Cohen Hearing Quotes

I heard of a man who says words so beautifully that if he only speaks their name women give themselves to him. If I am dumb beside your body while silence blossoms like tumors on our lips it is because I hear a man climb stairs and clear his throat outside our door.

Maybe there's a God above, As for me, all I've ever seemed to learn from love Is how to shoot at someone who outdrew you. Yeah but it's not a complaint that you hear tonight, It's not the laughter of someone who claims to have seen the light No it's a cold and it's a very lonely Hallelujah.

I want to pause here and talk about this notion of consensus, and the rise of what has been called consensus science. I regard consensus science as an extremely pernicious development that ought to be stopped cold in its tracks. Historically, the claim of consensus has been the first refuge of scoundrels; it is a way to avoid debate by claiming that the matter is already settled. Whenever you hear the consensus of scientists agrees on something or other, reach for your wallet, because you're being had. Let's be clear: the work of science has nothing whatever to do with consensus. Consensus is the business of politics. Science, on the contrary, requires only one investigator who happens to be right, which means that he or she has results that are verifiable by reference to the real world. In science consensus is irrelevant. What is relevant is reproducible results. The greatest scientists in history are great precisely because they broke with the consensus. There is no such thing as consensus science. If it's consensus, it isn't science. If it's science, it isn't consensus. Period.

Fare thee well my nightingale I lived but to be near you Though you are singing somewhere still I can no longer hear you

I can't run no more with that lawless crowd while the killers in high places say their prayers out loud. But they've summoned, they've summoned up a thundercloud and they're going to hear from me. Ring the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.

These words are not constructed of ink and paper. They are no formed of movement and sound. They are echoes of my soul. May they ripple outward and give strength to those who hear them.

Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she's half crazy But that's why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer

Steam coming off the planet, clouds of fleecy steam as boy and girl populations clash in religious riots, hot and whistling like a graveyard sodomist our little planet embraces its fragile yo-yo destiny, tuned in the secular mind like a dying engine. But some do not hear it this way, some flying successful moon-shot eyes do not see it this way. They do not hear the individual noises shhh,hiss, they hear the sound of the sounds together, they behold the interstices flashing up and down the cone of the flowering whirlwind.

Food and shelter are very nice, but without stories to hear and tell, we might as well be the walking dead.

People change and their bodies change and their hair grows gray and falls out and their bodies decay and die… but there is something that doesn’t change about love and about the feelings we have for people. Marianne, the woman of So Long, Marianne, when I hear her voice on the telephone, I know something is completely intact even though our lives have separated and we’ve gone our very different paths. I feel that love never dies, and that when there is an emotion strong enough to gather a song around it, that there is something about that emotion that is indestructible…

Listen to a name so private it can burn hear it said aloud and learn and learn History is a needle for putting men asleep anointed with the poison of all they want to keep Now

Whether you’re conducting phone interviews or simply need to hear yourself think, privacy is an extremely important variable in the writing life.

Maybe there’s a God above But all I’ve ever learned from love Was how to shoot at someone who outdrew you It’s not a cry you can hear at night It’s not somebody who has seen the light It’s a cold and it’s a broken Hallelujah

He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.

Is there a wrong way to say “I don’t know”? Yes. When we declare ignorance, it should be a) honest and b) in the spirit of opening ourselves up to hearing, to learning, to receiving. When we say “I don’t know” under these conditions, the words can forge connection, healing, growth. But when we resist or disavow knowledge, when we profess ignorance as a way of donning armor and evading accountability, then we make a mockery of those words, and we rupture connections not only with others but within ourselves, within our souls.

Remember that the first thing anyone does is eat with their eyes. Before the diner even takes a single bite, what they see, hear, and smell is what will often entice them to eat---or to partake of some other dish if they have the opportunity. For the ultimate, transcendent food experience, the mind must be engaged on multiple levels.

Whoa,” Cohen says. I didn’t even hear him come back in. “What?” I snap at him. “I think we’re all a little gay after that. That was hot.” Rossi slaps Cohen’s shoulder. “Still only you, dude.

Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.

Harry lay in the tree house. He did not want to hear Wolf’s voice. On the other hand, to not hear Wolf’s voice always held the threat that a silent Wolf was creeping close. Purely psychological, because Wolf could not be close.

Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!

Time really is a circle; I can see that now. We are trapped between a past we can't return to and a future that is uncertain. And it takes guts to live here, in the hard space between anticipation and realization. How quickly we believe that nothing can be new again but then, look. Another Leonard Cohen song is being sung. Hallelujah.

Seems So Long Ago, Nancy" It seems so long ago, Nancy was alone, looking ate the Late Late show through a semi-precious stone. In the House of Honesty her father was on trial, in the House of Mystery there was no one at all, there was no one at all. It seems so long ago, none of us were strong; Nancy wore green stockings and she slept with everyone. She never said she'd wait for us although she was alone, I think she fell in love for us in nineteen sixty one, in nineteen sixty one. It seems so long ago, Nancy was alone, a forty five beside her head, an open telephone. We told her she was beautiful, we told her she was free but none of us would meet her in the House of Mystery, the House of Mystery. And now you look around you, see her everywhere, many use her body, many comb her hair. In the hollow of the night when you are cold and numb you hear her talking freely then, she's happy that you've come, she's happy that you've come.

Suzanne takes you down to her place near the river You can hear the boats go by, you can spend the night forever And you know that she's half-crazy but that's why you want to be there And she feeds you tea and oranges that come all the way from China And just when you mean to tell her that you have no love to give her Then he gets you on her wavelength And she lets the river answer that you've always been her lover And you want to travel with her, and you want to travel blind And you know that she will trust you For you've touched her perfect body with your mind And Jesus was a sailor when he walked upon the water And he spent a long time watching from his lonely wooden tower And when he knew for certain only drowning men could see him He said all men will be sailors then until the sea shall free them But he himself was broken, long before the sky would open Forsaken, almost human, he sank beneath your wisdom like a stone And you want to travel with him, and you want to travel blind And you think you maybe you'll trust him For he's touched your perfect body with her mind Now, Suzanne takes your hand and she leads you to the river She's wearing rags and feathers from Salvation Army counters And the sun pours down like honey on our lady of the harbor And she shows you where to look among the garbage and the flowers There are heroes in the seaweed, there are children in the morning They are leaning out for love and they wil lean that way forever While Suzanne holds her mirror And you want to travel with her, and you want to travel blind And you know that you can trust her For she's touched your perfect body with her mind

Much of the genre pretty much sounds like popular acoustic songs you'd hear on mainstream radio. The only difference here is that the front man, instead of singing "I love her," switches the words to "I love him," referring to Jesus. Which ends up sounding just a tad gay. That irony is apparently lost on this spiritual set.

McCoy: Oh, there isn't any shortage of views clamoring to challenge my own. That's what we call the viewpoints of the pinheads, and fortunately nothing forces me to pay any attention to them. Plato: Except your own self-interest. McCoy, laughing: This just keeps getting better. I'm supposed to pay attention to the pinheads out of my own self-interest? Plato: Otherwise you must do all the hard work of challenging your own positions all by yourself. Isn't it better to get some help with so difficult a task? And wouldn't you call those who help you out your friends? McCoy: Why should I challenge my own positions? That's the job of my enemies, who it's my job to vilify. Plato: I would have thought it the job of your most valued friends. McCoy: I can't tell whether you're putting me on or not. Is this some kind of Ali G or Borat scam you're trying to pull here? Just answer me that. Are you putting me on? Have my stupid staff screwed up again and let in some Sacha Baron Cohen operative? Plato: I am sincere. McCoy: So I'm actually supposed to believe that you think friends are the ones who try to refute you? Plato: Certainly, when what I say is wrong; and I can't be certain it's not wrong unless I hear the best of the refutations that can be offered. And I hope I am a good enough friend to return the favor. --from the chapter entitled "Plato on Cable News," pp. 350-351

Dear God: Thank you for the gift of life. Signed: Conroy Conroy: What gift? You know there's no such thing as a free lunch. You're paying for life every day. Pain, depression, bad weather, disappointments, sorrow, the blahs, and every day you're getting older. What do you call all of that, fringe benefits? I figured that if I just gave you life, you wouldn't appreciate it. Not that my charging you did much good. Most of you don't appreciate life anyway. You're too busy complaining about the price. Signed: God TWENTY-FOUR "She'll be ready in a minute," said Leonard as he sat down sideways, looping his legs over the arm of an aging, overstuffed chair in the Cohen living room. As I sat down on the couch, I could hear the sounds of the early Sunday morning crowd drifting through the door and up the few stairs that separated the Cohen Food Store from the living room. The few times I had been in Leonard's house, I always felt as if I were sitting backstage at a neighborhood play. Mrs. Cohen came out of the bathroom, readjusting the apron that came up to her armpits. "Good morning, Timmy," she said, smiling as she walked across the living room. "Good morning, Mrs. Cohen." She stopped and stared furiously at Leonard. "Sit in that chair the right way." Leonard obediently swung his feet around and

You feel the same hum at a Cohen concert that you do at a church or a synagogue, a feeling that emanates from the realization that the words and tunes you're about to hear represent the best efforts we humans can make to capture the mysteries that surround us, and that by listening and closing your eyes and singing along, you, too can somehow transcend.

ASL conveys the differences between subject and object as specifically as English does. It simply employs a change of direction rather than a change of pronouns or of sign order. Liz uses the grammar of ASL, which is perfectly clear and reasonable to the students, to teach them English grammar, which they find so unwieldy. The former is nothing they were ever taught; they acquired it naturally through use, just as hearing students understand how to form proper English sentences before they ever receive any formal instruction. This method ultimately serves two purposes. As the students learn the rules of English grammar, they are also receiving a subtler message: that ASL has an equally complex and worthy grammar, a grammar they have already mastered.

It is instructive to observe these great men at the solemn business of selecting a First Chief for the greatest free Republic ever seen on earth. One hears, in their speeches, such imbecilities.... One sees them at close range, sweating, belching, munching peanuts, chasing fleas. They parade idiotically, carrying dingy flags and macerating one another's corns. They crowd the aisles, swapping gossip, most of it untrue.... The average delegate never knows what is going on. The hall is in dreadful confusion, and the speeches from the platforms are mainly irrelevant and unintelligible. The real business of a national convention is done down under the stage, in dark and smelly rooms, or in hotel suites miles away. Presently a State boss fights his way out to his delegation on the floor, and tells his slaves what is to be voted on, and how they are to vote. (Cited in Hinderaker 1956, 158)

Both Cohen and Fierst told me that many parents at Riverdale, while pushing their children to excel, inadvertently shield them from exactly the kind of experience that can lead to character growth. As Fierst put it, “Our kids don’t put up with a lot of suffering. They don’t have a threshold for it. They’re protected against it quite a bit. And when they do get uncomfortable, we hear from their parents. We try to talk to parents about having to sort of make it okay for there to be challenge, because that’s where learning happens.

A dilemma arises when the interests of these deaf adults seem at odds with those of the schoolchildren—for instance, when satisfying the wishes of the former means providing inadequate services to the latter. Some would argue that because hearing people have always controlled the definition of adequacy, that concept is invalid. Others hold that any deaf candidate is preferable to a hearing candidate for a position working with deaf children.

Leonard (Cohen) never broke my heart, but his songs have, every time I sing or hear one of them. As Leonard says, “There is a crack in everything; that’s how the light gets in.

Working closely with Davis, Cohen cataloged dozens of stories he was ready to share about Trump that would spotlight the president’s dishonesty and depravity. Davis believed there were many words that described Trump: “insane,” “sociopath,” “monster,” and “cruel.” But he wanted to hear Cohen walk through the characteristics he had witnessed firsthand.

I have always had a soft spot for Canadian writers. There is something expansive and yet intimate about their songs, broad as the northwestern plains and as comfortable as having a cup of coffee out on a pinewood porch with a friend. From Ed McCurdy to Gordon Lightfoot and Leonard Cohen, from Joni Mitchell to Ian and Sylvia Tyson, hearing their songs is hearing the truth. And, as the man says, “when you’ve heard the truth, the rest is just cheap whiskey.

That's how it is with nations," we hear Mother Nature croak from her deathbed. "Nations war.

FROM: VJ CAPELLO DATE: APRIL 20 TO: VIVIAN JANE COHEN SUBJECT: THANK YOU Vivian Jane, I appreciate you defending me to Alex, although it’s hardly necessary. I only hope I can justify your faith in me with my performance on the field. Your emails have been a welcome distraction from the fact that I am now 0-3 on the season. I don’t think you understand your own gifts sometimes. I am also glad to hear you’re spending time with Alex outside of games and practice. His sister sounds like a real character, but possibly a friend for you as well. I wouldn’t get too bothered by her comments about you and Alex. Friends are most excellent. Now I really must go watch some videos before my next start. The team hasn’t been playing great lately, and I need to fix things. Hoping both of our knuckleballs knuckle, VJ FROM: VIVIAN JANE COHEN DATE: APRIL 22 TO: VJ CAPELLO SUBJECT: FINE-NESS VJ, Well, of course I am going to defend you to Alex!

Olive nodded, as if Ronnie was making sense. She felt like a priest hearing a convoluted confession. Except Wilmarths weren’t part of her flock—they weren’t readers. What was he doing here? In the Church of the Holy Library? But she leaned forward, always a sucker for a narrative.

Time really is a circle; I can see that now. We are trapped between a past we can't return to and a future that is uncertain. And it takes guts to live here, in the hard space between anticipation and realization. How quickly we believe that nothing can be new again but then, look. Another Leonard Cohen song is being sung. Hallelujah.

Surrender” might be the most powerful word in the world, but now I’m caught between the life I know and the one I don’t. Can I just take a walk on Killiney Hill with my best friend, who happens to be my wife, and sit on that wooden seat that overlooks the bay and not check the phone to see what’s going on somewhere else in the world? Can I take in the view without having to be in it? Can I not take that call, in favor of this other call, to stillness? Is this what vision over visibility looks like now? I bow to no one in my love and respect for Leonard Cohen, but I can’t see myself following him up that mountain on his Zen retreat. I’m not sure I’m made to climb that hill. But then the drip, drip, drip. I hear the words of another Sufi, the poet Rumi. Out beyond ideas of wrongdoing and rightdoing, there is a field. I’ll meet you there. When the soul lies down in that grass, the world is too full to talk about. Maybe I’m discovering surrender doesn’t always have to follow defeat and may be all the fuller after victory. When you’ve won the argument you now understand you never needed to have. The argument with your life

If you’re lucky, at the right time you come across music that is not only “great,” or interesting, or “incredible,” or fun, but actually sustaining. Through some elusive but tangible process, a piece of music cuts through all defenses and makes sense of every fear and desire you bring to it. As it does so, it exposes all you’ve held back, and then makes sense of that, too. Though someone else is doing the talking, the experience is like a confession. Your emotions shoot out to crazy extremes; you feel both ennobled and unworthy, saved and damned. You hear that this is what life is all about, that this is what it is for. Yet it is this recognition itself that makes you understand that life can never be this good, this whole. With a clarity life denies for its own good reasons, you see places to which you can never get.

In our endeavour to understand reality we are somewhat like a man trying to understand the mechanism of a closed watch. He sees the face and the moving hands, even hears its ticking, but he has no way of opening the case. If he is ingenious he may form some picture of a mechanism which could be responsible for all the things he observes, but he may never be quite sure his picture is the only one which could explain his observations. He will never be able to compare his picture with the real mechanism and he cannot even imagine the possibility or the meaning of such a comparison.

What I don’t undershtand,” said Cohen, who was having his back massaged, “ish how they captured you without ush hearing it. We wouldn’t have known at all if your Luggage hadn’t kept jumping up and down.” “And whining,” said Bethan. They all looked at her. “Well, it looked as if it was whining,” she said. “I think it’s rather sweet, really.” Four pairs of eyes turned toward the Luggage, which was squatting on the other side of the fire. It got up, and very pointedly moved back into the shadows. “Eashy to feed,” said Cohen. “Hard to lose,” agreed Rincewind. “Loyal,” suggested Twoflower. “Roomy,” said Cohen. “But I wouldn’t say sweet,” said Rincewind. “I shuppose you wouldn’t want to shell it?” said Cohen. Twoflower shook his head. “I don’t think it would understand,” he said. “No, I shupposhe not,” said Cohen.

Israel, and you who call yourself Israel, the Church that calls itself Israel, and the revolt that calls itself Israel, and every nation chosen to be a nation – none of these lands is yours, all of you are thieves of holiness, all of you at war with Mercy. Who will say it? Will America say, We have stolen it, or France step down? Will Russia confess, or Poland say, We have sinned? All bloated on their scraps of destiny, all swaggering in the immunity of superstition. Ishmael, who was saved in the wilderness, and given shade in the desert, and a deadly treasure under you: has Mercy made you wise? Will Ishmael declare, We are in debt forever? Therefore the lands belong to none of you, the borders do not hold, the Law will never serve the lawless. To every people the land is given on condition. Perceived or not, there is a covenant, beyond the constitution, beyond sovereign guarantee, beyond the nation’s sweetest dreams of itself. The Covenant is broken, the condition is dishonoured, have you not noticed that the world has been taken away? You have no place, you will wander through yourselves from generation to generation without a thread. Therefore you rule over chaos, you hoist your flags with no authority, and the heart that is still alive hates you, and the remnant of Mercy is ashamed to look at you. You decompose behind your flimsy armour, your stench alarms you, your panic strikes at love. The land is not yours, the land has been taken back, your shrines fall through empty air, your tablets are quickly revised, and you bow down in hell beside your hired torturers, and still you count your battalions and crank out your marching songs. Your righteous enemy is listening. He hears your anthem full of blood and vanity, and your children singing to themselves. He has overturned the vehicle of nationhood, he has spilled the precious cargo, and every nation he has taken back. Because you are swollen with your little time. Because you do not wrestle with your angel. Because you dare to live without God. Because your cowardice has led you to believe that the victor does not limp.

As I started to answer questions, it was evident that the Republicans didn’t want to hear a word I had to say, no matter how true or how critical to the future of the country.

He was pro-abortion; he told me that Planned Parenthood was the way poor people paid for contraception. He didn’t care about religion. Homosexuals, divorce, the break-up of the nuclear family—he’d say whatever they wanted to hear, and they’d hear what they wanted to hear. This was the moment, for me: the split second when I knew Trump would be president one day.

One continually hears the declaration that the direct primary [for legislative offices] will take power from the politicians and give it to the people. This is pure nonsense. Politics has been, is, and always will be carried on by politicians, just as art is carried on by artists, engineering by engineers, business by businessmen. All that the direct primary, or any other political reform, can do is affect the character of the politicians by altering the conditions that govern political activity, thus determining its extent and quality. The direct primary may take advantage and opportunity from one set of politicians and confer them upon another set, but politicians there will always be so long as there is politics. (Cited in Key 1965, 394-95)

All of this was happening in private. U.S. electors knew nothing of Sater’s Kremlin outreach scheme. Trump did, though. So did Cohen. Cohen said he talked to Trump about the Moscow tower three times. When it appeared that the project was faltering, despite a letter of intent, Cohen took a bold step. He sent an email to someone big: Putin’s press secretary, Dmitry Peskov. The email was a petition, a meekly phrased plea for help. It was sent in mid-January 2016. Cohen wrote: Over the past few months I have been working with a company based in Russia regarding the development of a Trump Tower-Moscow project in Moscow City. Without getting into lengthy specifics, the communication between our two sides has stalled. As this project is too important, I am hereby requesting your assistance. I respectfully request someone, preferably you, contact me so that I might discuss the specifics as well as arranging meetings with the appropriate individuals. I thank you in advance for your assistance and look forward to hearing from you soon. Cohen dispatched the email to a generic address, rather than to Peskov’s personal account. Nonetheless, the email would have been found and closely examined. The email’s recipient, Peskov, wasn’t only Putin’s long-serving mouthpiece—he was also in charge of the operation to compromise Clinton, according to the Steele dossier, and someone who saw Russia’s president practically every day. Cohen insisted there was no collusion. And yet this is precisely what his email looked like: a direct (and covert) request for assistance from Team Trump to Team Putin. Was this politics or business or both? As always with Trump, it was hard to tell.

But when I asked if she was behind 'You Can't Always Get What You Want,' she said, 'Absolutely. That's my song. Every time I hear it, I'm right back with Mick in the flat. Music can't tell time.

I’m fine,” Millie answered, but Ruth could hear the irritation in her

Writing to you, hearing from you gave me joy. I needed you in my life. Even if only in letters.