Collaborative Inspirational Quotes

We've searched our database for all the quotes and captions related to Collaborative Inspirational. Here they are! All 100 of them:

As you navigate through the rest of your life, be open to collaboration. Other people and other people's ideas are often better than your own. Find a group of people who challenge and inspire you, spend a lot of time with them, and it will change your life.
Amy Poehler
Collaborators don’t steal others’ ideas, take advantage of people, or sit back while others accomplish their tasks for them. Collaborators take action to ensure that everyone with whom they work can enjoy the maximum potential outcome.
Raoul Davis Jr. (Firestarters: How Innovators, Instigators, and Initiators Can Inspire You to Ignite Your Own Life)
Unity is strength... when there is teamwork and collaboration, wonderful things can be achieved.
Mattie J.T. Stepanek
Merely to resist evil with evil by hating those who hate us and seeking to destroy them, is actually no resistance at all. It is active and purposeful collaboration in evil that brings the Christian into direct and intimate contact with the same source of evil and hatred which inspires the acts of his enemy. It leads in practice to a denial of Christ and to the service of hatred rather than love.
Thomas Merton (Passion for Peace; Reflections on War and Nonviolence)
The original idea of the web was that it should be a collaborative space where you can communicate through sharing information.
Tim Berners-Lee
My fate cannot be mastered; it can only be collaborated with and thereby, to some extent, directed. Nor am I the captain of my soul; I am only its noisiest passenger.
Aldous Huxley
The excitement of creating is followed by desperate self-doubt. Courage and inspiration compete with discouragement and despair.
Diana Pavlac Glyer (Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings)
When we aren't curious in conversations we judge, tell, blame and even shame, often without even knowing it, which leads to conflict." -The Power Of Curiosity: How To Have Real Conversations That Create Collaboration, Innovation and Understanding
Kirsten Siggins (The Power of Curiosity: How to Have Real Conversations That Create Collaboration, Innovation and Understanding)
I know that books seem like the ultimate thing that’s made by one person, but that’s not true… Every reading of a book is a collaboration between the reader and the writer who are making the story up together.
John Green
...maybe strength in the 21st century isn't about dominance....it's about the capacity to evoke....the ability to spark the enduring bonds of shared values, intrinsic motivation, and mutually committed perseverance. It is, in short, not the power merely to command, subordinate, demean, insult — and then crow about it with impunity. It's the power to inspire, animate, infuse, spark, evoke — and then connect, link, and collaborate, to be a force multiplier.
Umair Haque
I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader’s mind so that the mind, like the author’s, begins to create. Thus sf is creative and it inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness.
Philip K. Dick (Paycheck and Other Classic Stories)
I believe that inspiration will always try its best to work with you—but if you are not ready or available, it may indeed choose to leave you and to search for a different human collaborator.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I have always believed in the power of collaboration. Early on in my professional career, I realized that you can't develop all the competencies you need fast enough on your own. Furthermore, if you don't collaborate, your ideas will be limited to your own abilities. As a result, you will not be able to serve your clientele and thus can't achieve the anticipated impact.
Vishwas Chavan (VishwaSutras: Universal Principles For Living: Inspired by Real-Life Experiences)
All I know for certain is that this is how I want to spend my life—collaborating to the best of my ability with forces of inspiration that I can neither see, nor prove, nor command, nor understand. It’s a strange line of work, admittedly. I cannot think of a better way to pass my days.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
If you’re alive, you’re a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers—these are our common ancestors. The guardians of high culture will try to convince you that the arts belong only to a chosen few, but they are wrong and they are also annoying. We are all the chosen few. We are all makers by design. Even if you grew up watching cartoons in a sugar stupor from dawn to dusk, creativity still lurks within you. Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
When your heart is right, you want to bring out the best in others.
Jane Ripley (Collaboration Begins with You: Be a Silo Buster)
At the U of U, we were inventing a new language. One of us would contribute a verb, another a noun, then a third person would figure out ways to string the elements together to actually say something.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Women can help turn the world right side up. We bring a more collaborative approach to government. And if we do not participate, then decisions will be made without us.
Wilma Mankiller (Mankiller: A Chief and Her People)
With Teal, serving the purpose becomes more important than serving the organization, opening up new possibilities for collaboration across organizational boundaries.
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
School competitions give rise to survival of the fittest, producing winners. Collaborations foster growth, innovation, and togetherness. If we prioritize collaboration, we become more than just winners.
Norbertus Krisnu Prabowo
Game developers know better than anyone else how to inspire extreme effort and reward hard work. They know how to facilitate cooperation and collaboration at previously unimaginable scales. And they are continuously innovating new ways to motivate players to stick with harder challenges, for longer, and in much bigger groups. These crucial twenty-first-century skills can help all of us find new ways to make a deep and lasting impact on the world around us.
Jane McGonigal (Reality Is Broken: Why Games Make Us Better and How They Can Change the World)
...hence the very best science fiction ultimately winds up being a collaboration between author and reader, in which both create - and enjoy it; joy is the essential and final ingredient of science fiction, the joy of discovery of newness
Philip K. Dick
You were born a giver, don't die a taker. You were born an earner, don't die a begger. You were born a sharer, don't die a hoader. You were born a lover, don't die a hater. You were born a builder, don't die a destroyer. You were born a creator, don't die an immitator. You were born a leader, don't die a follower. You were born a learner, don't die a teacher. You were born a doer, don't die a talker. You were born a dreamer, don't die a doubter. You were born a winner, don't die a loser. You were born an encourager, don't die a shamer. You were born a defender, don't die an aggressor. You were born a liberator, don't die an executioner. You were born a soldier, don't die a murderer. You were born an angel, don't die a monster. You were born a protecter, don't die an attacker. You were born an originator, don't die a repeater. You were born an achiever, don't die a quitter. You were born a victor, don't die a failure. You were born a conqueror, don't die a warrior. You were born a contender, don't die a joker. You were born a producer, don't die a user. You were born a motivator, don't die a discourager. You were born a master, don't die an amateur. You were born an intessessor, don't die an accusor. You were born an emancipator, don't die a backstabber. You were born a sympathizer, don't die a provoker. You were born a healer, don't die a killer. You were born a peacemaker, don't die an instigater. You were born a deliverer, don't die a collaborator. You were born a savior, don't die a plunderer. You were born a believer, don't die a sinner.
Matshona Dhliwayo
But as those who do hold Trump to the standards of any other person have found out on Twitter and other social media outlets these Trump followers are a nasty fascistic lot. Dowd is lucky he didn’t get death threats like Kurt Eichenwald. Or maybe he did and refuses to acknowledge them. If you voted for Trump and continue to support him and you think you are better than these bigoted virulent trolls, you’re not. Your silence enables them just as it did in the racist campaign that Trump and Bannon ran. In fact, hiding behind a civilized veneer in your support of fascism I consider more dangerous. We’re past describing you as collaborators at this point. That lets you off the hook. You’re Russo-American oligarchical theocratic fascists.
Kevin Sessums
Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history. Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity. The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully. But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.
Ernst Jünger (Eumeswil)
While CEO of P&G, John Pepper was once asked in an interview which skill or characteristic was most important to look for when hiring new employees. Was it leadership? Analytical ability? Problem solving? Collaboration? Strategic thinking? Or something else? His answer was integrity. He explained, “All the rest, we can teach them after they get here.
Paul Smith (Lead with a Story: A Guide to Crafting Business Narratives That Captivate, Convince, and Inspire)
If I use empathy to liberate people to be less depressed, to get along better with their family, and at the same time not inspire them to use their energy to rapidly transform systems in the world, then I am part of the problem. I am essentially calming people down, making them happier to live in the systems as they are, and I am using empathy as a narcotic.
Marshall B. Rosenberg
All children in every school deserve an education that inspires curiosity, encourages creativity, requires critical thinking, urges collaboration, and nurtures compassion.
G. Kylene Beers (Disrupting Thinking: Why How We Read Matters)
Burns collaborated with pioneering cognitive psychologist Aaron T. Beck, who believed that most depression or anxiety was simply a result of illogical and negative thinking. He
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do: Insight and Inspiration from 50 Key Books (50 Classics))
When we aren't curious in conversations we judge, tell, blame and even shame, often without even knowing it, which leads to conflict.
Kirsten Siggins (The Power of Curiosity: How to Have Real Conversations That Create Collaboration, Innovation and Understanding)
With commitment and vision, it is possible to build a bridge between potential partners and communities whose work is of relevance to peace-building initiatives.
Widad Akreyi
Destructive thoughts prevent your body from collaborating with your deepest wishes and needs. Sabotage has never been the road to success.
Thorbjörg Hafsteinsdottir (10 Years Younger in 10 Weeks)
Replace cyber-bullying with cyber-believing. Let us build eachother up instead of bringing others down. BELIEVE & BUILD
Janna Cachola
Teamwork and community have been incredibly important to me as of late. You can get a lot done by yourself, but a collaborative effort can take you even further.
Robin S. Baker
Get healthy, get strong, get educated and informed, and start contributing to your own governance.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
When your right to communicate is interrupted by those who would be your voice, your face or your representative, you are being subjected to the governance of another.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
Intrinsically we humans want to be happy, and happiness derives from having purpose, pursuit towards interesting and challenging ‘something’ that is greater than oneself.
Ines Garcia (Becoming more Agile whilst delivering Salesforce)
We can tell the revolution has failed every time we look around and see the fraternity sitting astride the ideals of the voiceless and promising to ride them to a different place this time.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
When a leader nurtures an environment of trust, respect, and honesty—business soars, creativity and problem-solving are inspired, and collaboration enables people get more done in less time.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Being better or different from competitors is not enough anymore. Being a mission-focused organization will attract, engage, and retain well-aligned customers, colleagues, and collaborators.
Suzanne F. Stevens (Make your contribution count for you, me , we: An evolutionary journey inspired by the wisdom of pioneering African women)
The first right of any person in any society must be the right to communicate. Without communication there is no way to safeguard our other rights or for us to participate fully in a society.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
Inspiration is not about some disembodied ethereal voice dictating words or notes to a catatonic host. It’s a collaborative process, a holy give-and-take, a partnership between Creator and creator.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
The world we live in is still mostly governed by a ponzi scheme of power, wealth and celebrity. Those at the top of the ponzi scheme are standing on nothing but the world’s acceptance of their right to be there.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
The Romantic journey was usually a solitary one. Although the Romantic poets were closely connected with one another, and some collaborated in their work, they each had a strong individual vision. Romantic poets could not continue their quests for long or sustain their vision into later life. The power of the imagination and of inspiration did not last. Whereas earlier poets had patrons who financed their writing, the tradition of patronage was not extensive in the Romantic period and poets often lacked financial and other support. Keats, Shelley and Byron all died in solitary exile from England at a young age, their work left incomplete, non-conformists to the end. This coincides with the characteristic Romantic images of the solitary heroic individual, the spiritual outcast 'alone, alone, all, all alone' like Coleridge's Ancient Mariner and John Clare's 'I'; like Shelley's Alastor, Keats's Endymion, or Byron's Manfred, who reached beyond the normal social codes and normal human limits so that 'his aspirations/Have been beyond the dwellers of the earth'. Wordsworth, who lived to be an old man, wrote poems throughout his life in which his poetic vision is stimulated by a single figure or object set against a natural background. Even his projected final masterpiece was entitled The Recluse. The solitary journey of the Romantic poet was taken up by many Victorian and twentieth-century poets, becoming almost an emblem of the individual's search for identity in an ever more confused and confusing world.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
What is the difference between a terrorist and a soldier? The actions are now identical, both act to produce terror, so probably the only standing difference is that terrorists are non-government agencies. Remember that.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
When brilliant minds collide, they’re ordained for greatness. When they form relationships with people they wouldn’t have met, it opens up more connections with people who might collaborate on research projects that will change the world.
Colin Webb
Given the unconventional nature and scale of the problems we are facing today, there is real need to value our artists . Creative collaborations can bridge the best talents we have in both the quantitative and qualitative domains and inspire solutions . 
Barbara Januszkiewicz (Klejnoty i stroje książąt Pomorza Zachodniego XVI-XVII wieku w zbiorach Muzeum Narodowego w Szczecinie (Polish Edition))
Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
In a war as huge as this, there will be many, many, leaders, in every location and aspect of the war. This is not a war for followers. It is the responsibility of each person to become as educated, informed and healthy as possible if you are to make a contribution.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
As you navigate through the rest of your life, be open to collaboration. Other people and other people’s ideas are often better than your own. Find a group of people who challenge and inspire you, spend a lot of time with them, and it will change your life. — Amy Poehler
Gothelf, Jeff (Lean UX: Applying Lean Principles to Improve User Experience)
Wars are told from the point of view of arms dealers and politicians, disasters are interpreted by NGO’s, most issues are never covered at all. Official channels decide what will or will not be revealed and media are rewarded for their obedience by access to more official information.
Heather Marsh (Binding Chaos: Mass Collaboration on a Global Scale)
Most of all, be ready. Keep your eyes open. Listen. Follow your curiosity. Ask questions. Sniff around. Remain open. Trust in the miraculous truth that new and marvelous ideas are looking for human collaborators every single day. Ideas of every kind are constantly galloping toward us, constantly passing through us, constantly trying to get our attention.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Your ego is either your tool or your master. The ego is a signal. Grandiosity is a form of shame. Doubt is a form of fear. Getting fed up is a form of self actualization. Ego plays into all these moments in different ways. It can be a tool for self realization if you understand why it’s acting up and acting out. It’s part of the collaborative thought within.
Joy Donnell (Beyond Brand: Master Your Power, Joy, and Media To Live Your Legacy)
Sometimes the novel is not ready to be written because you haven't met the inspiration for your main character yet. Sometimes you need two more years of life experience before you can make your masterpiece into something that will feel real and true and raw to other people. Sometimes you're not falling in love because whatever you need to know about yourself is only knowable through solitude. Sometimes you haven't met your next collaborator. Sometimes your sadness encircles you because, one day, it will be the opus upon which you build your life. We all know this: Our experience cannot always be manipulated. Yet, we don't act as though we know this truth. We try so hard to manipulate and control our lives, to make creativity into a game to win, to shortcut success because others say they have, to process emotions and uncertainty as if these are linear journeys. You don't get to game the system of your life. You just don't. You don't get to control every outcome and aspect as a way to never give in to the uncertainty and unpredictability of something that's beyond what you understand. It's the basis of presence: to show up as you are in this moment and let that be enough.
Jamie Varon
We need to work on making ourselves better human beings, one day at a time...we must…make the world a better, more just and unified place… There are many ways to positively affect the world...Until all seven billion of us individually, collectively, and politically truly know in our hearts that it is through loving harmony and the pursuit of true collaboration that we can heal the problems of the world, nothing will be attained.
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
The transformation of a business-as-usual culture into one focused on innovation and driven by design involves activities, decisions, and attitudes. Workshops help expose people to design thinking as a new approach. Pilot projects help market the benefits of design thinking within the organization. Leadership focuses the program of change and gives people permission to learn and experiment. Assembling interdisciplinary teams ensures that the effort is broadly based. Dedicated spaces such as the P&G Innovation Gym provide a resource for longer-term thinking and ensure that the effort will be sustained. Measurement of impacts, both quantitative and qualitative, helps make the business case and ensures that resources are appropriately allocated. It may make sense to establish incentives for business units to collaborate in new ways so that younger talent sees innovation as a path to success rather than as a career risk.
Tim Brown (Change by Design: How Design Thinking Transforms Organizations and Inspires Innovation)
People say that I’m so controversial but I think the most controversial thing I’ve ever done is to stick around. What I would like to say to all the women here today is this. Women have been so oppressed for so long that they believe what men say about them. And they believe they have to back a man to get the job done. And there are some very good men that worth of backing, but not because they’re men but because they’re worthy. As women we have to start appreciating our own worth and each other worth. Seek out strong women to be friend, to align yourself with, to learn from, to be inspired by, to collaborate with, to support, to be enlightened by.
Madonna
When another great work inspires us to elevate our own, however, the energy is different. Seeing the bar raised in our field can encourage us to reach even higher. This energy of rising-to-meet is quite different from that of conquering. When Brian Wilson first heard the Beatles’ Rubber Soul, his mind was blown. “If I ever do anything in my life, I’m going to make that good an album,” he thought at the time. He went on to explain, “I was so happy to hear it that I went and started writing ‘God Only Knows.’ ” Being made happy by someone else’s best work, and then letting it inspire you to rise to the occasion, is not competition. It’s collaboration.
Rick Rubin (The Creative Act: A Way of Being)
Nature vs. nurture is part of this—and then there is what I think of as anti-nurturing—the ways we in a western/US context are socialized to work against respecting the emergent processes of the world and each other: We learn to disrespect Indigenous and direct ties to land. We learn to be quiet, polite, indirect, and submissive, not to disturb the status quo. We learn facts out of context of application in school. How will this history, science, math show up in our lives, in the work of growing community and home? We learn that tests and deadlines are the reasons to take action. This puts those with good short-term memories and a positive response to pressure in leadership positions, leading to urgency-based thinking, regardless of the circumstance. We learn to compete with each other in a scarcity-based economy that denies and destroys the abundant world we actually live in. We learn to deny our longings and our skills, and to do work that occupies our hours without inspiring our greatness. We learn to manipulate each other and sell things to each other, rather than learning to collaborate and evolve together. We learn that the natural world is to be manicured, controlled, or pillaged to support our consumerist lives. Even the natural lives of our bodies get medicated, pathologized, shaved or improved upon with cosmetic adjustments. We learn that factors beyond our control determine the quality of our lives—something as random as which skin, gender, sexuality, ability, nation, or belief system we are born into sets a path for survival and quality of life. In the United States specifically, though I see this most places I travel, we learn that we only have value if we can produce—only then do we earn food, home, health care, education. Similarly, we learn our organizations are only as successful as our fundraising results, whether the community impact is powerful or not. We learn as children to swallow our tears and any other inconvenient emotions, and as adults that translates into working through red flags, value differences, pain, and exhaustion. We learn to bond through gossip, venting, and destroying, rather than cultivating solutions together. Perhaps the most egregious thing we are taught is that we should just be really good at what’s already possible, to leave the impossible alone.
Adrienne Maree Brown (Emergent Strategy: Shaping Change, Changing Worlds)
How can HOW help us repair our faltering global economy? Only by getting our "hows" right can we ensure that we are sustainable. This can only be achieved when we are rooted in, and inspired by, sustainable values. The global economic meltdown supplied a perfect, but painful, example of how sustainability cannot be guided by situational values. The economic crash occurred because too many financial companies became disconnected from fundamental values and long-term sustainable thinking. Instead of nurturing sustainable collaborations, banks, lenders, borrowers and shareholders pursued short-term relationships founded on situational values. More than ever we need to get out of this cycle of crises and build long-term success and deep human connections so that we achieve enduring significance in today's globally interconnected world.
Dov Seidman
It truly is a team sport, and we have the best team in town. But it’s my relationship with Ilana that I cherish most. We have such a strong partnership and have learned how we work most efficiently: I need coffee, she needs tea. When we’re stressed, I pace around and use a weird neck massager I bought online that everyone makes fun of me for, and she knits. When we’re writing together she types, because she’s faster and better at grammar. We actually FaceTime when we’re not in the same city and are constantly texting each other ideas for jokes or observations to potentially use (I recently texted her from Asheville: girl with flip-flops tucked into one strap of tank top). Looking back now at over ten years of doing comedy and running a business with her I can see how our collaboration has expanded and contracted. But it’s the problem-solving aspect of this industry, the producing, the strategy, the realizing that we could put our heads together and figure out the best solution, that has made our relationship and friendship what it is. Because that spills into everything. We both have individual careers now, but those other projects have only been motivating and inspiring to each other and the show. We bring back what we’ve learned on the other sets, in the other negotiations, in the other writers’ rooms or press situations. I’m very lucky to have jumped into this with Ilana Rose Glazer, the ballsy, curly-haired, openhearted, nineteen-year-old girl that cracked me up that night at the corner of the bar at McManus. So many wonderful things have happened since we began working together, but there are a lot of confusing, life-altering things in there too, and it’s such a relief to have someone who completely understands the good and the bad.
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
Our precious lives, when you step back and look at them, are a kind of game. Try imagining the game described by the exciting copy above. A literal once-in-a-lifetime adventure—the grand game of life. You start playing. First, there’s a random character creation process that proceeds automatically as a collaboration between your parents. There’s the heartwarming opening with your mom and your dad and a thousand blessings and all that, and then finally, you get to dive in. You get a rough grasp on the controls, and then you’re tossed into “school,” a microcosmic tutorial for the heavy seas of society— The game’s setting—Earth. Awaiting us as we’re tossed into a corner of that oversized map is a massive sandbox game. There we have a vast array of choices, a spectacular degree of freedom, and countless minigames. Inspired by the hype, we advance just as advertised, but it’s not long before we realize something. —We’ve been had.
Yuu Kamiya (No Game, No Life Vol. 5 (No Game No Life Light Novels, #5))
...in certain regions the party is organized like a gang whose toughest member takes over the leadership. The leader’s ancestry and powers are readily mentioned, and in a knowing and slightly admiring tone it is quickly pointed out that he inspires awe in his close collaborators. In order to avoid these many pitfalls a persistent battle has to be waged to prevent the party from becoming a compliant instrument in the hands of a leader. Leader comes from the English verb “to lead,” meaning “to drive” in French.15 The driver of people no longer exists today. People are no longer a herd and do not need to be driven. If the leader drives me I want him to know that at the same time I am driving him. The nation should not be an affair run by a big boss. Hence the panic that grips government circles every time one of their leaders falls ill, because they are obsessed with the question of succession: What will happen to the country if the leader dies? The influential circles, who in their blind irresponsibility are more concerned with safeguarding their lifestyle, their cocktail parties, their paid travel and their profitable racketeering, have abdicated in favor of a leader and occasionally discover the spiritual void at the heart of the nation.
Frantz Fanon (The Wretched of the Earth)
It is possible that we are already living through the twilight of democracy; that our civilization may already be heading for anarchy or tyranny, as the ancient philosophers and America's founders once feared; that a new generation of clercs, the advocates of illiberal or authoritarian ideas, will come to power in the twenty-first century, just as they did in the twentieth; that their visions of the world, born of resentment, anger, or deep, messianic dreams, could triumph. Maybe new information technology will continue to undermine consensus, divide people further, and increase polarization until only violence can determine who rules. Maybe fear of disease will create fear of freedom. Or maybe the coronavirus will inspire a new sense of global solidarity. Maybe we will renew and modernize our institutions. Maybe international cooperation will expand after the entire world has had the same set of experiences at the same time: lockdown, quarantine, fear of infection, fear of death. Maybe scientists around the world will find new ways to collaborate, above and beyond politics. Maybe the reality of illness and death will teach people to be suspicious of hucksters, liars, and purveyors of disinformation. Maddeningly, we have to accept that both futures are possible. No political victory is ever permanent, no definition of "the nation" is guaranteed to last, and no elite of any kind, whether so-called "populist" or so-called "liberal" or so called "aristocratic," rules forever.
Anne Applebaum (Twilight of Democracy: The Seductive Lure of Authoritarianism)
All of us have to learn how to invent our lives, make them up, imagine them. We need to be taught these skills; we need guides to show us how. Without them, our lives get made up for us by other people. Human beings have always joined in groups to imagine how best to live and help one another carry out the plan. The essential function of human community is to arrive at some agreement on what we need, what life ought to be, what we want our children to learn, and then to collaborate in learning and teaching so that we and they can go on the way we think is the right way. Small communities with strong traditions are often clear about the way they want to go, and good at teaching it. But tradition may crystallize imagination to the point of fossilizing it as dogma and forbidding new ideas. Larger communities, such as cities, open up room for people to imagine alternatives, learn from people of different traditions, and invent their own ways to live. As alternatives proliferate, however, those who take the responsibility of teaching find little social and moral consensus on what they should be teaching -- what we need, what life ought to be. In our time of huge populations exposed continuously to reproduced voices, images, and words used for commercial and political profit, there are too many people who want to and can invent us, own us, shape and control us through seductive and powerful media. It's a lot to ask of a child to find a way through all that alone. Nobody can do anything very much, really, alone. What a child needs, what we all need, is to find some other people who have imagined life along lines that make sense to us and allow some freedom, and listen to them. Not hear passively, but listen.
Ursula K. Le Guin (Words Are My Matter: Writings About Life and Books, 2000-2016)
Company Team Buildingis a tool that can help inside inspiring a team for that satisfaction associated with organizational objectives. Today?azines multi-cultural society calls for working in a harmonious relationship with assorted personas, particularly in global as well as multi-location companies. Business team building events strategies is a way by which team members tend to be met towards the requirements of the firm. They help achieve objectives together instead of working on their particular. Which are the benefits of company team building events? Team building events methods enhance conversation among co-workers. The huge benefits include improved upon morality as well as management skills, capacity to handle difficulties, and much better understanding of work environment. Additional positive aspects would be the improvements inside conversation, concentration, decision making, party problem-solving, and also reducing stress. What are the usual signs that reveal the need for team building? The common signs consist of discord or even hostility between people, elevated competitors organizations between staff, lack of function involvement, poor decision making abilities, lowered efficiency, as well as poor quality associated with customer care. Describe different methods of business team development? Company team development experts as well as person programs on ?working collaboratively? can supply different ways of business team building. An important method of business team building is actually enjoyment routines that want communication between the members. The favored activities are fly-fishing, sailing regattas, highway rallies, snow boarding, interactive workshops, polls, puzzle game titles, and so forth. Each one of these routines would help workers be competitive and hone their own side considering abilities. Just what services are offered by the team building events trainers? The majority of the coaches offer you enjoyable functions, coming from accommodation to be able to dishes and much more. The actual packages include holiday packages, rope courses, on-going business office video games, and also ice-breakers. Coaching fees would depend on location, number of downline, classes, and sophistication periods. Special discounts are available for long-term deals of course, if the quantity of associates will be higher. Name some well-known corporate team development event providers within the U.Utes. Several well-liked companies are Accel-Team, Encounter Based Studying Inc, Performance Supervision Organization, Team development Productions, The education Haven Incorporated, Enterprise Upwards, Group Contractors In addition, and Team development USA.If you want to find out more details, make sure you Clicking Here
Business Team Building FAQs
It is known that people who let go of negativity, calm themselves, listen carefully, and pay attention to their emotional, physical and spiritual health are more likely to have flashes of inspiration.
Alex Terego (A Thought Leader's Guide to Ideation: Build a foundation and culture of productive critical thinking, collaboration, communication, and problem solving)
Upon the couple’s return to Vienna, Mozart met Joseph Haydn for the first time in early 1784. The two formed a close friendship and frequently collaborated, utilizing friendly competition to fuel the composition of numerous works from both composers. When Haydn would visit Vienna, it was routine that he and Mozart would play together in a hastily assembled string quartet. Mozart wrote six quartets that were specifically dedicated to Haydn, and many scholars group them as a set of compositions created in response to Haydn’s Opus 33 set, providing further evidence that both composers drew inspiration from each other.
Hourly History (Mozart: A Life From Beginning to End (Composer Biographies))
We should credit [the sky] for what it is: for sheer size and perfection of function, it is far and away the grandest product of collaboration in all of nature.
Lewis Thomas
The practice that molded me at Intel and saved me at Sun—that still inspires me today—is called OKRs. Short for Objectives and Key Results. It is a collaborative goal-setting protocol for companies, teams, and individuals. Now, OKRs are not a silver bullet. They cannot substitute for sound judgment, strong leadership, or a creative workplace culture. But if those fundamentals are in place, OKRs can guide you to the mountaintop.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
cooperation from other litigators in the field. . . . [S]he tended to inspire collaboration and respect rather than competition. She was not a person who was vain in any way. She did not try to capture the limelight.
Linda R. Hirshman (Sisters in Law: How Sandra Day O'Connor and Ruth Bader Ginsburg Went to the Supreme Court and Changed the World)
While the seven essential elements are a distillation of what we did on an everyday basis, they represent long-term discovery too. An important aspect of this book is the way we built our creative methods as a by-product of the work as we were doing it. As all of us pitched in to make our products, we developed our approach to creating great software. This was an evolution, an outgrowth of our deliberate attention to the task at hand while keeping our end goal in mind. We never waited around for brilliant flashes of insight that might solve problems in one swoop, and we had few actual Eureka! moments. Even in the two instances in my Apple career when I did experience a breakthrough—more about these later—there certainly was no nude streaking across the Apple campus like Archimedes supposedly did. Instead, we moved forward, as a group, in stepwise fashion, from problem to design to demo to shipping product, taking each promising concept and trying to come up with ways to make it better. We mixed together our seven essential elements, and we formulated “molecules” out of them, like mixing inspiration and decisiveness to create initial prototypes, or by combining collaboration, craft, and taste to give detailed feedback to a teammate, or when we blended diligence and empathy in our constant effort to make software people could use without pulling their hair out. As we did all this mixing and combining of our seven essential elements, we always added in a personal touch, a little piece of ourselves, an octessence, and by putting together our goals and ideas and efforts and elements and molecules and personal touches, we formed our approach, an approach I call creative selection.
Ken Kocienda (Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs)
All the solitary hours a writer pours into a novel would avail little if not for the solitary hours poured into it by many unseen others. Anyway I assume those others also do their work in solitude; maybe they work in pairs or crews or tag teams, but I’d rather imagine them slaving over my words in a poorly lit and otherwise unoccupied room, just as I do. Maybe they will have a little music for company, but nothing too upbeat, something along the lines of Mozart’s Requiem, for example, because as everybody who has ever worked on a book knows, this work can be as grueling in its way as crawling on your knees through ten acres of ground-hugging plants to pick potato beetles off one at a time and flick them into a galvanized bucket filled with soapy water. But it can also be as transcendent as the Requiem—or as picking potato beetles when you are in the right frame of mind for it. Knowing other people are engaged in the same underappreciated labor and squeezing a perverse kind of joy out of it is what keeps me writing, especially if it’s my field of potatoes they are picking over. Sometimes I like to picture each of my collaborators working their way down a row, their backs aching, hands filthy with beetle juice, fingernails broken, eyes going cross-eyed in the faltering light. It’s inspirational. Thirty years ago, I would have written (and did) a dull-as-dirt acknowledgment to thank each of my collaborators. It would have had all the excitement of a divorce decree. Back then I had no idea how difficult and precarious a job it is to turn out a novel every couple of years. It gets more difficult and precarious every year. So does living. To me, they’re pretty much the same thing.
Randall Silvis (Two Days Gone (Ryan DeMarco Mystery, #1))
editor and edited my first book in a wonderful way. For this book, however, time devoted to bringing up the children made a renewed editorial collaboration impossible. I hope the reader will not suffer unduly as a consequence! My children Christiana Dagmar and Eric James have watched me work on the book—indeed they could not avoid it as I often write at home. I hope they have been drawing the lesson that academic research can be really fun. Certainly, that is the lesson I drew from my father, Arthur von Hippel. He wrote his books in his study upstairs when I was a child and would often come down to the kitchen for a cup of coffee. In transit, he would throw up his hands and say, to no one in particular, “Why do I choose to work on such difficult problems?” And then he would look deeply happy. Dad, I noticed the smile! Finally my warmest thanks to my MIT colleagues and students and also to MIT as an institution. MIT is a really inspiring place to work and learn from others. We all understand the requirements for good research and learning, and we all strive to contribute to a very supportive academic environment. And, of course, new people are always showing up with new and interesting ideas, so fun and learning are always being renewed! Democratizing Innovation 1  Introduction and Overview When I say that innovation is being democratized, I mean that users of products and services—both firms and individual consumers—are increasingly able to innovate for themselves. User-centered innovation processes offer great advantages over the manufacturer-centric innovation development systems that have been the mainstay of commerce for hundreds of years. Users that innovate can develop exactly what they want, rather than relying on manufacturers to act as their (often very imperfect) agents. Moreover, individual
Eric von Hippel (Democratizing Innovation)
What they all shared was optimism, openness to experimentation, a love of storytelling, a need to collaborate, and an instinct to think with their hands—to build, to prototype, and to communicate complex ideas with masterful simplicity. They did not just do design, they lived design.
Tim Brown (Change by Design: How Design Thinking Transforms Organizations and Inspires Innovation)
Welcome" is a word to use often! Leaders who maintain an open-door policy inspire trust, teamwork, and healthier communication. They are more likely to earn respect, gain buy-in, and foster collaboration.
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
Many people think that designers are lone geniuses, working in solitude and waiting for a flash of inspiration to show them the solution to their design problem. Nothing could be further from the truth. There may be some problems, such as the design of a stool or a new set of children’s blocks, that are simple enough to be tackled by an individual, but in today’s highly technical world, almost every problem requires a design team. Design thinking takes this idea even further and suggests that the best results come from radical collaboration. Radical collaboration works on the principle that people with very different backgrounds will bring their idiosyncratic technical and human experiences to the team. This increases the chance that the team will have empathy for those who will use what they are designing, and that the collision of different backgrounds will generate truly unique solutions. This is proved over and over again in d.school classes at Stanford, where graduate students create teams of business, law, engineering, education, and medical students that come up with breakthrough innovations all the time. The glue that holds these teams together is design thinking, the human-centered approach to design that takes advantage of their different backgrounds to spur collaboration and creativity. Typically, none of the students have any design background when they enroll in our classes, and all of the teams struggle at first to be productive. They have to learn the mind-sets of a designer—especially radical collaboration and being mindful of process. But once that happens, they discover that their abilities as a team far exceed what any individual can do, and their creative confidence explodes.
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
A good leader gets his team to adopt the right attitude and collaborate with discipline
Agustin Argelich Casals (Analyze, Act, Advance: Cutting-edge strategies to build in your life, your family, your organization, and your community a virtuous cycle of hope, innovation, renewal, and continuous improvement)
A strong product culture means that the team understands the importance of continuous and rapid testing and learning. They understand that they need to make mistakes in order to learn, but they need to make them quickly and mitigate the risks. They understand the need for continuous innovation. They know that great products are the result of true collaboration. They respect and value their designers and engineers. They understand the power of a motivated product team. A strong VP product will understand the importance of a strong product culture, be able to give real examples of her own experiences with product culture, and have concrete plans for instilling this culture in your company.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))
Discovery is very much about the intense collaboration of product management, user experience design, and engineering. In discovery, we are tackling the various risks before we write even one line of production software.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))
First, collaboration is built on relationships, and product teams—especially co‐located teams—are designed to nurture these relationships.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))
Ibelieve that inspiration will always try its best to work with you—but if you are not ready or available, it may indeed choose to leave you and to search for a different human collaborator.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Christlikeness finds its fullest expression in community, collaboration, and collectivity.
Daniel Becerra (3rd, 4th Nephi: a brief theological introduction (The Book of Mormon: Brief Theological Introductions, #9))
Phoebe Waller-Bridge thanks him and says: ‘It’s going bloody great, Russell!’, she continues ‘Last year has been insane. I’ve loved every part of it. […] I’m always asking myself, ‘How would I feel if this went away?’ about various aspects of it all. I think the things I’d be truly gutted to lose are my creative freedom, my collaborators and a couple of really nice coats. Anything else is just a perk.’ We might not all write award-winning TV shows, but every one of us can own our successes when they’re pointed out to us. It’s also infectious. When you watch someone own their successes, you feel compelled to do the same. Therefore, by being positive about yourself, you are probably inspiring someone else in the process.
Emma Gannon (Sabotage)
key intentional questions: • What is most important to you about this? • What is surprising to you right now? • What is inspiring you? • What is challenging you?
Dawna Markova (Collaborative Intelligence: Thinking with People Who Think Differently)
May your humanity and curiosity be the foundation for collaboration, reciprocity, ans co-elevation!
Eleonora Bonacossa (6 Leadership Skills to Unleash the Game Changer in You and Your Team: A Compact Guide to Creating Transformational Leaders, Teams and Workplaces)
People can campaign to break you, collaborate to alienate you, and even worse, create false testimonies to orchestrate your downfall. Still, when you are destined for greatness, you will be great, regardless. Never lose Faith!
Gift Gugu Mona (The Essence of Faith: Daily Inspirational Quotes)
Gurus don’t use anger, harsh words, or fear to inspire their students. They realize that fear is a good motivator in the short term but over the long term it erodes trust. Criticism is lazy communication. It’s not constructive, compassionate, or collaborative. Look for ways to communicate so that the other person can consume, digest, and apply your input effectively. Offer them a “love sandwich” where you deliver a piece of constructive criticism between two tasty slices of positive feedback.
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
In the time of layoffs my two cents of advice to the entrepreneurs and business leaders: we share a great camaraderie with some people. We get amazing positive energy and warm vibes from some people.They genuinely care for us and want us to be successful and happy. They trust us and collaborate with us to accomplice our creative goals. We must hold on to such people in our life and stay connected to them. That's the way to lead a happy and satisfied life.
Avijeet Das
In the time of layoffs my two cents of advice to the entrepreneurs and business leaders. We share a great camaraderie with some people. We get amazing positive energy and warm vibes from some people. They genuinely care for us and want us to be successful and happy. They trust us and collaborate with us to accomplice our creative goals. We must hold on to such people in our life and stay connected to them. That's the way to lead a happy and satisfied life.
Avijeet Das
Every artist loved their art for the same reason, and this caused no suspicion to the world. They regularly say: 'My field captures the human experience.' 'And what is the human experience to you exactly?' questions O’Hare. 'I want to be a storyteller who inspires and expresses their imagination.' 'But how does your chosen art differ from other mediums?' questions O’Hare. 'I am a quiet observer who innately loves philosophy.' But here you are screaming this in a room, cries Dr. O’Hare. 'I am beyond grateful for the people I’ve worked with who made this the greatest collaboration I could have ever asked for.' 'But how did you collaborate—with thought and rehearsal?—or did you just perform some damn thing and sign both your names on it?' asked O’Hare.
Kristian Ventura (A Happy Ghost)
Leadership has an electrifying edge when it comes to shaping culture. Trailblazing leaders carve out the vision, values, and behaviors that guide a group. With unwavering integrity, they ignite trust and foster collaboration, forging a culture that pushes boundaries. These audacious leaders infuse purpose, propelling individuals and cultivating a culture of relentless innovation and unquenchable curiosity.
Donna Karlin (Culture Catalyst: Igniting an Era of Inclusion, Innovation and Growth)
Political Islam has served as a vehicle for resistance as well as collaboration in different eras of Palestinian history, notably in the form of the grassroots combination of Islamic revival and nationalism espoused by the charismatic Shaykh ‘Iz al-Din al-Qassam, whose “martyrdom” in 1935 can be said to have inspired the revolt of 1936–39. The same can be said of the more recent Islamic Jihad movement, an offshoot of the Palestinian branch of the Muslim Brotherhood. Its founders were disgusted with the Brotherhood’s quietism and passivity toward—and, some even alleged, collaboration with—the Israeli occupation. Their attacks on Israeli military personnel in 1986 and 1987 helped spark the first Palestinian popular uprising, or intifada, which broke out in December 1987 and helped provoke the transformation of the major part of the Muslim Brotherhood organization into Hamas. Hamas itself has played a major part in the resistance to Israel, although some of the tactics that both Hamas and Islamic Jihad have pioneered in the Palestinian arena, particularly suicide attacks on civilians inside Israel, have been both morally indefensible and disastrously counterproductive strategically.
Rashid Khalidi (The Iron Cage: The Story of the Palestinian Struggle for Statehood)
The world of us, of interdependence, rests on a foundation of collaboration — collaboration with nature, with one another, with the inspiration that sometimes passes through us. The world of us is a realm of innovation and abundance. The world of win-win. But individualism rests on a foundation of competition—competition with nature, with one another. It bestows a lordly sense that you are your own source of inspiration. It’s the world of win-lose.
Terrence Real (Us: Getting Past You and Me to Build a More Loving Relationship (Goop Press))
Inspiration is better than magic, for as any artist will tell you, true inspiration comes not to the lucky or the charmed but to the faithful—to the writer who shows up at her keyboard each morning, even when she’s far too tired, to the guitarist whose fingers bleed after hours of practice, to the dancer who must first learn the traditional steps before she can freestyle with integrity. Inspiration is not about some disembodied ethereal voice dictating words or notes to a catatonic host. It’s a collaborative process, a holy give-and-take, a partnership between Creator and creator.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
This is a moment to reimagine how generosity could transform us. It’s a chance to dream about audacious philanthropy focused on the needs of the whole world. About companies with the vision to get on the right side of history. About a global uprising of ordinary citizens determined to reclaim the Internet and make it a force for good in our world. Are we ready to get excited about the future once again? It’s time! And for you personally, this is all about that most elusive, inspiring, and beautiful thing: the quest for meaning. We were born to be connected. So give in any way that you feel able. Give creatively. Give courageously. Give collaboratively. And let the magic of generosity ripple out into the universe.
Chris J. Anderson (Infectious Generosity: The Ultimate Idea Worth Spreading)
Taking inspiration from Personal Construct Psychology and the work of Burr et al (2014), it can be useful for the team to reflect on the following questions: How do we perceive ourselves as a team? How do we perceive the other team? How do we think the other team perceives us? How do we think the other team perceives themselves?
Lucy Widdowson (Building Top-Performing Teams: A Practical Guide to Team Coaching to Improve Collaboration and Drive Organizational Success)
In the early days of computing, machines were seen as tools to be controlled by their human operators. The relationship was entirely one-sided; humans input instructions, and the computer executed them. However, as computers advanced, they took on roles previously in the human domain. They could calculate complex equations, manage large datasets, and even defeat humans at chess. This marked the beginning of a shift from viewing computers as mere tools to seeing them as collaborators.
Enamul Haque (AI Horizons: Shaping a Better Future Through Responsible Innovation and Human Collaboration)
Because even if we’re smart and hardworking, a big factor in professional success is who you know. Research has shown that it is our outer circle of acquaintances, also known as “weak ties,” that brings about the most change in our lives. A “strong tie” is our close friends and family, who are likely to have similar connections and knowledge as us. It is the weak ties, the people we are only loosely connected to, who are actually more influential on our lives. They bring new information, advice, and perspectives: new job prospects, commissions, fresh inspiration, or collaborators that we would otherwise have never discovered.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: One Introvert's Year of Saying Yes)
Preamble The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before. The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever. The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting. But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers. Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.
Don Santo (Klassik Era: The Genesis)