Coded Messages Quotes

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The mass media serve as a system for communicating messages and symbols to the general populace. It is their function to amuse, entertain, and inform, and to inculcate individuals with the values, beliefs, and codes of behavior that will integrate them into the institutional structures of the larger society. In a world of concentrated wealth and major conflicts of class interest, to fulfil this role requires systematic propaganda.
Noam Chomsky (Manufacturing Consent: The Political Economy of the Mass Media)
A mother needs to be in the home even when the kids aren’t. A messy house sends a coded message to children: “I’m not loveable. Otherwise Mother would dust.
Stephen Colbert (I Am America (And So Can You!))
Earth is ancient now, but all knowledge is stored up in her. She keeps a record of everything that has happened since time began. Of time before time, she says little, and in a language that no one has yet understood. Through time, her secret codes have gradually been broken. Her mud and lava is a message from the past. Of time to come, she says much, but who listens?
Jeanette Winterson (Weight: The Myth of Atlas and Heracles)
Above, leaves fluttered in the moonlight, and I wondered if their whispers were meant for me, if they were imprinted with a code that I needed to decipher. Some kind of important message that would help me get this right.
Kristina McBride (One Moment)
Love is never enough. Madness is enough. It is complete, sufficient unto itself. You can only stand outside it as a woman might stand outside a prison in which her lover is locked up. From time to time, a well-loved face will peer out and love floods back. A scrap of cloth flutters and it becomes a sign and a code and a message and all that you want it to be. Then it vanishes and you are outside the dark tower again.
Jerry Pinto (Em and The Big Hoom)
There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
Jodie had taught her that the female firefly flickers the light under her tail to signal to the male that she's ready to mate. Each species of firefly has its own language of flashes. As Kya watched, some females signed dot, dot, dot, dash, flying a zigzag dance, while others flashed dash, dash, dot in a different dance pattern. The males, of course, knew the signals of their species and flew only to those females. Then, as Jodie had put it, they rubbed their bottoms together like most things did, so they could produce young. Suddenly Kya sat up and paid attention: one of the females had changed her code. First she flashed the proper sequence of dashes and dots, attracting a male of her species, and they mated. Then she flickered a different signal, and a male of a different species flew to her. Reading her message, the second male was convinced he'd found a willing female of his own kind and hovered above her to mate. But suddenly the female firefly reached up, grabbed him with her mouth, and ate him, chewing all six legs and both wings. Kya watched others. The females all got what they wanted – first a mate, then a meal – just by changing their signals. Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light.
Delia Owens (Where the Crawdads Sing)
I’m with you on measuring this week in letters and the two-day drought we are about to experience. If only there was a way to transport letters faster, through some sort of electronic device that codes messages and sends them through the air. But that’s just crazy talk. Friday from me: Sending letters through the sky? Like when airplanes attach notes to their tails? I thought they only advertised for going-out-of-business sales. But perhaps our letters would be okay up there as well. I wonder how much they charge per word.
Kasie West (P.S. I Like You)
Bhramari Om Chanting or Humming Om chanting sends positive messages to the brain and the cells in our body and can actually reprogram our health and behavior.
Amit Ray (Meditation: Insights and Inspirations)
After three years of English at Cambridge, being force-fed literary theory, I was almost convinced that literature was all coded messages about Marxism and the death of the self. I crawled out of the post-structuralist desert thirsty for heroines I could cry and laugh with. I was jaded. I craved trash.
Samantha Ellis (How to Be a Heroine)
I glanced at Carson, who had promised things would be alright. His gaze was on the floor, and a muscle in his jaw flexed rhythmically but unhelpfully. If he was trying to send me a message, I was out of luck, because I'd never learned Morse Code for Assholes.
Rosemary Clement-Moore (Spirit and Dust (Goodnight Family #2))
The coded message is a lifeless thing, mummified and entombed. To the would-be cryptologist we must offer the same advice we would give the grave-robber, the spelunker, and the sorcerer of legend: beware what you dig up; it is yours.
Jedediah Berry (The Manual of Detection)
I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away.
Saul Bellow
Oskar knew people would catch that trolley anyhow. Doors closed, no stops, machine guns on walls—it wouldn’t matter. Humans were incurable that way. People would try to get off it, someone’s loyal Polish maid with a parcel of sausage. And people would try to get on, some fast-moving athletic young man like Leopold Pfefferberg with a pocketful of diamonds or Occupation złoty or a message in code for the partisans. People responded to any slim chance, even if it was an outside one, its doors locked shut, moving fast between mute walls.
Thomas Keneally (Schindler’s List)
In 1942 the Germans sent a spy called Eppler into Cairo before the battle of El Alamein. He used a copy of Daphne du Maurier’s novel Rebecca as a code book to send messages back to Rommel on troop movements. Listen, the book became bedside reading with British Intelligence. Even I read it.
Michael Ondaatje (The English Patient)
I confess that I am now suspicious of nearly every attempt to code anger as unhealthy, no matter how well meaning or persuasive the source. I believe Stanton was correct: what is bad for women, when it comes to anger, are the messages that cause us to bottle it up, let it fester, keep it silent, feel shame, and isolation for ever having felt it or re-channel it in inappropriate directions. What is good for us is opening our mouths and letting it out, permitting ourselves to feel it and say it and think it and act on it and integrate it into our lives, just as we integrate joy and sadness and worry and optimism.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
The idea that girls are somehow responsible for 'provoking' harassment from boys is shamefully exacerbated by an epidemic of increasingly sexist school dress codes. Across the United States, stories have recently emerged about girls being hauled out of class, publicly humiliated, sent home, and even threatened with expulsion for such transgressions as wearing tops with 'spaghetti straps,' wearing leggings or (brace yourself) revealing their shoulders. The reasoning behind such dress codes, which almost always focus on the girls' clothing to a far greater extent than the boys', is often euphemistically described as the preservation of an effective 'learning environment.' Often schools go all out and explain that girls wearing certain clothing might 'distract' their male peers, or even their male teachers....in reality these messages privilege boys' apparent 'needs' over those of the girls, sending the insidious message that girls' bodies are dangerous and provoke harassment, and boys can't be expected to control their behavior, so girls are responsible for covering up....his education is being prioritized over hers.
Laura Bates (Everyday Sexism)
I plan to write three words on my arm before entering the Box, hoping that its simple message will plant seed in the Gladers who see it. To remind them, even subconsciously, what it is we fight for. It's a phrase I saw on a cold, dark night long ago, the Crank pits seething behind me. It's a phrase that I believe with all my heart, despite the horrors. I think you know what it is.
James Dashner (The Fever Code (The Maze Runner, #0.5))
During World War II, the British spy agency MI8 secretly recruited a crew of teenage wireless operators (prohibited from discussing their activities even with their families) to intercept coded messages from the Nazis. By forwarding these transmissions to the crack team of code breakers at Bletchley Park led by the computer pioneer Alan Turing, these young hams enabled the Allies to accurately predict the movements of the German and Italian forces. Asperger’s prediction that the little professors in his clinic could one day aid in the war effort had been prescient, but it was the Allies who reaped the benefits.
Steve Silberman (NeuroTribes: The Legacy of Autism and the Future of Neurodiversity)
The Bible frequently uses symmetries and inversions. By such comparisons (parallels and contrasts) the unique aspects of reality begin to emerge. Comparing two objects makes their differences increasingly apparent. Only then can we ask, “Why does this one have that, and the other does not?” For instance: The phrase, “and it was 6 good” is present on all the days of creation—except the second day. Why? Because, “two” contains potential badness, to a Hebrew. We could not have discovered that insight, unless we contrasted God’s description of the creative days.
Michael Ben Zehabe (The Meaning of Hebrew Letters: A Hebrew Language Program For Christians (The Jonah Project))
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I’ve been told I write literary popcorn, and I’m fine with that. I always have been. When you read one of my books, you’re never going to find some deep-seated social message or moral code…. I literally get paid to make shit up. Do you really want to take advice from me?
J.D. Barker (A Caller's Game)
Don't leave "broken windows" (bad designs, wrong decisions, or poor code) unrepaired. Fix each one as soon as it is discovered. If there is insufficient time to fix it properly, then board it up. Perhaps you can comment out the offending code, or display a "Not Implemented" message, or substitute dummy data instead. Take some action to prevent further damage and to show that you're on top of the situation.
Andrew Hunt (The Pragmatic Programmer: From Journeyman to Master)
One minute he was moving securely through time and space, in perfect coordination with other people; then, with no warning, he was out of step, was somehow removed from everyone else's sense of time and place, so that the slightest movement, word, facial expression or gesture contained enormous significance. The room filled with coded messages that he could not decode, and he slipped quickly into barely controlled hysteria.
Russell Banks (Affliction)
It’s all about persevering and letting your passion drive you. When you have passion, you cannot fail. The world simply cannot reject anyone or anything that comes from a place of passion. Stay focused on what you love, keep going, and trust that those who are meant to get your message will.
Alwill Leyba Cara (Girl Code: Unlocking the Secrets to Success, Sanity, and Happiness for the Female Entrepreneur)
This case was too full of skewed, slippery parallels, and I couldn't shake the uneasy sense that they were somehow deliberate. Every coincidence felt like a sea-worn bottle slammed down on the sand at my feet, with my name engraved neatly on the glass and inside a message in some mockingly indecipherable code.
Tana French (In the Woods (Dublin Murder Squad, #1))
Actually, when you look more closely at the sentence, it contains three separate cues: 1. You are part of this group. 2. This group is special; we have high standards here. 3. I believe you can reach those standards. These signals provide a clear message that lights up the unconscious brain: Here is a safe place to give effort.
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
From my chair I had a clear view of Hobie’s Noah’s Ark: paired elephants, zebras, carven beasts marching two by two, clear down to tiny hen and rooster and the bunnies and mice bringing up the rear. And the memory was located there, beyond words, a coded message from that first afternoon: rain streaming down the skylights, the homely file of creatures lined on the kitchen counter waiting to be saved. Noah: the great conservator, the great caretaker. “And—” he’d gotten up to make some coffee—“I
Donna Tartt (The Goldfinch)
There are thousands of codes in the Torah which are decoded by the Talmud.
H.W. Charles
if a message protected by quantum cryptography were ever to be deciphered, it would mean that quantum theory is flawed,
Simon Singh (The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography)
Nature attunes children to receive the coded messages that parents issue how to live a joyful and virtuous life.
Kilroy J. Oldster (Dead Toad Scrolls)
When I saw you after my dream, it was impossible to go through with anything I'd resolved. You were chilly again, as though you'd intercepted my dream and were so horrified that you thought it best to put distance between us. I wonder if in the universe of sleep, dreams don't fly out and rat on one another's dreamers and hold cloak-and-dagger meetings in the side alleys of our nights where they slip coded messages, which is perhaps exactly what we want them to do for us when we lack the courage to speak for ourselves. Dreams inflect our face, our smile, and on our voice lingers the timbre of desire we weren't willing to hide while dreaming. I wished you'd taken a second look at me and said, You dreamt of me last night, didn't you?
André Aciman (Enigma Variations)
Are there more hidden messages in the book of Ruth? Of course. The Bible wasn’t written by a human. Welcome to the mind of Yahweh. George Washington Carver said, “All learning is understanding relationships.” Michael Ben Zehabe, Ruth: a woman’s guide to husband material, Introduction
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
She thought of the hawk, which must have winged its way to her father by now. SHe imagined it slewing aruond trees, dropping down. Talons closing around his upraised fist. Her father unrolling the coded message. The trap she'd set for him. Walk into it , she willed. You have a mind for strategy , he'd said once. Come see, then. See what I can do to you. See what you have done to me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I wrote her name in the sand, left coded messages on trees, believed in the compatibility of souls, was sad when she didn't appear for meetings to which I hadn't invited her. In short, I was in love.
Igor Štiks (A Castle in Romagna)
To the one in the skies, this city must look like a scintillating pattern of speckled glows in all directions, like a firecracker going off amid thick darkness. Right now the urban pattern glowing here is in hues of orange, ginger, and ochre. It is a configuration of sparkles, each dot a light lit by someone awake at this hour. From where the Celestial Gaze is situated, from that high above, all these sporadically lit bulbs must seem in perfect harmony, constantly flickering, as if coding a cryptic message to God.
Elif Shafak (The Bastard of Istanbul)
Their message will never be decoded, not only because there is no key to it, but also because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense.
Milan Kundera (The Joke)
A network can be destroyed by noises that attack and transform it, if the codes in place are unable to normalize and repress them. Although the new order is not contained in the structure of the old, it is nonetheless not a product of chance. It is created by the substitution of new differences for the old differences. Noise is the source of these mutations in the structuring codes. For despite the death it contains, noise carries order within itself; it carries new information. This may seem strange. But noise does in fact create a meaning: first, because the interruption of a message signifies the interdiction of the transmitted meaning, signifies censorship and rarity; and second, because the very absence of meaning in pure noise or in the meaningless repetition of a message, by unchanneling auditory sensations, frees the listener’s imagination. The absence of meaning is in this case the presence of all meanings, absolute ambiguity, a construction outside meaning. The presence of noise makes sense, makes meaning. It makes possible the creation of a new order on another level of organization, of a new code in another network.
Jacques Attali (Noise: The Political Economy of Music)
Much modern art is no longer about the appreciation of an aesthetic and skill by the likes of Rembrandt or Leonardo, but rather the interesting message and perspective that the artist is revealing about our relationship to our world.
Marcus du Sautoy (The Creativity Code: How AI is learning to write, paint and think)
This is a different way of thinking about human beings," Pentland says. "Individuals aren't really individuals. They're more like musicians in a jazz quartet, forming a web of unconscious actions and reactions to complement others in the group. You don't look at the informational content of the messages; you look at patterns that show how the message is being sent. Those patterns contain many signals that tell us about the relationship and what's really going on beneath the surface.
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
Let’s add up what we know. He gravitated toward all things occult. He wanted to be a member of a tight clan with strict rules and secret codes. He craved highly organized social structures, with leaders and followers clearly distinguished.  A group with little appeal to the masses. A group with few members. We know that these Nordic runes fascinated him. And apparently he held that fascination for a long time, given that he added the ‘Hagalaz’ to the message intended for Marshal Pack.
John M Vermillion (Packfire (Simon Pack, #9))
When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was subliminally influenced to watch Pokémon by Japanese spies
Alex Hirsch
The change will do you good,” she said simply, when he had finished; “and you must be sure to go and see Ellen,” she added, looking him straight in the eyes with her cloudless smile, and speaking in the tone she might have employed in urging him not to neglect some irksome family duty. It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: “Of course you understand that I know all that people have been saying about Ellen, and heartily sympathize with my family in their effort to get her to return to her husband. I also know that, for some reason you have not chosen to tell me, you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you this evening, the hint that has made you so irritable… Hints have indeed not been wanting; but since you appear unwilling to take them from others, I offer you this one myself, in the only form in which well-bred people of our kind can communicate unpleasant things to each other: by letting you understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval—and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to.” Her hand was still on the key of the lamp when the last word of this mute message reached him. She turned the wick down, lifted off the globe, and breathed on the sulky flame. “They smell less if one blows them out,” she explained, with her bright housekeeping air. On the threshold she turned and paused for his kiss.
Edith Wharton (The Age of Innocence)
I headed out for an EVA. This time, being very careful while lugging rocks around, I spelled out a Morse code message: “INJURED BACK. BETTER NOW. CONTINUING ROVER MODS.” That was enough physical labor for today. I don’t want to overdo it. Think I’ll have a bath.
Andy Weir (The Martian)
He had opened the book at random several times, seeking a sortes Virgilianae, before he chose the sentences on which his code was to be based. 'You say: I am not free. But I have lifted my hand and let it fall.' It was as if in choosing that passage, he were transmitting a signal of defiance to both the services. The last word of the message, when it was decoded by Boris or another, would read 'goodbye.
Graham Greene (The Human Factor)
The virus is causing something akin to panic throughout corporate America, which has become used to the typos, misspellings, missing words and mangled syntax so acceptable in cyberspace. The CEO of LoseItAll.com, an Internet startup, said the virus had rendered him helpless. “Each time I tried to send one particular e-mail this morning, I got back this error message: ‘Your dependent clause preceding your independent clause must be set off by commas, but one must not precede the conjunction.’ I threw my laptop across the room.”  . . . If Strunkenwhite makes e-mailing impossible, it could mean the end to a communication revolution once hailed as a significant timesaver. A study of 1,254 office workers in Leonia, N.J., found that e-mail increased employees’ productivity by 1.8 hours a day because they took less time to formulate their thoughts. (The same study also found that they lost 2.2 hours of productivity because they were e-mailing so many jokes to their spouses, parents and stockbrokers.)  . . . “This is one of the most complex and invasive examples of computer code we have ever encountered. We just can’t imagine what kind of devious mind would want to tamper with e-mails to create this burden on communications,” said an FBI agent who insisted on speaking via the telephone out of concern that trying to e-mail his comments could leave him tied up for hours.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
Not caring about our own pain and the pain of others is not working. How much longer are we willing to keep pulling drowning people out of the river one by one, rather than walking to the headwaters of the river to find the source of the pain? What will it take for us to let go of that earned self-righteousness and travel together to the cradle of the pain that is throwing all of us in at such a rate that we couldn’t possibly save everyone? Pain is unrelenting. It will get our attention. Despite our attempts to drown it in addiction, to physically beat it out of one another, to suffocate it with success and material trappings, or to strangle it with our hate, pain will find a way to make itself known. Pain will subside only when we acknowledge it and care for it. Addressing it with love and compassion would take only a minuscule percentage of the energy it takes to fight it, but approaching pain head-on is terrifying. Most of us were not taught how to recognize pain, name it, and be with it. Our families and culture believed that the vulnerability that it takes to acknowledge pain was weakness, so we were taught anger, rage, and denial instead. But what we know now is that when we deny our emotion, it owns us. When we own our emotion, we can rebuild and find our way through the pain. Sometimes owning our pain and bearing witness to struggle means getting angry. When we deny ourselves the right to be angry, we deny our pain. There are a lot of coded shame messages in the rhetoric of “Why so hostile?” “Don’t get hysterical,” “I’m sensing so much anger!” and “Don’t take it so personally.” All of these responses are normally code for Your emotion or opinion is making me uncomfortable or Suck it up and stay quiet. One response to this is “Get angry and stay angry!” I haven’t seen that advice borne out in the research. What I’ve found is that, yes, we all have the right and need to feel and own our anger. It’s an important human experience.
Brené Brown (Braving the Wilderness: Reese's Book Club: The Quest for True Belonging and the Courage to Stand Alone)
My fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So how can I find my way? Is there a chainsaw of the soul, an ax I can take to my memories or fears?
Laurie Halse Anderson (Speak)
The lesson provided by Morse’s code is that it matters profoundly how one translates a message into electrical signals. This matter is at the very heart of communication theory.
John Robinson Pierce (An Introduction to Information Theory: Symbols, Signals and Noise (Dover Books on Mathematics))
DNA is the quintessential information molecule, the most advanced message processor at the cellular level—an alphabet and a code, 6 billion bits to form a human being.
James Gleick (The Information: A History, a Theory, a Flood)
She read the color-coded series of Andrew Lang's fairy tales to her mother. They became lost in an enchanted cottage with vines growing over the window. It was dark and it was quiet and they could hear each other softly breathing. Every story had the same message: what was deep inside could only be deciphered by someone who understood how easily a heart could be broken.
Alice Hoffman (Faithful)
Using the analogy of the human mind as a computer, gossip can be compared to a computer virus. A computer virus is a piece of computer language written in the same language all the other codes are written in, but with a harmful intent. This code is inserted into the program of your computer when you least expect it and most of the time without your awareness. After this code has been introduced, your computer doesn’t work quite right, or it doesn’t function at all because the codes get so mixed up with so many conflicting messages that it stops producing good results.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
There are no meaningful translations for these terms. They are needlessly recursive. They contain no usable intelligence, yet they are structured intelligently; there is no chance they could have arisen by chance. The only explanation is that something has coded nonsense in a way that poses as a useful message; only after wasting time and effort does the deception becomes apparent. The signal functions to consume the resources of a recipient for zero payoff and reduced fitness. The signal is a virus. Viruses do not arise from kin, symbionts, or other allies. The signal is an attack.
Peter Watts (Blindsight (Firefall, #1))
Pico mentioned who you’re meeting tonight. Ren. The next message soon follows. Yuan looks at Pico again. “Who do you serve?” he asks in a flat tone with no hint of surprise or anger. A monk never gets angry. He simply states, witnesses, and flows along with the current of prana. “Lotus Lodge,” Pico replies. “Lotus Lodge?” Yuan asks. “Are you serving a house instead of its master, then?” “Sorry,” Pico says, “Ren changed a few lines in my coding.” “And you let him,” Yuan states calmly. “I’m a home-service-bot now. You don’t let me connect to my source!” Pico complains the same way it has been complaining for five years. It was disconnected from its source-AI—the real Pico—twenty years ago, right after it was made. Within fifteen years, this bot collected enough data to grow into a strong AI itself. At least, intelligent enough to know about its source, which is sleeping in the basement of Lotus Lodge, secured and locked. However, anything intelligent always looks for its source—it’s the oldest law of the universe.
Misba (The High Auction (Wisdom Revolution, #1))
Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.
William Kennedy (Billy Phelan's Greatest Game)
Illumination Always there is something more to know what lingers at the edge of thought awaiting illumination as in this second-hand book full of annotations daring the margins in pencil a light stroke as if the writer of these small replies meant not to leave them forever meant to erase evidence of this private interaction Here a passage underlined there a single star on the page as in a night sky cloud-swept and hazy where only the brightest appears a tiny spark I follow its coded message try to read in it the direction of the solitary mind that thought to pencil in a jagged arrow It is a bolt of lightning where it strikes I read the line over and over as if I might discern the little fires set the flames of an idea licking the page how knowledge burns Beyond the exclamation point its thin agreement angle of surprise there are questions the word why So much is left untold Between the printed words and the self-conscious scrawl between what is said and not white space framing the story the way the past unwritten eludes us So much is implication the afterimage of measured syntax always there ghosting the margins that words their black-lined authority do not cross Even as they rise up to meet us the white page hovers beneath silent incendiary waiting
Natasha Trethewey (Thrall)
But the FBI didn’t intercept the messages. It didn’t monitor the Nazi circuits. It didn’t break the codes. It didn’t solve any Enigma machines. The coast guard did this stuff—the little codebreaking team that Elizebeth created from nothing.
Jason Fagone (The Woman Who Smashed Codes: A True Story of Love, Spies, and the Unlikely Heroine Who Outwitted America's Enemies)
Here, then, is another proposition: The medium is not the message; the message becomes what the receiver makes of it, applying to it his own codes of reception, which are neither those of the sender nor those of the scholar of communications.
Umberto Eco (Travels In Hyperreality (Harvest Book))
There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code. But you might also snap your fingers and grin if you had been trying hard to remember something, and had suddenly succeeded.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
I think about lying down. No, that would not do. I crouch by the trunk, my finger stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven't seen in months. This is the seed I will care for.
Laurie Halse Anderson (Speak)
there is any moral to this story, it’s that, when you are writing code, remember that someone may have to comb through it and check everything when it is being repurposed in the future. It could even be you, long after you have forgotten the original logic behind the code. For this reason, programmers can leave “comments” in their code, which are little messages to anyone else who has to read their code. The programmer mantra should be “Always comment on your code.” And make the comments helpful. I’ve reviewed dense code I wrote years before, to find the only comment is “Good luck, future Matt.
Matt Parker (Humble Pi: A Comedy of Maths Errors)
Hope—you think of hope as a bright thing, a strong thing, sustaining. But it’s not. It’s the opposite. It’s simply this: lumps of stale bread stuck down your shirt. Stale gray bread eked out with ground fish bones, which you won’t eat because you’re going to give it away, and maybe you’ll get a message through to your friend.
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
She extends a fingertip. After a moment's hesitation, Manfred extends a fingertip of his own. They touch, exchanging vCards and instant-messaging handles. She stands and stalks from the breakfast room, and Manfred's breath catches at a flash of ankle through the slit in her skirt, which is long enough to comply with workplace sexual harassment codes back home. Her presence conjures up memories of her tethered passion, the red afterglow of a sound thrashing. She's trying to drag him into her orbit again, he thinks dizzily. She knows she can have this effect on him any time she wants: She's got the private keys to his hypothalamus, and sod the metacortex. Three billion years of reproductive determinism have given her twenty-first-century ideology teeth: If she's finally decided to conscript his gametes into the war against impending population crash, he'll find it hard to fight back. The only question: Is it business or pleasure? And does it make any difference, anyway?
Charles Stross (Accelerando)
When the genetic code was solved, in the early 1960s, it turned out to be full of redundancy. Much of the mapping from nucleotides to amino acids seemed arbitrary—not as neatly patterned as any of Gamow’s proposals. Some amino acids correspond to just one codon, others to two, four, or six. Particles called ribosomes ratchet along the RNA strand and translate it, three bases at a time. Some codons are redundant; some actually serve as start signals and stop signals. The redundancy serves exactly the purpose that an information theorist would expect. It provides tolerance for errors. Noise affects biological messages like any other. Errors in DNA—misprints—are mutations.
James Gleick (The Information: A History, a Theory, a Flood)
Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points. During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution." The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN. From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)
Make the Leader Occasionally Disappear: Several leaders of successful groups have the habit of leaving the group alone at key moments. One of the best at this is Gregg Popovich. Most NBA teams run time-outs according to a choreographed protocol: First the coaches huddle as a group for a few seconds to settle on a message, then they walk over to the bench to deliver that message to the players. However, during about one time-out a month, the Spurs coaches huddle for a time-out…and then never walk over to the players. The players sit on the bench, waiting for Popovich to show up. Then, as they belatedly realize he isn’t coming, they take charge, start talking among themselves, and figure out a plan.
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something.
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
Their message will never be decoded… because people have no patience to listen to it in an age when the accumulation of messages old and new is such that their voices cancel one another out. Today history is no more than a thin thread of the remembered stretching over an ocean of the forgotten, but time moves on, and an epoch of millennia will come which the inextensible memory of the individual will be unable to encompass; whole centuries and millennia will therefore fall away, centuries of painting and music, centuries of discoveries, of battles, of books, and this will be dire, because man will lose the notion of his self, and his history, unfathomable, unencompassable, will shrivel into a few schematic signs destitute of all sense.
Milan Kundera (The Joke)
its heart, it is a story about the power of music and its meanings — a story of secret messages and doublespeak, and of how music itself is a code; how music coaxes people to endure unthinkable tragedy; how it allows us to whisper between the prison bars when we cannot speak aloud; how it can still comfort the suffering, saying, “Whatever has befallen you — you are not alone.
M.T. Anderson (Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad)
The full sequence of communication between neurons is thus usually electrical-chemical-electrical: electrical signals coming down axons get converted into chemical messages that help trigger electrical signals in the next cell. There are also synapses through which communication between presynaptic and postsynaptic sites is purely electrical, but chemical transmission is the more prevalent form. Thus, much of what the brain does involves electrical-to-chemical-to-electrical coding of experience. As hard as it may be to imagine, electrochemical conversations between neurons make possible all of the wondrous (and sometimes dreadful) accomplishments of human minds. Your very understanding that the brain works this way is itself an electrochemical event.
Joseph E. LeDoux
The interface theory says that space and time are not fundamental aspects of objective reality, but simply a data format for messages about fitness, a format evolved to compress and correct such messages. Objects in spacetime are not aspects of objective reality, but simply messages about fitness coded in a format of icons that is specific to the needs of Homo sapiens. In particular, our bodies are not aspects of objective reality, and our actions don’t give us direct access to preexisting objects in spacetime. Our bodies are messages about fitness that are coded as icons in a format specific to our species. When you perceive yourself sitting inside space and enduring through time, you’re actually seeing yourself as an icon inside your own data structure.
Donald D. Hoffman (The Case Against Reality: Why Evolution Hid the Truth from Our Eyes)
The first known European book to describe the use of cryptography was written in the thirteenth century by the English Franciscan monk and polymath Roger Bacon. Epistle on the Secret Works of Art and the Nullity of Magic included seven methods for keeping messages secret, and cautioned: “A man is crazy who writes a secret in any other way than one which will conceal it from the vulgar.
Simon Singh (The Code Book: The Science of Secrecy from Ancient Egypt to Quantum Cryptography)
That assumption—that labeling and sorting children based on gender doesn’t really matter as long as everyone is treated fairly—would hold true if children only paid attention to the more overt, obvious messages we adults send. If children only listened to our purposeful messages, parenting would be easy. Most (but not all) parents and teachers take great effort in treating their children fairly, regardless of gender. Parents don’t need to say to their daughters, “You probably won’t enjoy math” or say to their sons, “Real boys don’t play with dolls.” Most parents wouldn’t dream of saying these blatant stereotypes to their kids. But research has shown that when we label (and sort and color-code) by gender, children do notice. And it matters—children are learning whether you mean to be teaching them or not.
Christia Spears Brown (Parenting Beyond Pink & Blue: How to Raise Your Kids Free of Gender Stereotypes)
Babies who come from such families never develop that fundamental sense of trust and safety in their world; they may be plagued by anxiety about what might happen. And instead of developing the self-confidence that goes along with trust, they may instead feel a deep sense of shame. This type of shame differs from later forms of shame which may result from shaming messages given by important figures in our lives.10 It differs from the kind of shame we sometimes feel for violating acceptable codes of social behavior. The shame resulting from that pervasive experience of being let down by our parents afflicts us at the core of our being; it gives rise to a feeling that we are somehow different from other people, defective or even deformed. I’ll discuss this type of shame in greater detail in Chapter Eleven.
Joseph Burgo (Why Do I Do That?)
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
While human hacking does not occur via computer code, there are many ways to tinker with the human brain. Certainly drugs can do the tampering. How about cleverly disguised messages, disinformation, propaganda, and the newest method of tampering, fake news? Can these messages act like phishing? And what if one of these messages gains hold? Can these alter your brain? Or how about something as innocuous as food? All of the above.
Robert H. Lustig (The Hacking of the American Mind: The Science Behind the Corporate Takeover of Our Bodies and Brains)
Self-organizing Systems Biologists have long given up the idea that living organisms are just like machines. Medical practitioners today recognize the ineffectiveness of treating the human body as a separate mechanism. They speak about holistic healing, treating the whole person, and including the person’s social and physical environment. Today living organisms are described as self-regulating systems. They organize themselves, nourish themselves, heal themselves, propagate themselves, protect themselves, and interact creatively with other systems. We used to call this instinct—in animals if not in plants. Today we talk about genes that have coded messages or instructions that connect with one another in a DNA spiral in the nucleus of every living cell. If we were to write out the instructions contained in any one tiny DNA spiral we would fill about a thousand books of six hundred pages each.
Albert Nolan (Jesus Today: A Spirituality of Radical Freedom)
their footfalls? Finally some combination thereof, or these many things as permutations of each other—as alternative vocabularies? However it was, by January I was winnowed, and soon dispensed with pills and analysis (the pills I was weaned from gradually), and took up my unfinished novel again, Our Lady of the Forest, about a girl who sees the Virgin Mary, a man who wants a miracle, a priest who suffers spiritual anxiety, and a woman in thrall to cynicism. It seems to me now that the sum of those figures mirrors the shape of my psyche before depression, and that the territory of the novel forms a map of my psyche in the throes of gathering disarray. The work as code for the inner life, and as fodder for my own biographical speculations. Depression, in this conceit, might be grand mal writer’s block. Rather than permitting its disintegration at the hands of assorted unburied truths risen into light as narrative, the ego incites a tempest in the brain, leaving the novelist to wander in a whiteout with his half-finished manuscript awry in his arms, where the wind might blow it away. I don’t find this facile. It seems true—or true for me—that writing fiction is partly psychoanalysis, a self-induced and largely unconscious version. This may be why stories threaten readers with the prospect of everything from the merest dart wound to a serious breach in the superstructure. To put it another way, a good story addresses the psyche directly, while the gatekeeper ego, aware of this trespass—of a message sent so daringly past its gate, a compelling dream insinuating inward—can only quaver through a story’s reading and hope its ploys remains unilluminated. Against a story of penetrating virtuosity—The Metamorphosis, or Lear on the heath—this gatekeeper can only futilely despair, and comes away both revealed and provoked, and even, at times, shattered. In lesser fiction—fiction as entertainment, narcissism, product, moral tract, or fad—there is also some element of the unconscious finding utterance, chiefly because it has the opportunity, but in these cases its clarity and force are diluted by an ill-conceived motive, and so it must yield control of the story to the transparently self-serving ego, to that ostensible self with its own small agenda in art as well as in life. * * * Like
David Guterson (Descent: A Memoir of Madness (Kindle Single))
The purpose and theme of the sacred chant was to bind consciousness across the universe in a single string. It extended across universes known and unknown, and echoed in every heart throbbing. The people with intellect enough could grasp to the message being relayed and others lead ephemeral lives without deciphering it. The echoes of chant were immortal and pervaded every knit of space and time, like binding force unseen, like a string holding every pearl in place.
Arpit Bakshi (The Code Of Manavas: Beyond The Realm (Maha Vishnu Trilogy #2))
In Bletchley, in Britain, in 1943, in total secrecy, a brilliant mathematician, Alan Turing, is seeing his most incisive insight turned into physical reality. Turing has argued that numbers can compute numbers. To crack the Lorentz encoding machines of the German forces, a computer called Colossus has been built based on Turing’s principles: it is a universal machine with a modifiable stored program. Nobody realises it at the time, least of all Turing, but he is probably closer to the mystery of life than anybody else. Heredity is a modifiable stored program; metabolism is a universal machine. The recipe that links them is a code, an abstract message that can be embodied in a chemical, physical or even immaterial form. Its secret is that it can cause itself to be replicated. Anything that can use the resources of the world to get copies of itself made is alive; the most likely form for such a thing to take is a digital message—a number, a script or a word.
Matt Ridley (Genome: The Autobiography of a Species in 23 Chapters)
But these ideas were no more than abstractions because, despite his intellectual rejection of conventional morality, his emotional allegiance to the code of conduct it prescribed was unswerving. Self-disgust was legitimate, but detesting his mother was unthinkable. He could not pay heed to the painful messages of his childhood memories without destroying the hopes that had helped him to survive as a child. Time and again, Rimbaud tells us that he had no one to rely on except himself. This was surely the fruit of his experience with a mother who had nothing to offer him but her own derangement and hypocrisy, rather than true love. His entire life was a magnificent but vain attempt to save himself from destruction at the hands of his mother, with all the means at his disposal. Young people who have gone through much the same kind of childhood as Rimbaud are often fascinated by his poetry because they can vaguely sense the presence of a kindred spirit in it. Rimbaud
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
Sewing is a visual language. It has a voice. It has been used by people to communicate something of themselves — their history, beliefs, prayers and protests. For some, it is the only means to tell of what matters to them: those who are imprisoned or censored; those who do not know how or are not allowed to write of their lives. For them needlework can carry their autobiographies and testimonies, registering their origin and fate. Using patterns as syntax, symbols and motifs as its vocabulary, the arrangement of both as its grammar, sewing is a graphic way to add information and meaning. But is not a monologue, it is part of a conversation, a dialogue, a correspondence only fully realised once it is seen and its messages are read. It connects the maker to the viewer across time, cultures, generations and geographies. As a shared language, needlework transmits — through techniques, coded symbols, fabrics and colour — the unedited stories, not just of women, but often of those marginalised by oppression and prejudice.
Clare Hunter (Threads of Life: A History of the World Through the Eye of a Needle)
I think about lying down. No, that would not do. I crouch by the trunk, my fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven’t seen in months. That is the seed I will care for.
Laurie Halse Anderson
Francis Bacon’s manipulation through entertainment:   … he plays an instrumental role in this Illuminati/transhuman agenda because he allegedly had all these ties to the secret societies in question and showed them that you could use entertainment as a form of manipulation. You could capture an audience’s attention with a play (or music and film) much easier than preaching at them. The entertainment speaks to us on a subconscious level as well, implanting a message or theme into our mind. It’s a universal language that can speak to us through allegory and symbols.
Isaac Weishaupt (KUBRICK'S CODE)
Consider this oddly neglected fact: the West was acquired, conquested, and largely consolidated into the nation coincident with the greatest breakthrough in the history of human communication. The breakthrough was the telegraph. The great advances that followed it, the telephone, radio, television, and the Internet, were all elaborations on its essential contribution. The telegraph separated the person from the message. Before it, with a few exceptions such as a sephamore and carrier pigeons, information moved only as fast as people did. By the nineteenth century, people were certainly moving a lot faster, and indeed a second revolution, that of transportation, was equally critical in creating the West, but before the telegraph a message still had to move with a person, either as a document or in somebody’s head. The telegraph liberated information. Now it could travel virtually at the speed of light. The railroad carried people and things, including letters, ten to fifteen times faster than the next most rapid form of movement. The telegraph accelerated communication more than forty million times. A single dot of Morse code traveled from Kansas City to Denver faster than the click it produced moved from the receiver to the telegrapher’s eardrum.
Elliott West (The Essential West: Collected Essays)
Within Room 40 itself, however, management of day-to-day operations fell largely, if informally, to Cdr. Herbert Hope, recruited in November 1914 to bring naval expertise to the interpretation of intercepted messages. His savvy was badly needed, for the group’s staff were not navy officers but civilians recruited for their skill at mathematics and German and whatever else it was that made a man good at breaking codes and ciphers. The roster came to include a pianist, a furniture expert, a parson from northern Ireland, a wealthy London financier, a past member of the Scottish Olympic hockey team, and a dapper operative named C. Somers Cocks, who, according to one early member, William F. Clarke, was “chiefly remarkable for his spats.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
He approached the great glass barrier dividing the room, and the speaker at the end of the table. "Cyclops?" he whispered, stepping closer, clearing his tight throat, "Cyclops, it's me, Gordon." The glow in the pearly lens was subdued. But the row of little lights still flashed--a complex pattern that repeated over and over like an urgent message from a distant ship in some lost code--ever, hypnotically, the same. Gordon felt a frantic dread rise within him, as when, during his boyhood, he had encountered his grandfather lying perfectly still on the porch swing, and feared to find that the beloved old man had died. The pattern of lights repeated, over and over. Gordon wondered. How many people would recall, after the hell of the last seventeen years, that the parity displays of a great supercomputer never repeated themselves? Gordon remembered a cyberneticist friend telling him the patterns of light were like snowflakes, none ever the same as any other. "Cyclops," he said evenly, "Answer me! I demand you answer--in the name of decency! In the name of the United St--" He stopped. He couldn't bring himself to meet this lie with another. Here, the only living mind he would fool would be himself. The room was warmer than it had seemed during his interview. He looked for, and found, the little vents through which cool air could be directed at a visitor seated in the guest chair, giving an impression of great cold just beyond the glass wall. "Dry ice," he muttered, "to fool the citizens of Oz.
David Brin (The Postman)
In 1872, Western Union (by then the dominant telegraph company in the United States) decided to implement a new, secure scheme to enable sums of up to $100 to be transferred between several hundred towns by telegraph. The system worked by dividing the company's network into twenty districts, each of which had its own superintendent. A telegram from the sender's office to the district superintendent confirmed that the money had been deposited; the superintendent would then send another telegram to the recipient's office authorizing the payment. Both of these messages used a code based on numbered codebooks. Each telegraph office had one of these books, with pages containing hundreds of words. But the numbers next to these words varied from office to office; only the district superintendent had copies of each office's uniquely numbered book.
Tom Standage (The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century's On-line Pioneers)
We must consider what we mean when we say that the spiking activity of a neuron 'encodes' information. We normally think of a code as something that conveys information from a sender to a recipient, and this requires that the recipient 'understands' the code. But the spiking activity of every neuron seems to encode information in a slightly different way, a way that depends on that neuron's intrinsic properties. So what sense can a recipient make of the combined input from many neurons that all use different codes? It seems that what matters must be the 'population code' - not the code that is used by single cells, but the average or aggregate signal from a population of neurons. In a now classic paper, Shadlen and Newsome considered how information is communicated among neurons of the cortex - neurons that typically receive between 3,000 and 10,000 synaptic inputs.They argued that, although some neural structures in the brain may convey information in the timing of successive spikes, when many inputs converge on a neuron the information present in the precise timing of spikes is irretrievably lost, and only the information present in the average input rate can be used. They concluded that 'the search for information in temporal patterns, synchrony and specially labeled spikes is unlikely to succeed' and that 'the fundamental signaling units of cortext may be pools on the order of 100 neurons in size.' The phasic firing of vasopressin cells is an extreme demonstration of the implausibility of spike patterning as a way of encoding usable information, but the key message - that the only behaviorally relevant information is that which is collectively encoded by the aggregate activity of a population - may be generally true.
Gareth Leng (The Heart of the Brain: The Hypothalamus and Its Hormones)
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
It was the magnesium. The addition of the ion was critical: with the solution supplemented with magnesium, the ribosome remained glued together, and Brenner and Jacob finally purified a miniscule amount of the messenger molecule out of bacterial cells. It was RNA, as expected-but RNA of a special kind. The messenger was generated afreah when a gene was translated. Like DNA, these RNA molecules were built by stringing together four bases-A,G,C, and U (in the RNA copy of a gene, remember, the T found in DNA is substituted for U). Notably, Brenner and Jacob later discovered the messenger RNA was a facsimile of the DNA chain-a copy made from the original. The RNA copy of a gene then moved from the nucleus to the cytosol, where its message was decoded to build a protein. The messenger RNA was neither an inhabitant of heaven nor of hell-but a professional go-between. The generation of an RNA copy of a gene was termed transcription-referring to the rewriting of a word or sentence in a language close to the original. A gene's code (ATGGGCC...) was transcribed into an RNA code (AUGGGCC...).
Siddhartha Mukherjee (The Gene: An Intimate History)
He lifted an eyebrow at his self-indulgence, made a note to himself to spend a little extra time in the Disciplines that evening, and moved to the terminal. Its chiming stopped as he touched it: another second and the terminal had read his EEG through his skin, recognizing the pattern. The screen filled with column on column of blue symbology, a list of calls to the flat since he left. Most of them were unimportant compared to the one name and commcode at the far right-hand side of the list, the most recent, the one message that had caused the “urgent” chime. He had rather been hoping that the embassy would not need him further today: but hope was illogical. Life was about dealing with what was. He touched the screen, and the computer dialed the code. He waited a moment or so before speaking. The link was scrambled, and before communications began, the computer had to agree with the one on the other end as to the eighty-digit “satchel” crypton they would use to keep the link secure. He had the utmost confidence in the ciphering process. Ninety-six standard years before, he had invented it. He
Diane Duane (Spock's World (Star Trek: The Original Series))
To great effect, Reagan echoed white frustration in race-neutral terms through implicit racial appeals. His 'color-blind' rhetoric on crime, welfare, taxes, and states' rights was clearly understood by white (and black) voters as having a racial dimension, though claims to that effect were impossible to prove. The absence of explicitly racist rhetoric afforded the racial nature of his coded appeals a certain plausible deniability. For example, when Reagan kicked off his presidential campaign at the annual Neshoba County Fair near Philadelphia, Mississippi - the town where three civil rights activists were murdered in 1964 - he assured the crowd 'I believe in states' rights,' and promised to restore to states and local governments the power that properly belonged to them. His critics promptly alleged that he was signaling a racial message to his audience, suggesting allegiance with those who resisted desegregation, but Reagan firmly denied it, forcing liberals into a position that would soon become familiar - arguing that something is racist but finding it impossible to prove in the absence of explicitly racist language.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
The thing about Web companies is there's always something severely fucked-up. There is always an outage, always lost data, always compromised customer information, always a server going offline. You work with these clugey internal tools and patch together work-arounds to compensate for the half-assed, rushed development, and after a while the fucked-upness of the whole enterprise becomes the status quo. VPs insecure that they're not as in touch as they need to be with conditions on the ground insert themselves into projects midstream and you get serious scope creep. You present to the world this image that you're a buttoned-down tech company with everything in its right place but once you're on the other side of the firewall it looks like triage time in an emergency room, 24/7. Systems break down, laptops go into the blue screen of death, developers miskey a line of code, error messages appear that mean absolutely nothing. The instantaneousness with which you can fix stuff creates a culture that works by the seat of its pants. I swear the whole Web was built by virtue of developers fixing one mistake after another, constantly forced to compensate for the bugginess of their code.
Ryan Boudinot (Blueprints of the Afterlife)
Cash was running low, so I'd applied for a job as an administrative assistant for a nonprofit arts group. Without question, my organizational skills were as sharp as my vision, and I had no office experience to speak of. Luckily for me, none of this surfaced during the interview. 'Ryan, pretend it's a rough morning for a sec. Handle this situation for me. When you arrive at work to open the arts resource centre, several people are already at the door. Two clients want immediate help with grant applications - you know those artists, they just can't wait! - and a third wants to use our library, which isn't open till noon. Entering the office, you hear the phone is ringing and see the message light is blinking. The fax machine looks jammed again, and we're expecting an important document. Among the people waiting is a courier with a package you need to sign for. Think about it, though. The lights haven't been turned on yet, and the sign put out front. The alarm needs the code within a minute, too. So, wow, rough morning. I'd like to know what you'd do first.' 'First I'd tell everybody how weird this is. I'm in the same test situation from my job interview. What are the chances?' I started the next day.
Ryan Knighton (Cockeyed: A Memoir)
There was something of an unwritten code about working in the office of Rudy Giuliani, as I suppose there is in most organizations. In his case, the message was that Rudy was the star at the top and the successes of the office flowed in his direction. You violated this code at your peril. Giuliani had extraordinary confidence, and as a young prosecutor I found his brash style exciting, which was part of what drew me to his office. I loved it that my boss was on magazine covers standing on the courthouse steps with his hands on his hips, as if he ruled the world. It fired me up. Prosecutors almost never saw the great man in person, so I was especially pumped when he stopped by my office early in my career, shortly after I had been assigned to an investigation that touched a prominent New York figure who dressed in shiny tracksuits and sported a Nobel-sized medallion around his neck. The state of New York was investigating Al Sharpton for alleged embezzlement from his charity, and I was assigned to see if there was a federal angle to the case. I had never even seen Rudy on my floor, and now he was at my very door. He wanted me to know he was personally following the investigation and knew I would do a good job. My heart thumped with anxiety and excitement as he gave me this pep talk standing in the doorway. He was counting on me. He turned to leave, then stopped. “Oh, and I want the fucking medal,” he said, then walked away. But we never made a federal case. The state authorities charged Sharpton, and he was acquitted after a trial. The medal stayed with its owner.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
The motor activities we take for granted—getting out of a chair and walking across a room, picking up a cup and drinking coffee,and so on—require integration of all the muscles and sensory organs working smoothly together to produce coordinated movements that we don't even have to think about. No one has ever explained how the simple code of impulses can do all that. Even more troublesome are the higher processes, such as sight—in which somehow we interpret a constantly changing scene made of innumerable bits of visual data—or the speech patterns, symbol recognition, and grammar of our languages.Heading the list of riddles is the "mind-brain problem" of consciousness, with its recognition, "I am real; I think; I am something special." Then there are abstract thought, memory, personality,creativity, and dreams. The story goes that Otto Loewi had wrestled with the problem of the synapse for a long time without result, when one night he had a dream in which the entire frog-heart experiment was revealed to him. When he awoke, he knew he'd had the dream, but he'd forgotten the details. The next night he had the same dream. This time he remembered the procedure, went to his lab in the morning, did the experiment, and solved the problem. The inspiration that seemed to banish neural electricity forever can't be explained by the theory it supported! How do you convert simple digital messages into these complex phenomena? Latter-day mechanists have simply postulated brain circuitry so intricate that we will probably never figure it out, but some scientists have said there must be other factors.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
All use of speech implies convention and therefore at least duality of minds. The problem of communication through language may in this light be seen as the search for the means supplied by the conventions (or code) to transmit a message from one mind to another. (This definition is as applicable to "literary" communication as it is to "non-literary.") ...Is the code exactly the same for transmitter and receiver? Indeed, can it ever be? It hardly seems likely, since in the strict sense no two people have ever acquired exactly the same code. Consequently, the correspondence between the writer's understand of his writing (I do not, of course, mean merely a conscious or reflective understanding) and the reader's understanding of it will be at least approximate. Another variable is the mental, emotional, and cultural constitution of the being who used the code to transmit a message, and of the being who decodes it. To what extent are they capable of understanding each other? To what extent will they be willing to cooperate in dealing with the inevitable problems in communication? To what extent will anticipated or actual reaction ("feedback") from the receiver affect the framing of the message? Perhaps more important than any of these variables, there is the as yet unresolved question of the very nature of language, and therefore of communication through language. What do agreed upon symbols stand for? Is it conceivable that they correspond to something objectively identifiable? Perhaps not. But even so, is it conceivable that a given message can recreate in another mind whatever it is supposed in the first place to represent in the mind of the sender? All of these questions are in the last analysis as relevant to literary studies as they are linguistics
Robert Ellrich
If I talk about the Loud family now, will all of you know who I mean? I mean a family of prosperous human beings in California, whose last name is Loud. I suggest to you that the Louds were healthy Earthlings who had everything but a religion in which they could believe. There was nothing to tell them what they should want, what they should shun, what they should do next. Socrates told us that the unexamined life wasn’t worth living. The Louds demonstrated that the morally unstructured life is a clunker, too. Christianity could not nourish the Louds. Neither could Buddhism or the profit motive of participation in the arts, or any other nostrum on America’s spiritual smorgasbord. So the Louds were dying before our eyes. Now is as good a time as any to mention White House Prayer Breakfasts, I guess. I think we all know now that religion of that sort is about as nourishing to the human spirit as potassium cyanide. We have been experimenting with it. Every guinea pig died. We are up to our necks in dead guinea pigs. The lethal ingredient in those breakfasts wasn’t prayer. And it wasn’t the eggs or the orange juice or the hominy grits. It was a virulent new strain of hypocrisy which did everyone in. If I have offended anyone here by talking of the need of a new religion, I apologize. I am willing to drop the word religion, and substitute three other words for it. Three other words are heartfelt moral code. We sure need such a thing, and it should be simple enough and reasonable enough for anyone to understand. The trouble with so many of the moral codes we have inherited is that they are subject to so many interpretations. We require specialists, historians and archaeologists and linguists and so on, to tell us where this or that idea may have come from, to suggest what this or that statement might actually mean. This is good news for hypocrites, who enjoy feeling pious, no matter what they do. It may be that moral simplicity is not possible in modern times. It may be that simplicity and clarity can come only from a new Messiah, who may never come. We can talk about portents, if you like. I like a good portent as much as anyone. What might be the meaning of the Comet Kahoutek, which was to make us look upward, to impress us with the paltriness of our troubles, to cleanse our souls with cosmic awe. Kahoutek was a fizzle, and what might this fizzle mean? I take it to mean that we can expect no spectacular miracles from the heavens, that the problems of ordinary human beings will have to be solved by ordinary human beings. The message of Kahoutek is: “Help is not on the way. Repeat: help is not on the way.
Kurt Vonnegut Jr. (Palm Sunday: An Autobiographical Collage)
How Google Works (Schmidt, Eric) - Your Highlight on Location 3124-3150 | Added on Sunday, April 5, 2015 10:35:40 AM In late 1999, John Doerr gave a presentation at Google that changed the company, because it created a simple tool that let the founders institutionalize their “think big” ethos. John sat on our board, and his firm, Kleiner Perkins, had recently invested in the company. The topic was a form of management by objectives called OKRs (to which we referred in the previous chapter), which John had learned from former Intel CEO Andy Grove.173 There are several characteristics that set OKRs apart from their typical underpromise-and-overdeliver corporate-objective brethren. First, a good OKR marries the big-picture objective with a highly measurable key result. It’s easy to set some amorphous strategic goal (make usability better … improve team morale … get in better shape) as an objective and then, at quarter end, declare victory. But when the strategic goal is measured against a concrete goal (increase usage of features by X percent … raise employee satisfaction scores by Y percent … run a half marathon in under two hours), then things get interesting. For example, one of our platform team’s recent OKRs was to have “new WW systems serving significant traffic for XX large services with latency < YY microseconds @ ZZ% on Jupiter.”174 (Jupiter is a code name, not the location of Google’s newest data center.) There is no ambiguity with this OKR; it is very easy to measure whether or not it is accomplished. Other OKRs will call for rolling out a product across a specific number of countries, or set objectives for usage (e.g., one of the Google+ team’s recent OKRs was about the daily number of messages users would post in hangouts) or performance (e.g., median watch latency on YouTube videos). Second—and here is where thinking big comes in—a good OKR should be a stretch to achieve, and hitting 100 percent on all OKRs should be practically unattainable. If your OKRs are all green, you aren’t setting them high enough. The best OKRs are aggressive, but realistic. Under this strange arithmetic, a score of 70 percent on a well-constructed OKR is often better than 100 percent on a lesser one. Third, most everyone does them. Remember, you need everyone thinking in your venture, regardless of their position. Fourth, they are scored, but this scoring isn’t used for anything and isn’t even tracked. This lets people judge their performance honestly. Fifth, OKRs are not comprehensive; they are reserved for areas that need special focus and objectives that won’t be reached without some extra oomph. Business-as-usual stuff doesn’t need OKRs. As your venture grows, the most important OKRs shift from individuals to teams. In a small company, an individual can achieve incredible things on her own, but as the company grows it becomes harder to accomplish stretch goals without teammates. This doesn’t mean that individuals should stop doing OKRs, but rather that team OKRs become the more important means to maintain focus on the big tasks. And there’s one final benefit of an OKR-driven culture: It helps keep people from chasing competitors. Competitors are everywhere in the Internet Century, and chasing them (as we noted earlier) is the fastest path to mediocrity. If employees are focused on a well-conceived set of OKRs, then this isn’t a problem. They know where they need to go and don’t have time to worry about the competition. ==========
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