieving until you think you know the answers to all the questions—including the most important one. Am I good enough? Yes, in fact I am. What happens next is that the rewards get real. You reach for the next rung of the ladder, and this time it’s a job with a salary in the Chicago offices of a high-end law firm called Sidley & Austin. You’re back where you started, in the city where you were born, only now you go to work on the forty-seventh floor in a downtown building with a wide plaza and a sculpture out front. You used to pass by it as a South Side kid riding the bus to high school, peering mutely out the window at the people who strode like titans to their jobs. Now you’re one of them. You’ve worked yourself out of that bus and across the plaza and onto an upward-moving elevator so silent it seems to glide. You’ve joined the tribe. At the age of twenty-five, you have an assistant. You make more money than your parents ever have. Your co-workers are polite, educated, and mostly white. You wear an Armani suit and sign up for a subscription wine service. You make monthly payments on your law school loans and go to step aerobics after work. Because you can, you buy yourself a Saab. Is there anything to question? It doesn’t seem that way. You’re a lawyer now. You’ve taken everything ever given to you—the love of your parents, the faith of your teachers, the music from Southside and Robbie, the meals from Aunt Sis, the vocabulary words drilled into you by Dandy—and converted it to this. You’ve climbed the mountain. And part of your job, aside from parsing abstract intellectual property issues for big corporations, is to help cultivate the next set of young lawyers being courted by the firm. A senior partner asks if you’ll mentor an incoming summer associate, and the answer is easy: Of course you will. You have yet to understand the altering force of a simple yes. You don’t know that when a memo arrives to confirm the assignment, some deep and unseen fault line in your life has begun to tremble, that some hold is already starting to slip. Next to your name is another name, that of some hotshot law student who’s busy climbing his own ladder. Like you, he’s black and from Harvard. Other than that, you know nothing—just the name, and it’s an odd one. Barack.

In my Armani suit I cut through the crowd like a hammerhead among trout.

It’s funny to see us before we go onstage, standing in a circle. We look ridiculous! John’s got his crew socks and his cut-offs and his T-shirt and baseball hat. Mick’s got his velvet knickers and the same tights and shoes he’s worn for a hundred years—you wouldn’t want to be within 50 feet of him in that outfit, especially the next night when he’s put it back on after it’s been in the bus all day and never dried. Lindsey wears the same two Armani suits, one white and one grey every night.

Addison dramatically put a hand to her chest, covering the V-neck of her sleek, green cocktail dress. “If only the world could understand the suffering of this rich white man in his custom Armani suit.

How was a guy with custom Armani suits such a dork? And how was I? Because that cheesy line made me grin like an idiot.

To conceive of an education as a commodity (as if it were a polo pony or an Armani suit) is to construe the idea of democracy as the freedom of a market instead of a freedom of the mind. I can understand why the mistake is both easy and convenient to make, but unless we stop telling ourselves that America is best understood as the sum of its gross domestic product, we stand little chance of re-imagining our history or reengineering our schools.

He’s in his Armani power suit. The one he wears like a suit of armor. The one that makes him look elegant and dangerous, a hungry tiger dressed in a gentleman’s clothes.

Your dog doesn’t like me.” As he says the words, Ziggy lets out another low growl. “He’s overprotective of you. Can you call him off, please? I don’t want him biting a hole in my suit. This is Armani.

In college in Austin, I clocked the auburn-haired Asian kids who smoked Marlboro Light 100s and drove Mitsubishi 3000 GTs and Toyota Celicas with swooping, pearlized spoilers. They talked about AKs, were seemingly very good at pool, hailed mostly from Houston, and were decidedly cooler than church nerds or extracurricular-scholastic-group nerds. We didn’t interact much beyond the shade they’d throw as I walked by with my white boyfriend. “He’s half Mexican!” I wanted to tell them, but of course, that proved nothing. The other Asian crews were part of the Greek system, and I was leery of them as well. I knew them only because the housing administration of the University of Texas at Austin automatically roomed you with an Asian kid in a larger suite of Asian kids, and my Chinese suitemates rushed for Asian Panhellenic sororities. My roommate was a gorgeous socialite from Taiwan who spoke little English and dated guys who bought her clothes. She wore only Armani. We all kept a healthy distance.

God, this man is too damn precious. He’s like if a golden retriever came to life and started wearing bespoke Armani suits. And here I was grilling Rachel about needing an exit. What’s the point? No matter where I might take her, this man will just follow us. Jake Compton Price is Rachel’s end game. I have absolutely nothing to worry about by putting her happiness in his hands.

said he figured she had maybe fifteen or twenty outfits, four hundred bucks an outfit, maybe eight grand in total. Truth was she had thirty-four business suits in her closet. She’d worked three years on Wall Street. She had eight grand tied up in the shoes alone. Four hundred bucks was what she had spent on a blouse, and that was when she felt driven by native common sense to be a little economical. She liked Armani. She had thirteen of his spring suits. Spring clothes from Milan were just about right for most of the Chicago summer. Maybe in the really fierce heat of August she’d break out her Moschino shifts, but June and July, September too if she was lucky, her Armanis were the thing. Her favorites were the dark peach shades she’d bought in her last year in the brokerage house. Some mysterious Italian blend of silks. Cut and tailored by people whose ancestors had been fingering fine materials for hundreds of years. They look at it and consider it and cut it and it just falls into marvelous soft shapes. Then they market it and a Wall Street broker buys it and loves it and is still wearing it two years into the future when she’s a new FBI agent and she gets snatched off a Chicago street. She’s still wearing it eighteen hours later after a sleepless night on the filthy straw in a cow barn. By that point, the thing is no longer something that Armani would recognize.